Roland Recording Equipment JV 1010 User Guide

O W N ER’S MAN UAL

Thank you, and congratulations on your choice of the Roland JV-1010 64 Voice Synthesizer

Module.

In order to get a good understanding of the JV-1010’s many outstanding features and ensure

many years of trouble-free use, please be sure to read through this manual in its entirety.

Before using this unit, carefully read the sections entitled: “USING THE UNIT

SAFELY” (p. 2–4) and “IMPORTANT NOTES” (p. 5, 6). These sections provide

important information concerning the proper operation of the unit. Additionally,

in order to feel assured that you have gained a good grasp of every feature

provided by your new unit, Owner’s manual should be read in its entirety. The

manual should be saved and kept on hand as a convenient reference.

* Apple is a registered trademark of Apple Computer, Inc.

* Macintosh is a registered trademark of Apple Computer, Inc.

* Emagic and SoundDiver are registered trademarks of Emagic GmbH.

the written permission of ROLAND CORPORATION.

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008c

Be sure to use only the AC adaptor supplied with

015

• Do not force the unit’s power-supply cord to share

•

the unit. Also, make sure the line voltage at the

installation matches the input voltage specified on

the AC adaptor’s body. Other AC adaptors may

use a different polarity, or be designed for a

different voltage, so their use could result in

damage, malfunction, or electric shock.

an outlet with an unreasonable number of other

devices. Be especially careful when using

extension cords—the total power used by all

devices you have connected to the extension cord’s

outlet must never exceed the power rating (watts/

amperes) for the extension cord. Excessive loads

can cause the insulation on the cord to heat up and

eventually melt through.

..........................................................................................................

009

..........................................................................................................

016

•

Avoid damaging the power cord. Do not bend it

excessively, step on it, place heavy objects on it,

etc. A damaged cord can easily become a shock or

fire hazard. Never use a power cord after it has

been damaged.

•

Before using the unit in a foreign country, consult

with your retailer, the nearest Roland Service

Center, or an authorized Roland distributor, as

listed on the “Information” page.

..........................................................................................................

010

..........................................................................................................

022b

•

This unit, either alone or in combination with an

amplifier and headphones or speakers, may be

capable of producing sound levels that could

cause permanent hearing loss. Do not operate for a

long period of time at a high volume level, or at a

level that is uncomfortable. If you experience any

hearing loss or ringing in the ears, you should

immediately stop using the unit, and consult an

audiologist.

•

Always turn the unit off and unplug the AC

adaptor before attempting installation of the

circuit board (SR-JV80 series).

..........................................................................................................

023

•

DO NOT play a CD-ROM disc on a conventional

audio CD player. The resulting sound may be of a

level that could cause permanent hearing loss.

Damage to speakers or other system components

may result.

..........................................................................................................

011

•

Do not allow any objects (e.g., flammable material,

coins, pins); or liquids of any kind (water, soft

drinks, etc.) to penetrate the unit.

..........................................................................................................

012c

•

Immediately turn the power off, remove the AC

adaptor from the outlet, and request servicing by

your retailer, the nearest Roland Service Center, or

an authorized Roland distributor, as listed on the

“Information” page when:

•

The AC adaptor or the power-supply cord has

been damaged; or

Objects have fallen into, or liquid has been

spilled onto the unit; or

The unit has been exposed to rain (or

otherwise has become wet); or

The unit does not appear to operate normally

or exhibits a marked change in performance.

..........................................................................................................

013

•

In households with small children, an adult

should provide supervision until the child is

capable of following all the rules essential for the

safe operation of the unit.

..........................................................................................................

014

•

Protect the unit from strong impact.

(Do not drop it!)

..........................................................................................................

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USIN G THE UN IT SAFELY

101b

•

The unit and the AC adaptor should be located so

their location or position does not interfere with

their proper ventilation.

..........................................................................................................

102d

•

Always grasp only the plug or the body of the AC

adaptor when plugging into, or unplugging from,

an outlet or this unit.

..........................................................................................................

103b

•

Whenever the unit is to remain unused for an

extended period of time, disconnect the AC

adaptor.

..........................................................................................................

104

•

Try to prevent cords and cables from becoming

entangled. Also, all cords and cables should be

placed so they are out of the reach of children.

..........................................................................................................

106

•

Never climb on top of, nor place heavy objects on

the unit.

..........................................................................................................

107d

•

Never handle the AC adaptor body, or its plugs,

with wet hands when plugging into, or

unplugging from, an outlet or this unit.

..........................................................................................................

108b

•

Before moving the unit, disconnect the AC adaptor

and all cords coming from external devices.

..........................................................................................................

109b

•

Before cleaning the unit, turn off the power and

unplug the AC adaptor from the outlet.

..........................................................................................................

110b

•

Whenever you suspect the possibility of lightning

in your area, disconnect the AC adaptor from the

outlet.

..........................................................................................................

115a

•

Install only the specified circuit board(s) (SR-JV80

series). Remove only the specified screws (p. 16).

..........................................................................................................

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Im p o rta n t N o te s

In addition to the items listed under “USING THE UNIT SAFELY” on page 2, please read and

observe the following:

■ Po w e r Su p p ly

•

Do not use this unit on the same power circuit with any device that will generate line noise (such

as an electric motor or variable lighting system).

The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal,

and is not a cause for concern.

Before connecting this unit to other devices, turn off the power to all units. This will help prevent

malfunctions and/ or damage to speakers or other devices.

■ Pla ce m e n t

•

This device may interfere with radio and television reception. Do not use this device in the

vicinity of such receivers.

•

To avoid possible breakdown, do not use the unit in a wet area, such as an area exposed to rain or

other moisture.

■ Ma in te n a n ce

•

For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened

with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive

detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of

discoloration and/ or deformation.

•

■ Re p a irs a n d Da ta

•

Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for

repairs. Important data should always be backed up in another MIDI device (e.g., a sequencer), or

written down on paper (when possible). During repairs, due care is taken to avoid the loss of

data. However, in certain cases (such as when circuitry related to memory itself is out of order),

we regret that it may not be possible to restore the data, and Roland assumes no liability

concerning such loss of data.

■ Me m o ry Ba ck u p

•

This unit contains a battery which powers the unit’s memory circuits while the main power is off.

When this battery becomes weak, the message shown below will appear in the display. Once you

see this message, have the battery replaced with a fresh one as soon as possible to avoid the loss

of all data in memory. To have the battery replaced, consult with your retailer, the nearest Roland

Service Center, or an authorized Roland distributor, as listed on the “Information” page.

fig.3-01

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Im p o rta n t N o te s

■ Ad d itio n a l Pre ca u tio n s

•

Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction,

or the improper operation of the unit. To protect yourself against the risk of loosing important

data, we recommend that you periodically save a backup copy of important data you have stored

in the unit’s memory in another MIDI device (e.g., a sequencer).

•

Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s

memory or another MIDI device (e.g., a sequencer) once it has been lost. Roland Corporation

assumes no liability concerning such loss of data.

•

Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and

when using its jacks and connectors. Rough handling can lead to malfunctions.

When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable.

This way you will avoid causing shorts, or damage to the cable’s internal elements.

To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may

prefer to use headphones, so you do not need to be concerned about those around you (especially

when it is late at night).

•

When you need to transport the unit, package it in the box (including padding) that it came in, if

possible. Otherwise, you will need to use equivalent packaging materials.

■ Ha n d lin g CD-RO Ms

•

Avoid touching or scratching the shiny underside (encoded surface) of the disc. Damaged or dirty

CD-ROM discs may not be read properly. Keep your discs clean using a commercially available

CD cleaner.

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Ho w to Re a d Th is O w n e r’s Ma n u a l

This owner’s manual is organized as follows.

Q u ick Sta rt

This section is intended for those using the JV-1010 for the first time, and explains how to use various

functions in a simple way. Please read Quick Start and follow along by actually operating the JV-

1010. This will help you understand most of what you need to know for basic operations.

Ap p e n d ice s

This chapter contains a troubleshooting section for use when the JV-1010 is not functioning as

expected. There is also a list of error messages that you can refer to if an error message appears on the

display. A list of patches and MIDI implementation chart are also provided.

■ N o ta tio n Use d in Th is O w n e r’s Ma n u a l

An asterisk (*) at the beginning of a paragraph indicates a note or precaution. These should not be

ignored. In the Quick Start section, such material is indicated by (

(p. **) refers to pages within the manual.

Although the JV-1010 cannot be used on its own for creating sounds, using the Emagic

SoundDiver JV/XP on the CD-ROM included with the JV-1010 allows you to create original

sounds. For more on the operation of SoundDiver JV/XP, refer to SoundDiver JV/XP Help.

Furthermore, the Reference Manual that is on the included CD-ROM explains the workings of

patches, performances, rhythm set parameters, and the system parameters that determine the JV-

1010’s operating environment, along with descriptions of the parameters. Be sure to refer to this

manual this when creating sounds.

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Co n te n ts

Main Features........................................................................................10

Front and Rear Panel............................................................................11

Q u ick Sta rt ........................................................ 1 3

Getting Ready to Play...........................................................................14

Attaching the Rubber Feet....................................................................................................................... 14

Installing on the Rack-Mount Adaptor ................................................................................................. 14

Installing a Wave Expansion B o ard ....................................................................................................... 15

How to Install a Wave Expansion B o ard ................................................................................... 15

Making the Connections.......................................................................................................................... 18

S w i tching the Power On and Off ........................................................................................................... 20

S w i tching On the Power .............................................................................................................. 20

Switching Off the Power .............................................................................................................. 20

Reset to Default Factory Settings (Factory Reset) ............................21

Listening to Demo Songs (Demo Play )...............................................22

Composer Profiles......................................................................................................................... 23

Choosing and Playing Patches ...........................................................24

Auditioning Patches (Phrase Preview).................................................................................................. 25

Playing Notes from a MIDI Keyboard .................................................................................................. 26

Choosing Patches...................................................................................................................................... 27

Choosing Patches by B a nk........................................................................................................... 27

Choosing Patches by Category.................................................................................................... 28

Playing Percussion Sounds ..................................................................................................................... 29

Using the JV-1010 as the GM Sound Modul e .....................................31

Entering GM Mode................................................................................................................................... 31

Changing Sounds from an External MIDI Device...............................32

Note on Using an External MIDI Device to Switch Sounds ................................................... 32

Changing Patches ..................................................................................................................................... 32

Changing a Performance ......................................................................................................................... 34

Changing a Rhythm Set........................................................................................................................... 36

Trying Out Desktop Music ...................................................................38

Connecting to a Computer ...................................................................................................................... 38

Connecting to the COMPUTER Connector ............................................................................... 38

Connecting with MIDI Connectors ............................................................................................ 41

Performing Multiple Parts (Performance Mode)................................................................................. 42

Editing Using Only the JV-1010...........................................................44

Making Part Settings (PART).................................................................................................................. 44

Restoring the Factory Settings (Factory Reset) ......................................................................... 45

Initializing GM Mode (GM Initialize )........................................................................................ 46

Initializing the Settings (Initialize) ............................................................................................. 47

Transmitting Settings to an External MIDI Device (Data Transfer) ...................................... 48

Making System Settings (SYSTEM) ....................................................................................................... 49

Selecting the Receive Channel (Perform Ctrl CH) ................................................................... 49

Tuning (Master Tune)................................................................................................................... 50

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Co n te n ts

Ap p e n d ice s........................................................ 5 1

Troubleshooting....................................................................................52

Error Message s .....................................................................................53

Patch List...............................................................................................54

Patch Category List ..............................................................................58

Rhythm Set List.....................................................................................64

Performance List...................................................................................67

MIDI Implementation.............................................................................68

Specifications........................................................................................89

Computer Cable Wiring Diagrams.......................................................90

Index.......................................................................................................91

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Ma in Fe a tu re s

■ In co rp o ra te s th e JV-1 0 8 0 So u n d Mo d u le

The JV-1010 is a 16-part multitimbral internal sound generator that can generate up to 64 voices

simultaneously, and is equipped with a multi-effects processor (EFX) offering a total of 40 different

effects.

The Preset patches are compatible not only with the JV-1080 and the XP-30/ 50/ 60/ 80, but with the

JV-2080 as well.

The General MIDI system is also supported.

Ge n e ra l MIDI Sy ste m

The General MIDI system is a set of recommendations which seeks to provide a way to go

beyond the limitations of proprietary designs, and standardize the MIDI capabilities of sound

generating devices. Sound generating devices and music files that meets the General MIDI

standard bears the General MIDI logo (

). Music files bearing the General MIDI logo can be

played back using any General MIDI sound generating unit to produce essentially the same

musical performance (p. 31).

■ SR-JV8 0 -0 9 “ Se ssio n ” W a ve s a n d Pa tch Da ta O n b o a rd

There are total of 1,023 onboard sounds, including the user patches, presets A through E, and session

sounds.

■ SR-JV8 0 Se rie s W a ve Ex p a n sio n Bo a rd s Ca n Be In sta lle d

A SR-JV80 series Wave Expansion Board can be installed, enabling expansion of sounds using the SR-

JV80 series.

■ Eq u ip p e d w ith Co m p u te r Co n n e cto r

By connecting the instrument to a computer, you can enjoy full-fledged editing.

■ Ea sy -to -u n d e rsta n d , Ea sy -to -u se O p e ra tio n s a n d O th e r

Use fu l Fe a tu re s

You can use the CATEGORY/ BANK knob to choose sounds by category.

There is a Phrase Preview that lets you audition patches through phrases, using just the JV-1010.

1 0

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Fro n t a n d Re a r Pa n e l

Fro n t Pa n e l

fig.0-01

1 . PHO N ES Ja ck

This is the jack for connecting headphones (sold separately).

* Use headphones with an impedance of 8 to 150 Ohms.

2 . VO LUME Kn o b

This adjusts the volume level for the OUTPUT jack and the PHONES jack. You can also check out a

sound using the JV-1010 alone by pressing the VOLUME knob (Phrase Preview, p. 25). When in a

mode other than the Patch mode, pressing the VALUE knob while holding down the VOLUME knob

switches you to the Edit mode.

3 . PART Kn o b

In the Patch mode, it changes the receive channel. In the Performance mode or the GM mode, it

selects the Part to which settings are to be applied.

4 . Disp la y

Displays a variety of information about the operation being performed.

5 . MIDI In d ica to r

Lights up when MIDI messages are received.

6 . MO DE In d ica to rs

The indicator for the currently active mode lights up.

7 . VALUE Kn o b

This changes the setting values for parameters. Turning the knob rapidly makes the value change in

larger increments. Pressing the knob switches the mode. When in a mode other than the Patch mode,

pressing the VALUE knob while holding down the VOLUME knob switches you to the Edit mode.

8 . CATEGO RY/ BAN K Kn o b

Used to switch the sound selection range.

In the Edit mode, it is used to select the

parameter to be set. For more information

about the CATEGORY/ BANK knob’s functions

in Edit mode, refer to the EDIT PARAMETER

SELECT chart on the JV-1010’s top panel.

9 . PO W ER Sw itch

Pressed to switch the power on and off.

1 1

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Fro n t a n d Re a r Pa n e l

Re a r Pa n e l

fig.0-02

1 . AC Ad a p to r Ja ck

Accepts connection of the supplied AC adapter.

2 . Co rd Ho o k

To prevent the inadvertent disruption of power to your unit (should the

plug be pulled out accidentally), and to avoid applying undue stress to the

AC adaptor jack, anchor the power cord using the cord hook, as shown in

the illustration.

3 . MIDI Co n n e cto rs (IN , O UT, THRU)

These connectors are used to connect the JV-1010 with other devices for sending and receiving MIDI

messages.

When using these connectors to exchange MIDI messages, set the COMPUTER switch to MIDI.

MIDI IN: This receives information from other MIDI instruments.

MIDI OUT: This sends information from the JV-1010.

MIDI THRU: This sends out, unaltered, information received from MIDI IN.

4 . CO MPUTER Sw itch (Ma c, PC-1 , PC-2 , MIDI)

The switch should be set as appropriate for the type of computer connected to the COMPUTER

Connector, and the software being used (p. 38).

When using the MIDI connectors, set this to MIDI.

* Turn off the power before changing this switch’s setting.

5 . CO MPUTER Co n n e cto r

This is for connecting a computer to the JV-1010 using a computer cable (sold separately) (p. 38).

Set the COMPUTER switch to Mac or PC-2.

6 . O UTPUT Ja ck s (L (MO N O ), R)

These are for stereo (L/ R) output of audio signals to an amp or a mixer. For monaural output,

connect to the left (L) jack.

1 2

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Q u ick Sta rt

1 3

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Ge ttin g Re a d y to Pla y

Atta ch in g th e Ru b b e r Fe e t

If you will not be using the separately available RAD-50 rack-mount

adaptor, attach the rubber feet that were supplied with the JV-1010, as

shown in the figure. Use the small holes on the bottom as a guide for

positioning the rubber feet when attaching them.

fig.1-01.e

affix the supplied rubber feet onto the bottom of the unit

In sta llin g o n th e Ra ck -Mo u n t Ad a p to r

When installing on the rack-mount adaptor (RAD-50; sold separately), use

the screw (M4 x 8) included with the rack-mount adaptor.

fig.1-02.e

When mounting the unit

using the rack-mount

adaptor, install it onto the

rack-mount adaptor

without attaching the

rubber feet.

Screw (M4 x 8)

1 4

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Ge ttin g Re a d y to Pla y

In sta llin g a W a ve Ex p a n sio n Bo a rd

One Wave Expansion Board (SR-JV80 series; sold separately) can be

installed in the JV-1010.

Installing a Wave

Waveform data, patches and rhythm sets are stored on the Wave Expansion

Board, so you can increase the number of available sounds by installing the

board in the JV-1010.

Expansion Board increases

the patches and drum sets

for Parts, but the number of

Parts doesn’t change.

The Wave Expansion Board can be installed by removing the top cover.

■ How to Install a Wave Expansion Board

First, here are some important points to remember when installing into the

JV-1010:

■ To avoid the risk of damage to internal components that can be caused by

static electricity, please carefully observe the following whenever you

handle the board.

• Before you touch the board, always first grasp a metal object (such as

a water pipe), so you are sure that any static electricity you might

have been carrying has been discharged.

• When handling the board, grasp it only by its edges. Avoid touching

any of the electronic components or connectors.

• Save the bag in which the board was originally shipped, and put the

board back into it whenever you need to store or transport it.

■ Do not touch any of the printed circuit pathways or connection terminals.

■ Never use excessive force when installing a circuit board. If it doesn’t fit

properly on the first attempt, remove the board and try again.

■ When circuit board installation is complete, double-check your work.

■ Install only the specified board, and remove only the specified screws.

■ Be careful not to cut your hands on the opening for installing the board.

1 5

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Ge ttin g Re a d y to Pla y

Follow the steps below to install the Wave Expansion Board.

Before installing the Wave Expansion Board, switch off the

power to the JV-1010 and any connected equipment.

Detach the cover on the upper portion of the JV-1010. Loosen

the four screws on the upper portion of the cover.

fig.1-03a.e

Screwdriver

Position the board holders so they are oriented.

fig.1-03b.e

Board holder

Insert the connector for the Wave Expansion Board into the

connector on the unit, and at the same time, fit the board

holders into the holes. When you do this, the heads of the three

board holders should protrude from the Expansion Board.

fig.1-03c.e

Connector

EXP-B

Board holder

1 6

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Ge ttin g Re a d y to Pla y

Use the tool supplied with the Wave Expansion Board to

rotate the board holders to LOCK, securing the Wave

Expansion Board in place.

fig.1-03d.e

LOCK

Use the (specified) screws you removed in step 2 to reattach

the cover.

This completes the installation of the Wave Expansion Board. Next, make

sure the board is installed correctly.

Switch on the power to the JV-1010 (p. 20).

When a Wave Expansion

Board is installed, then

when you switch on the

power first roland Jv-1010

is displayed, and after that

the final two digits of the

model number for the

installed Wave Expansion

Board flash twice on the

display.

Press the VALUE knob to choose the Patch mode (PATCH).

fig.1-04

For example, when the SR-

JV80-02 “Orchestral” Wave

Expansion Board is

Pressing the VALUE knob makes the mode change sequentially. Press the

knob several times, until the PATCH indicator lights up.

installed, 02 flashes twice

on the display.

Turn the CATEGORY/ BANK knob to choose WAVE-EXP.

fig.1-05

If the display shows - - -,

it’s likely that the Wave

Expansion Board is not

being recognized correctly.

Follow the steps in

“Switching Off the

Power” (p. 20) to switch off

the power, then reinstall

the Wave Expansion Board,

making sure you do it

correctly.

If 001 appears in the display, the Wave Expansion Board has been installed

correctly.

1 7

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Ge ttin g Re a d y to Pla y

Ma k in g th e Co n n e ctio n s

The JV-1010 does not have a built-in amp or speakers. In order to produce

sound, you need to hook up audio equipment such as a monitor speaker or

a stereo set, or use headphones.

fig.1-06.e

Headphones

AC adaptor

COMPUTER connector

DC IN

MIDI IN

MIDI keyboard

MIDI OUT

MIDI sequencer etc.

Monitor speakers

(powered)

Mixer etc.

Stereo set etc.

Cassette radio

Power amp

1 8

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Ge ttin g Re a d y to Pla y

Follow the steps described below to connect the JV-1010 and an external

device.

To prevent malfunction

and/ or damage to speakers

or other devices, always

turn down the volume, and

turn off the power on all

devices before making any

connections.

Before making the connections, make sure the power to all

equipment is switched off.

Connect the included AC adaptor to the AC adaptor jack and

plug the adaptor into a power outlet.

Connect the JV-1010 and the external device as shown in the

figure.

Connecting audio equipment: the OUTPUT jacks (L (MONO), R)

Use audio cables (sold separately) to connect the audio device to the

OUTPUT jacks on the JV-1010.

We recommend using a

stereo connection in order

to get the maximum

Connecting a MIDI keyboard or sequencer: the MIDI connectors (IN,

OUT, THRU)

performance from the JV-

1010, but for monaural use,

make the connection to the

L (MONO) OUTPUT jack.

Use a MIDI cable (sold separately) to connect the MIDI OUT connector on

the MIDI keyboard or sequencer to the MIDI IN connector on the JV-1010.

Using headphones: the PHONES jack

Plug the headphones (sold separately) into the PHONES jack on the front

panel.

Using a computer: the COMPUTER connector

Use a computer cable (sold separately) to connect the computer to the

COMPUTER connector on the JV-1010.

For more information on

making the connection

with the computer, take a

look at “Connecting to a

Computer” (p. 38).

1 9

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Ge ttin g Re a d y to Pla y

Sw itch in g th e Po w e r O n a n d O ff

■ Switching On the Power

Once the connections have

been completed (p. 18), turn

on power to your various

devices in the order

Before you switch on the power, check the following.

• Are peripheral devices connected correctly?

• Is the volume level on the JV-1010 and the connected external

equipment turned down all the way?

specified. By turning on

devices in the wrong order,

you risk causing malfunction

and/ or damage to speakers

and other devices.

Press the POWER switch on the JV-1010 to switch on the power.

After roland Jv-1010 is displayed, the unit starts up in the same state it was

in when the power was last turned off.

If the power was turned off

while in the Rhythm Set

mode (RHYTHM), the unit

starts up in the Performance

mode (PERFORM).

¬fig.1-07

This unit is equipped with

a protection circuit. A brief

interval (a few seconds)

after power up is required

before the unit will operate

normally.

Switch on the power to the connected external equipment.

Play sounds on the JV-1010 and turn the VOLUME knob to

adjust the volume on the JV-1010 and the external equipment.

fig.1-08

Be careful not to turn the

volume up too high.

Excessive volume levels are

not only inconsiderate to

others around you, but may

damage external equipment

or cause hearing loss.

■ Switching Off the Power

Turning the VOLUME knob

up all the way may result in

distortion for some sounds.

Before you switch off the power, check the following.

• Is the volume level on the JV-1010 and the connected external

equipment turned down all the way?

• Have you saved the sounds or other data you’ve created? (p. 48)

You can also play sounds

on just the unit itself by

pressing the VOLUME

knob (Phrase Preview, p.

Switch off the power to the connected external equipment.

Switch off the POWER switch on the JV-1010.

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Re se t to De fa u lt Fa cto ry Se ttin g s (Fa cto ry Re se t)

When using the JV-1010 for the first time, start by returning the settings to

their factory defaults so that the JV-1010 operates as described in the

procedures in the owner’s manual.

This returns all settings stored in memory in the JV-1010 to the values they

had when the unit was shipped from the factory.

fig.1-09

1,4,5

Press the VALUE knob to switch to a mode other than the

Patch mode (PATCH), that is, to the PERFORM, RHYTHM, or

GM mode.

If there is important data

you’ve created that’s stored

in memory, all such data is

discarded, and everything is

returned to the factory

defaults when a Factory Reset

is performed. If important

data is stored in the unit, save

it on an external MIDI device

(p. 48).

While holding down the VOLUME knob, press the VALUE knob.

Switch to the Edit mode.

Turn the CATEGORY/ BANK knob to choose PIANO (Factory

Reset).

When in the Patch mode, you

can’t enter the Edit mode.

Fct flashes on the display.

In the Edit mode, choosing PIANO (Factory Reset) with the CATEGORY/

BANK knob makes it possible to perform Factory Reset.

For more information

about the CATEGORY/

BANK knob’s other

functions in Edit mode,

refer to the EDIT

Press the VALUE knob.

Sur flashes on the display, prompting you to confirm that you indeed wish

to carry out a Factory Reset.

fig.Sur

PARAMETER SELECT

chart on the JV-1010’s top

panel.

To exit from the Edit mode

without carrying out a

Press the VALUE knob.

Factory Reset, follow the

same procedure as in step 2.

The Factory Reset is performed, and you leave the Edit mode.

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Liste n in g to De m o So n g s (De m o Pla y )

The JV-1010 comes with four demonstration songs.

Here’s how to start Demo Play, and listen to the outstanding sounds of the

JV-1010.

Song Name

Composer/Copyright

Unauthorized use of this

material for purposes other

than private, personal

enjoyment is a violation of

applicable laws.

All In Good Time

Guitars Forever

Rude99

Overtime

fig.1-10

2,3

Turn the CATEGORY/ BANK knob to choose DEMO.

ALL flashes on the display.

Turn the VALUE knob to choose the song you want to hear.

You can choose ALL, d-1, d-2, d-3, or d-4.

ALL: the songs will playback successively, beginning from the first.

d-1: All In Good Time

d-2: Guitars Forever

d-3: Rude99

d-4: Overtime

Press the VALUE knob or the VOLUME knob.

MIDI messages received

from external instruments

are ignored while the

Demo Play screen is

displayed.

The display shows Ply and Demo Play starts.

fig.1-10a

After a demo song has played all the way to the end, the unit automatically

returns to the start of the song and playback is repeated. To end Demo Play

partway through a song, press the VALUE knob or the VOLUME knob, or

turn the CATEGORY/ BANK knob.

No data for the music that

is played will be output

from MIDI OUT.

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Liste n in g to De m o So n g s (De m o Pla y )

■ Composer Profiles

Scott Wilkie

Scott Wilkie is a contemporary jazz recording artist, based in southern California. He tours frequently

with his own band, and also appears as an artist for Roland in the U.S., Japan, Europe and South

America. His debut solo album, Boundless, was released worldwide in 1999 on Narada/ Virgin

Records. You can find him on-line at www.scottwilkie.com.

Gundy Keller

Gundy Keller, a Germany-based guitarist, songwriter and producer, has been an international

demonstrator for Roland since 1986. Gundy focuses mainly on the GR synthesizers and the V-Guitar,

for international music conventions as well as recording sessions requesting completely unusual guitar

sounds. Besides creating his own production company, he’s the founder and director of Rocksound

Music School, a private institute for music instruction. Check out some of his other work on the Roland

VG-8 Demo CD, or the Roland GR-30 Video.

Hans-Joerg Scheffler

Born and raised in the Ruhr valley, the biggest industrial area in Germany, Hans’s attraction to noise

and rhythm came naturally.

Today he runs his own company, DIGITAL AUDIO DESIGN, which produces sampling CDs and CD

ROMs.

He works for Roland as a pro audio product specialist, as a sound designer for expansion boards, and

as a composer of demo songs. He has released several CDs that use the Roland RSS system.

Soundclips of his work can be downloaded at: http:/ / www.united-sound.com/ usmaster/

cell2downde.htm

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Ch o o sin g a n d Pla y in g Pa tch e s

The JV-1010 comes with a large number of onboard sounds. On the JV-1010,

the sounds used for an ordinary performance are called Patches.

With the JV-1010, you can use seven groups—User, Preset A through E, and

Session—and when a Wave Expansion Board (separately available) is

installed, you can also use the Wave Expansion Board’s onboard patches.

USER

There are 128 patches stored in memory, which you can overwrite with

patches you create yourself.

When using software for

external MIDI devices, tone

editors, and the like, you

can transmit System

PRESET-A–C, E

There are 512 patches stored in memory, which cannot be overwritten.

Exclusive messages to

rewrite USER content.

PRESET-D (GM [General MIDI])

These are patches for the General MIDI System, which is designed to

standardize the specifications for MIDI functions for all manufacturers and

models. There are 128 patches stored in memory, which cannot be

overwritten.

Session

Already onboard is the data from the SR-JV80-09 Wave Expansion Board,

which offers a selection of 255 patches, which cannot be overwritten.

WAVE-EXP (Wave Expansion Board installed in the slot)

Patches are stored in memory on the separately available Wave Expansion

Board, and cannot be overwritten.

You can’t choose a WAVE-

EXP patch unless a Wave

Expansion Board is

installed in the slot EXP-B.

When no Wave Expansion

Board is installed, - - -

appears on the display.

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Ch o o sin g a n d Pla y in g Pa tch e s

Au d itio n in g Pa tch e s (Ph ra se Pre vie w )

On the JV-1010, you can check out patches easily, since phrases are provided

for each type of patch. Thanks to this, you don’t need to have a MIDI

keyboard or sequencer connected.

In this section, we’ll listen to patch sounds in the Patch mode.

fig.1-11

Press the VALUE knob to choose the Patch mode (PATCH).

Pressing the VALUE knob makes the mode change sequentially. Press the

knob several times, until the PATCH indicator lights up.

fig.1-12

Holding down the VOLUME knob, the sound for the currently

selected patch is played.

Right after returning

settings to their factory

defaults, the first patch of

the currently selected

Category and Bank

(CATEGORY/ BANK) plays.

Some patches may not be

sounded in a suitable range.

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Ch o o sin g a n d Pla y in g Pa tch e s

Pla y in g N o te s fro m a MIDI Ke y b o a rd

The JV-1010 receives and plays MIDI data from other instruments. When

doing this, the transmitting instrument (the MIDI keyboard or the like) and

the JV-1010 must be set to the same MIDI channel.

Here we’ll play sounds with both channels set to 1.

fig.1-13

Connect a MIDI keyboard to the JV-1010 (p. 18).

Set the transmit channel for the MIDI keyboard (the

transmitting instrument) to 1.

For information on how to make the settings, refer to the owner’s manual

for the MIDI keyboard.

Press the VALUE knob to choose the Patch mode (PATCH).

Pressing the VALUE knob makes the mode change sequentially. Press the

knob several times, until the PATCH indicator lights up.

Turn the PART knob and choose 1.

Here, 1 becomes the JV-1010’s receive channel.

Finger some keys on the MIDI keyboard to play a few notes.

When MIDI data is received, the MIDI indicator lights up.

fig.1-14

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Ch o o sin g a n d Pla y in g Pa tch e s

Ch o o sin g Pa tch e s

When you’ve selected the Patch mode or the Performance mode, after

changing the Category and Bank with the CATEGORY/ BANK knob, you

can choose a patch by turning the VALUE knob.

You can use either of two methods to choose

a patch: choosing by bank (display with

white text) or choosing by category (display

in blue text).

You can’t choose a WAVE-

EXP patch unless a Wave

Expansion Board is

installed in the slot EXP-B.

When no Wave Expansion

Board is installed, - - -

appears on the display.

by category

by bank

■ Choosing Patches by Bank

In this section, let’s choose No. 108 Flute from USER (the User group).

fig.1-16

1,3

Press the VALUE knob to choose the Patch mode (PATCH).

Pressing the VALUE knob makes the mode change sequentially. Press the

knob several times, until the PATCH indicator lights up.

Turn the CATEGORY/ BANK knob to choose USER.

Turn the VALUE knob and choose 108.

Turning the VALUE knob

rapidly makes the value

change in large increments.

You can listen to the selected patch sound (USER No. 108

Flute) by holding down the VOLUME knob.

At this time, the currently selected preset bank USr (USER) and the patch

number 108 appear in alternation on the display.

For more information

about the onboard patches,

take a look at “Patch List”

(p. 54).

fig.1-16a

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Ch o o sin g a n d Pla y in g Pa tch e s

■ Choosing Patches by Category

Here, let’s choose No. 008 Bright Piano from PIANO (the Piano category).

fig.1-17

1,3

Press the VALUE knob to choose the Patch mode (PATCH).

The patches you can choose

by category are Preset A, B,

C, D, and E, and Session

(XP-A) patches. The sounds

and categories of User and

WAVE-EXP (XP-B) patches

vary, so you can’t choose

these patches by category.

Pressing the VALUE knob makes the mode change sequentially. Press the

knob several times, until the PATCH indicator lights up.

Turn the CATEGORY/ BANK knob to choose PIANO.

Turn the VALUE knob to choose 008.

Turning the VALUE knob

rapidly makes the value

change in large increments.

Also, turning the VALUE

knob while pressing it in

jumps you to the value at

the start of each category,

in the currently selected

category group. The start

values for by-category

patches are shown with

a dot at the end of the

number on the display.

You can listen to the selected patch sound (PIANO No. 008

Bright Piano) by holding down the VOLUME knob.

At this time, the currently selected bank PrA (PRESET-A) and the patch

number 002 appear in alternation on the display.

fig.1-18a

When you release the VOLUME knob, the display shows the patch number

008 of the category group PIANO.

For more information

about the by-category

patches, take a look at

“Patch Category List” (p.

58).

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Ch o o sin g a n d Pla y in g Pa tch e s

Pla y in g Pe rcu ssio n So u n d s

The JV-1010 has Rhythm Sets that contain a variety of percussion

instruments and special effects sounds.

With the JV-1010, you can use seven groups—User, Preset A through E, and

Session—and when a Wave Expansion Board (separately available) is

installed, you can also use the Wave Expansion Board’s onboard rhythm

sets.

USER

There are 2 rhythm sets stored in memory, which you can overwrite with

patches you create yourself.

When using software for

external MIDI devices, tone

editors, and the like, you

can transmit System

PRESET-A–C, E

There are 8 rhythm sets stored in memory, which cannot be overwritten.

Exclusive messages to

rewrite USER content.

PRESET-D (GM [General MIDI])

These are rhythm sets for the General MIDI System, which is designed to

standardize the specifications for MIDI functions for all manufacturers and

models. There are 2 rhythm sets stored in memory, which cannot be

overwritten.

Session

Already onboard is the data from the SR-JV80-09 Wave Expansion Board,

which offers a selection of 8 rhythm sets, which cannot be overwritten.

WAVE-EXP (Wave Expansion Board installed in the slot)

Patches are stored in memory on the separately available Wave Expansion

Board, and cannot be overwritten.

You can’t choose a WAVE-

EXP patch unless a Wave

Expansion Board is

installed in the slot EXP-B.

When no Wave Expansion

Board is installed, - - -

appears on the display.

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Ch o o sin g a n d Pla y in g Pa tch e s

To play rhythm sets using a MIDI keyboard, set the MIDI transmit channel

for the MIDI keyboard to 10.

Here’s how you can play percussion instruments using rhythm sets:

fig.1-19

2,4

Set the transmit channel for the MIDI keyboard (the

transmitting instrument) to 10.

For information on how to make the settings, refer to the owner’s manual

for the MIDI keyboard (the transmitting instrument).

Press the VALUE knob and choose the Rhythm Set mode

(RHYTHM).

Pressing the VALUE knob makes the mode change sequentially. Press the

knob several times until the RHYTHM indicator lights up.

You can’t choose a WAVE-

EXP patch unless a Wave

Expansion Board is

Turn the CATEGORY/ BANK knob and choose a bank. Make

your selection from the text displayed in white.

installed in the slot EXP-B.

When no Wave Expansion

Board is installed, - - -

fig.1-20

appears on the display.

When you’ve selected the

Rhythm Set mode, the

display shows the settings

for Part 10, no matter what

setting the PART knob is at.

Turn the VALUE knob and choose a rhythm set.

Finger some keys on the MIDI keyboard to play a few notes.

For more information

about the onboard rhythm

sets, take a look at

A wide variety of percussion sounds are played, depending on the keys you

finger.

When MIDI data is received, the MIDI indicator lights up.

“Rhythm Set List” (p. 64).

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Usin g th e JV-1 0 1 0 a s th e GM So u n d Mo d u le

The JV-1010 features a GM mode—a convenient way to play back or create

GM score data (music files for GM sound module). You’re able to play back

commercial GM score data releases and even modify various parameter

settings for enhanced musical expression.

En te rin g GM Mo d e

Use GM mode to place the JV-1010’s sound source in GM System compatible

mode. Basically GM mode is similar to a special kind of Performance in

For more information about

which a GM System Rhythm Set is assigned to Part 10, and GM System

the performance, please refer

to “Performing Multiple

Parts (Performance

Mode)” (p. 42).

Patches are assigned to other Parts.

fig.1-20a

Press the VALUE knob to switch to the GM mode (GM ).

Pressing the VALUE knob makes the mode change sequentially. Press the

knob several times, until the GM indicator lights up.

When you switch to the GM mode, the sound generator is initialized with

basic settings that allow it to conform with the General MIDI System.

Each time you enter GM mode, the GM Drum Set is assigned to Part 10, and

Piano 1 is assigned to other Parts. You can also select other GM Patches and

GM Drum Sets for each Part to match the performance.

If you want to preserve the

GM mode settings, save the

settings to an external MIDI

device by transmitting them

as MIDI messages. For further

details, see “Transmitting

Settings to an External

MIDI Device (Data

Transfer)” (p. 48).

In GM mode, “- - -”

appears in the display

when a parameter that

cannot be set is selected.

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Ch a n g in g So u n d s fro m a n Ex te rn a l MIDI De vice

You can change patches, performances, and rhythm sets by transmitting Bank

Select messages (Controller numbers 0 and 32) and Program Change messages

to the JV-1010 from an external MIDI device. That is, selecting sounds on an

external MIDI keyboard transmits messages corresponding to the specified

sounds to the JV-1010, thus changing the patch or the like on the JV-1010.

■

Note on Using an External MIDI Device to Switch Sounds

If an external MIDI device transmits a Bank Select message that is outside

the range that the JV-1010 considers as being valid, it is ignored—only the

On the JV-1010, when just a

Program Change message is accepted.

Program Change message

When a JV/ XP Series MIDI device is connected to the JV-1010, selecting a

is received without

Wave Expansion C (XP-C) or later bank or sound may result in a switch to

receiving a Bank Select

a number other than the intended number, so use numbers within the

message, only sounds

allowable reception range.

within a group (such as

For more on which Bank Select messages can be received, refer to “MIDI

PRESET-A or USER) are

Implementation” (p . 6 8).

changed.

If the Program Numbers on your external MIDI device are referenced as

values from 0 to 127, find the appropriate number by subtracting 1 from the

number in this unit’s correspondence chart. The numbers are displayed in

decimal format.

Ch a n g in g Pa tch e s

The JV-1010 can change patches (including the patches for various parts in

a performance) in response to the MIDI data it receives.

Here, we’ll set the transmit channel on the external MIDI device and the

receive channel on the JV-1010 to 1, then transmit a MIDI message from the

external MIDI device to change the patch on the JV-1010 to No. 010 Hip

Bass in PRESET-B.

fig.1-21

Set the transmit channel on the external MIDI device to 1.

For information on how to make the settings, refer to the owner’s manual

for the external instrument (the transmitting instrument).

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Ch a n g in g So u n d s fro m a n Ex te rn a l MIDI De vice

Press the VALUE knob to choose the Patch mode (PATCH).

Pressing the VALUE knob makes the mode change sequentially. Press the

knob several times, until the PATCH indicator lights up.

Turn the PART knob and choose 1.

Be sure to set the transmit

channel for the external

MIDI device and the

Here, 1 becomes the JV-1010’s receive channel.

Transmit a Bank Select MSB (Controller Number 0) value of 81

receive channel for the JV-

1010 to the same channel.

from the external MIDI device to the JV-1010

Transmit a Bank Select LSB (Controller Number 32) value of 1

from the external MIDI device to the JV-1010.

Transmit a Program Change 10 from the external MIDI device

to the JV-1010.

The display on the JV-1010 shows 010 to indicate the switch to the PRESET-

B patch No. 010 Hip Bass.

On the JV-1010, when just a

Program Change message

is received without

The correspondences between MIDI messages transmitted from external

MIDI devices and Patch Numbers are as shown below.

receiving a Bank Select

message, only patches and

rhythm sets within the

same group are changed.

Patch

Bank Select

Program

Number

Group

Number

MSB

LSB

USER

1–128

129–255

1–128

129–256

1–128

1–127

1–128

PRESET-A

PRESET-B

PRESET-C

PRESET-D

PRESET-E

Session

WAVE-EXP

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Ch a n g in g So u n d s fro m a n Ex te rn a l MIDI De vice

Ch a n g in g a Pe rfo rm a n ce

When changing a performance, set the transmit channel of the external

MIDI device and the Performance Control Channel (Perform Ctrl CH) of the

JV-1010 to the same channel, then transmit the Bank Select and Program

Change messages.

For more information about

the performance, please refer

to “Performing Multiple

Parts (Performance

Mode)” (p. 42).

Now let’s set the transmit channel on the external MIDI device and the

Performance Control Channel (Perform Ctrl CH) on the JV-1010 to the same

channel and try changing the performance.

fig.1-22

2,5

1,4

Press the VALUE knob and choose the Performance mode

(PERFORM).

Pressing the VALUE knob makes the mode change sequentially. Press the

knob several times until the PERFORM indicator lights up.

While holding down the VOLUME knob, press the VALUE

knob.

Switch to the Edit mode.

Turn the CATEGORY/ BANK knob to choose SYNTH/PAD

(Perform Ctrl CH).

Turn the VALUE knob and choose the channel.

When you first take the

unit out of the box, the

A value of from 001 to 016, or OFF flashes in the display.

setting for the Performance

Control Channel is at OFF.

While holding down the VOLUME knob, press the VALUE

knob.

The JV-1010 exits Edit mode.

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Ch a n g in g So u n d s fro m a n Ex te rn a l MIDI De vice

Set the transmit channel on the external MIDI device to the

same value that you selected for the Performance Control

Channel (Perform Ctrl CH) in step 4.

For information on how to make the settings, refer to the owner’s manual

for the MIDI keyboard (the transmitting instrument).

Transmit a Bank Select MSB (Controller Number 0) value

(refer to the following table) from the external MIDI device to

the JV-1010.

Transmit a Bank Select LSB (Controller Number 32) value

(refer to the following table) from the external MIDI device to

the JV-1010.

Transmit a Program Change message from the external MIDI

device to the JV-1010 (refer to the following table).

The correspondences between MIDI messages transmitted from external

MIDI devices and Performance Numbers are as shown below.

When changing patches or

rhythm sets in various

parts of a performance, set

the transmit channel of the

external device and the

receive channel of the part

to the same channel. Note

that when the Performance

Control Channel and the

receive channel for the part

are the same, the setting for

the Performance Control

Channel takes priority, and

the performance is

Performance

Group

Performance

Number

Bank Select

Program

Number

MSB

LSB

USER

1–32

PRESET-A

PRESET-B

switched.

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Ch a n g in g So u n d s fro m a n Ex te rn a l MIDI De vice

Ch a n g in g a Rh y th m Se t

When changing a rhythm set, set the transmit channel of the external MIDI

device and the receive channel of part 10 of the performance on the JV-1010

to the same channel, then transmit the Bank Select and Program Change

messages.

Now let’s try changing the rhythm set from the external MIDI device.

fig.1-23

Press the VALUE knob and choose the Performance mode

(PERFORM) or the Rhythm Set mode (RHYTHM).

Pressing the VALUE knob makes the mode change sequentially. Press the

knob several times until the PERFORM or RHYTHM indicator lights up.

Set the transmit channel on the external MIDI device to 10.

When you first take the

unit out of the box, the

receive-channel setting for

Part 10 is 10. For more

information about part

receive-channel settings,

check out Reference

Manual that is on the

included CD-ROM.

For information on how to make the settings, refer to the owner’s manual

for the MIDI keyboard (the transmitting instrument).

Transmit a Bank Select MSB (Controller Number 0) value

(refer to the following table) from the external MIDI device to

the JV-1010.

Transmit a Bank Select LSB (Controller Number 32) value

(refer to the following table) from the external MIDI device to

the JV-1010.

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Ch a n g in g So u n d s fro m a n Ex te rn a l MIDI De vice

Transmit a Program Change message from the external MIDI

device to the JV-1010 (refer to the following table).

The correspondences between MIDI messages transmitted from external

MIDI devices and Rhythm Set Numbers are as shown below.

Rhythm Set

Group

Rhythm Set

Number

Bank Select

Program

Number

MSB

LSB

USER

1, 2

PRESET-A

PRESET-B

PRESET-C

PRESET-D

PRESET-E

Session

1, 2

1–8

WAVE-EXP

1–128

129–256

1–128

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Try in g O u t De sk to p Mu sic

If you are running music software on your computer, you can use the

computer to control the operation of the JV-1010. Of course, this allows you

to play back and create song data, switch sounds automatically, and create

sounds from the screen. This type of system is know as DTM (desktop

music). The actual DTM functions available vary greatly with the

application used. Therefore, it is very important to select software that

matches your particular aims.

Co n n e ctin g to a Co m p u te r

Two Ways to Connect

There are two methods that can be used to connect the JV-1010 to a

computer, connecting to the COMPUTER connector and connecting

with MIDI connectors.

When connecting to the COMPUTER connector, a computer cable is used to

connect the JV-1010 to your computer’s serial port (RS-232C).

When using MIDI connectors to make the connection, a MIDI interface

(such as Roland’s Super MPU64) is required. In this case, the MIDI interface

is connected to the computer, and a MIDI cable is used to connect the MIDI

connectors of the MIDI interface to the JV-1010’s MIDI connectors.

Use the connection method that best suits your operating environment to

connect the JV-1010 to your computer.

If connecting using the MIDI connectors, please read the related information

starting on p. 41.

■ Connecting to the COMPUTER Connector

Switch off the power to the JV-1010, the computer, and any

To prevent malfunction

connected equipment.

and/ or damage to speakers

or other devices, always

turn down the volume, and

turn off the power on all

devices before making any

connections.

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Try in g O u t De sk to p Mu sic

Set the COMPUTER switch on the JV-1010’s rear panel to

match the type of computer to be connected as described

below.

Before changing the

COMPUTER switch

setting, first switch off the

power to the JV-1010.

For Apple Macintosh computers: Mac

For PCs: PC-2

fig.1-24.e

As this setting determines

the rate at which data is

transferred between the

computer and the JV-1010

(baud rate), it is necessary

that both the computer and

Apple Macintosh

The connection method described in the following step varies according to

JV-1010 settings match.

This setting determines the

baud rate for the JV-1010.

When setting your

the type of computer; read the applicable section (3a or 3b).

For PCs

computer, it may be

necessary to make settings

in the software as well. If

you are using Windows,

the driver setting may

differ from that described

in Step 2. In such cases,

carefully read the manual

included with the driver,

and then make the

When using a PC, connect the computer cable to the serial port (RS-232C

connector) found on the computer’s rear panel.

Computer cable (sold separately): RSC-15AT

This cable has a nine-pin connector. If a cable with 25-pin connectors is

required, refer to the “Computer Cable Wiring Diagrams” (p . 9 0) and

obtain the appropriate cable.

necessary settings.

For Apple Macintosh Computers

When connecting to a Macintosh computer, connect the computer cable to

either the modem port or the printer port on the computer’s rear panel.

The PC-2 baud rate is 38.4

(kbit/ sec), and the PC-1

baud rate is 31.25 (kbit/ sec).

Computer cable (sold separately): RSC-15APL

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Connect the other end of the computer cable to the JV-1010’s

COMPUTER connector.

fig.1-25.e

Apple Macintosh

Modem Port or

Printer Port

JV-1010 rear panel

Optional computer cable

RSC-15APL

Serial port (|O|O|)

Optional computer cable

RSC-15AT

Playing back sounds from

the JV-1010 requires that

the AC adaptor be plugged

in and connection of either

audio cables or

headphones. If these

connections have not yet

been made, please refer to

“Making the

Connections” (p. 18). If

the connections are

complete, please see

“Switching On the

Power” (p. 20).

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■ Connecting with MIDI Connectors

If you have a MIDI interface (such as Roland’s Super MPU64) connected to

your computer or are connecting to a MIDI interface adaptor, you can then

connect using the MIDI connectors.

For instructions on

connecting to a computer

using a MIDI interface,

refer to the owner’s manual

that was supplied with the

MIDI interface.

Switch off the power to the JV-1010, the computer, and any

connected equipment.

To prevent malfunction

and/ or damage to speakers

or other devices, always

turn down the volume, and

turn off the power on all

devices before making any

connections.

Set the COMPUTER switch on the JV-1010’s rear panel to MIDI.

fig.1-26

Before changing the

COMPUTER switch

setting, first switch off the

power to the JV-1010.

Use a MIDI cable to connect the MIDI OUT connector of the

MIDI interface with the JV-1010’s MIDI IN connector.

Use a MIDI cable to connect the MIDI IN connector of the

MIDI interface with the JV-1010’s MIDI OUT connector.

fig.1-27.e

Apple Macintosh

JV-1010 rear panel

Modem or

Printer Port

MIDI

The setting

is MIDI

MIDI interface adaptor

Super MPU64

JV-1010 rear panel

USB

Connector

The setting

is MIDI

USB

cable

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Pe rfo rm in g Mu ltip le Pa rts

(Pe rfo rm a n ce Mo d e )

A group of sixteen parts to which fifteen patches and one rhythm set are

assigned (fixed at Part 10) is collectively referred to as a Performance.

fig.1-28.e

Part 16

Performance

Part 11

Patch

Part 10

Rhythm Set

Part 9

Part 1

Patch

In a performance, you can assign each patch and rhythm set to a part, then

combine these parts to enjoy an ensemble performance. One of the sixteen

parts (Part 10) is reserved for the rhythm set, with patches assigned to the

remaining fifteen parts.

In other words, using performances allows you to control sixteen separate

sounds with one JV-1010.

A sound generator of this type which can control multiple sounds using one

device is referred to as a multitimbral sound generator.

In the relationship between performances and parts, the performance is like

an orchestra, parts are the performers, and patches and the rhythm set are

the instruments.

Let’s try selecting some parts and sounds, then play the multiple parts

together as a performance.

As one example, select one of the sixteen parts, PART 2, then select the patch

No.008 Gtr Strings in GUITAR/BASS (the GUITAR/ BASS group).

fig.1-29

1,5

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Press the VALUE knob to choose the Performance mode

(PERFORM).

Pressing the VALUE knob makes the mode change sequentially. Press the

knob several times, until the PERFORM indicator lights up.

Turn the PART knob and choose 2.

Always make sure that the

number selected with the

JV-1010’s PART knob

matches the transmit

channel of the external

device (the transmitting

device). Additionally,

remember that PART 10 is

used exclusively by the

rhythm set.

Set the transmit channel of the external device (the

transmitting device) to 2.

For information on how to make the settings, refer to the owner’s manual

for the MIDI keyboard (the transmitting instrument).

Turn the CATEGORY/ BANK knob to choose GUITAR/BASS.

Now, select the patch category.

Turning off the JV-1010’s

power without saving the

created data results in the

loss of that data. Save any

important data that you

wish to preserve to an

Turn the VALUE knob to choose patch 008.

Now, patch No.008 Gtr Strings in the GUITAR/BASS category is selected

for PART 2.

Repeat Steps 2–5, using the same procedure to select other

parts.

external MIDI device (p.

Using a sequencer or computer, play back the song.

The Performance Control

Channel (Perform Ctrl CH)

is preset at the factory to

OFF; remember that

For instructions on how to play back songs, refer to the owner’s manual for

the external device (the transmitting device).

patches are switched when

program changes are

recorded in a song. To

release the Performance

Control Channel (Perform

Ctrl CH) OFF setting, set to

something other than OFF

(p. 49).

For more information about

the onboard patches, take a

look at “Performance

List” (p. 67).

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Ed itin g Usin g O n ly th e JV-1 0 1 0

Ma k in g Pa rt Se ttin g s (PART)

fig.1-30

Now try changing the level setting (Level) for PART 2 in Performance

mode.

fig.1-30a

4 2,6

1,5

Press the VALUE knob to choose the Performance mode

(PERFORM).

When in the Patch mode,

you can’t enter the Edit

mode.

Pressing the VALUE knob makes the mode change sequentially. Press the

knob several times, until the PERFORM indicator lights up.

While holding down the VOLUME knob, press the VALUE

knob.

Switch to the Edit mode.

Turn the CATEGORY/ BANK knob to choose USER (Level).

For more information

about the CATEGORY/

BANK knob’s other

functions in Edit mode,

refer to the EDIT

Turn the PART knob and choose 2.

In Edit mode, you can select USER (Level) with the CATEGORY/ BANK

knob to change the volume level setting for each part.

PARAMETER SELECT

chart on the JV-1010’s top

panel.

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Ed itin g Usin g O n ly th e JV-1 0 1 0

Turn the VALUE knob to change the level. This can be set in

the range 000–127.

Pan, Coarse Tune, and other parameters can be set in the same way. For

more detailed information about each parameter and its settings, refer to the

Reference Manual that is on the included CD-ROM.

Turning off the JV-1010’s

power without saving the

created data results in the

loss of that data. Save any

important data that you

wish to preserve to an

external MIDI device (p.

48).

While holding down the VOLUME knob, press the VALUE

knob.

The JV-1010 exits Edit mode.

Me m o ry -Re la te d O p e ra tio n s (UTILITY)

These operations include initialization of data such as the JV-1010 internal

sound data, and transmission of settings to external devices.

fig.1-31

■ Restoring the Factory Settings (Factory Reset)

This operation restores all settings stored in the JV-1010 to their condition at

the time the unit was shipped from the factory.

For more detailed information and instructions for this procedure, refer to

the “Reset to Default Factory Settings (Factory Reset)” (p . 2 1).

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Ed itin g Usin g O n ly th e JV-1 0 1 0

■ Initializing GM Mode (GM Initialize)

Using a computer or sequencer connected to the JV-1010 to play music data

bearing the GM logo requires the system be initialized for GM. Carrying out

this initialization restores the basic GM settings.

fig.1-32

1,4,5

Press the VALUE knob to switch to the GM mode (GM).

The GM Initialize operation

affects only GM mode data;

no data stored in the user

memory is initialized. If

you want to restore all

settings to their factory

values, carry out Factory

Reset (p. 21).

Pressing the VALUE knob makes the mode change sequentially. Press the

knob several times, until the GM indicator lights up.

While holding down the VOLUME knob, press the VALUE

knob.

Switch to the Edit mode.

When in the Patch mode,

you can’t enter the Edit

mode.

Turn the CATEGORY/ BANK knob to choose KEY&ORGAN

(GM Initialize).

Gin flashes on the display.

Press the VALUE knob.

Sur flashes in the display; this is a prompt for you to confirm whether or not

you want to execute GM Initialize.

To exit Edit mode without

executing GM Initialize,

carry out the operation

described in Step 2.

fig.Sur(GM)

Press the VALUE knob.

GM Initialize is executed, and the JV-1010 exits Edit mode.

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Ed itin g Usin g O n ly th e JV-1 0 1 0

■ Initializing the Settings (Initialize)

This restores the currently selected performance and rhythm set to standard

settings.

fig.1-33

1,4,5

Press the VALUE knob and choose the Performance mode

The GM Initialize operation

affects only the currently

selected data; no data

(PERFORM) or the Rhythm Set mode (RHYTHM).

Pressing the VALUE knob makes the mode change sequentially. Press the

knob several times until the PERFORM or RHYTHM indicator lights up.

stored in the user memory

is initialized. If you want to

restore all settings to their

factory values, carry out

Factory Reset (p. 21).

While holding down the VOLUME knob, press the VALUE

knob.

Switch to the Edit mode.

When in the Patch mode,

you can’t enter the Edit

mode.

Turn the CATEGORY/ BANK knob to choose GUITAR/BASS

(Initialize).

int flashes on the display.

Press the VALUE knob.

Sur flashes in the display; this is a prompt for you to confirm whether or not

you want to execute Initialize.

To exit Edit mode without

executing Initialize, carry

out the operation described

in Step 2.

fig.Sur

Press the VALUE knob.

Initialize is executed, and the JV-1010 exits Edit mode.

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Ed itin g Usin g O n ly th e JV-1 0 1 0

■ Transmitting Settings to an External MIDI Device

(Data Transfer)

This transmits Performance settings to an external MIDI device. This is useful for

times such as when you want to save data on a MIDI instrument ahead of time.

Connect the JV-1010’s MIDI OUT connector to the MIDI IN connector of the

external MIDI device with a MIDI cable. Then, after putting the external

Patch parameters and

system parameters are not

included.

MIDI device in the mode where it is ready to receive data, start the procedure.

fig.1-34

1,4,5

Press the VALUE knob to switch to a mode other than the

Patch mode (PATCH), that is, to the PERFORM, RHYTHM, or

GM mode.

When in the Patch mode,

you can’t enter the Edit

mode.

While holding down the VOLUME knob, press the VALUE knob.

Transmit GM mode

settings while in GM mode.

GM mode settings are lost

when you switch to

another mode.

Switch to the Edit mode.

Turn the CATEGORY/ BANK knob to choose ORCH/BRASS

(Data Transfer).

dtr flashes on the display.

Press the VALUE knob.

Sur flashes on the display, prompting you to confirm that you want to carry

out the Data Transfer.

To exit Edit mode without

executing Data Transfer,

carry out the operation

described in Step 2.

fig.Sur

Press the VALUE knob.

The Data Transfer is performed, and the JV-1010 exits Edit mode.

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Ed itin g Usin g O n ly th e JV-1 0 1 0

Ma k in g Sy ste m Se ttin g s (SYSTEM)

This sets the tuning and other parameters of the JV-1010’s operating

environment.

fig.1-35

■ Selecting the Receive Channel (Perform Ctrl CH)

This selects the receive channel when MIDI messages are used to switch

performances.

fig.1-35a

2,5

1,4

Press the VALUE knob and choose the Performance mode

(PERFORM) or the Rhythm Set mode (RHYTHM).

When in the Patch mode,

you can’t enter the Edit

mode.

Pressing the VALUE knob makes the mode change sequentially. Press the

knob several times until the PERFORM or RHYTHM indicator lights up.

While holding down the VOLUME knob, press the VALUE knob.

Switch to the Edit mode.

Turn the CATEGORY/ BANK knob to choose SYNTH/PAD

(Perform Ctrl CH).

Turn the VALUE knob to select the channel.

The value 001–016, OFF flashes in the display.

For more detailed

information, refer to the

Reference Manual that is

on the included CD-ROM.

While holding down the VOLUME knob, press the VALUE knob.

The JV-1010 exits Edit mode.

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Ed itin g Usin g O n ly th e JV-1 0 1 0

■ Tuning (Master Tune)

Allows the sound generator to be tuned. The value indicated is the

frequency of Note Number 69 (the A4 key).

fig.1-36

2,5

1,4

Press the VALUE knob to switch to a mode other than the

Patch mode (PATCH), that is, to the PERFORM, RHYTHM, or

GM mode.

When in the Patch mode,

you can’t enter the Edit

mode.

While holding down the VOLUME knob, press the VALUE

knob.

Switch to the Edit mode.

Turn the CATEGORY/ BANK knob to choose ETHNIC

(Master Tune).

Turn the VALUE knob to adjust the tuning frequency.

The value 27.4–52.6 is indicated in the display.

The hundreds place (4) is

not displayed.

While holding down the VOLUME knob, press the VALUE

knob.

For more detailed

The JV-1010 exits Edit mode.

information, refer to the

Reference Manual that is

on the included CD-ROM.

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Ap p e n d ice s

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Tro u b le sh o o tin g

If no sound is produced, or if operation otherwise seems

wrong, first check the following points. If after trying the

following remedies, the unit still does not operate correctly,

please contact your Roland dealer or the nearest Roland

Service Center.

If playing back GM scores, is the sound generator in GM

mode?

Switch to GM mode (p. 31).

N o so u n d is p ro d u ce d , e ve n w h e n

p la y in g b a ck so n g s.

* Refer to the “Error Messages” (p. 53) if some kind of message

Is the Rx Switch parameter set to OFF?

is displayed on the screen during operation.

Set this to ON.

Th e p o w e r d o e s n o t co m e o n .

Th e re is n o so u n d fo r a sp e cific p a rt.

Is the AC adaptor properly plugged onto the wall and the

Is the volume level for the part turned down?

JV-1010?

Raise the volume for the part for which no sound is being

produced with the Level setting (p. 44).

N o so u n d is p ro d u ce d .

Is reception of MIDI messages enabled?

Is all other equipment, such as external amps and

Set the Rx Switch parameter to ON.

speakers, properly connected?

Does the part’s MIDI receive channel match the MIDI

transmit channel of the connected MIDI device?

Is the power to the JV-1010 and all connected external

devices turned on?

Set the MIDI receive channel with the Channel parameter.

Is the JV-1010’s VOLUME knob turned to MIN?

Is the volume on any connected external devices turned

down?

Th e so u n d is d isto rte d .

Is a distortion-type effect being applied to the sound?

Has the volume been lowered by volume/ expression

messages received from an external device?

Have all connections been made properly?

If the sound for a specific patch or part is distorted, lower the

volume level on that part (p. 44).

When the overall sound is distorted, lower the volume level

with the VOLUME knob.

When using the JV-1010 without a computer, please connect

audio cables or headphones (p. 18).

If using the JV-1010 connected to a computer, use a computer

cable or MIDI cable to make the connection to the computer

(p . 3 8). Then connect audio cables or headphones (p. 18).

Th e p itch h a s sh ifte d .

Has the JV-1010’s tuning been shifted?

Check the Master Tune value (p. 50).

Is the sound audible with headphones connected?

Have the Coarse Tune and Fine Tune settings for the

If sound can be heard through the headphones, then the

cause may lie elsewhere, such as a short in an audio cable

carrying the signal to another device, a bad connection, or a

malfunction in a connected amp, mixer, or speakers.

specific parts been made?

Check the values for the Coarse Tune and Fine Tune

settings (p. 44).

Is the specified Wave Expansion Board properly installed?

(p. 15)

Th e JV-1 0 1 0 d o e s n o t o u tp u t MIDI

d a ta .

WAVE-EXP patches and rhythm sets cannot be selected

unless the Wave Expansion Board is installed in the

designated slot.

Is the COMPUTER switch on the JV-1010’s rear panel set

correctly?

When outputting JV-1010 data through the COMPUTER

connector, set the COMPUTER switch to PC-2 or Mac

according to the computer and software being used (p. 38).

The JV-1010 does not output data from the COMPUTER

connector when the COMPUTER switch is set to MIDI. In this

case, data is output from the MIDI OUT connector.

Is the COMPUTER switch on the JV-1010’s rear panel set

to the correct position?

When using the JV-1010 while connected to a computer, set the

switch to the position appropriate for the connection method,

type of computer being used, and the driver settings (p. 38).

* Before changing the COMPUTER switch setting, first switch

off the power to the JV-1010.

Th e so u n d is in te rru p te d .

Is the polyphony (maximum number of voices) being

So n g s a re n o t p la y e d b a ck co rre ctly .

exceeded?

Are you playing songs created for the GS format?

When more than 64 voices are used simultaneously, the

voices exceeding this limit of 64 are interrupted.

While the JV-1010 is compatible with the General MIDI

System, GS Format is not supported, so such songs may not

play back correctly.

Set a sufficiently high value as the Voice Reserve setting for

parts you want to make sure are not interrupted (p. 44).

5 2

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Erro r Me ssa g e s

An error message appears in the display when an error in operation occurs, or if an operation cannot be processed correctly.

When this occurs, continue by following the instructions indicated in the error message.

co E (MIDI Co m m u n ica tio n Erro r)

n o P (N o Pa tch )

fig.coE

fig.noP

Situation: There is a problem with the MIDI cable

connected to the JV-1010’s MIDI IN connector or

with an external device. However, this message

is also displayed when the power for the

external device is turned off.

Situation: If no expansion board is installed, then an

expansion board patch or rhythm set is specified

from the external MIDI device.

Action:

Reselect the patch and rhythm set.

u n d (Use r Me m o ry Da m a g e d )

Action:

Check to make sure the MIDI cable is firmly and

properly connected. Otherwise confirm that

there is no short in the MIDI cable (try switching

the MIDI cable to check this).

fig.und

b FL (MIDI Bu ffe r Fu ll)

fig.bFL

Situation: USER data has been damaged.

Action:

Restore the factory settings with the Factory

Reset procedure.

b tL (Ba tte ry Lo w )

fig.btL

Situation: More MIDI messages were received in a short

time than could be processed correctly.

Action:

Reduce the amount of MIDI messages that are

transmitted.

Situation: Battery power used for saving parameter

cSE (MIDI Ch e ck Su m Erro r)

fig.cSE

settings has been used up.

Action:

Take the JV-1010 to your dealer or nearby

Roland Service to have the battery exchanged.

Situation: A system exclusive message that was received

had an incorrect check sum value.

Action:

Correct the check sum value.

rd E (Re ce ive Da ta Erro r)

fig.rdE

Situation: A system exclusive message was not properly

received. Repeated appearance of this same

error message means that there is a problem

with the MIDI message.

Action:

Check the content of the received system

exclusive message.

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Pa tch List

USER (Use r Gro u p )

PR-A (Pre se t A Gro u p )

No. Name

Voice Key Assign

No. Name

Voice Key Assign

No. Name

Voice Key Assign

No. Name

Voice Key Assign

001 Tremendously

002 St.Concert

003 CyberTrance2

004 SessionNyln2

005 ViennaStrgs3

006 R&R Brass

007 Velo Power

008 Super Tenor

009 Breathy Humz

010 Ow Bass

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

065 Steel Away

066 D-50 Stack

067 Solo Strat

POLY

SOLO

POLY

SOLO

POLY

001 64voicePiano

002 Bright Piano

003 Classique

POLY

065 Dual Profs

066 Saw Mass

067 Poly Split

POLY

SOLO

068 Soap Opera

069 Sop.Sax mf

070 Dimensional

071 Blusey OD

072 Stacc.Heaven

073 PhaseBlipper

074 Pure Tibet

075 Afterlife

004 Nice Piano

005 Piano Thang

006 Power Grand

007 House Piano

008 E.Grand

068 Poly Brass

069 Stackoid

070 Poly Rock

071 D-50 Stack

072 Fantasia JV

073 Jimmee Dee

074 Heavenals

075 Mallet Pad

076 Huff N Stuff

077 Puff 1080

078 BellVox 1080

079 Fantasy Vox

080 Square Keys

081 Childlike

009 MIDIed Grand

010 Piano Blend

011 West Coast

012 PianoStrings

013 Bs/Pno+Brs

014 Waterhodes

015 S.A.E.P.

011 Dunes

012 Celestial 2

013 Tone Wh.Solo

014 Poly Brs

076 Perky B

077 JUNO Power!

078 SessionBrass

079 JX SqrCarpet

080 Phaser MC

081 Sweep Clav 2

082 BluesHarp

083 Scat Flute

084 5thPad 2

015 Combing Slow

016 SA Rhodes 5

017 Adrenaline

018 DanceStack 1

019 Flying Waltz

020 East Europe

021 Silky Way

016 SA Rhodes 1

017 SA Rhodes 2

018 Stiky Rhodes

019 Dig Rhodes

020 Nylon EPiano

021 Nylon Rhodes

022 Rhodes Mix

082 Music Box

083 Toy Box

084 Wave Bells

085 Tria Bells

085 Belfry Chime

086 Atmos Harp

087 DesertCrystl

022 Techno Dream 3

086 Beauty Bells

087 Music Bells

088 Pretty Bells

089 Pulse Key

090 Wide Tubular

091 AmbienceVibe

092 Warm Vibes

093 Dyna Marimba

094 Bass Marimba

095 Nomad Perc

096 Ethno Metals

097 Islands Mlt

098 Steelin Keys

099 Steel Drums

100 Voicey Pizz

101 Sitar

023 Raverborg

024 Pan Pipes

025 Pretty Bells

026 Glistening

023 PsychoRhodes 2

024 Tremo Rhodes 4

025 MK-80 Rhodes 1

088 December Sky 4

089 Upright Pno

090 Darkshine

091 Exotic Velo

092 Atlantis 2

026 MK-80 Phaser

027 Delicate EP

028 Octa Rhodes1

029 Octa Rhodes2

030 JV Rhodes+

031 EP+Mod Pad

032 Mr.Mellow

027 Metal Solo

028 StateXLChrd2

029 Raggatronic

030 ChristmasFlt

031 Acc.de Paris

093 Creamy

094 Morning Lite

095 DanceStack 5

096 D50FantaPerc

097 Resojuice

098 Silicon Str

099 Keep :-)

032 DreamVoices2 2

033 VintageCall2

034 Trancing Pad

035 OldiesOrgan2

036 X..? Whistle

037 Analog Drama

038 BPF Lead

033 Comp Clav

034 Klavinet

035 Winger Clav

036 Phaze Clav 1

037 Phaze Clav 2

038 Phuzz Clav

039 Chorus Clav

040 Claviduck

100 Sm.Brass Grp

101 Echo Piano

102 HeavenlyPad

103 Sequalog

102 Drone Split

103 Ethnopluck

104 Jamisen

039 Clean Tele

040 Earth Blow

041 Pulsatronic

042 Funky Slap

043 Echo Rhodes

104 Solo Steel

105 Spectrum Mod

106 Delicate EP

107 Triumph Brs

108 Flute

041 Velo-Rez Clv

042 Clavicembalo

043 Analog Clav1

044 Analog Clav2

045 Metal Clav

046 Full Stops

105 Dulcimer

106 East Melody

107 MandolinTrem

108 Nylon Gtr

044 pp Harmonium 1

045 Blue Notes

046 Aurora

109 2.2 Bell Pad

110 JustLovely 2

109 Gtr Strings

110 Steel Away

111 Heavenly Gtr

112 12str Gtr 1

113 12str Gtr 2

114 Jz Gtr Hall

115 LetterFrmPat

116 Jazz Scat

117 Lounge Gig

118 JC Strat

047 Breathy Brs

048 Enlighten

049 Tube Smoke

050 Perelandra

051 SquareLead 2

052 Shadows

053 Organizer

054 Full Orchest

055 B’on d’moov!

056 Sugar Bell 2

057 Player’s EP

058 4pole Bass

059 Octapad

111 GR500 TmpDly 2

047 Ballad B

112 Dawn 2 Dusk

113 Gluey Pad

114 SquareKeys 3

115 Arasian Morn

116 D’light

048 Mellow Bars

049 AugerMentive

050 Perky B

051 The Big Spin

052 Gospel Spin

053 Roller Spin

054 Rocker Spin

055 Tone Wh.Solo

056 Purple Spin

117 Perky Noize

118 Mod DirtyWav

119 Moving Glass

120 Sci-Fi Str

119 Twin Strats

120 JV Strat

121 OD 5ths

057 60’s LeadORG 2

121 Syn Strat

122 Far East

058 Assalt Organ

059 D-50 Organ

060 Cathedral

061 Church Pipes

062 Poly Key

122 Rotary Gtr

123 Muted Gtr

124 SwitchOnMute

125 Power Trip

126 Crunch Split

127 Rezodrive

123 Phobos

060 Tria Bells

061 Wire Pad

062 Singing’Mini

063 Heirborne

064 Trumpet

124 Cyber Dreams

125 Cave 2

126 Helium Queen

127 Rain Forest

128 Crowds

063 Poly Saws

064 Poly Pulse

128 RockYurSocks 4

Voice: number of voice

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Pa tch List

PR-B (Pre se t B Gro u p )

PR-C (Pre se t C Gro u p )

No. Name

Voice Key Assign

No. Name

Voice Key Assign

No. Name

Voice Key Assign

No. Name

Voice Key Assign

001 Dist Gtr 1

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

065 Analog Seq

066 Impact Vox

067 TeknoSoloVox

068 X-Mod Man

069 Paz <==> Zap

070 4 Hits 4 You

071 Impact

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

001 Harmon Mute

002 Tp&Sax Sect

003 Sax+Tp+Tb

004 Brass Sect

005 Trombone

POLY

065 Harmonicum

066 D-50 Heaven

067 Afro Horns

068 Pop Pad

POLY

002 Dist Gtr 2

003 R&R Chunk

004 Phripphuzz

005 Grungeroni

006 Black Widow

007 Velo-Wah Gtr

008 Mod-Wah Gtr

009 Pick Bass

069 Dreamesque

070 Square Pad

071 JP-8 Hollow

072 JP-8Haunting

073 Heirborne

074 Hush Pad

075 Jet Pad 1

006 Hybrid Bones

007 Noble Horns

008 Massed Horns

009 Horn Swell

010 Brass It!

072 Phase Hit

073 Tekno Hit 1

074 Tekno Hit 2

075 Tekno Hit 3

076 Reverse Hit

077 SquareLead 1

078 SquareLead 2

079 You and Luck

080 Belly Lead

081 WhistlinAtom

082 Edye Boost

083 MG Solo

010 Hip Bass

011 Perc.Bass

012 Homey Bass

013 Finger Bass

014 Nylon Bass

015 Ac.Upright

016 Wet Fretls

017 Fretls Dry

011 Brass Attack

012 Archimede

013 Rugby Horn

014 MKS-80 Brass

015 True ANALOG

016 Dark Vox

076 Jet Pad 2

077 Phaze Pad

078 Phaze Str

079 Jet Str Ens

080 Pivotal Pad

081 3D Flanged

082 Fantawine

083 Glassy Pad

084 Moving Glass

085 Glasswaves

086 Shiny Pad

087 ShiftedGlass

088 Chime Pad

089 Spin Pad

017 RandomVowels 4

018 Slap Bass 1

019 Slap Bass 2

020 Slap Bass 3

021 Slap Bass 4

022 4 Pole Bass

023 Tick Bass

018 Angels Sing

019 Pvox Oooze

020 Longing...

084 FXM Saw Lead 4

085 Sawteeth

086 Smoothe

021 Arasian Morn

022 Beauty Vox

087 MG Lead

088 MG Interval

089 Pulse Lead 1

090 Pulse Lead 2

091 Little Devil

092 Loud SynLead

093 Analog Lead

094 5th Lead

023 Mary-AnneVox 4

024 House Bass

025 Mondo Bass

026 Clk AnalogBs

027 Bass In Face

028 101 Bass

029 Noiz Bass

030 Super Jup Bs

031 Occitan Bass

032 Hugo Bass

033 Multi Bass

034 Moist Bass

035 BritelowBass

024 Belltree Vox

025 Vox Panner

026 Spaced Voxx

027 Glass Voices

028 Tubular Vox

029 Velo Voxx

030 Wavox

090 Rotary Pad

091 Dawn 2 Dusk

092 Aurora

093 Strobe Mode

094 Albion

095 Flute

031 Doos

095 Running Pad

096 Stepped Pad

097 Random Pad

096 Piccolo

032 Synvox Comps 4

097 VOX Flute

098 Air Lead

033 Vocal Oohz

034 LFO Vox

098 SoundtrkDANC 4

099 Pan Pipes

100 Airplaaane

101 Taj Mahal

102 Raya Shaku

103 Oboe mf

035 St.Strings

036 Warm Strings

037 Somber Str

038 Marcato

099 Flying Waltz

100 Vanishing

101 5th Sweep

102 Phazweep

103 Big BPF

036 Untamed Bass 3

037 Rubber Bass

038 Stereoww Bs

039 Wonder Bass

040 Deep Bass

041 Super JX Bs

039 Bright Str

040 String Ens

041 TremoloStrng

042 Chambers

043 ViolinCello

044 Symphonique

045 Film Octaves

046 Film Layers

047 Bass Pizz

048 Real Pizz

049 Harp On It

050 Harp

104 Oboe Express

105 Clarinet mp

106 ClariExpress

107 Mitzva Split

104 MG Sweep

105 CeremonyTimp 3

042 W<RED>-Bass 4

106 Dyno Toms

107 Sands ofTime

108 Inertia

043 HI-Ring Bass

044 Euro Bass

045 SinusoidRave

046 Alternative

047 Acid Line

108 ChamberWinds 4

109 ChamberWoods3

109 Vektogram

110 Crash Pad

110 Film Orch

111 Sop.Sax mf

112 Alto Sax

111 Feedback VOX 4

048 Auto TB-303

049 Hihat Tekno

050 Velo Tekno 1

051 Raggatronic

052 Blade Racer

053 S&H Pad

112 Cascade

113 AltoLead Sax

114 Tenor Sax

115 Baritone Sax

116 Take A Tenor

117 Sax Section

118 Bigband Sax

119 Harmonica

120 Harmo Blues

121 BluesHarp

122 Hillbillys

113 Shattered

114 NextFrontier

115 Pure Tibet

116 Chime Wash

117 Night Shade

118 Tortured

051 JP-8 Str 1

052 JP-8 Str 2

053 E-Motion Pad

054 JP-8 Str 3

055 Vintage Orch

056 JUNO Strings

057 Gigantalog

058 PWM Strings

059 Warmth

054 Syncrosonix

055 Fooled Again

056 Alive

119 Dissimilate

120 Dunes

057 Velo Tekno 2

058 Rezoid

121 Ocean Floor

122 Cyber Space

123 Biosphere

124 Variable Run

125 Ice Hall

059 Raverborg

060 Blow Hit

123 French Bags

124 Majestic Tpt

125 Voluntare

060 ORBit Pad

061 Deep Strings

062 Pulsify

061 Hammer Bell

062 Seq Mallet

063 Intentions

064 Pick It

126 2Trumpets

127 Tpt Sect

126 ComputerRoom4

063 Pulse Pad

064 Greek Power

127 Inverted

128 Mute TP mod

128 Terminate

Voice: number of voice

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Pa tch List

PR-D (GM Gro u p )

PR-E (Pre se t E Gro u p )

No. Name

Voice Key Assign

No. Name

Voice Key Assign

No. Name

Voice Key Assign

No. Name

Voice Key Assign

001 Piano 1

POLY

065 Soprano Sax

066 Alto Sax

POLY

001 Echo Piano

002 Upright Pno

003 RD-1000

POLY

SOLO

POLY

SOLO

POLY

065 Civilization

066 Mental Chord

067 House Chord

068 Sequalog

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

SOLO

POLY

002 Piano 2

003 Piano 3

067 Tenor Sax

068 Baritone Sax

069 Oboe

004 Honky-tonk

005 E.Piano 1

006 E.Piano 2

007 Harpsichord

008 Clav.

004 Player’s EP

005 D-50 Rhodes

006 Innocent EP

007 Echo Rhodes

008 See-Thru EP

009 FM BellPiano

010 Ring E.Piano

011 Soap Opera

012 Dirty Organ

013 Surf’s Up!

069 Booster Bips

070 VintagePlunk

071 Plik-Plok

070 English Horn

071 Bassoon

072 Clarinet

072 RingSequence 4

009 Celesta

073 Piccolo

073 Cyber Swing

074 Keep :-)

010 Glockenspiel

011 Music Box

012 Vibraphone

013 Marimba

074 Flute

075 Recorder

076 Pan Flute

077 Bottle Blow

078 Shakuhachi

079 Whistle

075 Resojuice

076 B’on d’moov!

077 Dist TB-303

078 Temple of JV

079 Planet Asia

080 Afterlife

014 Xylophone

015 Tubular-bell

016 Santur

014 Organesque

015 pp Harmonium 1

080 Ocarina

016 PieceOfCheez

017 Harpsy Clav

018 Exotic Velo

019 HolidayCheer

020 Morning Lite

021 Prefab Chime

022 Belfry Chime

023 Stacc.Heaven

024 2.2 Bell Pad

025 Far East

017 Organ 1

081 Square Wave

082 Saw Wave

083 Syn.Calliope

084 Chiffer Lead

085 Charang

086 Solo Vox

087 5th Saw Wave

088 Bass & Lead

089 Fantasia

090 Warm Pad

091 Polysynth

092 Space Voice

093 Bowed Glass

094 Metal Pad

095 Halo Pad

096 Sweep Pad

097 Ice Rain

081 Trancing Pad

082 Pulsatronic

083 Cyber Dreams

084 Warm Pipe

085 Pure Pipe

018 Organ 2

019 Organ 3

020 Church Org.1

021 Reed Organ

022 Accordion Fr

023 Harmonica

024 Bandoneon

025 Nylon-str.Gt

026 Steel-str.Gt

027 Jazz Gt.

086 SH-2000

087 X..? Whistle

088 Jay Vee Solo

089 Progresso Ld

090 Adrenaline

091 Enlighten

026 Wire Pad

027 PhaseBlipper

028 Sweep Clav

029 Glider

028 Clean Gt.

029 Muted Gt.

030 Overdrive Gt

031 DistortionGt

032 Gt.Harmonics

033 Acoustic Bs.

034 Fingered Bs.

035 Picked Bs.

036 Fretless Bs.

037 Slap Bass 1

038 Slap Bass 2

039 Synth Bass 1

040 Synth Bass 2

041 Violin

092 Glass Blower

093 Earth Blow

094 JX SqrCarpet

095 Dimensional

096 Jupiterings

097 Analog Drama

098 Rich Dynapad

099 Silky Way

030 Solo Steel

031 DesertCrystl

032 Clear Guitar

033 Solo Strat

034 Feed Me!

098 Soundtrack

099 Crystal

035 Tube Smoke

036 Creamy

100 Atmosphere

101 Brightness

102 Goblin

100 Gluey Pad

037 Blusey OD

038 Grindstone

039 OD 5ths

101 BandPass Mod 2

102 Soundtraque

103 Translucence

104 Darkshine

105 D’light

103 Echo Drops

104 Star Theme

105 Sitar

040 East Europe

041 Dulcitar

042 Viola

106 Banjo

042 Atmos Harp

043 Pilgrimage

044 202 Rude Bs

045 2pole Bass

046 4pole Bass

047 Phaser MC

048 Miniphaser

049 Acid TB

106 December Sky 4

043 Cello

107 Shamisen

108 Koto

107 Octapad

044 Contrabass

045 Tremolo Str

046 PizzicatoStr

047 Harp

108 JUNO Power!

109 Spectrum Mod

110 Stringsheen

109 Kalimba

110 Bag Pipe

111 Fiddle

111 GR500 TmpDly 2

048 Timpani

112 Shanai

112 Mod DirtyWav

113 Silicon Str

114 D50FantaPerc

115 Rotodreams

116 Blue Notes

117 RiversOfTime

118 Phobos

049 Strings

113 Tinkle Bell

114 Agogo

050 Slow Strings

051 Syn.Strings1

052 Syn.Strings2

053 Choir Aahs

054 Voice Oohs

055 SynVox

050 Full Orchest

051 Str + Winds

052 Flute 2080

053 Scat Flute

054 Sax Choir

055 Ballad Trump

056 Sm.Brass Grp

057 Royale

115 Steel Drums

116 Woodblock

117 Taiko

118 Melo. Tom 1

119 Synth Drum

120 Reverse Cym.

121 Gt.FretNoise

122 Breath Noise

123 Seashore

124 Bird

119 2 0 8 0

056 OrchestraHit

057 Trumpet

120 Unearthly

121 Glistening

122 Sci-Fi Str

058 Trombone

059 Tuba

058 Brass Mutes

059 Breathy Brs

060 3 Osc Brass

061 P5 Polymod

062 Triumph Brs

123 Shadows

060 MutedTrumpet

061 French Horn

062 Brass 1

124 Helium Queen

125 Sci-Fi FX x4

126 Perky Noize

127 Droplet

125 Telephone 1

126 Helicopter

127 Applause

128 Gun Shot

063 Synth Brass1

064 Synth Brass2

063 Techno Dream 3

064 Organizer

128 Rain Forest

Voice: number of voice

5 6

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Pa tch List

XP-A (Se ssio n )

No.

Name

Voice

No.

Name

Voice

No.

Name

Voice

No.

Name

Voice

001

002

003

004

005

006

007

008

009

010

011

012

013

014

015

016

017

018

019

020

021

022

023

024

025

026

027

028

029

030

031

032

033

034

035

036

037

038

039

040

041

042

043

044

045

046

047

048

049

050

051

052

053

054

055

056

057

058

059

060

061

062

063

064

St.Concert

065

066

067

068

069

070

071

072

073

074

075

076

077

078

079

080

081

082

083

084

085

086

087

088

089

090

091

092

093

094

095

096

097

098

099

100

101

102

103

104

105

106

107

108

109

110

111

112

113

114

115

116

117

118

119

120

121

122

123

124

125

126

127

128

Fr.Accord 2

Troubadour

SessionNylon

Solo Nylon 1

Solo Nylon 2

Nylon & Str

Nylon & Flt

Nylon Chord

Stratar

129

130

131

132

133

134

135

136

137

138

139

140

141

142

143

144

145

146

147

148

149

150

151

152

153

154

155

156

157

158

159

160

161

162

163

164

165

166

167

168

169

170

171

172

173

174

175

176

177

178

179

180

181

182

183

184

185

186

187

188

189

190

191

192

Quixelate

193

194

195

196

197

198

199

200

201

202

203

204

205

206

207

208

209

210

211

212

213

214

215

216

217

218

219

220

221

222

223

224

225

226

227

228

229

230

231

232

233

234

235

236

237

238

239

240

241

242

243

244

245

246

247

248

249

250

251

252

253

254

255

Build-Up Syn

Atlantis 2

9ft.Grand 1

9ft.Grand 2

Euro Classic

St.Pno & Str

Compress Pno

LA Session

Water Piano

Vibra Rhodes

Stack Rhodes

ArcoEnsemble

Vienna Strgs

Str Adagio

Trangoa Wave

Spiked Cheez

Glassy Cheez

Super 808Cow

Arpeggiatoid

Euro Hit 1

Perelandra

Plutonium

Nautilus

Metal Dreams

Glass Clouds

Harmonicloud

Shining Veil

Ethereal JX

Striking 5th

Euro Hit 2

Rave Slice

Clean Tele

Str Torture

Nashville

Juno Harpsi

Big Mess Pad

Harpsichoir

Echo Juno

Super Trem

SpaghettiGtr

Duanne’sTone

Big Hair Ld

Metal Solo

Meow 5ths

Stepflanger

Happy LFOs

Aero Insect

Beat Sweeper

Wormy Lead

Atmo Lead

Oct Strings

Silky Filter

Phazerave

Soft Strings

SlowStr.Sect

GiantStrings

Str+Choir 1

Str+Choir 2

Str+Choir 3

Breathy Humz

Dream Voices

Mmmms

DanceStack 1

DanceStack 2

DanceStack 3

DanceStack 4

DanceStack 5

DanceStack 6

DanceStack 7

DanceStack 8

Eurotek Brs

Synergy Brs

PortaSynthex

Razor VCOs

Big PWM

Crunch Tone

Overdriven

Blues Tele

Caliolead

Tube Double

Neil’s Rust

Tweedles

Raw PWM

Short Crunch

X-Fade Metal

Velo Power

Phazy Chunk

Reso Tele

Voc Solo 5th

Dirty Lead

Boostweeper1

Boostweeper2

B3 Filth

Chorale

Space Men

Choir Mm+Aah

Ivory Mist

Wah Wah BPM

Rock P.Bass1

Rock P.Bass2

Rock P.Bass3

Big Jazz Bs

BriteJazz Bs

Ch.Jazz Bs

Mellow Jz Bs

Mute E.Bs

Phazed Organ

VSw Vibrafon

SA Vibe

PercussiVox

Mysteriouso

Phase Mmhs

AmbientStory

Venus

Flutey Stack

Wobbly 5th

Tekno Square

Trance VoXxX

Random Rave

Raver Circus

Resorave

Rich Vibes

SpaceGamelan

Toy Vibe

Analog Bomb

Seashore 2

Creation

SessionBrass

Port.Tpts

R&R Brass

Echo Brass

E.Coast Brs

Bop Soli

Octabahn Bs

Slobbery Bs

Phase Worm

Euro Rave Bs

Pumpin’ Bs

Tech NoBase

Bad Acid Bs

CheepEcho Bs

Manic Bs

Flangomatic

O-Zu-Nu

Cyberjunkie

Sci-Fi Bells

Sub Divided

Ancient Sqr

Fat Flange

Shine on

DEMO Piano1

DEMO Piano2

DEMO PnoVox

DEMO Str 1

DEMO Str 2

DEMO Str 3

DEMO SynPuls

DEMO 5thPad

DEMO Choir

DEMO Brass

DEMO Tenor

DEMO Tpt

Soft Saxes

Orchestral

Phaze NRG

Phase Vox

Octalog Hrn

Tpt Soloist

Systekno

Legato Tpt

On the move!

XP’ration

Dyno Trumpet

Ethno-Trumps

Super Tenor

TenorExpress

T.Sax f

JP6 Sqr Key

Square drops

Celestial

Big Ensemble

Lazerette

Heavenly Eko

JD-800 Nomad

Vibrolater

Fazed String

Combing Slow

Jet Stack

Legato Flute

Touch Flute

NewAge Flute

Flute inMist

Hybrid Flute

Flute & Cla

ChristmasFlt

Fifth Flute

MartianChime

Big Wet Blip

Amazing Echo

DelaySession

Deletex

Phazeslopad

Rize Mass

DEMO Flute

DEMO Nylon

DEMO PhaseGt

DEMO DistGt1

DEMO DistGt2

DEMO Strat

DEMO SlapBs

DEMO P.Bass

DEMO SynBs

DEMO SynLead

DEMO Insect

DEMO Buzzzzz

DEMO Crowd

Portent

DCO Sweeper

Sweep Rain

Sweep Stack

Big Vectors

Poly Swell

Tarlia

Mahoroba

Cosmic Flute

Acc.de Paris

Paris 50’s

Eurotek Clav

Dope Resoclv

Tekno Juno

Buzzzzzzzzzz

Slop-a-rama

Isn’t Pretty

Alchemy

Soli-na

Musette Ens

Montmartre

Sad Akordion

Fr.Accordion

90s Str Mach

Ultra Cheez

Juno-60 Pad

Progressive

Polywasp

Voice: number of voice

5 7

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Pa tch Ca te g o ry List

PIAN O

KEY&O RGAN

(Pia n o Gro u p )

(Ke y b o a rd & O rg a n Gro u p )

PNO (AC.PIANO)

Acoustic Piano

KEY (KEYBOARDS)

Other Keyboards (Clav,

Harpsichord etc.)

MLT (MALLET)

Mallet

ACD (ACCORDION)

Accordion

No. Name

Voice Preset No.

No. Name

Voice Preset No.

No. Name

Voice Preset No.

No. Name

Voice Preset No.

001 St.Concert

002 9ft.Grand 1

003 9ft.Grand 2

004 Euro Classic

005 DEMO Piano1

006 DEMO Piano2

007 64voicePiano

008 Bright Piano

009 Classique

XP-A:001

XP-A:002

XP-A:003

XP-A:004

XP-A:231

XP-A:232

PR-A:001

PR-A:002

PR-A:003

PR-A:004

PR-A:005

PR-A:006

PR-D:001

PR-D:002

PR-D:003

XP-A:006

PR-D:004

PR-E:001

PR-E:002

XP-A:005

PR-A:012

XP-A:233

XP-A:007

PR-A:010

XP-A:008

PR-E:003

PR-A:009

PR-A:008

058 Warm Vibes

059 SA Vibe

PR-A:092

XP-A:221

PR-D:012

XP-A:220

XP-A:222

PR-A:091

XP-A:223

XP-A:224

PR-E:018

PR-A:093

PR-A:094

PR-D:013

PR-A:095

PR-D:014

PR-A:099

PR-D:115

PR-A:097

PR-A:098

104 Montmartre

105 Acc.de Paris

106 Fr.Accordion

107 Paris 50’s

XP-A:062

XP-A:059

XP-A:064

XP-A:060

XP-A:065

PR-D:024

PR-D:022

XP-A:061

XP-A:063

001 Comp Clav

002 Clav.

PR-A:033

PR-D:008

PR-A:039

PR-A:042

PR-A:034

PR-A:045

PR-E:017

PR-A:035

PR-A:036

PR-A:037

PR-A:038

PR-E:016

PR-A:040

PR-A:041

PR-A:043

PR-A:044

PR-D:009

PR-D:007

XP-A:141

060 Vibraphone

061 VSw Vibrafon

062 Rich Vibes

063 AmbienceVibe

003 Chorus Clav

004 Clavicembalo

005 Klavinet

108 Fr.Accord 2

109 Bandoneon

110 Accordion Fr

111 Musette Ens

112 Sad Akordion

006 Metal Clav

007 Harpsy Clav

008 Winger Clav

009 Phaze Clav 1

010 Phaze Clav 2

011 Phuzz Clav

012 PieceOfCheez

013 Claviduck

064 SpaceGamelan 4

065 Toy Vibe

066 Exotic Velo

067 Dyna Marimba

068 Bass Marimba

069 Marimba

010 Nice Piano

011 Piano Thang

012 Power Grand

013 Piano 1

HRM (HARMONICA)

Harmonica, Blues Harp

070 Nomad Perc

071 Xylophone

072 Steel Drums

073 Steel Drums

074 Islands Mlt

075 Steelin Key

No. Name

Voice Preset No.

014 Piano 2

113 Harmonica

114 Harmonica

115 Harmo Blues

116 BluesHarp

PR-B:119

PR-D:023

PR-B:120

PR-B:121

015 Piano 3

014 Velo-Rez Clv

015 Analog Clav1

016 Analog Clav2

017 Celesta

016 Compress Pno

017 Honky-tonk

018 Echo Piano

019 Upright Pno

020 St.Pno & Str

021 PianoStrings

018 Harpsichord

019 Harpsichoir

ORG (ORGAN)

Electric and Church Organ

022 DEMO PnoVox 3

BEL (BELL)

Bell, Bell Pad

No. Name

Voice Preset No.

023 LA Session

024 Piano Blend

025 Water Piano

026 RD-1000

076 Full Stops

077 Roller Spin

078 Gospel Spin

079 Ballad B

PR-A:046

PR-A:053

PR-A:052

PR-A:047

PR-A:048

PR-D:017

PR-D:018

PR-A:049

PR-A:050

PR-A:051

PR-A:054

PR-A:055

PR-E:012

PR-D:019

XP-A:218

PR-A:056

PR-A:057

PR-A:058

PR-A:059

PR-E:013

PR-E:011

XP-A:219

PR-A:060

PR-A:061

PR-D:020

PR-E:014

PR-E:015

PR-D:021

Voice Preset No.

020 Pretty Bells

021 Wave Bells

022 Music Bells

023 Beauty Bells

024 Tria Bells

PR-A:088

PR-A:084

PR-A:087

PR-A:086

PR-A:085

PR-D:099

PR-D:113

PR-A:096

PR-D:010

PR-A:081

PR-A:082

PR-D:011

PR-A:083

PR-A:080

XP-A:114

PR-D:015

PR-A:090

PR-E:022

PR-E:023

PR-A:071

PR-A:072

PR-A:073

PR-E:019

PR-E:020

PR-A:074

PR-E:024

PR-A:075

XP-A:113

PR-A:076

PR-A:078

XP-A:111

PR-A:079

XP-A:112

XP-A:120

XP-A:115

PR-B:061

XP-A:116

PR-E:021

027 MIDIed Grand

028 E.Grand

080 Mellow Bars

081 Organ 1

082 Organ 2

EP (EL.PIANO)

Electric Piano

No. Name

025 Crystal

083 AugerMentive

084 Perky B

026 Tinkle Bell

027 Ethno Metals

028 Glockenspiel

029 Childlike

Voice Preset No.

085 The Big Spin

086 Rocker Spin

087 Tone Wh.Solo

088 Dirty Organ

089 Organ 3

029 SA Rhodes1

030 Stiky Rhodes

031 Dig Rhodes

032 SA Rhodes 2

033 E.Piano 1

PR-A:016

PR-A:018

PR-A:019

PR-A:017

PR-D:005

PR-A:015

PR-A:025

PR-E:004

PR-A:022

PR-A:028

PR-A:029

PR-A:014

PR-A:024

PR-A:023

PR-A:026

PR-D:006

PR-A:027

PR-E:009

PR-A:011

PR-A:032

PR-A:030

PR-A:031

PR-E:005

PR-E:006

PR-E:007

PR-E:008

PR-E:010

XP-A:010

PR-A:020

PR-A:021

XP-A:009

030 Music Box

031 Music Box

032 Toy Box

090 B3 Filth

034 S.A.E.P.

033 Square Keys

034 Vibrolater

091 Purple Spin

092 60’s LeadORG

093 Assalt Organ

094 D-50 Organ

095 Surf’s Up!

035 MK-80 Rhodes

036 Player’s EP

037 Rhodes Mix

038 Octa Rhodes1

039 Octa Rhodes2

040 Waterhodes

041 Tremo Rhodes

042 PsychoRhodes

043 MK-80 Phaser

044 E.Piano 2

035 Tubular-bell

036 Wide Tubular

037 Belfry Chime

038 Stacc.Heaven

039 D-50 Stack

040 Fantasia JV

041 Jimmee Dee

042 HolidayCheer

043 Morning Lite

044 Heavenals

045 2.2 Bell Pad

046 Mallet Pad

047 JD-800 Nomad

048 Huff N Stuff

049 BellVox 1080

050 Celestial

096 Soap Opera

097 Phazed Organ

098 Cathedral

099 Church Pipes

100 Church Org.1

101 Organesque

102 pp Harmonium

103 Reed Organ

045 Delicate EP

046 FM BellPiano

047 West Coast

048 Mr.Mellow

049 JV Rhodes+

050 EP+Mod Pad

051 D-50 Rhodes

052 Innocent EP

053 Echo Rhodes

054 See-Thru EP

055 Ring E.Piano

056 Stack Rhodes

057 Nylon EPiano

058 Nylon Rhodes

059 Vibra Rhodes

051 Fantasy Vox

052 Heavenly Eko

053 Tarlia

054 MartianChime

055 Hammer Bell

056 Big Wet Blip

057 Prefab Chime

5 8

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Pa tch Ca te g o ry List

GUITAR/ BASS

(Gu ita r/ Ba ss Gro u p )

AGT (AC.GUITAR)

Acoustic Guitar

DGT (DIST.GUITAR)

Distortion Guitar

BS (BASS)

Acoustic & Electric Bass

SBS (SYNTH BASS)

Synth Bass

No. Name

Voice Preset No.

No. Name

Voice Preset No.

No. Name

Voice Preset No.

No. Name

Voice Preset No.

001 SessionNylon

002 Nylon Gtr

XP-A:067

PR-A:108

PR-D:025

XP-A:244

XP-A:068

XP-A:069

XP-A:070

PR-A:109

XP-A:071

PR-E:031

XP-A:072

XP-A:119

PR-A:110

PR-D:026

PR-E:030

PR-A:112

PR-A:113

PR-A:111

PR-D:100

PR-D:121

XP-A:066

049 Big Hair Ld

050 Metal Solo

051 Feed Me!

XP-A:079

XP-A:080

PR-E:034

XP-A:246

XP-A:247

XP-A:085

XP-A:081

PR-E:035

XP-A:082

PR-B:001

PR-B:002

PR-A:128

PR-E:036

PR-E:037

XP-A:083

PR-E:038

PR-A:127

XP-A:084

PR-E:039

PR-D:030

PR-D:031

PR-B:003

XP-A:088

XP-A:086

XP-A:087

XP-A:089

PR-A:125

PR-A:126

PR-B:004

PR-B:005

PR-B:006

PR-B:008

081 Rock P.Bass1

082 Rock P.Bass2

083 Rock P.Bass3

084 Big Jazz Bs

085 BriteJazz Bs

086 Finger Bass

087 Fingered Bs.

088 Mellow Jz Bs

089 Ch.Jazz Bs

090 Octabahn Bs

091 Pick Bass

XP-A:092

XP-A:093

XP-A:094

XP-A:095

XP-A:096

PR-B:013

PR-D:034

XP-A:098

XP-A:097

XP-A:100

PR-B:009

PR-D:035

PR-B:010

XP-A:099

PR-B:011

PR-B:012

PR-B:018

PR-B:019

PR-B:020

PR-B:021

PR-D:037

PR-D:038

PR-B:017

PR-D:036

PR-B:016

PR-B:014

PR-B:015

PR-D:033

XP-A:250

XP-A:249

111 4 Pole Bass

112 Tick Bass

PR-B:022

PR-B:023

PR-B:024

PR-B:025

PR-E:045

PR-E:046

PR-B:039

PR-B:037

PR-B:038

PR-B:026

PR-B:027

PR-B:028

PR-B:029

PR-B:031

PR-B:030

PR-B:032

PR-B:036

XP-A:107

XP-A:101

XP-A:103

PR-B:033

PR-B:034

XP-A:106

PR-E:049

PR-D:039

PR-B:035

PR-B:040

PR-B:041

PR-B:042

PR-D:040

XP-A:105

PR-B:043

PR-B:044

PR-B:045

PR-E:044

XP-A:104

PR-E:047

PR-E:048

XP-A:102

XP-A:108

XP-A:251

003 Nylon-str.Gt

004 DEMO Nylon

005 Solo Nylon 1

006 Solo Nylon 2

007 Nylon & Str

008 Gtr Strings

009 Nylon & Flt

010 DesertCrystl

011 Nylon Chord

012 Deletex

113 House Bass

114 Mondo Bass

115 2pole Bass

116 4pole Bass

117 Wonder Bass

118 Rubber Bass

119 Stereoww Bs

120 Clk AnalogBs

121 Bass In Face

122 101 Bass

052 DEMO DistGt1

053 DEMO DistGt2

054 Neil’s Rust

055 Crunch Tone

056 Tube Smoke

057 Overdriven

058 Dist Gtr 1

059 Dist Gtr 2

060 RockYurSocks

061 Creamy

092 Picked Bs.

093 Hip Bass

013 Steel Away

014 Steel-str.Gt

015 Solo Steel

016 12str Gtr 1

017 12str Gtr 2

018 Heavenly Gtr

019 Atmosphere

020 Gt.FretNoise

021 Troubadour

123 Noiz Bass

062 Blusey OD

063 Blues Tele

064 Grindstone

065 Rezodrive

066 Tube Double

067 OD 5ths

094 Mute E.Bs

124 Occitan Bass

125 Super Jup Bs

126 Hugo Bass

127 Untamed Bass

128 CheepEcho Bs

129 Slobbery Bs

130 Euro Rave Bs

131 Multi Bass

095 Perc.Bass

096 Homey Bass

097 Slap Bass 1

098 Slap Bass 2

099 Slap Bass 3

100 Slap Bass 4

101 Slap Bass 1

102 Slap Bass 2

103 Fretls Dry

068 Overdrive Gt

069 DistortionGt

070 R&R Chunk

071 Velo Power

072 Short Crunch

073 X-Fade Metal

074 Phazy Chunk

075 Power Trip

076 Crunch Split

077 Phripphuzz

078 Grungeroni

079 Black Widow

080 Mod-Wah Gtr

132 Moist Bass

133 Bad Acid Bs

134 Acid TB

EGT (EL.GUITAR)

Electric Guitar

104 Fretless Bs.

105 Wet Fretls

No. Name

Voice Preset No.

135 Synth Bass 1

136 BritelowBass

137 Deep Bass

138 Super JX Bs

106 Nylon Bass

107 Ac.Upright

108 Acoustic Bs.

109 DEMO P.Bass

110 DEMO SlapBs

022 Clean Tele

023 Jz Gtr Hall

024 LetterFrmPat

025 Jazz Gt.

XP-A:074

PR-A:114

PR-A:115

PR-D:027

PR-A:116

PR-E:032

XP-A:075

XP-A:076

XP-A:077

XP-A:078

PR-A:118

PR-A:119

XP-A:073

PR-E:033

PR-A:120

PR-D:028

PR-A:121

PR-A:122

PR-A:123

PR-A:124

PR-D:029

PR-D:032

PR-B:007

XP-A:091

XP-A:090

XP-A:245

XP-A:248

139 W<RED>-Bass 4

140 Synth Bass 2

141 Tech NoBase

142 HI-Ring Bass

143 Euro Bass

026 Jazz Scat

027 Clear Guitar

028 Nashville

029 Super Trem

030 SpaghettiGtr

031 Duanne’sTone

032 JC Strat

144 SinusoidRave

145 202 Rude Bs

146 Pumpin’ Bs

147 Phaser MC

148 Miniphaser

149 Phase Worm

150 Manic Bs

033 Twin Strats

034 Stratar

035 Solo Strat

036 JV Strat

151 DEMO SynBs

037 Clean Gt.

038 Syn Strat

039 Rotary Gtr

040 Muted Gtr

041 SwitchOnMute

042 Muted Gt.

043 Gt.Harmonics

044 Velo-Wah Gtr

045 Wah Wah BPM 4

046 Reso Tele

047 DEMO PhaseGt 4

048 DEMO Strat

5 9

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Pa tch Ca te g o ry List

O RCH/ BRASS

(O rch e stra / Bra ss Gro u p )

STR (STRINGS)

Strings

HIT (HIT&STAB)

Orchestra Hit, Hit

BRS (AC.BRASS)

Acoustic Brass

SAX (SAX)

Sax

No. Name

Voice Preset No.

No. Name

Voice Preset No.

No. Name

Voice Preset No.

No. Name

Voice Preset No.

001 Str Adagio

002 ArcoEnsemble

003 Vienna Strgs

004 Oct Strings

005 Soft Strings

006 GiantStrings

007 St.Strings

008 Warm Strings

009 Somber Str

010 Marcato

XP-A:013

XP-A:011

XP-A:012

XP-A:014

XP-A:016

XP-A:018

PR-C:035

PR-C:036

PR-C:037

PR-C:38

045 OrchestraHit

046 Impact

PR-D:056

PR-B:071

PR-B:072

PR-B:076

PR-B:073

PR-B:074

PR-B:075

XP-A:135

XP-A:136

XP-A:137

PR-B:060

PR-B:070

092 SessionBrass

093 E.Coast Brs

094 R&R Brass

095 Port.Tpts

XP-A:034

XP-A:038

XP-A:036

XP-A:035

PR-C:004

PR-B:127

PR-D:062

XP-A:240

XP-A:037

PR-E:057

PR-E:056

PR-C:002

PR-C:003

PR-C:006

XP-A:039

XP-A:041

PR-C:007

PR-C:009

PR-C:008

PR-D:061

PR-B:124

PR-B:125

XP-A:043

XP-A:044

XP-A:045

XP-A:242

PR-D:057

PR-E:055

PR-B:126

XP-A:046

PR-C:001

PR-B:128

PR-D:060

PR-E:058

PR-C:005

PR-D:058

PR-D:059

145 Soprano Sax

146 Sop.Sax mf

147 Alto Sax

PR-D:065

PR-B:111

PR-B:112

PR-B:113

PR-D:066

XP-A:047

XP-A:048

XP-A:049

XP-A:241

PR-B:114

PR-D:067

PR-B:115

PR-D:068

XP-A:040

PR-B:117

PR-B:118

PR-B:116

PR-E:054

047 Phase Hit

048 Reverse Hit

049 Tekno Hit 1

050 Tekno Hit 2

051 Tekno Hit 3

052 Euro Hit 1

053 Euro Hit 2

054 Rave Slice

055 Blow Hit

148 AltoLead Sax

149 Alto Sax

096 Brass Sect

097 Tpt Sect

150 Super Tenor

151 TenorExpress

152 T.Sax f

098 Brass 1

099 DEMO Brass

100 Echo Brass

101 Royale

153 DEMO Tenor

154 Tenor Sax

155 Tenor Sax

156 Baritone Sax

157 Baritone Sax

158 Soft Saxes

159 Sax Section

160 Bigband Sax

161 Take A Tenor

162 Sax Choir

011 Bright Str

012 String Ens

013 DEMO Str 1

014 Strings

PR-C:039

PR-C:040

XP-A:234

PR-D:049

PR-C:042

XP-A:017

XP-A:015

PR-D:050

PR-C:045

XP-A:235

XP-A:236

PR-C:041

PR-D:045

XP-A:019

XP-A:020

PR-D:046

PR-C:047

PR-C:048

PR-A:100

PR-D:041

PR-D:111

PR-C:043

PR-D:042

PR-D:043

PR-D:044

PR-C:051

PR-C:052

PR-C:054

PR-C:061

102 Sm.Brass Grp

103 Tp&Sax Sect

104 Sax+Tp+Tb

105 Hybrid Bones

106 Bop Soli

056 4 Hits 4 You

WND (WIND)

Winds (Oboe, Clarinet etc.)

015 Chambers

016 SlowStr.Sect

017 Silky Filter

018 Slow Strings

019 Film Octaves

020 DEMO Str 2

021 DEMO Str 3

022 TremoloStrng

023 Tremolo Str

024 Str+Choir 1

025 Str+Choir 2

026 PizzicatoStr

027 Bass Pizz

028 Real Pizz

029 Voicey Pizz

030 Violin

No. Name

Voice Preset No.

107 Orchestral

108 Noble Horns

109 Horn Swell

110 Massed Horns

111 French Horn

112 Majestic Tpt

113 Voluntare

057 Oboe mf

PR-B:103

PR-B:104

PR-D:069

PR-D:070

PR-D:071

PR-B:105

PR-B:106

PR-D:072

PR-B:108

PR-B:109

PR-B:107

058 Oboe Express

059 Oboe

060 English Horn

061 Bassoon

062 Clarinet mp

063 ClariExpress

064 Clarinet

114 Tpt Soloist

115 Legato Tpt

116 Dyno Trumpet

117 DEMO Tpt

118 Trumpet

065 ChamberWinds 4

066 ChamberWoods 3

067 Mitzva Split

119 Ballad Trump

120 2Trumpets

121 Ethno-Trumps

122 Harmon Mute

123 Mute TP mod

124 MutedTrumpet

125 Brass Mutes

126 Trombone

127 Trombone

128 Tuba

FLT (FLUTE)

Flute, Piccolo

No. Name

031 Fiddle

Voice Preset No.

032 ViolinCello

033 Viola

068 Legato Flute

069 Flute

XP-A:050

PR-B:095

PR-D:074

PR-E:052

XP-A:051

XP-A:243

XP-A:057

PR-B:096

PR-D:073

PR-B:099

PR-D:076

PR-D:077

PR-B:098

PR-D:075

PR-D:080

PR-D:079

PR-B:097

PR-E:053

XP-A:052

XP-A:058

XP-A:053

XP-A:055

XP-A:054

XP-A:056

034 Cello

070 Flute

035 Contrabass

036 JP-8 Str 1

037 JP-8 Str 2

038 JP-8 Str 3

039 Deep Strings

071 Flute 2080

072 Touch Flute

073 DEMO Flute

074 Fifth Flute

075 Piccolo

SBR (SYNTH BRASS)

Synth Brass

076 Piccolo

ORC (ORCHESTRA)

Orchestra Ensemble

No. Name

Voice Preset No.

077 Pan Pipes

078 Pan Flute

079 Bottle Blow

080 Air Lead

129 3 Osc Brass

130 Poly Brass

131 P5 Polymod

132 Brass It!

PR-E:060

PR-A:068

PR-E:061

PR-C:010

PR-C:011

PR-C:012

XP-A:153

PR-C:013

PR-C:014

PR-D:063

PR-D:064

PR-C:015

PR-C:067

PR-E:059

PR-E:062

XP-A:042

No. Name

Voice Preset No.

040 Symphonique

041 Film Layers

042 Full Orchest

043 Str + Winds

044 Film Orch

PR-C:044

PR-C:046

PR-E:050

PR-E:051

PR-B:110

081 Recorder

082 Ocarina

133 Brass Attack

134 Archimede

135 Synergy Brs

136 Rugby Horn

137 MKS-80 Brass

138 Synth Brass1

139 Synth Brass2

140 True ANALOG

141 Afro Horns

142 Breathy Brs

143 Triumph Brs

144 Octalog Hrn

083 Whistle

084 VOX Flute

085 Scat Flute

086 NewAge Flute

087 Cosmic Flute

088 Flute inMist

089 Flute & Cla

090 Hybrid Flute

091 ChristmasFlt

6 0

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Pa tch Ca te g o ry List

SYN TH/ PAD

(Sy n th / Pa d Gro u p )

HLD (HARD LEAD)

Hard Synth Lead

TEK (TECHNO SYNTH)

Techno Synth

PLS (PULSATING)

Pulsating Synth

FX (SYNTH FX)

Synth FX (Noise etc.)

No. Name

Voice Preset No.

No. Name

Voice Preset No.

No. Name

Voice Preset No.

No. Name

Voice Preset No.

001 Pulse Lead 1

002 Little Devil

003 Square Wave

004 Sawteeth

PR-B:089

PR-B:091

PR-D:081

PR-B:085

PR-B:084

PR-D:082

PR-B:092

PR-D:087

PR-B:083

PR-B:088

XP-A:122

PR-E:089

XP-A:130

XP-A:213

PR-B:094

XP-A:209

XP-A:212

PR-B:082

PR-E:090

PR-B:093

XP-A:125

XP-A:172

XP-A:215

PR-D:085

PR-D:088

046 Raver Circus

047 Eurotek Brs

048 DanceStack 1

049 DanceStack 2

050 DanceStack 3

051 DanceStack 4

052 DanceStack 5

053 DanceStack 6

054 DanceStack 8

056 Big BPF

XP-A:162

XP-A:152

XP-A:144

XP-A:145

XP-A:146

XP-A:147

XP-A:148

XP-A:149

XP-A:151

PR-C:103

XP-A:171

PR-E:076

PR-E:066

PR-E:067

PR-B:048

PR-E:077

PR-E:075

PR-E:074

XP-A:123

PR-B:058

XP-A:124

XP-A:143

XP-A:159

PR-B:059

PR-B:100

XP-A:160

PR-B:067

XP-A:161

XP-A:163

PR-B:064

PR-A:007

PR-B:057

PR-B:065

PR-E:068

PR-B:063

PR-B:062

PR-E:071

PR-E:069

PR-E:070

PR-E:072

PR-E:073

PR-B:049

PR-B:066

PR-E:063

PR-E:064

PR-E:065

PR-B:050

094 Alternative

095 Acid Line

PR-B:046

PR-B:047

PR-B:051

PR-B:052

PR-B:053

XP-A:206

PR-B:054

PR-B:055

XP-A:207

XP-A:208

PR-B:056

XP-A:253

PR-B:068

PR-B:069

PR-C:099

PR-C:093

PR-C:094

PR-E:079

PR-E:080

PR-C:095

PR-E:082

PR-E:081

PR-C:034

PR-E:083

PR-C:096

PR-C:097

PR-C:098

PR-C:102

PR-D:102

PR-E:078

XP-A:173

XP-A:237

126 Vanishing

127 Shining Veil

128 Vektogram

129 Cascade

PR-C:100

XP-A:201

PR-C:109

PR-C:112

PR-C:113

PR-C:115

PR-C:107

PR-C:114

PR-C:108

PR-E:117

XP-A:194

XP-A:180

PR-E:121

XP-A:195

XP-A:205

XP-A:196

XP-A:198

XP-A:199

XP-A:181

XP-A:185

XP-A:182

XP-A:183

XP-A:184

XP-A:187

XP-A:203

XP-A:204

XP-A:202

XP-A:200

PR-C:111

PR-C:116

XP-A:197

XP-A:227

PR-E:118

PR-C:128

PR-E:119

PR-C:110

PR-C:118

XP-A:165

PR-E:122

XP-A:118

PR-C:117

PR-E:120

PR-C:120

PR-C:125

PR-C:122

PR-C:119

PPR-C:121

PR-E:124

PR-E:123

XP-A:216

XP-A:217

PR-C:123

PR-C:126

XP-A:228

PR-E:125

XP-A:230

PR-C:124

XP-A:229

PR-C:127

PR-D:122

096 Raggatronic

097 Blade Racer

098 S&H Pad

005 FXM Saw Lead 4

130 Shattered

131 Pure Tibet

132 Sands ofTime

133 NextFrontier

134 Inertia

006 Saw Wave

007 Loud SynLead

008 5th Saw Wave

009 MG Solo

099 Happy LFOs

100 Syncrosonix

101 Fooled Again

102 Aero Insect

103 Beat Sweeper

104 Alive

010 MG Interval

011 Eurotek Clav

012 Progresso Ld

013 Trangoa Wave

014 Raw PWM

015 5th Lead

135 RiversOfTime

136 Atlantis2

057 Systekno

058 B’on d’moov!

059 Mental Chord

060 House Chord

061 Auto TB-303

062 Dist TB-303

063 Resojuice

105 DEMO Insect

106 X-Mod Man

107 Paz <==> Zap

108 Flying Waltz

109 Strobe Mode

110 Albion

137 Rize Mass

138 Glistening

139 Perelandra

140 Stepflanger

141 Plutonium

142 Metal Dreams

143 Glass Clouds

144 Portent

016 Wormy Lead

017 Tweedles

018 Edye Boost

019 Adrenaline

020 Analog Lead

021 Buzzzzzzzzzz

022 On the move!

023 Dirty Lead

064 Keep :-Åj

111 Planet Asia

112 Afterlife

065 Dope Resoclv

066 Rezoid

113 Running Pad

114 Pulsatronic

115 Trancing Pad

116 LFO Vox

145 Big Vectors

146 DCO Sweeper

147 Sweep Rain

148 Sweep Stack

149 Alchemy

067 Tekno Juno

068 Phazerave

069 Tekno Square

070 Raverborg

071 Airplaaane

072 Trance VoXxX

073 TeknoSoloVox

074 Random Rave

075 Resorave

024 Charang

117 Cyber Dreams

118 Stepped Pad

119 Random Pad

025 Bass & Lead

150 Striking 5th

151 Meow 5ths

152 Ethereal JX

153 Harmonicloud

SLD (SOFT LEAD)

Soft Synth Lead

120 SoundtrkDANC 4

121 Phazweep

122 Goblin

No. Name

Voice Preset No.

154 Feedback VOX 4

076 Pick It

123 Temple of JV

124 XP’ration

155 Chime Wash

156 Nautilus

026 SquareLead 1

027 Syn.Calliope

028 X..? Whistle

029 Solo Vox

PR-B:077

PR-D:083

PR-E:087

PR-D:086

XP-A:211

PR-B:078

PR-E:084

XP-A:210

PR-E:085

PR-B:081

PR-B:080

PR-B:086

PR-B:079

PR-B:090

PR-B:087

PR-D:084

PR-E:086

PR-E:088

XP-A:214

XP-A:252

077 House Piano

078 Velo Tekno 2

079 Analog Seq

080 Sequalog

125 DEMO SynPuls 2

157 Creation

158 Phobos

159 Terminate

160 2 0 8 0

030 Caliolead

081 Intentions

031 SquareLead 2

032 Warm Pipe

033 Atmo Lead

034 Pure Pipe

082 Seq Mallet

083 Plik-Plok

161 Crash Pad

162 Tortured

084 Booster Bips

085 VintagePlunk

086 RingSequence

087 Cyber Swing

088 Hihat Tekno

089 Impact Vox

090 Techno Dream

091 Organizer

163 O-Zu-Nu

164 Sci-Fi Str

165 DelaySession

166 Night Shade

167 Unearthly

168 Dunes

035 WhistlinAtom

036 Belly Lead

037 Smoothe

038 You and Luck

039 Pulse Lead 2

040 MG Lead

169 Ice Hall

170 Cyber Space

171 Dissimilate

172 Ocean Floor

173 Helium Queen

174 Shadows

175 Boostweeper1

176 Boostweeper2

177 Biosphere

041 Chiffer Lead

042 SH-2000

092 Civilization

093 Velo Tekno 1

043 Jay Vee Solo

044 Voc Solo 5th

045 DEMO SynLead 4

178 ComputerRoom 4

179 Cyberjunkie

180 Sci-Fi FX x4

181 Shine on

182 Variable Run

183 Sci-Fi Bells

184 Inverted

185 Breath Noise

6 1

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Pa tch Ca te g o ry List

SYN TH/ PAD

(Sy n th / Pa d Gro u p )

SYN (OTHER SYNTH)

Poly Synth

BPD (BRIGHT PAD)

Bright Pad Synth

SPD (SOFT PAD)

Soft Pad Synth

VOX (VOX)

Vox, Choir

No. Name

Voice Preset No.

No. Name

Voice Preset No.

No. Name

Voice Preset No.

186 Poly Key

PR-A:062

PR-A:063

PR-D:091

PR-A:064

PR-A:065

PR-A:066

XP-A:140

PR-A:067

PR-A:070

PR-A:077

PR-A:069

XP-A:142

PR-A:089

PR-E:026

XP-A:139

PR-E:027

PR-E:028

XP-A:127

XP-A:128

XP-A:126

PR-E:029

XP-A:131

XP-A:132

XP-A:175

XP-A:129

XP-A:133

XP-A:134

PR-D:101

PR-D:089

PR-D:097

XP-A:109

XP-A:110

XP-A:117

XP-A:138

XP-A:154

XP-A:155

XP-A:156

XP-A:157

XP-A:158

XP-A:164

XP-A:166

XP-A:168

XP-A:169

XP-A:174

XP-A:188

XP-A:189

XP-A:167

XP-A:192

XP-A:193

XP-A:254

236 Phazeslopad

237 Jet Stack

XP-A:179

XP-A:178

XP-A:177

PR-E:109

PR-E:110

PR-E:112

PR-D:103

PR-C:101

PR-C:064

PR-C:104

PR-E:111

PR-E:113

PR-C:055

PR-C:057

PR-C:058

XP-A:190

PR-C:056

PR-E:108

PR-C:080

PR-C:082

PR-D:094

PR-D:104

PR-C:065

PR-C:066

PR-E:114

PR-C:073

PR-C:074

PR-D:095

PR-E:115

XP-A:121

266 Earth Blow

267 Square Pad

268 JX SqrCarpet

269 JP-8 Hollow

270 JP-8Haunting

271 Silky Way

PR-E:093

PR-C:070

PR-E:094

PR-C:071

PR-C:072

PR-E:099

PR-E:098

PR-D:090

PR-C:059

PR-C:068

PR-E:100

PR-C:060

PR-D:051

PR-D:052

XP-A:191

PR-E:107

XP-A:186

PR-C:053

PR-E:103

PR-C:083

PR-E:092

PR-C:069

PR-C:084

PR-E:105

PR-C:085

PR-C:087

PR-D:093

PR-E:106

PR-C:063

PR-C:062

PR-C:086

PR-E:097

PR-E:101

PR-E:095

PR-C:078

PR-E:096

XP-A:176

PR-C:079

PR-C:077

PR-C:075

PR-C:076

PR-D:096

PR-C:081

PR-C:091

PR-C:092

PR-C:088

PR-C:089

PR-C:090

PR-D:098

PR-E:102

PR-E:104

XP-A:238

318 Dark Vox

PR-C:016

PR-C:018

PR-C:022

PR-C:019

XP-A:023

PR-D:055

PR-C:017

PR-D:053

PR-E:091

PR-C:020

PR-C:021

PR-C:023

PR-C:024

PR-C:025

PR-C:027

PR-C:028

PR-D:092

XP-A:029

PR-C:030

PR-C:029

PR-C:033

PR-C:026

XP-A:031

XP-A:030

XP-A:028

XP-A:032

XP-A:033

XP-A:170

PR-C:031

PR-D:054

PR-C:032

XP-A:025

XP-A:021

XP-A:026

XP-A:239

XP-A:022

XP-A:024

XP-A:027

187 Poly Saws

188 Polysynth

189 Poly Pulse

190 Dual Profs

191 Saw Mass

192 Big Mess Pad

193 Poly Split

319 Angels Sing

320 Beauty Vox

321 Pvox Oooze

322 Dream Voices

323 SynVox

238 Combing Slow

239 Spectrum Mod

240 Stringsheen

241 Mod DirtyWav

242 Echo Drops

243 5th Sweep

272 Rich Dynapad

273 Warm Pad

274 Warmth

324 RandomVowels 4

325 Choir Aahs

326 Enlighten

194 Poly Rock

195 Puff 1080

244 Greek Power

245 MG Sweep

275 Pop Pad

327 Longing...

328 Arasian Morn

329 Mary-AnneVox

330 Belltree Vox

331 Vox Panner

332 Glass Voices

333 Tubular Vox

334 Space Voice

335 PercussiVox

336 Wavox

196 Stackoid

246 GR500 TmpDly 2

276 Gluey Pad

277 ORBit Pad

278 Syn.Strings1

279 Syn.Strings2

280 Juno-60 Pad

281 Octapad

197 Echo Juno

198 Pulse Key

199 Wire Pad

247 Silicon Str

248 Vintage Orch

249 Gigantalog

250 PWM Strings

251 Ultra Cheez

252 JUNO Strings

253 JUNO Power!

254 Pivotal Pad

255 Fantawine

256 Metal Pad

200 Juno Harpsi

201 PhaseBlipper

202 Sweep Clav

203 Isn’t Pretty

204 Polywasp

282 Poly Swell

283 E-Motion Pad

284 Translucence

285 Glassy Pad

286 Glass Blower

287 Dreamesque

288 Moving Glass

289 D’light

205 Slop-a-rama

206 Glider

337 Velo Voxx

338 Vocal Oohz

339 Spaced Voxx

340 Phase Mmhs

341 Mysteriouso

342 Ivory Mist

207 Spiked Cheez

208 Glassy Cheez

209 Lazerette

257 Star Theme

258 Harmonicum

259 D-50 Heaven

260 D50FantaPerc

261 Heirborne

210 Quixelate

290 Glasswaves

291 ShiftedGlass

292 Bowed Glass

293 December Sky

294 Pulse Pad

295 Pulsify

211 Super 808Cow

212 Arpeggiatoid

213 Brightness

214 Fantasia

343 AmbientStory

344 Venus

262 Hush Pad

263 Halo Pad

345 Phase Vox

346 Doos

264 Rotodreams

265 Mahoroba

215 Ice Rain

347 Voice Oohs

348 Synvox Comps

349 Chorale

216 JP6 Sqr Key

217 Square drops

218 Amazing Echo

219 Str Torture

220 PortaSynthex

221 Razor VCOs

222 Big PWM

296 Shiny Pad

297 Analog Drama

298 BandPass Mod 2

350 Str+Choir3

351 Space Men

352 DEMO Choir

353 Breathy Humz

354 Mmmms

299 Dimensional

300 Phaze Str

301 Jupiterings

302 Fazed String

303 Jet Str Ens

304 Phaze Pad

305 Jet Pad 1

223 Flutey Stack

224 Wobbly 5th

225 Flangomatic

226 Sub Divided

227 Fat Flange

228 Phaze NRG

229 Big Ensemble

230 Soli-na

355 Choir Mm+Aah

306 Jet Pad 2

307 Sweep Pad

308 3D Flanged

309 Dawn 2 Dusk

310 Aurora

231 90s Str Mach

232 Ancient Sqr

233 Progressive

234 Build-Up Syn

311 Chime Pad

312 Spin Pad

313 Rotary Pad

314 Soundtrack

315 Soundtraque

316 Darkshine

317 DEMO 5thPad

235 DEMO Buzzzzz 2

6 2

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Pa tch Ca te g o ry List

ETHN IC

(Eth n ic Gro u p )

RHYTHM&SFX

(Rh y th m & So u n d Effe cts Gro u p )

PLK (PLUCKED)

Plucked (Harp etc.)

ETH (ETHNIC)

Other Ethnic

No. Name

PRC (PERCUSSION)

Percussion

BTS (BEAT&GROOVE)

Beat and Groove

No. Name

Voice Preset No.

No. Name

Voice Preset No.

--- No assign

001 Sitar

PR-A:101

PR-A:102

PR-D:105

PR-A:105

PR-D:016

PR-E:040

PR-E:041

PR-C:049

PR-C:050

PR-D:047

PR-E:042

PR-D:107

PR-A:104

PR-D:108

PR-A:103

PR-D:109

PR-E:043

018 Shakuhachi

019 Taj Mahal

020 Raya Shaku

021 Shanai

PR-D:078

PR-B:101

PR-B:102

PR-D:112

PR-D:110

PR-B:123

PR-A:106

PR-E:025

001 CeremonyTimp 3

PR-C:105

PR-D:048

PR-C:106

PR-D:118

PR-D:117

PR-D:114

PR-D:116

PR-D:119

PR-D:120

PR-E:126

DRM (DRUMS)

Drum Set

002 Drone Split

003 Sitar

002 Timpani

003 Dyno Toms

004 Melo. Tom 1

005 Taiko

--- No assign

004 Dulcimer

005 Santur

022 Bag Pipe

023 French Bags

024 East Melody

025 Far East

CMB (COMBINATION)

Other Patches which use

Split and Layer

006 East Europe

007 Dulcitar

008 Harp On It

009 Harp

006 Agogo

007 Woodblock

008 Synth Drum

009 Reverse Cym.

010 Perky Noize

No. Name

Voice Preset No.

FRT (FRETTED)

Fretted Inst (Mandolin etc.)

010 Harp

022 Blue Notes

023 Lounge Gig

024 Bs/Pno+Brs

025 Hillbillys

PR-E:116

PR-A:117

PR-A:013

PR-B:122

011 Atmos Harp

012 Shamisen

013 Jamisen

014 Koto

SFX (SOUND FX)

Sound Effects

No. Name

Voice Preset No.

026 MandolinTrem

027 Banjo

PR-A:107

PR-D:106

No. Name

Voice Preset No.

015 Ethnopluck

016 Kalimba

017 Pilgrimage

011 Seashore

012 Seashore 2

013 Bird

PR-D:123

XP-A:226

PR-D:124

PR-D:125

PR-D:126

PR-D:127

XP-A:255

PR-D:128

PR-E:127

PR-E:128

XP-A:225

014 Telephone 1

015 Helicopter

016 Applause

017 DEMO Crowd

018 Gun Shot

019 Droplet

020 Rain Forest

021 Analog Bomb

6 3

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Rh y th m Se t List

USER (Use r)

PR-A (Pre se t A Gro u p )

PR-B (Pre se t B Gro u p )

001

002

001

002

001

002

HouseDrumSet 1

JazzDrumSet1

PopDrumSet 1

PopDrumSet 2

PowerDrumSet

RaveDrumSet

Note No.

Scratch 1

808 SN

Hybrid Kick2

Hybrid Kick1

Side Stick

Ballad SN

Brush Slap

Brush Swish

Verb Tom Lo

Cl HiHat 1

Verb Tom Lo

Pedal HiHat

Verb Tom Hi

Op HiHat

Verb Kick

Hybrid Kick1

Side Stick

Natural SN2

808 Claps

SN Roll

Hybrid Kick1

Round Kick

Dry Stick

Verb Kick

Round Kick

Dry Stick

808 Kick

Round Kick

Side Stick

808 SN

Dry Stick

808 SN

Piccolo SN

Hand Claps

Piccolo SN

Verb Tom Lo

Cl HiHat 1

Verb Tom Lo

Cl HiHat 2

Verb Tom Hi

Op HiHat

Piccolo SN

808 Claps

Natural SN2

Verb Tom Lo

Cl HiHat 1

Verb Tom Lo

Pedal HiHat

Verb Tom Lo

Op HiHat

808 Claps

808 SN

808 Claps

808 SN

808 Kick

Verb Tom Lo

Cl HiHat 1

Verb Tom Lo

Cl HiHat 2

Verb Tom Hi

Op HiHat

808 Kick

606 HiHat Cl

808 SN

606 HiHat Cl

Tekno Hit

606 HiHat Cl

808 Kick

606 HiHat Cl

808 Kick

606 HiHat Op

808 SN

606 HiHat Op

Tekno Hit

808 Kick

Verb Tom Hi

Crash 1

Verb Tom Hi

Crash 1

Verb Tom Hi

Crash 1

Verb Tom Lo

Verb Tom Hi

Crash 1

808 Kick

C3 48

Crash 1

808 SN

Verb Tom Hi

Ride 2

Verb Tom Hi

Ride 2

Verb Tom Hi

Ride 1

Verb Tom Hi

Ride 1

Tekno Hit

Voice Breath

MC500 Beep 1

MC500 Beep 2

R8 Click

Ride 2

REV Crash 1

Ride Bell 1

Tambourine

Crash 1

China Cym

Ride Bell 1

Tambourine

Crash 1

China Cym

Ride Bell 1

Tambourine

Crash 1

China Cym

Ride Bell 1

Tambourine

Crash 1

China Cym

Ride Bell 1

Tambourine

Crash 1

Pizz

Cowbell 1

Crash 1

Cowbell 1

Crash 1

Cowbell 1

Crash 1

Cowbell 1

Crash 1

Cowbell 1

Crash 1

DIGI Bell 1

Rattles

Vibraslap

Ride 2

Vibraslap

Cowbell 1

Ride Bell 1

Cga Mute Hi

Cga Mute Lo

Cga Slap

Cowbell 1

Ride Bell 1

Cga Mute Hi

Cga Mute Lo

Cga Slap

Vibraslap

Ride Bell 1

REV Tamb

2.2 Vibwave

Low Pink NZ

Kalimba

Ride 2

Ride 1

Bongo Hi

Bongo Lo

Cga Mute Hi

Cga Open Hi

Cga Open Lo

Timbale

Bongo Hi

C4 60

Bongo Lo

Cga Mute Hi

Cga Open Hi

Cga Open Lo

Timbale

Bongo Lo

Cga Mute Hi

Cga Open Hi

Cga Open Lo

Timbale

Cga Open Hi

Cga Open Lo

Timbale

Cga Open Hi

Cga Open Lo

Timbale

Metal Wind

Lead Wave

Tin Wave

Timbale

Agogo

Lite Kick

Agogo

Cabasa Cut

Maracas

Cabasa Up

Maracas

Cabasa Up

Maracas

Cabasa Up

Maracas

Cabasa Up

Maracas

Lite Kick

Agogo

Soft Pad B

Soft Pad A

Long Guiro

Claves

Soft Pad B

Soft Pad A

Long Guiro

Claves

Soft Pad A

Soft Pad B

Long Guiro

Claves

Cabasa Down

Cabasa Cut

808 Kick

Soft Pad A

Soft Pad B

Long Guiro

Claves

Gtr Harm A

Piano Thump

Natural SN1

Hand Claps

Natural SN1

808 SN

C5 72

808 SN

DIGI Bell 1

808 SN

Wood Block

Cuica

Wood Block

Cuica

Wood Block

Cuica

Wood Block

Cuica

808 Kick

Spectrum

808 Kick

PowerChord B

Hybrid Kick2

PowerChord B

Gt.FretNoise

Banjo B

Cuica

Open Triangl

Cabasa Cut

Tambourine

Old Kick

Open Triangl

Cabasa Cut

Spectrum

Wind Chimes

Wood Block

Cga Slap

Open Triangl

Cabasa Cut

Spectrum

Wind Chimes

Wood Block

Cga Slap

Spectrum

808 Kick

Open Triangl

Maracas

Spectrum

808 Kick

Ice Rain

Slap Bass 1

Oboe mf A

Shakuhachi

Pizz

808 Kick

Wind Chimes

Claves

C6 84

Scratch 1

Piccolo SN

Scratch 3

White Noise

Synth Saw 1

Synth Pulse1

Back Hit

Feedbackwave

808 Kick

808 SN

Dry Tom Lo

Lite Kick

Dry Tom Lo

Lite Kick

Feedbackwave

Pop Voice

Wind Agogo

Pop Voice

Wind Agogo

Op HiHat

Verb Tom Hi

Piccolo SN

Scratch 3

Syn Vox 1

Voice Aahs A

Voice Oohs2A

Pop Voice

Male Ooh A

Voice Breath

Org Vox C

Vox Noise

Applause

Hybrid Kick2

Old Kick

Hybrid Kick2

Old Kick

Tin Wave

808 Kick

Pop Voice

Wind Agogo

Op HiHat

Spectrum

REV Steel DR

REV Tin Wave

REV PiccloSN

REV Crash 1

Metronome 2

R8 Click

Tekno Hit

Orch. Hit

Natural SN1

Natural SN2

SN Roll

Philly Hit

Anklungs

REV Back Hit

MC500 Beep 1

R8 Click

Natural SN2

Metronome 2

R8 Click

Op HiHat

Metronome 2

R8 Click

Metronome 2

R8 Click

C7 96

R8 Click

MC500 Beep 2

Metronome 1

Metronome 2

6 4

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Rh y th m Se t List

PR-C (Pre se t C Gro u p )

PR-D (GM Gro u p )

PR-E (Pre se t E Gro u p )

001

002

001

002

001

002

JazzDrumSet2

OrchDrumSet

GM Drum Set

BrushDrumSet

PowerDrmSet2

PowerRaveSet

Note No.

Round Kick

Old Kick

Verb Kick

Hybrid Kick1

Side Stick

Ballad SN

808 Claps

Piccolo SN

Verb Tom Lo

Cl HiHat 1

Verb Tom Lo

Pedal HiHat

Verb Tom Hi

Op HiHat

Hybrid Kick2

Hybrid Kick1

Side Stick

Brush Swish

Brush Slap

Brush Roll

Dry Tom Lo

Cl HiHat 1

Dry Tom Lo

Pedal HiHat

Dry Tom Hi

Op HiHat

Verb Kick

Round Kick

Dry Stick

Verb Kick

Round Kick

Dry Stick

Round Kick

Side Stick

Ballad SN

808 Claps

SN Roll

Side Stick

Ballad SN

Hand Claps

SN Roll

Piccolo SN

808 Claps

SN Roll

Piccolo SN

808 Claps

Natural SN2

Verb Tom Lo

Cl HiHat 1

Verb Tom Lo

Pedal HiHat

Verb Tom Lo

Op HiHat

Verb Tom Lo

Cl HiHat 2

Dry Tom Lo

Pedal HiHat

Verb Tom Lo

Op HiHat

Timpani

Verb Tom Lo

Cl HiHat 1

Verb Tom Lo

Pedal HiHat

Verb Tom Lo

Op HiHat

Timpani

Dry Tom Lo

Verb Tom Hi

Crash 1

Timpani

Verb Tom Hi

Crash 1

Dry Tom Hi

Crash 1

Verb Tom Lo

Verb Tom Hi

Crash 1

Verb Tom Lo

Verb Tom Hi

Crash 1

Timpani

C3 48

Timpani

Dry Tom Hi

Ride 2

Timpani

Verb Tom Hi

Ride 2

Dry Tom Hi

Ride 2

Verb Tom Hi

Ride 1

Verb Tom Hi

Ride 1

Timpani

China Cym

Ride Bell 1

Tambourine

Crash 1

Timpani

China Cym

Ride Bell 1

Tambourine

Crash 1

China Cym

Ride Bell 1

Tambourine

Crash 1

China Cym

Ride Bell 1

Tambourine

Crash 1

China Cym

Ride Bell 1

Tambourine

Crash 1

Timpani

Tambourine

Crash 1

Cowbell 1

Crash 1

Cowbell 1

Crash 1

Cowbell 1

Crash 1

Cowbell 1

Crash 1

Cowbell 1

Crash 1

Cowbell 1

Crash 1

Vibraslap

Ride 1

Vibraslap

Ride 2

Vibraslap

Ride 2

Ride 1

Bongo Hi

Bongo Lo

Cga Mute Hi

Cga Open Hi

Cga Open Lo

Timbale

Bongo Hi

Cga Mute Hi

Cga Mute Lo

Cga Slap

Bongo Hi

C4 60

Bongo Lo

Cga Mute Hi

Cga Open Hi

Cga Open Lo

Timbale

Bongo Lo

Cga Mute Hi

Cga Open Hi

Cga Open Lo

Timbale

Bongo Lo

Cga Mute Hi

Cga Open Hi

Cga Open Lo

Timbale

Bongo Lo

Cga Mute Hi

Cga Open Hi

Cga Open Lo

Timbale

Cga Open Hi

Cga Open Lo

Timbale

Agogo

Cabasa Up

Maracas

Cabasa Up

Maracas

Cabasa Up

Maracas

Cabasa Up

Maracas

Cabasa Up

Maracas

Agogo

Maracas

Soft Pad A

Brush Swish

Long Guiro

Claves

Soft Pad A

Soft Pad B

Long Guiro

Claves

Soft Pad A

Soft Pad B

Long Guiro

Claves

Soft Pad A

Soft Pad B

Long Guiro

Claves

Soft Pad A

Soft Pad B

Long Guiro

Claves

606 HiHat Cl

606 HiHat Op

Long Guiro

Claves

C5 72

Wood Block

Metronome 2

Cuica

Wood Block

Cuica

Wood Block

Cuica

Wood Block

Cuica

Wood Block

Cuica

Wood Block

Pizz

Cuica

Syn Vox 1

Voice Aahs A

Voice Oohs2A

Male Ooh A

Ice Rain

Open Triangl

Cabasa Cut

Spectrum

Wind Chimes

Wood Block

Cga Slap

Open Triangl

Cabasa Cut

Spectrum

Wind Chimes

Wood Block

Cga Slap

Dry Tom Lo

Applause

Hybrid Kick2

Cl HiHat 1

Round Kick

Pedal HiHat

Natural SN2

Op HiHat

Brush Slap

Brush Swish

Brush Roll

SN Roll

Open Triangl

Cabasa Cut

Spectrum

Wind Chimes

Wood Block

Cga Slap

Open Triangl

Cabasa Cut

Spectrum

Wind Chimes

Wood Block

Cga Slap

Open Triangl

Maracas

Ice Rain

Wind Chimes

Claves

808 SN

C6 84

808 SN

Dry Tom Lo

Lite Kick

Dry Tom Lo

Lite Kick

Dry Tom Lo

Lite Kick

Verb Tom Hi

Piccolo SN

Scratch 3

Tin Wave

Spectrum

REV Steel DR

REV Tin Wave

REV PiccloSN

REV Crash 1

Metronome 2

R8 Click

Hand Claps

Voice Breath

Scratch 3

Tin Wave

Crash 1

Hybrid Kick2

Old Kick

Hybrid Kick2

Old Kick

Hybrid Kick2

Old Kick

Natural SN2

Natural SN1

Brush Swish

Brush Roll

Brush Slap

Metronome 2

R8 Click

808 Kick

Natural SN1

Natural SN2

808 SN

Natural SN1

Natural SN2

SN Roll

Ride Bell 1

REV Tin Wave

DIGI Bell 1

Metal Wind

Applause

Brush Slap

Brush Swish

Brush Roll

SN Roll

Brush Slap

Metronome 2

R8 Click

C7 96

R8 Click

Metronome 1

6 5

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Rh y th m Se t List

XP-A (Se ssio n )

001

002

003

004

005

006

007

008

SessionSet 1

SessionSet 2

SessionSet 3

SessionSet 4

SessionSet 5

SessionSet 6

SessionSet 7

Demo Drum

Note No.

Deep Kick 3

Mix Kick

Deep Kick 3

TD7 Kick

Dance Kick 2

Dance Kick 3

909 Rim 2

909 Snr 2

909 Claps 2

808 Snr 2

909 Tom 2

606 HiHat Cl

Verb Tom Lo

606 HiHat Op

909 Tom 2

606 HiHat Op

Verb Tom Hi

909 Tom 2

Crash 1

Kick Ghost

Dance Kick 3

909 Rim 2

909 Snr 3

Dance Kick 3

Dance Kick 2

Mute Snr

Deep Kick 3

Mix Kick

Old Kick

Deep Kick 3

Side Stick

Loose Snr

HC2 Claps 1

Ring Snr

Hybrid Kick1

Side Stick

Loose Snr

Tambrin MENU

Natural SN2

Verb Tom Lo

Cl HiHat 1

Verb Tom Lo

Pedal HiHat

Verb Tom Hi

Op HiHat

Side Stick

Solo Snr

Side Stick

Rap Snr

Jingle Snr

HC2 Claps 2

Tiny Snr 2

909 Tom 2

606 HiHat Cl

Verb Tom Lo

606 HiHat Op

909 Tom 2

606 HiHat Op

Verb Tom Hi

909 Tom 2

Crash 1

Solo Snr

HC2 Claps 1

90’s Snare

Verb Tom Lo

Cl HiHat 1

Verb Tom Lo

Cl HiHat 2

Verb Tom Hi

Op HiHat

707 Claps

HC2 Claps 2

Talk Snr

707 Claps

House Snr

Verb Tom Lo

Cl HiHat 1

Verb Tom Lo

Cl HiHat 2

Verb Tom Hi

Op HiHat

Ring Snr

Verb Tom Lo

Cl HiHat 1

Verb Tom Lo

Cl HiHat 2

Verb Tom Hi

Op HiHat

909 Tom 2

606 HiHat Cl

Verb Tom Lo

606 HiHat Op

909 Tom 2

606 HiHat Op

Verb Tom Hi

909 Tom 2

Crash 1

909 Tom 2

606 HiHat Cl

Verb Tom Lo

606 HiHat Cl

909 Tom 2

606 HiHat Op

Verb Tom Hi

909 Tom 2

Crash 1

Verb Tom Hi

Crash 1

Verb Tom Hi

Crash 1

Verb Tom Hi

Crash 1

Verb Tom Hi

Crash 1

C3 48

Verb Tom Hi

Ride 2

Verb Tom Hi

Ride 2

Verb Tom Hi

Ride 2

Verb Tom Hi

Ride 2

Verb Tom Hi

Ride 2

Verb Tom Hi

Ride 2

Verb Tom Hi

Ride 2

Verb Tom Hi

Ride 1

China Cym

Ride Bell 1

Tamb.Long

Crash 1

China Cym

Ride Bell 1

Tamb.Long

Crash 1

China Cym

Ride Bell 1

Tamb.Long

Crash 1

China Cym

Ride Bell 1

CR78 Tamb.

Crash 1

China Cym

Ride Bell 1

CR78 Tamb.

Crash 1

China Cym

Ride Bell 1

CR78 Tamb.

Crash 1

China Cym

Ride Bell 1

CR78 Tamb.

Crash 1

China Cym

Ride Bell 1

Tamb.Long

Crash 1

Cowbell 1

Crash 1

Cowbell 1

Crash 1

Cowbell 1

Crash 1

Cowbell 1

Crash 1

Cowbell 1

Ride Bell 1

Bongo3 High

Bongo3 Low

Cga Slap

Cowbell 1

Ride Bell 1

Bongo3 High

Bongo3 Low

Cga Slap

Cowbell 1

Ride Bell 1

Bongo3 High

Bongo3 Low

Cga Slap

Cowbell 1

Vibraslap

Ride Bell 1

Bongo3 High

Bongo3 Low

Cga Slap

Ride Bell 1

Bongo3 High

Bongo3 Low

Cga Slap

Ride Bell 1

Bongo3 High

Bongo3 Low

Cga Slap

Ride Bell 1

Bongo3 High

Bongo3 Low

Cga Slap

Ride 2

Bongo Hi

C4 60

Bongo Lo

Cga Mute Hi

Cga Open Hi

Cga Open Lo

Timbale

Cga Open Hi

Cga Open Lo

Timbale

Cga Open Hi

Cga Open Lo

Timbale

Cga Open Hi

Cga Open Lo

Timbale

Cga Open Hi

Cga Open Lo

Timbale

Cga Open Hi

Cga Open Lo

Timbale

Cga Open Hi

Cga Open Lo

Timbale

Cga Open Hi

Cga Open Lo

Timbale

Agogo

Shaker 4

626 Shaker

Shaker 4

626 Shaker

Shaker 4

626 Shaker

Shaker 4

Cabasa Up

Maracas

Shaker 5

Soft Pad A

Soft Pad B

Long Guiro

Claves

Soft Pad A

Soft Pad B

Long Guiro

Claves

Soft Pad A

Soft Pad B

Long Guiro

Claves

Soft Pad A

Soft Pad B

Long Guiro

Claves

Soft Pad A

Soft Pad B

Long Guiro

Claves

Soft Pad A

Soft Pad B

Long Guiro

Claves

Soft Pad A

Soft Pad B

Long Guiro

Claves

Soft Pad A

Soft Pad B

Long Guiro

Claves

C5 72

Wood Block

Cuica

Wood Block

Cuica

Wood Block

Cuica

Wood Block

Cuica

Wood Block

Cuica

Wood Block

Cuica

Wood Block

Cuica

Wood Block

Shaker 3

Cuica

Open Triangl

Cabasa Cut

Auhvox

Open Triangl

Cabasa Cut

Auhvox

Open Triangl

Cabasa Cut

REV Gt Scrap

REV Gt SldNz

REV Gt CutNz

REV Gt Slap

REV TeknHit2

REV TeknHit3

REV Dance K3

REV 909 Snr2

REV 909 Snr3

REV Rap Snr

REV Talk Snr

REV JinglSnr

REV HouseSnr

REV Mute Snr

R8 Click

Open Triangl

Cabasa Cut

Auhvox

Open Triangl

Cabasa Cut

Auhvox

Open Triangl

Cabasa Cut

Auhvox

Open Triangl

Cabasa Cut

REV Shaker 5

REV Shaker 4

REV Shaker 3

REV 626Shakr

REV CR78Tamb

REV Tamb.Lng

REV Tamb.Sht

REV Bongo3 H

REV Bongo3 L

REV F.Snap 3

REV F.Snaps2

REV HC2 Clp2

REV 707 Clps

REV HC2 Clp1

R8 Click

606 HiHat Cl

Open Triangl

606 HiHat Op

Ride 2

Tekno Hit 3

Tekno Hit 2

FX Bell 2fw

FX Bell 1fw

FX Bomb

Gtr Feedback

Gtr Scrap

Gtr Slid Nz

Gtr Cut Nz

Gtr Slap

Tekno Hit 3

Tekno Hit 2

FX Bell 2fw

FX Bell 1fw

FX Bomb

Tekno Hit 3

Tekno Hit 2

REV Dance K3

REV TeknHit3

REV TeknHit2

REV 808 Snr2

REV 909 Snr2

REV 909 Snr3

REV HC2 Clp1

R8 Click

Tekno Hit 3

Tekno Hit 2

Tekno Loop

REV TeknHit3

REV TeknHit2

Blaster A

Dance Kick 2

House Snr

Tiny Snr 2

Hybrid Kick2

Old Kick

C6 84

Wah Down 1

Wah Up

Sm.Club fw

HC2 Claps 2

Gtr Scrap

707 Claps

Gtr Slid Nz

Gtr Cut Nz

R8 Click

Wah Down 2

Sm.Club fw

HC2 Claps 2

FingerSnaps2

707 Claps

626 Shaker

Tamb.Short

R8 Click

Dance Kick 2

Loose Snr

Natural SN2

Tiny Snr 2

Wind Chimes

Dry Tom Lo

Piccolo SN

Dry Tom Lo

Wah Up

Sm.Club

Sm.Club fw

FX Bell 1fw

FX Bell 2fw

R8 Click

Juno Rave A

Hard 5ths A

CR78 Tamb.

R8 Click

C7 96

Gtr Slap

REV Snr Buzz

REV 909 Rim2

Tamb.Long

REV 707 Clps

FingerSnap 3

REV 909 Clp2

6 6

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Pe rfo rm a n ce List

USER (Use r Gro u p )

PR-A (Pre se t A Gro u p )

PR-B (Pre se t B Gro u p )

No.

Name

Key Mode

No.

Name

Key Mode

No.

Name

Key Mode

EasternSplit

Opening Orch

Feedback EP

Humming Vox

Tekno Loop 1

Fr.Horn Sect

SpaceCarrier

Orchestral

LAYER

House Set

Analectro

SINGLE

LAYER

Africa

SINGLE

LAYER

World Ethnic

Asian Ethnic

Asian Band

60’s Set

Anatronic

Tekno Pop 1

Tekno Pop 2

Hard Core

Hi Energy

Blues Band

Country Band

Folk Set

Pop Dance

Acid Set

Nebular Vox

Terminator

Flying Jazz

Sweeper

Reggae Band

FunkWah Band

Funkin’Phaze

Zydeco Band

New Orleans

Dixieland

Ambient Set

Electro Pop

Pop Set 1

Rave Split

Pop Set 2

Multi Sax

Pop Set 3

Cosmic Dawn

Bass / Lead

S&H / Pad

Pop Set 4

Big Band Set

Cont.Jazz 1

Cont.Jazz 2

Ac.Jazz Set

Gospel Set

All Strings

All Brass

L.A. Ballad

Hip Hop Set

Funk Rock

Funk Fusion

Heavy Metal

Heavy Kids

Latin Set

AcPiano+Pad

Kicks Attack

Step Brass

Drone / Pipe

Chime Dreams

Tekno Loop 2

Big Band

SINGLE

All Piano 1

All Piano 2

All Keyboard

All Organ

BrazilianSet

New Age 1

New Age 2

Orchestra

Labyrinth

White Hole

Cyber Sweep

Tekno Asia

1080 Fantasy

Pop Ballad

Rhythmatic

Power JV

All Winds

Concerto

All Bells

Film Score 1

Film Score 2

Symphonic

Chamber Set

Baroque Set

Mlt & Perc

All Seq

SINGLE

All Bass

All Pad

All FX

6 7

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MIDI Im p le m e n ta tio n

Model:

JV-1010 (64 Voice Synthesizer Module)

The Patches corresponding to each Bank Select are as follows.

Version: 1.00

Date:

Jan. 28 1999

Bank Select | Program No | Group

MSB | LSB |

——————+—————+————————————+————————————————————————————————————————

Patch No.

80 |

81 |

84 |

0 |

1 |

2 |

3 |

4 |

0 |

1 |

2 |

3 |

0 - 127 | User

0 - 127 | PR-A

0 - 127 | PR-B

0 - 127 | PR-C

0 - 127 | GM

0 - 127 | PR-E

0 - 127 | XP-A (Session)

0 - 126 | XP-A

0 - 127 | XP-B

1 - 128

129 - 255

1 - 128

129 - 256

1. Data Reception

■ Channel Voice Messages

■ Note Off

status

2nd byte

3rd byte

8nH

kkH

vvH

The Performance corresponding to each Bank Select are as follows.

9nH

kkH

00H

n=MIDI channel number:

kk=note number:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127)

Bank Select | Program No | Group

MSB | LSB |

Performance No.

——————+—————+————————————+————————————————————————————————————————

vv=Note Off velocity:

80 |

81 |

0 |

1 |

0 - 31 | User

0 - 31 | PR-A

0 - 31 | PR-B

1 - 32

Not received in Performance mode when the Receive Switch (PERFORM/ PART) is OFF.

Not received by the Rhythm Part (Part 10) when the Envelope Mode is NO-SUS.

The Rhythm set corresponding to each Bank Select are as follows.

■ Note On

Bank Select | Program No | Group

MSB | LSB |

Rhythm set No.

status

2nd byte

kkH

3rd byte

vvH

——————+—————+————————————+————————————————————————————————————————

80 |

81 |

84 |

0 |

1 |

2 |

3 |

4 |

0 |

2 |

3 |

0 - 1 | User

0 - 1 | PR-A

1 - 2

9nH

n=MIDI channel number:

kk=note number:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127)

01H - 7FH (1 - 127)

0 - 1 | PR-B

1 - 2

0 - 1 | PR-C

1 - 2

0 - 1 | GM

1 - 2

vv=Note On velocity:

0 - 1 | PR-E

1 - 2

0 - 7 | XP-A (Session)

0 - 127 | XP-B

1 - 8

1 - 128

129 - 256

Not received in Performance mode when the Receive Switch (PERFORM/ PART) is OFF.

■Modulation (Controller number 1)

■ Polyphonic Aftertouch

status

BnH

2nd byte

01H

3rd byte

vvH

status

2nd byte

3rd byte

vvH

AnH

kkH

n=MIDI channel number:

vv=Modulation depth:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127)

n=MIDI channel number:

kk=note number:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127)

vv=Aftertouch:

■Breath type (Controller number 2)

status

BnH

2nd byte

02H

3rd byte

vvH

This message is received if the Aftertouch Source (SYSTEM) is POLY or CH&POLY.

Not received in Performance mode when the Receive Switch (PERFORM/ PART) is OFF.

Not received in GM mode.

n=MIDI channel number:

vv=control value:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127)

■ Control Change

■Foot type (Controller number 4)

If the corresponding Controller number is selected for the Patch Control Source 2/ 3

status

BnH

2nd byte

04H

3rd byte

vvH

(PATCH), the corresponding effect will occur.

If a Controller number that corresponds to the System Control Source 1/ 2 (SYSTEM) is

selected, the specified effect will apply if Patch Control Source 2/ 3 (PATCH) is set to

SYS-CTRL1 or SYS-CTRL2.

n=MIDI channel number:

vv=control value:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127)

Not received in Performance mode when the Receive Switch (PERFORM/ PART) or the

Control Change Receive Switch is OFF.

■Portamento Time (Controller number 5)

status

BnH

2nd byte

05H

3rd byte

vvH

■Bank Select (Controller number 0,32)

n=MIDI channel number:

vv=Portamento Time:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127)

status

BnH

2nd byte

00H

3rd byte

mmH

BnH

20H

llH

Portamento Time will change.

n=MIDI channel number:

mm,ll=Bank number:

0H - FH (ch.1 - ch.16)

00 00H - 7F 7FH (bank.1 - bank.16384)

■Data Entry (Controller number 6, 38)

status

BnH

2nd byte

06H

3rd byte

Not received when the Receive Program Change or Receive Bank Select (SYSTEM) is

mmH

llH

OFF.

BnH

26H

Not received in GM mode.

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

mm,ll= the value of the parameter specified by RPN/ NRPN

mm=MSB, ll=LSB

■Volume (Controller number 7)

status

BnH

2nd byte

07H

3rd byte

vvH

n=MIDI channel number:

vv=Volume:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127)

■Balance (Controller number 8)

status

BnH

2nd byte

08H

3rd byte

vvH

n=MIDI channel number:

vv=Balance:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127)

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MIDI Im p le m e n ta tio n

■Panpot (Controller number 10)

■Sound Controller 4 (Controller number 73)

status

BnH

2nd byte

0AH

3rd byte

vvH

status

BnH

2nd byte

49H

3rd byte

vvH

n=MIDI channel number:

vv=Panpot:

0H - FH (ch.1 - ch.16)

00H - 40H - 7FH (left - center - right)

n=MIDI channel number:

vv=control value:

0H - FH (ch.1 - ch.16)

00H - 40H - 7FH (-128 - 0 - +126)

Adjust the stereo location over 128 steps, where 0 is far left, 64 is center, and 127 is far

right. However this is not received when the Pan Control Switch is OFF.

The Filter Envelope Time 1 (PATCH), The Level Envelope Time 1 (PATCH) will change

relatively.

■Expression (Controller number 11)

■Sound Controller 5 (Controller number 74)

status

BnH

2nd byte

0BH

3rd byte

vvH

status

BnH

2nd byte

4AH

3rd byte

vvH

n=MIDI channel number:

vv=Expression:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127)

n=MIDI channel number:

vv=control value:

0H - FH (ch.1 - ch.16)

00H - 40H - 7FH (-64 - 0 - +63)

If the Volume Control Source (SYSTEM) is set to VOL&EXP, the volume of the Part

corresponding to the MIDI channel of the received message will be adjusted. However

this is not received if the Receive Volume (PATCH) is OFF.

The Cutoff Frequency (PATCH) will change relatively.

■General Purpose Controller 5 (Controller number 80)

In GM mode, the volume can always be controlled.

status

BnH

2nd byte

50H

3rd byte

vvH

■Hold 1 (Controller number 64)

n=MIDI channel number:

vv=control value:

0H - FH (ch.1 - ch.16)

00H - 40H - 7FH (-128 - 0 - +126)

status

BnH

2nd byte

40H

3rd byte

vvH

n=MIDI channel number:

vv=control value:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127) 0-63=OFF, 64-127=ON

Level Envelope Level 1–3 (PATCH) of Tone 1 will change relatively.

■General Purpose Controller 6 (Controller number 81)

Not received when the Receive Hold-1 (PATCH) is OFF.

status

BnH

2nd byte

51H

3rd byte

vvH

■Portamento (Controller number 65)

n=MIDI channel number:

vv=control value:

0H - FH (ch.1 - ch.16)

00H - 40H - 7FH (-128 - 0 - +126)

status

BnH

2nd byte

41H

3rd byte

vvH

n=MIDI channel number:

vv=control value:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127) 0-63=OFF, 64-127=ON

Level Envelope Level 1–3 (PATCH) of Tone 2 will change relatively.

■General Purpose Controller 7 (Controller number 82)

The Portamento Sw (PATCH) will change.

status

BnH

2nd byte

52H

3rd byte

vvH

■Sostenuto (Controller number 66)

n=MIDI channel number:

vv=control value:

0H - FH (ch.1 - ch.16)

00H - 40H - 7FH (-128 - 0 - +126)

status

BnH

2nd byte

42H

3rd byte

vvH

n=MIDI channel number:

vv=control value:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127) 0-63=OFF, 64-127=ON

Level Envelope Level 1–3 (PATCH) of Tone 3 will change relatively.

■General Purpose Controller 8 (Controller number 83)

■Soft (Controller number 67)

status

BnH

2nd byte

53H

3rd byte

vvH

status

BnH

2nd byte

43H

3rd byte

vvH

n=MIDI channel number:

vv=control value:

0H - FH (ch.1 - ch.16)

00H - 40H - 7FH (-128 - 0 - +126)

n=MIDI channel number:

vv=control value:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127) 0-63=OFF, 64-127=ON

Level Envelope Level 1–3 (PATCH) of Tone 4 will change relatively.

■Hold 2 (Controller number 69)

■Portamento Control

(Controller number 84)

3rd byte

status

BnH

2nd byte

45H

3rd byte

vvH

status

BnH

2nd byte

54H

n=MIDI channel number:

vv=control value:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127)

kkH

n=MIDI channel number:

kk=source note number:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127)

A hold movement isn't done.

A Note On message received immediately after a Portamento control will be sounded

with the pitch changing smoothly from the source note number. If a voice is already

sounding at the same note number as the source note number, that voice will change

pitch to the pitch of the newly received Note On, and continue sounding (i.e., will be

played legato).

■Sound Controller 2 (Controller number 71)

status

BnH

2nd byte

47H

3rd byte

vvH

n=MIDI channel number:

vv=control value:

0H - FH (ch.1 - ch.16)

00H - 40H - 7FH (-128 - 0 - +126)

The speed of the pitch change caused by Portamento is determined by the Portamento

Time value.

The Resonance (PATCH) will change relatively.

■Effect 1 (Reverb Send Level) (Controller number 91)

status

BnH

2nd byte

5BH

3rd byte

vvH

■Sound Controller 3 (Controller number 72)

status

BnH

2nd byte

48H

3rd byte

vvH

n=MIDI channel number:

vv=Reverb Send Level:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127)

n=MIDI channel number:

vv=control value:

0H - FH (ch.1 - ch.16)

00H - 40H - 7FH (-128 - 0 - +126)

In Performance mode, the Reverb Send Level parameter of each Part will change.

The Filter Envelope Time 2–4 (PATCH), Level Envelope Time 2–4 (PATCH) will change

relatively.

6 9

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MIDI Im p le m e n ta tio n

■Effect 3 (Chorus Send Level) (Controller number 93)

■ Channel Aftertouch

status

BnH

2nd byte

5DH

3rd byte

vvH

status

2nd byte

DnH

vvH

n=MIDI channel number:

vv=Chorus Send Level:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127)

n=MIDI channel number:

vv=Channel Aftertouch:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127)

In Performance mode, the Chorus Send Level parameter of each Part will change.

Not received in Performance mode when the Receive Switch (PERFORM/ PART) is OFF.

■RPN MSB/LSB (Controller number 100,101)

■ Pitch Bend Change

status

BnH

2nd byte

65H

3rd byte

status

2nd byte

3rd byte

mmH

llH

EnH

llH

mmH

BnH

64H

n=MIDI channel number:

mm,ll=Pitch Bend value:

0H - FH (ch.1 - ch.16)

00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

mm=MSB of the parameter number specified by RPN

ll=LSB of the parameter number specified by RPN

Not received in Performance mode when the Receive Switch (PERFORM/ PART) is OFF.

<<< RPN >>>

Control Changes include RPN (Registered Parameter Numbers), which are extended

parameters whose function is defined in the MIDI specification.

■ Channel Mode Messages

When using RPNs, first the RPN (Controller numbers 100 and 101; they can be sent in any

order) is transmitted to specify the parameter you wish to control. Then, Data Entry

messages (Controller numbers 6 and 38) are used to set the value of the specified parameter.

Once a RPN parameter has been specified, all further Data Entry messages on that channel

are considered to apply to that specified parameter. In order to prevent accidents, when the

desired setting has been made for the parameter, it is recommended that RPN be set to Null.

■ All Sound Off (Controller number 120)

status

2nd byte

3rd byte

BnH

78H

00H

n=MIDI channel:

0H - FH (ch.1 - ch.16)

When this message is received, all notes currently sounding on the corresponding

channel will be turned off.

Not received in Performance mode when the Receive Switch (PERFORM/ PART) is OFF.

This device receives the following RPNs.

RPN

Data entry

MSB LSB

mmH -

MSB LSB

00H 00H

Notes

■ Reset All Controllers (Controller number 121)

Pitch Bend Sensitivity

status

2nd byte

3rd byte

mm: 00H - 0CH (0 - 12 semitones)

ll: ignored (processed as 00H)

Up to 1 octave can be specified in semitone steps.

BnH

79H

00H

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

The Bend Range Up/ Down will also be

changed.

Not received in Performance mode when the Receive Switch (PERFORM/ PART) is OFF.

When this message is received, the following controllers will be set to their reset values.

Not received by the Rhythm Part (Part 10).

Controller

Reset value

[+-]0 (center)

0 (off)

00H 01H

mmH llH

Channel Fine Tuning

Pitch Bend Change

Polyphonic Key Pressure

Channel Pressure

Modulation

mm, ll: 20 00H - 40 00H - 60 00H

(-4096 x 100 / 8192 - 0 - +4096 x 100 / 8192 cent)

0 (off)

In Patch mode, the Master Tune (SYSTEM)

will change.

0 (off)

Breath type

0 (minimum)

In Performance mode, the Fine Tune

(PERFORM) of each Part will change. When

received on the Control channel, the Master

Tune (SYSTEM) will change.

Expression

127 (maximum)

However the controller will be at minimum.

Hold 1

0 (off)

Sostenuto

0 (off)

Soft

0 (off)

00H 02H

mmH -

Channel Coarse Tuning

Hold 2

0 (off)

mm: 10H - 40H - 70H (-48 - 0 - +48 semitones)

ll: ignored (processed as 00H)

RPN

Unset. Previously set data will not change.

0 (minimum)

NRPN

Not received in Patch mode.

System General purpose controller 1

System General purpose controller 2

In Performance mode, the Coarse Tune

(PERFORM/ PART) of each Part will change.

0 (minimum)

■ All Note Off (Controller number 123)

7FH 7FH

- -

RPN null

status

2nd byte

3rd byte

RPN and NRPN will be set as “unspecified”.

Once this setting has been made, subsequent

Data Entry messages will be ignored. (It is not

necessary to transmit Data Entry for RPN Null

settings.

BnH

7BH

00H

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

When All Note Off is received, all currently sounding notes of the corresponding

channel will be turned off. However if Hold 1 or Sostenuto are on, the sound will be held

until these are turned off.

Parameter values that were previously set will

not change.

Not received in Performance mode if the Receive Switch (PERFORM/ PART) is OFF.

mm, ll: ignored

■ Omni Off (Controller number 124)

■ Program Change

status

2nd byte

3rd byte

status

2nd byte

BnH

7CH

00H

CnH

ppH

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

n=MIDI channel number:

pp=Program number:

0H - FH (ch.1 - ch.16)

00H - 7FH (prog.1 - prog.128)

The same processing as when All Note Off is received will be done.

Not received in Performance mode if the Receive Switch (PERFORM/ PART) is OFF.

Not received when the Receive Program Change is OFF.

When received on the Control channel, the Performance will change.

Not received in Performance mode when the Receive Switch (PERFORM/ PART) is OFF.

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MIDI Im p le m e n ta tio n

■ Omni On (Controller number 125)

■ Universal Non-realtime System Exclusive Messages

status

2nd byte

3rd byte

BnH

7DH

00H

■Identity Request Message

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

When this message is received, Identity Reply message (p. 73) will be transmitted.

The same processing as when All Note Off is received will be done. The instrument will

not be set to OMNI ON.

status

F0H

data byte

status

F7H

7EH, dev, 06H, 01H

Not received in Performance mode if the Receive Switch (PERFORM/ PART) is OFF.

Byte

F0H

7EH

dev

Remarks

Exclusive status

ID number

device ID

sub ID#1

sub ID#2

EOX

■ Mono (Controller number 126)

(Universal Non-realtime message)

(dev: 10H)

status

2nd byte

3rd byte

BnH

7EH

mmH

06H

01H

F7H

(General Information)

(Identity Request)

n=MIDI channel number:

mm=Mono number:

0H - FH (ch.1 - ch.16)

00H - 10H (0 - 16)

(End Of Exclusive)

The same processing as when All Note Off is received will be done, and the Key Assign

Mode (PATCH) will be set to SOLO.

The “dev” is own device number or 7FH (Broadcast).

Not received in Performance mode if the Receive Switch (PERFORM/ PART) is OFF.

■GM System On

“GM System On” is a command message that resets the internal settings of the instrument

to the GM initial state (General MIDI System - Level 1). A GM instrument that receives this

message will automatically enter a state in which it can correctly perform a GM score.

■ Poly (Controller number 127)

status

2nd byte

3rd byte

BnH

7FH

00H

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

status

F0H

data byte

status

F7H

7EH, 7FH, 09H, 01H

The same processing as when All Note Off is received will be done, and the Key Assign

Mode (PATCH) will be set to POLY.

Byte

F0H

7EH

7FH

09H

01H

F7H

Remarks

Not received in Performance mode if the Receive Switch (PERFORM/ PART) is OFF.

Exclusive status

ID number

device ID

sub ID#1

sub ID#2

EOX

(Universal Non-realtime message)

(Broadcast)

■ System Realtime Messages

(General MIDI Message)

(General MIDI On)

■ Timing Clock

status

(End Of Exclusive)

■GM System Off

F8H

When this messages is received, this instrument will return to the performance mode.

This message will be received if the Clock Source (SYSTEM) is MIDI.

status

F0H

data byte

status

F7H

7EH, 7FH, 09H, 02H

■ Active Sensing

status

Byte

F0H

7EH

7FH

09H

02H

F7H

Remarks

FEH

Exclusive status

ID number

device ID

sub ID#1

sub ID#2

EOX

(Universal Non-realtime message)

(Broadcast)

When an Active Sensing message is received, the unit will begin monitoring the interval

at which MIDI messages are received. During monitoring, if more than 420 ms passes

without a message being received, the same processing will be done as when All Sound

Off, All Note Off, and Reset All Controllers messages are received. Then monitoring will

be halted.

(General MIDI Message)

(General MIDI Off)

(End Of Exclusive)

■ Universal Realtime System Exclusive Messages

■ System Exclusive Messages

status

data byte

status

■Master Volume

F0H

iiH, ddH, ......, eeH

F7H

status

F0H

data byte

status

F7H

F0H:

System Exclusive message status

7FH, 7FH, 04H, 01H, llH, mmH

ii = ID number:

This is the ID number (manufacturer ID) that specifies the

manufacturer whose exclusive message this is. Roland's manufacturer

ID is 41H.ID numbers 7EH and 7FH are defined in an expansion of the

MIDI standard as Universal Non-realtime messages (7EH) and

Universal Realtime Messages (7FH).

Byte

F0H

7FH

04H

01H

llH

Remarks

Exclusive status

ID number

(Universal Realtime message)

(Broadcast)

device ID

dd,..., ee = data:

F7H:

00H - 7FH (0 - 127)

sub ID#1

(Device Control Message)

(Master Volume)

EOX (End Of Exclusive)

sub ID#2

LSB of Master Volume

Of the System Exclusive messages received by this device, the Universal Non-realtime

messages and the Universal Realtime messages and the Data Request (RQ1) messages and

the Data Set (DT1) messages will be set automatically.

mmH

F7H

MSB of Master Volume

EOX (End Of Exclusive)

LSB of Master Volume (llH) is processed as 00H.

This message is not received in GM mode.

The device ID number of this instrument is fixed at 10H (17).

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■Data Set 1 DT1

■ Data Transmission

This message transmits the actual data, and is used when you wish to set the data of the

receiving device.

This instrument can use exclusive messages to exchange many varieties of internal settings

with other devices.

The model ID of the exclusive messages used by this instrument is 6AH.

status

F0H

data byte

status

F7H

41H, dev, 42H, 12H, aaH, bbH,

ccH, ddH, ... eeH, sum

■Data Request 1 RQ1

This message requests the other device to transmit data. The address and size indicate the

type and amount of data that is requested.

Byte

F0H

41H

dev

Remarks

When a Data Request message is received, if the device is in a state in which it is able to

transmit data, and if the address and size are appropriate, the requested data is transmitted

as a Data Set 1 (DT1) message. If the conditions are not met, nothing is transmitted.

Exclusive status

ID number

device ID

(Roland)

(dev: 10H)

(GS)

42H

12H

aaH

bbH

ccH

ddH

model ID

status

F0H

data byte

status

F7H

command ID

address MSB

address middle byte

address LSB

data:

(DT1)

41H, dev, 6AH, 11H, aaH, bbH,

ccH, ddH, ssH, ttH, uuH, vvH, sum

Byte

F0H

41H

dev

Remarks

The actual data to be transmitted. Multi-byte

data is transmitted in the address order.

Exclusive status

ID number

device ID

model ID

command ID

address MSB

address

(Roland)

(dev: 10H)

(JV-1010)

(RQ1)

eeH

sum

F7H

data

6AH

11H

aaH

bbH

ccH

ddH

ssH

checksum

EOX

(End Of Exclusive)

This message is not received in GM mode.

address

address LSB

size MSB

size

ttH

2. Data Transmission

uuH

vvH

sum

F7H

size

size LSB

checksum

EOX

■ Channel Voice Messages

(End Of Exclusive)

The following control changes and program changes are transmitted to an external MIDI

device when a GM Data Transfer command is executed.

The size of data that can be transmitted at one time is fixed for each type of data. and

data requests must be made with a fixed starting address and size. Refer to the address

and size given in “Parameter Address Map” (p. 74).

■ Control Change

For the checksum, refer to (p. 86).

This message is not received in GM mode.

■Data Entry (Controller number 6, 38)

status

BnH

2nd byte

06H

3rd byte

■Data Set 1 DT1

mmH

llH

This message transmits the actual data, and is used when you wish to set the data of the

receiving device.

BnH

26H

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

mm,ll=the value of the parameter specified by RPN/ NRPN

mm=MSB, ll=LSB

status

F0H

data byte

status

F7H

41H, dev, 6AH, 12H, aaH, bbH,

ccH, ddH, eeH, ... ffH, sum

■Volume (Controller number 7)

status

BnH

2nd byte

07H

3rd byte

vvH

Byte

F0H

41H

dev

Remarks

Exclusive status

n=MIDI channel number:

vv=Volume:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127)

ID number

device ID

model ID

command ID

address MSB

address

(Roland)

(dev: 10H)

(JV-1010)

(DT1)

6AH

12H

aaH

bbH

ccH

■Panpot (Controller number 10)

status

BnH

2nd byte

0AH

3rd byte

vvH

n=MIDI channel number:

vv=panpot:

0H - FH (ch.1 - ch.16)

00H - 40H - 7FH (left - center - right)

address

ddH

eeH

address LSB

data:

The actual data to be transmitted. Multi-byte

data is transmitted in the order of the address.

■Effect 1 (Reverb Send Level) (Controller number 91)

status

BnH

2nd byte

5BH

3rd byte

vvH

ffH

sum

F7H

data

n=MIDI channel number:

vv=Reverb Send Level:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127)

checksum

EOX

(End Of Exclusive)

■Effect 3 (Chorus Send Level) (Controller number 93)

The amount of data that is transmitted at one time is fixed for the type of data, and only

data of the fixed starting address and size will be transmitted. Refer to the address and

size given in “Parameter Address Map” (p. 74).

status

2nd byte

5DH

3rd byte

vvH

BnH

Data whose size is greater than 128 bytes should be divided into packets of 128 bytes or

less and transmitted. Successive “Data Set 1” messages should have at least 20 ms of

time interval between them.

n=MIDI channel:

0H - FH (ch.1 - ch.16)

00H - 7FH (0 - 127)

vv=Chorus Send Level:

For the checksum, refer to (p. 86).

This message is not received in GM mode.

This device is able to receive GS Exclusive messages only for Scale Tune settings.

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■RPN MSB/LSB (Controller number 100, 101)

■ System Exclusive Messages

status

BnH

2nd byte

65H

3rd byte

mmH

llH

There is a kind of the Universal Non-realtime messages and the Data Set (DT1) messages in

the System Exclusive messages transmitted by this device.

BnH

64H

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

mm=MSB of the parameter number specified by RPN

ll=LSB of the parameter number specified by RPN

The device ID number of this instrument is fixed at 10H (17).

■ Universal Non-realtime System Exclusive Messages

<<< RPN >>>

Control Changes include RPN (Registered Parameter Numbers), which are extended

parameters whose function is defined in the MIDI specification.

■Identity Reply Message

When Identity Request message (p. 71) is received, this message will be transmitted.

When using RPNs, first the RPN (Controller numbers 100 and 101; they can be sent in any

order) is transmitted to specify the parameter you wish to control. Then, Data Entry

messages (Controller numbers 6 and 38) are used to set the value of the specified parameter.

Once a RPN parameter has been specified, all further Data Entry messages on that channel

are considered to apply to that specified parameter. In order to prevent accidents, when the

desired setting has been made for the parameter, it is recommended that RPN be set to Null.

status

F0H

data byte

status

F7H

7EH, dev, 06H, 02H, 41H, 6AH, 00H,

05H, 00H, 00H, 00H, 00H, 00H

Byte

Remarks

F0H

Exclusive status

This device transmits the following RPNs.

7EH

ID number

device ID

(Universal Non-realtime message)

(dev: 10H)

dev

RPN

Data entry

MSB LSB

mmH -

06H

sub ID#1

(General Information)

(Identity Reply)

MSB LSB

00H 00H

Notes

02H

sub ID#2

Pitch Bend Sensitivity

41H

ID number

Device family code

(Roland)

mm: 00H - 0CH (0 - 12 semitones)

ll: ignored (processed as 00H)

Up to 1 octave can be specified in semitone steps.

6AH 00H

05H 00H

Device family number code

00H 00H 00H 00H Software revision level

F7H EOX (End Of Exclusive)

The Bend Range Up/ Down will also be

changed.

Not received by the Rhythm Part (Part 10).

■ Data Transmission

00H 01H

mmH llH

Channel Fine Tuning

■Data Set1 DT1

mm, ll: 20 00H - 40 00H - 60 00H

(-4096 x 100 / 8192 - 0 - +4096 x 100 / 8192 cent)

In Patch mode, the Master Tune (SYSTEM)

will change.

status

F0H

data byte

status

F7H

41H, dev, 6AH, 12H, aaH, bbH,

ccH, ddH, eeH, ... ffH, sum

In Performance mode, the Fine Tune

(PERFORM) of each Part will change. When

received on the Control channel, the Master

Tune (SYSTEM) will change.

Byte

F0H

41H

dev

Remarks

Exclusive status

ID number

device ID

model ID

command ID

address MSB

address

(Roland)

(dev: 10H)

(JV-1010)

(DT1)

00H 02H

mmH -

Channel Coarse Tuning

6AH

12H

aaH

bbH

ccH

mm: 10H - 40H - 70H (-48 - 0 - +48 semitones)

ll: ignored (processed as 00H)

Not received in Patch mode.

In Performance mode, the Coarse Tune

(PERFORM/ PART) of each Part will change.

address

ddH

eeH

address LSB

data:

The actual data to be transmitted. Multi-byte

data is transmitted in the address order.

■ Program Change

status

2nd byte

CnH

ppH

ffH

sum

F7H

data

n=MIDI channel:

0H - FH (ch.1 - ch.16)

checksum

EOX

pp=Program number:

00H - 7FH (prog.1 - prog.128)

(End Of Exclusive)

The amount of data transmitted at one time is fixed for the type of data, and the data will

be transmitted with the fixed starting address and size. Refer to the address and size

given in “Parameter Address Map” (p. 74).

Large amounts of data must be divided into packets of 128 bytes or less, and transmitted

at intervals of approximately 20 ms.

For the checksum, refer to (p. 86).

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3. Parameter Address Map

1. JV-1010 (Model ID=6AH)

For addresses marked by a #, the data must be divided into 2 parts for transmission. For example, data with the hexadecimal value ABH would be divided into 0AH and 0BH, and transmitted

in that order.

Parameter values enclosed in < > are for the JV-1080 / JV-2080 / XP-30 / XP-50 / XP-60 / XP-80, and will be ignored if received by the JV-1010.

+——————————————————————————————————————————————————————————————————————————————+

| Start

Address |

Description

|—————————————+————————————————————————————————————————————————————————————————|

| 00 00 00 00 | System

1-1

| 01 00 00 00 | Temporary Performance

1-2

1-3

| 02 00 00 00 | Performance Mode Temporary Patch(part 1)

| 02 01 00 00 | Performance Mode Temporary Patch(part 2)

| 02 08 00 00 | Performance Mode Temporary Patch(part 9)

| 02 09 00 00 | Temporary Rhythm Setup

1-4

1-3

| 02 0A 00 00 | Performance Mode Temporary Patch(part 11)

| 02 0F 00 00 | Performance Mode Temporary Patch(part 16)

| 03 00 00 00 | Patch Mode Temporary Patch

1-3

| 10 00 00 00 | User Performance USER:01

| 10 01 00 00 | User Performance USER:02

1-2

| 10 1F 00 00 | User Performance USER:32

| 10 40 00 00 | User Rhythm Setup USER:1

| 10 41 00 00 | User Rhythm Setup USER:2

| 11 00 00 00 | User Patch USER:001

| 11 01 00 00 | User Patch USER:002

1-4

1-3

| 11 7F 00 00 | User Patch USER:128

■ 1-1.System

| Offset

Address |

Description

00 00 | System Common

10 00 | Part 1 Scale Tune

11 00 | Part 2 Scale Tune

1-1-1 |

1-1-2 |

1F 00 | Part 16 Scale Tune

20 00 | Patch Mode Scale Tune

1-1-2 |

■ 1-1-1.System Common

| Offset

Address | Size

| Description

Data (Value)

00 00 | 0000 00aa | Sound Mode

0 - 2

00 01 | 0aaa aaaa | Performance Number

00 02 | 0000 00aa | Patch Group Type

00 03 | 0aaa aaaa | Patch Group ID

00 04 | 0000 aaaa | Patch Number

| 0000 bbbb |

0 - 127 *2

| +———————————————————————————————————————————————————————————+

0 - 2

0 - 127

0 - 255

-> | |—————————————+————————————+——————————+—————————————————————|

-> | |

(001 - 256) | |

USER

<CARD

PR-A

PR-B

PR-C

PR-D

PR-E

<PCM

| 0 - 127 (001 - 128) |

| 0 - 127 (001 - 128)>|

| 0 - 127 (001 - 128) |

00 06 | 0aaa aaaa | Master Tune

00 07 | 0000 000a | Scale Tune Switch

00 08 | 0000 000a | EFX Switch

0 - 126 *4

| |

0 - 1 (OFF,ON)

00 09 | 0000 000a | Chorus Switch

00 0A | 0000 000a | Reverb Switch

00 0B | 0000 000a | Patch Remain

00 0C | 0000 000a | Clock Source

00 0D | 0000 0aaa | TAP Control Source

00 0E | 0000 0aaa | Hold Control Source

00 0F | 0000 0aaa | Peak Control Source

00 10 | 0000 000a | Volume Control Source

00 11 | 0000 00aa | Aftertouch Source

00 12 | 0aaa aaaa | System Control Source 1

00 13 | 0aaa aaaa | System Control Source 2

| 1 - 127 | 0 - 127 (001 - 128)>|

| 0 - 254 (001 - 255) |

| 1 - 127 | 0 - 255 (001 - 256) |

0 - 1 (INT,MIDI) | |XP-A(Session)|

0 - 4

0 - 1

0 - 2

1 - 97

| |

XP-B

| +———————————————————————————————————————————————————————————+

|—————————————+———————————+————————————————————————————————————————————————————|

00 14 | 0000 000a | Receive Program Change

00 15 | 0000 000a | Receive Bank Select

00 16 | 0000 000a | Receive Control Change

00 17 | 0000 000a | Receive Modulation

00 18 | 0000 000a | Receive Volume

0 - 1 (OFF,ON)

0 - 1 (<OFF,ON>) |

0 - 16 (1 - 16,OFF)|

00 19 | 0000 000a | Receive Hold-1

00 1A | 0000 000a | Receive Pitch Bend

00 1B | 0000 000a | Receive Aftertouch

00 1C | 000a aaaa | Control Channel

00 1D | 0000 aaaa | Patch Receive Channel

00 1E | 0000 000a | Rhythm Edit Source

0 - 15 (1 - 16)

0 - 1 *9

00 1F | 0000 00aa | Preview Sound Mode

00 20 | 0aaa aaaa | Preview Note Set 1

00 21 | 0aaa aaaa | Preview Velocity Set 1

00 22 | 0aaa aaaa | Preview Note Set 2

00 23 | 0aaa aaaa | Preview Velocity Set 2

00 24 | 0aaa aaaa | Preview Note Set 3

00 25 | 0aaa aaaa | Preview Velocity Set 3

00 26 | 0aaa aaaa | Preview Note Set 4

00 27 | 0aaa aaaa | Preview Velocity Set 4

0 - 2

0 - 127 (C-1 - G9) |

0 - 127 *11

0 - 127 (C-1 - G9) |

0 - 127 *11

0 - 127 (C-1 - G9) |

0 - 127 *11

0 - 127 (C-1 - G9) |

0 - 127 *11

*10

00 28 | 0000 000a | Transmit Program Change

00 29 | 0000 000a | Transmit Bank Select

00 2A | 000a aaaa | Patch Transmit Channel

0 - 1

0 - 17

(<OFF,ON>) |

*12

00 2B | 0000 000a | Transpose Switch

00 2C | 0000 aaaa | Transpose Value

00 2D | 0000 0aaa | Octave Shift

00 2E | 0aaa aaaa | Keyboard Velocity

00 2F | 0000 00aa | Keyboard Sens

00 30 | 0aaa aaaa | Aftertouch Sens

00 31 | 0aaa aaaa | Pedal(1) Assign

00 32 | 0000 00aa | Pedal(1) Output Mode

0 - 1

(<OFF,ON>) |

0 - 11 (<-5 - +6>)|

0 - 6

0 - 127 *13

0 - 2 *14

(<-3 - +3>)|

0 - 100 (<0 - 100>)|

1 - 104 *15

0 - 3 *16

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00 33 | 0000 000a | Pedal(1) Polarity

00 34 | 0aaa aaaa | Pedal2 Assign

00 35 | 0000 00aa | Pedal2 Output Mode

00 36 | 0000 000a | Pedal2 Polarity

00 37 | 0aaa aaaa | C1 Assign

0 - 1

*17

1 - 104 *15

0 - 3

0 - 1

1 - 97

0 - 3

1 - 97

0 - 3

0 - 1

*16

*17

*18

*16

*18

*16

*17

00 38 | 0000 00aa | C1 Output Mode

00 39 | 0aaa aaaa | C2 Assign

00 3A | 0000 00aa | C2 Output Mode

00 3B | 0000 00aa | Hold Pedal Output Mode

00 3C | 0000 000a | Hold Pedal Polarity

00 3D | 0000 000a | Bank Select Group1 Switch

00 3E | 0aaa aaaa | Bank Select Group1 MSB

00 3F | 0aaa aaaa | Bank Select Group1 LSB

00 40 | 0000 000a | Bank Select Group2 Switch

00 41 | 0aaa aaaa | Bank Select Group2 MSB

00 42 | 0aaa aaaa | Bank Select Group2 LSB

00 43 | 0000 000a | Bank Select Group3 Switch

00 44 | 0aaa aaaa | Bank Select Group3 MSB

00 45 | 0aaa aaaa | Bank Select Group3 LSB

00 46 | 0000 000a | Bank Select Group4 Switch

00 47 | 0aaa aaaa | Bank Select Group4 MSB

00 48 | 0aaa aaaa | Bank Select Group4 LSB

00 49 | 0000 000a | Bank Select Group5 Switch

00 4A | 0aaa aaaa | Bank Select Group5 MSB

00 4B | 0aaa aaaa | Bank Select Group5 LSB

00 4C | 0000 000a | Bank Select Group6 Switch

00 4D | 0aaa aaaa | Bank Select Group6 MSB

00 4E | 0aaa aaaa | Bank Select Group6 LSB

00 4F | 0000 000a | Bank Select Group7 Switch

00 50 | 0aaa aaaa | Bank Select Group7 MSB

00 51 | 0aaa aaaa | Bank Select Group7 LSB

0 - 1

(<OFF,ON>) |

0 - 127 (<0 - 127>)|

0 - 1

(<OFF,ON>) |

0 - 127 (<0 - 127>)|

0 - 1

(<OFF,ON>) |

0 - 127 (<0 - 127>)|

0 - 1

(<OFF,ON>) |

0 - 127 (<0 - 127>)|

0 - 1

(<OFF,ON>) |

0 - 127 (<0 - 127>)|

0 - 1

(<OFF,ON>) |

0 - 127 (<0 - 127>)|

0 - 1

(<OFF,ON>) |

0 - 127 (<0 - 127>)|

00 52 | 0aaa aaaa | Pedal3 Assign

00 53 | 0000 00aa | Pedal3 Output Mode

00 54 | 0000 000a | Pedal3 Polarity

00 55 | 0aaa aaaa | Pedal4 Assign

00 56 | 0000 00aa | Pedal4 Output Mode

00 57 | 0000 000a | Pedal4 Polarity

1 - 104 *15

0 - 3

0 - 1

*16

*17

1 - 104 *15

0 - 3

0 - 1

*16

*17

00 58 | 00aa aaaa | Arpeggio Style

00 59 | 00aa aaaa | Arpeggio Motif

0 - 42 (<1 - 43>) |

0 - 37 (<1 - 38>) |

0 - 114 (<1 - 115>)|

0 - 100 (<0 - 100>)|

50 - 90 (<50 - 90>)|

00 5A | 0aaa aaaa | Arpeggio Beat Pattern

00 5B | 0aaa aaaa | Arpeggio Accent Rate

00 5C | 0aaa aaaa | Arpeggio Shuffle Rate

00 5D | 0aaa aaaa | Arpeggio Keyboard Velocity

00 5E | 0000 0aaa | Arpeggio Octave Range

00 5F | 0000 aaaa | Arpeggio Part Number

0 - 127 *13

0 - 6

(-3 - +3) |

*19

0 - 15

00 60 | 0000 aaaa | System Tempo

| 0000 bbbb |

20 - 250

00 62 | 0aaa aaaa | C3 Assign

00 63 | 0000 00aa | C3 Output Mode

00 64 | 0aaa aaaa | C4 Assign

00 65 | 0000 00aa | C4 Output Mode

1 - 97

0 - 3

1 - 97

0 - 3

*18

*16

*18

*16

|Total size

| 00 00 00 66

*1 PERFORMANCE, PATCH, GM

*2 USER:01–USER:32, <CARD:01–CARD:32>, PR-A:01–PR-A:32, PR-B:01–PR-B:32

*3 USER&PRESET, <PCM>, EXP

*4 427.4–452.6

*5 OFF, HOLD-1, SOSTENUTO, SOFT, HOLD-2

*6 VOLUME, VOLUME&EXPRESSION

*7 CHANNEL, POLY, CH&POLY

*8 CC01–CC05, CC07–CC31, CC64–CC95, PITCH BEND, AFTERTOUCH

*9 <PANEL, PANEL&MIDI>

*10 SINGLE, CHORD, PHRASE

*11 OFF, 1–127

*12 <1–16, RX-CH, OFF>

*13 <REAL, 1–127>

*14 <LIGHT, MEDIUM, HEAVY>

*15 <CC01–CC05, CC07–CC31, CC64–CC95, PITCH BEND, AFTERTOUCH, PROG-UP, PROG-DOWN, START/ STOP, PUNCH-IN/ OUT, TAP-TEMPO, OCTAVE-UP, OCTAVE-DOWN>

*16 <OFF, INT, MIDI, INT&MIDI>

*17 <STANDARD, REVERSE>

*18 <CC01–CC05, CC07–CC31, CC64–CC95, PITCH BEND, AFTERTOUCH>

*19 <PART1–PART16>

■ 1-1-2.Scale Tune

| Offset

Address | Size

| Description

Data (Value)

00 00 | 0aaa aaaa | Scale Tune for C

00 01 | 0aaa aaaa | Scale Tune for C#

00 02 | 0aaa aaaa | Scale Tune for D

00 03 | 0aaa aaaa | Scale Tune for D#

00 04 | 0aaa aaaa | Scale Tune for E

00 05 | 0aaa aaaa | Scale Tune for F

00 06 | 0aaa aaaa | Scale Tune for F#

00 07 | 0aaa aaaa | Scale Tune for G

00 08 | 0aaa aaaa | Scale Tune for G#

00 09 | 0aaa aaaa | Scale Tune for A

00 0A | 0aaa aaaa | Scale Tune for A#

00 0B | 0aaa aaaa | Scale Tune for B

0 - 127 (-64 - +63)|

|Total size | 00 00 00 0C

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■ 1-2.Performance

| Offset

Address |

Description

00 00 | Performance Common

10 00 | Performance Part 1

11 00 | Performance Part 2

1-2-1 |

1-2-2 |

1F 00 | Performance Part 16

■ 1-2-1.Performance Common

| Offset

Address | Size

| Description

Data (Value)

00 00 | 0aaa aaaa | Performance Name 1

00 01 | 0aaa aaaa | Performance Name 2

00 02 | 0aaa aaaa | Performance Name 3

00 03 | 0aaa aaaa | Performance Name 4

00 04 | 0aaa aaaa | Performance Name 5

00 05 | 0aaa aaaa | Performance Name 6

00 06 | 0aaa aaaa | Performance Name 7

00 07 | 0aaa aaaa | Performance Name 8

00 08 | 0aaa aaaa | Performance Name 9

00 09 | 0aaa aaaa | Performance Name 10

00 0A | 0aaa aaaa | Performance Name 11

00 0B | 0aaa aaaa | Performance Name 12

32 - 127

00 0C | 0000 aaaa | EFX Source

00 0D | 00aa aaaa | EFX Type

0 - 15

0 - 39 (1 - 40)

0 - 127

00 0E | 0aaa aaaa | EFX Parameter 1

00 0F | 0aaa aaaa | EFX Parameter 2

00 10 | 0aaa aaaa | EFX Parameter 3

00 11 | 0aaa aaaa | EFX Parameter 4

00 12 | 0aaa aaaa | EFX Parameter 5

00 13 | 0aaa aaaa | EFX Parameter 6

00 14 | 0aaa aaaa | EFX Parameter 7

00 15 | 0aaa aaaa | EFX Parameter 8

00 16 | 0aaa aaaa | EFX Parameter 9

00 17 | 0aaa aaaa | EFX Parameter 10

00 18 | 0aaa aaaa | EFX Parameter 11

00 19 | 0aaa aaaa | EFX Parameter 12

00 1A | 0000 00aa | EFX Output Assign

00 1B | 0aaa aaaa | EFX Mix Out Send Level

00 1C | 0aaa aaaa | EFX Chorus Send Level

00 1D | 0aaa aaaa | EFX Reverb Send Level

00 1E | 0000 aaaa | EFX Control Source 1

00 1F | 0aaa aaaa | EFX Control Depth 1

00 20 | 0000 aaaa | EFX Control Source 2

00 21 | 0aaa aaaa | EFX Control Depth 2

00 22 | 0aaa aaaa | Chorus Level

00 23 | 0aaa aaaa | Chorus Rate

0 - 2

0 - 127

0 - 10

0 - 126 (-63 - +63)|

0 - 10 *3

0 - 126 (-63 - +63)|

0 - 127

0 - 2

00 24 | 0aaa aaaa | Chorus Depth

00 25 | 0aaa aaaa | Chorus Pre-Delay

00 26 | 0aaa aaaa | Chorus Feedback

00 27 | 0000 00aa | Chorus Output

00 28 | 0000 0aaa | Reverb Type

00 29 | 0aaa aaaa | Reverb Level

00 2A | 0aaa aaaa | Reverb Time

00 2B | 000a aaaa | Reverb HF Damp

00 2C | 0aaa aaaa | Delay Feedback

0 - 7

0 - 127

0 - 17

0 - 127

00 2D | 0000 aaaa | Performance Tempo

| 0000 bbbb |

00 2F | 0000 000a | Keyboard Range Switch

20 - 250

0 - 1 (OFF,ON)

00 30 | 0aaa aaaa | Voice Reserve 1

00 31 | 0aaa aaaa | Voice Reserve 2

00 32 | 0aaa aaaa | Voice Reserve 3

00 33 | 0aaa aaaa | Voice Reserve 4

00 34 | 0aaa aaaa | Voice Reserve 5

00 35 | 0aaa aaaa | Voice Reserve 6

00 36 | 0aaa aaaa | Voice Reserve 7

00 37 | 0aaa aaaa | Voice Reserve 8

00 38 | 0aaa aaaa | Voice Reserve 9

00 39 | 0aaa aaaa | Voice Reserve 10

00 3A | 0aaa aaaa | Voice Reserve 11

00 3B | 0aaa aaaa | Voice Reserve 12

00 3C | 0aaa aaaa | Voice Reserve 13

00 3D | 0aaa aaaa | Voice Reserve 14

00 3E | 0aaa aaaa | Voice Reserve 15

00 3F | 0aaa aaaa | Voice Reserve 16

0 - 64

00 40 | 0000 000a | Keyboard Mode

00 41 | 0000 000a | Clock Source

0 - 1

|Total size

| 00 00 00 42

*1 PERFORM, 1–9, 11–16

*2 MIX, <DIRECT-1>, <DIRECT-2>

*3 OFF, SYS-CTRL1, SYS-CTRL2, MODULATION, BREATH, FOOT, VOLUME, PAN, EXPRESSION, PITCH BEND, AFTERTOUCH

*4 MIX, REV, MIX+REV

*5 ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2, DELAY, PAN-DLY

*6 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS

*7 <LAYER, SINGLE>

*8 PERFORMANCE, SYSTEM

7 6

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MIDI Im p le m e n ta tio n

■ 1-2-2.Performance Part

| Offset

Address | Size

| Description

Data (Value)

00 00 | 0000 000a | Receive Switch

00 01 | 0000 aaaa | MIDI Channel

0 - 1

(OFF,ON)

0 - 15 (1 - 16)

|—————————————+———————————+————————————————————————————————————————————————————| +———————————————————————————————————————————————————————————+

00 02 | 0000 00aa | Patch Group Type

00 03 | 0aaa aaaa | Patch Group ID

00 04 | 0000 aaaa | Patch Number

0 - 2

0 - 127

0 - 255

-> | |—————————————+————————————+——————————+—————————————————————|

-> | |

USER

<CARD

PR-A

PR-B

PR-C

PR-D

PR-E

<PCM

| 0 - 127 (001 - 128) |

| 0 - 127 (001 - 128)>|

| 0 - 127 (001 - 128) |

| 0000 bbbb |

(001 - 256)| |

| |

00 06 | 0aaa aaaa | Part Level

00 07 | 0aaa aaaa | Part Pan

0 - 127

0 - 127 (L64 - 63R)| |

0 - 96 (-48 - +48)| |

0 - 100 (-50 - +50)| |

00 08 | 0aaa aaaa | Part Coarse Tune

00 09 | 0aaa aaaa | Part Fine Tune

00 0A | 0000 0aaa | Output Assign

00 0B | 0aaa aaaa | Mix/EFX Send Level

00 0C | 0aaa aaaa | Chorus Send Level

00 0D | 0aaa aaaa | Reverb Send Level

00 0E | 0000 000a | Receive Program Change Switch

00 0F | 0000 000a | Receive Volume Switch

00 10 | 0000 000a | Receive Hold-1 Switch

00 11 | 0aaa aaaa | Keyboard Range Lower

00 12 | 0aaa aaaa | Keyboard Range Upper

0 - 4

| |

0 - 127

0 - 1

| 1 - 127 | 0 - 127 (001 - 128)>|

| 0 - 254 (001 - 255) |

| 1 - 127 | 0 - 255 (001 - 256) |

| |XP-A(Session)|

| |

XP-B

(OFF,ON)

| +———————————————————————————————————————————————————————————+

0 - 1

0 - 127 *3

0 - 127 *4

00 13 | 0000 0aaa | Octave Shift

00 14 | 0000 000a | Local Switch

00 15 | 0000 000a | Transmit Switch

00 16 | 0000 0aaa | Transmit Bank Select Group

00 17 | 0000 aaaa | Transmit Volume

| 0000 bbbb |

0 - 6

0 - 1

0 - 7

0 - 128

(<-3 - +3>)|

(<OFF,ON>) |

(<0 - 127,OFF>)|

|Total size

| 00 00 00 19

*1 USER&PRESET, <PCM>, EXP

*2 MIX, EFX, <DIRECT-1>, <DIRECT-2>, PATCH

*3 C-1–Upper

*4 Lower–G9

*5 <PATCH, GROUP1–GROUP7>

■ 1-3.Patch

| Offset

Address |

Description

00 00 | Patch Common

10 00 | Patch Tone 1

12 00 | Patch Tone 2

14 00 | Patch Tone 3

16 00 | Patch Tone 4

1-3-1 |

1-3-2 |

■ 1-3-1.Patch Common

| Offset

Address | Size

| Description

Data (Value)

00 00 | 0aaa aaaa | Patch Name 1

00 01 | 0aaa aaaa | Patch Name 2

00 02 | 0aaa aaaa | Patch Name 3

00 03 | 0aaa aaaa | Patch Name 4

00 04 | 0aaa aaaa | Patch Name 5

00 05 | 0aaa aaaa | Patch Name 6

00 06 | 0aaa aaaa | Patch Name 7

00 07 | 0aaa aaaa | Patch Name 8

00 08 | 0aaa aaaa | Patch Name 9

00 09 | 0aaa aaaa | Patch Name 10

00 0A | 0aaa aaaa | Patch Name 11

00 0B | 0aaa aaaa | Patch Name 12

32 - 127

00 0C | 00aa aaaa | EFX Type

0 - 39 (1 - 40)

0 - 127

00 0D | 0aaa aaaa | EFX Parameter 1

00 0E | 0aaa aaaa | EFX Parameter 2

00 0F | 0aaa aaaa | EFX Parameter 3

00 10 | 0aaa aaaa | EFX Parameter 4

00 11 | 0aaa aaaa | EFX Parameter 5

00 12 | 0aaa aaaa | EFX Parameter 6

00 13 | 0aaa aaaa | EFX Parameter 7

00 14 | 0aaa aaaa | EFX Parameter 8

00 15 | 0aaa aaaa | EFX Parameter 9

00 16 | 0aaa aaaa | EFX Parameter 10

00 17 | 0aaa aaaa | EFX Parameter 11

00 18 | 0aaa aaaa | EFX Parameter 12

00 19 | 0000 00aa | EFX Output Assign

00 1A | 0aaa aaaa | EFX Mix Out Send Level

00 1B | 0aaa aaaa | EFX Chorus Send Level

00 1C | 0aaa aaaa | EFX Reverb Send Level

00 1D | 0000 aaaa | EFX Control Source 1

00 1E | 0aaa aaaa | EFX Control Depth 1

00 1F | 0000 aaaa | EFX Control Source 2

00 20 | 0aaa aaaa | EFX Control Depth 2

00 21 | 0aaa aaaa | Chorus Level

0 - 2

0 - 127

0 - 10

0 - 126 (-63 - +63)|

0 - 10

0 - 126 (-63 - +63)|

0 - 127

0 - 2

00 22 | 0aaa aaaa | Chorus Rate

00 23 | 0aaa aaaa | Chorus Depth

00 24 | 0aaa aaaa | Chorus Pre-Delay

00 25 | 0aaa aaaa | Chorus Feedback

00 26 | 0000 00aa | Chorus Output

00 27 | 0000 0aaa | Reverb Type

0 - 7

00 28 | 0aaa aaaa | Reverb Level

0 - 127

0 - 17

0 - 127

00 29 | 0aaa aaaa | Reverb Time

00 2A | 000a aaaa | Reverb HF Damp

00 2B | 0aaa aaaa | Delay Feedback

7 7

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MIDI Im p le m e n ta tio n

00 2C | 0000 aaaa | Patch Tempo

20 - 250

| 0000 bbbb |

00 2E | 0aaa aaaa | Patch Level

0 - 127

00 2F | 0aaa aaaa | Patch Pan

0 - 127 (L64 - 63R)|

00 30 | 0aaa aaaa | Analog Feel

0 - 127

0 - 12

00 31 | 0000 aaaa | Bend Range Up

00 32 | 00aa aaaa | Bend Range Down

00 33 | 0000 000a | Key Assign Mode

00 34 | 0000 000a | Solo Legato

0 - 48 (0 - -48) |

0 - 1

0 - 127

0 - 15

0 - 2

0 - 1

0 - 6

0 - 3

0 - 1

(POLY,SOLO)|

(OFF,ON)

00 35 | 0000 000a | Portamento Switch

00 36 | 0000 000a | Portamento Mode

00 37 | 0000 000a | Portamento Type

00 38 | 0000 000a | Portamento Start

00 39 | 0aaa aaaa | Portamento Time

00 3A | 0000 aaaa | Patch Control Source 2

00 3B | 0000 aaaa | Patch Control Source 3

00 3C | 0000 00aa | EFX Control Hold/Peak

00 3D | 0000 00aa | Control 1 Hold/Peak

00 3E | 0000 00aa | Control 2 Hold/Peak

00 3F | 0000 00aa | Control 3 Hold/Peak

00 40 | 0000 000a | Velocity Range Switch

00 41 | 0000 0aaa | Octave Shift

00 42 | 0000 00aa | Stretch Tune Depth

00 43 | 0000 000a | Voice Priority

(RATE,TIME)|

(OFF,ON)

(-3 - +3) |

(OFF,1 - 3)|

*10

00 44 | 0000 aaaa | Structure Type 1&2

00 45 | 0000 00aa | Booster 1&2

0 - 9

0 - 3

0 - 9

0 - 3

(1 - 10)

*11

(1 - 10)

*11

00 46 | 0000 aaaa | Structure Type 3&4

00 47 | 0000 00aa | Booster 3&4

00 48 | 0000 000a | Clock Source

00 49 | 0aaa aaaa | Patch Category

0 - 1

0 - 127 *13

*12

|Total size

| 00 00 00 4A

*1 MIX, <DIRECT-1>, <DIRECT-2>

*2 OFF, SYS-CTRL1, SYS-CTRL2, MODULATION, BREATH, FOOT, VOLUME, PAN, EXPRESSION, PITCH BEND, AFTERTOUCH

*3 MIX, REV, MIX+REV

*4 ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2, DELAY, PAN-DLY

*5 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS

*6 NORMAL, LEGATO

*7 PITCH, NOTE

*8 OFF, SYS-CTRL1, SYS-CTRL2, MODULATION, BREATH, FOOT, VOLUME, PAN, EXPRESSION, PITCH BEND, AFTERTOUCH, LFO1, LFO2, VELOCITY, KEYFOLLOW, PLAYMATE

*9 OFF, HOLD, PEAK

*10 LAST, LOUDEST

*11 0, +6, +12, +18

*12 PATCH, SYSTEM

*13 NO ASSIGN, AC.PIANO, EL.PIANO, KEYBOARDS, BELL, MALLET, ORGAN, ACCORDION, HARMONICA, AC.GUITAR, EL.GUITAR, DIST.GUITAR, BASS, SYNTH BASS, STRINGS,

ORCHESTRA, HIT&STAB, WIND, FLUTE, AC.BRASS, SYNTH BRASS, SAX, HARD LEAD, SOFT LEAD, TECHNO SYNTH, PULSATING, SYNTH FX, OTHER SYNTH, BRIGHT PAD,

SOFT PAD, VOX, PLUCKED, ETHNIC, FRETTED, PERCUSSION, SOUND FX, BEAT&GROOVE, DRUMS, COMBINATION (0–38)

■ 1-3-2.Patch Tone

| Offset

Address | Size

| Description

Data (Value)

00 00 | 0000 000a | Tone Switch

00 01 | 0000 00aa | Wave Group Type

00 02 | 0aaa aaaa | Wave Group ID

00 03 | 0000 aaaa | Wave Number

| 0000 bbbb |

0 - 1

(OFF,ON)

| +———————————————————————————————————————————————————————————+

0 - 2

0 - 127

0 - 254

-> | |—————————————+————————————+——————————+—————————————————————|

-> | |

INT-A

INT-B

<PCM

| 0 - 254 (001 - 255) |

| 0 - 192 (001 - 193) |

(001 - 255)| |

00 05 | 0000 00aa | Wave Gain

00 06 | 0000 000a | FXM Switch

00 07 | 0000 00aa | FXM Color

00 08 | 0000 aaaa | FXM Depth

00 09 | 0000 0aaa | Tone Delay Mode

00 0A | 0aaa aaaa | Tone Delay Time

0 - 3

0 - 1

0 - 3

| |

| 1 - 127 | 0 - 254 (001 - 255)>|

(OFF,ON)

(1 - 4)

| |XP-A(Session)|

| | XP-B

| 0 - 205 (001 - 206) |

| 1 - 127 | 0 - 254 (001 - 255) |

0 - 15 (1 - 16)

| +———————————————————————————————————————————————————————————+

0 - 7

0 - 127

00 0B | 0aaa aaaa | Velocity Cross Fade

00 0C | 0aaa aaaa | Velocity Range Lower

00 0D | 0aaa aaaa | Velocity Range Upper

00 0E | 0aaa aaaa | Keyboard Range Lower

00 0F | 0aaa aaaa | Keyboard Range Upper

00 10 | 0000 000a | Redamper Control Switch

00 11 | 0000 000a | Volume Control Switch

00 12 | 0000 000a | Hold-1 Control Switch

00 13 | 0000 000a | Pitch Bend Control Switch

00 14 | 0000 00aa | Pan Control Switch

00 15 | 000a aaaa | Controller 1 Destination 1

00 16 | 0aaa aaaa | Controller 1 Depth 1

00 17 | 000a aaaa | Controller 1 Destination 2

00 18 | 0aaa aaaa | Controller 1 Depth 2

00 19 | 000a aaaa | Controller 1 Destination 3

00 1A | 0aaa aaaa | Controller 1 Depth 3

00 1B | 000a aaaa | Controller 1 Destination 4

00 1C | 0aaa aaaa | Controller 1 Depth 4

00 1D | 000a aaaa | Controller 2 Destination 1

00 1E | 0aaa aaaa | Controller 2 Depth 1

00 1F | 000a aaaa | Controller 2 Destination 2

00 20 | 0aaa aaaa | Controller 2 Depth 2

00 21 | 000a aaaa | Controller 2 Destination 3

00 22 | 0aaa aaaa | Controller 2 Depth 3

00 23 | 000a aaaa | Controller 2 Destination 4

00 24 | 0aaa aaaa | Controller 2 Depth 4

00 25 | 000a aaaa | Controller 3 Destination 1

00 26 | 0aaa aaaa | Controller 3 Depth 1

00 27 | 000a aaaa | Controller 3 Destination 2

00 28 | 0aaa aaaa | Controller 3 Depth 2

00 29 | 000a aaaa | Controller 3 Destination 3

00 2A | 0aaa aaaa | Controller 3 Depth 3

00 2B | 000a aaaa | Controller 3 Destination 4

00 2C | 0aaa aaaa | Controller 3 Depth 4

0 - 127

1 - 127 *4

1 - 127 *5

0 - 127 *6

0 - 127 *7

0 - 1

0 - 2

0 - 18

(OFF,ON)

0 - 126 (-63 - +63)|

0 - 18

0 - 126 (-63 - +63)|

0 - 18 *9

0 - 126 (-63 - +63)|

0 - 18 *9

0 - 126 (-63 - +63)|

0 - 18 *9

0 - 126 (-63 - +63)|

0 - 18 *9

0 - 126 (-63 - +63)|

0 - 18 *9

0 - 126 (-63 - +63)|

0 - 18 *9

0 - 126 (-63 - +63)|

0 - 18 *9

0 - 126 (-63 - +63)|

0 - 18 *9

0 - 126 (-63 - +63)|

0 - 18 *9

0 - 126 (-63 - +63)|

0 - 18 *9

0 - 126 (-63 - +63)|

7 8

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MIDI Im p le m e n ta tio n

00 2D | 0000 0aaa | LFO1 Waveform

00 2E | 0000 000a | LFO1 Key Sync

00 2F | 0aaa aaaa | LFO1 Rate

0 - 7

*10

0 - 1

(OFF,ON)

0 - 127

0 - 4

00 30 | 0000 0aaa | LFO1 Offset

00 31 | 0aaa aaaa | LFO1 Delay Time

00 32 | 0000 00aa | LFO1 Fade Mode

00 33 | 0aaa aaaa | LFO1 Fade Time

00 34 | 0000 00aa | LFO1 External Sync

00 35 | 0000 0aaa | LFO2 Waveform

00 36 | 0000 000a | LFO2 Key Sync

00 37 | 0aaa aaaa | LFO2 Rate

*11

*12

0 - 127

0 - 3

0 - 127

0 - 2

*13

*10

(OFF,ON)

0 - 7

0 - 1

0 - 127

0 - 4

00 38 | 0000 0aaa | LFO2 Offset

00 39 | 0aaa aaaa | LFO2 Delay Time

00 3A | 0000 00aa | LFO2 Fade Mode

00 3B | 0aaa aaaa | LFO2 Fade Time

00 3C | 0000 00aa | LFO2 External Sync

*11

*12

*13

0 - 127

0 - 3

0 - 127

0 - 2

00 3D | 0aaa aaaa | Coarse Tune

0 - 96 (-48 - +48)|

0 - 100 (-50 - +50)|

00 3E | 0aaa aaaa | Fine Tune

00 3F | 000a aaaa | Random Pitch Depth

00 40 | 0000 aaaa | Pitch Keyfollow

0 - 30

0 - 15

*14

*15

00 41 | 000a aaaa | Pitch Envelope Depth

00 42 | 0aaa aaaa | Pitch Envelope Velocity Sens

00 43 | 0000 aaaa | Pitch Envelope Velocity Time1

00 44 | 0000 aaaa | Pitch Envelope Velocity Time4

00 45 | 0000 aaaa | Pitch Envelope Time Keyfollow

00 46 | 0aaa aaaa | Pitch Envelope Time 1

00 47 | 0aaa aaaa | Pitch Envelope Time 2

00 48 | 0aaa aaaa | Pitch Envelope Time 3

00 49 | 0aaa aaaa | Pitch Envelope Time 4

00 4A | 0aaa aaaa | Pitch Envelope Level 1

00 4B | 0aaa aaaa | Pitch Envelope Level 2

00 4C | 0aaa aaaa | Pitch Envelope Level 3

00 4D | 0aaa aaaa | Pitch Envelope Level 4

00 4E | 0aaa aaaa | Pitch LFO1 Depth

0 - 24 (-12 - +12)|

0 - 125 *16

0 - 14

0 - 127

*17

0 - 126 (-63 - +63)|

00 4F | 0aaa aaaa | Pitch LFO2 Depth

00 50 | 0000 0aaa | Filter Type

0 - 4

*18

00 51 | 0aaa aaaa | Cutoff Frequency

00 52 | 0000 aaaa | Cutoff Keyfollow

00 53 | 0aaa aaaa | Resonance

0 - 127

0 - 15

0 - 127

*15

00 54 | 0aaa aaaa | Resonance Velocity Sens

00 55 | 0aaa aaaa | Filter Envelope Depth

0 - 125 *16

0 - 126 (-63 - +63)|

00 56 | 0000 0aaa | Filter Envelope Velocity Curve 0 - 6

(1 - 7)

00 57 | 0aaa aaaa | Filter Envelope Velocity Sens

0 - 125 *16

00 58 | 0000 aaaa | Filter Envelope Velocity Time1 0 - 14

00 59 | 0000 aaaa | Filter Envelope Velocity Time4 0 - 14

00 5A | 0000 aaaa | Filter Envelope Time Keyfollow 0 - 14

*17

00 5B | 0aaa aaaa | Filter Envelope Time 1

00 5C | 0aaa aaaa | Filter Envelope Time 2

00 5D | 0aaa aaaa | Filter Envelope Time 3

00 5E | 0aaa aaaa | Filter Envelope Time 4

00 5F | 0aaa aaaa | Filter Envelope Level 1

00 60 | 0aaa aaaa | Filter Envelope Level 2

00 61 | 0aaa aaaa | Filter Envelope Level 3

00 62 | 0aaa aaaa | Filter Envelope Level 4

00 63 | 0aaa aaaa | Filter LFO1 Depth

0 - 127

0 - 126 (-63 - +63)|

00 64 | 0aaa aaaa | Filter LFO2 Depth

00 65 | 0aaa aaaa | Tone Level

0 - 127

0 - 3

00 66 | 0000 00aa | Bias Direction

*19

00 67 | 0aaa aaaa | Bias Position

0 - 127 (C-1 - G9) |

00 68 | 0000 aaaa | Bias Level

0 - 14

0 - 6

*17

(1 - 7)

00 69 | 0000 0aaa | Level Envelope Velocity Curve

00 6A | 0aaa aaaa | Level Envelope Velocity Sens

00 6B | 0000 aaaa | Level Envelope Velocity Time1

00 6C | 0000 aaaa | Level Envelope Velocity Time4

00 6D | 0000 aaaa | Level Envelope Time Keyfollow

00 6E | 0aaa aaaa | Level Envelope Time 1

00 6F | 0aaa aaaa | Level Envelope Time 2

00 70 | 0aaa aaaa | Level Envelope Time 3

00 71 | 0aaa aaaa | Level Envelope Time 4

00 72 | 0aaa aaaa | Level Envelope Level 1

00 73 | 0aaa aaaa | Level Envelope Level 2

00 74 | 0aaa aaaa | Level Envelope Level 3

00 75 | 0aaa aaaa | Level LFO1 Depth

00 76 | 0aaa aaaa | Level LFO2 Depth

00 77 | 0aaa aaaa | Tone Pan

0 - 125 *16

0 - 14

*17

0 - 14

0 - 127

0 - 126 (-63 - +63)|

0 - 127 (L64 - 63R)|

0 - 14

0 - 63

1 - 127 (L63 - 63R)|

0 - 126 (L63 - 63R)|

00 78 | 0000 aaaa | Pan Keyfollow

*17

00 79 | 00aa aaaa | Random Pan Depth

00 7A | 0aaa aaaa | Alternate Pan Depth

00 7B | 0aaa aaaa | Pan LFO1 Depth

00 7C | 0aaa aaaa | Pan LFO2 Depth

00 7D | 0000 00aa | Output Assign

00 7E | 0aaa aaaa | Mix/EFX Send Level

00 7F | 0aaa aaaa | Chorus Send Level

01 00 | 0aaa aaaa | Reverb Send Level

0 - 3

*20

0 - 127

|Total size

| 00 00 01 01

*1 INT, <PCM>, EXP

*2 -6, 0, +6, +12

*3 NORMAL, HOLD, PLAYMATE, CLOCK-SYNC, <TAP-SYNC>, KEY-OFF-N, KEY-OFF-D, TEMPO-SYNC

*4 1–Upper

*5 Lower–127

*6 C-1–Upper

*7 Lower–G9

*8 OFF, CONTINUOUS, KEY-ON

*9 OFF, PCH, CUT, RES, LEV, PAN, MIX, CHO, REV, PL1, PL2, FL1, FL2, AL1, AL2, pL1, pL2, L1R, L2R

*10 TRI, SIN, SAW, SQR, TRP, S&H, RND, CHS

*11 -100, -50, 0, +50, +100

*12 KEY-ON-IN, KEY-ON-OUT, KEY-OFF-IN, KEY-OFF-OUT

*13 OFF, CLOCK, <TAP>

*14 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 20, 30, 40, 50, 60, 70, 80, 90, 100, 200, 300, 400, 500, 600, 700, 800, 900, 1000, 1100, 1200

*15 -100, -70, -50, -30, -10, 0, +10, +20, +30, +40, +50, +70, +100, +120, +150, +200

7 9

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MIDI Im p le m e n ta tio n

*16 -100–+150

*17 -100, -70, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +70, +100

*18 OFF, LPF, BPF, HPF, PKG

*19 LOWER, UPPER, LOWER&UPPER, ALL

*20 MIX, EFX, <DIRECT-1>, <DIRECT-2>

■ 1-4.Rhythm Setup

| Offset

Address |

Description

00 00 | Rhythm Common

23 00 | Rhythm Note for Key# 35

24 00 | Rhythm Note for Key# 36

1-4-1 |

1-4-2 |

62 00 | Rhythm Note for Key# 98

■ 1-4-1.Rhythm Common

| Offset

Address | Size

| Description

Data (Value)

00 00 | 0aaa aaaa | Rhythm Name 1

00 01 | 0aaa aaaa | Rhythm Name 2

00 02 | 0aaa aaaa | Rhythm Name 3

00 03 | 0aaa aaaa | Rhythm Name 4

00 04 | 0aaa aaaa | Rhythm Name 5

00 05 | 0aaa aaaa | Rhythm Name 6

00 06 | 0aaa aaaa | Rhythm Name 7

00 07 | 0aaa aaaa | Rhythm Name 8

00 08 | 0aaa aaaa | Rhythm Name 9

00 09 | 0aaa aaaa | Rhythm Name 10

00 0A | 0aaa aaaa | Rhythm Name 11

00 0B | 0aaa aaaa | Rhythm Name 12

32 - 127

|Total size

| 00 00 00 0C

■ 1-4-2.Rhythm Note

| Offset

Address | Size

| Description

Data (Value)

00 00 | 0000 000a | Tone Switch

00 01 | 0000 00aa | Wave Group Type

00 02 | 0aaa aaaa | Wave Group ID

00 03 | 0000 aaaa | Wave Number

| 0000 bbbb |

0 - 1 (OFF,ON)

| +———————————————————————————————————————————————————————————+

-> | |—————————————+————————————+——————————+—————————————————————|

0 - 2

0 - 127

0 - 254

-> | |

(001 - 255) | |

*2 | |

INT-A

INT-B

<PCM

| 0 - 254 (001 - 255) |

| 0 - 192 (001 - 193) |

00 05 | 0000 00aa | Wave Gain

0 - 3

0 - 12

| 1 - 127 | 0 - 254 (001 - 255)>|

00 06 | 0000 aaaa | Bend Range

00 07 | 000a aaaa | Mute Group

00 08 | 0000 000a | Envelope Mode

00 09 | 0000 000a | Volume Control Switch

00 0A | 0000 000a | Hold-1 Control Switch

00 0B | 0000 00aa | Pan Control Switch

| |XP-A(Session)|

XP-B

| 0 - 205 (001 - 206) |

0 - 31 (OFF,1 - 31)| |

| 1 - 127 | 0 - 254 (001 - 255) |

0 - 1

| +———————————————————————————————————————————————————————————+

0 - 1 (OFF,ON)

0 - 2

00 0C | 0aaa aaaa | Coarse Tune

00 0D | 0aaa aaaa | Fine Tune

0 - 127 (C-1 - G9) |

0 - 100 (-50 - +50)|

0 - 30 *5

0 - 24 (-12 - +12)|

00 0E | 000a aaaa | Random Pitch Depth

00 0F | 000a aaaa | Pitch Envelope Depth

00 10 | 0aaa aaaa | Pitch Envelope Velocity Sens

00 11 | 0000 aaaa | Pitch Envelope Velocity Time

00 12 | 0aaa aaaa | Pitch Envelope Time 1

00 13 | 0aaa aaaa | Pitch Envelope Time 2

00 14 | 0aaa aaaa | Pitch Envelope Time 3

00 15 | 0aaa aaaa | Pitch Envelope Time 4

00 16 | 0aaa aaaa | Pitch Envelope Level 1

00 17 | 0aaa aaaa | Pitch Envelope Level 2

00 18 | 0aaa aaaa | Pitch Envelope Level 3

00 19 | 0aaa aaaa | Pitch Envelope Level 4

0 - 125 *6

0 - 14

0 - 127

0 - 126 (-63 - +63)|

00 1A | 0000 0aaa | Filter Type

0 - 4

00 1B | 0aaa aaaa | Cutoff Frequency

0 - 127

00 1C | 0aaa aaaa | Resonance

00 1D | 0aaa aaaa | Resonance Velocity Sens

00 1E | 0aaa aaaa | Filter Envelope Depth

00 1F | 0aaa aaaa | Filter Envelope Velocity Sens

00 20 | 0000 aaaa | Filter Envelope Velocity Time

00 21 | 0aaa aaaa | Filter Envelope Time 1

00 22 | 0aaa aaaa | Filter Envelope Time 2

00 23 | 0aaa aaaa | Filter Envelope Time 3

00 24 | 0aaa aaaa | Filter Envelope Time 4

00 25 | 0aaa aaaa | Filter Envelope Level 1

00 26 | 0aaa aaaa | Filter Envelope Level 2

00 27 | 0aaa aaaa | Filter Envelope Level 3

00 28 | 0aaa aaaa | Filter Envelope Level 4

0 - 125 *6

0 - 126 (-63 - +63)|

0 - 125 *6

0 - 14

0 - 127

00 29 | 0aaa aaaa | Tone Level

0 - 127

00 2A | 0aaa aaaa | Level Envelope Velocity Sens

00 2B | 0000 aaaa | Level Envelope Velocity Time

00 2C | 0aaa aaaa | Level Envelope Time 1

00 2D | 0aaa aaaa | Level Envelope Time 2

00 2E | 0aaa aaaa | Level Envelope Time 3

00 2F | 0aaa aaaa | Level Envelope Time 4

00 30 | 0aaa aaaa | Level Envelope Level 1

00 31 | 0aaa aaaa | Level Envelope Level 2

00 32 | 0aaa aaaa | Level Envelope Level 3

00 33 | 0aaa aaaa | Tone Pan

0 - 125 *6

0 - 14

0 - 127

0 - 127 (L64 - 63R)|

0 - 63

1 - 127 (L63 - 63R)|

00 34 | 00aa aaaa | Random Pan Depth

00 35 | 0aaa aaaa | Alternate Pan Depth

00 36 | 0000 00aa | Output Assign

00 37 | 0aaa aaaa | Mix/EFX Send Level

00 38 | 0aaa aaaa | Chorus Send Level

00 39 | 0aaa aaaa | Reverb Send Level

0 - 3

0 - 127

|Total size

| 00 00 00 3A

8 0

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MIDI Im p le m e n ta tio n

*1 INT, <PCM>, EXP

*2 -6, 0, +6, +12

*3 NO-SUS, SUSTAIN

*4 OFF, CONTINUOUS, KEY-ON

*5 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 20, 30, 40, 50, 60, 70, 80, 90, 100, 200, 300, 400, 500, 600, 700, 800, 900, 1000, 1100, 1200

*6 -100–+150

*7 -100, -70, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +70, +100

*8 OFF, LPF, BPF, HPF, PKG

*9 MIX, EFX, <DIRECT-1>, <DIRECT-2>

■ Address Block Map

The following is an outline of the address map for Exclusive messages.

Address(H)

=========== ==================== ===========================

00 00 00 00 +——————————————————+......................................+———————+

Block

Sub Block

Reference

=========

| System common

| 1-1-1 |

+——————————————————+......................................+———————+

+——————————————————+.....+——————————+.....................+———————+

|Scale tune

+——————————————————+.

| Part 1

| 1-1-2 |

+——————————+.....................+———————+

: .

: . +——————————+

: . | Part 16 |

: . +——————————+

. | Patch

.+——————————+

01 00 00 00 +——————————————————+.....+——————————+.....................+———————+

| Temporary

| Common

| 1-2-1 |

| performance

+——————————+.....................+———————+

+——————————————————+.

: .

| Part 1

| 1-2-2 |

: . +——————————+.....................+———————+

: . |

: . +——————————+

. | Part 16 |

.+——————————+

02 00 00 00 +——————————————————+.....+——————————+.....+——————————+....+———————+

| Performance mode |

| temporary patch |

+——————————————————+..

| Part 1

+——————————+.

| .

| Common

| 1-3-1 |

+——————————+....+———————+

: . +——————————+ . | Tone 1

| 1—3—2 |

. | Part 9

.+——————————+ . |

. +——————————+

. | Tone 4

.+——————————+

| . +——————————+....+———————+

02 09 00 00 +——————————————————+.....+——————————+.....................+———————+

| Temporary

| Common

| 1-4-1 |

| rhythm setup

+——————————+.....................+———————+

+——————————————————+.

: .

| Note# 35 |

| 1-4-2 |

: . +——————————+.....................+———————+

: . |

: . +——————————+

. | Note# 98 |

.+——————————+

02 0A 00 00 +——————————————————+.....+——————————+.....+——————————+....+———————+

| Performance mode |

| temporary patch |

+——————————————————+..

| Part 11 |

+——————————+.

| Common

| 1-3-1 |

+——————————+....+———————+

| .

: . +——————————+ . | Tone 1

| 1—3—2 |

. | Part 16 | . +——————————+....+———————+

.+——————————+ . |

. +——————————+

. | Tone 4

.+——————————+

03 00 00 00 +——————————————————+.....+——————————+.....................+———————+

| Patch mode

| temporary patch |

+——————————————————+.

| Common

| 1-3-1 |

+——————————+.....................+———————+

: .

| Tone 1

| 1-3-2 |

: . +——————————+.....................+———————+

: . |

: . +——————————+

. | Tone 4

.+——————————+

10 00 00 00 +——————————————————+.....+——————————+.....+——————————+....+———————+

| User

| USER:01 |

+——————————+.

| Common

| 1-2-1 |

| performance

+——————————+....+———————+

+——————————————————+..

| .

: . +——————————+ . | Part 1

| 1—2—2 |

. | USER:32 | . +——————————+....+———————+

.+——————————+ . |

. +——————————+

. | Part 16 |

.+——————————+

10 40 00 00 +——————————————————+.....+——————————+.....+——————————+....+———————+

| User

| rhythm setup

| USER:1

| Common

| 1-4-1 |

+——————————+.

+——————————+....+———————+

+——————————————————+... +——————————+ .

. | USER:2

| . | Note# 35 |

| 1-4-2 |

+——————————+ . +——————————+....+———————+

. |

. +——————————+

. | Note# 98 |

.+——————————+

11 00 00 00 +——————————————————+.....+——————————+.....+——————————+....+———————+

| User

| patch

+——————————————————+..

| USER:001 |

+——————————+.

| Common

| 1-3-1 |

+——————————+....+———————+

| .

: . +——————————+ . | Tone 1

| 1—3—2 |

. | USER:128 | . +——————————+....+———————+

.+——————————+ . |

. +——————————+

. | Tone 4

.+——————————+

8 1

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MIDI Im p le m e n ta tio n

2. GS (Model ID = 42H)

+—————————————————————————————————————————————————————————————————————————————+

| Start

address |

Description

|—————————————+———————————————————————————————————————————————————————————————|

40 10 00 | Scale Tune Part10

2-1

40 11 00 |

40 12 00 |

40 13 00 |

40 14 00 |

40 15 00 |

40 16 00 |

40 17 00 |

40 18 00 |

40 19 00 |

40 1A 00 |

40 1B 00 |

40 1C 00 |

40 1D 00 |

40 1E 00 |

40 1F 00 |

Part1

Part2

Part3

Part4

Part5

Part6

Part7

Part8

Part9

Part11

Part12

Part13

Part14

Part15

Part16

■ 2-1.Scale Tune

| Offset

Address |

Description

40 | 0aaa aaaa | Scale Tune for C

0 - 127

(-64 - +63)

0 - 127

41 | 0aaa aaaa | Scale Tune for C#

(-64 - +63)

0 - 127

42 | 0aaa aaaa | Scale Tune for D

(-64 - +63)

0 - 127

43 | 0aaa aaaa | Scale Tune for D#

(-64 - +63)

0 - 127

44 | 0aaa aaaa | Scale Tune for E

(-64 - +63)

0 - 127

45 | 0aaa aaaa | Scale Tune for F

(-64 - +63)

0 - 127

46 | 0aaa aaaa | Scale Tune for F#

(-64 - +63)

0 - 127

47 | 0aaa aaaa | Scale Tune for G

(-64 - +63)

0 - 127

48 | 0aaa aaaa | Scale Tune for G#

(-64 - +63)

0 - 127

49 | 0aaa aaaa | Scale Tune for A

(-64 - +63)

0 - 127

4A | 0aaa aaaa | Scale Tune for A#

(-64 - +63)

0 - 127

4B | 0aaa aaaa | Scale Tune for B

(-64 - +63)

|Total Size

| 00 00 0C

In order for a GS Exclusive message to be correctly received by the JV-1010, the starting address of the message must be the Start address of each Part (the address of Scale Tune C, i.e., offset

40).

8 2

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■ Type09: COMPRESSOR

4. Supplementary Material

———————+————————————————————————————————+———————————————————————

prm1 | Sustain

prm2 | Attack

prm3 | Output Pan

prm4 | Post Gain

prm5 | Low Gain

prm6 | HiGH Gain

prm7 | Output Level

| 0 - 127

| 0 - 3

| 0 - 30

| 0 - 127

■ Correspondence of the EFX algorithm and

Exclusive Address (EFX Parameter 1–12)

EFX

| Parameter

| Value

———————+————————————————————————————————+———————————————————————

■ Type10: LIMITER

———————+————————————————————————————————+———————————————————————

■ Type01: STEREO-EQ

———————+————————————————————————————————+———————————————————————

prm1 | Threshold Level

prm2 | Release Time

prm3 | Compression Ratio

prm4 | Output Pan

prm5 | Post Gain

| 0 - 127

| 0 - 3

| 0 - 127

| 0 - 3

| 0 - 30

| 0 - 127

prm1 | Low Frequency

prm2 | Low Gain

| 0 - 1

| 0 - 30

| 0 - 1

prm3 | High Frequency

prm4 | Hi Gain

| 0 - 30

| 0 - 16

| 0 - 4

| 0 - 30

| 0 - 16

| 0 - 4

| 0 - 30

| 0 - 127

prm6 | Low Gain

prm5 | Peaking1 Frequency

prm6 | Peaking1 Q

prm7 | Peaking1 Gain

prm8 | Peaking2 Frequency

prm9 | Peaking2 Q

prm10 | Peaking2 Gain

prm11 | Level

prm7 | High Gain

prm8 | Output Level

■ Type11: HEXA-CHORUS

———————+————————————————————————————————+———————————————————————

prm1 | Pre Delay Time

prm2 | Rate

prm3 | Depth

prm4 | Pre Delay Deviation

prm5 | Depth Deviation

prm6 | Pan Deviation

prm7 | Effect Balance

prm8 | Output Level

| 0 - 125

| 0 - 127

| 0 - 20

| 0 - 40

| 0 - 20

| 0 - 100

| 0 - 127

■ Type02: OVERDRIVE

———————+————————————————————————————————+———————————————————————

prm1 | Drive

| 0 - 127

| 0 - 3

| 0 - 30

| 0 - 127

prm2 | Output Pan

prm3 | Amp Simulator Type

prm4 | Low Gain

prm5 | High Gain

prm6 | Output Level

■ Type12: TREMOLO-CHORUS

———————+————————————————————————————————+———————————————————————

prm1 | Pre Delay Time

prm2 | Chorus Rate

prm3 | Chorus Depth

prm4 | Tremolo Rate

prm5 | Tremolo Separation

prm6 | Tremolo Phase

prm7 | Effect Balance

prm8 | Output Level

| 0 - 125

| 0 - 127

| 0 - 125

| 0 - 127

| 0 - 90

■ Type03: DISTORTION

———————+————————————————————————————————+———————————————————————

prm1 | Drive

| 0 - 127

| 0 - 3

| 0 - 30

| 0 - 127

prm2 | Output Pan

prm3 | Amp Simulator Type

prm4 | Low Gain

| 0 - 100

| 0 - 127

prm5 | High Gain

prm6 | Output Level

■ Type13: SPACE-D

■ Type04: PHASER

———————+————————————————————————————————+———————————————————————

prm1 | Pre Delay Time

prm2 | Rate

prm3 | Depth

prm4 | Phase

prm5 | Low Gain

prm6 | High Gain

prm7 | Effect Balance

prm8 | Output Level

| 0 - 125

| 0 - 127

| 0 - 90

| 0 - 30

| 0 - 100

| 0 - 127

prm1 | Manual

| 0 - 125

| 0 - 127

prm2 | Rate

prm3 | Depth

prm4 | Resonance

prm5 | Mix Level

prm6 | Output Pan

prm7 | Output Level

■ Type05: SPECTRUM

■ Type14: STEREO-CHORUS

———————+————————————————————————————————+———————————————————————

prm1 | Band1 Gain

prm2 | Band2 Gain

prm3 | Band3 Gain

prm4 | Band4 Gain

prm5 | Band5 Gain

prm6 | Band6 Gain

prm7 | Band7 Gain

prm8 | Band8 Gain

prm9 | Q

| 0 - 30

| 0 - 4

prm1 | Filter Type

prm2 | Cutoff Frequency

prm3 | Pre Delay Time

prm4 | Rate

prm5 | Depth

prm6 | Phase

prm7 | (not used)

prm8 | Low Gain

| 0 - 2

| 0 - 16

| 0 - 125

| 0 - 127

| 0 - 90

| 0 - 30

| 0 - 100

| 0 - 127

prm9 | High Gain

prm10 | Effect Balance

prm11 | Output Level

prm10 | Output Pan

prm11 | Output Level

| 0 - 127

■ Type06: ENHANCER

■ Type15: STEREO-FLANGER

———————+————————————————————————————————+———————————————————————

prm1 | Sens

| 0 - 127

| 0 - 30

| 0 - 127

prm1 | Filter Type

prm2 | Cutoff Frequency

prm3 | Pre Delay Time

prm4 | Rate

prm5 | Depth

prm6 | Phase

prm7 | Feedback Level

prm8 | Low Gain

| 0 - 2

prm2 | Mix Level

prm3 | Low Gain

prm4 | High Gain

prm5 | Output Level

| 0 - 16

| 0 - 125

| 0 - 127

| 0 - 90

| 0 - 98

| 0 - 30

| 0 - 100

| 0 - 127

■ Type07: AUTO-WAH

prm9 | High Gain

prm10 | Effect Balance

prm11 | Output Level

———————+————————————————————————————————+———————————————————————

prm1 | Filter Type

prm2 | Rate

| 0 - 1

| 0 - 125

| 0 - 127

prm3 | Depth

prm4 | Sens

■ Type16: STEP-FLANGER

———————+————————————————————————————————+———————————————————————

prm5 | Manual

prm6 | Peak

prm7 | Output Level

prm1 | Pre Delay Time

prm2 | Rate

prm3 | Depth

prm4 | Feedback Level

prm5 | Step Rate

prm6 | Phase

prm7 | Low Gain

prm8 | High Gain

prm9 | Effect Balance

prm10 | Output Level

| 0 - 125

| 0 - 127

| 0 - 98

| 0 - 125

| 0 - 90

| 0 - 30

| 0 - 100

| 0 - 127

■ Type08: ROTARY

———————+————————————————————————————————+———————————————————————

prm1 | High Frequency Slow Rate

prm2 | Low Frequency Slow Rate

prm3 | High Frequency Fast Rate

prm4 | Low Frequency Fast Rate

prm5 | Speed

| 0 - 125

| 0 - 1

prm6 | High Frequency Acceleration

prm7 | Low Frequency Acceleration

prm8 | High Frequency Level

prm9 | Low Frequency Level

prm10 | Separation

| 0 - 15

| 0 - 127

prm11 | Output Level

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■ Type17: STEREO-DELAY

■ Type24: REVERB

———————+————————————————————————————————+———————————————————————

prm1 | Feedback Mode

prm2 | Delay Time Left

prm3 | Delay Time Right

prm4 | Feedback Phase Left

prm5 | Feedback Phase Right

prm6 | Feedback Level

prm7 | HF Damp

prm8 | Low Gain

prm9 | High Gain

prm10 | Effect Balance

prm11 | Output Level

| 0 - 1

prm1 | Reverb Type

prm2 | Pre Delay Time

prm3 | Gate Time

prm4 | HF Damp

| 0 - 5

| 0 - 126

| 0 - 1

| 0 - 125

| 0 - 127

| 0 - 17

| 0 - 30

| 0 - 100

| 0 - 127

| 0 - 1

prm5 | Low Gain

| 0 - 98

| 0 - 17

| 0 - 30

| 0 - 100

| 0 - 127

prm6 | High Gain

prm7 | Effect Balance

prm8 | Output Level

■ Type25: GATE-REVERB

———————+————————————————————————————————+———————————————————————

prm1 | Gate-Reverb Type

prm2 | Pre Delay Time

prm3 | Gate Time

prm4 | Low Gain

prm5 | High Gain

prm6 | Effect Balance

prm7 | Output Level

| 0 - 3

■ Type18: MODULATION-DELAY

———————+————————————————————————————————+———————————————————————

| 0 - 125

| 0 - 99

| 0 - 30

| 0 - 100

| 0 - 127

prm1 | Feedback Mode

prm2 | Delay Time Left

prm3 | Delay Time Right

prm4 | Feedback Level

prm5 | HF Damp

| 0 - 1

| 0 - 126

| 0 - 98

| 0 - 17

| 0 - 125

| 0 - 127

| 0 - 90

| 0 - 30

| 0 - 100

| 0 - 127

prm6 | Rate

■ Type26: OVERDRIVE→CHORUS (serial)

prm7 | Depth

prm8 | Phase

———————+————————————————————————————————+———————————————————————

prm9 | Low Gain

prm1 | Drive

| 0 - 127

| 0 - 125

| 0 - 127

prm10 | High Gain

prm11 | Effect Balance

prm12 | Output Level

prm2 | Over Drive Pan

prm3 | Chorus Pre Delay Time

prm4 | Chorus Rate

prm5 | Chorus Depth

prm6 | (not used)

■ Type19: TRIPLE-TAP-DELAY

———————+————————————————————————————————+———————————————————————

prm7 | Chorus Balance

prm8 | Output Level

| 0 - 100

| 0 - 127

prm1 | Delay Time Left

prm2 | Delay Time Right

prm3 | Delay Time Center

prm4 | Feedback Level

prm5 | HF Damp

| 0 - 125

| 0 - 98

| 0 - 17

| 0 - 127

| 0 - 30

| 0 - 100

| 0 - 127

■ Type27: OVERDRIVE→FLANGER (serial)

———————+————————————————————————————————+———————————————————————

prm1 | Drive

| 0 - 127

| 0 - 125

| 0 - 127

| 0 - 98

prm6 | Left Level

prm2 | Over Drive Pan

prm3 | Flanger Pre Delay Time

prm4 | Flanger Rate

prm7 | Right Level

prm8 | Center Level

prm9 | Low Gain

prm10 | High Gain

prm11 | Effect Balance

prm12 | Output Level

prm5 | Flanger Depth

prm6 | Flanger Feedback Level

prm7 | Flanger Balance

prm8 | Output Level

| 0 - 100

| 0 - 127

■ Type20: QUADRUPLE-TAP-DELAY

■ Type28: OVERDRIVE→DELAY (serial)

———————+————————————————————————————————+———————————————————————

prm1 | Delay Time 1

prm2 | Delay Time 2

prm3 | Delay Time 3

prm4 | Delay Time 4

prm5 | Level 1

| 0 - 125

| 0 - 127

| 0 - 98

prm1 | Drive

| 0 - 127

| 0 - 126

| 0 - 98

| 0 - 17

| 0 - 100

| 0 - 127

prm2 | Over Drive Pan

prm3 | Delay Time

prm4 | Delay Feedback Level

prm5 | Delay HF Damp

prm6 | Delay Balance

prm7 | Output Level

prm6 | Level 2

prm7 | Level 3

prm8 | Level 4

prm9 | Feedback Level

prm10 | HF Damp

| 0 - 17

■ Type29: DISTORTION→CHORUS (serial)

prm11 | Effect Balance

prm12 | Output Level

| 0 - 100

| 0 - 127

———————+————————————————————————————————+———————————————————————

prm1 | Distortion Drive

prm2 | Distortion Pan

prm3 | Chorus Pre Delay Time

prm4 | Chorus Rate

| 0 - 127

| 0 - 125

| 0 - 127

■ Type21: TIME-CONTROL-DELAY

———————+————————————————————————————————+———————————————————————

prm5 | Chorus Depth

prm6 | (not used)

prm1 | Delay Time

prm2 | Feedback Level

prm3 | Acceleration

prm4 | HF Damp

| 0 - 120

| 0 - 98

| 0 - 15

| 0 - 17

| 0 - 127

| 0 - 30

| 0 - 100

| 0 - 127

prm7 | Chorus Balance

prm8 | Output Level

| 0 - 100

| 0 - 127

prm5 | Output Pan

prm6 | Low Gain

■ Type30: DISTORTION→FLANGER (serial)

prm7 | High Gain

prm8 | Effect Balance

prm9 | Output Level

———————+————————————————————————————————+———————————————————————

prm1 | Distortion Drive

prm2 | Distortion Pan

prm3 | Flanger Pre Delay Time

prm4 | Flanger Rate

| 0 - 127

| 0 - 125

| 0 - 127

| 0 - 98

■ Type22: 2VOICE-PITCH-SHIFTER

———————+————————————————————————————————+———————————————————————

prm5 | Flanger Depth

prm6 | Flanger Feedback Level

prm7 | Flanger Balance

prm8 | Output Level

prm1 | Pitch Shifter Mode

prm2 | Coarse Pitch A

prm3 | Coarse Pitch B

prm4 | Fine Pitch A

prm5 | Fine Pitch B

prm6 | Pre Delay Time A

prm7 | Pre Delay Time B

prm8 | Output Pan A

prm9 | Output Pan B

prm10 | Level Balance

prm11 | Effect Balance

prm12 | Output Level

| 0 - 4

| 0 - 100

| 0 - 127

| 0 - 36

| 0 - 100

| 0 - 126

| 0 - 127

| 0 - 100

| 0 - 127

■ Type31: DISTORTION→DELAY (serial)

———————+————————————————————————————————+———————————————————————

prm1 | Distortion Drive

prm2 | Distortion Pan

prm3 | Delay Time

| 0 - 127

| 0 - 126

| 0 - 98

| 0 - 17

| 0 - 100

| 0 - 127

prm4 | Delay Feedback Level

prm5 | Delay HF Damp

prm6 | Delay Balance

prm7 | Output Level

■ Type23: FBK-PITCH-SHIFTER

———————+————————————————————————————————+———————————————————————

■ Type32: ENHANCER→CHORUS (serial)

prm1 | Pitch Shifter Mode

prm2 | Coarse Pitch

prm3 | Fine Pitch

prm4 | Pre Delay Time

prm5 | Feedback Level

prm6 | Output Pan

prm7 | Low Gain

prm8 | High Gain

prm9 | Effect Balance

prm10 | Output Level

| 0 - 4

| 0 - 36

| 0 - 100

| 0 - 126

| 0 - 98

| 0 - 127

| 0 - 30

| 0 - 100

| 0 - 127

———————+————————————————————————————————+———————————————————————

prm1 | Enhancer Sens

prm2 | Enhancer Mix Level

prm3 | Chorus Pre Delay Time

prm4 | Chorus Rate

| 0 - 127

| 0 - 125

| 0 - 127

prm5 | Chorus Depth

prm6 | (not used)

prm7 | Chorus Balance

prm8 | Output Level

| 0 - 100

| 0 - 127

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■ Type33: ENHANCER→FLANGER (serial)

■ Decimal/Hexadecimal Table (hexadecimal values

———————+————————————————————————————————+———————————————————————

are indicated by a following “H”)

prm1 | Enhancer Sens

| 0 - 127

| 0 - 125

| 0 - 127

| 0 - 98

prm2 | Enhancer Mix Level

prm3 | Flanger Pre Delay Time

prm4 | Flanger Rate

MIDI uses 7-bit hexadecimal values to indicate data values and the address and size of

exclusive messages. The following table shows the correspondence between decimal and

hexadecimal numbers.

prm5 | Flanger Depth

prm6 | Flanger Feedback Level

prm7 | Flanger Balance

prm8 | Output Level

| 0 - 100

| 0 - 127

+——————+——————++——————+——————++——————+——————++——————+——————+

■ Type34: ENHANCER→DELAY (serial)

| D

| H

|| D

| H

|| D

| H

|| D

| H

+——————+——————++——————+——————++——————+——————++——————+——————+

———————+————————————————————————————————+———————————————————————

0 | 00H ||

1 | 01H ||

2 | 02H ||

3 | 03H ||

4 | 04H ||

5 | 05H ||

6 | 06H ||

7 | 07H ||

8 | 08H ||

9 | 09H ||

10 | 0AH ||

11 | 0BH ||

12 | 0CH ||

13 | 0DH ||

14 | 0EH ||

15 | 0FH ||

16 | 10H ||

17 | 11H ||

18 | 12H ||

19 | 13H ||

20 | 14H ||

21 | 15H ||

22 | 16H ||

23 | 17H ||

24 | 18H ||

25 | 19H ||

26 | 1AH ||

27 | 1BH ||

28 | 1CH ||

29 | 1DH ||

30 | 1EH ||

31 | 1FH ||

32 | 20H ||

33 | 21H ||

34 | 22H ||

35 | 23H ||

36 | 24H ||

37 | 25H ||

38 | 26H ||

39 | 27H ||

40 | 28H ||

41 | 29H ||

42 | 2AH ||

43 | 2BH ||

44 | 2CH ||

45 | 2DH ||

46 | 2EH ||

47 | 2FH ||

48 | 30H ||

49 | 31H ||

50 | 32H ||

51 | 33H ||

52 | 34H ||

53 | 35H ||

54 | 36H ||

55 | 37H ||

56 | 38H ||

57 | 39H ||

58 | 3AH ||

59 | 3BH ||

60 | 3CH ||

61 | 3DH ||

62 | 3EH ||

63 | 3FH ||

64 | 40H ||

65 | 41H ||

66 | 42H ||

67 | 43H ||

96 | 60H |

97 | 61H |

98 | 62H |

99 | 63H |

prm1 | Enhancer Sens

prm2 | Enhancer Mix Level

prm3 | Delay Time

prm4 | Delay Feedback Level

prm5 | Delay HF Damp

prm6 | (not used)

prm7 | Delay Balance

prm8 | Output Level

| 0 - 127

| 0 - 126

| 0 - 98

| 0 - 17

68 | 44H || 100 | 64H |

69 | 45H || 101 | 65H |

70 | 46H || 102 | 66H |

71 | 47H || 103 | 67H |

72 | 48H || 104 | 68H |

73 | 49H || 105 | 69H |

74 | 4AH || 106 | 6AH |

75 | 4BH || 107 | 6BH |

76 | 4CH || 108 | 6CH |

77 | 4DH || 109 | 6DH |

78 | 4EH || 110 | 6EH |

79 | 4FH || 111 | 6FH |

80 | 50H || 112 | 70H |

81 | 51H || 113 | 71H |

82 | 52H || 114 | 72H |

83 | 53H || 115 | 73H |

84 | 54H || 116 | 74H |

85 | 55H || 117 | 75H |

86 | 56H || 118 | 76H |

87 | 57H || 119 | 77H |

88 | 58H || 120 | 78H |

89 | 59H || 121 | 79H |

90 | 5AH || 122 | 7AH |

91 | 5BH || 123 | 7BH |

92 | 5CH || 124 | 7CH |

93 | 5DH || 125 | 7DH |

94 | 5EH || 126 | 7EH |

95 | 5FH || 127 | 7FH |

| 0 - 100

| 0 - 127

■ Type35: CHORUS→DELAY (serial)

———————+————————————————————————————————+———————————————————————

prm1 | Chorus Pre Delay Time

prm2 | Chorus Rate

| 0 - 125

| 0 - 127

| 0 - 100

| 0 - 126

| 0 - 98

| 0 - 17

| 0 - 100

| 0 - 127

prm3 | Chorus Depth

prm4 | (not used)

prm5 | Chorus Balance

prm6 | Delay Time

prm7 | Delay Feedback Level

prm8 | Delay HF Damp

prm9 | Delay Balance

prm10 | Output Level

■ Type36: FLANGER→DELAY (serial)

———————+————————————————————————————————+———————————————————————

prm1 | Flanger Pre Delay Time

prm2 | Flanger Rate

| 0 - 125

| 0 - 127

| 0 - 98

| 0 - 100

| 0 - 126

| 0 - 98

| 0 - 17

| 0 - 100

| 0 - 127

prm3 | Flanger Depth

prm4 | Flanger Feedback Level

prm5 | Flanger Balance

prm6 | Delay Time

prm7 | Delay Feedback Level

prm8 | Delay HF Damp

prm9 | Delay Balance

prm10 | Output Level

+——————+——————++——————+——————++——————+——————++——————+——————+

D: decimal

H: hexadecimal

Decimal expressions such as used for MIDI channel, Bank Select, and Program Change

will be the value 1 greater than the decimal value given in the above table.

Since each MIDI byte carries 7 significant data bits, each byte can express a maximum of

128 different values. Data for which higher resolution is required must be transmitted

using two or more bytes. For example a value indicated as a two-byte value of aa bbH

would have a value of aa x 128 + bb.

■ Type37: CHORUS→FLANGER (serial)

———————+————————————————————————————————+———————————————————————

prm1 | Chorus Pre Delay Time

prm2 | Chorus Rate

| 0 - 125

| 0 - 127

| 0 - 100

| 0 - 125

| 0 - 127

| 0 - 98

prm3 | Chorus Depth

prm4 | Chorus Balance

prm5 | Flanger Pre Delay Time

prm6 | Flanger Rate

For a signed number (+/ -), 00H = -64, 40H = +/ -0, and 7FH = +63. I.e., the decimal

equivalent will be 64 less than the decimal value given in the above table. For a two-byte

signed number, 00 00H = -8192, 40 00H = +/ -0, and 7F 7FH = +8191. For example the

decimal expression of aa bbH would be aa bbH - 40 00H = (aa x 128 + bb - 64 x 128.

Hexadecimal notation in two 4-bit units is used for data indicated as “nibbled”. The

nibbled two-byte value of 0a 0b H would be a x 16 + b.

prm7 | Flanger Depth

prm8 | Flanger Feedback Level

prm9 | Flanger Balance

prm10 | Output Level

| 0 - 100

| 0 - 127

■ Type38: CHORUS/DELAY (parallel)

———————+————————————————————————————————+———————————————————————

prm1 | Chorus Pre Delay Time

prm2 | Chorus Rate

| 0 - 125

| 0 - 127

| 0 - 100

| 0 - 126

| 0 - 98

| 0 - 17

| 0 - 100

| 0 - 127

<Example 1> What is the decimal equivalent of 5AH?

prm3 | Chorus Depth

prm4 | (not used)

From the above table, 5AH = 90.

prm5 | Chorus Balance

prm6 | Delay Time

prm7 | Delay Feedback Level

prm8 | Delay HF Damp

prm9 | Delay Balance

prm10 | Output Level

<Example 2> What is the decimal equivalent of the 7-bit hexadecimal values 12 34H?

From the above table, 12H = 18 and 34H = 52

Thus, 18 x 128 + 52 = 2356

■ Type39: FLANGER/DELAY (parallel)

<Example 3> What is the decimal equivalent of the nibbled expression 0A 03 09 0DH?

From the above table, 0AH = 10, 03H = 3, 09H = 9, 0DH = 13

———————+————————————————————————————————+———————————————————————

prm1 | Flanger Pre Delay Time

prm2 | Flanger Rate

| 0 - 125

| 0 - 127

| 0 - 98

| 0 - 100

| 0 - 126

| 0 - 98

| 0 - 17

| 0 - 100

| 0 - 127

Thus, the result is ((10 x 16 + 3) x 16 + 9) x 16 + 13 = 41885

prm3 | Flanger Depth

prm4 | Flanger Feedback Level

prm5 | Flanger Balance

prm6 | Delay Time

<Example 4> What is the nibbled equivalent of the decimal number 1258?

prm7 | Delay Feedback Level

prm8 | Delay HF Damp

16 ) 1258

16 )

78...10

4...14

0... 4

prm9 | Delay Balance

prm10 | Output Level

■ Type40: CHORUS/FLANGER (parallel)

From the above table, 0=00H, 4=04H, 14=0EH, 10=0AH

Thus the result is 00 04 0E 0AH

———————+————————————————————————————————+———————————————————————

prm1 | Chorus Pre Delay Time

prm2 | Chorus Rate

| 0 - 125

| 0 - 127

| 0 - 100

| 0 - 125

| 0 - 127

| 0 - 98

prm3 | Chorus Depth

prm4 | Chorus Balance

prm5 | Flanger Pre Delay Time

prm6 | Flanger Rate

prm7 | Flanger Depth

prm8 | Flanger Feedback Level

prm9 | Flanger Balance

prm10 | Output Level

| 0 - 100

| 0 - 127

8 5

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MIDI Im p le m e n ta tio n

■ Examples of Actual MIDI Messages

■ Examples of Exclusive Messages and

Calculating the Checksum

Roland exclusive messages (RQ1, DT1) are transmitted with a checksum at the end of the

data (before F7) to check that the data was received correctly. The value of the checksum is

determined by the address and data (or size) of the exclusive message.

<Example 1> 92 3E 5F

9n is the Note On status and `n' is the MIDI channel number. Since 2H = 2, 3EH = 62, and

5FH = 95, this is a Note On message of MIDI CH = 3, note number 62 (note name D4) and

velocity 95.

■How to Calculate the Checksum

<Example 2> CE 49

(hexadecimal values are indicated by a “H”)

CnH is the Program Change status and `n' is the MIDI channel number. Since EH = 14, and

49H = 73, this is a Program Change message of MIDI CH = 15, Program number 74 (in the

GS sound map, Flute).

The checksum consists of a value whose lower 7 bits are 0 when the address, size and

checksum itself are added.

The following formula shows how to calculate the checksum when the exclusive message to

be transmitted has an address of aa bb cc ddH, and data or size of ee ffH.

<Example 3> EA 00 28

EnH is the Pitch Bend Change status and `n' is the MIDI channel number. The 2nd byte

(00H=0) is the LSB of the Pitch Bend value, and the 3rd byte (28H=40) is the MSB. However

since the Pitch Bend is a signed number with 0 at 40 00H (= 64 x 128 + 0 = 8192), the Pitch

Bend value in this case is 28 00H - 40 00H = 40 x 128 + 0 - (64 x 128 + 0) = 5120 - 8192 = -3072

aa + bb + cc + dd + ee + ff = total

total / 128 = quotient ... remainder

128 - remainder = checksum

<Example 1> Setting the Performance Common REVERB TYPE to DELAY (DT1)

The “Parameter Address Map” indicates that the starting address of the Temporary

Performance is 01 00 00 00H, that the Performance Common offset address is 00 00H, and

that the REVERB TYPE address is 00 28H. Thus, the address is:

If we assume that the Pitch Bend Sensitivity is set to two semitones, the pitch will change

only -200 cents for a Pitch Bend value of -8192 (00 00H). Thus, this message is specifying a

Pitch Bend of -200 x (-3072) / (-8192) = -75 cents on MIDI CH = 11.

<Example 4> B3 64 00 65 00 06 0C 26 00 64 7F 65 7F

01 00 00 00H

00 00H

BnH is the Control Change status, and `n' is the MIDI channel number. In Control Change

messages, the 2nd byte is the controller number, and the 3rd byte is the parameter value.

MIDI allows what is known as “running status,” when if messages of the same status follow

each other, it is permitted to omit the second and following status bytes. In the message

above, running status is being used, meaning that the message has the following content.

00 28H

01 00 00 28H

Since DELAY is parameter value 06H,

(4)

01 00 00 28

address

B3 64 00

MIDI CH = 4, RPN parameter number LSB: 00H

MIDI CH = 4, RPN parameter number MSB: 00H

MIDI CH = 4, parameter value MSB: 0CH

(1)

(2)

(3)

(5)

data

checksum

(6)

(B3) 65 00

(B3) 06 0C

(B3) 26 00

(B3) 64 7F

(B3) 65 7F

(1) Exclusive status

(2) ID number (Roland)

(5) Command ID (DT1)

(3) Device ID (17)

(6) EOX

MIDI CH = 4, parameter value LSB: 00H

(4) Model ID (JV-1010)

MIDI CH = 4, RPN parameter number LSB: 7FH

MIDI CH = 4, RPN parameter number MSB: 7FH

Next we calculate the checksum.

Thus, this message transmits a parameter value of 0C 00H to RPN parameter number 00

00H on MIDI CH = 4, and then sets the RPN parameter number to 7F 7FH.

01H + 00H + 00H + 28H + 06H = 1 + 0 + 0 + 40 + 6 = 47 (sum)

47 (total) / 128 = 0 (quotient) ... 47 (remainder)

checksum = 128 - 47 (quotient) = 81 = 51H

The function assigned to RPN parameter number 00 00H is Pitch Bend Sensitivity, and the

MSB of the parameter value indicates semitone steps. Since the MSB of this parameter value

is 0CH = 12, the maximum width of pitch bend is being set to [+/ -] 12 semitones (1 octave)

(GS sound sources ignore the LSB of Pitch Bend Sensitivity, but it is best to transmit the LSB

(parameter value 0) as well, so that the message can be correctly received by any device.

This means that the message transmitted will be F0 41 10 6A 12 01 00 00 28 06 51 F7.

<Example 2> Retrieving data for USER:03 Performance Part 3 (RQ1)

The “Parameter Address Map” indicates that the starting address of USER:03 is 10 02 00

00H, and that the offset address of Performance Part 3 is 12 00H. Thus, the address is:

Once the parameter number has been set for RPN or NRPN, all subsequent Data Entry

messages on that channel will be effective. Thus, it is recommended that after you have

made the change you want, you set the parameter number to 7F 7FH (an “unset” or “null”

setting). The final (B3) 64 7F (B3) 65 7F is for this purpose.

10 02 00 00H

12 00H

10 02 12 00H

Since the size of the Performance Part is 00 00 00 19H,

It is not a good idea to store many events within the data of a song (e.g., a Standard MIDI

File song) using running status as shown in <Example 4>. When the song is paused, fast-

forwarded or rewound, the sequencer may not be able to transmit the proper status, causing

the sound source to misinterpret the data. It is best to attach the proper status byte to all

events.

(4)

10 02 12 00

address

00 00 00 19

size

(1)

(2)

(3)

(5)

checksum

(6)

(1) Exclusive status

(2) ID number (Roland)

(5) Command ID (RQ1)

(3) Device ID (17)

(6) EOX

(4) Model ID (JV-1010)

It is also important to transmit RPN or NRPN parameter number settings and parameter

values in the correct order. In some sequencers, data events recorded in the same clock (or a

nearby clock) can sometimes be transmitted in an order other than the order in which they

were recorded. It is best to record such events at an appropriate interval (1 tick at TPQN=96,

or 5 ticks at TPQN=480).

Next we calculate the checksum.

10H + 02H + 12H + 00H + 00H + 00H + 00H + 19H =

16 + 2 + 18 + 0 + 0 + 0 + 0 + 25 = 61 (sum)

61 (total) / 128 = 0 (product) ... 61 (remainder)

checksum = 128 - 61 (remainder) = 67 = 43H

TPQN: Ticks Per Quarter Note (i.e., the time resolution of the sequencer)

Thus, a message of F0 41 10 6A 11 10 02 12 00 00 00 00 19 43 F7 would be transmitted.

8 6

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MIDI Im p le m e n ta tio n

<Example 3> Retrieving data for Temporary Performance (RQ1)

■ Scale Tune Function

When a data transfer is executed in Utility mode, data that is accessed will be the same

as that which is transmitted when the Type parameter is set to PERFORM and the Source

parameter is set to TEMP: -PATCH

(Model ID: 42H (GS), address: 40 1x 40H)

Scale Tune is a function that makes fine adjustments to the pitch of each note C-B. Settings

are made for one octave, and applied to the notes of all octaves. By making Scale Tune

settings you can use tunings and temperaments other than the standard Equal

Temperament. Here we give three types of settings as examples.

The “Parameter Address Map” gives the following start addresses for Temporary

Performance data.

Scale tune messages for any parts are recognized in the patch mode.

01 00 00 00H

01 00 10 00H

Temporary Performance Common

Temporary Performance Part 1

■Equal Temperament

01 00 1F 00H

Temporary Performance Part 16

This temperament divides the octave into 12 equal steps, and is the temperament most

frequently used today, especially in western music. Initially, the Scale Tune function of this

instrument is set to Equal Temperament.

Since Performance Part has a size of 00 00 00 19H, we add that size to the start address of the

Temporary Performance Part 16, resulting in:

■Just Intonation (tonic of C)

01 00 1F 00H

+) 00 00 00 19H

01 00 1F 19H

The primary triads sound more beautiful in just intonation than in equal temperament.

However, this applies only in one key, and chords will be discordant if you play in a

different key. The settings here are for a tonic of C.

Thus, the Size for the retrieved data will be:

■Arabian-type Scale

01 00 1F 19H

-) 01 00 00 00H

00 00 1F 19H

The Scale Tune function allow you to use various tunings of ethnic music. Here is one of the

Arabian scales.

(4)

01 00 00 00

address

00 00 1F 19

size

Setting examples

(1)

(2)

(3)

(5)

checksum

(6)

Note

Equal Temp.

Just (in C)

Arabian-type Scale

(1) Exclusive status

(2) ID number (Roland)

(5) Command ID (RQ1)

(3) Device ID (17)

(6) EOX

-6

+45

-2

(4) Model ID (JV-1010)

-8

Calculating the checksum as shown in <Example 2>, we get a message of F0 41 10 6A 11 01

00 00 00 00 00 1F 19 47 F7 to be transmitted.

+16

-14

-2

-12

-51

-8

<Example 4> Retrieving the Temporary Performance data together with all Temporary

Part and Rhythm Set data (RQ1)

-10

+43

-4

When a data transfer is executed in Utility mode, the data that is accessed will be the

same as that which is transmitted when the Type parameter is set to PERFORM and the

Source parameter is set to TEMP: +PATCH

+14

-16

+14

-12

+47

-10

-49

The “Parameter Address Map” gives the following start addresses for Temporary

Performance, Performance Mode Temporary Patch and Performance Mode Temporary

Rhythm.

The values in the above table are in units of 1 cent. Convert these values to hexadecimal,

and transmit them as exclusive data. For example to set the Scale Tune of Part 1 to an

Arabian-type scale, transmit the following data.

01 00 00 00H

02 00 00 00H

Temporary Performance

Performance Mode Temporary Patch (part 1)

F0 41 10 42 12 40 11 40 3A 6D 3E 34 0D 38 6B 3C 6F 40 36 0F 76 F7

02 08 00 00H

02 09 00 00H

02 0A 00 00H

Performance Mode Temporary Patch (part 9)

Temporary Rhythm Setup

■ ASCII Code Table

On the JV-1010, the following ASCII code set is used for processing data such as the Patch

Performance Mode Temporary Patch (part 11)

Name and the Performance Name.

+——————+——————+——————++——————+——————+——————++——————+——————+——————+

02 0F 00 00H

Performance Mode Temporary Patch (part 16)

| D

| H

| Char || D

| H

| Char || D

| H

| Char |

+——————+——————+——————++——————+——————+——————++——————+——————+——————+

32 | 20H | SP ||

64 | 40H |

65 | 41H |

66 | 42H |

67 | 43H |

68 | 44H |

69 | 45H |

70 | 46H |

71 | 47H |

72 | 48H |

73 | 49H |

74 | 4AH |

75 | 4BH |

76 | 4CH |

77 | 4DH |

78 | 4EH |

79 | 4FH |

80 | 50H |

81 | 51H |

82 | 52H |

83 | 53H |

84 | 54H |

85 | 55H |

86 | 56H |

87 | 57H |

88 | 58H |

89 | 59H |

90 | 5AH |

91 | 5BH |

92 | 5CH |

93 | 5DH |

94 | 5EH |

95 | 5FH |

@ ||

A ||

B ||

C ||

96 | 60H |

97 | 61H |

98 | 62H |

99 | 63H |

` |

a |

b |

c |

d |

e |

f |

g |

h |

i |

j |

k |

l |

m |

n |

o |

p |

q |

r |

s |

t |

u |

v |

w |

x |

y |

z |

{ |

| |

} |

The Patch offset addresses are as follows.

33 | 21H |

34 | 22H |

35 | 23H |

36 | 24H |

37 | 25H |

38 | 26H |

39 | 27H |

40 | 28H |

41 | 29H |

42 | 2AH |

43 | 2BH |

44 | 2CH |

45 | 2DH |

46 | 2EH |

47 | 2FH |

48 | 30H |

49 | 31H |

50 | 32H |

51 | 33H |

52 | 34H |

53 | 35H |

54 | 36H |

55 | 37H |

56 | 38H |

57 | 39H |

58 | 3AH |

59 | 3BH |

60 | 3CH |

61 | 3DH |

62 | 3EH |

63 | 3FH |

! ||

" ||

# ||

$ ||

% ||

& ||

` ||

( ||

) ||

* ||

+ ||

, ||

- ||

. ||

/ ||

0 ||

1 ||

2 ||

3 ||

4 ||

5 ||

6 ||

7 ||

8 ||

9 ||

: ||

; ||

< ||

= ||

> ||

? ||

00 00H

10 00H

Patch Common

Patch Tone 1

D || 100 | 64H |

E || 101 | 65H |

F || 102 | 66H |

G || 103 | 67H |

H || 104 | 68H |

I || 105 | 69H |

J || 106 | 6AH |

K || 107 | 6BH |

L || 108 | 6CH |

M || 109 | 6DH |

N || 110 | 6EH |

O || 111 | 6FH |

P || 112 | 70H |

Q || 113 | 71H |

R || 114 | 72H |

S || 115 | 73H |

T || 116 | 74H |

U || 117 | 75H |

V || 118 | 76H |

W || 119 | 77H |

X || 120 | 78H |

Y || 121 | 79H |

Z || 122 | 7AH |

[ || 123 | 7BH |

\ || 124 | 7CH |

] || 125 | 7DH |

16 00H

Patch Tone 4

Since Patch Tone has a size of 00 00 01 01H, we add this size to the start address of

Performance Mode Temporary Patch (Part 16) Tone 4, to get:

02 0F 00 00H

16 00H

+) 00 00 01 01H

02 0F 17 01H

Thus, the size of the retrieved data will be:

02 0F 17 01H

-) 01 00 00 00H

01 0F 17 01H

(4)

01 00 00 00

address

01 0F 17 01

size

(1)

(2)

(3)

(5)

checksum

(6)

^ |+——————+——————+——————+

_ |

(1) Exclusive status

(2) ID number (Roland)

(5) Command ID (RQ1)

(3) Device ID (17)

(6) EOX

+——————+——————+——————++——————+——————+——————+

(4) Model ID (JV-1010)

D: decimal

H: hexadecimal

Calculating the checksum as shown in <Example 2>, we get a message of F0 41 10 6A 11 01

00 00 00 01 0F 17 01 57 F7 to be transmitted.

SP indicates “space.”

8 7

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64 Voice Synthesizer Module

Model JV-1010

Date: Jan. 20, 1999

Version: 1.00

MIDI Implementation Chart

Function...

Transmitted

Recognized

Remarks

Basic

Channel Changed

Default

1–16

Default

Messages

Altered

Mode 3

Mode 3, 4 (M = 1)

* 2

Mode

**************

Note

Number :

0–127

True Voice

**************

Note On

Note Off

Velocity

After

Touch

Key's

Channel's

Pitch Bend

0, 32

Bank select

Modulation

Breath type

Foot type

Portamento time

Data entry

6, 38

Volume

Balance

Panpot

Expression

Control

Change

Hold 1

Portamento

Sostenuto

Soft

Hold 2

O (Resonance)

O (Decay Time)

O (Attack Time)

O (Cutoff)

O (Tone 1 Level)

O (Tone 2 Level)

O (Tone 3 Level)

O (Tone 4 Level)

Sound controller 2

Sound controller 3

Sound controller 4

Sound controller 5

General purpose controller 5

General purpose controller 6

General purpose controller 7

General purpose controller 8

Portamento control

General purpose effects 1

General purpose effects 3

CC1 (General purpose controller 1)

CC2 (General purpose controller 2)

NRPN LSB, MSB

RPN LSB, MSB

O (Reverb)

O (Chorus)

1–5, 7–31, 64–95 *3

98, 99

100, 101

Program

Change

0–127

**************

: True Number

Program No. 1–128

System Exclusive

: Song Position

: Song Select

: Tune Request

System

Common

System

Real Time : Commands

: Clock

O (120, 126, 127)

: All Sound Off

: Reset All Controllers

Aux

Messages

: Local On/Off

: All Notes Off

: Active Sensing

: System Reset

O (123–127)

* 1 O X is selectable.

Notes

* 2 Recognized as M=1 even if M≠1.

* 3 Can be changed settings.

* 4 Transmitted to an external MIDI device when a GM Data Transfer command is executed.

* 5 Transmitted to an external MIDI device when a Data Transfer command is executed, or an RQ1 has been received.

Mode 1 : OMNI ON, POLY

Mode 3 : OMNI OFF, POLY

Mode 2 : OMNI ON, MONO

Mode 4 : OMNI OFF, MONO

O : Yes

X : No

8 8

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Sp e cifica tio n s

JV-1 0 1 0 : 6 4 Vo ice Sy n th e size r Mo d u le (Co n fo rm s to Ge n e ra l MIDI Sy ste m )

■ N u m b e r o f Pa rts

■ Co n n e cto rs

16 (Part 10 is Rhythm Part)

Output Jacks (L(Mono), R)

Headphones Jack

■ Ma x im u m Po ly p h o n y

64 voices

MIDI Connectors (IN, OUT, THRU)

Computer Connector (Mac, PC-1, PC-2, MIDI)

■ Effe cts

EFX: 40 sets

■ Po w e r Su p p ly

DC 9V (AC Adaptor)

Reverb: 1 set (8 types)

Chorus: 1 set

■ Cu rre n t Dra w

430 mA

■ Pre se t Me m o ry

Patches: 895 (640 same as the JV-2080 + 255 from “Session”)

■ Dim e n sio n s

Performances: 64

218 (W) x 237 (D) x 45 (H) mm

Rhythm Sets: 18 (10 same as the JV-2080 + 8 from “Session”)

8-5/ 8 (W) x 9-3/ 8 (D) x 1-13/ 16 (H) inches

■ Use r Me m o ry

Patches: 128

■ W e ig h t

1.4 kg / 3 lbs 2 oz (excluding AC Adaptor)

Performances: 32

Rhythm Sets: 2

■ Acce sso rie s

Owner’s Manual

■ W a ve Ex p a n sio n Bo a rd s (so ld se p a ra te ly )

Max. 1 Board

AC Adaptor (ACI/ ACB Series)

CD-ROM (SoundDiver JV/ XP, Reference Manual)

Rubber Feet

* Each Wave Expansion Board includes Patches / Rhythm Sets

that make use of the waves on the board.

■ O p tio n s

Wave Expansion Boards: SR-JV80 series

■ Disp la y

7 segments, 3 characters (LED)

Rack Mount Adaptor: RAD-50

* In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.

8 9

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Co m p u te r Ca b le W irin g Dia g ra m s

For Apple Macintosh (Sold separately: RSC-15APL)

mini DIN, 8-pin, male

6 7 8

mini DIN, 8-pin, male

6 7 8

mini DIN, 8-pin, male

HSKo 1

HSKi 2

TXD- 3

1 HSKo

2 HSKi

3 TXD-

GND

RXD- 5

TXD+ 6

5 RXD-

6 TXD+

3 4 5

1 2

3 4 5

1 2

GPi

RXD+ 8

8 RXD+

For PC (9-pin) (Sold separately: RSC-15AT)

mini DIN, 8-pin, male

6 7 8

D-sub, 9-pin, female

mini DIN, 8-pin, male

D-sub, 9-pin, female

RTS

CTS

TXD

GND

RXD

HSKo 1

HSKi 2

TXD- 3

GND

3 4 5

1 2

RXD- 5

For PC (25-pin)

mini DIN, 8-pin, male

6 7 8

D-sub, 25-pin, female

mini DIN, 8-pin, male

RTS

CTS

TXD

GND

RXD

HSKo 1

HSKi 2

TXD- 3

D-sub, 25-pin, female

GND

3 4 5

1 2

RXD- 5

9 0

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In d e x

External MIDI device

Changing a performance from an external MIDI

device ..........................................................................34

Changing a rhythm set from an external MIDI

device ..........................................................................36

Changing patches from an external MIDI device 32

Transmitting settings to an external MIDI device 48

AC adaptor jack ........................................................12, 19

CATEGORY/ BANK knob ............................................11

Computer cable ..............................................................40

COMPUTER connector .....................................12, 19, 40

COMPUTER switch .................................................12, 39

Mac .............................................................................39

MIDI ...........................................................................41

PC-2 ............................................................................39

Connection ......................................................................18

Connecting to the COMPUTER connector ...........38

Connecting with MIDI connectors .........................41

Cord hook ........................................................................12

Factory Reset ...................................................................21

Entering GM mode ...................................................31

General MIDI system ...............................................10

GM mode ...................................................................31

GM score data ...........................................................31

Initializing GM mode ...............................................46

DEMO ..............................................................................22

Demo song

Composer profiles ....................................................23

Demo play .................................................................22

Listening to demo songs ..........................................22

Desktop music ................................................................38

Display .............................................................................11

- - - .......................................................17, 24, 27, 30–31

ALL .............................................................................22

bFL ..............................................................................53

btL ...............................................................................53

coE ...............................................................................53

cSE ...............................................................................53

dtr ................................................................................48

Fct ................................................................................21

Gin ..............................................................................46

int ................................................................................47

noP ..............................................................................53

Ply ...............................................................................22

PrA ..............................................................................28

rdE ..............................................................................53

S u r ...................................................................21, 46–48

und ..............................................................................53

USr ..............................................................................27

DTM .................................................................................38

MIDI connectors (IN, OUT, THRU) .......................12, 19

MIDI indicator ..........................................................11, 26

MIDI interface .................................................................41

MIDI keyboard ...............................................................26

MODE indicator .............................................................11

Multitimbral sound generator ......................................42

OUTPUT jacks (L (MONO), R) ...............................12, 19

PART

Coarse Tune ...............................................................45

Level ...........................................................................44

Pan ..............................................................................45

PART knob ......................................................................11

Patch .................................................................................24

Auditioning patches .................................................25

Changing patches from an external MIDI device 32

Choosing patches ......................................................27

Choosing patches by bank .......................................27

Choosing patches by category ................................28

Patch mode ................................................................25

PRESET-A–C, E .........................................................24

PRESET-D ..................................................................24

Session ........................................................................24

USER ...........................................................................24

WAVE-EXP ................................................................24

PERFORM .......................................................................43

Performance

Edit mode ........................................................................44

Error message

bFL ..............................................................................53

btL ...............................................................................53

coE ...............................................................................53

cSE ...............................................................................53

noP ..............................................................................53

rdE ..............................................................................53

und ..............................................................................53

Changing a performance from an external MIDI

device ..........................................................................34

Performance control channel ..................................34

Performance mode ...................................................43

PHONES jack ............................................................11, 19

Phrase preview ...............................................................25

POWER switch ..........................................................11, 20

9 1

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In d e x

Rack-mount adaptor ......................................................14

Receive channel ..............................................................49

R H Y T H M ........................................................................30

Rhythm set ......................................................................29

Changing a rhythm set from an external MIDI

device .........................................................................36

PRESET-A–C, E .........................................................29

PRESET-D ..................................................................29

Rhythm set mode ......................................................30

Session ........................................................................29

USER ...........................................................................29

WAVE-EXP ................................................................29

Rubber feet ......................................................................14

SYSTEM

Master Tune ...............................................................50

Perform Ctrl CH .................................................34, 49

T u ning ..............................................................................50

USER ................................................................................27

UTILITY

Data Transfer .............................................................48

Factory Reset .............................................................45

GM Initialize ..............................................................46

Initialize .....................................................................47

VALUE knob ...................................................................11

VOLUME knob .........................................................11, 20

Wave expansion board

Installing a wave expansion board ........................15

SR-JV80 series ............................................................15

WAVE-EXP .....................................................................17

9 2

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For EU Countries

CAUTION

Danger of explosion if battery is

incorrectly replaced.

Replace only with the same or

equivalent type recommended by the

manufacturer.

Apparatus containing

Lithium batteries

Discard used batteries according to the

manufacturer’s instructions.

ADVARSEL!

Lithiumbatteri - Eksplosionsfare ved

fejlagtig håndtering.

Udskiftning må kun ske med batteri af

samme fabrikat og type.

VARNING

Explosionsfara vid felaktigt batteribyte.

Använd samma batterityp eller en

ekvivalent typ som rekommenderas av

apparattillverkaren.

Levér det brugte batteri tilbage til

leverandøren.

Kassera använt batteri enligt

fabrikantens instruktion.

ADVARSEL

Eksplosjonsfare ved feilaktig skifte av

batteri.

VAROITUS

Paristo voi räjähtää, jos se on

virheellisesti asennettu.

Benytt samme batteritype eller en

tilsvarende type anbefalt av

apparatfabrikanten.

Brukte batterier kasseres i henhold til

fabrikantens instruks joner.

Vaihda paristo ainoastaan

laitevalmistajan suosittelemaan

tyyppiin. Hävitä käytetty paristo

valmistajan ohjeiden mukaisesti.

For EU Countries

For the USA

This product complies with the requirements of European Directive 89/336/EEC.

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the

FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential

installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in

accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee

that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or

television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the

interference by one or more of the following measures:

–

Reorient or relocate the receiving antenna.

Increase the separation between the equipment and receiver.

Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

Consult the dealer or an experienced radio/TV technician for help.

Unauthorized changes or modification to this system can void the users authority to operate this equipment.

This equipment requires shielded interface cables in order to meet FCC class B Limit.

For Canada

NOTICE

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

AVIS

Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.

9 3

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In fo rm a tio n

When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as

shown below.

PAN AMA

ITALY

ISRAEL

SIN GAPO RE

AFRICA

SUPRO MUNDIAL, S.A.

Boulevard Andrews, Albrook,

Panama City, REP. DE PANAMA

TEL: 315-0101

Roland Italy S. p. A.

Viale delle Industrie 8,

20020 Arese, Milano, ITALY

TEL: (02) 937-78300

Halilit P. Greenspoon &

Swee Lee Company

150 Sims Drive,

Sons Ltd.

SINGAPORE 387381

TEL: 846-3676

8 Retzif Ha'aliya Hashnya St.

Tel-Aviv-Yafo ISRAEL

TEL: (03) 6823666

EGYPT

Al Fanny Trading Office

9, EBN Hagar A1 Askalany Street,

ARD E1 Golf, Heliopolis,

Cairo 11341, EGYPT

CRISTOFORI MUSIC PTE

LTD

Blk 3014, Bedok Industrial Park E,

#02-2148, SINGAPORE 489980

TEL: 243 9555

N O RW AY

Roland Scandinavia Avd.

Kontor Norge

Lilleakerveien 2 Postboks 95

Lilleaker N-0216 Oslo

NORWAY

PARAGUAY

Distribuidora De

Instrumentos Musicales

J.E. Olear y ESQ. Manduvira

Asuncion PARAGUAY

TEL: (021) 492-124

JO RDAN

AMMAN Trading Agency

245 Prince Mohammad St.,

Amman 1118, JORDAN

TEL: (06) 464-1200

TEL: 20-2-417-1828

REUN IO N

Maison FO - YAM Marcel

25 Rue Jules Hermann,

Chaudron - BP79 97 491

Ste Clotilde Cedex,

TAIW AN

ROLAND TAIWAN

ENTERPRISE CO., LTD.

Room 5, 9fl. No. 112 Chung Shan

N.Road Sec.2, Taipei, TAIWAN,

R.O.C.

TEL: 273 0074

KUW AIT

Easa Husain Al-Yousifi

Abdullah Salem Street,

Safat, KUWAIT

PERU

VIDEO Broadcast S.A.

Portinari 199 (ESQ. HALS),

San Borja, Lima 41,

REP. OF PERU

TEL: (01) 4758226

PO LAN D

P. P. H. Brzostowicz

UL. Gibraltarska 4.

PL-03664 Warszawa POLAND

TEL: (022) 679 44 19

REUNION ISLAND

TEL: (0262) 218-429

TEL: 243-6399

TEL: (02) 2561 3339

SO UTH AFRICA

That Other Music Shop

(PTY) Ltd.

11 Melle St., Braamfontein,

Johannesbourg, SOUTH AFRICA

LEBAN O N

PO RTUGAL

THAILAN D

A. Chahine & Fils

Gerge Zeidan St., Chahine Bldg.,

Achrafieh, P.O.Box: 16-5857

Beirut, LEBANON

URUGUAY

Todo Musica S.A.

Francisco Acuna de Figueroa 1771

C.P.: 11.800

Montevideo, URUGUAY

TEL: (02) 924-2335

Tecnologias Musica e Audio,

Roland Portugal, S.A.

Cais Das Pedras, 8/ 9-1 Dto

4050-465 PORTO

Theera Music Co. , Ltd.

330 Verng NakornKasem, Soi 2,

Bangkok 10100, THAILAND

TEL: (02) 2248821

TEL: (01) 20-1441

P.O.Box 32918, Braamfontein 2017

Johannesbourg, SOUTH AFRICA

TEL: (011) 403 4105

PORTUGAL

TEL: (022) 608 00 60

Q ATAR

Al Emadi Co. (Badie Studio

& Stores)

P.O. Box 62,

Doha, QATAR

TEL: 4423-554

VIETN AM

Saigon Music

138 Tran Quang Khai St.,

District 1

Ho Chi Minh City

VIETNAM

TEL: (08) 844-4068

VEN EZUELA

Paul Bothner (PTY) Ltd.

17 Werdmuller Centre,

Main Road, Claremont 7708

SOUTH AFRICA

RO MAN IA

FBS LINES

Piata Libertatii 1,

RO-4200 Gheorghehi

TEL: (095) 169-5043

Musicland Digital C.A.

Av. Francisco de Miranda,

Centro Parque de Cristal, Nivel

C2 Local 20 Caracas

VENEZUELA

TEL: (212) 285-8586

P.O.BOX 23032, Claremont 7735,

SOUTH AFRICA

TEL: (021) 674 4030

SAUDI ARABIA

aDawliah Universal

Electronics APL

Corniche Road, Aldossary Bldg.,

1st Floor, Alkhobar,

SAUDI ARABIA

RUSSIA

MuTek

3-Bogatyrskaya Str. 1.k.l

107 564 Moscow, RUSSIA

TEL: (095) 169 5043

AUSTRALIA/

N EW ZEALAN D

EURO PE

ASIA

AUSTRALIA

AUSTRIA

Roland Austria GES.M.B.H.

Siemensstrasse 4, P.O. Box 74,

A-6063 RUM, AUSTRIA

SPAIN

Roland Electronics

de España, S. A.

Calle Bolivia 239, 08020

Barcelona, SPAIN

Roland Corporation

Australia Pty., Ltd.

38 Campbell Avenue

Dee Why West. NSW 2099

AUSTRALIA

P.O.Box 2154, Alkhobar 31952

SAUDI ARABIA

TEL: (03) 898 2081

CHIN A

Beijing Xinghai Musical

Instruments Co., Ltd.

6 Huangmuchang Chao Yang

District, Beijing, CHINA

TEL: (010) 6774 7491

TEL: (0512) 26 44 260

SYRIA

TEL: (93) 308 1000

Technical Light & Sound

Center

BELGIUM/ HOLLAND/

LUXEMBO URG

Roland Benelux N. V.

Houtstraat 3, B-2260, Oevel

(Westerlo) BELGIUM

TEL: (014) 575811

TEL: (02) 9982 8266

SW EDEN

Bldg. No. 47,

N EW ZEALAN D

Shanghai Xingtong Acoustics

Roland Scandinavia A/S

SWEDISH SALES OFFICE

Danvik Center 28, 2 tr.

S-131 30 Nacka SWEDEN

TEL: (08) 702 0020

Khaled Ebn Al Walid St.

Damascus, SYRIA

TEL: (011) 221-1230

Roland Corporation Ltd.

32 Shaddock Street, Mount Eden,

Auckland, NEW ZEALAND

TEL: (09) 3098 715

Equipment CO.,Ltd.

5F. No.1500 Pingliang Road

New East Club Plaza, Shanghai,

CHINA

TURKEY

Barkat muzik aletleri ithalat

ve ihracat Ltd Sti

Siraselviler Caddesi Siraselviler

Pasaji No:74/ 20

DEN MARK

TEL: (021) 5580-0800

Roland Scandinavia A/S

Nordhavnsvej 7, Postbox 880,

DK-2100 Copenhagen

DENMARK

CEN TRAL/ LATIN

AMERICA

SW ITZERLAN D

Roland (Switzerland) AG

Musitronic AG

Gerberstrasse 5, Postfach,

CH-4410 Liestal, SWITZERLAND

TEL: (061) 927-8383

HO N G KO N G

Tom Lee Music Co., Ltd.

Service Division

22-32 Pun Shan Street, Tsuen

Wan, New Territories,

HONG KONG

Taksim - Istanbul, TURKEY

TEL: (0212) 2499324

TEL: (039)16 6200

ARGEN TIN A

Instrumentos Musicales S.A.

Av.Santa Fe 2055

(1123) Buenos Aires

ARGENTINA

TEL: (011) 4508-2700

FRAN CE

Roland France SA

4, Rue Paul Henri SPAAK,

Parc de l'Esplanade, F 77 462 St.

Thibault, Lagny Cedex FRANCE

TEL: 01 600 73 500

U.A.E.

Zak Electronics & Musical

Instruments Co. L.L.C.

Zabeel Road, Al Sherooq Bldg.,

No. 14, Grand Floor, Dubai, U.A.E.

TEL: (04) 3360715

UKRAIN E

TEL: 2415 0911

TIC-TAC

Mira Str. 19/ 108

IN DIA

P.O. Box 180

295400 Munkachevo, UKRAINE

TEL: (03131) 414-40

Rivera Digitec (India) Pvt. Ltd.

409, Nirman Kendra Mahalaxmi

Flats Compound Off. Dr. Edwin

Moses Road, Mumbai-400011,

INDIA

BRAZIL

Roland Brasil Ltda

Rua San Jose, 780 Sala B

Parque Industrial San Jose

Cotia - Sao Paulo - SP, BRAZIL

TEL: (011) 4615 5666

FIN LAN D

Roland Scandinavia As,

Filial Finland

Lauttasaarentie 54 B

Fin-00201 Helsinki, FINLAND

TEL: (9) 682 4020

UN ITED KIN GDO M

N O RTH AMERICA

Roland (U.K.) Ltd.

Atlantic Close, Swansea

Enterprise Park, SWANSEA

SA7 9FJ,

TEL: (022) 498 3079

IN DO N ESIA

PT Citra IntiRama

J1. Cideng Timur No. 15J-150

Jakarta Pusat

INDONESIA

TEL: (021) 6324170

CAN ADA

Roland Canada Music Ltd.

(Head Office)

5480 Parkwood Way Richmond

B. C., V6V 2M4 CANADA

TEL: (0604) 270 6626

CO STA RICA

JUAN Bansbach

Instrumentos Musicales

Ave.1. Calle 11, Apartado 10237,

San Jose, COSTA RICA

TEL: 258-0211

UNITED KINGDOM

TEL: (01792) 700139

GERMAN Y

Roland Elektronische

Musikinstrumente HmbH.

Oststrasse 96, 22844 Norderstedt,

GERMANY

MIDDLE EAST

KO REA

Roland Canada Music Ltd.

(Toronto Office)

Unit 2, 109 Woodbine Downs

Blvd, Etobicoke, ON

M9W 6Y1 CANADA

TEL: (0416) 213 9707

TEL: (040) 52 60090

Cosmos Corporation

1461-9, Seocho-Dong,

Seocho Ku, Seoul, KOREA

TEL: (02) 3486-8855

CHILE

Comercial Fancy S.A.

Rut.: 96.919.420-1

Nataniel Cox #739, 4th Floor

Santiago - Centro, CHILE

TEL: (02) 688-9540

BAHRAIN

Moon Stores

No.16, Bab Al Bahrain Avenue,

P.O.Box 247, Manama 304,

State of BAHRAIN

GREECE

STOLLAS S.A.

Music Sound Light

155, New National Road

Patras 26442, GREECE

TEL: (061) 43-5400

MALAYSIA

BENTLEY MUSIC SDN BHD

140 & 142, Jalan Bukit Bintang

55100 Kuala Lumpur,MALAYSIA

TEL: (03) 2144-3333

TEL: 211 005

U. S. A.

EL SALVADO R

Roland Corporation U.S.

5100 S. Eastern Avenue

Los Angeles, CA 90040-2938,

U. S. A.

CYPRUS

Radex Sound Equipment Ltd.

17, Diagorou Street, Nicosia,

CYPRUS

OMNI MUSIC

HUN GARY

75 Avenida Norte y Final

Intermusica Ltd.

Alameda Juan Pablo

Edificio No.4010 San Salvador,

EL SALVADOR

Warehouse Area ‘DEPO’ Pf.83

H-2046 Torokbalint, HUNGARY

TEL: (23) 511011

PHILIPPIN ES

TEL: (323) 890 3700

G.A. Yupangco & Co. Inc.

339 Gil J. Puyat Avenue

Makati, Metro Manila 1200,

PHILIPPINES

TEL: (02) 66-9426

TEL: 262-0788

IRAN

MOCO, INC.

No.41 Nike St., Dr.Shariyati Ave.,

Roberoye Cerahe Mirdamad

Tehran, IRAN

IRELAN D

Roland Ireland

Audio House, Belmont Court,

Donnybrook, Dublin 4.

Republic of IRELAND

TEL: (01) 2603501

MEXICO

TEL: (02) 899 9801

Casa Veerkamp, s.a. de c.v.

Av. Toluca No. 323, Col. Olivar

de los Padres 01780 Mexico D.F.

MEXICO

TEL: (021) 285-4169

As of January 1, 2002 (Roland)

TEL: 668-0480

9 4

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01891601

’02-2-AE2-61N

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