Owner’s Manual
201a
Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” and
“IMPORTANT NOTES” (p. 2; p. 4). These sections provide important information
concerning the proper operation of the unit. Additionally, in order to feel assured that you
have gained a good grasp of every feature provided by your new unit, Owner’s manual
should be read in its entirety. The manual should be saved and kept on hand as a
convenient reference.
Main Features
•
•
•
•
•
54 high quality sounds, including 14 snare sounds.
Mesh heads are quiet and provide natural feel and response.
Enjoy practicing and monitor your progress.
Thanks to battery-powered operation, you can practice anywhere.
Easy-to-read, large LCD display.
Metronome
•
The metronome’s moving needle and built-in LEDs provide visual tempo indications.
24 rhythm types and 24 different kinds of beats, including compound times.
22 different patterns, including Samba Kick and Jazz Ride.
•
•
Rhythm Coach Features
•
TIME CHECK: Allows visual confirmation of timing accuracy in real time.
STROKE BALANCE: Simultaneously checks playing dynamics and timing
ACCURACY SCORE: Confirms timing accuracy with an actual “score.”
QUIET COUNT: For developing perfect tempo
•
•
•
•
•
AUTO UP/DOWN: For developing stamina and endurance
RHYTHMIC NOTES: Progressive changes in rhythmic note values
Expandability
•
Connecting optional Kick and Cymbal triggers to the EXT TRIG input enables you to practice
with a basic drum kit.
•
MIX IN allows practice with an external audio source — (CD, MD, MP3 etc.)
202
Copyright © 2005 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written
permission of ROLAND CORPORATION.
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015
•
110b
Do not force the unit’s power-supply cord to share an
outlet with an unreasonable number of other devices. Be
especially careful when using extension cords—the total
power used by all devices you have connected to the
extension cord’s outlet must never exceed the power
rating (watts/amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat up and
eventually melt through.
•
Whenever you suspect the possibility of lightning in
your area, disconnect the AC adaptor from the outlet.
........................................................................................................................
111: Selection
•
If used improperly, batteries may explode or leak and
cause damage or injury. In the interest of safety, please
read and observe the following precautions (p. 7).
1
• Carefully follow the installation instructions for
batteries, and make sure you observe the correct
polarity.
........................................................................................................................
016
•
Before using the unit in a foreign country, consult with
your retailer, the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the “Infor-
mation” page.
3
5
• Remove the battery whenever it is to remain unused
for an extended period of time.
• If a battery has leaked, use a soft piece of cloth or
paper towel to wipe all remnants of the discharge
from the battery compartment. Then install new
battery. To avoid inflammation of the skin, make
sure that none of the battery discharge gets onto your
hands or skin. Exercise the utmost caution so that
none of the discharge gets near your eyes. Immedi-
ately rinse the affected area with running water if
any of the discharge has entered the eyes.
........................................................................................................................
019
•
Batteries must never be recharged, heated, taken apart,
or thrown into fire or water.
........................................................................................................................
6
• Never keep batteries together with metallic objects
such as ballpoint pens, necklaces, hairpins, etc.
........................................................................................................................
112
•
101b
Used batteries must be disposed of in compliance with
whatever regulations for their safe disposal that may be
observed in the region in which you live.
•
The unit and the AC adaptor should be located so their
location or position does not interfere with their proper
ventilation.
........................................................................................................................
........................................................................................................................
(Add)
•
101c
When using brushes, be sure to use nylon brushes.
Using metal brushes will not only scratch the head, but
can also be hazardous, since the tip of the brush may
catch in the mesh of the net.
•
This is for use only with Roland stand PDS-2. Use with
other stands is capable of resulting in instability causing
possible injury.
........................................................................................................................
........................................................................................................................
102d
•
Always grasp only the output plug or the body of the
AC adaptor when plugging into, or unplugging from,
this unit or an outlet.
........................................................................................................................
103b
•
At regular intervals, you should unplug the AC adaptor
and clean it by using a dry cloth to wipe all dust and
other accumulations away from its prongs. Also,
disconnect the power plug from the power outlet
whenever the unit is to remain unused for an extended
period of time. Any accumulation of dust between the
power plug and the power outlet can result in poor
insulation and lead to fire.
........................................................................................................................
104
•
Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be placed
so they are out of the reach of children.
........................................................................................................................
106
•
Never climb on top of, nor place heavy objects on the
unit.
........................................................................................................................
107d
•
Never handle the AC adaptor body, or its output plugs,
with wet hands when plugging into, or unplugging
from, an outlet or this unit.
........................................................................................................................
108b
•
Before moving the unit, disconnect the AC adaptor and
all cords coming from external devices.
........................................................................................................................
109b
•
Before cleaning the unit, turn off the power and unplug
the AC adaptor from the outlet (p. 7, p. 9).
........................................................................................................................
3
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IMPORTANT NOTES
291a
In addition to the items listed under “USING THE UNIT SAFELY” on pages 2–3, please read and observe the following:
Power Supply: Use of Batteries
Maintenance
301
401a
•
Do not connect this unit to same electrical outlet that is being
used by an electrical appliance that is controlled by an inverter
(such as a refrigerator, washing machine, microwave oven, or air
conditioner), or that contains a motor. Depending on the way in
which the electrical appliance is used, power supply noise may
cause this unit to malfunction or may produce audible noise. If it
is not practical to use a separate electrical outlet, connect a power
supply noise filter between this unit and the electrical outlet.
•
For everyday cleaning wipe the unit with a soft, dry cloth or one that
has been slightly dampened with water. To remove stubborn dirt,
use a cloth impregnated with a mild, non-abrasive detergent. After-
wards, be sure to wipe the unit thoroughly with a soft, dry cloth.
402
Never use benzine, thinners, alcohol or solvents of any kind, to
avoid the possibility of discoloration and/or deformation.
•
302
The AC adaptor will begin to generate heat after long hours of
consecutive use. This is normal, and is not a cause for concern.
303a
The use of an AC adaptor is recommended as the unit’s power
Repairs and Data
•
452
•
Please be aware that all data contained in the unit’s memory may be
lost when the unit is sent for repairs. Important data should always
be written down on paper (when possible). During repairs, due care
is taken to avoid the loss of data. However, in certain cases (such as
when circuitry related to memory itself is out of order), we regret that
it may not be possible to restore the data, and Roland assumes no
liability concerning such loss of data.
•
consumption is relatively high. Should you prefer to use
batteries, please use the alkaline type.
304a
•
When installing or replacing batteries, always turn off the power
on this unit and disconnect any other devices you may have
connected. This way, you can prevent malfunction and/or
damage to speakers or other devices.
Additional Precautions
306b
A battery is supplied with the unit. The life of this battery may be
limited, however, since its primary purpose was to enable testing.
307
Before connecting this unit to other devices, turn off the power to
551
•
•
Please be aware that the contents of memory can be irretrievably lost
as a result of a malfunction, or the improper operation of the unit. To
protect yourself against the risk of loosing important data, we
recommend you to write it down.
•
all units. This will help prevent malfunctions and/or damage to
speakers or other devices.
552
•
Unfortunately, it may be impossible to restore the contents of data
that was stored in the unit’s memory once it has been lost. Roland
Corporation assumes no liability concerning such loss of data.
Placement
553
351
•
Use a reasonable amount of care when using the unit’s buttons,
•
Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or move
it farther away from the source of interference.
sliders, or other controls; and when using its jacks and
connectors. Rough handling can lead to malfunctions.
554
•
Never strike or apply strong pressure to the display.
352a
This device may interfere with radio and television reception. Do
not use this device in the vicinity of such receivers.
352b
Noise may be produced if wireless communications devices, such
556
•
•
When connecting / disconnecting all cables, grasp the connector
itself—never pull on the cable. This way you will avoid causing
shorts, or damage to the cable’s internal elements.
•
558a
as cell phones, are operated in the vicinity of this unit. Such noise
could occur when receiving or initiating a call, or while
conversing. Should you experience such problems, you should
relocate such wireless devices so they are at a greater distance
from this unit, or switch them off.
•
To avoid disturbing your neighbors, try to keep the unit’s volume
at reasonable levels. You may prefer to use headphones, so you
do not need to be concerned about those around you (especially
when it is late at night).
558d
354a
•
This instrument is designed to minimize the extraneous sounds
•
Do not expose the unit to direct sunlight, place it near devices
produced when it’s played. However, since sound vibrations can
be transmitted through floors and walls to a greater degree than
expected, take care not to allow these sounds to become a
nuisance to neighbors, especially when performing at night and
when using headphones.
that radiate heat, leave it inside an enclosed vehicle, or otherwise
subject it to temperature extremes. Excessive heat can deform or
discolor the unit.
355b
•
When moved from one location to another where the temper-
559a
ature and/or humidity is very different, water droplets (conden-
sation) may form inside the unit. Damage or malfunction may
result if you attempt to use the unit in this condition. Therefore,
before using the unit, you must allow it to stand for several
hours, until the condensation has completely evaporated.
•
When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise, you
will need to use equivalent packaging materials.
562
•
Use a cable from Roland to make the connection. If using some
other make of connection cable, please note the following precau-
tions.
• Some connection cables contain resistors. Do not use cables
that incorporate resistors for connecting to this unit. The use
of such cables can cause the sound level to be extremely low,
or impossible to hear. For information on cable specifications,
contact the manufacturer of the cable.
4
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Contents ..................................................................................................5
Getting Ready..........................................................................................7
Practice..................................................................................................10
Sound List....................................................................................................................................... 10
Changing the Metronome Settings............................................................................................. 11
Using the Rhythm Coach Mode............................................................................................................. 13
RHYTHMIC NOTES..................................................................................................................... 16
Connecting a Cymbal Pad ........................................................................................................... 19
Connecting Other Pads............................................................................................................................ 20
Connecting the Pads ..................................................................................................................... 20
Connecting Pads Capable of Playing Rim Shots ...................................................................... 22
Parameter List................................................................................................................................ 23
Appendices............................................................................................26
Adjusting the Pad Sensitivity ................................................................................................................. 26
Restoring the Factory Settings................................................................................................................ 26
If an Error Message Appears .................................................................................................................. 26
Replacing the Head.................................................................................................................................. 27
Specifications............................................................................................................................................. 28
Sample Practice Patterns.....................................................................29
INDEX.....................................................................................................34
5
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Panel Descriptions
fig.Panel
4
1
5
6
2
3
7
9
10
8
1. Mini speaker
Side Panel
fig.Side
Only the metronome sound is played from here (not the sounds
from the pad).
4
1
3
5
2. [METRONOME] button
Use this to select pad sounds and for metronome settings.
When the button is held down, the tap icon (
) blinks in the
display, you can tap the pad to set the metronome tempo (p. 12).
3. [START/STOP] button
1. MIX IN jack
Starts and stops the metronome.
For connecting an external audio source (CD, MD, etc.) for
playing along.
4. VOLUME knob
Adjusts the sound level from the OUTPUT jack.
Adjust the volume using the controls on the connected device.
* The volume of the mini speaker is adjusted with CLICK VOLUME
(p. 11).
* Do not use a plug converter/adapter. Due to its weight, the plug may
fall out of the jack during performance.
926a
5. [COACH] button
* When connection cables with resistors are used, the volume level of
equipment connected to this inputs may be low. If this happens, use
connection cables that do not contain resistors, such as those from the
Roland PCS series.
Selects the Rhythm Coach mode.
When this button is held down, the timer icon (
display, and the RMP-5 switches to Timer mode (p. 18).
) lights in the
2. EXT TRIG IN jack
6. VALUE [+]/[-] button
Connect other pads here.
Use these buttons to change the values of each parameter.
To increase the value rapidly, hold down [+] and press [-]. To
decrease the value rapidly, hold down [-] and press [+].
An optional PCS-31L cable allows you to use cymbal pads and
kick trigger pads. For more detailed information, refer to “Using
the RMP-5 with Additional Pads” (p. 19).
7. BEAT indicator
3. OUTPUT jack
Flashes in quarter note timing.
Red indicator flashes on accent beats.
For headphones, amp, or audio system.
* The RMP-5 outputs sounds in monaural.
8. Head
* Do not use a plug converter/adapter. Due to its weight, the plug may
fall out of the jack during performance.
9. Sensor
10.Tuning bolts
Adjusts the head tension.
4. AC Adaptor jack
Connect the AC adaptor (optional) here.
5. POWER switch
Turns the power on/off.
6
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Getting Ready
Loading the Battery
fig.BattCase.e_50
Battery
Snap
1. Press down and slide off the lid of the battery
9V
Battery
compartment (located on the bottom of the unit).
2. Connect the snap cord to the battery, and place it inside
the battery compartment.
*
Verify the battery’s polarity (+ versus -).
3. Securely close the battery cover.
Do not let the snap cord get caught in the battery compartment lid.
*
When to Change the Battery
The Battery LOW indicator (
) at the lower right of the
display begins to flash when the battery power drops.
Insufficient battery power lowers the volume level of the mini speaker and causes unstable
operation. Replace the battery as soon as possible.
*
We recommend replacement with alkaline batteries.
Connecting the AC Adaptor
A BOSS PSA series AC adaptor (sold separately) can be used to power the RMP-5.
Turn off the power before
connecting the AC adaptor.
Use only the BOSS PSA-series
AC adaptor. Other adaptors
may cause malfunction or
damage to the RMP-5 and
must never be used.
Adjusting the Head Tension
fig.Bolt
BEFORE playing the RMP-5, you must tune the head to your
preferred playing tension. The head is NOT tuned before shipping.
8
1
7
Always tighten the tuning bolts in the order shown in the figure.
3
5
6
4
*
*
Failure to adjust the tension may result in damage to the head.
Head tension may change with extended use. Make adjustments as needed.
2
7
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Getting Ready
Mounting the RMP-5 on the Stand
(PDS-2: Sold Separately)
1. First, open the tripod so the legs are spaced at least 50 cm
(20") apart.
50 cm (20")
or greater
2. Attach the wing screw and washer in the order shown
in the figure.
3. Attach the pad.
Turn the pad until the screw is just about all the way in;
then stop, and tighten the wing screw from underneath the
stand.
Washer
*
Do not forcefully try to turn the pad after the screw is already all
the way in. Doing so may damage the stand’s screw.
Wing screw
Pad attachment
screw size: M8
4. Adjust the angle of the pad.
Precautions When Folding the Tripod
When folding the PDS-2’s tripod legs to store the unit, be cautious not to get your fingers pinched
while handling the stand.
8
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Getting Ready
Turning the Power On and Off
941
*
Once the connections have been completed, turn on power to your audio devices in the order specified.
Turning on devices in the wrong order may cause malfunction and/or damage to speakers and other devices.
1. Turn the VOLUME knob to the minimum level (completely to the left).
2. Turn on the POWER switch.
942
*
This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required
before the unit will operate normally.
3. While striking the head, gradually turn the VOLUME knob to adjust the volume level.
When Using with the Amp/Audio System
921
*
To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn
off the power on all devices before making any connections.
1. Turn down the volume control on each of the devices in your system.
2. Turn on the power of the RMP-5.
3. Turn on the connected amp or audio system, and adjust the volume to the desired level.
When Turning Off the Power
Before switching off the power, lower the volume on each of the devices in your system and then
turn off the devices in the reverse order to which they were switched on.
About the Display
fig.Display.e
Time Check (p.13)
Tempo/Value
Rhythm Type
Beat
Metronome Needle
Count
Timer icon
Indicates the timer’s elapsed time (p.18).
Trigger Indicator
Appears when the pad is struck.
Tap icon
Flashes when Tap Tempo is set (p.12).
Battery LOW Indicator
Flashes when the battery power drops.
EXT1, EXT2 indicators
Lights when the pad connected to the EXT TRIG IN jack is struck.
9
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Practice
Changing the Sounds Assigned to the Pad
Changing these settings allows you to play a variety of different sounds.
1. Press the [METRONOME] button a number of times to select “
” (PAD SOUND).
fig.pad-sound
2. Press the [+] or [-] button to select the sound.
Sound List
Displayed
Sn1
Sn2
Sn3
Sn4
Sn5
Sn6
Pbd
ES1
ES2
K01
K02
K03
EK1
EK2
HH1
HH2
HH3
EH1
Sound Name
Snare 1 Vintage
Snare 2 Brass
Snare 3 Bright
Snare 4 Funk
Snare 5 Piccolo
Snare 6 Marching
Practice Board
Elec. Snare 1
Elec. Snare 2
Kick 1 Rock
Kick 2 Hard
Kick 3 Jazz
Elec. Kick 1
Elec. Kick 2
Hi-Hat Close
Hi-Hat Open
Hi-Hat Close/Open
Elec. Hi-Hat Close
Displayed
EH2
EH3
rd1
rd2
SPL
t01
t02
tb1
tb2
tb3
Sd1
Sd2
Sd3
CAI
AG1
AG2
AG3
tr1
Sound Name
Displayed
tr2
tr3
Sound Name
Triangle Mute
Triangle Mute/Open
Cowbell Open
Cowbell Mute
Cowbell Mute/Open
Tambourine
Shaker
Wood Block Hi
Wood Block Lo
Elec. Hi-Hat Open
Elec. Hi-Hat Close/Open
Ride Cymbal Bow
Ride Cymbal Bow/Bell
Splash
Tom Hi
Tom Lo
Timbale Hi
Timbale Lo
Timbale Paila
Surdo Open
Surdo Mute
Surdo Mute/Open
Caixa
Agogo Hi
Agogo Lo
Agogo Lo/Hi
Triangle Open
Cb1
Cb2
Cb3
tbr
Sha
bL1
bL2
bL3
CLA
CrS
S6r
Sh1
Sh2
Sh3
Sh4
Sh5
*3
*3
*3
*3
*3
Wood Block Lo/Hi
Claves
Snare Cross Stick
Snare 6 Marching Rim
Snare 1 head sound only
Snare 2 head sound only
Snare 3 head sound only
Snare 4 head sound only
Snare 5 head sound only
*1
*1
*1
*1
*1
*1
*1
*2
*1 Sounds suitable for use when a rim-shot-capable pad is connected and used in combination with the RMP-5 (p. 22).
*2 The “open” sound is easily produced by striking the pad with a stick and the “mute” sound is easily produced by striking with the
palm of your hand.
*3 Kick pad sounds. Use these sounds when you have a KD-8/85/120 connected to the RMP-5.
This allows you to practice using both hands and your foot with the kick pad and RMP-5 (p. 19).
10
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Practice
Using the Metronome
The metronome alternately starts and stops each time you press the [START/STOP] button.
Changing the Metronome Settings
You can change the metronome tempo, beat, rhythm type, sound, and volume.
Adjusting the settings while the
metronome is on helps you
monitor the resulting change.
1. Press the [METRONOME] button a few times to select the desired parameter.
The numbers shown at the left of the display indicate the parameters that are changed.
Parameter
TEMPO
Value
20–300
CLICK SOUND
(Type of metro-
nome sound)
C01: Traditional Metronome
C02: Simple Electric
C03: Electric Beep
C04: Cowbell
C05: Claves
C06: Sticks
C09: Finger Snap
C10: Hi-Hat Close
C11: Hi-Hat Pedal
C12: Ride Cymbal
C13: Triangle
C14: Agogo
Hold down the
[METRONOME] button and
press the [-] button to have
selections come up in the
reverse order.
C07: Voice Count
C08: Hand Clap
C15: Tambourine
Ptn *
* Selecting Ptn enables selection of patterns P01–P22 for the RHYTHM
(Rhythm type) parameter. Using Ptn, you can easily select a metronome
backing style for your workout.
RHYTHM
When C01–C15 is selected for CLICK SOUND:
CLICK SOUND
(Rhythm type)
A beep tone is played when
nothing is connected to the
OUTPUT jack. You can select
beep sound from 1–2.
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
3-2 son clave (
2-3 son clave (
),
),
3-2 rumba clave (
2-3 rumba clave (
),
)
When Ptn is selected for CLICK SOUND:
P01: Triangle 16th *
P02: Agogo 16th *
P03: Drum Simple 8 Beat
P04: Drum Simple 16 Beat
P05: Drum Shuffle
P12: Simple Surdo
P13: Wood Block & Shaker
P14: Agogo Triplet *
P15: 2-3 Son Clave *
P16: 3-2 Rumba Clave *
P17: Hi-Hat Open Close 1
P18: Hi-Hat Open Close 2
P19: Hi-Hat Open Close 3
P20: Hi-Hat Open Close 4
P21: Hi-Hat Open Close 5
P22: Rock Fill
P06: Drum Disco
P07: Jazz Legato Hi-Hat
P08: Jazz Legato Ride
P09: Jazz Count Hi-Hat
P10: Samba Kick
P11: Samba Surdo
Patterns indicated with an asterisk (*) can be created with a combination
of the CLICK SOUND and RHYTHM.
BEAT
0–9, 2+3, 3+2, 3+4, 4+3, 4+5, 5+4, 5+6, 6+5, 6+7, 7+6, 7+8, 8+7, 8+9, 9+8
CLICK VOLUME
CLICK VOLUME 0 (Off)–15 (Max.)
(Metronome
volume)
Adjusts the volume of the
metronome sound that is heard
when nothing is connected to
the OUTPUT jack. You can
select beep volume from 0–3.
2. Press the [+] or [-] button to set the values for each parameter.
3. Press the [START/STOP] button to turn the metronome on and off.
11
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Practice
Using Tap Tempo to Set the Metronome
You can set the metronome tempo by playing the on-board pad or any pad connected to the EXT
TRIG IN jack.
1. Briefly hold down the [METRONOME] button.
The TAP icon appears in the display.
fig.tap.e
You can change the tempo
with the [+] or [-] button when
the TAP icon is showing in the
display.
TAP icon
2. Strike the pad several times at the tempo of your choice.
The metronome’s tempo is set according to quarter note timing.
3. If you press the [START/STOP] button, the metronome starts.
4. When you decide that the tempo is correct, press the [METRONOME] button to set the
value.
The TAP icon disappears from the display.
12
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Practice
Using the Rhythm Coach Mode
The RMP-5’s Rhythm Coach function is a unique set of exercises specifically designed to help
build speed, accuracy, stamina, and better timing skills. The Rhythm Coach modes have
programmable parameters, allowing you to adapt the functions to your specific needs.
Press the [COACH] button to switch to Rhythm Coach mode.
The sound set with the
metronome is played (p. 11).
In this mode, after you press the [START/STOP] button to start the Rhythm Coach, your timing
accuracy will always be indicated in the top of the display.
fig.TimeCheck.e
Dragging
Perfect!
Rushing
1. Press the [COACH] button a few times to select the desired function.
fig.coach
button and press the [-] button
to have selections come up in
the reverse order.
Parameter
TIME CHECK
Explanation
Selecting Time Check mode
Value
Page
p. 14
,
,
,
,
,
,
,
ACCURACY SCORE
QUIET COUNT
Assigns a score indicating your
timing accuracy
p. 14
p. 15
,
,
,
Developing your internal timing
sense
,
,
,
,
,
AUTO UP/DOWN
Tempo increase/decrease exer-
cise
p. 15
,
,
,
,
,
RHYTHMIC NOTES
STROKE BALANCE
Learning rhythmic note values
p. 16
p. 16
,
,
Checking the striking force
(playing dynamics)
,
2. Press the [+] or [-] button to select the exercise variation.
3. Press the [START/STOP] button to begin/finish the exercise.
13
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Practice
TIME CHECK
When you press the [COACH] button and switch to Rhythm Coach Mode, the Time Check result
appears in the display. The Time Check mode setting made here is used with all other modes.
1. Press the [COACH] button a few times to select “
2. Press the [+] or [-] button to select exercise variation.
Checks performance using relatively easier timing. (quarter note)
.”
(initial setting)
Checks performance using more exact timing. (quarter note)
Checks performance using relatively easier timing. (8th-note)
Checks performance using more exact timing. (8th-note)
Checks performance using relatively easier timing. (16th-note)
Checks performance using more exact timing. (16th-note)
Checks performance using relatively easier timing. (16th-note triplets)
Checks performance using more exact timing. (16th-note triplets)
3. Press the [START/STOP] button to begin the exercise.
4. When finished, press the [START/STOP] button again.
*
Regardless of how the metronome sound is played, the rhythm is checked according to the note timing set
here.
*
To change the tempo during the exercise, press the [+] or [-] button.
ACCURACY SCORE
This mode will actually give you a “score” on your timing accuracy.
The result is indicated in the display.
1. Press the [COACH] button a few times to select “
2. Press the [+] or [-] button to select exercise variation.
Timing is checked over four measures. Then your score is displayed.
.”
(initial setting)
Timing is checked over eight measures. Then your score is displayed.
Timing is checked over sixteen measures. Then your score is displayed.
Timing is checked over thirty-two measures. Then your score is displayed.
3. Press the [START/STOP] button to begin the exercise.
The Time Check function runs after a two-measure count-in.
The score is indicated in percentage points.
4. When finished, press the [START/STOP] button again.
*
Regardless of how the metronome sound is played, the rhythm is checked in accordance with the Time Check
settings.
*
To change the tempo during the exercise, press the [+] or [-] button.
14
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Practice
QUIET COUNT
In this mode, the metronome sound alternately switches between high and low volume levels
according to the selected variation (the sound is practically inaudible when the volume drops).
This cycle repeats until you press the [START/STOP] button to stop the exercise.
1. Press the [COACH] button a few times to select “
.”
2. Press the [+] or [-] button to select exercise variation.
1 measure cycle
2 measure cycle
4 measure cycle (initial setting)
8 measure cycle
3 (with) plus 1 (quiet) measure cycle
6 (with) plus 2 (quiet) measure cycle
3. Press the [START/STOP] button to begin the exercise.
4. When finished, press the [START/STOP] button again.
*
To change the tempo during the exercise, press the [+] or [-] button.
AUTO UP/DOWN
AUTO UP/DOWN is designed to improve your playing stamina by increasing and then
decreasing the metronome speed. The tempo will increase until it reaches the tempo you set. Then
it will decrease until it reaches the starting tempo. This repeats until you press the [START/STOP]
button.
This helps you to discover the
tempos that are challenging for
you.
1. Press the [COACH] button a few times to select “
.”
2. Press the [+] or [-] button to select exercise variation.
The tempo will increase and/or decrease by 1 BPM on every beat.
What is BPM?
The tempo will increase and/or decrease by 1 BPM every two beats.
(initial setting)
The tempo will increase and/or decrease by 2 BPM every eight measures.
The tempo will increase and/or decrease by 5 BPM every eight measures.
BPM is an abbreviation for
“Beats Per Minute” (number of
quarter-note beats in a one-
minute period). Also means
“tempo.”
The tempo will increase and/or decrease every eight measures. The amount by
which the tempo changes also increases as the tempo continues to increase.
* When the tempo of the metronome is changed, it begins at the tempo closest to
one of the predetermined starting tempos.
This is the Speed Check. With Speed Check, if you play correctly for eight measures,
the RMP-5 will acknowledge this and advance 5 BPM faster.
This continues until it reaches the metronome’s maximum tempo.
The exercise begins after a two-measure count-in.
* When you play the passage accurately, the indicator flashes four times in the
display, and the tempo increases by 5 BPM.
If you do not play accurately, the indicator flashes twice, and remains at the
same tempo for another eight measures.
3. Press the [START/STOP] button to begin the exercise.
4. When finished, press the [START/STOP] button again.
When Speed Check is selected,
the timing of the notes being
checked and the degree of
difficulty are determined in
accordance with the Time
Check settings (p. 14).
*
After starting the click, you can set the desired maximum tempo by pressing [-] when it reaches the desired
tempo. To clear the maximum tempo, press [+] (initial value: 300).
*
When set to
, the maximum value for the tempo is fixed at 300.
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Practice
RHYTHMIC NOTES
RHYTHMIC NOTES is based on a traditional warm up exercise and also helps in learning rhythmic
note values. After a two-measure count-in, the metronome plays through a series of note intervals or
beat divisions. Each one is played for 2 measures before moving on to the next interval level. The
exercise starts with half notes, stepping up through intervals to 16th note, 16th-note triplets or
septuplets, and then back down to half notes again.
1. Press the [COACH] button a few times to select “
.”
2. Press the [+] or [-] button to select exercise variation.
The “5” in r-5 refers to the
number of changing rhythm
types used.
Start
(initial setting)
Start
Start
3. Press the [START/STOP] button to begin the exercise.
4. When finished, press the [START/STOP] button again.
*
To change the tempo during the exercise, press the [+] or [-] button.
STROKE BALANCE
This function checks the differences in playing dynamics between the right and left hands (or one
hand).
fig.StrokeBal.e
Weaker
Stronger
1. Press the [COACH] button a few times to select “
.”
2. Press the [+] or [-] button to select exercise variation.
The needle remains after striking. (initial setting)
The needle disappears right after striking.
3. Press the [START/STOP] button to turn the metronome on and off.
*
*
To change the tempo during the exercise, press the [+] or [-] button.
If you strike near the sensor, the needle shows “Stronger.”
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Practice
Advanced Use
Triplet Time Check
Selecting “E-3” or “H-3” in TIME CHECK allows you to check triplet timing.
In this case, the timing of all of the triplet notes is checked.
You can use the following method to check only the timing of
1. Set the metronome as shown below.
.
RHYTHM:
, BEAT: 0
2. Select “E-4” or “H-4” in Time Check.
“E” means EASY.
“H” means HARD.
3. Begin practicing.
By hearing the metronome sound as the downbeat, you can check the timing of
.
fig.Score-Acc
Metronome
Performance
Sixteenth-Note Offbeat Time Check
Selecting “E-16 or “H-16” in TIME CHECK allows you to check the timing of sixteenth-notes.
In this case, the timing of all of the sixteenth-notes is checked.
You can also use the following method to check the timing of the offbeats in sixteenth-notes only
(
).
1. Set the metronome as shown below.
RHYTHM: , BEAT: 0
2. Select “E-8” or “H-8” in Time Check.
3. Begin practicing.
By hearing the metronome sound as the downbeat, you can check the timing of sixteenth-note off-
beats.
fig.Score-Acc
Metronome
Performance
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Practice
Setting the Timer
This timer can be set from 1 to 60 minutes, letting you practice for the period of time you determine.
*
You can use the Metronome and Rhythm Coach functions even while the timer is running.
1. Briefly hold down the [COACH] button.
The TIMER icon appears in the display.
fig.timer.j
TIMER icon
2. Use the [+] or [-] button to select one of the timer options.
: 1 minute–
: 15 minutes
: 30 minutes
: 60 minutes
: 10 minutes
3. Press the [START/STOP] button to start the timer.
The timer icon flashes. A section of the fan shape will go off as each quarter of the set time elapses.
4. Pressing the [METRONOME] button at this point switches the RMP-5 to Metronome mode,
and pressing the [COACH] button to Rhythm Coach mode.
Push the [START/STOP] button to begin.
You can adjust the alarm
volume in CLICK VOLUME.
5. When the set time has run out, the alarm sounds, and the BEAT indicator flashes.
*
If you stop the metronome in a screen other than the Timer screen, the timer continues to run. To stop the
timer, switch to the Timer screen and then press [START/STOP].
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Using the RMP-5 with Additional Pads
Setup Examples
Using an optional PCS-31L cable you can connect cymbal and kick pads to the EXT TRIG IN jack.
Here’s an example using the CY-8 and KD-8 pads.
The RMP-5 must be set to the
fig.setup
following settings.
Input Mode (p. 20)
CY-8
RMP-5
Trigger Type (p. 21)
EXT1:
(black)
EXT2:
PCS-31L
(sold separately)
* The above are default factory
settings.
KD-8
(red)
PDS-2
Connecting a Cymbal Pad
1. Connect the left (black) plug of the cable to the cymbal pad’s output jack.
When you strike the pad, “EXT1” lights up.
*
Press the [METRONOME] button a number of times to select “
[-] buttons to select the sound.
” (PAD SOUND), and use the [+] or
Use the L-shaped cable to
connect the cymbal pad.
Precautions When Mounting the CY-8 on PDS-2
*
You can also use a normal cymbal stand
Attach as follows.
fig.CY-PDS_j.eps
Cymbal pad edge shots and
chokes cannot be played when
both a cymbal pad and a kick
trigger pad are connected to
the External Trigger In jack.
Wing screw included with PDS-2
Felt washer included with CY-8
Do not use the wing nut included
with the CY-8 or the washer included
with the PDS-2.
Stopper included with CY-8
CY-8
PDS-2
Connecting a Kick Trigger Pad
If connecting rim-shot-capable
pads such as the PD-85 or PD-
8, refer to “Connecting Pads
Capable of Playing Rim
Shots” (p. 22).
1. Connect the right (red) plug of the cable to the kick trigger pad’s output jack.
When you strike the pad, “EXT2” lights up.
*
Press the [METRONOME] button a number of times to select “
[-] buttons to select the sound.
” (PAD SOUND), and use the [+] or
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Using the RMP-5 with Additional Pads
Connecting Other Pads
You can connect other Roland V-Drums Series pads as well.
Depending on the trigger parameters, you can use two pads, or a single rim-capable pad.
Because each pad has its own individual characteristics, you must first set the “trigger types” that
correspond to the pad you are using in order for it to function correctly.
When connecting a cymbal
pad and kick pad, refer to P.19.
Connecting the Pads
fig.pad2.e
RMP-5 Side panel
1. Connect compatible pads to
the External Trigger In jack.
If connecting rim shot capable
pads like a PD-85, PD-125 etc.,
refer to the next section,
2. While simultaneously
holding down the
“Connecting Pads Capable
of Playing Rim Shots” (p. 22).
[METRONOME] and
[COACH] buttons, turn on
the power.
PD-8
The RMP-5 is now in the
parameter setting mode.
Optional cable
(PCS-31L, PCS-31)
3. Press the [+] or [-] button to
PD-8
KD-8
switch the Input Mode to
.
RMP-5 Side panel
Optional cable
(stereo or monaural)
What is the Input Mode?
Select whether or not to use rim-shot.
When connecting two pads using the optional cable (PCS-31L or PCS-31), select
;
when connecting one pad that is capable of playing rim shots, select
.
The default setting for this is
.
You cannot change the RMP-5
pad’s trigger type. This is
indicated as “---” in the
display.
4. Press the [COACH] button.
Once
appears in the display, you can select the Trigger Type.
Press the [+] or [-] button to select one of the following to match the pad you have connected.
Pad
PD-8
Type
Pad
Type
KD-120, KD-85, KD-80, KD-7
PD-9, PD-7, PD-6
CY-8
PD-85, PD-80R, PD-80
CY-15R, CY-14C, CY-12R/C,
CY-12H, CY-6
PD-105, PD-100
PD-125, PD-120
KD-8
RT-7K
RT-5S
RT-3T
When you strike the pad, “EXT1” or “EXT2” flashes, indicating the pad being set.
Confirm the selected pad and then set the trigger parameters.
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Using the RMP-5 with Additional Pads
What is the trigger type?
Trigger types are groups of parameters whose values are pre-adjusted for each type of
pad. When you select the trigger type, these parameters are automatically set to the
proper values, you can make fine adjustments to individual parameters for the pad if
you want it to respond differently.
For more detailed information
about each parameter, refer to
the “Parameter List” (p. 23).
5. If necessary, press the [+] or [-] button to make fine adjustments to the trigger type
parameters.
Press the [METRONOME] or [COACH] button to select the parameter, then press the [+] or [-]
button to set the value.
6. Press the [START/STOP] button to return to the normal screen.
7. Set the pad sound.
While referring to “Changing the Sounds Assigned to the Pad” (p. 10), set the sound for the
pad.
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Using the RMP-5 with Additional Pads
Connecting Pads Capable of Playing Rim Shots
fig.pad1.e
1. Connect the compatible pad
to the External Trigger In jack
using ONLY a stereo cable.
RMP-5 Side panel
2. While simultaneously holding
down the [METRONOME] and
[COACH] buttons, turn on the
power.
The RMP-5 is now in the
parameter setting mode.
Optional cable (stereo)
PD-85
3. Press the [+] or [-] button to
switch the Input Mode to
.
4. Press the [COACH] button.
Once
appears in the display, you can select the Trigger Type.
Press the [+] or [-] button to select one of the following to match the pad you have connected.
Pad
PD-8
Type
Pad
PD-125, PD-120
Type
PD-9, PD-7
CY-8
PD-85, PD-80R
CY-15R, CY-14C, CY-12R/C,
CY-12H, CY-6
RT-5S
Input Mode (p. 20)
Trigger Type (p. 21)
PD-105
5. If necessary, make fine adjustments to the trigger type parameters.
Press the [METRONOME] or [COACH] button to select the parameter, then press the [+] or [-]
button to set the value.
*
For more detailed information about each parameter refer to the “Parameter List” (p. 23).
6. Press the [START/STOP] button to return to the normal screen.
7. To set the sound for the head, strike the pad head.
The “EXT1” flashes.
8. Select the sound assigned to the head.
9. To set the rim sound, strike the pad’s rim.
The “EXT2” flashes.
10.Select the sound assigned to the rim.
*
The following shows some recommended head and rim sound combinations (p. 10).
Head
Rim
Sh1 Snare 1 head sound only
Sh2 Snare 2 head sound only
Sh3 Snare 3 head sound only
Sh4 Snare 4 head sound only
Sh5 Snare 5 head sound only
Sn6 Snare 6 Marching
Sn1 Snare 1 Vintage
Sn2 Snare 2 Brass
Sn3 Snare 3 Bright
Sn4 Snare 4 Funk
Sn5 Snare 5 Piccolo
S6r Snare 6 March rim
Head
Rim
Sh1 Snare 1 head sound only
Sh2 Snare 2 head sound only
Sh3 Snare 3 head sound only
Sh4 Snare 4 head sound only
Sh5 Snare 5 head sound only
Sn6 Snare 6 Marching
CrS Snare Cross Stick
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Using the RMP-5 with Additional Pads
Parameter List
While simultaneously holding down the [METRONOME] and [COACH] buttons, turn on the power.
Afterwards, press the [COACH] button to select the parameter, then press the [+] or [-] button to set the value.
* Press the [METRONOME] button to have selections come up in the reverse order.
Parameter
Value
Input Mode
(displayed when turning on the power)
p. 20
p. 21
Head x 2
Head&Rim
PD-8
Trigger Type
CY-8
PD-9, PD-7, PD-6
CY-15R, CY-14C, CY-12R/C,
CY-12H, CY-6
PD-85 PD-80R, PD-80
,
RT-7K
RT-5S
RT-3T
PD-105, PD-100
PD-125, PD-120
KD-8
—
KD-120
,
KD-85
,
KD-80
,
KD-7
,
1–16
0–15
p. 23
p. 23
p. 23
p. 24
p. 24
p. 24
p. 25
p. 25
p. 25
Sensitivity
Threshold
Velocity Curve
Scan Time
Retrigger Cancel
Crosstalk Cancel
Mask Time
,
,
,
,
,
,
0–4.0 ms (adjustable in increments of 0.1 ms)
1–16
, 20–80 (adjustable in increments of 5)
0–64 ms (adjustable in increments of 4 ms)
Rim Sensitivity*
Rim Gain
, 1–20, ---
0.5–20, ---
Sensitivity
Velocity Curve
This adjustment determines the pad’s response. Higher values means
higher sensitivity, and the pad will produce a loud sound even when
played softly.
This determines volume changes corresponding to your playing
velocity.
(Linear)
*
When you strike the pad, your playing velocity is shown in the display.
Set the value so that the needle appears at the far right when you strike
the pad with maximum velocity.
This is the normal setting and produces the most natural correspondence
between playing dynamics and changes in volume.
fig.05-11_80
Volume
fig.05-17_80
Weaker
Stronger
Striking Force
LINEAR
,
(Exponential 1, Exponential 2)
Compared to Linear, a wider volume change will occur for stronger
Threshold
hits.
This setting allows the trigger signal to be received only if the pad is
played harder than a specified dynamic. This can be used to prevent
the pad from sounding due to extraneous vibrations from another pad.
fig.05-12_80
Volume
Volume
In the following example, B will sound but A and C will not sound.
fig.05-10_80
Threshold
A
B
C
Striking Force
EXPONENTIAL 1
EXPONENTIAL 2
,
(Log 1, Log 2)
Compared to Linear, wider volume change will occur for softer hits.
fig.05-13_80
When set to a higher value, no sound is produced when the pad is
struck lightly.
Volume
Volume
Gradually raise the Threshold value while striking the pad. Check
this and adjust accordingly. Repeat this process until you get the
perfect setting for your playing style.
Striking Force
LOG1
LOG2
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Using the RMP-5 with Additional Pads
(Spline)
Retrigger Cancel
Altered waveforms may cause inadvertent sounding at Point A in
Variation in playing dynamics produces extreme changes.
fig.05-14_80
the following figure (This is called retrigger).
fig.05-18_80
Volume
A
Time
Striking Force
SPLINE
,
(Loud 1, Loud 2)
This can occur at the decaying edge of the waveform. Retrigger Cancel
detects such distortion and basically eliminates retriggering. Although
setting this to a high value prevents retriggering, it then becomes easy
for sounds to be omitted when playing fast (buzz roll etc.).
Set this to the lowest value possible while still ensuring that there is
no retriggering.
Variation in playing dynamics produces little change, and a constant
volume is maintained. If using drum triggers, these settings help
maintain stable levels.
fig.05-15_80
Volume
Volume
*
You can also eliminate this problem of retriggering with the Mask Time
setting. Mask Time does not detect trigger signals if they occur within
the specified amount of time after the previous trigger signal was
received. Retrigger Cancel detects the attenuation of the trigger signal
level, and triggers the sound after internally determining which trigger
signals were actually generated when the head was struck, while
weeding out the other false trigger signals that need not trigger a sound.
Striking Force
LOUD1
LOUD2
Scan Time
Since the rise time of the trigger signal waveform may differ slightly
depending on the characteristics of each pad or acoustic drum
trigger (drum pickup), you may notice that identical hits (velocity)
produce sound at different volumes.
If this occurs, you can adjust the Scan Time so that your playing
velocity can be detected more precisely.
Making the settings
While repeatedly striking the pad, raise the Retrigger Cancel
value until retriggering no longer occurs.
As the value is set higher, the time it takes for the sound to be played
Crosstalk Cancel
increases. Set this to as low a value as you can.
When two pads are mounted on the same stand, vibrations from one
pad may trigger the sound from the second pad unintentionally
(This is called crosstalk.)
fig.05-16_80
Scan Time
To avoid this, adjust the Crosstalk Cancel on the pad that is
sounding inadvertently.
Time
If the value is set too high, then when two pads are played
simultaneously, the one that is struck less forcefully will not sound.
Be careful and set this parameter to the minimum value required to
prevent such crosstalk. With a setting of “OFF,” crosstalk prevention
does not function.
Making the settings
While repeatedly hitting the pad at a constant strength,
gradually raise the Scan Time value from 0 msec, until the
resulting volume stabilizes at the loudest level. At this setting,
try both soft and loud strikes, and make sure that the volume
changes appropriately.
*
You can also prevent crosstalk between two pads by increasing the
distance between the pads or by raising the Threshold value.
You cannot prevent crosstalk from pads connected to another drum module.
Increase the distance between such pads, or raise the Threshold.
*
*
When you strike the pad, the strength with which the pad is struck
(velocity) is shown in the display.
Making the settings
If you hit the pad connected to the EXT1, and the pad connected
to the EXT2 also sounds, then raise the Crosstalk Cancel value
from “OFF” for the pad connected to EXT2 while striking the
pad connected to EXT1 until crosstalk no longer occurs.
Set the value so that the needle appears at the far right when you strike
the pad with maximum velocity.
fig.05-17_80
Weaker
Stronger
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Using the RMP-5 with Additional Pads
Mask Time
Example when using a kick trigger pad; if the beater bounces back
and hits the pad a second time immediately after the intended stroke
or if you leave the bass drum beater against the pad—it can cause
“double triggering” (two sounds instead of the intended one). The
Mask Time setting helps to prevent such problems. Once a pad has
been hit, additional trigger signals occurring within the specified
Mask Time (0–64 msec) will be ignored.
If set to a high value, then sounds may be omitted when you
intentionally play a very fast phrase (like with a double bass drum
pedal). Set this to as low a value as possible.
fig.05-19
Mask Time
Time
Sound not produced
*
If two or more sounds are being produced when you strike the pad just
once, then adjust Retrigger Cancel.
Rim Sensitivity
When using a pad capable of playing rim shots, you can adjust the
Rim Sensitivity.
Setting this to a higher value makes it easier to trigger the sound
assigned to the rim. If set to “OFF,” striking the rim will produce the
sound assigned to the head. If the value is set too high, then striking
the head, may also trigger the sound assigned to the rim.
*
This setting can be made only with the following Trigger Type (p. 21)
settings selected (refer to Rim Gain).
Rim Gain
This adjusts the relation between playing velocity on the rim/edge
and the resulting volume level.
*
This setting adjusts only the rim. Adjust the balance between velocity
and volume for the overall pad with the “Sensitivity” setting (p. 23).
This setting can be made only with the following Trigger Type (p. 21)
settings selected.
*
Trigger Type Rim Sensitivity
Rim Gain
—
✓
—
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
—
—
✓
*
This can be adjusted only when the Input Mode is set to
.
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Appendices
Adjusting the Pad Sensitivity
When practicing with Stroke Balance, if you think that the needle swings too much or too little, then
adjust the head sensitivity.
1. While simultaneously holding down the [METRONOME] and [COACH] buttons, turn on the
power.
2. Press the [COACH] button twice.
The display shows “
.”
3. Press the [+] or [-] button to adjust the sensitivity. (initial setting: 6)
Setting this to a higher value makes the sensitivity higher.
4. When finished, press the [START/STOP] button.
The setting is stored, and then the RMP-5 returns to the normal screen.
Restoring the Factory Settings
This restores the RMP-5 to the original factory settings.
1. Hold down the [START/STOP] button and turn on the power.
The display shows “
.”
2. Press the [START/STOP] button again and keep pressing to restore the factory settings.
All settings are returned to the default factory settings.
When the procedure is finished, the RMP-5 returns to the normal screen.
The RMP-5’s head is set at the factory with the following values.
(Sensitivity):
(Threshold):
5
2
(Velocity Curve):
(Scan Time):
(Retrigger Cancel):
(Crosstalk Cancel):
(Mask Time):
Lnr
16
3
off
4
If an Error Message Appears
This section lists the different error messages that may appear, along with their meanings and
measures to resolve the problems described.
Display
Meaning
Action
Data in the RMP-5’s memory may be
corrupted.
“
” appears when the [METRONOME]
button is pressed. Press the [METRONOME]
button once again and keep pressing to exe-
cute the Factory Reset. Only the settings for
the corrupted portion are subject to Factory
Reset (doing so will erase any changes you
have made).
If this does not resolve the problem, consult
your Roland dealer or nearest Roland Service
Center.
A problem has occurred with the in-
ternal system.
Consult your Roland dealer or nearest Ro-
land Service Center.
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Appendices
Replacing the Head
If the head has been damaged or no longer maintains correct tension, replace it.
To order replacement heads (#03891812 RMP-3 PAD HEAD(MESH HEAD) <CM-2208-RN>),
contact the retailer from whom you purchased the RMP-5 or the nearest Roland Service Center.
The MH-8 Mesh Head is not
compatible and cannot be
Replacing the Head
When replacing or tuning, use the included tuning key.
fig.HeadChange
1. Remove all tuning bolts.
Gradually loosen each one in order, turning them
counterclockwise.
* Do not lose the tuning bolts.
2. Open the case, and then remove the old head.
3. Place the new head in the case.
4. Securely close the case.
5. Attach all eight tuning bolts.
6. Adjust the tension of the head. Refer to “Adjusting the Head Tension” (p. 7).
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Appendices
Specifications
RMP-5: Rhythm Coach
● Weight
1.3 kg / 2 lbs 14 oz (including a battery)
● Pad Size
8 inches
● Accessories
Dry Battery 6LR61/1604A (9 V) type (alkaline)
● Pad Sounds
54 types
Tuning Key
Owner’s Manual
● Tempo
20–300
● Options
AC Adaptor: BOSS PSA series
● Click Sounds
15 types
Pad Stand: PDS-2
Pad Cable: PCS-31L
● Rhythm Types
24 types
Pads (PD-8, PD-85BK/WT, PD-105BK/WT, PD-125BK/WT)
Cymbals (CY-8, CY-12R/C, CY-14C, CY-15R)
Kick Triggers (KD-8, KD-7, KD-85BK/WT, KD-120BK/WT)
Drum Triggers (RT-3T, RT-5S, RT-7K)
● Patterns
22 types
● Beat
24 types
● Rhythm Coach functions
TIME CHECK (8 variations)
962a
* In the interest of product improvement, the specifications and/or
ACCURACY SCORE (4 variations)
QUIET COUNT (6 variations)
appearance of this unit are subject to change without prior notice.
AUTO UP/DOWN (6 variations)
RHYTHMIC NOTES (3 variations)
STROKE BALANCE (2 variations)
● Connectors
PHONES/OUTPUT Jack: 1 (Stereo miniature phone type)
AC Adaptor Jack
MIX IN Jack: 1 (Miniature phone type)
EXT TRIG IN Jack: 1 (Dual)
* Using the PCS-31L, you can connect two pads. In that case, the rim
shot, edge shot, and choking features are unavailable.
● Power Supply
DC 9 V: Dry Battery 6LR61/1604A (9 V) type (alkaline)
AC Adaptor
● Current Draw
80 mA
961
* Expected battery life under continuous use:
Carbon: 1 hour
Alkaline: 4 hours
These figures will vary depending on the actual conditions of use.
* We recommend replacement with alkaline batteries.
* The batteries included with the RMP-5 are intended to provide
confirmation that the unit functions properly.
Battery life may be shorter than that indicated above.
● Stand Screw Size
M8
● Dimensions
263 (W) x 348 (D) x 78 (H) mm
10-3/8 (W) x 13-3/4 (D) x 3-1/8 (H) inches
28
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Sample Practice Patterns
Following, you will find a variety of basic practice patterns to use with the
Rhythm Coach. Suggested tempos and settings for the RMP-5 will not only
guide you, but challenge you to improve all aspects of your playing skills.
We also recommend that you make your own variations by writing in
ACCENTS, or changing the sticking patterns.
If you are working with a drum teacher, he or she can also help you get
more out of the RMP-5’s Rhythm Coach functions.
29
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Sample Practice Patterns
Exercise 1 (TIME CHECK — Quarter Notes)
Make the following settings.
PAD SOUND:
TEMPO:
Sn1 (Snare 1 Vintage)
120
When TIME CHECK is set to “H-4,”
the timing is strictly checked.
If set to “E-4” it’s a little easier.
Remember, “H” means hard, and “E”
means easy.
CLICK SOUND:
C01
RHYTHM:
BEAT:
4
CLICK VOLUME:
TIME CHECK:
10
E-4
R
L
R
L
R
L
R
L
*
Practice until [GOOD] lights up in the display consistently.
Change the tempo for further challenges.
Exercise 2 (TIME CHECK — 16th Note)
Make the following settings.
TIME CHECK:
E16
RLRLRLRLRLRLRLRL RLRLRLRLRLRLRLRL
*
Practice until [GOOD] lights up in the display consistently.
Change the tempo for further challenges.
Exercise 3 (TIME CHECK — Triplets)
Make the following settings.
TIME CHECK:
E-3
RLRLRLRLRLRL RLRLRLRLRLRL
*
Practice until [GOOD] lights up in the display consistently.
Change the tempo for further challenges.
Exercise 4 (STROKE BALANCE)
Make the following settings.
TEMPO:
120
RHYTHM:
Remember that the Time Check
function is always operating.
BEAT:
4
TIME CHECK:
E-8
STROKE BALANCE: HLd
R L R L R L R L R L R L R L R L
*
Work hard to get equal dynamics with both your hands.
30
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Sample Practice Patterns
Exercise 5 (RHYTHMIC NOTES)
Make the following settings.
TEMPO:
BEAT:
100
4
RHYTHMIC NOTES: r-9
These exercises are VERY important for developing control and timing sense.
Practice them at various dynamic levels as well.
R
L
R
L
R
L
R
L
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
R
L
R
L
R
L
R
L
R
L
R
L
L
R
R L R L R L R L R L R L
R L R L R L R L R L R L
R
R
R
L
L
L
R
L
R
L
R
R
L
R
L
R
R
L
R
R
L
R
L
R
L
L
R
L
R
R
L
R
L
R
L
L
R
L
L
L
R
L
R
R
L
R
L
L
R
L
R
R
L
R
L
R
L
R
L
R
L
R
L
L
R
L
R
L
R
L
R
L
R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L
R L R L R L R L R L R L R L R L R L R L R L R L R L R L
R L R L R L R L R L R L R L R L R L R L R L R L R L R L
R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L
R
R
L
R
L
R
L
R
L
R
L
R
R
L
R
L
R
L
R
L
R
L
L
R
R
L
R
L
R
L
R
L
R
L
R
R
L
R
L
R
L
L
R
L
R
L
L
L
R
L
R
L
R
L
L
R
R
L
R
L
R
L
R
L
R
R
L
L
L
R
L
L
R
L
L
R
R
L
R
L
L
R
L
R
R
R
L
R L R L R L R L R L R L R L R L R L R L R L R L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
R
L
R
L
*
*
When “r-7” is selected for RHYTHMIC NOTES, the following seven patterns are repeated.
When “r-5” is selected for RHYTHMIC NOTES, the following five patterns are repeated.
31
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Sample Practice Patterns
Exercise 6 (QUIET COUNT — q-2)
Make the following settings.
TEMPO:
112
RHYTHM:
BEAT:
4
TIME CHECK:
QUIET COUNT:
E-8
q-2
Metronome
Performance
R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L
( L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R )
*
Once you have mastered this, try starting with the left hand and also vary the tempo.
Exercise 7 (QUIET COUNT — q31)
Make the following settings.
TEMPO:
140
RHYTHM:
BEAT:
4
TIME CHECK:
QUIET COUNT:
E16
q31
Metronome
Performance
R
L
R
L
R
L
R
L
R
L
R
L
RLRLRLRLRLRLRLRL
Exercise 8 (AUTO UP/DOWN — b-2)
Make the following settings.
TEMPO:
100
RHYTHM:
BEAT:
4
TIME CHECK:
H-4
AUTO UP/DOWN: b-2
>
>
>
>
>
>
>
>
(Single Paradiddle)
RLRRLRL LRLRRLRL L RLRRLRL LRLRRLRL L
*
You can set the tempo’s upper limit by pressing “-” while the tempo is increasing.
32
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Sample Practice Patterns
Exercise 9 (AUTO UP/DOWN — 8-5)
Make the following settings.
TEMPO:
100
RHYTHM:
BEAT:
4
TIME CHECK:
E16
AUTO UP/DOWN: 8-5
(Double Stroke)
RRL LRRL LRRL LRRL L RRL LRRL LRRL LRRL L
*
You can set the tempo’s upper limit by pressing “-” while the tempo is increasing.
Exercise 10 (AUTO UP/DOWN — SPd)
Make the following settings.
TEMPO:
90
RHYTHM:
BEAT:
4
TIME CHECK:
E-8
AUTO UP/DOWN: SPd
R L R L R R L L R L R L R R L L
Exercise 11 (Practicing in Time with Patterns)
Make the following settings.
PAD SOUND:
TEMPO:
tb1 (Timbale Hi)
110
CLICK SOUND:
RHYTHM:
Ptn
P10 (Samba Kick)
BEAT:
4
CLICK VOLUME:
TIME CHECK:
12
E16
> > >
> > > >
> > >
> > > >
RLRLRLRLRLRLRLRL RLRLRLRLRLRLRLRL
33
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INDEX
A
Q
AC Adaptor jack ..................................................................................... 6
ACCURACY SCORE .................................................................... 13–14
AUTO UP/DOWN ....................................................................... 13, 15
R
Restoring
Retrigger cancel ............................................................................. 24, 26
B
Battery ...................................................................................................... 7
Battery LOW indicator .......................................................................... 7
BEAT
Rhythm coach mode ............................................................................ 13
RHYTHMIC NOTES ..................................................................... 13, 16
Rim gain ................................................................................................. 25
RIM SENSITIVITY ............................................................................... 25
Rim sensitivity ...................................................................................... 25
Indicator ........................................................................................... 6
Metronome ..................................................................................... 11
C
CLICK SOUND ..................................................................................... 11
CLICK VOLUME ................................................................................. 11
COACH button ....................................................................................... 6
Connecting
S
Scan Time ....................................................................................... 24, 26
Sensitivity ....................................................................................... 23, 26
Cymbal pad .................................................................................... 19
Kick trigger pad ............................................................................. 19
Other pads ...................................................................................... 20
Pads capable of playing rim shots .............................................. 22
Crosstalk cancel ............................................................................. 24, 26
Sound list ............................................................................................... 10
Specifications ........................................................................................ 28
START/STOP button ............................................................................. 6
STROKE BALANCE ..................................................................... 13, 16
D
Display ..................................................................................................... 9
T
E
Tap tempo .............................................................................................. 12
Threshold ........................................................................................ 23, 26
Error messages ...................................................................................... 26
EXT TRIG IN jack ................................................................................... 6
TIME CHECK ................................................................................ 13–14
Time Check
H
Head ......................................................................................................... 6
Triplet .............................................................................................. 17
Timer ...................................................................................................... 18
Replacing ........................................................................................ 27
Tension .............................................................................................. 7
I
Trigger type ........................................................................................... 21
Tuning bolts ............................................................................................ 6
Input mode ............................................................................................ 20
M
V
Mask time ....................................................................................... 25–26
Metronome ............................................................................................ 11
METRONOME button ........................................................................... 6
Mini speaker ............................................................................................ 6
MIX IN jack ............................................................................................. 6
VALUE +/- button ................................................................................. 6
Velocity curve ................................................................................ 23, 26
VOLUME ............................................................................................... 11
VOLUME knob ....................................................................................... 6
O
OUTPUT jack .......................................................................................... 6
P
Pad
Sensitivity ....................................................................................... 26
PAD SOUND ........................................................................................ 10
Parameter list ........................................................................................ 23
Power ....................................................................................................... 9
POWER switch ....................................................................................... 6
34
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For the U.K.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE:
NEUTRAL
BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
For EU Countries
This product complies with the requirements of European Directive 89/336/EEC.
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
–
–
–
–
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
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PAD SOUND
Sn1
Sn2
Sn3
Sn4
Sn5
Snare 1 Vintage
Snare 2 Brass
Snare 3 Bright
Snare 4 Funk
Snare 5 Piccolo
Snare 6 Marching
Practice Board
Elec. Snare 1
Elec. Snare 2
Kick 1 Rock
Kick 2 Hard
Kick 3 Jazz
Elec. Kick 1
Elec. Kick 2
Hi-Hat Close
Hi-Hat Open
Hi-Hat Close/Open
Elec. Hi-Hat Close
EH2
EH3
rd1
rd2
SPL
t01
t02
tb1
tb2
tb3
Sd1
Sd2
Sd3
CAI
AG1
AG2
AG3
tr1
Elec. Hi-Hat Open
Elec. Hi-Hat Close/Open
Ride Cymbal Bow
Ride Cymbal Bow/Bell
Splash
Tom Hi
Tom Lo
Timbale Hi
Timbale Lo
Timbale Paila
Surdo Open
Surdo Mute
Surdo Mute/Open
Caixa
Agogo Hi
Agogo Lo
Agogo Lo/Hi
Triangle Open
tr2
tr3
Cb1
Cb2
Cb3
tbr
Sha
bL1
bL2
bL3
CLA
CrS
S6r
Sh1
Sh2
Sh3
Sh4
Sh5
Triangle Mute
Triangle Mute/Open
Cowbell Open
Cowbell Mute
Cowbell Mute/Open
Tambourine
Shaker
Wood Block Hi
Wood Block Lo
Wood Block Lo/Hi
Claves
Snare Cross Stick
Snare 6 Marching Rim
Snare 1 head sound only
Snare 2 head sound only
Snare 3 head sound only
Snare 4 head sound only
Snare 5 head sound only
Sn6
Pbd
ES1
ES2
K01
K02
K03
EK1
EK2
HH1
HH2
HH3
EH1
CLICK SOUND
C01
C02
C03
C04
C05
C06
C07
C08
C09
C10
Traditional Metronome
C11
Hi-Hat Pedal
Ride Cymbal
Triangle
Agogo
Tambourine
Simple Electric
Electric Beep
Cowbell
Claves
Sticks
Voice Count
Hand Clap
Finger Snap
Hi-Hat Close
C12
C13
C14
C15
Ptn
RHYTHM (Pattern)
P01
P02
P03
P04
P05
P06
P07
P08
P09
P10
Triangle 16th
Agogo 16th
Drum Simple 8 Beat
Drum Simple 16 Beat
Drum Shuffle
P11
Samba Surdo
Simple Surdo
Wood Block & Shaker
Agogo Triplet
2-3 Son Clave
3-2 Rumba Clave
Hi-Hat Open Close 1
Hi-Hat Open Close 2
Hi-Hat Open Close 3
Hi-Hat Open Close 4
P21
P22
Hi-Hat Open Close 5
Rock Fill
P12
P13
P14
P15
P16
P17
P18
P19
P20
Drum Disco
Jazz Legato Hi-Hat
Jazz Legato Ride
Jazz Count Hi-Hat
Samba Kick
C5100040
1PR
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