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Information
When you need repair service, call your nearest EDIROL/Roland Service Center or authorized EDIROL/Roland distributor
in your country as shown below.
UNITED KINGDOM
Roland (U.K.) Ltd.
GERMANY
Roland Elektronische
Musikinstrumente HmbH.
Oststrasse 96, 22844 Norderstedt,
GERMANY
TEL: (040) 52 60090
GREECE
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
HUNGARY
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint, HUNGARY
TEL: (23) 511011
ITALY
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
NORWAY
Roland Scandinavia Avd.
Kontor Norge
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
TEL: 2273 0074
POLAND
MX MUSIC SP.Z.O.O.
UL. Gibraltarska 4.
PL-03664 Warszawa POLAND
TEL: (022) 679 44 19
PORTUGAL
Tecnologias Musica e Audio,
Roland Portugal, S.A.
Cais Das Pedras, 8/9-1 Dto
4050-465 PORTO
PORTUGAL
TEL: (022) 608 00 60
ROMANIA
FBS LINES
Piata Libertatii 1,
535500 Gheorgheni, ROMANIA
TEL: (266) 364 609
RUSSIA
MuTek
3-Bogatyrskaya Str. 1.k.l
107 564 Moscow, RUSSIA
TEL: (095) 169 5043
SPAIN
Roland Electronics
de España, S. A.
Calle Bolivia 239, 08020
Barcelona, SPAIN
TEL: (93) 308 1000
SWEDEN
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
SWITZERLAND
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
SWITZERLAND
TEL: (061) 927-8383
UKRAINE
TIC-TAC
Mira Str. 19/108
P.O. Box 180
295400 Munkachevo, UKRAINE
TEL: (03131) 414-40
EUROPE
EDIROL (Europe) Ltd.
TIN
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
CENTRAL/LA
AMERICA
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
UNITED KINGDOM
Studio 3.4 114 Power Road
London W4 5PY
U. K.
TEL: +44 (0)20 8747 5949
FAX:+44 (0)20 8747 5948
ARGENTINA
Instrumentos Musicales S.A.
Av.Santa Fe 2055
TEL: (01792) 702701
MIDDLE EAST
http://www.edirol.com/europe
Deutschland
INDIA
(1123) Buenos Aires
ARGENTINA
Rivera Digitec (India) Pvt. Ltd.
409, Nirman Kendra Mahalaxmi
Flats Compound Off. Dr. Edwin
Moses Road, Mumbai-400011,
TEL: (011) 4508-2700
BRAZIL
TEL: 0700 33 47 65 20
France
TEL: 0810 000 371
BAHRAIN
Moon Stores
INDIA
TEL: (022) 2493 9051
Roland Brasil Ltda
Rua San Jose, 780 Sala B
No.16, Bab Al Bahrain Avenue,
P.O.Box 247, Manama 304,
State of BAHRAIN
TEL: 211 005
Italia
TEL: 02 93778329
INDONESIA
U. S. A. / CANADA
EDIROL Corporation North
PT Citra IntiRama
TEL: (011) 4615 5666
CHILE
J1. Cideng Timur No. 15J-150
CYPRUS
Jakarta Pusat
America
425 Sequoia Drive, Suite 114
Bellingham, WA 98226
Radex Sound Equipment Ltd.
INDONESIA
Comercial Fancy II S.A.
Rut.: 96.919.420-1
17, Diagorou Street, Nicosia,
CYPRUS
TEL: (022) 66-9426
TEL: (021) 6324170
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
U. S. A.
TEL: (360) 594-4276
FAX: (360) 594-4271
KOREA
IRAN
Cosmos Corporation
http://www.edirol.com/
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
MOCO, INC.
MEXICO
No.41 Nike St., Dr.Shariyati Ave.,
Casa Veerkamp, s.a. de c.v.
TEL: (02) 3486-8855
Roberoye Cerahe Mirdamad
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico D.F.
MEXICO
TEL: (55) 5668-6699
Tehran, IRAN
MALAYSIA
TEL: (021) 285-4169
BENTLEY MUSIC SDN BHD
ISRAEL
AFRICA
EGYPT
Al Fanny Trading Office
9, EBN Hagar A1 Askalany Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
20-2-417-1828
TEL:
REUNION
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
REUNION ISLAND
TEL: (0262) 218-429
SOUTH AFRICA
That Other Music Shop
(PTY) Ltd.
11 Melle St., Braamfontein,
Johannesbourg, SOUTH AFRICA
P.O.Box 32918, Braamfontein 2017
Johannesbourg, SOUTH AFRICA
TEL: (011) 403 4105
Paul Bothner (PTY) Ltd.
17 Werdmuller Centre,
Claremont 7708
Main Road,
SOUTH AFRICA
P.O.BOX 23032, Claremont 7735,
SOUTH AFRICA
TEL: (021) 674 4030
ASIA
140 & 142, Jalan Bukit Bintang
MALAYSIA
Halilit P. Greenspoon &
55100 Kuala Lumpur,
TEL: (03) 2144-3333
URUGUAY
Sons Ltd.
Todo Musica S.A.
8 Retzif Ha’aliya Hashnya St.
Tel-Aviv-Yafo ISRAEL
Francisco Acuna de Figueroa 1771
PHILIPPINES
C.P.: 11.800
TEL: (03) 6823666
G.A. Yupangco & Co. Inc.
Montevideo, URUGUAY
339 Gil J. Puyat Avenue
TEL: (02) 924-2335
JORDAN
Makati, Metro Manila 1200,
AMMAN Trading Agency
PHILIPPINES
VENEZUELA
245 Prince Mohammad St.,
TEL: (02) 899 9801
Amman 1118, JORDAN
TEL: (06) 464-1200
Musicland Digital C.A.
Av. Francisco de Miranda,
SINGAPORE
Centro Parque de Cristal, Nivel
C2 Local 20 Caracas
CRISTOFORI MUSIC PTE
KUWAIT
LTD
Easa Husain Al Yousifi Est.
VENEZUELA
Blk 3014, Bedok Industrial Park E,
Abdullah Salem Street,
TEL: (212) 285-8586
#02-2148, SINGAPORE 489980
Safat, KUWAIT
TEL: 243-6399
TEL: 6243-9555
EUROPE
LEBANON
TAIWAN
Chahine S.A.L.
ROLAND TAIWAN
AUSTRIA
Gerge Zeidan St., Chahine Bldg.,
ENTERPRISE CO., LTD.
Roland Austria GES.M.B.H.
Achrafieh, P.O.Box: 16-5857
Room 5, 9fl. No. 112 Chung Shan
Siemensstrasse 4, P.O. Box 74,
A-6063 RUM, AUSTRIA
TEL: (0512) 26 44 260
Beirut, LEBANON
N.Road Sec.2, Taipei, TAIWAN,
R.O.C.
TEL: (02) 2561 3339
TEL: (01) 20-1441
QATAR
BELGIUM/HOLLAND/
LUXEMBOURG
.
Roland Benelux N. V
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
TEL: (014) 575811
DENMARK
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
TEL: 3916 6200
FRANCE
Roland France SA
4, Rue Paul Henri SPAAK,
Parc de l'Esplanade, F 77 462 St.
Thibault, Lagny Cedex FRANCE
TEL: 01 600 73 500
FINLAND
Roland Scandinavia As,
Filial Finland
Elannontie 5
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
Badie Studio & Stores
THAILAND
Theera Music Co. , Ltd.
330 Verng NakornKasem, Soi 2,
Bangkok 10100, THAILAND
TEL: (02) 2248821
AUSTRALIA/
NEW ZEALAND
NEW ZEALAND
Roland Corporation Ltd.
32 Shaddock Street, Mount Eden,
Auckland, NEW ZEALAND
TEL: (09) 3098 715
P.O. Box 62,
Doha, QATAR
TEL: 423554
SAUDI ARABIA
aDawliah Universal
Electronics APL
Corniche Road, Aldossary Bldg.,
1st Floor, Alkhobar,
SAUDI ARABIA
P.O.Box 2154, Alkhobar 31952
SAUDI ARABIA
TEL: (03) 898 2081
TURKEY
Ant Muzik aletleri ithalat ve
ihracat Ltd Sti
Siraselviler Caddesi Siraselviler
Pasaji No:74/20
Taksim - Istanbul, TURKEY
TEL: (0212) 2499324
U.A.E.
Zak Electronics & Musical
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Grand Floor, Dubai, U.A.E.
TEL: (04) 3360715
As of November 1, 2003 (EDIROL-1)
Thank you for purchasing the MIDI keyboard controller PCR-1.
Before using this unit, carefully read the sections entitled: “USING
THE UNIT SAFELY” and “IMPORTANT NOTES” (OWNER’S
MANUAL p. 2–4). These sections provide important information
concerning the proper operation of the unit. Additionally, in order
to feel assured that you have gained a good grasp of every feature
provided by your new unit, Owner’s manual should be read in its
entirety. The manual should be saved and kept on hand as a
convenient reference.
Copyright © 2004 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any
form without the written permission of ROLAND CORPORATION.
USING THE UNIT SAFELY
•
013 In households with small children, an adult
•
104 Try to prevent cords and cables from
should provide supervision until the child is
capable of following all the rules essential for
the safe operation of the unit.
becoming entangled. Also, all cords and
cables should be placed so they are out of the
reach of children.
................................................................................................
................................................................................................
•
014 Protect the unit from strong impact.
•
106 Never climb on top of, nor place heavy
objects on the unit.
(Do not drop it!)
................................................................................................
................................................................................................
108cDisconnect all cords coming from external
•
023 DO NOT play a CD-ROM disc on a conven-
•
devices before moving the unit.
................................................................................................
tional audio CD player. The resulting sound
may be of a level that could cause permanent
hearing loss. Damage to speakers or other
system components may result.
................................................................................................
3
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IMPORTANT NOTES
In addition to the items listed under “USING THE UNIT SAFELY” on page 2 -3, please read and observe the
following:
Power Supply
• Before connecting this unit to other devices, turn off
Repairs and Data
307
4•52Please be aware that all data contained in the unit’s
memory may be lost when the unit is sent for repairs.
Important data should always be backed up in
another MIDI device (e.g., a sequencer), or written
down on paper (when possible). During repairs, due
care is taken to avoid the loss of data. However, in
certain cases (such as when circuitry related to
memory itself is out of order), we regret that it may
not be possible to restore the data, and Roland
assumes no liability concerning such loss of data.
the power to all units. This will help prevent malfunc-
tions and/or damage to speakers or other devices.
Placement
352a
• This device may interfere with radio and television
reception. Do not use this device in the vicinity of
such receivers.
352b
• Noise may be produced if wireless communications
devices, such as cell phones, are operated in the
vicinity of this unit. Such noise could occur when
receiving or initiating a call, or while conversing.
Should you experience such problems, you should
relocate such wireless devices so they are at a greater
distance from this unit, or switch them off.
Additional Precautions
• Please be aware that the contents of memory can be
551
irretrievably lost as a result of a malfunction, or the
improper operation of the unit. To protect yourself
against the risk of loosing important data, we
recommend that you periodically save a backup copy
of important data you have stored in the unit’s
memory in another MIDI device (e.g., a sequencer).
354a
• Do not expose the unit to direct sunlight, place it near
devices that radiate heat, leave it inside an enclosed
vehicle, or otherwise subject it to temperature
extremes. Excessive heat can deform or discolor the
unit.
552
• Unfortunately, it may be impossible to restore the
contents of data that was stored in the unit’s memory
once it has been lost. Roland Corporation assumes no
liability concerning such loss of data.
355b
• When moved from one location to another where the
temperature and/or humidity is very different, water
droplets (condensation) may form inside the unit.
Damage or malfunction may result if you attempt to
use the unit in this condition. Therefore, before using
the unit, you must allow it to stand for several hours,
until the condensation has completely evaporated.
553
• Use a reasonable amount of care when using the
unit’s buttons, sliders, or other controls; and when
using its jacks and connectors. Rough handling can
lead to malfunctions.
556
358
• When connecting / disconnecting all cables, grasp
• Do not allow objects to remain on top of the
the connector itself—never pull on the cable. This
way you will avoid causing shorts, or damage to the
cable’s internal elements.
keyboard. This can be the cause of malfunction, such
as keys ceasing to produce sound.
5•58Ta o avoid disturbing your neighbors, try to keep the
unit’s volume at reasonable levels. You may prefer to
use headphones, so you do not need to be concerned
about those around you (especially when it is late at
night).
Maintenance
• For everyday cleaning wipe the unit with a soft, dry
401a
cloth or one that has been slightly dampened with
water. To remove stubborn dirt, use a cloth impreg-
nated with a mild, non-abrasive detergent. After-
wards, be sure to wipe the unit thoroughly with a
soft, dry cloth.
559a
• When you need to transport the unit, package it in
the box (including padding) that it came in, if
possible. Otherwise, you will need to use equivalent
packaging materials.
562
4•02Never use benzine, thinners, alcohol or solvents of
any kind, to avoid the possibility of discoloration
and/or deformation.
4
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IMPORTANT NOTES
• Use a cable from Roland to make the connection. If
using some other make of connection cable, please
note the following precautions.
• Some connection cables contain resistors. Do not
use cables that incorporate resistors for
connecting to this unit. The use of such cables can
cause the sound level to be extremely low, or
impossible to hear. For information on cable
specifications, contact the manufacturer of the
cable.
Handling CD-ROMs
801
• Avoid touching or scratching the shiny underside
(encoded surface) of the disc. Damaged or dirty CD-
ROM discs may not be read properly. Keep your
discs clean using a commercially available CD
cleaner.
204
Copyright
851
• Unauthorized recording, distribution, sale, lending,
public performance, broadcasting, or the like, in
whole or in part, of a work (musical composition,
video, broadcast, public performance, or the like)
whose copyright is held by a third party is
prohibited by law.
852b
• When exchanging audio signals through a digital
connection with an external instrument, this unit can
perform recording without being subjected to some
of the restrictions of the Serial Copy Management
System (SCMS). This is because the unit is intended
solely for musical production, and is designed not to
be subject to restrictions as long as it is used to
record works (such as your own compositions) that
do not infringe on the copyrights of others. (SCMS is
a feature that prohibits second-generation and later
copying through a digital connection. It is built into
MD recorders and other consumer digital-audio
equipment as a copyright-protection feature.)
*
206Wj indows® is known officially as: “Microsoft®
Windows® operating system.”*Microsoft and
Windows are registered trademarks of Microsoft
Corporation.
206Te he screen shots in this document are used in
compliance with the guidelines of the Microsoft
Corporation.
853
*
• Do not use this unit for purposes that could infringe
on a copyright held by a third party. We assume no
responsibility whatsoever with regard to any
infringements of third-party copyrights arising
through your use of this unit.
*
207Apple and Macintosh are registered trademark of
Apple Computer, Inc.
*
209MacOS is a trademark of Apple Computer, Inc.
*
231OMS is a registered trademark of Opcode Systems,
Inc.
*
232FreeMIDI is a trademark of Mark of the Unicorn, Inc.
5
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Contents of the ckage
The PCR-1 includes the following items. When open the package, first make sure that all items are
included. If any are missing, contact the dealee you purchased the PCR-1.
● USB Audio Interface / MIDI Keard Controller PCR-1
fig.pcr-1
● USB cable
Use this to connect the USB connector of yof the
PCR-1. For details on connections and driv. 14 /Macintosh
: p. 31 ).
*
Please use only the included USB cable. If e contact a
“EDIROL/Roland Service Center” listed i
● CD-ROM
This contains drivers and editors for use w
● Template sheets (two sheets)
One of these templates lists the messages t
GM2 memory (memory no. 0). A blank she
controller settings.
● Owner’s Manual
This is the manual you are reading. Please
Quick page reference table
Before you begin
Driver Installation
Settings
Names of things and what they do
Table of operating modes
System settings
p. 14, p. 31
p. 44
p. 9
p. 50
p. 93
p. 43
p. 46
p. 47
p. 49
p. 51
p. 52
p. 52
p. 52
p. 52
p. 52
p. 59
p. 60
p. 61
p. 63
p. 65
p. 68
p. 71
p. 74
p. 77
p. 85
p. 86
p. 87
p. 88
p. 89
p. 92
p. 94
p. 94
p. 94
p. 95
p. 95
p. 95
p. 95
p. 97
p. 96
p. 96
p. 97
p. 97
p. 97
p. 106
p. 111
Using the audio functionality
Using the MIDI functionality
Audio and MIDI flow
Playing sounds on your computer
Recording sound on your computer
Digital recording the output of the PCR-1 on a CD/MD/DAT
Startup mode
Features Useful When Playing
Pitch Bend
Modulation
Octave Shift
Transpose
Changing memory sets
Transmitting the current controller values all at once
Assign MIDI messages
Note Assign
Aftertouch Assign
Control Change Assign
Program Change Assign
RPN/NRPN Assign
Sys Ex. Assign
Tempo Assign
Copying a MIDI message assignment
Canceling a MIDI message assignment
Saving a memory set
Transmitting/receiving bulk data
Protecting a memory set
F8 Clock
Velocity Offset
Keyboard Port Set
H-Activity On / Off
USB MIDI Driver Mode
Startup Memory
Factory Reset
Pitch Bend Time
USB Audio Sampling Frequency
USB Audio Driver Mode
Direct Monitor On / Off
Pitch Bend Time
Modulation Setting
Problems related to the USB driver
Problems when using the PCR-1
Making system settings
Trouble Shooting
7
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Selecting Sounds on a Sound Module
Quick page reference table............. 7
CONTROL CHANGE ASSIGN ...........68
RPN / NRPN ASSIGN..........................74
Copying a MIDI message assignment
(NO ASSIGN)..............................................87
Transmitting/receiving bulk data
Protecting a memory set (PROTECT).......92
Panel................................................................ 9
Rear Panel..................................................... 12
Getting Connected and Installing
Setting the audio device........................ 32
Setting the driver ................................... 34
Memory sets................................. 100
Troubleshooting .......................... 106
Input / output devices ............................... 44
MIDI implementation.................... 117
Main specifications...................... 122
index ............................................. 123
Use audio functionality ................. 46
Table of operating modes........................... 50
Startup mode................................................ 51
Features Useful When Playing.................. 52
Setting the MIDI Transmit Channel ......... 53
8
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Names of things and what they do
Panel
fig.panel-1
1 Master volume knob
This adjusts the volume that is output from the headphone jack, the master output jacks.
* This does not effect the volume that is output from the digital output jacks.
2 SHIFT Button
Use this in conjunction with other buttons.
3 MEMORY / PGM CHANGE Button
Press the[MEMORY] Button
Press the [SHIFT] so it is lit, and
then press the [MEMORY].
Accesses memories that are stored within the PCR-1.
Transmits program change messages on the current channel.
4 MIDI CH / BANK SEL Button
Specifies the transmission channel (“current channel”) for the
keyboard and bender.
Press the [MIDI CH] Button
Press the [SHIFT] so it is lit, and
Transmits bank select messages on the current channel.
then press the [MIDI CH].
5 EDIT Button
Used to assign MIDI messages to the controllers.
6 Display
Indicates the current status and various other information.
USB
DATA OUT
HEX
Lights if the PCR-1 is connected to your computer via USB.
This will blink when MIDI messages are transmitted via USB or MIDI OUT.
Lights when the value shown in the display is hexadecimal.
9
Names of things and what they do
fig.panel-2
7
7 Controllers [R1] – [R8] , [S1] ( [SHIFT] + [R1] ) – [S8] ( [SHIFT] + [R8] )
You can assign MIDI messages to these controllers.
(➝Assign MIDI messages (EDIT) (p. 61))
When the [SHIFT] button is unlit (SHIFT OFF), these controllers correspond to [R1]--[R8]. When
the button is lit (SHIFT ON), they correspond to [S1]--[S8].
fig.panel-3
8 DEC Button
9
10
11
8
in PLAY mode (p. 51)).
9 INC Button
Increases the value of a setting by one (except
in PLAY mode (p. 51)).
10 HEX Button
12
13
mode to Hexadecimal (Hexadecimal input
mode).
14
11 DECIMAL Button
15
16
12 Controllers [B1] – [B6], [L1] – [L3]
You can assign MIDI messages to these
controllers.(➝Assign MIDI messages (EDIT)
(p. 61))
10
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Names of things and what they do
13 TRANSPOSE / ENTER Button
Use [TRANSPOSE] + [OCTAVE -/+] to transpose the pitch of the keyboard in semitone steps.
Also, in any mode except PLAY mode, it functions as the [ENTER] button, which you need to
press to confirm the settings you’ve made.
14 OCTAVE - / +
Press [OCTAVE - / +] to shift the pitch of the keyboard up or down in steps of an octave.
When not in PLAY mode, use these buttons to return to the previous setting item (the [BACK]
button) or to cancel the setting and return to PLAY mode (the [CANCEL] button).
15 MODULATION Button
This button can be used to apply vibrato.
16 BENDER Switch
This switch can be used to modify the pitch.
11
Names of things and what they do
Rear Panel
fig.rear
17
18
22
19
20
21
17 Security Slot (
)
http://www.kensington.com/
18 Input volume
This dual concentric knob adjusts the input level to input jacks L and R.
19 Input jacks (PCA Pin Type)
These are input jacks for analog audio signals. You can connect dynamic mics, guitars, or audio
devices. You must set the Input select switch to the position appropriate for the device you
have connected.
If you connect a guitar or mic only to the L jack or R jack, the signal will be monaural.
20 Master output jacks (PCA Pin Type)
These are analog audio output jacks. You can connect them to your external monitor speaker
system.
21 Digital output jack / Headphone jack
* The same jack serves as both the headphone jack and digital output jack.
fig.hint
Optical
These are digital jacks for connecting optical cables. Digital jacks for connecting coaxial cables
are labeled Coaxial.
•
•
Use these jacks to output digital audio to a digital audio device such as a MD/DAT.
On the PCR-1, the input from the input jacks cannot be output directly to the Digital output
connector.
You can connect a set of headphones to this jack. The headphone jack will output the same
signal as the master output jacks and digital output jacks. Sound will be output from the
master output jacks even if headphones are connected.
22 USB connector
Use this when connecting the PCR-1 to your computer via a USB cable.
12
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Setup
This section explains how to install the drivers needed for connecting the PCR-1 to a computer,
and make the necessary settings.
Getting Connected and Installing Drivers (Windows)........... (p. 14)
Getting Connected and Installing Drivers (Macintosh).......... (p. 31)
What is a driver?
A “driver” is software that transfers data between the PCR-1 and application software running
on your computer, when your computer and the PCR-1 are connected by a USB cable. The
driver sends data from your application to the PCR-1, and from the PCR-1 to your application.
13
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Getting Connected and Installing Drivers
(Windows)
Installing the driver
The installation procedure will differ depending on your system.
use.
• Windows XP users ........................................................... (p. 14)
• Windows 2000 users......................................................... (p. 20)
• Windows Me/98 users .................................................... (p. 25)
Windows XP users
If you are using Windows
XP Professional, you must
log on using a user name
with an administrative
account type (e.g.,
1
2
Disconnect all USB cables except for a USB keyboard and USB mouse (if
used).
Administrator). For details
on user accounts, please
consult the system
Open the System Properties dialog box.
administrator of your
computer.
1. Click the Windows start menu, and from the menu, select Control
Panel.
2. In “Pick a category”, click “Performance and Maintenance”.
3. In “or pick a Control Panel icon”, click the System icon.
Depending on how your
system is set up, the
fig.2-1
System icon may be
displayed directly in the
Control Panel (the Classic
view). In this case, double-
click the System icon.
3
Click the Hardware tab, and then
click [Driver Signing].
Open the Driver Signing Options
dialog box.
If you changed “What
action do you want
setting after you have
installed the driver. (If you
changed “What action do
you want Windows to
take?” (p. 18))
4
Make sure that “What action do you want Windows to take?” is set to
“Ignore”.
If it is set to “Ignore”, simply click [OK].
If it is not set to “Ignore”, make a note of the current setting (“Warn” or
“Block”). Then change the setting to “Ignore” and click [OK].
14
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5
6
Click [OK] to close the System Properties dialog box.
If the screen indicates
“Windows can perform
the same action each
Exit all currently running software (applications).
Also close any open windows. If you are using virus checking or similar
software, be sure to exit it as well.
time you insert a disk or
connect a device with
this kind of file”, click
[Cancel].
7
8
Prepare the CD-ROM.
Insert the CD-ROM into the CD-ROM drive of your computer.
Click the Windows start button. From the menu that appears, select
“Run...”
The “Run...” dialog box will appear.
fig.2-3_30
9
To check the drive name
Specify the name of the file you want
to execute.
Click the Start button, and
choose My Computer from
the menu that appears. In
the window that appears,
check the drive name of
the CD-ROM drive into
which you inserted the
CD-ROM in step 7.
Enter the following into the “Open”
field, and click [OK].
(drive name) : \Driver\USB_XP2K\SETUPINF.EXE
The SetupInf dialog box will appear.
You are now ready to install the driver.
The drive name is the (D:)
or (E:) displayed by the
* In the explanatory example shown here, the drive name is given as “D:”. The drive
name “D:” may be different for your system. Specify the drive name of your CD-
ROM drive.
CD-ROM drive
.
10Use the USB cable to connect the PCR-1 to your computer.
This unit is equipped with
a protection circuit. A brief
interval (a few seconds)
after connecting the USB
cable is required before the
unit will operate normally.
Near the task bar, your computer will indicate “Found New Hardware”.
Please wait.
11The Found New Hardware Wizard will appear.
Select “Install from a list or specific location (Advanced)”, and click
[Next].
15
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Getting Connected and Installing Drivers (Windows)
fig.2-7_20
12The screen will indicate “Please
choose your search and
installation options”.
Select “Don’t search. I will choose
the driver to install”, and click
[Next].
13Make sure that the “Model” field indicates “EDIROL PCR-1 WAVE” or
“EDIROL PCR-1 MIDI”, and click [Next]. Driver installation will begin.
If the “What action do you want Windows to take?” (Step 4) setting was not set to “Ignore”, a
“Hardware Installation” dialog box will appear.
If “What action do you want Windows to take?” is set to “Warn”
A dialog box with a “!” symbol will appear.
1. Click [Continue Anyway].
2. Continue the installation.
If “What action do you want Windows to take?” is set to “Block”
A dialog box with a “x” symbol will appear.
1. Click [OK].
2. When the “Found New Hardware Wizard” appears, click [Finish].
3. Return to step 1 (p. 14) and re-install the driver from the beginning of the procedure.
14The Insert Disk dialog box will appear.
The Insert Disk dialog
may not appear. In that
case, proceed to the next
step.
Click [OK].
15The Files Needed dialog box will appear.
Input the following into the “Copy files from” field, and click [OK].
Specify the drive name of
your CD-ROM drive..
(drive name):\DRIVER\USB_XP2K
If the “What action do you want Windows to take?” (Step 4) setting was not set to “Ignore”, a
“Hardware Installation” dialog box will appear.
If “What action do you want Windows to take?” is set to “Warn”
A dialog box with a “!” symbol will appear.
1. Click [Continue Anyway].
2. Continue the installation.
16
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Getting Connected and Installing Drivers (Windows)
16The screen will indicate “Completing the Found New Hardware Wizard”.
Click [Finish].
17The Found New Hardware Wizard will appear again.
select “Install from a list or specific location (Advanced)”, and click
[Next].
fig.2-7_20
18The screen will indicate “Please
choose your search and
installation options”.
Select “Don’t search. I will choose
the driver to install”, and click
[Next].
19Make sure that the “Model” field indicates “EDIROL PCR-1 WAVE” or
“EDIROL PCR-1 MIDI”, and click [Next]. Driver installation will begin.
If the “What action do you want Windows to take?” (Step 4) setting was not set to “Ignore”, a
“Hardware Installation” dialog box will appear.
If “What action do you want Windows to take?” is set to “Warn”
A dialog box with a “!” symbol will appear.
1. Click [Continue Anyway].
2. Continue the installation.
20The Insert Disk dialog box will appear.
The Insert Disk dialog
may not appear. In that
case, proceed to the next
step.
Click [OK].
21The Files Needed dialog box will appear.
Input the following into the “Copy files from” field, and click [OK].
(drive name):\DRIVER\USB_XP2K
Specify the drive name of
your CD-ROM drive.
17
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Getting Connected and Installing Drivers (Windows)
If the “What action do you want Windows to take?” (Step 4) setting was not set to “Ignore”, a
“Hardware Installation” dialog box will appear.
If “What action do you want Windows to take?” is set to “Warn”
A dialog box with a “!” symbol will appear.
1. Click [Continue Anyway].
2. Continue the installation.
22The screen will indicate “Completing the Found New Hardware Wizard”.
Click [Finish].
Wait until “Found New Hardware” appears near the taskbar.
23When driver installation has been completed, the System Settings Change
If the System Settings
dialog box will appear.
Change dialog box does
not appear, restart
Windows from the Start
menu.
Click [Yes]. Windows will restart automatically.
If you changed “What action do you want Windows to
take?”
If you changed the What action do you want Windows to take? (p. 14)
setting, restore the original setting after Windows restarts.
1. Log on to Windows using the user name of an administrative account
(e.g., Administrator).
2. Click the Windows start button, and from the menu that appears, select
Control Panel.
3. In “Pick a category,” click “Performance and Maintenance”.
Depending on how your
system is set up, the
4. In “or pick a Control Panel icon”, click the System icon. The System
Properties dialog box will appear.
System icon may be
5. Click the Hardware tab, and then click [Driver Signing]. The Driver
displayed directly in the
Control Panel (classic
view). In this case, double-
click the System icon.
Signing Options dialog box will appear.
6. Return the What action do you want Windows to take? setting to the
original setting (either “Warn” or “Block”), and click [OK].
7. Click [OK]. The System properties dialog box will close.
This completes installation of the driver.
Next, we recommend that you enable background processing on your computer, so MIDI and
audio processing will be as smooth as possible.(➔ Enabling background processing (p. 19))
18
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Getting Connected and Installing Drivers (Windows)
■ Enabling background processing
In Windows XP, make settings to enable background processing. If you fail
to make this setting, you may experience interruptions in the sound. To
ensure that MIDI and audio processing occurs smoothly, use the following
procedure to make settings.
1
Open the System Properties dialog box.
1. Click the Windows start menu, and from the menu, select Control
Panel.
2. In “Pick a category”, click “Performance and Maintenance”.
3. In “or pick a Control Panel icon”, click the System icon.
Depending on how your
system is set up, the
System icon may be
2
3
displayed directly in the
Control Panel (the Classic
view). In this case, double-
click the System icon.
Click the Advanced tab.
At the right of the Performance field, click [Settings].
The Performance Options dialog box will appear.
4
Click the Advanced tab.
fig.2-30a
5
In the Processor Scheduling
field, select “Background
services”, and click [OK].
6
In the System Properties dialog box, click [OK].
The System Properties dialog box will close.
Next, make MIDI device and audio device settings.
(➝Specifying the audio and MIDI input/output destination (p. 26))
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Getting Connected and Installing Drivers (Windows)
Windows 2000 users
1
Log on to Windows as a
user with administrative
privileges (such as
Disconnect all USB cables except for a USB keyboard and USB mouse (if
used).
Administrator)
2
Open the System Properties dialog box.
Click the Windows Start button, and from the menu that appears, select
Settings | Control Panel. In Control Panel, double-click the System icon.
fig.05-2_30
3
Click the Hardware tab, and then
click [Driver Signing].
The Driver Signing Options
dialog box will appear.
4
previous setting after you
have installed the driver.
(➝If you changed “File
signature verification” (p.
23))
Make sure that “File signature verification” is set to “Ignore”.
If it is set to “Ignore”, simply click [OK].
If it is not set to “Ignore”, make a note of the current setting (“Warn” or
“Block”). Then change the setting to “Ignore” and click [OK].
5
Click [OK] to close the System Properties dialog box.
6
Exit all currently running software (applications).
Also close any open windows. If you are using virus checking or similar
software, be sure to exit it as well.
7
Prepare the CD-ROM.
Insert the CD-ROM into the CD-ROM drive of your computer.
8
Click the Windows Start button. From the menu that appears, select
“Run...”
The “Run...” dialog box will appear.
20
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Getting Connected and Installing Drivers (Windows)
fig.05-5_30
To check the drive name
In the Windows desktop,
double-click the My
9
In the dialog box that appears,
input the following into the
“Open” field, and click [OK].
Computer icon. In the
window that appears,
check the drive name of
the CD-ROM drive into
which you inserted the
CD-ROM in step7.
(drive name) : \Driver\USB_XP2K\SETUPINF.EXE
The drive name is the (D:)
or (E:) displayed by the
The SetupInf dialog box will appear.
CD-ROM drive
.
You are now ready to install the driver.
* In the explanatory example shown here, the drive name is given as “D:”. The drive
name “D:” may be different for your system. Specify the drive name of your CD-
ROM drive.
This unit is equipped with
a protection circuit. A brief
interval (a few seconds)
after connecting the USB
cable is required before the
unit will operate normally.
10Use the USB cable to connect the PCR-1 to your computer.
If the “File signature verification” (Step 4) setting was not set to “Ignore”, a “Digital Signature Not
Found” dialog box will appear.
If “File signature verification” is set to “Warn”
1. Click [Yes].
2. Continue the installation.
If “File signature verification” is set to “Block”
1. Click [OK].
2. When the “Found New Hardware Wizard” appears, click [Finish].
3. Return to step 1 (p. 20) and re-install the driver from the beginning of the procedure.
11The Insert Disk dialog box will appear.
If the Insert Disk dialog
box does not appear,
Click [OK].
proceed to the next step.
12The Files Needed dialog box will appear.
Specify the drive name of
your CD-ROM drive.
Input the following into the “Copy files from” field, and click [OK].
(drive name) : \DRIVER\USB_XP2K
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Getting Connected and Installing Drivers (Windows)
If the “File signature verification” (Step 4) setting was not set to “Ignore,” a “Digital Signature Not
Found” dialog box will appear.
If “File signature verification” is set to “Warn”
1. Click [Yes].
2. Continue the installation.
13The screen will indicate “Completing the Found New Hardware Wizard”.
Click [Finish].
14The System Settings Change dialog box will appear.
Click [Yes]. Windows will restart automatically.
Log on to Windows as a user with administrative privileges (e.g.,
Administrator).
15After you have logged on to Windows, the Insert Disk dialog box will
If the Insert Disk dialog
box does not appear,
appear again.Click [OK].
proceed to the next step.
16The Files Needed dialog box will appear.
Input the following into the “Copy files from” field, and click [OK].
Specify the drive name of
your CD-ROM drive.
(drive name) : \DRIVER\USB_XP2K
If the “File signature verification” (Step 4) setting was not set to “Ignore,” a “Digital Signature Not
Found” dialog box will appear.
If “File signature verification” is set to “Warn”
1. Click [Yes].
2. Continue the installation.
17The screen will indicate “Completing the Found New Hardware Wizard”.
If the Found New
Hardware Wizard dialog
Click [Finish].
box does not appear,
proceed to the next step.
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Getting Connected and Installing Drivers (Windows)
18The System Settings Change dialog box may appear.
If the System Settings
Click [Yes]. Windows will restart automatically.
Change dialog box does
If the System Settings Change dialog box does not appear, restart
Windows from the Start menu.
not appear, restart
Windows from the Start
menu.
If you changed “File signature verification”
If you changed the “File signature verification” (p. 20) setting, restore
the original setting after Windows restarts.
1. After Windows restarts, log in to Windows as a user with
administrative privileges, (such as Administrator).
2. In the Windows desktop, right-click the My Computer icon, and
from the menu that appears, select Properties. The System
Properties dialog box will appear.
3. Click the Hardware tab, and then click [Driver Signing]. The Driver
Signing Options dialog box will appear.
4. Return the “File signature verification” setting to the original
setting (either “Warn” or “Block”), and click [OK].
5. Click [OK]. The System Properties dialog box will close.
This completes installation of the driver.
Next, we recommend that you enable background processing on your
computer, so MIDI and audio processing will be as smooth as possible.
(➔ Enabling background processing (p. 24))
23
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Getting Connected and Installing Drivers (Windows)
■ Enabling background processing
In Windows 2000, make settings to enable background processing. If you fail
to make this setting, you may experience interruptions in the sound. To
ensure that MIDI and audio processing occurs smoothly, use the following
procedure to make settings.
1
Click the Windows Start button, and from the menu that appears, select
Settings | Control Panel. In Control Panel, double-click the System icon.
2
Click the Advanced tab.
3
At the right of the Performance field, click [Performance Options].
The Performance Options dialog box will appear.
fig.back2000
4
In the Application response field,
choose “Background services”
and click [OK].
5
Click [OK] to close the System Properties dialog box.
Next, make MIDI device and audio device settings.
(➝Specifying the audio and MIDI input/output destination (p. 26))
24
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Getting Connected and Installing Drivers (Windows)
Windows Me/98 users
1
With the PCR-1 disconnected, start up Windows.
Disconnect all USB cables except for a USB keyboard and USB mouse (if
used).
If you are using virus checking or similar software, be sure to exit it as well.
2
Exit all currently running software (applications).
Also close any open windows. If you are using virus checking or similar
software, be sure to exit it as well.
3
4
Prepare the CD-ROM.
Insert the CD-ROM into the CD-ROM drive of your computer.
Click the Windows Start button. From the menu that appears, select Run....
To check the drive name
In the Windows desktop,
double-click the My
The “Run...” dialog box will appear.
fig.05-13_30
Computer icon. In the
window that appears,
check the drive name of
the CD-ROM drive into
which you inserted the
CD-ROM in step3.
5
In the dialog box that appears,
input the following into the
“Open” field, and click [OK].
The drive name is the (D:)
or (E:) displayed by the
CD-ROM drive
.
(drive name) : \Driver\USB_ME98\SETUPINF.EXE
The SetupInf dialog box will appear.
You are now ready to install the driver.
* In the explanatory example shown here, the drive name is given as “D:”. The drive
name “D:” may be different for your system. Specify the drive name of your CD-
ROM drive.
This unit is equipped with
a protection circuit. A brief
interval (a few seconds)
after connecting the USB
cable is required before the
unit will operate normally.
6
7
Use the USB cable to connect the PCR-1 to your computer.
The driver will be installed automatically.
In the SetupInf dialog box, click [OK].
If a message recommends
that you restart Windows,
restart Windows as
directed.
Next, make MIDI device and audio device settings.
(➝Specifying the audio and MIDI input/output destination (p. 26))
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Getting Connected and Installing Drivers (Windows)
Settings and checking
■
Specifying the audio and MIDI input/output destination
Windows XP users
1
Open Control Panel.
Click the Windows start button, and from the menu that appears, select
Control Panel.
Depending on how your
system is set up, the
2
Open the Sounds and Audio Devices Properties dialog box.
Sounds and Audio
In “Pick a category” click “Sound, Speech, and Audio Devices”. Next, in
“or pick a Control Panel icon”, click the sounds and Audio Devices icon.
Devices icon may be
displayed directly in the
Control Panel (the Classic
view). In this case, double-
click the Sounds and
Audio Devices icon.
3
Click the Audio tab.
fig.XP_J
4
For MIDI music playback, click the
For details on the PCR-1’s
input/output devices,
refer to Input / output
devices (p. 44)
located at the right of [Default device]
, and select the following from the list
that appears.
Sound playback
Sound recording
EDIROL PCR-1
EDIROL PCR-1
For details on adjusting the
audio latency and using
ASIO Direct Monitor, refer
to Taking full advantage
(p. 29).
5
Close the Sounds and Audio Devices Properties dialog box.
Click [OK] to complete the settings.
This completes settings for using the PCR-1 with an application that uses the standard
Windows device settings, such as Media Player.
For details on how to make these settings, refer to the owner’s manual for your software.
For details on the PCR-1’s input/output devices, refer to Input / output devices (p. 44).
26
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Getting Connected and Installing Drivers (Windows)
Windows 2000 / Me users
1
Open Control Panel.
Click the Windows Start button, and from the menu that appears, select
Settings | Control Panel.
2
Open the Sounds and Multimedia Properties.
In Control Panel, double-click the Sounds and Multimedia icon to open the
If the Sound and
“Sounds and Multimedia Properties” dialog box.
Multimedia icon is not
displayed, click “Show all
control panel options” in
the frame at the left.
3
Click the Audio tab.
fig.MEe
4
For details on the PCR-1’s
input/output devices,
refer to Input / output
devices (p. 44).
For MIDI music playback, click the
located at the right of [Preferred
device], and select the following from
the list that appears.
For details on adjusting the
audio latency and using
ASIO Direct Monitor, refer
to Taking full advantage
(p. 29).
Sound playback
Sound recording
EDIROL PCR-1
EDIROL PCR-1
5
Close the Sounds and Audio Devices Properties dialog box.
Click [OK] to complete the settings.
This completes settings for using the PCR-1 with an application that uses the standard
Windows device settings, such as Media Player.
For details on how to make these settings, refer to the owner’s manual for your software.
For details on the PCR-1’s input/output devices, refer to Input / output devices (p. 44).
27
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Getting Connected and Installing Drivers (Windows)
Windows 98 users
1
Open Control Panel.
Click the Windows Start button, and from the menu that appears, select
Settings | Control Panel.
2
Open the Multimedia Properties dialog box.
In Control Panel, double-click the Multimedia icon to open the “Multimedia
Properties” dialog box.
3
Click the Audio tab.
fig.98_E
For details on the PCR-1’s
input/output devices,
refer to Input / output
devices (p. 44)
4
Specify the “Preferred device”.
Click the Playback field and
Recording field, make the following
selections from the list that appears,
and click [Apply].
Playback
Recording
EDIROL PCR-1
EDIROL PCR-1
For details on adjusting the
audio latency and using
ASIO Direct Monitor, refer
to Taking full advantage
(p. 29).
5
Close the Multimedia Properties
dialog box.
Click [OK] to complete the settings.
This completes settings for using the PCR-1 with an application that uses the standard
Windows device settings, such as Media Player.
For details on how to make these settings, refer to the owner’s manual for your software.
For details on the PCR-1’s input/output devices, refer to Input / output devices (p. 44).
28
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Getting Connected and Installing Drivers (Windows)
■ Taking full advantage
Latency is the time delay
from when an application
plays back audio data until
Adjusting the audio latency
You can change the driver settings to adjust the latency of the audio. To
adjust the latency, change the Buffer Size in the driver settings dialog box.
the sound is actually heard
from an audio device such
as the PCR-1.
1
2
Open the “Driver Settings” dialog box.
1. Open “Control Panel” .
In Windows XP, click
"Switch to Classic View"
to select Classic View on
your computer. If you're
not in Classic View, the
EDIROL PCR-1 icon won't
be shown.
2. Double-click “EDIROL PCR-1” icon.
The Driver Settings dialog box will appear.
Adjust the driver buffer size.
The following setting will produce the shortest latency.
Set “Audio Buffer Size” to the far left (Min).
In Windws Me, click
"Show all Control Panel
Options.”
3
4
Click [OK] to close the driver settings dialog box.
If you are using an
application that has a
function for testing audio
devices, get it to perform
its tests.
Restart the application that is using the PCR-1.
5
Play back audio data on your application.
If interruptions occur in the sound, repeat step 1 to step 5, and gradually increase
the buffer size specified in step 2 until interruptions no longer occur.
Depending on the
application you are using,
there may be a buffer size
or latency adjustment
function among the audio
settings of the application
as well. For details, refer to
the operation manual for
your application.
29
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Getting Connected and Installing Drivers (Windows)
Using ASIO Direct Monitor
If the PCR-1's DIRECT MONITOR ON / OFF setting (p. 97) is AUTO, you can
control the PCR-1's Direct Monitor settings from your ASIO 2.0 compatible
software.
In Windows XP, click
“Switch to classic view”
to switch the display to the
classic view. EDIROL
PCR-1 icon will not be
displayed unless the
1
Open the “Driver Settings” dialog box.
1. Open the “Control Panel”
2. Double-click “EDIROL PCR-1” icon.
The Driver Settings dialog box will appear.
classic view is selected.
2
Make the following settings.
In Windows Me, click
“View all Control Panel
options.”
Check the “Use ASIO Direct Monitor” check box.
3
Click [OK] to close the driver settings dialog box.
When using ASIO Direct
Monitor, monitoring may
switch on/off at
unexpected times,
depending on the
application settings and on
the recording procedure. If
this occurs, uncheck the
check box in step 2 to
disable ASIO Direct
Monitor.
Depending on your
application, there may also
be an ASIO Direct
Monitor setting among the
audio settings of your
application. For details,
refer to the operation
manual for your
application.
30
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Getting Connected and Installing Drivers
(Macintosh)
The installation procedure will differ depending on your system.
Please proceed to one of the following sections, depending on the system you
use.
• Mac OS X users ................................................................. (p. 31)
• Mac OS 9 users.................................................................. (p. 33)
Mac OS X users
■ Installing the driver
1
Disconnect all USB cables other than those for your keyboard and mouse,
and restart your Macintosh.
2
Prepare the CD-ROM.
Insert the CD-ROM into the CD-ROM drive of your computer.
3
If the “Authenticate”
In the Driver (Mac OS X) folder of the CD-ROM, double-click
PCR1USBDriver.pkg.
dialog box appears during
the installation, input the
password and click “OK.”
4
5
The display will indicate “Welcome to the EDIROL PCR-1 USB Driver
Installer”. Click [Continue].
Select your startup disk as
the drive.
The display will indicate “Select a Destination”.
Click the drive in which the operating system is installed to select it, and then
click [Continue].
6
7
The display will indicate “Easy Install”.
Click Install or Upgrade.
If the “Authenticate”
The display will indicate “Installing this software requires you to restart
your computer when the installation is done”.
dialog box appears during
the installation, input the
password and click “OK.”
Click [Continue Installation].
8
9
The display will indicate “The software was successfully installed”.
Click [Restart] to restart your computer.
This completes installation of the PCR-1 driver.
Next, make MIDI device and audio device settings.
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■ Setting the audio device
This unit is equipped with
a protection circuit. A brief
interval (a few seconds)
after connecting USB cable
is required before the unit
will operate normally.
1
Use the USB cable to connect the PCR-1 to your computer.
2
Open “System Preferences” and click “Sound”.
Although “44.1 kHz” is
used for the purpose of
document, this changes
depending on the actual
setting of the sampling
frequency select on your
PCR-1 (p. 96).
3
In the Sound Effects tab, set “Play alerts and sound effects through” to
“EDIROL PCR-1 44.1 kHz”.
4
In the Output tab, set “Choose a device for sound output” to “EDIROL
PCR-1 44.1 kHz”.
5
In the Input tab, set “Choose a device for sound input” to “EDIROL PCR-
1 44.1 kHz”.
Once set this way, all
sounds from your
When you have finished making settings, close the dialog box.
Macintosh (including
audio alerts) will be output
only through the PCR-1,
not from the speakers of
your Macintosh.
* You'll need to make MIDI device settings within the sequencer you're using. For
details, refer to the owner's manual for your sequencer software.
When using the PCR-1 with your software
Before using the PCR-1 with your software, please note the following points.
•
•
•
•
•
Use the USB cable to connect the PCR-1 to your computer before you start up your software.
Do not disconnect the USB cable from the PCR-1 while your software is running.
Quit your software before you disconnect the USB cable from the PCR-1.
Turn off the Sleep function of your Macintosh.
The PCR-1 will not operate in the Mac OS X Classic environment. Use the PCR-1 when the
Classic environment is not running.
For details on how to make these settings, refer to the owner’s manual for your software.
For details on the PCR-1’s input/output devices, refer to Input / output devices (p. 44).
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Getting Connected and Installing Drivers (Macintosh)
Mac OS 9 users
■ Installing the PCR-1 driver
Use either OMS or FreeMIDI as the MIDI driver.
The included PCR-1 driver is an add-on module for using the PCR-1 with OMS
or FreeMIDI.
OMS can be found in the
OMS 2.3.8 E folder within
the OMS (Mac OS 9)
folder of the CD-ROM. If
you would like to know
more about OMS, refer to
OMS_2.3_Mac.pdf which
can be found in the same
folder.
* Either OMS or FreeMIDI must be installed in your Macintosh, as appropriate for the
sequencer software you are using.
If a PCR-1 is already connected to your Macintosh when you install the driver, a
message like the following will appear when the Macintosh is started up.
Perform the steps described below as appropriate for the message that is
displayed.
If the screen indicates:
“Software needed for the USB device “PCR-1” is not available. Would you
like to look for the software on the Internet?”
If you install OMS or
FreeMIDI after installing
the PCR-1 driver, you
must install the PCR-1
driver once again.
→ click [Cancel].
If the screen indicates:
“The software needed to use the USB device “PCR-1” cannot be found.
Please refer to the device documentation to install the necessary
software”.
→ click [OK].
Use the following procedure to install the PCR-1 driver.
Disconnect the PCR-1 from
the Macintosh before you
perform the installation.
1
Exit all currently running software (applications).
If you are using a virus checker or similar software, be sure to exit this as well.
2
3
Prepare the CD-ROM.Insert the CD-ROM into the CD-ROM drive.
Double-click the PCR-1 Driver-E Installer icon (found in the Driver E (Mac
OS 9) folder of the CD-ROM) to start up the installer.
4
Verify the Install Location, and click [Install].
fig.05-20
5
The installation location
will be shown differently
depending on your
If a message like the following is
displayed, click [Continue].
The other currently running
applications will exit, and
installation will continue.
system. Make sure that
you have selected the
startup disk for the system
you are currently using.
6
A dialog box will indicate Installation was successful.
Click [Restart] to restart your Macintosh.
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Getting Connected and Installing Drivers (Macintosh)
■ Setting the driver
If you are using FreeMIDI, proceed to FreeMIDI settings (p. 36).
OMS settings
This unit is equipped with
a protection circuit. A brief
interval (a few seconds)
after connecting the USB
cable is required before the
unit will operate normally.
1
Use the USB cable to connect the PCR-1 to your computer.
fig.3-3
2
From the CD-ROM, drag the Driver E (Mac OS 9) - OMS
Setting folder into the Opcode - OMS Applications
folder on the hard disk of your Macintosh to copy it there.
If you are using the PCR-1
in conjunction with other
MIDI devices, make
fig.3-4
3
settings as described in
Readme_E.htm located in
the Driver E (Mac OS 9)
folder of the CD-ROM.
In the Opcode - OMS Applications folder where you
installed OMS, double-click OMS Setup to start it up.
fig.3-5_35
4
If a dialog box like the one shown
We recommend that you
turn off AppleTalk, by
selecting Chooser from the
Apple menu.
here appears, click [Turn It Off]. A
confirmation dialog box will then
appear, so click [OK].
fig.3-6_35
5
The Create a New Studio Setup
dialog box will appear. Click
[Cancel].
If you accidentally clicked [OK], click
[Cancel] in the next screen.
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Getting Connected and Installing Drivers (Macintosh)
fig.3-8_35
6
Choose “Open” from the File
menu.
From the OMS Setting folder that
you copied in step 3, select the PCR-
1 file, and click [Open].
A screen like the one shown here
will appear.
fig.3-9_35
7
From the Edit menu, select OMS
MIDI Setup.
In the OMS MIDI Setup dialog box
that appears, check Run MIDI in
background, and click [OK].
fig.3-10_40
A diamond mark (◊) indicate in the settings are enabled.
8
From the File menu, choose Make
Current.
* If you are unable to select Make
Current, it has already been applied,
and you may continue to the next step.
9
Verify that MIDI transmission and
reception can be performed correctly. From the Studio menu, choose Test
Studio.
fig.OMS3
10Try moving the fader of the PCR-1.
For details on the PCR-1’s
input/output devices,
refer to Input / output
devices (p. 44).
If the arrow beside number 1 or 2 in
the diagram at right blinks, the
settings have been made correctly.
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Getting Connected and Installing Drivers (Macintosh)
11Exit OMS Setup.
From the File menu, choose [Exit]. If the AppleTalk confirmation dialog box
appears, click [OK] to close the dialog box.
This completes installation of the driver.
Next, make MIDI device settings in your sequencer or other software.
For details on how to make these settings, refer to the owner’s manual for your software.
For details on the PCR-1’s input / output devices, refer to Input / output devices (p. 44).
FreeMIDI settings
This unit is equipped with
a protection circuit. A brief
interval (a few seconds)
after connecting the USB
cable is required before the
unit will operate normally.
1
2
3
4
Use the USB cable to connect the PCR-1 to your computer.
From the CD-ROM, drag the Driver E (Mac OS 9) - FreeMIDI Setting folder
into the FreeMIDI Applications folder on the hard disk of your Macintosh
to copy it there.
If you are using the PCR-1
in conjunction with other
MIDI devices, make
settings as described in
Readme_E.htm located in
the Driver E (Mac OS 9)
folder of the CD-ROM.
Open the FreeMIDI Applications folder from the location into which you
installed FreeMIDI, and double-click the FreeMIDI Setup icon to start it up.
The first time you start up, use the following procedure.
When “OMS is installed
on this computer...”
1. A dialog box saying “Welcome to FreeMIDI!” will appear.
Click [Continue].
appears, click [FreeMIDI].
2. The FreeMIDI Preferences dialog box will appear.
Click [Cancel].
3. The About Quick Setup dialog box will appear.
Click [Cancel].
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Getting Connected and Installing Drivers (Macintosh)
5
6
If you are unable to select
Open, make settings as
follows.
From the File menu, choose Open.
Select PCR-1 from the FreeMIDI Setting folder you copied in step 3, and
click [Open].
1.From the File menu,
choose FreeMIDI
Preference.
2.Uncheck “Use OMS
7
when available.”
Verify that MIDI transmission and reception occur correctly.
3. Close FreeMIDI.
4. Return to step 4 and
continue the procedure.
From the MIDI menu, choose Check Connections.
fig.FreeMIDI_40
8
Try moving the fader of the PCR-1.
If the number 1 or 2 in the diagram
at right blinks, the settings have
been made correctly.
For details on the PCR-1’s
input/output devices,
refer to Input / output
devices (p. 44).
9
Once again choose the MIDI menu command Check Connections to end
the test.
10From the File menu, choose Quit to exit FreeMIDI Setup.
This completes installation of the driver.
Next, make MIDI device settings in your sequencer or other software.
For details on how to make these settings, refer to the owner’s manual for your software.
For details on the PCR-1’s input/output devices, refer to Input / output devices (p. 44).
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Getting Connected and Installing Drivers (Macintosh)
ASIO (Steinberg Audio
Stream In/Out Interface)
This is an audio interface
standard promoted by the
Steinberg Corporation.
When the PCR-1 is used
with ASIO-compatible
software, the
You must install the PCR-1 driver even if you will be using only audio on the
PCR-1. Be sure to install the PCR-1 driver before you install the ASIO driver.
(➔Installing the PCR-1 driver (p. 33))
This section explains how to install the ASIO driver that allows the PCR-1 to
be used by your sequencer software or audio editing software.
For details on installation and settings of the ASIO driver, be sure to also read
the Driver E (Mac OS 9) - Readme_E.htm document on the CD-ROM.
synchronization precision
will be improved, allowing
a more sophisticated music
production environment.
The PCR-1 cannot play back audio data from the Macintosh’s sound
manager (such as audio CDs and alert sounds).
The ASIO driver of the PCR-1 supports the following audio input/output
channels.
• Audio input ........ 24/16 bit
• Audio output...... 24/16 bit
1 stereo ch. (2 monaural chs.)
1 stereo ch. (2 monaural chs.)
Here we will explain how to install the ASIO 1.0 16 bit-compatible driver.
If your ASIO-compatible software supports ASIO 2.0 or recording/
playback of 24 bit audio data, using the following drivers will provide a
higher quality environment.
ASIO-compatible software
Driver to use
ASIO2.0-compatible
24 bit compatible
✕
✕
❍
❍
✕
❍
✕
❍
PCR-1 ASIO 1.0 16 bit
PCR-1 ASIO 1.0 24 bit
PCR-1 ASIO 2.0 16 bit
PCR-1 ASIO 2.0 24 bit
1
From the Driver E (Mac OS 9) - ASIO folder of the CD-ROM, copy [PCR-1
ASIO1.0 16bit] to the ASIO Drivers folder of the ASIO-compatible software
you are using (e.g., Cubase VST, Logic Audio, Digital Performer, Metro, or
SPARK LE).
The Audio setting dialog
box will be named
differently depending on
your software. For details
refer to the manual of your
software.
2
3
Start up your ASIO-compatible software.
Open the Audio setting dialog box of your ASIO-compatible software, and
select [PCR-1 ASIO1.0 16bit] as the ASIO Device.
For details on adjusting the
audio latency and using
ASIO Direct Monitor, refer
to Taking full advantage
(p. 39).
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Getting Connected and Installing Drivers (Macintosh)
■ Taking full advantage
Latency is the time delay
from when an application
plays back audio data until
Adjusting the audio latency
You can change the driver settings to adjust the latency of the audio. To
adjust the latency, change the Buffer Size in the driver settings dialog box.
the sound is actually heard
from an audio device such
as the PCR-1.
1
2
3
Open the “Driver Settings” dialog box.
The name of the Audio
Settings dialog box and the
procedure for opening the
ASIO Control Panel will
differ depending on your
application. For details,
refer to the operation
manual for your
Open the ASIO Control Panel from the Audio Settings dialog box of your
ASIO-compatible application.
Adjust the driver buffer size.
The following setting will produce the shortest latency.
Set “Buffer Size” to the far left (Min).
application.
Click [OK] to close the driver settings dialog box.
4
5
If you are using an
application that has a
function for testing audio
devices, get it to perform
its tests.
Restart the application that is using the PCR-1.
Play back audio data on your application.
If interruptions occur in the sound, repeat step 1 to step 5, and gradually increase
the buffer size specified in step 2 until interruptions no longer occur.
Depending on the
application you are using,
there may be a buffer size
or latency adjustment
function among the audio
settings of the application
as well. For details, refer to
the operation manual for
your application.
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Getting Connected and Installing Drivers (Macintosh)
Using ASIO Direct Monitor
If the PCR-1's DIRECT MONITOR ON / OFF setting (p. 97) is AUTO, you can
control the PCR-1's Direct Monitor settings from your ASIO 2.0 compatible
software.
1
Open the “Driver Settings” dialog box.
Open the ASIO Control Panel from the Audio Settings dialog box of your
ASIO-compatible application.
The name of the Audio
Settings dialog box and the
procedure for opening the
ASIO Control Panel will
differ depending on your
application. For details,
refer to the operation
manual for your
2
Check the “Use ASIO Direct Monitor” check box.
3
Click [OK] to close the driver settings dialog box.
application.
When using ASIO Direct
Monitor, monitoring may
switch on/off at
unexpected times,
depending on the
application settings and on
the recording procedure. If
this occurs, uncheck the
check box in step 2 to
disable ASIO Direct
Monitor.
Depending on your
application, there may also
be an ASIO Direct
Monitor setting among the
audio settings of your
application. For details,
refer to the operation
manual for your
application.
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Operation
PCR-1 by itself. You will need to connect it to a sound module or computer.
The various controllers ( [R1–R8] , [S1–S8] , [B1–B6] , [L1–L3] ) can be assigned almost any
message you want to get the control you need for your particular setup. For details on the
messages that can be assigned, refer to Assign MIDI messages (EDIT) (p. 61).
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Basic use
Basic connections
fig.connect-basic
* To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and
turn off the power on all devices before making any connections.
If you connect as shown in the diagram, you will be able to monitor the playback from your
software or the sound from instruments or audio devices connected to the PCR-1.
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Basic use
Audio and MIDI flow
■ Audio flow (Block diagram)
fig.diagram
USB
INPUT
LEVEL
AUDIO INPUT
DIGITAL OUT(OPTICAL)
AUDIO OUTPUT
PHONES
MASTER
VOLUME
DIRECT MONITOR(p.97)
■ MIDI flow
When using a USB connection
fig.flow-usb
PC
PCR-1
USB
MIDI OUT DEVICE
EDIROL PCR-1
BULK RECEPTION
MIDI IN DEVICE
EDIROL PCR-1 1
EDIROL PCR 1 2
PORT 1
PORT 2 /
BULK TRANSMISSION
* For an explanation of the items in the diagram, refer to Input / output devices (p. 44).
* For details on the actual operation, refer to Use MIDI functionality (p. 50).
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Basic use
Input / output devices
In order to obtain the best performance from your software, you must make the appropriate
input/output device settings.
For details on these settings, refer to the owner’s manual for your software.
* If you are unable to select the PCR-1 in the device settings for your software, it is possible that the PCR-
1 driver was not installed correctly. Please reinstall the driver.
Audio Devices
Audio output device
EDIROL PCR-1
This sends audio signals from your computer to the PCR-1. If you are using Media Player
you will normally choose this. You should also use this if you are using an application
such as SONAR in WDM driver mode or a Direct Sound application.
MME EDIROL PCR-1 Out
This sends audio signals from your computer to the PCR-1. Use this if you are using an
application that does not have a WDM driver mode, or if you want to use 24-bit audio
with a non-ASIO application .
* Windows XP/2000 only
Audio input devices
EDIROL PCR-1
This receives audio signals sent from the PCR-1 to your computer. Normally, you should
use this. You should also use this when using an application such as SONAR in WDM
driver mode.
MME EDIROL PCR-1 In
This receives audio signals sent from the PCR-1 to your computer. Use this if you are us-
ing an application that does not have a WDM driver mode, or if you want to use 24-bit
audio with a non-ASIO application .
* Windows XP/2000 only
ASIO device
EDIROL PCR-1
Select “EDIROL PCR-1” as the ASIO setting for your application if you are using the
PCR-1 with an ASIO application such as Cubase.
* To prevent audio loops from causing oscillation or double monitoring, turn monitoring off in
your application or use the ASIO Direct Monitor setting.
MIDI Devices
MIDI OUT device
PCR-1 (Mac OS 9: PCR-1 1)
This is the bulk reception port. When receiving bulk data into the PCR-1, select PCR-1 as
the output port for your sequencer software or other program.
MIDI IN device
PCR-1 1
PCR-1 2
These ports receive messages from the keyboard, bender switch, and controllers.
The port assignment determines how the keyboard, bender switch, and controllers are
mapped to PCR-1 1 or PCR-1 2.
You may find it convenient to select PCR-1 1 for messages used for real-time perfor-
mance on a software synthesizer or for recording on a sequencer track, and select PCR-1
2 for messages used to control a sequencer (e.g., sequencer start/stop, or track fader con-
trol).
PCR-1 2 is also the bulk transmission port. When transmitting bulk data from the PCR-
1, select PCR-1 2 as the input port for your sequencer software.
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Basic use
Two MIDI ports
Some sequencer software that supports MIDI controllers lets you independently specify the MIDI
input port used for recording MIDI tracks (the “MIDI IN port”) and the MIDI input port used to control
the software (the “CTRL IN port”).
fig.midi-port.e
Sequencer software
Normally, you will connect your MIDI keyboard to the
MIDI IN port, and use it for recording your
Track
Track
Record on
tracks
THRU
performance on tracks or using the MIDI Thru
function of your software to play sound modules or
soft synthesizers. The MIDI messages sent here have
the meaning that is assigned to them by the MIDI
specification. In other words, when you play the
keyboard, note messages will be transmitted and
recorded on the track, and the sound module that
receives these messages will produce sound.
Software
synthesizer
MIDI IN port
PCR-1
MIDI OUT port
CTRL IN port
MIDI sound module
fig.midi-port2.e
In contrast, the data received from the CTRL IN port is
used to operate your software in the same way as data
from your computer’s mouse or keyboard; it will not
be recorded on the tracks or “thru-ed” to your sound
module or soft synthesizer. The MIDI messages sent
here are interpreted in a completely different way than
defined in the MIDI specification.
For this reason, messages that are input from the CTRL
IN port are not normally “thru-ed” to your sound
module or soft synthesizer.
For example, even if you play your keyboard to send a
note-on message, the software that receives this
message will not produce a note; instead, it might
interpret this message as meaning that the PLAY/
STOP button had been pressed.
The actual operation that will occur will depend on the
software you are using.
fig.midi-port3.e
Since the same MIDI message can be interpreted in
completely different ways, as described above, the
software lets you specify the MIDI IN port and CTRL
IN port separately so that the two types can be
distinguished.
When the PCR-1 is connected via USB, you can select
either of the two MIDI ports (PCR-1 1, PCR-1 2) as the
output destination for MIDI messages produced by the
faders, knobs, and buttons of the PCR-1.
In other words, by assigning “PCR-1 1” as your
software’s MIDI IN port and “PCR-1 2” as its CTRL IN
operations to control mixer operations in your
software while using the knobs to edit your software
synthesizer.
The output destination of the MIDI messages transmitted when you operate the PCR-1’s knobs, and
buttons can be specified separately for each controller. (Assign MIDI messages (EDIT) (p. 61))
45
Use audio functionality
In order to play sounds on your computer from the PCR-1, you will need to first install the
driver and make device settings. (➝Windows (p. 14) , Macintosh (p. 31)
You must also turn on the PCR-1’s USB Audio functionality. (➝USB AUDIO ON/OFF (p. 96))
Playing sounds on your computer
Here’s how you can listen to audio playback from your computer from the PCR-1 or
headphones connected to the PCR-1. Play back audio data (e.g., .WAV data).
fig.connect-play
USB cable
Signal flow
Audio cable
OUTPUT
External input jacks
(AUX IN, LINE IN)
Headphones
Stereo set,
Monitor speakers, etc.
* You will no longer hear sound from the internal speaker of your computer.
computer cannot be played by the PCR-1.
* If the sampling frequency is set to 96 kHz REC, you will not hear the playback sound from your
application .(➝ USB AUDIO MODE SETTING (p. 96))
* Some connection cables contain a resistor. Do not use a cable with a built-in resistor to connect with the
PCR-1. Doing so may make the sound extremely weak, or inaudible. Use the cable without a built-in
resistor (eg.,Roland PCS series).
To prevent malfunction and/or damage to speakers or other devices, always turn down the
volume, and turn off the power on all devices before making any connections.
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Use audio functionality
Recording sound on your computer (using your
application to record sound from external audio device)
fig.PCrec
Setting
•
Use the Input volume (p. 12) to adjust the input level.Check the input level on the application
that you using.
•
application.(➝ USB AUDIO MODE SETTING (p. 96))
the USB cable from the PCR-1, then connect it again.
•
If Direct Monitor (p. 97) is ON, the signal input through the audio input jacks will be output
from the headphone jack and the master output jacks. is ON, use the Master volume knob (p.
9) to adjust the monitor level.
* Adjusting the monitor level will not change the recording level.
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Use audio functionality
Don’t connect anything to input jacks you are not using.
Howling could be produced depending on the location of microphones relative to speakers.
This can be remedied by:
1.Changing the orientation of the microphone (s)/ 2.Relocating microphone (s) at a greater
distance from speakers/ 3.Lowering volume levels.
Be careful of looped connections
fig.loop
Example of loop connecttion
INPUT
LINE OUT
Audio amp
(Cassette deck,
Record Player)
OUTPUT
LINE IN
If the PCR-1 is connected as shown above to a device that outputs (“thru-s”) the input audio
(such as a cassette player that is in recording mode), turning on the Input monitor switch will
cause the sound to loop between the PCR-1 and the other device, causing oscillation and
producing an unexpectedly high volume. Be aware that such connections may cause the system
to malfunction, or your speakers to be damaged.
48
Digitally recording sound
fig.digital.e
Connections
Use an optical digital cable to connect your rec
The digital output jack always outputs only the au
Setting the Sampling frequency
Set your audio playback software, the PCR-1,
DAT) to the same sampling frequency (p. 96)
Whenever you’ve changed the sampling frequ
using, disconnect the USB cable from the PCR
* The PCR-1 does not support professional digital au
Don’t connect anything to input jacks you are
Use MIDI functionality
Table of operating modes
Mode
Switching modes
Explanation
Transmit MIDI messages
by playing the keyboard
or operating the control-
lers.
PLAY mode
When you turn on the power, the PCR-1 will
start up in PLAY mode.
(p. 51)
Set the transmit channel
(current channel p. 53)
for the keyboard and
bender lever.
Press the [MIDI CH] .
MIDI Channel mode
(MIDI CH)
(p. 53)
Press the [SHIFT] so
it is lit, and then
press the [PGM
CHANGE].
Program Change mode
(PROGRAM CHANGE)
(p. 56)
Transmit program change
messages on the current
channel (p. 53).
Press the [SHIFT] so
it is lit, and then
press the [BANK
SEL].
Bank mode
(BANK)
(p. 57)
Transmit bank select mes-
sages (MSB, LSB) on the
current channel (p. 53).
Stop “stuck” notes or oth-
er problems with the
sound on a connected
MIDI sound module.
Simultaneously,
Press the [MIDI CH]
and the [EDIT].
Panic mode
(PANIC)
(p. 58)
Press the [MEMORY
] .
Memory mode
(MEMORY)
(p. 59)
Recall a memory set from
internal memory into the
current memory (p. 88).
Simultaneously,
Press the [MEMO-
RY] and the [MIDI
CH]
Snapshot mode
(SNAPSHOT)
(p. 60)
Transmit the current val-
ues of controllers ([R1–
R8] or [S1–S8]) at once.
Press the [EDIT] .
Assign MIDI messages to
the controllers, transmit/
receive bulk data, or make
system settings.
Edit mode
(EDIT)
(p. 61)
You are returned to Play mode once a setting or a process has been completed within the other
modes. If you want to return to Play mode without completing a setting or operation, press the
button for the current mode (i.e., the button that is lit). Alternatively, press the [CANCEL]
button. The setting you were in the process of making will be discarded.
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Use MIDI functionality
Startup mode
fig.connect-out1
PLAY mode
When you power up the PCR-1, it will start up in PLAY mode.
In PLAY mode, playing the keyboard will transmit note messages to play the connected MIDI
device.
The display will show the current channel (p. 53).
In PLAY mode, you can play the keyboard to produce sound on a connected sound module,
and also use various other functions, such as operating the bender switch to change the pitch
of the currently sounding note (Pitch Bend), using the modulation button to add vibrato
(Modulation), or switching the octave (Octave Shift).
In order to send MIDI messages from the PCR-1 to your application, perform the following
steps.
1
Set the MIDI channel the PCR-1 will use to transmit to the same channel on the application is
using to receive on.
Use MIDI Channel mode to set the MIDI transmit channel.
(➝MIDI Channel mode (MIDI CH) (p. 53)).
2
3
Select a sound on your MIDI sound module.
(➝”Selecting Sounds on a Sound Module” (p. 55)).
Once you have finished making settings, try playing the keyboard.
When you play the keyboard in PLAY mode, MIDI messages are sent to the application.
* Since the PCR-1 does not contain a sound generator, you cannot play MIDI data using the PCR-1 alone.
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Use MIDI functionality
Applying Pitch
Move the BENDER Switch (left or right) to transmit Pitch Bend messages, and
Changes to Notes
apply subtle pitch changes to notes.
reach its maximum after the bender switch has been pressed.
* The amount of pitch change ("bend range") depends on the settings of your
sound module.
(Pitch Bend)
Modifying the Sound
of Notes
Pressing the Modulation Button will transmit Modulation messages, changing
the sound in real time (usually by adding a vibrato effect).
MODULATION SETTING (p. 97) specifies the value of the Modulation message
(CC#01) transmitted when you press the Modulation Button.
* The type of change this produces in the sound depends on the settings of your
sound module.
(Modulation)
Changing Octaves
You can press [OCTAVE -] or [OCTAVE +] to raise or lower the pitch range of the
keyboard (the Octave Shift function). This lets you play a wider range of notes
than would normally be accessible from the 25 keys.
(Octave Shift)
Press [OCTAVE -] once to lower the pitch range one octave. Press it once again
to lower the range an additional octave. Permissible settings for this range from
-4 to 5 octaves.
* [OCTAVE -] or [OCTAVE +] will light according to the current Octave Shift
setting.
* If you simultaneously press [OCTAVE -] and [OCTAVE +] , the Octave Shift
setting will be reset to 0, restoring the normal pitch range of the keyboard.
You can press [TRANSPOSE] + [OCTAVE +] or [TRANSPOSE] + [OCTAVE -]
to transpose the keyboard in semitone steps (the Transpose function).
You can transpose the pitch in a range of -12–12 (semitones).
* If you press and hold [TRANSPOSE], [OCTAVE -] or [OCTAVE +] will light
according to the current Transpose setting.
Transpose the Pitch
of the Keyboard
(Transpose)
* If you hold down [TRANSPOSE] and simultaneously press [OCTAVE -] and
[OCTAVE +], the Transpose setting will be reset to 0.
fig.MEMO
While playing the keyboard, move the Bender Switch to the left to lower the pitch of the
currently selected patch, or to the right to raise its pitch. This is known as pitch bend.
You can also apply vibrato by gently pressing the Modulation button. This is known as
modulation.
If you press the Modulation Button and the same time move Bender Switch to the right or left,
you can apply both effects at once.
Octave Shift and Transpose can be set independently.
To switch the PCR-1 to PLAY mode...
The PCR-1 will automatically start up in PLAY mode when you connect the PCR-1 to your
computer by USB cable.
To return to PLAY mode from another mode (➝Setting the MIDI Transmit Channel (p. 53)),
press the button of the current mode (i.e., the button that is lit).
Alternatively, you can press the [CANCEL] button. In this case, the setting you had been
making will be cancelled.
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Use MIDI functionality
Setting the MIDI Transmit Channel
To control your sound module, set the PCR-1's current channel to the MIDI receive channel that's
selected on your sound module. Use MIDI Channel mode to set the current channel.
MIDI Channel mode (MIDI CH)
fig.MIDIch-1
fig.MIDIch
1
The [MIDI CH] button will light. The display will show the current
channel setting.
53
Use MIDI functionality
* The setting will be cancelled if you press another button instead of the [ENTER] button.
OMNI
If you turn the Omni setting ON, all messages will be transmitted on the current channel
regardless of the channel that is specified for each controller.
Also, all messages will be transmitted to the KEYBOARD PORT SET (p. 94) regardless of the
port that is specified for each controller.
fig.edt
1. Press the [EDIT] button.
The display will indicate “EDT”.
fig.omn
2. Press the [OMNI] key.
The display will blink “OMN”.
3. Confirm what’s indicated and press the [ENTER] button.
4. The display will show the current setting.
Messages will be transmitted on the channel and port specified
for each controller.
0
1
OMNI OFF
OMNI ON
Messages will be transmitted on the current channel from the
Keyboard Port, regardless of the channel and port specified for
each controller.
5. Use the [DEC] [INC] buttons or the [0] or [1] keys to select the mode.
6. Press the [ENTER] button.
Setting the input mode
fig.hexdec
If you are not in Play mode, you can use one of two ways to input a numerical
value into the PCR-1; Decimal input mode or Hexadecimal input mode.
If you want to input decimal numbers, press the [DECIMAL] button. If you
want to input hexadecimal numbers, press the [HEX] button. When you
connect the PCR-1 to your computer by USB cable, the PCR-1 will start up in
Decimal mode.
Decimal and hexadecimal numbers correspond as follows.
Decimal:0–127
Hexadecimal:00–7F
However, for MIDI CH and PROGRAM CHANGE, the values are as follows.
Decimal
1–16
Hexadecimal
00–0F
MIDI CH
PROGRAM CHANGE
1–128
00-7F
* Normally, the display will show three digits when using Decimal input mode. For this reason, there will
be no indication of the parameter you are now inputting, and you may lose track of what you are doing.
If this occurs, you can temporarily switch back to Hexadecimal mode to check the parameter you are
inputting. Then switch back to Decimal mode and continue.
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Use MIDI functionality
Selecting Sounds on a Sound Module
(Sending Program Change / Bank Select Massages)
To select a sound on your MIDI sound module, transmit a Program Change in Program
Change mode.
To select a sound from a different bank, first use Bank mode to transmit a Bank Select message
that switches the bank. Then transmit a program change.
* You must send the Bank Select message before sending the Program Change message.
What is a bank?
MIDI sound modules organize their numerous sounds in various groups according to the
category of sound.
These groups are called “banks.”
Program Change messages can only select sounds within the same bank, but by using these in
conjunction with Bank Select messages, you can select different variations of sound.
• Program Change Mode (PROGRAM CHANGE) (p. 56)
• Bank mode (BANK) (p. 57)
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Use MIDI functionality
Program Change Mode (PROGRAM CHANGE)
This mode lets you transmit a program change message on the current channel (p. 53).
fig.PC-1_90
fig.program
1
Press the [SHIFT] button so it is lit.
2
Press the [PGM CHANGE] button.
The [PGM CHANGE] button will light. The display will indicate the
program change that was transmitted most recently.
* The [HEX] or [DECIMAL] button will also light according to the input mode (p. 54).
1Use the [DEC] [INC] buttons or the [0] – [F] keys of the keyboard to specify the program
change you want to transmit.
DEC
INC
Change the current value by -1
Change the current value by +1
The input value
00–0F
HEX...00–7F
DECIMAL...1–128
3
Press the [ENTER] button.
The program change has now been transmitted.
The setting will be cancelled if you press another button instead of the [ENTER] button.
56
Use MIDI functionality
Bank mode (BANK)
This mode lets you transmit a bank select (MSB, LSB) message on the current channel. The
program change message you most recently transmitted (specified) in Program Change mode
(p. 56) will also be transmitted following the bank select message.
fig.BANK2_90
fig.bank
1
Press the [S
2
Press the [B
The [BANK
transmitted
* The [HEX] o
fig.BANK-2
3
First, specif
Use the [DE
bank select
4
5
Press the [E
The setting
fig.BANK-3
Next, specif
The display
Use the [DE
bank select
6
Press the [E
The bank se
The setting
Use MIDI functionality
Transmitting a Reset message
(What to do if there are “stuck” MIDI notes)
If notes on a connected MIDI sound module become “stuck”, or if there is something wrong
with the sound, you can execute the Panic function to solve the problem.
When you execute the Panic function, All sound off, All notes off, and Reset all controllers
messages will be transmitted on all channels.
Panic Mode (PANIC)
fig.panic2_90
1
2
fig.panic
1
Simultaneously press the [MIDI CH] button and [EDIT] button.
The [MIDI CH] button and [EDIT] button will light.
2
Press the [ENTER] button.
The [MIDI CH] button and [EDIT] button will blink several times.
The Panic function has now been executed.
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Use MIDI functionality
Changing the Memory Sets
When the PCR-1 is shipped, its internal memory contains sixteen different settings. For details
on the contents of each memory number, refer to Memory sets (p. 100).
You will use Memory mode to change the Memory sets.
Memory mode (MEMORY)
fig.memory2_90
2
1
3
fig.memory
1
Press the [MEMORY] button.
The [MEMORY] button will light. The display will indicate the memory
number that you selected most recently.
2
3
Use the [DEC] [INC] buttons or the [0] – [F] keys of the keyboard to specify the memory
number that you want to recall.
Press the [ENTER] button.
The memory has now been recalled.
The setting will be cancelled if you press another button instead of the [ENTER] button.
For details on customizing (editing) the controller settings, refer to Assign MIDI messages
(EDIT) (p. 61).
If you edit the controller settings of a memory you recall, and want to keep your changes, you
must save the memory before powering down the PCR-1. For the procedure, refer to Saving a
memory set (SAVE) (p. 88).
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Use MIDI functionality
Transmitting the current controller values all
at once (SNAPSHOT)
Once you have set the various controllers to the desired settings, you can transmit a detailed
description of this state in the form of a “snapshot”. When you execute this function, the current
values of the controllers [R1–R8] or [S1–S8] will be transmitted.
* When the [SHIFT] button is off, [R1–R8] will be transmitted. When the [SHIFT] button is on, [S1–
S8] will be transmitted.
fig.MEMO
This is convenient when you want to record the state of these controllers together at the
beginning of a song in your sequencer, as the initial values.
Snapshot mode (SNAPSHOT)
fig.snap2_90
fig.snap
1
Simultaneously press the [MEMORY] button and the [MIDI CH] button.
The [MEMORY] and [MIDI CH] buttons will light.
2
Press the [ENTER] button.
The [MEMORY] button and [MIDI CH] button will blink several times.
The snapshot will be transmitted.
60
Use MIDI functionality
NOTE
CONTROL CHANGE ASSIGN (p. 68) signment. For details, refer to Copy-
PROGRAM CHANGE ASSIGN (p. 71) ing a MIDI message assignment
RPN / NRPN ASSIGN (p. 74)
RPN / NRPN ASSIGN (p. 74)
Sys Ex. ASSIGN (p. 77)
another controller, or cancel an as-
AFTERTOUCH
CONTROL CHANGE
PROGRAM CHANGE
RPN
NRPN
Sys Ex
(ASSIGN COPY) (p. 86) or Cancel-
(NO ASSIGN) (p. 87).
TEMPO (20-250)
TEMPO ASSIGN (p. 85)
* If you want to assign a single-byte system message (system realtime message, tune request) or a freely
specified message of up to 24 bytes, refer to Sys Ex. ASSIGN (p. 77).
Edit mode ( EDIT )
fig.EDIT2_90
61
Use MIDI functionality
Specifying the button mode
When you make Assign settings (p. 61) in Edit mode to assign a message to a button, you must
specify the operating mode of the button (button mode).
When you use a button as a controller, turning the button on will transmit the maximum
specified value, and turning it off will transmit the minimum value.
1. Press the [0] or [1] key to select either Latch mode or Toggle mode.
The setting will turn on when you press the button, and off
0
1
Latch mode
when you release it. The button will remain lit while you are
pressing it.
The setting will alternate on/off each time you press the but-
ton. The button will light when an On message is transmitted,
and will go dark when an Off message is transmitted.
Toggle mode
2. Press the [ENTER] button.
Specifying the port
When you are making Assign settings (p. 61) in Edit mode and have selected Advanced mode,
you must specify the USB port to which the message assigned to the controller will be sent
when using a USB connection.
1. Press a key [1] – [3] to select the port.
1
2
3
PORT 1
Messages will be sent to “PCR-1 1”
PORT 2
Messages will be sent to “PCR-1 2”
PORT 1, 2
Messages will be sent to both “PCR-1 1” and “PCR-1 2”
2. Press the [ENTER] button.
* For details on the port, refer to Input / output devices (p. 44).
62
Use MIDI functionality
■ NOTE ASSIGN
Here’s how to assign a Note message to a controller. In addition to being used to play sounds,
note messages can also be used to control a sequencer.
Mode
Keyboard
Velocity
Port
Basic mode
fig.edt2
1
Press the [EDIT] button.
The display will indicate “EDT.”
fig.r-1
2
Slightly move the controller to which you want to assign a Note message. In the
case of a button, press that button.
The display will indicate the number of the selected controller.
3
Verify that the display shows the correct controller number, and press the [ENTER] button.
fig.nt0
4
Press an ASSIGNABLE FUNCTION key (
to get "NT0" to appear in the display.
) on the keyboard enough times
fig.c
5
Press the [ENTER] button.
The display will indicate “C–.”
6
Input the channel. Use the [DEC] [INC] buttons or the [0]–[F] keys to specify the channel.
fig.n
7
Press the [ENTER] button.
The display will indicate “N–.”
8
9
Input the note number. Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the note
number.
10If you are making an assignment for a button, specify the button mode.
(➝Specifying the button mode (p. 62))
63
Use MIDI functionality
Advanced mode 1
Advanced mode 1 of NOTE ASSIGN lets you specify the velocity value in addition to the items
of Basic mode.
1. Press the [EDIT] button.
2. Slightly move the controller to which you want to assign a Note message. In the case of a
button, press that button.
The display will indicate the number of the selected controller.
3. Verify that the display indicates the correct controller, and press the [ENTER] button.
4. Using the ASSIGNABLE FUNCTION keys (
) on the keyboard, get "NT0" to appear
in the display, then press the [1] key of the keyboard.
5. Press the [ENTER] button.
6. Input the channel.
7. Press the [ENTER] button.
8. Input the note number.
fig.v
9. Press the [ENTER] button.
The display will indicate “V–.”
*1 Reference
10.Input the velocity.
fig.p
11.Press the [ENTER] button.
*1 Reference
12.Specify the output port. (➝Specifying the port (p. 62))
13.If you are making an assignment for a button, specify the button mode.
(➝Specifying the button mode (p. 62))
•
•
If you set [S1] – [S8] , [R1] – [R8] to NOTE ASSIGN, setting the controller to the maximum
position will transmit the specified velocity value.
If you assign this to [B1] – [B6] , the specified velocity value will be transmitted when you
turn the controller on. When you turn the controller off, a note message with a velocity value
of 0 will be transmitted.
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,
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or will blink if the value is different.
Use MIDI functionality
■ AFTERTOUCH ASSIGN
Here’s how to assign an Aftertouch message to a controller.
Mode
Basic mode
Advanced mode 1
Advanced mode 2
Advanced mode 3
Keyboard
Message
Channel Pressure
Channel Pressure
Polyphonic Key Pressure
Polyphonic Key Pressure
Value range
0-127 (00–7FH)
Assignable
0-127 (00–7FH)
Assignable
Port
Port 1
Assignable
Port 1
0
1
2
3
Assignable
Basic mode
fig.edt2
1
Press the [EDIT] button.
The display will indicate “EDT.”
fig.r-1
2
Slightly move the controller to which you want to assign an Aftertouch
message. In the case of a button, press that button.
The display will indicate the number of the selected controller.
3
Verify that the display shows the correct controller number, and press the [ENTER] button.
fig.at1
4
Press an ASSIGNABLE FUNCTION key (
to get "AT0" to appear in the display.
) on the keyboard enough times
fig.c
5
Verify that the display is correct, and press the [ENTER] button.
The display will indicate “C–”.
*1 Reference
6
7
8
Input the channel. Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the channel.
If you are making an assignment for a button, specify the button mode.
(➝Specifying the button mode (p. 62))
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,
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or will blink if the value is different.
Use MIDI functionality
Advanced mode 1–3
Advanced mode 1 of AFTERTOUCH ASSIGN lets you specify the upper and lower limits of the
aftertouch value in addition to the items of Basic mode. Advanced modes 2 and 3 let you specify
an aftertouch message for an individual note (Polyphonic Key Pressure) instead of specifying
the channel.
1. Press the [EDIT] button.
2. Slightly move the controller to which you want to assign an Aftertouch message. In the
case of a button, press that button.
The display will indicate the number of the selected controller.
3. Verify that the display indicates the correct controller, and press the [ENTER] button.
fig.at1
4. Using the ASSIGNABLE FUNCTION keys (
) on the keyboard, get
"AT0" to appear in the display, then press the [1] - [3] key of the keyboard.
The display will indicate the selected mode.
5. Press the [ENTER] button.
6. Input the channel.
7. Press the [ENTER] button.
9. If you are using Advanced modes 2 or 3, press the [ENTER] button.
value as described in Specifying the range of values (upper and lower limits) (p. 67) ,
and specify the output port.
11.If you are using Advanced modes 1 or 3, specify the output port.(➝Specifying the port
(p. 62))
12.If you are making an assignment for a button, specify the button mode.
(➝Specifying the button mode (p. 62))
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Use MIDI functionality
Specifying the range of values (upper and lower limits)
If in Edit mode you selected an Assign type (p. 61) that lets you specify the range of values, you
will need to specify the upper limit and lower limit of the value.
digit number. This means that there is no indication of which parameter you are currently entering, so
you may lose track of what you are doing. If this occurs, you can temporarily switch to Hex input mode
to check the parameter that you are now inputting. Then switch back to Decimal input mode and
continue. (➝Setting the input mode (p. 54))
fig.max
fig.min
1. The following display will appear.
2. Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the upper limit.
*1 Reference
3. Press the [ENTER] button.
The following display will appear.
*1 Reference
4. Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the
lower limit.
5. Press the [ENTER] button.
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,
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or will blink if the value is different.
Use MIDI functionality
■ CONTROL CHANGE ASSIGN
Here’s how to assign a control change message to a controller.
Mode
Basic mode
Advanced mode 1
Advanced mode 2
keyboard
Value range
00–7FH
Assignable
Port
PORT 1
Assignable
Assignable
0
1
2
Simulates a rotary encoder
Basic mode
fig.edt2
1
Press the [EDIT] button.
The display will indicate “EDT”.
fig.r-1
2
Slightly move the controller to which you want to assign a Control Change
message. In the case of a button, press that button.
The display will indicate the number of the selected controller.
3
Confirm what’s indicated, and press the [ENTER] button.
fig.cc0
4
Press an ASSIGNABLE FUNCTION key (
to get "CC0" to appear in the display.
) on the keyboard enough times
fig.c
5
Confirm what’s indicated, and press the [ENTER] button.
The display will indicate “C–”.
*1 Reference
6
Input the channel. Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the channel.
fig.n
7
Press the [ENTER] button.
The display will indicate “N–”.
*1 Reference
8
9
Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the control change number.
10If you are making an assignment for a button, specify the button mode.
(➝Specifying the button mode (p. 62))
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,
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or will blink if the value is different.
Use MIDI functionality
Advanced mode 1
Advanced mode 1 of CONTROL CHANGE ASSIGN lets you specify the upper and lower limits
of the control change value in addition to the items of Basic mode.
1. Press the [EDIT] button.
2. Slightly move the controller to which you want to assign a Control Change message. In
the case of a button, press that button.
The display will indicate the number of the selected controller.
3. Confirm what’s indicated, and press the [ENTER] button.
4. Using the ASSIGNABLE FUNCTION keys (
) on the keyboard, get "CC0" to appear
in the display, then press the [1] key of the keyboard.
The display will indicate “CC1”.
5. Press the [ENTER] button.
6. Input the channel.
7. Press the [ENTER] button.
9. Press the [ENTER] button.
fig.p
10.Specify the range of values. (➝Specifying the range of values (upper and
lower limits) (p. 67))
*1 Reference
11.Specify the output port. (➝Specifying the port (p. 62))
12.If you are making an assignment for a button, specify the button mode.
(➝Specifying the button mode (p. 62))
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,
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or will blink if the value is different.
Use MIDI functionality
Advanced mode 2
Advanced mode 2 simulates the operation of a conventional rotary encoder. If this is assigned
to a controller, moving that controller toward the right (upward) of center will have the same
effect as turning the encoder clockwise, and moving the controller toward the left (downward)
of center will have the same effect as turning the encoder counterclockwise. As the controller is
moved further away from the center, the result will be the same as if the rotary encoder were
moved more quickly.
You can assign advanced mode 2 to a button, but it will not function.
1. Press the [EDIT] button.
2. Slightly move the controller to which you want to assign a Control Change message.
The display will indicate the number of the selected controller.
3. Confirm what’s indicated, and press the [ENTER] button.
4. Using the ASSIGNABLE FUNCTION keys (
) on the keyboard, get "CC0" to appear
in the display, then press the [2] key of the keyboard.
The display will indicate “CC2”.
5. Press the [ENTER] button.
6. Input the channel.
7. Press the [ENTER] button.
8. Input the control change number. Use the [DEC] [INC] buttons or the [0] – [F] keys to
specify the control change number.
fig.p
9. Press the [ENTER] button.
The display will indicate “P–”.
*1 Reference
10.Specify the output port. (➝Specifying the port (p. 62))
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,
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or will blink if the value is different.
Use MIDI functionality
■ PROGRAM CHANGE ASSIGN
Here’s how to assign a program change message to a controller.
Mode
Basic mode
Advanced mode 1
Advanced mode 2
Advanced mode 3
Advanced mode 4
Number
Effect
Fixed value
Assignable range of values
Fixed value
PC DEC
PC INC
Bank
Port
PORT 1
PORT 1
Assignable
PORT 1
PORT 1
0
1
2
3
4
Not output
Not output
Output
Not output
Not output
Basic mode
fig.edt2
1
Press the [EDIT] button.
The display will indicate “EDT.”
fig.r-1
2
Slightly move the controller to which you want to assign a Program Change
message. In the case of a button, press that button.
The display will indicate the number of the selected controller.
3
Confirm what’s indicated, and press the [ENTER] button.
fig.pc0
4
Press an ASSIGNABLE FUNCTION key (
to get "PC0" to appear in the display.
) on the keyboard enough times
fig.c
5
Confirm what’s indicated, and press the [ENTER] button.
The display will indicate “C–”.
*1 Reference
6
Input the channel. Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the channel.
fig.n
7
Press the [ENTER] button.
The display will indicate “N–”.
*1 Reference
8
9
Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the program change number.
Press the [ENTER] button.
* If you assign Basic mode to [S1] – [S8] or [R1] – [R8] , moving the controller up to the maximum
position will transmit the assigned program change messages.
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,
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or will blink if the value is different.
Use MIDI functionality
Advance mode 1, 2
Advanced mode 1 of PROGRAM CHANGE ASSIGN lets you specify the upper and lower
limits of the program change value. Advanced mode 2 lets you transmit BANK LSB/MSB
settings in addition to the program change.
1. Press the [EDIT] button.
2. Slightly move the controller to which you want to assign a Program Change message. In
the case of a button, press that button. The display will indicate the number of the selected
controller.
3. Confirm what’s indicated, and press the [ENTER] button.
Advanced mode 1
—Specifying the range of values
4. Using the ASSIGNABLE FUNCTION keys (
) on the keyboard, get "PC0" to appear
in the display, then press the [1] key of the keyboard.
5. Press the [ENTER] button.
7. Press the [ENTER] button.
8. Specify the range of values. (➝Specifying the range of values (upper and lower limits)
(p. 67))
Advanced mode 2
—Transmitting bank data
4. Using the ASSIGNABLE FUNCTION keys (
) on the keyboard, get "PC0" to appear
in the display, then press the [2] key of the keyboard.
5. Press the [ENTER] button.
6. Input the channel.
7. Press the [ENTER] button.
fig.bank-2
8. Specify the bank select MSB (CC#00). Use the [DEC] [INC] buttons or the [0]
– [F] keys to specify the MSB.
*1 Reference
9. Press the [ENTER] button.
fig.BANK-3
10.Specify the bank select LSB (CC#32). Use the [DEC] [INC] buttons or the [0]
– [F] keys to specify the LSB.
*1 Reference
11.Press the [ENTER] button.
12.Input the program change number.
fig.p
13.Press the [ENTER] button.
The display will indicate “P–”.
*1 Reference
14.Specify the output port. (➝Specifying the port (p. 62))
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,
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or will blink if the value is different.
Use MIDI functionality
Advanced modes 3 and 4
Advanced mode 3 lets you assign the Program Change Decrement function (PC DEC) to a
controller.
Advanced mode 4 lets you assign the Program Change Increment function (PC INC) to a
controller.
1. Press the [EDIT] button.
2. Slightly move the controller to which you want to assign Program Change DEC/INC. In
the case of a button, press that button.
The display will indicate the number of the selected controller.
3. Confirm what’s indicated, and press the [ENTER] button.
4. Using the ASSIGNABLE FUNCTION keys (
) on the keyboard, get "PC0" to appear
in the display, then press the [3] or [4] key of the keyboard.
5. Press the [ENTER] button.
Program Change Decrement function (PC DEC)
This transmits a program change that is one less than the previously transmitted program
change number.
This transmits a program change that is one greater than the previously transmitted program
change number.
(PROGRAM CHANGE) (p. 56). The value that is actually transmitted will appear in the display.
•
•
In the explanation here, the “previously transmitted program number” refers to the one that
was last transmitted by Advanced Mode 3 or 4 or in Program Change Mode (PROGRAM
CHANGE) (p. 56).
Program changes transmitted by basic mode or advanced modes 1 and 2 will not affect the
increment/decrement functions.
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Use MIDI functionality
■ RPN / NRPN ASSIGN
Here’s how you can assign an RPN or NRPN message to a controller.
Data entry MSB
(CC#6) range
0-127 (00–7FH)
Assignable
Data entry LSB
(CC#38) range
Not transmitted
0-127 (00–7FH)
Mode
Keyboard
Port
Basic mode
Advanced mode 1
0
1
PORT 1
Assignable
fig.edt2
1
Press the [EDIT] button.
The display will indicate “EDT”.
fig.r-1
2
Slightly move the controller to which you want to assign an RPN or NRPN
message. In the case of a button, press that button.
The display will indicate the number of the selected controller.
3
Confirm what’s indicated, and press the [ENTER] button.
fig.rp0
4
Press an ASSIGNABLE FUNCTION key (
to get "RP0" to appear in the display.
) on the keyboard enough times
fig.np0
* If you want to assign an NRPN message, press the [NRPN] key. The following procedure
is the same as for RPN.
fig.c
5
Confirm what’s indicated, and press the [ENTER] button.
The display will blink “C–”.
*1 Reference
6
Input the channel. Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the channel.
7
Press the [ENTER] button.
fig.BANK-2
8
Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the RPN MSB
(CC#101) or NRPN MSB (CC#99).
*1 Reference
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,
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or will blink if the value is different.
Use MIDI functionality
9
Press the [ENTER] button.
fig.BANK-3
10Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the RPN LSB
(CC#100) or NRPN LSB (CC#98).
*1 Reference
11Press the [ENTER] button.
12If you are making an assignment for a button, specify the button mode.
(➝Specifying the button mode (p. 62))
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,
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or will blink if the value is different.
Use MIDI functionality
Advanced mode
In Advanced mode for RPN/NRPN, you can specify the upper and lower limit of the data entry
MSB (CC#06) value when the RPN/NRPN message is transmitted, as well as the various
settings available in Basic mode.
1. Press the [EDIT] button.
2. Slightly move the controller to which you want to assign the RPN or NRPN message. In
the case of a button, press that button.
The display will indicate the number of the selected controller.
3. Confirm what’s indicated, and press the [ENTER] button.
4. Using the ASSIGNABLE FUNCTION keys (
) on the keyboard, get "RP0" to appear
in the display, then press the [1] key of the keyboard.
*
If you want to assign an NRPN message, press the [NRPN] key. The following procedure is the same
as for RPN.
5. Press the [ENTER] button.
6. Input the channel. Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the channel.
7. Press the [ENTER] button.
8. Use the [DEC] [INC] buttons or the [0] – [F] keys to specify the RPN MSB (CC#101) or
NRPN MSB (CC#99).
9. Press the [ENTER] button.
11.Press the [ENTER] button.
fig.p
12.Specify the lower limit of the data entry MSB (CC#06) value. (➝Specifying
the range of values (upper and lower limits) (p. 67))
*1 Reference
13.Specify the output port. (➝Specifying the port (p. 62))
14.If you are making an assignment for a button, specify the button mode.
(➝Specifying the button mode (p. 62))
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,
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or will blink if the value is different.
Use MIDI functionality
■ Sys Ex. ASSIGN
Here’s how you can assign a system exclusive message to a controller. Advanced mode 2 lets
you assign a single-byte system message (System realtime message, tune request).
Advanced modes 3 and 4 let you assign any desired message. (Input up to 24 bytes)
Key-
board
Mode
Mode
Value range
Required ending
Notes/restrictions
Basic mode
Advanced mode 1
0
1
Sys Ex. message Default range Input F7
1st byte fixed at F0
1st byte fixed at F0
[0–5, 7, 9, D, E] [DA-
TA][CHECKSUM] but-
tons are invalid
Sys Ex. message Assignable
Input F7
–
Single byte sys-
–
Advanced mode 2
2
tem message
Any desired
MIDI message
Any desired
invalid
[CHECKSUM] button is
invalid
Advanced mode 3
Advanced mode 4
3
4
Assignable
Specified number of bytes
MIDI message
Sys Ex. ASSIGN can calculate the checksum automatically, and lets you specify a variable (data)
range or embed a channel/block number within the message. (Sys Ex. ASSIGN items (p. 79))
In Sys Ex. ASSIGN, the input mode will be HEX mode.
fig.edt2
1
Press the [EDIT] button.
The display will indicate “EDT”.
fig.r-1
2
Slightly move the controller to which you want to assign the system exclusive
message. In the case of a button, press that button.
The display will indicate the number of the selected controller.
3
Confirm what’s indicated, and press the [ENTER] button.
fig.se0
4
5
Press an ASSIGNABLE FUNCTION key (
to get "SE0" to appear in the display.
) on the keyboard enough times
If you want to select an Advanced mode, press a key from [1] to [4].
The selected mode will blink in the display.
6
Then continue with the procedure described in Basic mode or Advanced mode (p. 78).
For some actual examples of settings, refer to Examples of assigning system exclusive
messages (p. 82).
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Use MIDI functionality
For Basic mode or Advanced mode 1
The display will blink “F0”, which is the first byte (starting status byte) of a system exclusive
message. (This cannot be changed.)
fig.f0
7. Confirm what’s indicated, and press the [ENTER] button.
8. Use the [0] – [F] keys to input the second byte.
9. Press the [ENTER] button.
10.Input the third and subsequent bytes in the same way.
12.Press the [ENTER] button.
(upper and lower limits) (p. 67))
14.Specify the output port. (➝Specifying the port (p. 62))
15.If you are making an assignment for a button, specify the button mode.
(➝Specifying the button mode (p. 62))
For Advanced mode 2
fig.f0
The display will indicate “F-.”
7. Use the [6], [8], [A] – [C], [F] keys to specify the system message.
8. Press the [ENTER] button.
9. Specify the output port. (➝Specifying the port (p. 62))
For Advanced modes 3 or 4
fig.BANK-3
The display will indicate “L–”.
7. Use the [0] – [F] keys of the keyboard to specify the number (decimal) of
bytes you want to input.
*1 Reference
8. Press the [ENTER] button.
9. Use the [0] – [F] keys to input the first byte.
10.Press the [ENTER] button.
11.Input the second and subsequent bytes in the same way.
12.After you have input the number of bytes you specified in step 7, the PCR-1 will check
you can input the values over again.
(upper and lower limits) (p. 67))
14.Specify the output port. (➝Specifying the port (p. 62))
15.If you are making an assignment for a button, specify the button mode.
(➝Specifying the button mode (p. 62))
*1 The -- area displays the currently set value. If it has not been set, the default setting will be displayed. Even if you change the type or mode
78
of the MIDI message that is assigned, the default setting will be displayed. This will be lit if the value is the same as the currently set value,
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or will blink if the value is different.
Use MIDI functionality
■ Sys Ex. ASSIGN items
• Specifying the checksum (p. 79)
• Specifying the location of the data (p. 80)
• Inputting channel/block data (p. 81)
Specifying the checksum
it in the message. In order to use this function, you must use the following procedure to specify
the starting location from which the checksum is calculated, and the location at which the
checksum is inserted. You can also select the type of checksum.
For an actual example, please read the Sys Ex.ASSIGN section Bend Pitch Control (p. 84).
fig.css
1. Press the [CHECKSUM] key before you input the byte at which checksum
calculation should begin.
The display will indicate “CSS” (Checksum Start).
If you press the [CHECKSUM] key once again, “CSS” (Checksum Start) will be cancelled.
2. Press the [ENTER] button.
3. Continue inputting data.
fig.cs1
4. Press the [CHECKSUM] key at the location where the checksum should be
inserted.
The display will indicate “CS1” (Checksum type 1).
5. Press the [ENTER] button.
Checksum types
There are two types of checksum, as follows.
This is the method used by Roland and most
other manufacturers
1
2
CHECKSUM TYPE 1
CHECKSUM TYPE 2
Select this if the method other than type 1 is
used
fig.cs12
Switching the type
If you want to switch to type 2, press the [2]
key after you press [CHECKSUM] in step 4.
To switch back to type 1, press the [1] key.
[CHECKSUM]
[2]
[1]
[CHECKSUM]
*1
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Use MIDI functionality
Specifying the location of the data
exclusive message.
The range of data values will be the default range in the case of Basic mode or Advanced mode
3. In the case of Advanced modes 1 and 4, you can specify the range of data values.
For an actual example, please read the Sys Ex. ASSIGN section Master Volume (p. 83).
1. Press the [DATA] key at the location where you want to input the data.
The display will indicate “DT0”.
2. Use the [0] – [4] keys to select the type of data.
Data
number
Example
(specified upper/lower limits)
Data type
7bit
Default range
00H–7F
Target of range setting
DT0
* In the case of DT1–DT4 (data consisting of two or more bytes), a data area will automatically be allocated
for the next byte, and “-DT” will be displayed. (This cannot be changed.)
3. Press the [ENTER] button.
4. If you selected DT1 through DT4, the display will indicate “-DT”.
Press the [ENTER] button.
80
Use MIDI functionality
Inputting channel/block data
If a system exclusive message includes a channel or GS block number, here’s how to specify the
type and the value of the upper bits. For the channel and block number, the setting of the
current channel will be inserted as the lower bits. (The block number is not actually a channel,
but corresponds to the “part” within a GS sound module. On the PCR-1, this corresponds to the
channel for the sake of convenience.)
Current channel
1
0
1
2
1
2
3
2
3
4
3
4
5
4
5
6
5
6
7
6
7
8
7
8
9
8
9
10 11 12 13 14 15 16
CH
BL
9
0
A
A
B
B
C
C
D
D
E
E
F
F
For an actual example, refer to Bend Pitch Control (p. 84) in the section on the Edit Mode.
1. Press the [DATA] key several times at the location where you want to input the channel/
block number, to select “0CH” for the channel or “0BL” for the block.
fig.chbl
[DATA]
[DATA]
[DATA]
[DATA]
2. Use the [0] – [7] keys to input the value of the upper four bits.
The “0” in the display will change to the numerical value that you input.
3. Press the [ENTER] button.
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Use MIDI functionality
■ Examples of assigning system exclusive messages
• GM2 System On (p. 82)
• Master Volume (p. 83)
• Bend Pitch Control (p. 84)
GM2 System On
F0 7E 7F 09 03 F7
Here’s how to assign a GM2 System On system exclusive message in Basic mode.
1. Press the [EDIT] button.
The display will indicate “EDT”.
2. Slightly move the controller to which you want to assign the system exclusive message. In
the case of a button, press that button.
The display will indicate the number of the selected controller.
3. Confirm what’s indicated, and press the [ENTER] button.
4. Press an ASSIGNABLE FUNCTION key (
) on the keyboard enough times to get
"SE0" to appear in the display.
5. Confirm what’s indicated, and press the [ENTER] button.
The display will indicate “F0”, which is the first byte (beginning status) of a system
exclusive message. This cannot be changed. (This cannot be changed.)
6. Confirm what’s indicated, and press the [ENTER] button.
7. Use the [7] and [E] keys to input the second byte “7E”.
8. Confirm what’s indicated, and press the [ENTER] button.
9. Use the [7] and [F] keys to input the third byte “7F”.
10.Confirm what’s indicated, and press the [ENTER] button.
11.Finally, use the [F] and [7] keys to input the ending status byte “F7”.
13.Specify the output port. (➝Specifying the port (p. 62))
14.If you are making an assignment for a button, specify the button mode. (➝Specifying the
button mode (p. 62))
The GM2 System On message has now been assigned.
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Use MIDI functionality
Master Volume
F0 7F 7F 04 01 vL vM F7
Since a Master Volume message has a data range of 00 00–7F 7F and we do not need to specify
the range, we will use Basic mode. Since the two bytes of data are in the order of LSB and then
MSB, we will select “DT3” (p. 80) when we input the data.
1. Press the [EDIT] button.
The display will indicate “EDT”.
2. Slightly move the controller to which you want to assign the system exclusive message. In
the case of a button, press that button.
The display will indicate the number of the selected controller.
3. Confirm what’s indicated, and press the [ENTER] button.
4. Press an ASSIGNABLE FUNCTION key (
) on the keyboard enough times to get
"SE0" to appear in the display.
5. Confirm what’s indicated, and press the [ENTER] button.
The display will indicate “F0,” which is the first byte (beginning status) of a system
exclusive message. (This cannot be changed.)
6. Confirm what’s indicated, and press the [ENTER] button.
7. Use the [7] and [F] keys to input the second byte “7F”.
8. Confirm what’s indicated, and press the [ENTER] button.
Input the third, fourth and fifth bytes in the same way.
9. Since the sixth byte is the data area, press the [DATA] key, and then press [3].
The display will indicate “DT3”.
10.Confirm what’s indicated, and press the [ENTER] button.
11.Since we selected “DT3” as the sixth byte, the seventh byte will automatically be allocated
as the data area and cannot be modified.
13.Use the [F] and [7] keys to input the ending status byte “F7”.
15.Specify the output port. (➝Specifying the port (p. 62))
16.If you are making an assignment for a button, specify the button mode. (➝Specifying the
button mode (p. 62))
The Master Volume message has now been assigned.
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Use MIDI functionality
fig.checksum
Bend Pitch Control
Block number
1 byte
data range of 40H–58H (0–24 semitones), we will
select Advanced mode 1, which lets us specify
the range. Since the data format is one byte, we
will select “DT0” (p. 80) when inserting the data.
F0 41 10 42 12 40 2x 10 DATA SUM F7
Address
Checksum calculation region
Data Checksum
14.Confirm what’s indicated and press [ENTER].
1. Press the [EDIT] button.
The display will indicate “EDT”.
15.In the same way, enter bytes 8.
2. Slightly move the controller to which you want
to assign the system exclusive message. In the
case of a button, press that button.
16.Since the ninth byte is the data area, press the
[DATA]key.
The display will indicate “DT0.”
The display will indicate the number of the
selected controller.
17.Confirm what’s indicated and press [ENTER].
18.Since the ten byte will contain the checksum,
press the [CHECKSUM] key to specify the
location at which the checksum will be input.
The display will blink “CS1” (Checksum Type 1).
3. Confirm what’s indicated and press [ENTER].
4. Using the ASSIGNABLE FUNCTION keys
(
) on the keyboard, get "SE0" to appear in
the display, then press the [1] key of the
keyboard.
19.Confirm what’s indicated and press [ENTER].
20.Press the [F] and then [7] keys to input the
The display will indicate “SE1”.
ending status “F7.”
5. Confirm what’s indicated and press [ENTER].
The display will blink “F0”, which is the first byte
(beginning status) of a system exclusive message.
(This cannot be changed.)
21.Confirm what’s indicated and press [ENTER].
22.Next, specify an upper limit value of “58” for the
data area.
6. Confirm what’s indicated and press [ENTER].
23.Press [ENTER].
7. Use the [4] and [1] keys to input the second byte
“41”.
area.
8. Confirm what’s indicated and press [ENTER].
Input the third, fourth and fifth bytes in the same
way.
25.Press [ENTER].
(➝Specifying the port (p. 62))
9. Since the sixth byte is the beginning of the
checksum calculation area, press the
[CHECKSUM] key to specify this byte as the
beginning of the area for which the checksum
will be calculated.
27.If you are making an assignment for a button,
specify the button mode.
(➝Specifying the button mode (p. 62))
10.Confirm what’s indicated and press [ENTER].
The GS Bend Pitch Control message has been
assigned.
11.Input the sixth byte.
12.Since the seventh byte will have “2” in the upper
bits and the block number in the lower bits, press
[DATA]three times.
The display will indicate “0BL”.
13.To specify “2” for the upper bits, press the [2]
key.
The display will indicate “2BL”.
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Use MIDI functionality
■ TEMPO ASSIGN
You can assign a controller to adjust the speed (20–250) of the F8 Clock message.
* In order to transmit F8 Clock messages, the F8 CLOCK setting must be “ON”.
(➝“F8 CLOCK ON/OFF” (p. 94))
fig.edt2
1
Press the [EDIT] button.
The display will indicate “EDT.”
2
Slightly move the controller to which you want to assign
TEMPO. In the case of a button, press that button.
The display will indicate the number of the selected controller.
fig.r-1
3
Confirm what’s indicated and press the [ENTER] button.
4
Press an ASSIGNABLE FUNCTION key (
to get "TMP" to appear in the display.
) on the keyboard enough times
fig.tmp
5
Confirm what’s indicated and press the [ENTER] button.
6
If you are making the assignment for a button, specify the button mode.
(➝Specifying the button mode (p. 62))
In the case of a button, the value will be fixed at maximum (250) for ON, and minimum (20) for
OFF.
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Use MIDI functionality
Copying a MIDI message assignment
(ASSIGN COPY)
Here’s how a message assigned to a controller can be copied to another controller.
fig.edt2
1
Press the [EDIT] button.
The display will indicate “EDT”.
fig.r-1
2
Slightly move the controller to which you want to copy the assignment (the
“copy destination”). In the case of a button, press that button.
The display will indicate the number of the selected controller.
3
Confirm what’s indicated and press the [ENTER] button.
fig.cpy
4
Slightly move the controller whose assignment you want to copy (the “copy
source”). In the case of a button, press that button.
The display will indicate “CPY”.
5
Press the [ENTER] button.
The display will blink the copy-source controller number.
fig.s-1
6
Confirm what’s indicated and press the [ENTER] button.
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Use MIDI functionality
Canceling a MIDI message assignment
(NO ASSIGN)
Here’s how you can cancel the message assigned to a controller. Once its assignment is
cancelled, no message will be transmitted when you operate that particular controller.
fig.edt2
1
Press the [EDIT] button.
The display will indicate “EDT”.
fig.r-1
2
Slightly move the controller whose assignment you want to cancel. In the case of
a button, press that button.
The display will indicate the number of the selected controller.
3
Confirm what’s indicated and press the [ENTER] button.
fig.noa
4
Press an ASSIGNABLE FUNCTION key (
to get "NOA" to appear in the display.
) on the keyboard enough times
5
Press the [ENTER] button.
fig.yes
6
The display will blink “YES,” so press the [ENTER] button once again.
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Use MIDI functionality
Saving a memory set (SAVE)
Here’s how to save the settings of the current memory into internal memory.
You can save settings into internal memory numbers 1–F.
You cannot save to memory number 0 (GM2).
* After you edit the settings, perform the “SAVE” operation as needed. If you turn off the power without
performing “SAVE”, your changes will be lost.
fig.edt2
1
Press the [EDIT] button.
The display will indicate “EDT”.
fig.sav
2
Press the [SAVE] key.
The display will blink “SAV.”
fig.ptc
3
Confirm what’s indicated and press the [ENTER] button.
If the display indicates “PTC”, it means that the Save could not be carried out
because the PROTECT setting (p. 92) is on. Turn PROTECT off, and then try the
operation once again from step 1.
4
Select a memory number 1–F. Use the [DEC] [INC] buttons or the [1] – [F] keys to specify the
save-destination memory number.
The specified memory number will blink in the display.
5
Confirm what’s indicated and press the [ENTER] button.
About the memories of the PCR
The PCR has the following sixteen memories.
Memory number 0
:
GM2 SET
Cannot be saved
Can be saved
(15)
Memory number F
“Current memory” is a location into which you can recall one of these memories.
In order to use one of the saved memories, you must recall it into current memory as described
in Memory mode (MEMORY) (p. 59).
The contents of current memory will be lost when you turn off the power. If you have modified
the settings in current memory, perform the “SAVE” operation if you want to keep your
changes.
You can set the STARTUP MEMORY (p. 95) setting to specify the memory that will be loaded
into current memory when you turn on the power.
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Use MIDI functionality
Transmitting/receiving bulk data (BULK)
Bulk dump allows a large amount of data to be transferred in a single operation. For example,
this can be used to store all settings of a device into a computer or sequencer.
* When you transmit or receive Bulk data, the contents of the current memory will be lost. Save the
current memory settings as needed before you perform this operation.
Receive mode
fig.edt2
1
Press the [EDIT] button.
The display will indicate “EDT”.
fig.blr
2
Press the [BULK] key.
The display will blink “BLR” (Bulk Receive).
fig.rs
3
Confirm what’s indicated and press the [ENTER] button.
isplay will indicate “RS”, and the “S” will blink.
4
Use the [DEC] [INC] buttons or the [0] [1] keys to select the mode.
The received data will overwrite the current memory. Memo-
ries 1–F will not be affected.
0
1
SINGLE BULK
ALL BULK
The received data will overwrite memories 1–F.
fig.rs1
5
Confirm what’s indicated and press the [ENTER] button.
The third digit of the display will blink, and the PCR-1 will wait to receive bulk
data.
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Use MIDI functionality
About the display in Bulk mode
fig.bulk-dis
Waiting to receive
(blinking)
Receive
Transmit
SINGLE
BULK
1st digit:
indicates Receive mode or
Transmit mode
3rd digit: indicates
Transmitting/Receiving/Waiting states
ALL
BULK
Waiting to transmit
(blinking)
receiving
Transmitting
2nd digit:
Single Bulk or All Bulk
transmitting
6
Specify “PCR” (Mac OS 9: PCR-1 1) as the MIDI output device for your sequencer software. For
details on this setting, refer to the manual of your sequencer software.
For details on the port that will be used to transfer bulk data, refer to Input / output devices
(p. 44).
fig.end
7
When the PCR finishes receiving the bulk data, the display will indicate “END”.
Error display
fig.err
If the data could not be received correctly, the display will blink “ERR”.
If this occurs, press the [CANCEL] button to cancel the “ERR” display.
Once “ERR” has been dismissed, perform the bulk reception procedure over
again, from step 1.
8
Confirm what’s indicated and press the [ENTER] button.
90
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Use MIDI functionality
Transmit mode
fig.edt2
1
Press the [EDIT] button.
The display will indicate “EDT”.
2
Press the [BULK] key.
fig.blt
3
Press the [1] key.
The display will blink “BLT” (Bulk Transmit).
fig.ts
4
Confirm what’s indicated and press the [ENTER] button.
The display will indicate “TS”, and the “S” will blink.
5
Use the [DEC] [INC] buttons or the [0] [1] keys to select the mode.
The currently recalled memory (the current memory) will
be transmitted as bulk data
0
1
SINGLE BULK
ALL BULK
All memories (memories 1–F) will be transmitted as bulk
data.
6
Confirm what’s indicated and press the [ENTER] button.
fig.ts-1
7
8
The third digit of the display will blink, and the PCR-1 will wait to transmit
bulk data.
On your sequencer software, specify “PCR -1 2” as the MIDI input device. For details on this
setting, refer to the manual of your sequencer software.
For details on the port that will be used to transfer bulk data, refer to Input / output devices
(p. 44).
fig.end
9
When the PCR finishes receiving the bulk data, the display will indicate “END”.
10Confirm what’s indicated and press the [ENTER] button.
91
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Use MIDI functionality
Protecting a memory set (PROTECT)
If you turn the Protect setting ON, ALL BULK (p. 89) reception and SAVE (p. 88) operations
will be disabled.
fig.edt2
1
Press the [EDIT] button.
The display will indicate “EDT”.
fig.ptc
2
Press the [PROTECT] key.
The display will blink “PTC”.
3
Confirm what’s indicated and press the [ENTER] button.
4
The display will show the current setting.
0
1
PROTECT OFF
PROTECT ON
Allow changes.
Prohibit changes.
5
6
Use the [DEC] [INC] buttons or the [0] [1] keys to select the mode.
Press the [ENTER] button.
92
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System settings
Here’s how you can make various system settings for the PCR-1.
fig.edt2
1
Press the [EDIT] button.
The display will indicate “EDT”.
fig.sy0
2
Press the [SYSTEM] key.
The display will indicate “SY0”.
3
Use the [0] - [8] , [A] - [E] keys to specify the System setting that you want to set, and then
press the [ENTER] button.
Confirm what’s indicated and use the appropriate method to make the setting.
Key-
board
0
Setting
method
p. 94
Mode
Content of the setting
Default
F8 CLOCK ON/OFF
Specify whether F8 Clock is to be transmitted.
If “F8 CLOCK ON/OFF” is ON, specify the default value
of the F8 Clock. After the power is turned on, this tempo
will continue to be output until you move a controller to
which TEMPO is assigned.
If “F8 CLOCK ON / OFF” is ON, specify the port from
which the F8 Clock is to be transmitted.
The value you specify here will be added to the velocity of
the notes played from the keyboard.
OFF
F8 CLOCK DEFAULT
TEMPO
1
2
3
4
5
120
PORT 1
0
p. 94
p. 94
p. 94
p. 94
p. 95
F8 CLOCK PORT SET
VELOCITY OFFSET
* If the result of the addition would exceed 7FH, the velocity will
be 7FH.
KEYBOARD PORT
SET
Specify the port from which messages produced by the
BENDER lever of the keyboard are to be transmitted.
Turn this ON if you are using certain applications (such as
Pro Tools LE).
When ON, “90 00 7F” will be output from PCR 2 approxi-
mately every 500 ms.
PORT 1
OFF
H-ACTIVITY ON /
OFF
Specify the type of USB MIDI driver used for USB connec-
tion.
* The setting will take effect the next time you turn on the power
Specify the memory that will be selected when the power
is turned on.
Restore all settings of the PCR-1 to their factory-set condi-
tion.
Switch the USB AUDIO functionality ON / OFF.
The setting will take effect the next time you turn on the power
Specify the USB AUDIO sampling frequency and driver
mode.
USB MIDI DRIVER
MODE
Original
Driver
6
p. 95
STARTUP MEMORY
FACTORY RESET
7
8
GM2
-
p. 95
p. 95
p. 96
USB AUDIO ON /
OFF
A
ON
44.1kHz
(AD-
VANCE)
USB AUDIO MODE
SETTING
B
p. 96
p. 97
* The setting will take effect the next time you turn on the power
Make Direct Monitor settings (Sending the input signal
from the audio input jacks directly to the PCR-1’s head-
phone jack).
DIRECT MONITOR
ON / OFF
C
ON
Specify the time it is to take for the maximum pitch bend to
be reached after you press the bender switch. Higher set-
tings for this value produce a slower pitch bend.
Specify the value of the Modulation message (CC#01)
transmitted when you press the Modulation Button.
PITCH BEND TIME
D
E
2
p. 97
p. 97
MODULATION SET-
TING
127
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System settings
F8 CLOCK ON / OFF (Keyboard : 0)
Perform steps 1-3.
fig.hyo
0
1
OFF
ON
4. Use the [DEC] [INC] buttons or the [0] or [1] keys to switch F8 CLOCK ON
/ OFF.
The display will indicate either “ON” or “OFF”.
5. Press the [ENTER] button.
F8 CLOCK DEFAULT TEMPO (Keyboard : 1)
Perform steps 1-3.
4. Use the [DEC] [INC] buttons or the [0] - [F] keys to specify F8 CLOCK DEFAULT
TEMPO. (Value range 20-250)
The specified value will indicate in the display.
5. Press the [ENTER] button.
F8 CLOCK PORT SET (Keyboard : 2)
Perform steps 1-3.
4. Use the [DEC] [INC] buttons or the [1] - [3] keys to specify F8 CLOCK PORT SET .
(➝Specifying the port (p. 62))
The specified port will indicate in the display.
5. Press the [ENTER] button.
VELOCITY OFFSET (Keyboard : 3)
Perform steps 1-3.
4. Use the [DEC] [INC] buttons or the [0] - [F] keys to specify VELOCITY OFFSET.
(Value range 0-127)
The specified value will indicate in the display.
5. Press the [ENTER] button.
KEYBOARD PORT SET (Keyboard : 4)
Perform steps 1-3.
4. Use the [DEC] [INC] buttons or the [1] - [3] keys to specify KEYBOARD PORT SET.
(➝Specifying the port (p. 62))
The specified port will indicate in the display.
5. Press the [ENTER] button.
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System settings
H-ACTIVITY ON / OFF (Keyboard : 5)
fig.hyo
0
1
OFF
ON
Perform steps 1-3.
4. Use the [DEC] [INC] buttons or the [0] or [1] keys to switch H-ACTIVITY
ON / OFF.
The display will indicate either “ON” or “OFF”.
5. Press the [ENTER] button.
USB MIDI DRIVER MODE (Keyboard : 6)
Perform steps 1-3.
4. Use the [DEC] [INC] buttons or the [0] or [1] keys to specify the USB MIDI DRIVER
MODE.
FPT technology is used to perform high-speed MIDI trans-
fer. Normally, we recommend that you use this mode.
0
1
Original driver
Generic driver
Select this if you are using the standard MIDI driver provid-
ed by your operating system.
* FPT = Fast Processing Technology for MIDI Transmission:
Effective use is made of the USB bandwidth according to the amount of MIDI data to be transmitted,
ensuring that MIDI data processing will always occur optimally.
5. Press the [ENTER] button.
STARTUP MEMORY (Keyboard : 7)
Perform steps 1–3.
4. Use the [DEC] [INC] buttons or the [0] or [1] keys to specify the GM2/LAST ACCESS
MEMORY setting.
When the PCR starts up, memory number 0 (GM2) will
0
1
GM2 MEMORY
be loaded into current memory (p. 88) regardless of the
state in which the power was turned off.
LAST ACCESS
MEMORY
Upon power-up, the PCR-1 will recall the memory that
was last recalled or saved into current memory (p. 88).
5. Press the [ENTER] button.
FACTORY RESET (Keyboard : 8)
Perform steps 1–3.
fig.rst
4. The display will indicate “RST”.
fig.yes
5. Press the [ENTER] button.
The display will blink “YES”.
6. Press the [ENTER] button.
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System settings
USB AUDIO ON / OFF (Keyboard : A)
The USB AUDIO ON/OFF setting will take effect when you reconnect the USB cable.
Perform steps 1–3.
fig.hyo
0
1
OFF
ON
4. Use the [DEC] [INC] buttons or the [0] or [1] keys to switch USB AUDIO ON
/ OFF.
The display will indicate either “ON” or “OFF”.
5. Press the [ENTER] button.
USB AUDIO MODE SETTING (Keyboard : B)
The USB AUDIO ON/OFF setting will take effect when you reconnect the USB cable.
Perform steps 1–3.
4. Use the [DEC] [INC] buttons or the [0] - [5] keys to switch USB AUDIO SAMPLING
FREQUENCY or DRIVER MODE.
Advanced mode
44.1kHz
(ADVANCE)
0
The special driver will be used, allowing audio to be re-
corded/played with high quality and stable timing. In
Advanced mode, audio signals can be transferred be-
tween the PCR-1 and the computer at a resolution of 24
bits and sampling frequencies of 44.1 / 48 / 96 kHz. Se-
lect this mode if you are using an application that al-
lows high-quality audio recording/playback, such as
an application that supports 24 bit audio or an ASIO-
compatible application. We recommend that you nor-
mally use this mode.
48kHz
(ADVANCE)
1
2
3
4
5
96kHz PLAY
(ADVANCE)
96kHz REC
(ADVANCE)
Standard driver mode
44.1kHz
48kHz
The standard driver provided by the operating system
will be used. Audio data will be transferred between the
PCR-1 and your computer with 16-bit depth and a sam-
pling frequency of 44.1/48 kHz.Use this setting if you
are using the Mac OS 9 sound manager.
5. Press the [ENTER] button.
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System settings
DIRECT MONITOR ON / OFF (Keyboard : C)
Perform steps 1–3.
4. Use the [DEC] [INC] buttons or the [0] - [2] keys to switch DIRECT MONITOR ON / OFF.
The input signal from the audio input jacks will not be sent to the
headphone jack, or master output jacks.
0
1
2
OFF
AUTO
ON
Settings or operations in your ASIO 2.0 application (e.g., Cubase)
will switch Direct Monitor ON / OFF.
The input signal from the audio input jacks will be output to the
PCR-1’s speakers, headphone jack, and master output jacks.
5. Press the [ENTER] button.
PITCH BEND TIME (Keyboard : D)
Perform steps 1-3.
4. Use the [DEC] [INC] buttons or the [0] - [5] keys to specify PITCH BEND TIME . (Value
range 0-5)
The specified value will indicate in the display.
5. Press the [ENTER] button.
MODULATION SETTING (Keyboard : E)
Perform steps 1-3.
4. Use the [DEC] [INC] buttons or the [0] - [F] keys to specify MODULATION SETTING.
(Value range 0-127)
The specified value will indicate in the display.
5. Press the [ENTER] button.
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MEMO
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Appendices
Memory sets..................................................................................p. 100
Troubleshooting...........................................................................p. 106
MIDI implementation ...................................................................p. 117
Main specifications......................................................................p. 122
99
Memory sets
GM2 set (MEMORY: 0).................................... (p. 100) H-COMPATIBLE (ProTools LE, Digital Performer 3)
MCR-8 MODE 3 (SONAR 2) SET.................. (p. 101) SET (MEMORY: 9).................................................. (p. 103)
MCR-8 MODE 4 (Cubase 5/SX) SET............ (p. 102)
GS-B (MEMORY: B).........................................................(p. 104)
XG SET ..................................................................... (p. 105)
MCR-8 MODE 4 (Cubase 5/SX) - A (MEMORY: 5)(p. 102)
MCR-8 MODE 4 (Cubase 5/SX) - B (MEMORY: 6)(p. 102)
MCR-8 MODE 4 (Cubase 5/SX) - C (MEMORY: 7))(p. 102)
MCR-8 MODE 4 (Cubase 5/SX) - D (MEMORY: 8)(p. 102)
XG-A (MEMORY: D).......................................................(p. 105)
XG-B (MEMORY: E) ........................................................(p. 105)
For details on settings for actually using each memory set with your application, refer to the Read Me file for
each memory set, located in the Memory Files folder of the CD-ROM.
Since the PCR-1 does not have controllers [P1] and [P2], the PCR-1 itself is unable to transmit or edit the
messages assigned to these controllers.
(Internally, the PCR-1 does maintain data for [P1] and [P2].)
In order to maintain memory set compatibility with other models in the PCR series, all memory sets include
the data for [P1] and [P2] when they are bulk-dumped.
■ GM2 set (MEMORY: 0)
Parameter
R1 FILTER CUTOFF
R2 FILTER RESONANCE
R3 VIBRATO RATE
R4 VIBRATO DEPTH
R5 VIBRATO DELAY
R6 COARSE TUNING
R7 FINE TUNING
R8 PAN (CHANNEL)
S1 PORTAMENTO TIME
S2 AFTERTOUCH
S3 ENVELOPE ATTACK
S4 ENVELOPE DECAY
S5 ENVELOPE RELEASE
S6 CHORUS
S7 REVERB
S8 VOLUME (CHANNEL)
B1 PROGRAM CHANGE DEC PROGRAM CHANGE
B2 PROGRAM CHANGE INC PROGRAM CHANGE
B3 PORTAMENTO ON/OFF
B4 POLY MODE ON
B5 MONO MODE ON
B6 GM2 SYSTEM ON
L1 STOP
Message (Hex.)
CC 74(4A)
CC 71(47)
CC 76(4C)
CC 77(4D)
CC 78(4E)
RPN 0/2(00/02)
RPN 0/1(00/01)
CC 10(0A)
CC 5(05)
CHANNEL PRESSURE
CC 73(49)
CC 75(4B)
CC 72(48)
CC 93(5D)
CC 91(5B)
CC 7(07)
Range (Hex.)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0/-(00/–) - 127/-(7F/–)
0/0(00/00) - 127/127(7F/7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
min:1(00)
Ch.
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
-
Port
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
-
-
1
1
1
1
2
max:128(7F)
0(00) / 127(7F)
-
-
CC 65(41)
B0 7F 00
B0 7E 01
F0 7E 7F 09 03 F7
FC
1
1
1
-
-
-
-
-
L2 START
FA
-
-
2
L3 CONTINUE
FB
-
-
2
P1 HOLD
P2 EXPRESSION
CC 64(40)
CC 11(0B)
0(00) / 127(7F)
0(00) - 127(7F)
1
1
1
1
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Memory sets
■ MCR-8 MODE 3 (SONAR 2) SET
When using this memory set, turn the PCR-1’s OMNI (p. 54) setting OFF.
MCR-8 MODE 3 (SONAR 2) - A (MEMORY: 1)
MCR-8 MODE 3 (SONAR 2) - B (MEMORY: 2)
Message
(Hex.)
Message
(Hex.)
Parameter
Range (Hex.) Ch. Port
Parameter
Range (Hex.) Ch. Port
R1 TRACK 1
*1
*1
*1
*1
*1
*1
*1
*1
*2
*2
*2
*2
*2
*2
*2
*2
*3
*3
*3
*3
*3
*3
CC 16(10)
CC 16(10)
CC 16(10)
CC 16(10)
CC 16(10)
CC 16(10)
CC 16(10)
CC 16(10)
CC 17(11)
CC 17(11)
CC 17(11)
CC 17(11)
CC 17(11)
CC 17(11)
CC 17(11)
CC 17(11)
CC 80(50)
CC 80(50)
CC 80(50)
CC 80(50)
CC 80(50)
CC 80(50)
CC 82(52)
CC 82(52)
CC 82(52)
CC 64(40)
CC 11(0B)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) - 127(7F)
1
2
3
4
5
6
7
8
1
2
3
4
5
6
7
8
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
R1 TRACK 1
*1
*1
*1
*1
*1
*1
*1
*1
*2
*2
*2
*2
*2
*2
*2
*2
*4
*4
*4
*4
*4
*4
CC 16(10)
CC 16(10)
CC 16(10)
CC 16(10)
CC 16(10)
CC 16(10)
CC 16(10)
CC 16(10)
CC 17(11)
CC 17(11)
CC 17(11)
CC 17(11)
CC 17(11)
CC 17(11)
CC 17(11)
CC 17(11)
CC 81(51)
CC 81(51)
CC 81(51)
CC 81(51)
CC 81(51)
CC 81(51)
CC 82(52)
CC 82(52)
CC 82(52)
CC 64(40)
CC 11(0B)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) - 127(7F)
1
2
3
4
5
6
7
8
1
2
3
4
5
6
7
8
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
R2 TRACK 2
R3 TRACK 3
R4 TRACK 4
R5 TRACK 5
R6 TRACK 6
R7 TRACK 7
R8 TRACK 8
S1 TRACK 1
S2 TRACK 2
S3 TRACK 3
S4 TRACK 4
S5 TRACK 5
S6 TRACK 6
S7 TRACK 7
S8 TRACK 8
B1 TRACK 1
B2 TRACK 2
B3 TRACK 3
B4 TRACK 4
B5 TRACK 5
B6 TRACK 6
L1 <<
R2 TRACK 2
R3 TRACK 3
R4 TRACK 4
R5 TRACK 5
R6 TRACK 6
R7 TRACK 7
R8 TRACK 8
S1 TRACK 1
S2 TRACK 2
S3 TRACK 3
S4 TRACK 4
S5 TRACK 5
S6 TRACK 6
S7 TRACK 7
S8 TRACK 8
B1 TRACK 1
B2 TRACK 2
B3 TRACK 3
B4 TRACK 4
B5 TRACK 5
B6 TRACK 6
L1 <<
2
3
4
5
2
3
4
5
6
6
13
14
15
1
13
14
15
1
L2 ■ Stop
L3 > Play
P1 HOLD
P2 EXPRESSION
L2 ■ Stop
L3 > Play
P1 HOLD
P2 EXPRESSION
1
1
MCR-8 MODE 3 (SONAR 2) - C (MEMORY: 3)
MCR-8 MODE 3 (SONAR 2) - D (MEMORY: 4)
Message
(Hex.)
Message
(Hex.)
Parameter
Range (Hex.) Ch. Port
Parameter
Range (Hex.) Ch. Port
R1 TRACK 9
*1
*1
*1
*1
*1
*1
*1
*1
*2
*2
*2
*2
*2
*2
*2
*2
*3
*3
*3
*3
*3
*3
CC 16(10)
CC 16(10)
CC 16(10)
CC 16(10)
CC 16(10)
CC 16(10)
CC 16(10)
CC 16(10)
CC 17(11)
CC 17(11)
CC 17(11)
CC 17(11)
CC 17(11)
CC 17(11)
CC 17(11)
CC 17(11)
CC 80(50)
CC 80(50)
CC 80(50)
CC 80(50)
CC 80(50)
CC 80(50)
CC 82(52)
CC 82(52)
CC 82(52)
CC 64(40)
CC 11(0B)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) - 127(7F)
9
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
R1 TRACK 9
*1
*1
*1
*1
*1
*1
*1
*1
*2
*2
*2
*2
*2
*2
*2
*2
*4
*4
*4
*4
*4
*4
CC 16(10)
CC 16(10)
CC 16(10)
CC 16(10)
CC 16(10)
CC 16(10)
CC 16(10)
CC 16(10)
CC 17(11)
CC 17(11)
CC 17(11)
CC 17(11)
CC 17(11)
CC 17(11)
CC 17(11)
CC 17(11)
CC 81(51)
CC 81(51)
CC 81(51)
CC 81(51)
CC 81(51)
CC 81(51)
CC 82(52)
CC 82(52)
CC 82(52)
CC 64(40)
CC 11(0B)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) - 127(7F)
9
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
R2 TRACK 10
R3 TRACK 11
R4 TRACK 12
R5 TRACK 13
R6 TRACK 14
R7 TRACK 15
R8 TRACK 16
S1 TRACK 9
S2 TRACK 10
S3 TRACK 11
S4 TRACK 12
S5 TRACK 13
S6 TRACK 14
S7 TRACK 15
S8 TRACK 16
B1 TRACK 9
B2 TRACK 10
B3 TRACK 11
B4 TRACK 12
B5 TRACK 13
B6 TRACK 14
10
11
12
13
14
15
16
9
10
11
12
13
14
15
16
9
10
11
12
13
14
12
14
11
1
R2 TRACK 10
R3 TRACK 11
R4 TRACK 12
R5 TRACK 13
R6 TRACK 14
R7 TRACK 15
R8 TRACK 16
S1 TRACK 9
S2 TRACK 10
S3 TRACK 11
S4 TRACK 12
S5 TRACK 13
S6 TRACK 14
S7 TRACK 15
S8 TRACK 16
B1 TRACK 9
B2 TRACK 10
B3 TRACK 11
B4 TRACK 12
B5 TRACK 13
B6 TRACK 14
10
11
12
13
14
15
16
9
10
11
12
13
14
15
16
9
10
11
12
13
14
12
14
11
1
L1 Automation Write
L2 ■ Stop
L3 Rec
P1 HOLD
P2 EXPRESSION
L1 Automation Write
L2 ■ Stop
L3 Rec
P1 HOLD
P2 EXPRESSION
1
1
Generic Surface Preset
Roland MCR-8 (Aux Send 1)
Roland MCR-8 (Aux Send 2)
Roland MCR-8 (Mute + Solo)
*1
*2
*3
*4
Aux Send 1 Pan
Aux Send 2 Pan
Pan
Aux Send 1 Level
Aux Send 2 Level
Volume
Aux Send 1 Pre/Post Aux Send 1 Enable
Aux Send 2 Pre/Post Aux Send 2 Enable
Mute
Solo
Roland MCR-8 (Record Arming) Pan
Volume
White Arm
Record Arm
101
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Memory sets
■ MCR-8 MODE 4 (Cubase 5/SX) SET
When using this memory set, turn the PCR-1’s OMNI (p. 54) setting OFF.
MCR-8 MODE 4 (Cubase 5/SX) - A (MEMORY: 5) MCR-8 MODE 4 (Cubase 5/SX) - B (MEMORY: 6)
Message
(Hex.)
Message
(Hex.)
Parameter
Range (Hex.) Ch. Port
Parameter
Range (Hex.) Ch. Port
R1 TRACK 1 PAN
R2 TRACK 2 PAN
R3 TRACK 3 PAN
R4 TRACK 4 PAN
R5 TRACK 5 PAN
R6 TRACK 6 PAN
R7 TRACK 7 PAN
R8 TRACK 8 PAN
S1 TRACK 1 FADER
S2 TRACK 2 FADER
S3 TRACK 3 FADER
S4 TRACK 4 FADER
S5 TRACK 5 FADER
S6 TRACK 6 FADER
S7 TRACK 7 FADER
S8 TRACK 8 FADER
B1 TRACK 1 SOLO
B2 TRACK 2 SOLO
B3 TRACK 3 SOLO
B4 TRACK 4 SOLO
B5 TRACK 5 SOLO
B6 TRACK 6 SOLO
L1 <<
CC 72(48)
CC 73(49)
CC 74(4A)
CC 75(4B)
CC 76(4C)
CC 77(4D)
CC 78(4E)
CC 79(4F)
CC 64(40)
CC 65(41)
CC 66(42)
CC 67(43)
CC 68(44)
CC 69(45)
CC 70(46)
CC 71(47)
CC 0(00)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) - 127(7F)
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
R1 TRACK 1 PAN
R2 TRACK 2 PAN
R3 TRACK 3 PAN
R4 TRACK 4 PAN
R5 TRACK 5 PAN
R6 TRACK 6 PAN
R7 TRACK 7 PAN
R8 TRACK 8 PAN
S1 TRACK 1 FADER
S2 TRACK 2 FADER
S3 TRACK 3 FADER
S4 TRACK 4 FADER
S5 TRACK 5 FADER
S6 TRACK 6 FADER
S7 TRACK 7 FADER
S8 TRACK 8 FADER
B1 TRACK 1 MUTE
B2 TRACK 2 MUTE
B3 TRACK 3 MUTE
B4 TRACK 4 MUTE
B5 TRACK 5 MUTE
B6 TRACK 6 MUTE
L1 <<
CC 72(48)
CC 73(49)
CC 74(4A)
CC 75(4B)
CC 76(4C)
CC 77(4D)
CC 78(4E)
CC 79(4F)
CC 64(40)
CC 65(41)
CC 66(42)
CC 67(43)
CC 68(44)
CC 69(45)
CC 70(46)
CC 71(47)
CC 40(28)
CC 41(29)
CC 42(2A)
CC 43(2B)
CC 44(2C)
CC 45(2D)
CC 19(13)
CC 21(15)
CC 22(16)
CC 64(40)
CC 11(0B)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) - 127(7F)
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
CC 1(01)
CC 2(02)
CC 3(03)
CC 4(04)
CC 5(05)
CC 19(13)
CC 21(15)
CC 22(16)
CC 64(40)
CC 11(0B)
L2 ■ Stop
L3 > Play
P1 HOLD
P2 EXPRESSION
L2 ■ Stop
L3 > Play
P1 HOLD
P2 EXPRESSION
1
1
MCR-8 MODE 4 (Cubase 5/SX) - C (MEMORY: 7) MCR-8 MODE 4 (Cubase 5/SX) - D (MEMORY: 8)
Message
(Hex.)
Message
(Hex.)
Parameter
Range (Hex.) Ch. Port
Parameter
Range (Hex.) Ch. Port
R1 TRACK 9 PAN
R2 TRACK 10 PAN
R3 TRACK 11 PAN
R4 TRACK 12 PAN
R5 TRACK 13 PAN
R6 TRACK 14 PAN
R7 TRACK 15 PAN
R8 TRACK 16 PAN
S1 TRACK 9 FADER
S2 TRACK 10 FADER
S3 TRACK 11 FADER
S4 TRACK 12 FADER
S5 TRACK 13 FADER
S6 TRACK 14 FADER
S7 TRACK 15 FADER
S8 TRACK 16 FADER
B1 TRACK 9 SOLO
B2 TRACK 10 SOLO
B3 TRACK 11 SOLO
B4 TRACK 12 SOLO
B5 TRACK 13 SOLO
B6 TRACK 14 SOLO
L1 <<
CC 56(38)
CC 57(39)
CC 58(3A)
CC 59(3B)
CC 60(3C)
CC 61(3D)
CC 62(3E)
CC 63(3F)
CC 48(30)
CC 49(31)
CC 50(32)
CC 51(33)
CC 52(34)
CC 53(35)
CC 54(36)
CC 55(37)
CC 32(20)
CC 33(21)
CC 34(22)
CC 35(23)
CC 36(24)
CC 37(25)
CC 20(14)
CC 21(15)
CC 23(17)
CC 64(40)
CC 11(0B)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) - 127(7F)
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
R1 TRACK 9 PAN
R2 TRACK 10 PAN
R3 TRACK 11 PAN
R4 TRACK 12 PAN
R5 TRACK 13 PAN
R6 TRACK 14 PAN
R7 TRACK 15 PAN
R8 TRACK 16 PAN
S1 TRACK 9 FADER
S2 TRACK 10 FADER
S3 TRACK 11 FADER
S4 TRACK 12 FADER
S5 TRACK 13 FADER
S6 TRACK 14 FADER
S7 TRACK 15 FADER
S8 TRACK 16 FADER
B1 TRACK 9 MUTE
B2 TRACK 10 MUTE
B3 TRACK 11 MUTE
B4 TRACK 12 MUTE
B5 TRACK 13 MUTE
B6 TRACK 14 MUTE
L1 <<
CC 56(38)
CC 57(39)
CC 58(3A)
CC 59(3B)
CC 60(3C)
CC 61(3D)
CC 62(3E)
CC 63(3F)
CC 48(30)
CC 49(31)
CC 50(32)
CC 51(33)
CC 52(34)
CC 53(35)
CC 54(36)
CC 55(37)
CC 88(58)
CC 89(59)
CC 90(5A)
CC 91(5B)
CC 92(5C)
CC 93(5D)
CC 20(14)
CC 21(15)
CC 23(17)
CC 64(40)
CC 11(0B)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) / 127(7F)
0(00) - 127(7F)
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
L2 ■ Stop
L3 Rec
P1 HOLD
P2 EXPRESSION
L2 ■ Stop
L3 Rec
P1 HOLD
P2 EXPRESSION
1
1
102
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Memory sets
■ H-COMPATIBLE (ProTools LE, Digital Performer 3) SET (MEMORY: 9)
When using this memory set, turn the PCR-1’s OMNI (p. 54) setting OFF, and turn the H-ACTIVITY (p.
95) setting ON.
Parameter
R1 ROTARY ENCODER 1
R2 ROTARY ENCODER 2
R3 ROTARY ENCODER 3
R4 ROTARY ENCODER 4
R5 ROTARY ENCODER 5
R6 ROTARY ENCODER 6
R7 ROTARY ENCODER 7
R8 ROTARY ENCODER 8
S1 FADER 1
S2 FADER 2
S3 FADER 3
S4 FADER 4
S5 FADER 5
S6 FADER 6
S7 FADER 7
S8 FADER 8
B1 MUTE 1
B2 SOLO 1
B3 REC 1
B4 WRITE 1
B5 TRACK <
B6 TRACK >
L1 REWIND
L2 STOP
L3 PLAY
Message (Hex.)
Range (Hex.)
DEC(01) / INC(41)
DEC(01) / INC(41)
DEC(01) / INC(41)
DEC(01) / INC(41)
DEC(01) / INC(41)
DEC(01) / INC(41)
DEC(01) / INC(41)
DEC(01) / INC(41)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
ON(42) / OFF(02)
ON(43) / OFF(03)
ON(47) / OFF(07)
ON(44) / OFF(04)
ON(40) / OFF(00)
ON(42) / OFF(02)
ON(41) / OFF(01)
ON(43) / OFF(03)
ON(44) / OFF(04)
0(00) / 127(7F)
Ch.
Port
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
B0 40 dd
B0 41 dd
B0 42 dd
B0 43 dd
B0 44 dd
B0 45 dd
B0 46 dd
B0 47 dd
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
B0 0F 00 B0 2F 40 B0 00 dd B0 20 00 B0 0F 00 B0 2F 00
B0 0F 01 B0 2F 40 B0 01 dd B0 21 00 B0 0F 01 B0 2F 00
B0 0F 02 B0 2F 40 B0 02 dd B0 22 00 B0 0F 02 B0 2F 00
B0 0F 03 B0 2F 40 B0 03 dd B0 23 00 B0 0F 03 B0 2F 00
B0 0F 04 B0 2F 40 B0 04 dd B0 24 00 B0 0F 04 B0 2F 00
B0 0F 05 B0 2F 40 B0 05 dd B0 25 00 B0 0F 05 B0 2F 00
B0 0F 06 B0 2F 40 B0 06 dd B0 26 00 B0 0F 06 B0 2F 00
B0 0F 07 B0 2F 40 B0 07 dd B0 27 00 B0 0F 07 B0 2F 00
B0 0F 00 B0 2F dd
B0 0F 00 B0 2F dd
B0 0F 00 B0 2F dd
B0 0F 00 B0 2F dd
B0 0F 0A B0 2F dd
B0 0F 0A B0 2F dd
B0 0F 0E B0 2F dd
B0 0F 0E B0 2F dd
B0 0F 0E B0 2F dd
2
1
P1 HOLD
P2 EXPRESSION
CC 64(40)
CC 11(0B)
0(00) - 127(7F)
■ GS SET
When using this memory set, you will find it convenient to turn the PCR-1’s OMNI (p. 54) setting ON.
GS-A (MEMORY: A)
Parameter
R1 REVERB MACRO
Message (Hex.)
F0 41 10 42 12 40 01 30 dd SUM F7
F0 41 10 42 12 40 01 31 dd SUM F7
F0 41 10 42 12 40 01 32 dd SUM F7
F0 41 10 42 12 40 01 34 dd SUM F7
F0 41 10 42 12 40 01 37 dd SUM F7
F0 41 10 42 12 40 01 35 dd SUM F7
F0 41 10 42 12 40 01 33 dd SUM F7
F0 41 10 42 12 40 1x 1C dd SUM F7
F0 41 10 42 12 40 1x 30 dd SUM F7
F0 41 10 42 12 40 1x 31 dd SUM F7
F0 41 10 42 12 40 1x 37 dd SUM F7
F0 41 10 42 12 40 1x 34 dd SUM F7
F0 41 10 42 12 40 1x 35 dd SUM F7
F0 41 10 42 12 40 1x 36 dd SUM F7
F0 41 10 42 12 40 1x 22 dd SUM F7
F0 41 10 42 12 40 1x 19 dd SUM F7
PROGRAM CHANGE
Range (Hex.)
0(00) - 7(07)
0(00) - 7(07)
0(00) - 7(07)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
1(01) - 127(7F)
0(00) - 64(40) - 127(7F)
0(00) - 64(40) - 127(7F)
0(00) - 64(40) - 127(7F)
0(00) - 64(40) - 127(7F)
0(00) - 64(40) - 127(7F)
0(00) - 64(40) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
min:1 (00)
max:128 (7F)
OFF(00) / ON(01)
-
Ch.
-
-
-
-
-
-
-
BLOCK
BLOCK
BLOCK
BLOCK
BLOCK
BLOCK
BLOCK
BLOCK
BLOCK
-
Port
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
-
-
1
1
1
1
2
R2 REVERB CHARACTER
R3 REVERB PRE-LPF
R4 REVERB TIME
R5 REVERB PREDELAY TIME
R6 REVERB DELAY FEEDBACK
R7 REVERB LEVEL
R8 PART PANPOT
S1 VIBRATO RATE
S2 VIBRATO DEPTH
S3 VIBRATO DELAY
S4 TVF&TVA ENV.ATTACK
S5 TVF&TVA ENV.DECAY
S6 TVF&TVA ENV.RELEASE
S7 REVERB SEND LEVEL
S8 PART LEVEL
B1 PROGRAM CHANGE DEC
B2 PROGRAM CHANGE INC
B3 NRPN ON/OFF
B4 RANDOM PAN
PROGRAM CHANGE
-
F0 41 10 42 12 40 1x 0A dd SUM F7
F0 41 10 42 12 40 1x 1C 00 SUM F7
F0 41 10 42 12 40 1x 13 dd SUM F7
F0 41 10 42 12 40 00 7F 00 41 F7
FC
BLOCK
BLOCK
B5 MODE POLY/MONO
B6 GS RESET
MONO(00) / POLY(01) BLOCK
-
-
-
-
L1 STOP
L2 START
FA
-
-
2
L3 CONTINUE
FB
-
-
2
P1 HOLD
P2 EXPRESSION
CC 64(40)
CC 11(0B)
0(00) / 127(7F)
0(00) - 127(7F)
1
1
1
1
103
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Memory sets
GS-B (MEMORY: B)
Parameter
R1 CHORUS MACRO
R2 CHORUS PRE-LPF
R3 CHORUS DELAY
R4 CHORUS RATE
R5 CHORUS DEPTH
R6 CHORUS FEEDBACK
R7 CHORUS LEVEL
R8 PART PANPOT
S1 CHORUS SEND LEVEL TO REVERB
S2 CHORUS SEND LEVEL TO DELAY
S3 TVF CUTOFF FREQ
S4 TVF RESONANCE
S5 MODULATION DEPTH
S6 BEND RANGE
S7 CHORUS SEND LEVEL
S8 PART LEVEL
B1 PROGRAM CHANGE DEC
B2 PROGRAM CHANGE INC
B3 NRPN ON/OFF
B4 RANDOM PAN
B5 MODE POLY/MONO
B6 GS RESET
Message (Hex.)
F0 41 10 42 12 40 01 38 dd SUM F7
F0 41 10 42 12 40 01 39 dd SUM F7
F0 41 10 42 12 40 01 3C dd SUM F7
F0 41 10 42 12 40 01 3D dd SUM F7
F0 41 10 42 12 40 01 3E dd SUM F7
F0 41 10 42 12 40 01 3B dd SUM F7
F0 41 10 42 12 40 01 3A dd SUM F7
F0 41 10 42 12 40 1x 1C dd SUM F7
F0 41 10 42 12 40 01 3F dd SUM F7
F0 41 10 42 12 40 01 40 dd SUM F7
F0 41 10 42 12 40 1x 32 dd SUM F7
F0 41 10 42 12 40 1x 33 dd SUM F7
F0 41 10 42 12 40 2x 04 dd SUM F7
F0 41 10 42 12 40 2x 10 dd SUM F7
F0 41 10 42 12 40 1x 21 dd SUM F7
F0 41 10 42 12 40 1x 19 dd SUM F7
PROGRAM CHANGE
Range (Hex.)
0(00) - 7(07)
0(00) - 7(07)
Ch.
-
-
-
-
-
-
-
BLOCK
BLOCK
BLOCK
BLOCK
BLOCK
BLOCK
BLOCK
BLOCK
BLOCK
-
-
BLOCK
BLOCK
BLOCK
-
-
Port
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
-
-
1
1
1
1
2
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
1(01) - 127(7F)
0(00) - 64(40) - 127(7F)
0(00) - 64(40) - 127(7F)
0(00) - 64(40) - 127(7F)
0(00) - 64(40) - 127(7F)
0(00) - 127(7F)
64(40) - 88(58)
0(00) - 127(7F)
0(00) - 127(7F)
min:1 (00)
PROGRAM CHANGE
max:128 (7F)
OFF(00) / ON(01)
-
MONO(00) / POLY(01)
-
F0 41 10 42 12 40 1x 0A dd SUM F7
F0 41 10 42 12 40 1x 1C 00 SUM F7
F0 41 10 42 12 40 1x 13 dd SUM F7
F0 41 10 42 12 40 00 7F 00 41 F7
FC
L1 STOP
-
L2 START
FA
-
-
2
L3 CONTINUE
FB
-
-
2
P1 HOLD
P2 EXPRESSION
CC 64(40)
CC 11(0B)
0(00) / 127(7F)
0(00) - 127(7F)
1
1
1
1
GS-C (MEMORY: C)
Parameter
R1 DELAY MACRO
R2 DELAY PRE-LPF
R3 DELAY TIME RATIO LEFT
R4 DELAY TIME CENTER
R5 DELAY TIME RATIO RIGHT
R6 DELAY FEEDBACK
R7 DELAY LEVEL
Message (Hex.)
F0 41 10 42 12 40 01 50 dd SUM F7
F0 41 10 42 12 40 01 51 dd SUM F7
F0 41 10 42 12 40 01 53 dd SUM F7
F0 41 10 42 12 40 01 52 dd SUM F7
F0 41 10 42 12 40 01 54 dd SUM F7
F0 41 10 42 12 40 01 59 dd SUM F7
F0 41 10 42 12 40 01 58 dd SUM F7
F0 41 10 42 12 40 1x 1C dd SUM F7
F0 41 10 42 12 40 01 5A dd SUM F7
F0 41 10 42 12 40 01 56 dd SUM F7
F0 41 10 42 12 40 01 55 dd SUM F7
F0 41 10 42 12 40 01 57 dd SUM F7
F0 41 10 42 12 40 02 01 dd SUM F7
F0 41 10 42 12 40 02 03 dd SUM F7
F0 41 10 42 12 40 1x 2C dd SUM F7
F0 41 10 42 12 40 1x 19 dd SUM F7
F0 41 10 42 12 40 4x 20 dd SUM F7
F0 41 10 42 12 40 02 00 dd SUM F7
F0 41 10 42 12 40 02 02 dd SUM F7
F0 41 10 42 12 40 1x 1C 00 SUM F7
F0 41 10 42 12 40 1x 13 dd SUM F7
F0 41 10 42 12 40 00 7F 00 41 F7
FC
Range (Hex.)
0(00) - 9(09)
0(00) - 7(07)
Ch.
-
-
-
-
-
-
-
BLOCK
-
-
-
-
-
-
Port
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
1(01) - 120(78)
1(01) - 115(73)
1(01) - 120(78)
0(00) - 64(40) - 127(7F)
0(00) - 127(7F)
1(01) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
22(34) - 64(40) - 76(4C)
22(34) - 64(40) - 76(4C)
0(00) - 127(7F)
0(00) - 127(7F)
OFF(00) / ON(01)
200Hz(00) / 400Hz(01)
3kHz(00) / 6kHz(01)
-
R8 PART PANPOT
S1 DELAY SEND LEVEL TO REVERB
S2 DELAY LEVEL LEFT
S3 DELAY LEVEL CENTER
S4 DELAY LEVEL RIGHT
S5 EQ LOW GAIN
S6 EQ HIGH GAIN
S7 DELAY SEND LEVEL
S8 PART LEVEL
BLOCK
BLOCK
BLOCK
-
B1 EQ ON / OFF
B2 EQ LOW FREQ (200Hz/400Hz)
B3 EQ HIGH FREQ (3kHz/6kHz)
B4 RANDOM PAN
B5 MODE POLY/MONO
B6 GS RESET
-
BLOCK
BLOCK
-
-
MONO(00) / POLY(01)
-
L1 STOP
-
L2 START
FA
-
-
2
L3 CONTINUE
FB
-
-
2
P1 HOLD
P2 EXPRESSION
CC 64(40)
CC 11(0B)
0(00) / 127(7F)
0(00) - 127(7F)
1
1
1
1
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Memory sets
■ XG SET
When using this memory set, you will find it convenient to turn the PCR-1’s OMNI (p. 54) setting ON.
XG-A (MEMORY: D)
Parameter
R1 BEND PITCH CONTROL
R2 BEND FILTER CONTROL
R3 BEND AMPLITUDE CONTROL
R4 PITCH EG INITIAL LEVEL
R5 PITCH EG ATTACK TIME
R6 PITCH EG RELEASE LEVEL
R7 PITCH EG RELEASE TIME
R8 PAN
S1 BEND LFO PMOD DEPTH
S2 BEND LFO FMOD DEPTH
S3 BEND LFO AMOD DEPTH
S4 REVERB SEND
Message (Hex.)
F0 43 10 4C 08 0ch 23 dd F7
F0 43 10 4C 08 0ch 24 dd F7
F0 43 10 4C 08 0ch 25 dd F7
F0 43 10 4C 08 0ch 69 dd F7
F0 43 10 4C 08 0ch 6A dd F7
F0 43 10 4C 08 0ch 6B dd F7
F0 43 10 4C 08 0ch 6C dd F7
F0 43 10 4C 08 0ch 0E dd F7
F0 43 10 4C 08 0ch 26 dd F7
F0 43 10 4C 08 0ch 27 dd F7
F0 43 10 4C 08 0ch 28 dd F7
F0 43 10 4C 08 0ch 13 dd F7
F0 43 10 4C 08 0ch 12 dd F7
F0 43 10 4C 08 0ch 14 dd F7
F0 43 10 4C 08 0ch 11 dd F7
F0 43 10 4C 08 0ch 0B dd F7
PROGRAM CHANGE
PROGRAM CHANGE
F0 43 10 4C 08 0ch 07 dd F7
F0 43 10 4C 08 0ch 0E 00 F7
F0 43 10 4C 08 0ch 05 dd F7
F0 43 10 4C 00 00 7E 00 F7
FC
Range (Hex.)
0(00) - 64(40) - 127(7F)
0(00) - 64(40) - 127(7F)
0(00) - 64(40) - 127(7F)
0(00) - 64(40) - 127(7F)
0(00) - 64(40) - 127(7F)
0(00) - 64(40) - 127(7F)
0(00) - 64(40) - 127(7F)
1(01) - 64(40) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
min:1 (00)
Ch.
Port
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
-
-
1
1
1
1
2
CURRENT CH
CURRENT CH
CURRENT CH
CURRENT CH
CURRENT CH
CURRENT CH
CURRENT CH
CURRENT CH
CURRENT CH
CURRENT CH
CURRENT CH
CURRENT CH
CURRENT CH
CURRENT CH
CURRENT CH
CURRENT CH
-
S5 CHORUS SEND
S6 VARIATION SEND
S7 DRY LEVEL
S8 VOLUME
B1 PROGRAM CHANGE DEC
B2 PROGRAM CHANGE INC
B3 PART MODE NORMAL/DRUM
B4 RANDOM PAN
B5 MONO/POLY MODE
B6 XG SYSTEM ON
max:128 (7F)
OFF(00) / ON(01)
-
MONO(00) / POLY(01)
-
-
CURRENT CH
CURRENT CH
CURRENT CH
-
L1 STOP
-
-
L2 START
FA
-
-
2
L3 CONTINUE
FB
-
-
2
P1 HOLD
P2 EXPRESSION
CC 64(40)
CC 11(0B)
0(00) / 127(7F)
0(00) - 127(7F)
1
1
1
1
XG-B (MEMORY: E)
Parameter
R1 MW PITCH CONTROL
R2 MW FILTER CONTROL
R3 MW AMPLITUDE CONTROL
R4 REVERB PAN
Message (Hex.)
F0 43 10 4C 08 0ch 1D dd F7
F0 43 10 4C 08 0ch 1E dd F7
F0 43 10 4C 08 0ch 1F dd F7
F0 43 10 4C 02 01 0D dd F7
F0 43 10 4C 02 01 2D dd F7
F0 43 10 4C 02 01 57 dd F7
F0 43 10 4C 02 01 58 dd F7
F0 43 10 4C 02 01 59 dd F7
F0 43 10 4C 08 0ch 20 dd F7
F0 43 10 4C 08 0ch 21 dd F7
F0 43 10 4C 08 0ch 22 dd F7
F0 43 10 4C 02 01 0C dd F7
F0 43 10 4C 02 01 2C dd F7
F0 43 10 4C 02 01 56 dd F7
F0 43 10 4C 02 01 2E dd F7
F0 43 10 4C 08 0ch 0B dd F7
PROGRAM CHANGE
PROGRAM CHANGE
F0 43 10 4C 08 0ch 07 dd F7
F0 43 10 4C 08 0ch 0E 00 F7
F0 43 10 4C 08 0ch 05 dd F7
F0 43 10 4C 00 00 7E 00 F7
FC
Range (Hex.)
0(00) - 64(40) - 127(7F)
0(00) - 64(40) - 127(7F)
0(00) - 64(40) - 127(7F)
0(00) - 64(40) - 127(7F)
0(00) - 64(40) - 127(7F)
0(00) - 64(40) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
0(00) - 127(7F)
min:1 (00)
Ch.
CURRENT CH
CURRENT CH
CURRENT CH
Port
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
-
-
1
1
1
1
2
-
-
-
-
R5 CHORUS PAN
R6 VARIATION PAN
R7 SEND VARIATION TO REVERB
R8 SEND VARIATION TO CHORUS
S1 MW LFO PMOD DEPTH
S2 MW LFO FMOD DEPTH
S3 MW LFO AMOD DEPTH
S4 REVERB RETURN
S5 CHORUS RETURN
S6 VARIATION RETURN
S7 SEND CHORUS TO REVERB
S8 VOLUME
B1 PROGRAM CHANGE DEC
B2 PROGRAM CHANGE INC
B3 PART MODE NORMAL/DRUM
B4 RANDOM PAN
B5 MONO/POLY MODE
B6 XG SYSTEM ON
-
CURRENT CH
CURRENT CH
CURRENT CH
-
-
-
-
CURRENT CH
-
-
max:128 (7F)
OFF(00) / ON(01)
-
MONO(00) / POLY(01)
-
CURRENT CH
CURRENT CH
CURRENT CH
-
-
L1 STOP
-
L2 START
FA
-
-
2
L3 CONTINUE
FB
-
-
2
P1 HOLD
P2 EXPRESSION
CC 64(40)
CC 11(0B)
0(00) / 127(7F)
0(00) - 127(7F)
1
1
1
1
105
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Troubleshooting
Trouble shooting is organized
fig.winmac
according to different operating
systems. Refer to the icon(s) at the left of
the title to find your items you need.
Problems common to Windows and Macintosh
fig.win
Problems occurring only in Windows
* For details on operating your Windows
or Macintosh computer, refer to the
owner’s manual of the computer and
operating system you are using.
fig.mac
Problems occurring only in Macintosh
Problems related to the USB driver
Cannot install the driver correctly
Did you make the correct connections and settings for installation? Check each one of the following
items.
•
•
Is the PCR-1 connected correctly?
Make sure that the USB connector of your computer is connected to the PCR-1 by a USB cable.
Is the CD-ROM correctly inserted into your CD-ROM drive?
Installation is not possible unless the CD-ROM included with the PCR-1 is inserted in your CD-
ROM drive. Make sure that the CD-ROM is correctly inserted into your CD-ROM drive.
•
Is the CD-ROM or the lens of the CD-ROM dirty?
If the CD-ROM or the lens of the CD-ROM drive is dirty, the installer may not work correctly. Clean
the disc and/or lens using a commercially-available CD cleaner or lens cleaner.
•
•
Are you installing the software from a networked CD-ROM drive?
The software cannot be installed from a networked CD-ROM drive.
Could other applications or resident software (such as antivirus programs) be running?
Installation may not be successful if other programs are running.
Be sure to close all other programs before installation.
•
Is your computer’s power-conservation mode turned off?
If power-conservation settings are enabled on your computer, please disable any such settings. (For
the procedure, refer to the owner’s manual of your computer.)
•
•
Could any other USB device be connected?
Before you install, disconnect all USB devices except for your mouse and keyboard.
Is there sufficient free space on your hard disk?
Delete unneeded files to increase the amount of free space. After deleting the unneeded files, empty
the recycling bin.
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Troubleshooting
•
Is USB enabled on your computer?
Refer to the operation manual for your computer, and make sure that USB is enabled.
Device Manager indicate any of these: “Other device,” “Unknown device,” or a device
for which “?”, “!” or “x” is displayed?
If the driver installation could not be successfully completed, the installed driver may remain in an
incomplete state. Make sure to install the driver over again(p. 14).
You attempted to install using the procedure in “Installing the driver,” but the
installation was not successful.
Then set the PCR to the following driver mode, turn the PCR’s power on again, and install the
driver once again.]
“USB MIDI DRIVER MODE “ (p. 95)
0: Original driver
“USB AUDIO MODE SETTING” (p. 96) 0: 44.1kHz (ADVANCE)
Is OMS or FreeMIDI installed? (Mac OS 9)
The PCR-1 driver cannot be installed unless OMS or FreeMIDI are installed. Please install OMS or
FreeMIDI.
PCR-1 is not detected when making OMS or FreeMIDI
settings (Mac OS 9 users)
•
Is the PCR-1 detected?
-
-
-
Reconnect the USB cable.
If other USB devices are connected, connect only the PCR-1.
It is possible that the Macintosh did not correctly detect and initialize the PCR-1. Leave the
PCR-1’s USB cable connected, and restart your Macintosh. If it is still not detected, shut
down your Macintosh, and then restart it.
-
In some cases, the PCR-1 will not be detected if you have connected it to the USB connector
located on the keyboard of the Macintosh. Please connect it to a USB connector on the
Macintosh itself.
The “Insert Disk” dialog box does not appear
It is possible that the unsuccessfully installed driver is still present.
Turn off the power of your computer, and then install the driver once again.
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Troubleshooting
Cannot install the driver correctly“Find new hardware
wizard” does not execute automatically
The “Insert Disk” dialog box does not appear
The “Insert Disk” dialog box does not appear “Find new
hardware wizard” ends before the process is completed
•
•
It may take about 15 seconds (or more) after the USB cable is connected for the PCR-1
to be detected.
Is the USB cable connected correctly?
Make sure that the PCR-1 and your computer are correctly connected via a USB cable.
•
•
Is USB enabled on your computer?
Refer to the operation manual for your computer, and make sure that USB is enabled.
Does your computer or USB hub have sufficient power supply capacity?
The PCR-1 cannot be connected if insufficient power is supplied to it. Check whether one of the
following cases apply.
-
If you are using the PCR-1 with a notebook computer that is running on its battery,
operation may be unreliable with some models of computer. If this is the case, connect the
AC adaptor to your notebook computer.
-
-
The power conservation mode of your computer may limit the power that is supplied to
USB. Check the settings of your computer.
In some cases, the PCR-1 cannot be used with a bus-powered hub (a hub that does not
contain a power supply). Please use a self-powered hub (a hub that contains a power
supply).
•
•
It has been found that in some cases, not all of the Windows 98 files required to
support audio via USB are installed when a computer is shipped.
Please contact the manufacturer of your computer.
Does your computer meet the USB specifications?
If you are using a computer that does not fulfill the electrical requirements of the USB
connecting a USB hub.
If the above actions do not solve the problem, it is possible that the PCR-1 has been incorrectly
detected by the computer. Please reinstall the driver from the beginning of the procedure. (Getting
Connected and Installing Drivers (Windows) (p. 14))
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Troubleshooting
“Found unknown device” appears even though you
If your computer or USB hub has two or more USB connectors, and you connect the PCR-1 to a USB
connector to which the PCR-1 has never been connected before, the “Unknown device” dialog box
Refer to Installing the driver (p. 14), and install the driver once again. This is not a malfunction.
If the “Found unknown device” dialog box appears even though the PCR-1 is connected to the
same USB connector as before, it is possible that the computer has detected the PCR-1 incorrectly.
Please reinstall the driver from the beginning of the procedure (p. 14).
Can’t install/delete/use the driver in Windows XP/2000
•
Did you log on to Windows as a user with administrative privileges?
In order to install/delete/re-install the driver in Windows XP/2000, you must be logged into
Windows as a user with administrative privileges, such as Administrator. For details, please
•
•
Did you make “Driver Signing Options”?
In order to install/re-install the driver, you must make “Driver Signing Options”.
(➝Windows XP (p. 14), Windows 2000 (p. 20)
Windows XP/2000 displays a “Hardware Installation” or
•
Did you make “Driver Signing Options”?
In order to install/re-install the driver, you must make the settings described in “Driver Signing
Options”.
(➝Windows XP (p. 14), Windows 2000 (p. 20)
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Troubleshooting
■ Deleting the driver
If you were unable to install the driver according to the procedure given, the PCR-1 may not be
recognized correctly by the computer. In this case, use the following procedure to delete the driver,
and then follow the procedure to install the driver once again.
Windows users
Here’s how to uninstall the dedicated driver.
1
Start up Windows with the PCR-1 disconnected.
Disconnect all USB cables other than a USB keyboard or USB mouse.
* If you are using Windows XP Professional/2000, log on as a user that has administrative privileges (e.g.,
Administrator).
2
3
Insert the CD-ROM into the CD-ROM drive of your computer.
From the Windows Start menu, choose “Run...”.
In the Run dialog box, input the following into the Open field, and click [OK].
Windows XP/2000 users:
Windows Me/98 users:
D:\DRIVER\USB_XP2K\Uninstal.EXE
D:\DRIVER\USB_ME98\Uninstal.EXE
* The drive name D: may be different on your system. Use the drive name for your CD-ROM drive.
4
Follow the on-screen instructions to uninstall the driver.
Macintosh ( Mac OS 9) users
1
Turn off the power of the PCR-1.
Also disconnect the USB cable (by which the PCR-1 is connected) from your Macintosh.
2
3
4
From the system extensions folder, drag “USB PCR-1 Driver” and “USB PCR-1Audio
Driver” into the trash to delete it.
Delete PCR-1 from the OMS Folder inside the System folder, or drag PCR-1 Driver from the
FreeMIDI Folder inside the System folder to the trash.
Restart the Macintosh.
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Troubleshooting
Problems when using the PCR-1
fig.winmac
Operating system becomes unstable
•
Operation becomes unstable when the computer is started up with the PCR-1 already
connected
Please start up your computer with the PCR-1 disconnected, and then connect the PCR-1. On a
computer that uses a USB keyboard, starting up the computer with the PCR-1 already connected
may cause operation to become unstable. In this case, start up the computer with the PCR-1
disconnected, and then connect the PCR-1.
fig.winmac
Can’t hear sound from the computer
•
•
•
Do the recording and playback sampling frequencies match?
Set the recording and playback sampling frequencies so they match.
The PCR-1’s Sampling frequency select switch may have been set to “96 kHz REC”.
With this setting, only recording is possible. Sound from the computer cannot be played back.
In your playback software, have you specified the audio data output destination?
For some software, such as Cool Edit Pro LE, you will need to specify the PCR-1 as the output
destination for audio data. For details on the procedure for making settings, refer to the owner’s
manual for your software.
•
•
Are you running multiple applications?
If multiple applications are running simultaneously, an error message may appear. If this occurs,
click [OK] and exit the other applications.
Was the driver installed correctly?
In order for you to play back audio data via the PCR-1, the driver must be installed. For installation
and settings, refer to “Getting Connected and Installing Drivers” (➝Windows (p. 14),
Macintosh (p. 31).
•
•
•
Is your computer in Suspend or Sleep mode?
If so, get your computer to resume normal operation, then exit all applications that are using the
PCR-1. Next, turn the PCR-1’s power off, then switch it on again.
Did you plug in the USB cable, or unplug it while an application was running?
Exit all applications that are using the PCR-1, and exit all applications that are using the PCR-1, and
re-connect the PCR-1.
Have you selected “Game compatible device” or “Voice modem” as the output for the
audio track?
If game compatible device or voice modem (the actual name will depend on the computer you are
using) is selected for the audio track of your software, the audio track may not play back. Do not
select these devices as the port.
fig.winmac
Volume from a device connected to the input jacks is too low
•
•
Are you using a cable that has a built-in resistor?
Use a cable without a built-in resistor (e.g., Roland PCS series).
Is the Input volume raised appropriately?
Turn the knob clockwise to adjust the volume.
111
Troubleshooting
fig.winmac
Noise is heard during audio playback
In some cases, you may also be able to solve this problem by grounding the chassis of your
computer, or the grounding connector of the AC power supply plug of your computer. In addition,
you can check whether any devices that produce a strong magnetic field are located nearby, such
as a television or microwave oven.
•
Are two or more audio devices such as the PCR-1 or a mixer connected to your
computer?
Try connecting only a single PCR-1 unit, and check whether the noise disappears. If numerous
audio devices are connected to a computer, noise may occur depending on your system. In such
cases, connect only the PCR-1 to your computer.
Does your sequencer software support ASIO 2.0 or 24-bit audio?
If your ASIO-compatible software does not support ASIO 2.0, it will not operate correctly if you use
[PCR-1 ASIO2.0 16bit] or [PCR-1 ASIO2.0 24bit] as the ASIO driver.
In this case, select either [PCR-1 ASIO1.0 16bit] or [PCR-1 ASIO1.0 24bit] as the ASIO driver.
If your ASIO-compatible software does not support 24-bit audio input/output, it will not operate
correctly if you select [PCR-1 ASIO1.0 24bit] or [PCR-1 ASIO2.0 24bit] as the ASIO driver. In this
case, select either [PCR-1 ASIO1.0 16bit] or [PCR-1 ASIO2.0 16bit] as the ASIO driver.
Graphic accelerators may cause noise to be heard during audio playback.
Use the following procedure to turn the graphic accelerator “Off.”
1. In the Windows Control Panel, double-click the Screen Properties dialog box, and click the
Settings tab.
2. Click Details, and in the properties that appear, click the Performance tab. For Windows
2000, click the Troubleshooting tab.
3. In the graphic, set the Hardware accelerator slider to None, and click [OK].
4. In the Screen Properties dialog box, click [OK] to close the dialog box. Then restart your
computer.
Try using the following procedure to change your disk drive settings.
The following setting item may not exist on some computers.
1. In the Windows Control Panel, double-click System.
2. Click the Device Manager tab.
3. Double-click Disk Drives to see the list of devices.
4. From the list, select GENERIC IDE DISK TYPE??, and click Properties to access the
GENERIC IDE DISK TYPE?? Properties dialog box.
*
In the ?? field of GENERIC IDE DISK TYPE??
112
Troubleshooting
*
Depending on your system, a DMA Settings dialog box may appear. Check the contents, and click
either [OK] or [Cancel].
6. In the System Properties dialog box, click [OK] to close the dialog box. Then restart your
computer.
Try installing more memory.
Installing more memory will increase the performance of your computer. For details on how to
install more memory, refer to the operation manual for your computer.
Does your computer satisfy the requirements of the USB standard?
If you are using a computer (such as a computer that you yourself assembled) that does not satisfy
the electrical requirements of the USB specifications, you may experience interruptions in the
audio. If this occurs, you may be able to solve the problem by connecting a USB hub that contains
its own power supply.
In some cases you may be able to solve this problem in the “EDIROL PCR-1 Driver
settings” dialog box.
For details, refer to the section “Part of the playbacks wrong: e.g., notesare broken
offprematurely, or somenotes are lost” within the README_E file located in the folder in which
you installed the CD-ROM.
On some computers, audio playback may be interrupted due to the Power Management
settings in the Control Panel.
The Power Supply Properties that you see when you double-click Power Management will differ
depending on your computer system. One example is given below, but you should also refer to the
operation manual for your computer. Some computers may not have all of the following setting
items.
1. Click the Windows Start button, and select Settings | Control Panel to open the [Control
Panel].
2. In Control Panel, double-click System to open the System Properties dialog box.
3. Click the Device Manager tab.
4. Double-click System Devices to display the list of devices.
5. From the list, select Advanced Power Management Support. Then click Properties to open
the Advanced Power Management Support Properties dialog box.
6. Click the Settings tab, and in Troubleshooting, place a check in the check box for Don’t Poll
Power Supply Status. Then click [OK].
7. In the System Properties dialog box, click [OK].
8. Restart Windows.
113
Troubleshooting
Depending on the virtual memory setting or network-related settings, noise may occur.
Please make the following settings before use.
•
In Chooser of the Apple menu, set AppleTalk to “Inactive.”(This setting is not changed
as a result of turning off AppleTalk, as requested by OMS when sequencer software is
started up. You must change the setting yourself using the “Chooser.”)
•
•
In the “Memory” Control Panel, set Virtual Memory to “Off.”
Depending on the way in which you connect to the Internet, use the PCR-1 with the
following settings.
-
-
If you connect to the Internet via a LAN cable
Use while the LAN cable is connected.
If you connect to the Internet via the internal modem port, or are not connected to the
Internet
In the “TCP/IP” Control Panel, set “Connect via” to “PPP.”
After you have made the settings, restart your Macintosh.
* Do not use software that accesses the network (such as a Web browser) at the same time that you are using
sequencer software or audio editing software.
fig.ASIO-04
Try increasing the Buffer Size in the ASIO Driver
control panel.
The name of the settings dialog box will differ
depending on your software.
* If you change the buffer size, you must exit the software and then restart it.
* Roland can make no guarantee of, nor provide support regarding the operation of sequencer software and
audio editing software made by another manufacturer. Please contact the manufacturer of the software you
are using.
114
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Troubleshooting
fig.winmac
Playback or recording halts midway through, and then
becomes impossible
•
Was a heavy processing load experienced while using the PCR-1, such as accessing
the CD-ROM drive or a network?
If an operation involving a heavy processing load is performed while the PCR-1 is in use, it may
not operate correctly. If this occurs, stop playback/recording, and then try resuming playback/
recording. If you are still unable to play back/record, exit all applications that use the PCR-1,
switch off the PCR-1, then turn it on again.
fig.mac
Can’t record / play 24-bit audio data
•
•
•
Does your software support 24-bit audio data?
Is your software set to record/play 24-bit audio data?
Have you selected [PCR-1 ASIO1.0 24bit] or [PCR-1 ASIO2.0 24bit] as the ASIO driver?
fig.win
Recording produces a silent (blank) file
•
Try setting the bit rate to “16 bit or higher.”
If you are using Windows 98 Second Edition and your recording software is set to a bit rate setting
of 8 bits, a silent file may be created, effectively making recording impossible. If this occurs, set the
bit rate to “16 bit or higher,” and you will be able to record normally.
•
•
•
In your operating system, is the audio data input destination set correctly?
On your recording software, is the audio data input destination set correctly?
The PCR-1’s USB AUDIO MODE SETTING (p.96) select may have been set to “96 kHz
PLAY”.
When set to “96 kHz PLAY”, only playback is possible. If you want to record the sound from your
computer, choose a setting other than “96 kHz PLAY”.
115
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Troubleshooting
fig.winmac
Can’t record MIDI
•
•
•
Has the MIDI device you are using been set correctly?
Make the correct input/output device settings. (➝Input / output devices (p. 44))
Make sure that the PCR-1 is selected as the MIDI input/output device (port) in the software that
you want to control. If the PCR-1 is connected via USB, you can use two ports for controlling your
software. Make sure that the desired port is correctly selected. (➝Audio and MIDI flow (p. 43))
Are you running multiple applications?
If multiple applications are running simultaneously, an error message may appear. If this occurs,
click [OK] and exit the other applications.
Was the driver installed correctly?
In order for you to play back audio data via the PCR-1, the driver must be installed. For installation
and settings, refer to “Getting Connected and Installing Drivers” (➝Windows (p. 14)/
Macintosh (p. 31).
•
•
•
Could the power of your equipment be off?
Make sure that the power to your audio equipment (e.g., stereo) and the PCR-1 has been connected.
Are the volume controls of the PCR-1 set appropriately?
Use the PCR-1’s front panel VOLUME knob to adjust the volume.
Is your computer in Suspend or Sleep mode?
If so, get your computer to resume normal operation, then exit all applications that are using the
PCR-1. Next, disconenct the USB cable from the PCR-1, then connect it again.
•
Did you plug in the USB cable, or unplug it while an application was running?
re-connect the PCR-1.
Is OMS/FreeMIDI set correctly?
As described in OMS settings (p. 34) or FreeMIDI settings (p. 36), check the OMS or FreeMIDI
settings. Also make sure that the device for MIDI IN/OUT is correctly selected in the MIDI settings
of your MIDI sequencer software.
Is the OMS setup enabled?
If a diamond-shaped symbol is not displayed at the left edge of the title area in the OMS setup
window, the setup is not enabled. From the OMS File menu, choose “Make Current” (p. 35).
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MIDI implementation
1. Receive data
2. Transmit data
■System exclusive messages
■Channel voice messages
In addition to the channel voice messages that can be transmitted in each mode, the
PCR-1 lets you assign any channel voice message to any controller and transmit it.
●Universal non-realtime system exclusive message
❍Identity request message
Status
F0H
Data byte
Status
F7H
●Note off
Status
7EH, dev, 06H, 01H
2nd byte
kkH
3rd byte
00H
9nH
Byte
F0H
7EH
dev
Explanation
Exclusive status
n = MIDI channel number:
kk = note number:
0H – FH (Ch.1 – 16)
00H – 7FH (0 – 127)
ID number (Universal non-realtime system exclusive message)
Device ID (10 or 7FH (Broadcast))
Sub ID #1 (PCR-1)
06H
01H
F7H
*
Transmitted when you release a key in Play mode.
Sub ID #1 (PCR-1)
EOX (End of Exclusive)
●Note on
Status
2nd byte
kkH
3rd byte
vvH
9nH
●Data transmission
The PCR-1 can use Bulk Dump (p. 119) to transfer its internal Memory sets (p. 100).
n = MIDI channel number:
kk = note number:
0H – FH (Ch.1 – 16)
00H – 7FH (0 – 127)
01H – 7FH (1 – 127)
❍Data Set 1 DT1 (12H)
These messages transmit the actual data, and are used to transfer data settings to a
device.
vv = note on velocity:
*
Transmitted when you push a key in Play mode.
Status
F0H
Data byte
Status
F7H
41H, 10H, 00H, 62H, 12H,
aaH, ddH, ...eeH, sum
●Polyphonic key pressure
Status
2nd byte
3rd byte
Byte
F0H
41H
10H
00H
62H
12H
aaH
ddH
:
Explanation
AnH
kkH
vvH
Exclusive status
ID number (Roland)
n = MIDI channel number:
kk = note number:
0H – FH (Ch.1 – 16)
00H – 7FH (0 – 127)
00H – 7FH (0 – 127)
Device ID (For the PCR-1, fixed at 10H)
Model ID #1 (PCR-1)
Model ID #1 (PCR-1)
Command ID (RQ1)
Address
vv = key pressure:
●Control change
Status
2nd byte
3rd byte
vvH
Data
BnH
ccH
:
n = MIDI channel number:
cc = controller number:
vv = control value:
0H – FH (Ch.1 – 16)
00H – 77H
:
eeH
sum
F7H
Data
00H – 7FH
Checksum
EOX (End of Exclusive)
❍Bank Select (Controller number 0, 32)
Status
BnH
2nd byte
00H
3rd byte
mmH
llH
*
The amount of data that can be transmitted at once is fixed for each type of data.
Data that does not have the specified starting address and data size will not be
received. Refer to the explanation in 3. Bulk Dump (p. 119).
There must be an interval of at least 40 ms between each exclusive message that is
sent.
BnH
20H
*
*
n = MIDI channel number:
mm = Bank number MSB:
ll = Bank number LSB:
0H – FH (Ch.1 – 16)
00H – 7FH
Also, you must leave an interval of at least 500 ms after transmitting one set of
bulk dump data.
00H – 7FH
*
Transmitted in Bank mode.
❍Modulation (Controller number 1)
Status
BnH
2nd byte
01H
3rd byte
vvH
n = MIDI channel number:0H – FH (Ch.1 – 16)
vv = Modulation depth:00H – 7FH (0 – 127)
*
Transmitted by upward/downward operation of the BENDER lever in Play
mode.
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MIDI implementation
●Program change
■System common message
On the PCR-1 you can assign the following system common messages to any
controller and transmit them.
Status
2nd byte
CnH
ppH
n = MIDI channel number:
pp = Program number:
0H – FH (Ch.1 – 16)
●MTC quarter frame
00H – 7FH (prog. 1 – prog. 128)
Status
2nd byte
F1H
mmH
*
Transmitted in Program change mode.
mm = Message type/value
●Channel pressure
Status
2nd byte
●Song position pointer
DnH
vvH
Status
2nd byte
3rd byte
llH
F2H
mmH
n = MIDI channel number:
vv = Channel pressure:
0H – FH (Ch.1 – 16)
00H – 7FH (0 – 127)
mm, ll = Song position:
00 00H - 7F 7FH (0-16383)
●Pitch bend change
●Song select
Status
2nd byte
3rd byte
mmH
Status
2nd byte
EnH
llH
F3H
mmH
n = MIDI channel number:
mm, ll = Pitch Bend value:
0H – FH (Ch.1 – 16)
mm = Song number:
00 00H - 7F 7FH (0-16383)
00 00H – 40 00H – 7FH 7FH
(-8192 – 0 – +8191)
●Tune request
Status
*
Transmitted by rightward/leftward operation of the BENDER lever in Play
mode.
F6H
■Channel mode messages
In addition to the channel mode messages that can be transmitted in Panic mode,
■System realtime message
In addition to the Active Sensing messages that are transmitted constantly, the
PCR-1 allows you to assign the following system realtime messages (other than
Active Sensing) to any controller and transmit them.
the PCR-1 lets you assign any channel voice message to any controller and transmit
it.
●Channel mode messages
●Timing Clock
Status
Status
2nd byte
3rd byte
BnH
ccH
vvH
F8H
n = MIDI channel number:
cc = controller number:
vv = control value:
0H – FH (Ch.1 – 16)
78H – 7FH
*
Transmitted if the System setting F8 CLOCK is ON.
00H – 7FH
●Start
Status
❍All sounds off (Controller number 120)
FAH
Status
BnH
2nd byte
78H
3rd byte
00H
●Continue
n = MIDI channel number:
Transmitted in Panic mode.
0H – FH (Ch.1 – 16)
Status
FBH
*
●Stop
❍Reset all controllers (Controller number 121)
Status
Status
BnH
2nd byte
79H
3rd byte
00H
FCH
●Active sensing
n = MIDI channel number:
Transmitted in Panic mode.
0H – FH (Ch.1 – 16)
Status
FEH
*
*
*
Transmitted at intervals of approximately 250 ms.
Cannot be assigned to a controller.
❍All notes off (Controller number 123)
Status
BnH
2nd byte
7BH
3rd byte
00H
●System reset
Status
n = MIDI channel number:
Transmitted in Panic mode.
0H – FH (Ch.1 – 16)
FFH
*
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MIDI implementation
■System exclusive message
The PCR-1 is able to transmit the following exclusive messages: exclusive messages
assigned to the controllers, Identity Reply, and Bulk Dump.
3. Bulk dump
Bulk dump allows a large amount of data to be transferred in a single operation.
For example, this can be used to store all settings of a device into a computer or
sequencer.
●Universal non-realtime system exclusive
❍Identity reply
On the PCR-1, a bulk dump will be transmitted when you execute the Bulk mode
operation BULK TX. The bulk dump is transmitted as several exclusive messages.
This message will be transmitted when an Identity Request message is received.
Address
Parameter
Packets
00H, 00H, 00H, 00H--00H, 00H, 1A, 7FCurrent memory 27
Status
F0H
Data byte
Status
F7H
*
*
You must leave an interval of at least 40 ms between each exclusive message.
In the case of ALL BULK, the contents of memories 1--F will be transmitted as
the current memory, consecutively from memory 1 through memory F. After
transmitting one set of bulk dump data, you must leave an interval of at least
500 ms.
7EH,10H,06H,02H,41H,62H,01H,
00H,00H,02H,01H,00H,00H
Byte
Explanation
F0H
Exclusive status
*
Please be aware that if you modify the data dumped from the PCR-1 by
changing the order in which the exclusive messages are transmitted, by
inserting other messages between the system exclusive messages, or by
speeding up the timing of the transmission, the data may not be set correctly
when the PCR-1 receives it.
7EH
ID number (Universal non-realtime message)
Device ID (For the PCR-1, fixed at 10H)
Sub ID #1 (General Information)
Sub ID #1 (Identity Reply)
ID number (Roland)
10H
06H
02H
41H
62H 01H
00H 00H
02H 01H
00H 00H
F7H
Device family code
Device family number code
Software revision level
:
EOX (End of Exclusive)
●Data transmission
❍Data Set 1 DT1 (12H)
Transmitted when you execute Bulk TX in the Bulk mode.
Status
F0H
Data byte
Status
41H, 10H, 00H, 62H, 12H,
aaH, ddH, ...eeH, sum
F7H
Byte
F0H
41H
10H
00H
62H
12H
aaH
ddH
:
Explanation
Exclusive status
ID number (Roland)
Device ID
Model ID #1 (PCR-1)
Model ID #1 (PCR-1)
Command ID (RQ1)
Address
Data
:
:
eeH
sum
F7H
Data
Checksum
EOX (End of Exclusive)
*
The amount of data that can be transmitted at once is fixed for each type of data.
Data that does not have the specified starting address and data size will not be
received. Refer to the explanation in 3. Bulk Dump.
*
*
There must be an interval of at least 40 ms between each exclusive message that
is sent.
Also, you must leave an interval of at least 500 ms after transmitting one set of
bulk dump data.
119
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MIDI implementation
4. Supplementary material
<Example4> What is the nibble-expressed value of decimal 1258?
1258 ÷ 16 = 78 (quotient) ... 10 (remainder)
78 ÷ 16 = 4 (quotient) ... 14 (remainder)
●Decimal and Hexadecimal table
(An “H” is appended to the end of numbers in hexadecimal notation.)
4 ÷ 16 = 0 (quotient) ... 4 (remainder)
From the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0HA.
In MIDI documentation, data values and addresses/sizes of Exclusive messages,
etc. are expressed as hexadecimal values for each 7 bits.
The following table shows how these correspond to decimal numbers.
fig.11-22e
Thus, the nibble-expressed value is
00 04 0E 0AH
●Example of an actual MIDI message
<Example1> CE 04
Dec. Hex. Dec. Hex. Dec. Hex. Dec. Hex.
CnH is the Program Change status. “n” is the MIDI channel number. EH = 14, and
04H = 04. Thus, this is a program change message on MIDI channel 15, for program
number 05.
0
1
00H
01H
02H
03H
04H
05H
06H
07H
08H
09H
0AH
0BH
0CH
0DH
0EH
0FH
10H
11H
12H
13H
14H
15H
16H
17H
18H
19H
1AH
1BH
1CH
1DH
1EH
1FH
32
33
34
35
36
37
38
39
40
41
42
43
20H
21H
22H
23H
24H
25H
26H
27H
28H
29H
2AH
2BH
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
40H
41H
42H
43H
96
97
98
99
60H
61H
62H
63H
64H
65H
66H
67H
68H
69H
2
3
●Checksum calculation
4
44H 100
45H 101
46H 102
47H 103
48H 104
49H 105
5
In order to verify that the message was received correctly, Roland exclusive
messages (RQ1, DT1) add a checksum following the end of the data (before the F7).
The checksum value is determined by the address and data (or size) of the
exclusive message that is transmitted.
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
4AH 106 6AH
4BH 107 6BH
4CH 108 6CH
4DH 109 6DH
4EH 110 6EH
4FH 111 6FH
❍Calculating the checksum
44 2CH
45 2DH
(“H” has been added following hexadecimal values)
The checksum is a value that results in a lower 7 bits of 0 when the address, size,
and checksum itself are added together.
46
47
48
49
50
51
52
53
54
55
56
57
58
59
2EH
2FH
30H
31H
32H
33H
34H
35H
36H
37H
38H
39H
3AH
3BH
50H 112
51H 113
52H 114
53H 115
54H 116
55H 117
56H 118
57H 119
58H 120
59H 121
70H
71H
72H
73H
74H
75H
76H
77H
78H
79H
Specifically, the calculation will be as follows when the exclusive message you
want to transmit has an address of aa bb ccH and data or size of dd ee ffH.
aa + bb + cc + dd + ee + ff = total
total ÷ 128 = quotient ... remainder
128 - remainder = checksum
*
However, as an exception, the checksum for a remainder of 0 is not 80H but
rather 00H.
5AH 122 7AH
5BH 123 7BH
5CH 124 7CH
5DH 125 7DH
5EH 126 7EH
5FH 127 7FH
60 3CH
61 3DH
62
63
3EH
3FH
*
*
The decimal expression of the MIDI channel, program change, etc., is one
greater than the decimal value shown in the table above.
The hexadecimal expression for each 7 bits allows a maximum of 128 steps (0--
127) to be expressed by one byte of data. Multiple bytes are used if the data
requires greater resolution than this. For example, a value expressed by two 7-
bit bytes “aa” and “bbH” would be aa x 128 + bb.
*
*
In the case of signed (+/-) data, 00H = -64, 40H = +/-0, and 7FH = +63; i.e., a
value 64 less than the decimal value shown in the above table is used. In the case
of a two-byte value, 00 00H = -8192, 40 00 = +/-0, and 7F 7F = +8191. For
example, a value of “aa” and “bbH” would have a decimal expression of aa bbH
- 40 00H = aa x 128 + bb - 64 x 128.
In the case of data indicated as “use nibble data,” hexadecimal expression in 4-
bit units is used. A nibble-expressed value of the two bytes 0a and 0bH would
have a value of a x 16 + b.
<Example1>
What is the decimal expression of 5AH?
From the preceding table, 5AH = 90.
<Example2>
What is the decimal expression of the 7-bit hexadecimal value 12 34H?
From the preceding table, 12H = 18, and 34H = 52.
Thus, this is
18 x 128 + 52 = 2356
<Example3>
What is the decimal expression of the nibble-expressed value 0A 03 09 0D?
From the preceding table, 0AH = 10, 03H = 3, 09H = 9, and 0DH = 13.
Thus, this is
((10 x 16 + 3) x 16 + 9) x 16 + 13 = 41885
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MIDI implementation
fig.midi-chart.e
USB AUDIO INTERFACE /
MIDI KEYBOARD CONTROLLER
Date : Jan. 1, 2004
MIDI Implementation Chart
Version : 1.00
Model PCR-1
Function...
Transmitted
Recognized
Remarks
Basic
Channel Changed
Default
1
X
X
1—16
Default
Messages
Altered
Mode 3
OMNI ON/OFF, MONO, POLY
X
X
X
Mode
**************
Note
Number :
X
X
0—127
**************
True Voice
Note On
Note Off
O (9n v=1—127)
O (9n v=0)
X
X
Velocity
After
Touch
Key’s
Channel’s
O
O
X
X
Pitch Bend
O
O
X
X
0-119
Control
Change
Program
Change
O (0—127)
**************
X
X
: True Number
System Exclusive
O
O
: Song Position
: Song Select
: Tune Request
O
X
X
X
System
Common
O (0—127)
O
System
Real Time : Commands
: Clock
O
O
X
X
O *1 (120)
X
X
X
X
X
X
: All Sound Off
O *1 (121)
: Reset All Controllers
Aux
Messages
O
: Local On/Off
: All Notes Off
: Active Sensing
: System Reset
O *1 (123)
O
O
Notes
* 1 When PANIC is transmitted.
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO
O : Yes
X : No
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Main specifications
■ PCR-1: USB Audio Interface / MIDI Keyboard Controller
● Number of Audio Record/Playback
● Power Supply
USB Bus Power
Channels
Record:
1 pair of stereo
1 pair of stereo
● Current Draw
Playback:
400 mA
Full duplex (except for 96 kHz setting)
● Dimensions
● Signal Processing
450(W) x 220(D) x 28(H) mm
AD/DA Conversion: 24 bits
17-3/4 (W) x 8-11/16 (D) x 1-1/8 (H) inches
PC interface:
24 bits
● Weight
● Sampling Rate
1.5 kg / 3 lbs 5 oz
44.1/48/96 kHz
● Accessories
CD-ROM
● Nominal Input Level
-10 dBu
USB Cable
Owner’s Manual
Template Sheets (GM2, BLANK)
● Input Impedance
27 k ohms
● Nominal Output Level
-10 dBu
(0 dBu = 0.775 V rms)
● Output Impedance
* In the interest of product improvement, the
specifications and/or appearance of this unit are
subject to change without prior notice.
1 k ohms
● Connectors
USB connector: Type B
Line Input jacks (L, R): RCA phono type
Line Output jacks (L, R): RCA phono type
Headphones jack: Stereo miniature phone type
Digital Output connector: Optical type
● Keyboard
25 Keys (with velocity)
● Controllers
Master Volume Knob
Memory Button
MIDI Channel Button
Shift Button
Octave Shift Buttons (+/-)
Transpose Button
Assignable Buttons (B1--6)
Pitch Bend Switch
Modulation Switch
Assignable Rotary Volume Knobs (R1--8)
● Display
7 segments, 3 characters (LED)
● Rear Panel
Input Level Knob
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A
ASSIGN COPY ................................................ 61, 86
Assignments .......................................................... 61
D
Display ...................................................................... 9
driver ..................................................... 44, 46, 95–96
Driver Signing ...................................... 14, 18, 20, 23
DT1 ................................................................ 117, 119
B
Buffer Size ........................................................ 29, 39
BULK ................................................................ 89–91
Bulk dump ............................................................. 89
Bulk mode .............................................................. 90
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index
E
EDIROL PCR-1 .......................................... 26–28, 44 LAST ACCESS MEMORY ................................... 95
EDIT .................................................................. 50, 61 Latch mode ............................................................ 62
EDIT Button ............................................................. 9 Latency ............................................................. 29, 39
Edit mode ......................................................... 50, 61 LSB ...................................... 50, 57, 72, 74, 76, 80, 83
F
F8 CLOCK .............................................................. 93 MCR-8 MODE SET ..................................... 101–102
F8 CLOCK DEFAULT TEMPO ..................... 93–94 MEMORY ......................................................... 50, 59
F8 CLOCK ON / OFF .................................... 93–94 MEMORY / PGM CHANGE Button ................... 9
F8 CLOCK PORT SET .................................... 93–94 Memory mode ................................................. 50, 59
FACTORY RESET ........................................... 93, 95 memory number ................................................... 59
FPT .......................................................................... 95 Memory sets .......................................................... 59
FreeMIDI ................................................................ 36 MIDI ....................................................................... 50
G
GM2 MEMORY ..................................................... 95
GM2 set ................................................................ 100
H
MODULATION SETTING ............................ 93, 97
MSB ..................................... 50, 57, 72, 74, 76, 80, 83
HEX ..................................................................... 9, 54
HEX Button ............................................................ 10
Note off ................................................................ 117
Note on ................................................................. 117
NRPN ASSIGN ..................................................... 61
I
Input jacks .............................................................. 12
input mode ............................................................ 54
Insert Disk ........................................................ 16–17
K
KEYBOARD PORT SET ................................. 93–94
124
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index
O
OCTAVE .......................................................... 11, 52 Receive data ......................................................... 117
OCTAVE - / + ....................................................... 11 Reset all controllers ...................................... 58, 118
Octave Shift ............................................................ 52 rotary encoder ....................................................... 68
OMNI ...................................................................... 54 RPN ................................................................... 61, 74
OMNI OFF ............................................................. 54 RPN / NRPN ASSIGN .................................. 61, 74
OMNI ON .............................................................. 54 RPN ASSIGN ......................................................... 61
OMS ........................................................................ 34
S
Optical .................................................................... 12
P
PANIC .............................................................. 50, 58 SINGLE BULK ...................................................... 89
Panic mode ...................................................... 50, 58 SNAPSHOT ..................................................... 50, 60
PC DEC ............................................................. 71, 73 Snapshot mode ................................................ 50, 60
PC INC ............................................................. 71, 73 SONAR ................................................................. 101
PCR-1 ...................................................................... 44 Song position pointer ......................................... 118
PCR-1 1 ................................................................... 44 Song select ........................................................... 118
PCR-1 2 ................................................................... 44 Sounds and Audio Devices ........................... 26–27
pitch .................................................................. 11, 52 Standard driver mode .......................................... 96
Pitch Bend .............................................................. 52 Start ....................................................................... 118
Pitch bend change ............................................... 118 STARTUP MEMORY ..................................... 93, 95
PITCH BEND TIME ....................................... 93, 97 Stop ....................................................................... 118
PLAY mode ..................................................... 50–51 Sys Ex. ..................................................................... 61
Polyphonic Key Pressure ....................... 65–66, 117 Sys Ex. ASSIGN ........................................ 61, 77, 80
port .............................................................. 43–45, 62 Sys Ex. message ..................................................... 77
Power Management ........................................... 113 SYSTEM .................................................................. 93
Preferred device .............................................. 27–28 System common message .................................. 118
Program ................................................................ 118 system exclusive message ....... 77, 80–82, 117, 119
PROGRAM CHANGE ............... 50, 54, 56, 61, 118 system message ..................................................... 77
PROGRAM CHANGE ASSIGN ................... 61, 71 System realtime message ................................... 118
Program Change Decrement function ............... 73 System reset ......................................................... 118
Program Change mode .................................. 50, 56
PROTECT ............................................................... 92
PROTECT OFF ...................................................... 92
PROTECT ON ....................................................... 92
125
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index
T
Transmit data ...................................................... 117
TRANSPOSE ......................................................... 52
U
USB AUDIO ON / OFF ................................. 93, 96
USB cable ................................................................. 6
V
vibrato .................................................................... 52
X
XG SET ................................................................. 105
126
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For EU Countries
This product complies with the requirements of European Directive 89/336/EEC.
For Canada
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada403.055 398.0046es
For the USA
DECLARATION OF CONFORMITY
Compliance Information Statement
Model Name :
Type of Equipment :
Responsible Party :
PCR-1
USB AUDIO INTERFACE/MIDI KEYBOARD CONTROLLER
Edirol Corporation North America
Address : 425 Sequoia Drive, Suite 114, Bellingham, WA 98226
Telephone : (360) 594-4276
Information
When you need repair service, call your nearest EDIROL/Roland Service Center or authorized
EDIROL/Roland distributor in your country as shown below.
IRELAND
HONG KONG
BARBADOS
PERU
CYPRUS
Roland Ireland
Parsons Music Ltd.
A&B Music Supplies LTD
12 Webster Industrial Park
Wildey, St.Michael, Barbados
TEL: (246)430-1100
Audionet
Radex Sound Equipment Ltd.
17, Diagorou Street, Nicosia,
CYPRUS
G2 Calmount Park, Calmount
Avenue, Dublin 12
Republic of IRELAND
TEL: (01) 4294444
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 2333 1863
Distribuciones Musicales SAC
Juan Fanning 530
Miraflores
Lima - Peru
TEL: (511) 4461388
EUROPE
EDIROL (Europe) Ltd.
Studio 3.4 114 Power Road
London W4 5PY
TEL: (022) 66-9426
IRAN
MOCO INC.
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
BRAZIL
Roland Brasil Ltda.
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
ITALY
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
U. K.
INDIA
Rivera Digitec (India) Pvt. Ltd.
409, Nirman Kendra
Mahalaxmi Flats Compound
Off. Dr. Edwin Moses Road,
Mumbai-400011, INDIA
TEL: (022) 2493 9051
TEL: +44 (0)20 8747 5949
FAX:+44 (0)20 8747 5948
http://www.edirol.com/europe
TRINIDAD
AMR Ltd
Ground Floor
Maritime Plaza
Barataria Trinidad W.I.
TEL: (868)638 6385
TEL: (021) 285-4169
Deutschland
TEL: 0700 33 47 65 20
France
TEL: 0810 000 371
Italia
TEL: 02 93778329
ISRAEL
Halilit P. Greenspoon & Sons
Ltd.
8 Retzif Ha’aliya Hashnya St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
NORWAY
Roland Scandinavia Avd.
Kontor Norge
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
CHILE
Comercial Fancy II S.A.
Rut.: 96.919.420-1
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
INDONESIA
PT Citra IntiRama
J1. Cideng Timur No. 15J-150
Jakarta Pusat
INDONESIA
TEL: (021) 6324170
URUGUAY
Todo Musica S.A.
Francisco Acuna de Figueroa 1771
C.P.: 11.800
Montevideo, URUGUAY
TEL: (02) 924-2335
TEL: 2273 0074
JORDAN
MUSIC HOUSE CO. LTD.
FREDDY FOR MUSIC
P. O. Box 922846
Amman 11192 JORDAN
TEL: (06) 5692696
COLOMBIA
Centro Musical Ltda.
POLAND
MX MUSIC SP.Z.O.O.
UL. Gibraltarska 4.
PL-03664 Warszawa POLAND
TEL: (022) 679 44 19
KOREA
Cra 43 B No 25 A 41 Bododega 9 VENEZUELA
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
Medellin, Colombia
TEL: (574)3812529
Instrumentos Musicales
Allegro,C.A.
Av.las industrias edf.Guitar
import
#7 zona Industrial de Turumo
Caracas, Venezuela
TEL: (212) 244-1122
NORTH AMERICA
CURACAO
Zeelandia Music Center Inc.
Orionweg 30
Curacao, Netherland Antilles
TEL:(305)5926866
CANADA
Roland Canada Music Ltd.
(Head Office)
5480 Parkwood Way Richmond
B. C., V6V 2M4 CANADA
TEL: (604) 270 6626
KUWAIT
EASA HUSAIN AL-YOUSIFI
& SONS CO.
Abdullah Salem Street,
Safat, KUWAIT
TEL: 243-6399
PORTUGAL
Roland Iberia, S.L.
Portugal Office
Cais das Pedras, 8/9-1 Dto
4050-465, Porto, PORTUGAL
TEL: 22 608 00 60
MALAYSIA/
SINGAPORE
Roland Asia Pacific Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
DOMINICAN REPUBLIC
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3
Ens.La Esperilla
Santo Domingo,
Dominican Republic
TEL:(809) 683 0305
Roland Canada Music Ltd.
(Toronto Office)
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
EUROPE
LEBANON
Chahine S.A.L.
Gerge Zeidan St., Chahine
Bldg., Achrafieh, P.O.Box: 16-
5857
Beirut, LEBANON
TEL: (01) 20-1441
ROMANIA
FBS LINES
Piata Libertatii 1,
535500 Gheorgheni,
ROMANIA
AUSTRIA
PHILIPPINES
Roland Elektronische
Musikinstrumente HmbH.
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
TEL: (905) 362 9707
TEL: (266) 364 609
Austrian Office
ECUADOR
Mas Musika
Rumichaca 822 y Zaruma
Guayaquil - Ecuador
Eduard-Bodem-Gasse 8,
A-6020 Innsbruck, AUSTRIA
TEL: (0512) 26 44 260
U. S. A.
RUSSIA
MuTek
Dorozhnaya ul.3,korp.6
117 545 Moscow, RUSSIA
TEL: (095) 981-4967
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
TEL: (02) 899 9801
OMAN
TALENTZ CENTRE L.L.C.
Malatan House No.1
Al Noor Street, Ruwi
SULTANATE OF OMAN
TEL: 2478 3443
TAIWAN
BELGIUM/FRANCE/
HOLLAND/
LUXEMBOURG
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
TEL:(593-4)2302364
ROLAND TAIWAN
TEL: (323) 890 3700
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung
Shan N.Road Sec.2, Taipei,
TAIWAN, R.O.C.
GUATEMALA
SPAIN
Roland Iberia, S.L.
Paseo García Faria, 33-35
08005 Barcelona SPAIN
TEL: 93 493 91 00
Casa Instrumental
Calzada Roosevelt 34-01,zona 11
Ciudad de Guatemala
Guatemala
QATAR
Badie Studio & Stores
P.O. Box 62,
Doha, QATAR
TEL: 423554
AFRICA
EGYPT
Al Fanny Trading Office
9, EBN Hagar A1 Askalany
Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
TEL: 20-2-417-1828
TEL: (02) 2561 3339
TEL: (014) 575811
TEL:(502) 599-2888
THAILAND
Theera Music Co. , Ltd.
330 Soi Verng NakornKasem,
New Road, Sumpantawongse,
Bangkok 10100, THAILAND
TEL: (02) 224-8821
CZECH REP.
K-AUDIO
Kardasovska 626.
CZ-198 00 Praha 9,
CZECH REP.
SWEDEN
HONDURAS
Almacen Pajaro Azul S.A. de C.V.
BO.Paz Barahona
3 Ave.11 Calle S.O
San Pedro Sula, Honduras
TEL: (504) 553-2029
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
SAUDI ARABIA
aDawliah Universal
Electronics APL
Corniche Road, Aldossary
Bldg., 1st Floor, Alkhobar,
SAUDI ARABIA
TEL: (2) 666 10529
VIETNAM
SAIGON MUSIC
DISTRIBUTOR
(TAN DINH MUSIC)
138 Tran Quang Khai Street
Dist. 1, Ho Chi Minh City
VIETNAM
REUNION
DENMARK
SWITZERLAND
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
SWITZERLAND
TEL: (061) 927-8383
MARTINIQUE
Musique & Son
Z.I.Les Mangle
97232 Le Lamantin
Martinique F.W.I.
TEL: 596 596 426860
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
P.O.Box 2154, Alkhobar 31952
SAUDI ARABIA
TEL: (03) 898 2081
REUNION ISLAND
TEL: (0262) 218-429
TEL: 3916 6200
SYRIA
Technical Light & Sound
Center
Rawda, Abdul Qader Jazairi St.
Bldg. No. 21, P.O.BOX 13520,
Damascus, SYRIA
TEL: (08) 848-4068
FINLAND
Roland Scandinavia As, Filial
Finland
Elannontie 5
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
UKRAINE
TIC-TAC
Mira Str. 19/108
P.O. Box 180
295400 Munkachevo,
UKRAINE
TEL: (03131) 414-40
SOUTH AFRICA
Paul Bothner(PTY)Ltd.
Royal Cape Park, Unit 24
Londonderry Road, Ottery 7800
Cape Town, SOUTH AFRICA
Gigamusic SARL
10 Rte De La Folie
97200 Fort De France
Martinique F.W.I.
TEL: 596 596 715222
AUSTRALIA/
NEW ZEALAND
TEL: (011) 223-5384
TEL: (021) 799 4900
MEXICO
TURKEY
ZUHAL DIS TICARET A.S.
Galip Dede Cad. No.37
Beyoglu - Istanbul / TURKEY
TEL: (0212) 249 85 10
AUSTRALIA/
GERMANY
Roland Elektronische
Musikinstrumente HmbH.
Oststrasse 96, 22844
Norderstedt, GERMANY
TEL: (040) 52 60090
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico
D.F. MEXICO
UNITED KINGDOM
NEW ZEALAND
Roland Corporation
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
ASIA
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
CHINA
TEL: (55) 5668-6699
Roland Shanghai Electronics
Co.,Ltd.
U.A.E.
Zak Electronics & Musical
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Grand Floor, Dubai,
U.A.E.
UNITED KINGDOM
TEL: (01792) 702701
NICARAGUA
Bansbach Instrumentos
Musicales Nicaragua
Altamira D'Este Calle Principal
de la Farmacia 5ta.Avenida
1 Cuadra al Lago.#503
Managua, Nicaragua
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
GREECE
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
For Australia
Tel: (02) 9982 8266
For New Zealand
Tel: (09) 3098 715
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 3 Section Anhuaxili
Chaoyang District Beijing
100011 CHINA
MIDDLE EAST
TEL: (04) 3360715
BAHRAIN
Moon Stores
No.16, Bab Al Bahrain Avenue,
P.O.Box 247, Manama 304,
State of BAHRAIN
TEL: (505)277-2557
HUNGARY
CENTRAL/LATIN
AMERICA
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint,
HUNGARY
TEL: (010) 6426-5050
TEL: 17 211 005
Roland Shanghai Electronics
Co.,Ltd.
ARGENTINA
Instrumentos Musicales S.A.
Av.Santa Fe 2055
TEL: (23) 511011
(GUANGZHOU OFFICE)
2/F., No.30 Si You Nan Er Jie
Yi Xiang, Wu Yang Xin Cheng,
Guangzhou 510600, CHINA
TEL: (020) 8736-0428
(1123) Buenos Aires
ARGENTINA
TEL: (011) 4508-2700
As of December 10, 2005 (EDIROL-1)
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