Roland Stereo Amplifier CUBE 100 User Guide

Owner’s Manual  
Thank you, and congratulations on your choice of the Roland CUBE-100 BASS Amplifier.  
These sections provide important information concerning the proper operation of the unit.  
Additionally, in order to feel assured that you have gained a good grasp of every feature provided  
by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and  
kept on hand as a convenient reference.  
Before using this unit, carefully read the sections entitled  
IMPORTANT SAFETY INSTRUCTIONS (p. 2)  
USING THE UNIT SAFELY (p. 3–p. 4)  
IMPORTANT NOTES (p. 4).  
This unit is equipped with a protection circuit.  
The protection circuit helps ensure safety by operating when excessive input continues for a long  
time while the device is at a location with a high ambient temperature. Sound drop-out may occur  
when the protection circuit is actuated during use.  
Please read through the documentation carefully to ensure correct use.  
Main Features  
Adopting Roland’s original FFP technology, this highly functional DSP bass amp features 100-watt  
sound output through the newly developed 30 cm (12-inch) coaxial 2-way wide-range speaker.  
The amp is equipped with a total of eight COSM amp model types, including seven of the most  
popular bass amps along with a newly developed SUPER FLAT.  
SUPER FLAT is an original amp type that features a wide-range frequency and faithful response  
suitable for use with upright basses.  
In addition to an easy-to-use 4-band equalizer, this amp features a SHAPE function for even  
greater flexibility in creating sounds and rich sound variation.  
The amp is equipped with a total of three bass effect systems, including COMPRESSION, an EFX  
system with CHORUS, FLANGER, and T-WAH, and basic DELAY/REVERB.  
In addition to RECORDING OUT/PHONES jack with high-quality sound modeling, the CUBE-  
100 BASS is also equipped with professional quality BALANCED OUT, LINE OUT, and TUNER  
OUT, and EXTERNAL SPEAKER jacks. With such expandability, this amp can be used for a wide  
variety of applications, from home recording to live performances.  
FFP (Feed Forward Processing) is system control technology that optimizes the performance of  
the amp, speakers, and cabinet characteristics according to the signals being input, based on the  
results of analyses of the operation and behavior of each section of existing amp systems.  
COSM (Composite Object Sound Modeling) is Roland’s innovative and powerful sound  
modeling technology. COSM analyzes the many factors that make up the original sound, such as  
the electrical and physical characteristics of the original, and then produces a digital model that  
can reproduce the same sound.  
*
All product names mentioned in this document are trademarks or registered trademarks of their  
respective owners.  
Copyright © 2004 ROLAND CORPORATION  
All rights reserved. No part of this publication may be reproduced in any form without the  
written permission of ROLAND CORPORATION.  
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USING THE UNIT SAFELY  
The  
symbol alerts the user to important instructions  
Used for instructions intended to alert  
the user to the risk of death or severe  
injury should the unit be used  
improperly.  
or warnings.The specific meaning of the symbol is  
determined by the design contained within the  
triangle. In the case of the symbol at left, it is used for  
general cautions, warnings, or alerts to danger.  
Used for instructions intended to alert  
the user to the risk of injury or material  
damage should the unit be used  
improperly.  
The  
symbol alerts the user to items that must never  
be carried out (are forbidden). The specific thing that  
must not be done is indicated by the design contained  
within the circle. In the case of the symbol at left, it  
means that the unit must never be disassembled.  
* Material damage refers to damage or  
other adverse effects caused with  
respect to the home and all its  
furnishings, as well to domestic  
animals or pets.  
The symbol alerts the user to things that must be  
carried out. The specific thing that must be done is  
indicated by the design contained within the circle. In  
the case of the symbol at left, it means that the power-  
cord plug must be unplugged from the outlet.  
001  
011  
Before using this unit, make sure to read the instruc-  
tions below, and the Owner’s Manual.  
Do not allow any objects (e.g., flammable material,  
coins, pins); or liquids of any kind (water, soft drinks,  
etc.) to penetrate the unit.  
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Add  
Connect mains plug of this model to a mains socket  
outlet with a protective earthing connection.  
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012aImmediately turn the power off, remove the power cord  
from the outlet, and request servicing by your retailer, the  
nearest Roland Service Center, or an authorized Roland  
distributor, as listed on the “Information” page when:  
• The power-supply cord, or the plug has been  
damaged; or  
002a  
Do not open or perform any internal modifications on  
the unit.  
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003  
Do not attempt to repair the unit, or replace parts within it  
(except when this manual provides specific instructions  
directing you to do so). Refer all servicing to your retailer,  
the nearest Roland Service Center, or an authorized  
Roland distributor, as listed on the “Information” page.  
• If smoke or unusual odor occurs  
• Objects have fallen into, or liquid has been spilled  
onto the unit; or  
• The unit has been exposed to rain (or otherwise has  
become wet); or  
• The unit does not appear to operate normally or  
exhibits a marked change in performance.  
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004  
Never use or store the unit in places that are:  
• Subject to temperature extremes (e.g., direct sunlight  
in an enclosed vehicle, near a heating duct, on top of  
heat-generating equipment); or are  
• Damp (e.g., baths, washrooms, on wet floors); or are  
• Humid; or are  
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013  
In households with small children, an adult should  
provide supervision until the child is capable of following  
all the rules essential for the safe operation of the unit.  
• Exposed to rain; or are  
• Dusty; or are  
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• Subject to high levels of vibration.  
014  
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Protect the unit from strong impact.  
(Do not drop it!)  
007  
Make sure you always have the unit placed so it is level  
and sure to remain stable. Never place it on stands that  
could wobble, or on inclined surfaces.  
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015  
Do not force the unit’s power-supply cord to share an  
outlet with an unreasonable number of other devices. Be  
especially careful when using extension cords—the total  
power used by all devices you have connected to the  
extension cord’s outlet must never exceed the power  
rating (watts/amperes) for the extension cord. Excessive  
loads can cause the insulation on the cord to heat up and  
eventually melt through.  
................................................................................................................................................................  
008a  
The unit should be connected to a power supply only of  
the type described in the operating instructions, or as  
marked on the rear side of unit.  
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009  
Do not excessively twist or bend the power cord, nor  
place heavy objects on it. Doing so can damage the cord,  
producing severed elements and short circuits.  
Damaged cords are fire and shock hazards!  
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016  
Before using the unit in a foreign country, consult with your  
retailer, the nearest Roland Service Center, or an authorized  
Roland distributor, as listed on the “Information” page.  
................................................................................................................................................................  
010  
This unit, either alone or in combination with an  
amplifier and headphones or speakers, may be capable  
of producing sound levels that could cause permanent  
hearing loss. Do not operate for a long period of time at  
a high volume level, or at a level that is uncomfortable.  
If you experience any hearing loss or ringing in the ears,  
you should immediately stop using the unit, and consult  
an audiologist.  
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026  
Do not put anything that contains water (e.g., flower  
vases) on this unit. Also, avoid the use of insecticides,  
perfumes, alcohol, nail polish, spray cans, etc., near the  
unit. Swiftly wipe away any liquid that spills on the unit  
using a dry, soft cloth.  
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3
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101a  
106  
The unit should be located so that its location or  
position does not interfere with its proper ventilation.  
Never climb on top of, nor place heavy objects on the  
unit.  
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102a  
107a  
Always grasp only the plug on the power-supply cord  
when plugging into, or unplugging from an outlet.  
Never handle the power cord or its plug with wet hands  
when plugging into, or unplugging from, an outlet.  
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103a  
108a  
At regular intervals, you should unplug the power plug  
and clean it by using a dry cloth to wipe all dust and other  
accumulations away from its prongs. Also, disconnect the  
power plug from the power outlet whenever the unit is to  
remain unused for an extended period of time. Any  
accumulation of dust between the power plug and the  
power outlet can result in poor insulation and lead to fire.  
Before moving the unit, disconnect the power plug from  
the outlet, and pull out all cords from external devices.  
........................................................................................................................................  
109a  
Before cleaning the unit, turn off the power and unplug  
the power cord from the outlet (p. 4).  
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.........................................................................................................................................  
110a  
104  
Whenever you suspect the possibility of lightning in  
your area, pull the plug on the power cord out of the  
outlet.  
Try to prevent cords and cables from becoming  
entangled. Also, all cords and cables should be placed  
so they are out of the reach of children.  
........................................................................................................................................  
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IMPORTANT NOTES  
291b  
In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2, 3 and 4,  
please read and observe the following:  
Power Supply  
Maintenance  
401a  
301  
Do not connect this unit to same electrical outlet that is being used by an  
electrical appliance that is controlled by an inverter (such as a refrigerator,  
washing machine, microwave oven, or air conditioner), or that contains a  
motor. Depending on the way in which the electrical appliance is used,  
power supply noise may cause this unit to malfunction or may produce  
audible noise. If it is not practical to use a separate electrical outlet, connect  
a power supply noise filter between this unit and the electrical outlet.  
For everyday cleaning wipe the unit with a soft, dry cloth or one that has  
been slightly dampened with water. To remove stubborn dirt, use a cloth  
impregnated with a mild, non-abrasive detergent. Afterwards, be sure to  
wipe the unit thoroughly with a soft, dry cloth.  
402  
Never use benzine, thinners, alcohol or solvents of any kind, to avoid the  
possibility of discoloration and/or deformation.  
307  
Before connecting this unit to other devices, turn off the power to all units. This  
will help prevent malfunctions and/or damage to speakers or other devices.  
Additional Precautions  
553  
308  
Use a reasonable amount of care when using the unit’s buttons, sliders, or  
other controls; and when using its jacks and connectors. Rough handling  
can lead to malfunctions.  
Although the LEDs are switched off when the POWER switch is switched  
off, this does not mean that the unit has been completely disconnected  
from the source of power. If you need to turn off the power completely,  
first turn off the POWER switch, then unplug the power cord from the  
power outlet. For this reason, the outlet into which you choose to connect  
the power cord’s plug should be one that is within easy reach.  
556  
When connecting / disconnecting all cables, grasp the connector itself—  
never pull on the cable. This way you will avoid causing shorts, or damage  
to the cable’s internal elements.  
557  
A small amount of heat will radiate from the unit during normal operation.  
558a  
Placement  
351  
Using the unit near power amplifiers (or other equipment containing large  
power transformers) may induce hum. To alleviate the problem, change the  
orientation of this unit; or move it farther away from the source of interference.  
To avoid disturbing your neighbors, try to keep the unit’s volume at  
reasonable levels. You may prefer to use headphones, so you do not need to  
be concerned about those around you (especially when it is late at night).  
352a  
559a  
This device may interfere with radio and television reception. Do not use  
this device in the vicinity of such receivers.  
When you need to transport the unit, package it in the box (including  
padding) that it came in, if possible. Otherwise, you will need to use equiv-  
alent packaging materials.  
352b  
Noise may be produced if wireless communications devices, such as cell  
921  
To prevent malfunction and/or damage to speakers or other devices,  
always turn down the volume, and turn off the power on all devices before  
making any connections.  
phones, are operated in the vicinity of this unit. Such noise could occur  
when receiving or initiating a call, or while conversing. Should you  
experience such problems, you should relocate such wireless devices so  
they are at a greater distance from this unit, or switch them off.  
941  
Once the connections have been completed, turn on power to your various  
devices in the order specified. By turning on devices in the wrong order,  
you risk causing malfunction and/or damage to speakers and other  
devices.  
1. Turn on the device connected to the CUBE’s input jack.  
2. Turn on the CUBE.  
354b  
Do not expose the unit to direct sunlight, place it near devices that radiate  
heat, leave it inside an enclosed vehicle, or otherwise subject it to temper-  
ature extremes. Also, do not allow lighting devices that normally are used  
while their light source is very close to the unit (such as a piano light), or  
powerful spotlights to shine upon the same area of the unit for extended  
periods of time. Excessive heat can deform or discolor the unit.  
3. Switch on any equipment connected to the CUBE’s LINE OUT,  
RECORDING OUT/PHONES and BALANCED OUT jacks.  
355b  
When moved from one location to another where the temperature and/or  
Turn off the devices in the reverse order to which they were switched on.  
humidity is very different, water droplets (condensation) may form inside  
the unit. Damage or malfunction may result if you attempt to use the unit  
in this condition. Therefore, before using the unit, you must allow it to  
stand for several hours, until the condensation has completely evaporated.  
Wrap the power cord around the cord hook when trans-porting or storing  
the unit.  
356  
Do not insert hands, fingers, etc, into the openings in the unit. In particular,  
if the unit is to used in households with small children, always provide  
adult supervision to ensure that children keep their hands and feet out of  
these openings.  
Do not allow rubber, vinyl, or similar materials to remain on the unit for  
long periods of time. Such objects can discolor or otherwise harmfully  
affect the finish.  
359  
Do not paste stickers, decals, or the like to this instrument. Peeling such  
matter off the instrument may damage the exterior finish.  
4
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Panel Descriptions  
fig.01  
Stereo  
Headphones  
9
10  
11  
12  
13  
14  
15  
17  
Recorder, PC  
2
16  
1
3
4
5
6
7
8
1. INPUT Jack  
COSM AMPLIFIER  
Connect your bass guitar here.  
5. SHAPE Switch  
2. PEAK Indicator  
This effect alters the COSM amps’ tonal qualities. The particular  
effect obtained varies according to the amp selected with the  
This lights up when the signals are distorted in the input section.  
If this lights frequently, it indicates that the input signal is in  
excess of the optimal level.  
Type switch ().  
Press the PAD switch () to reduce the sensitivity.  
6. Type Switch  
If this still lights up even with the PAD switch pressed, reduce  
the output level on the device being input to the amp.  
You can select from the eight COSM amp types.  
For details on each type, refer to p. 7.  
*
Inputting in excess of the optimal level can cause unintended  
distortion and may prevent the COMPRESSION and T-WAH effects  
from functioning properly.  
7. GAIN Knob  
This adjusts the preamp section’s input level.  
Be sure to check the input level each time you connect a  
different bass or have an effects device connected between the  
bass and the amp.  
Turning the knob to the right increases the gain.  
sound.  
Set the knob to as high a value as possible before the sound  
distorts to get the best signal-to-noise ratio.  
3. PAD Switch  
This adjusts the degree of amplification in the INPUT circuitry  
(the input sensitivity).  
8. VOLUME Knob  
Switching this on lowers the input sensitivity (-10 dB).  
Switch this on if distortion occurs in this device’s input section  
(PEAK indicator lights) as the result of using basses with high  
output signal levels or using connected devices.  
Adjusts the overall volume.  
*
The VOLUME knob do not affect the LINE OUT and the  
BALANCED OUT (p. 8).  
We recommend that this be switched off for ordinary use in  
order to prevent degradation of the signal-to-noise ratio.  
EQUALIZER  
4. COMPRESSION Knob  
9. BASS Knob  
This is an effect that compresses overly high signals while  
boosting lower-level input.  
Adjusts the tone quality of the lower range.  
Turning the knob to the right increases the compression effect.  
When compression is on, the ON indicator lights up; the  
indicator is unlit when the effect is turned off.  
10. LOW-MID Knob  
Adjusts the tone quality of the lower midrange.  
11. HIGH-MID Knob  
Adjusts the tone quality of the upper midrange.  
12. TREBLE Knob  
Adjusts the tone quality of the upper range.  
5
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Panel Descriptions  
13. EFX (Effects) Knob  
15. RECORDING OUT/PHONES Jack  
When Using RECORDING OUT  
Turn this knob to chorus, flanger, or T-wah to select the  
corresponding effect. Turn the knob to adjust the amount of  
effect applied.  
Connect to a recorder or other recording device.  
Features COSM speaker modeling, allowing you to use the  
CUBE as a high-performance amp simulator.  
The ON indicator lights up when EFX is turned on, and goes  
out when EFX is turned off. You can also turn EFX on and off  
using an optional foot switch (the BOSS FS-5U).  
When Using PHONES  
Connect headphones to this jack.  
The COSM speaker modeling allows the bass amp to produce  
sounds with real punch.  
*
Graduations for CHORUS, FLANGER and T-WAH on a panel are  
for reference. Be sure to check the sound as you adjust the effects.  
fig.02  
*
*
No sound is output from the CUBE’s speaker or any external speaker  
when the RECORDING OUT/PHONES jack is in use.  
CHORUS  
In this effect, a slightly detuned sound is  
added to the original sound, giving the  
sound greater breadth and fullness.  
Turning the knob to the right increases  
the rate and deepens the chorus effect.  
As a feature designed to protect the unit's circuitry, sound is  
prevented from being output from the speakers for a few moments  
whenever a plug is disconnected from the RECORDING OUT/  
PHONES jack. This does not indicate the unit is damaged.  
fig.03  
16. POWER Switch  
FLANGER  
Turns the power on and off.  
This creates a flanging effect that creates  
a sort of spinning sensation with the  
sound.  
*
This unit is equipped with a protection circuit. A brief interval (a few  
seconds) after power up is required before the unit will operate  
normally.  
Turning the knob to the right increases  
the rate and deepens the flanging effect.  
*
Always make sure to have the volume level turned down before  
switching on power. Even with the volume all the way down, you may  
still hear some sound when the power is switched on, but this is  
normal, and does not indicate a malfunction.  
fig.04  
T-WAH  
The frequency response of the filter  
changes according to the input level,  
producing unique changes in the timbre.  
Turning the knob to the right increases  
the sensitivity to the input level.  
Adjust this to obtain the optimal effect,  
which is matched with the output level  
of your bass.  
17. Power Indicator  
This indicator lights when the unit is turned on.  
14. DELAY/REVERB Knob  
Turn this knob to DELAY or REVERB to switch to that effect.  
Turn the knob to adjust the amount of effect applied.  
*
Graduations for DELAY, REVERB on a panel are for reference.  
Be sure to check the sound as you adjust the effects.  
fig.05a  
DELAY  
Turn the knob to change the delay time.  
fig.05b  
REVERB  
Turn the knob to adjust the reverb level.  
6
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Panel Descriptions  
TYPE switch () COSM amp type list  
An original amp featuring a wide-range frequency response.  
This amp type provides faithful reproduction of the connected bass’s own sound.  
This is a great type for all kinds of connected instrument.  
SUPER FLAT  
This produces a mild tone with a fat midrange, providing a sound that is per-  
fect for fretless basses, including fretless electric and wood acoustic basses.  
Models the Ampeg B-15 (1 x 15”). This amp provided the underpinning for many of the  
most famous Motown hits.  
FLIP TOP  
B MAN  
T.E  
It features a fat sound, while the amp’s compact cabinet produces a distinct contour.  
Offers more nuances of your picking expression.  
Models the Fender Bassman 100 (4 x 12”).  
This amp has been a favorite since the inception of electric basses. It features the sonic char-  
acteristics of tube amps, whereby increasing the distortion slightly yields a fatter sound.  
Offers a tone with boosted midrange fatness.  
Models the Trace Elliot AH600SMX + 1048 (4 x 10”) + 1518 (1 x 15”). This amp was used  
widely by rock bands in the 1980s. Its wide range, clear attack, and other features make it a  
great amp for all kinds of performance situations.  
Offers more attack.  
Models the acoustic 360 (1 x 18”).  
This amp was used in the ’70s not only by jazz bassists, but by funk and hard rock players  
as well. The tone features a warm low end with a midrange that maintains a clear contour,  
even with finger picking.  
BASS 360  
Offers more nuances of your picking expression.  
Models the SWR SM-400 + Goliath (4 x 10”) + Big Ben (1 x 18”). This tweeter-equipped amp  
is representative of the “L.A. Sound” of the ’80s. It features a wide-range tone that balances  
presence in the low end with a clear, open sound.  
SESSION  
Offers a tight tone with a cut midrange.  
Models the Ampeg SVT + 810E (8 x 10”).  
This amp typifies the rock sound that relied heavily on combinations of high-output tube  
amp sections and large-sized cabinets.  
CONCERT 810  
The characteristic sound is one of overwhelming low-frequency sound pressure.  
Offers extra heavy bottom sound.  
This original amp type creates sounds one octave below the input sounds and layers them  
together to create a fatter bass sound.  
*
This function may not work properly when inputting chords; for example, sounds may not  
play, or they may be played at incorrect pitches. Always input a single note.  
OCTAVE BASS  
This produces a more powerful, edgy octave sound.  
*
All product names mentioned in this document are trademarks or registered trademarks of their respective owners, and are not related to Roland  
Corporation.  
In this manual, these names are used as appropriate ways to indicate sounds that are simulated using COSM technology.  
7
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Panel Descriptions  
Rear Panel  
The pin assignment for the XLR type connectors is  
as shown below. Before making any connections,  
make sure that this pin assignment is compatible  
with that of all your other devices.  
1
2
3
4
5
INPUT  
Speaker  
Cable  
PA Mixer  
INPUT  
INPUT  
Q: The volume level of the instrument  
connected to the CUBE is too low.  
INPUT  
FS-5U FS-5U  
A: Could you be using a connection  
cable that contains a resistor?  
Use a connection cable that does  
not contain a resistor.  
Tuner  
Recorder  
External Speaker  
Polarity Switch  
* Less than 8 , more than 100 W  
1. FOOT SW (Foot Switch) Jack  
5. BALANCED OUT Jack  
Use this to connect to external PAs and other such systems.  
You can switch the sound that is output to suit the particular  
application.  
Foot switches (the optional BOSS FS-5U) are connected here.  
*
Set the polarity switch as shown in figure.  
EFX: Switches on and off of EFX.  
This professional-grade feature includes a tough, reliable XLR-type  
connector and ground lift switch.  
DELAY/REVERB: Switches on and off of DELAY/REVERB.  
2. EXT SPEAKER (External Speaker) Jack  
You can connect external speaker here.  
SELECT Switch  
DI OUT: Signals input to the INPUT jack are output as is.  
Other than the PAD switch, none of the CUBE’s knobs affect  
the BALANCED OUT output.  
When connected, sounds are played from both the CUBE and  
the external speakers.  
*
When connecting to an external speaker, make sure the speaker  
conforms to the following specifications.  
LINE OUT: Outputs the same signal as that from LINE OUT.  
The sound is changed by the settings of the CUBE’s knobs,  
except for the VOLUME knob.  
Impedance: 8 maximum  
Allowable power input: 100 watts minimum  
*
The VOLUME knob has no effect on the signal from LINE  
OUT. To adjust the output level, use the CUBE’s GAIN knob  
or adjust the level of the connected device.  
*
*
Only use speaker cable to connect the speaker. Do not use any shielded  
cable designed for use with basses.  
No sound is output from the CUBE’s speaker or any external speaker  
when the RECORDING OUT/PHONES jack is in use.  
This is optimal for maximizing the performance of the CUBE’s  
features, including the COSM amp modeling and effects,  
when playing live.  
3. LINE OUT Jack  
Connects to a recorder, external amplifier system or other  
external system.  
GND LIFT Switch  
ON: Pin 1 is disconnected from the CUBE’s ground.  
OFF: Pin 1 connects to the CUBE’s ground.  
The COSM speaker modeling allows the bass amp to produce  
sounds with real punch.  
Loop hum noise may occur when other external devices are  
connected to the CUBE. In such instances, you may be able to  
mitigate the problem by switching the position of the GND  
LIFT switch.  
*
The VOLUME knob has no effect on the signal from LINE OUT. To  
adjust the output level, use the CUBE’s GAIN knob or adjust the level  
of the connected device.  
Use this when line-recording performances while listening to  
the sound from the CUBE’s speaker.  
The GND LIFT switch should be normally set to OFF.  
4. TUNER OUT Jack  
Connect tuner to this jack.  
*
Other than the PAD switch, none of the CUBE’s knobs affect the  
TUNER OUT output.  
8
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Main Specifications  
Rated Power Output  
100 W  
Connectors  
INPUT Jack (1/4” phone type)  
RECORDING OUT/PHONES Jack (Stereo 1/4” phone type)  
FOOT Switch Jack (EFX, DELAY/REVERB) (1/4” phone type)  
EXT SPEAKER Jack (1/4” phone type)  
LINE OUT Jack (1/4” phone type)  
Nominal Input Level (1kHz)  
INPUT: -10 dBu / 1 MΩ  
Speaker  
TUNER OUT Jack (1/4” phone type)  
BALANCED OUT Jack (XLR type)  
30 cm (12 inches) + Tweeter (Coaxial, 2-way)  
Controls  
Power Supply  
AC 117 V, 230 V or 240 V  
POWER Switch  
<INPUT>  
PAD Switch  
Power Consumption  
28 W  
<COMPRESSION>  
COMPRESSION Knob  
<COSM AMPLIFIER>  
Dimension  
407 (W) x 310 (D) x 469 (H) mm  
SHAPE Switch, TYPE Knob (SUPER FLAT, FLIP TOP, B MAN, T.E,  
16-1/16 (W) X 12-1/4 (D) X 18-1/2 (H) inches  
BASS 360, SESSION, CONCERT 810, OCTAVE BASS), GAIN Knob,  
VOLUME Knob  
Weights  
17 kg / 37 lbs 8 oz  
<EQUALIZER>  
BASS Knob, LOW-MID Knob, HIGH-MID Knob, TREBLE Knob  
<EFX>  
Accessories  
Owner’s Manual, Roland Service Information sheet  
EFX Knob (CHORUS, FLANGER, T-WAH)  
<DELAY/REVERB>  
DELAY/REVERB Knob  
Options  
<BALANCED OUT>  
Foot switch FS-5U (BOSS)  
SELECT Switch (DI OUT / LINE OUT), GND LIFT Switch (ON /  
OFF)  
*
*
0 dBu = 0.775 Vrms  
In the interest of product improvement, the specifications and/or  
appearance of this unit are subject to change without prior notice.  
Indicators  
Power, PEAK, COMPRESSION, SHAPE, EFX, DELAY/REVERB  
Block Diagram  
INPUT  
PEAK  
POWER AMP  
VOLUME  
AMPLIFIER  
MUTE  
PAD  
-10 dB  
EFX  
(T-WAH)  
DELAY/  
REVERB  
GAIN  
EQ  
COMP  
EFX  
SPEAKER  
SHAPE  
SUPER FLAT  
FLIP TOP  
B MAN  
T. E  
BASS360  
EXT  
SESSION  
CONCERT 810  
OCTAVE BASS  
SPEAKER  
TUNER  
OUT  
CABINET &  
SPEAKER  
RECORDING  
OUT/  
SIMULATOR  
SELECT  
DI OUT  
PHONES  
* No sound is played through the unit’s speaker and  
external speaker while the PHONES jack is in use.  
BALANCED  
OUT  
LINE OUT  
CABINET &  
SPEAKER  
SIMULATOR  
LINE OUT  
GND LIFT  
9
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Sample Settings  
ALL ROUND (SUPER FLAT)  
An original amp featuring a wide-range frequency response.  
This amp type enables clear reproduction of your instrument’s  
sound. This also makes it perfect when connecting bass  
modeling processors or using sound modules like bass synth.  
In addition, you can exploit the equalizer’s capabilities to  
create the perfect bass sound for any musical genre from rock  
to jazz.  
SHAPE switch: OFF  
FINGER & FRETLESS (BASS 360)  
This bass sound made its appearance in the ’70s.  
This is suited for a Jazz Bass with a rear pickup used. This  
produces a warm, contoured sound when the bass is fingered  
near the rear pickup.  
In addition, using this setting while playing harmonics in  
combination with a chorus and a delay enables sounds  
featuring exquisite reverberation.  
SHAPE switch: OFF  
SLAP BASS (SESSION)  
This setting cuts the midrange for a great slap bass sound.  
Setting the SHAPE switch to ON further boosts the low and  
high ends.  
To get a crisp slap sound, lower the HIGH-MID setting and raise  
the TREBLE. This emphasizes the brightness of the string sound,  
resulting in a slap sound with a lighter pull sound. To get that  
attacking sound used in Rock music, raise the BASS and HIGH-  
MID settings to produce a sound with greater power. You can turn  
the LOW-MID knob to reduce the middle and get a heavy sound  
with superb clarity and distinction.  
SHAPE switch: ON or OFF  
JAZZ WOOD (SUPER FLAT)  
This produces a warm bass sound that is perfect for jazz.  
The tonal quality is perfectly suited for fretless-type basses.  
Slightly raising the BASS and HIGH-MID settings is an  
effective way to fatten the core sound of the fretless bass.  
When using an electric upright bass, turning down the  
TREBLE to adjust the sound creates a sound approximating  
that of a wooden acoustic upright. This also produces a natural  
sound with acoustic upright basses.  
SHAPE switch: ON  
SMOOTH JAZZ (FLIP TOP)  
This is a smooth bass sound, just right for jazz and soul.  
For a thicker, bouncier sound, raise the LOW-MID setting.  
When playing in bigger bands, switching the SHAPE switch to  
ON or turning up the HIGH-MID knob slightly is effective in  
preventing the bass sound from getting buried in the overall  
sound.  
When used with wood basses, setting the SHAPE switch to OFF  
results in a sound resembling that of 60s-style miked recordings.  
Setting SHAPE to ON produces the sound of basses recorded with  
piezo pickups in the ’70s.  
SHAPE switch: ON or OFF  
10  
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Sample Settings  
Set the VOLUME knob at appropriate volume level.  
FUNK WAH (T.E)  
This setting employs the T-WAH feature for a funky sound  
that responds to the bass touch.  
The wah effect becomes even more prominent with the T.E or  
SESSION amp types, which feature response up to the high-  
frequency range. Use the T-WAH knob to adjust the  
sensitivity. Adjust the T-WAH effect with the knob settings  
according to the output of the connected bass.  
SHAPE switch: OFF  
ROCK RIFF (CONCERT 810)  
This is a fat, powerful standard bass sound.  
Raise the HIGH-MID setting to produce a clear picking sound  
when the bass is picked.  
If you want a fatter low end, set the SHAPE switch to ON.  
Raising the GAIN slightly results in an even fatter sound.  
Applying the FLANGER produces a driving sound that goes  
well with rock music.  
SHAPE switch: ON or OFF  
OVER DRIVE (B MAN)  
This setting gives the distorted sound produced by cranking a  
tube amp up all the way.  
You can set the GAIN position to create a huge range of  
sounds, from light-distortion to deep-distortion overdrive.  
You can then use the equalizer to create a wide range of  
different tones.  
You can get distortion with a fat, undulating sound by raising  
the LOW-MID setting, while turning up the TREBLE and  
HIGH-MID and turning down the BASS works to produce a  
bright distortion sound.  
SHAPE switch: OFF  
Setting Name:  
Use this for keeping notes regarding your settings.  
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SHAPE Switch  
ON  
OFF  
11  
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For EU Countries  
This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.  
For the USA  
FEDERAL COMMUNICATIONS COMMISSION  
RADIO FREQUENCY INTERFERENCE STATEMENT  
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the  
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential  
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in  
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee  
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or  
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the  
interference by one or more of the following measures:  
Reorient or relocate the receiving antenna.  
Increase the separation between the equipment and receiver.  
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.  
Consult the dealer or an experienced radio/TV technician for help.  
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:  
(1) This device may not cause harmful interference, and  
(2) This device must accept any interference received, including interference that may cause undesired operation.  
Unauthorized changes or modification to this system can void the users authority to operate this equipment.  
This equipment requires shielded interface cables in order to meet FCC class B Limit.  
For Canada  
NOTICE  
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.  
AVIS  
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.  
SD000521  
2DH  
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