Owner’s Manual
Congratulations on your choice of the Roland Digital Piano HPi-7/HPi-7LE.
201bBefore using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p. 2), “USING
THE UNIT SAFELY” (p. 3), and “IMPORTANT NOTES” (p. 5). These sections provide important information
concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good
grasp of every feature provided by your new unit, owner’s manual should be read in its entirety. The manual
should be saved and kept on hand as a convenient reference.
A “Wonderland” Sure
To Please Children
“Wonderland” is a world of sound
which children can enjoy, with a
“Piano,” a “SFX” of sounds, and more.
A note-guessing game is also included.
Authentic Piano
Performance
High-quality grand piano tones and
true piano feel from the keyboard
and pedals let you enjoy authentic
-piano performance.
Musical Notation Shown In
A Large LCD Screen
The musical notation can be displayed
not only for the internal songs, but also
for commercially available song files.
You can split the screen and change the
settings as you view the Notation screen.
Lyrics and fingering numbers can also
be displayed.
* The fingering numbers are displayed only for some
of the internal songs.
A Wealth Of Onboard
Songs
The instrument comes with 170
songs, all carefully
selected so almost
every genre is
represented—
whether it be piano
etudes, or popular
tunes.
A “Visual Lesson” Convenient
Functions For Practicing
Enjoy practicing along with song data.
You can also check the results of what you
play right in the screen.
Easy Game-like Operation
After pressing the button for the desired function, operation consists basically
of pressing the cursor buttons, [ ] [ ] buttons and [+] [-] located in the center of
the panel. You can enjoy versatile performance with easy operation.
202
Copyright © 2004 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of
ROLAND CORPORATION.
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WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
product’s enclosure that may be of sufficient magnitude to
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
constitute a risk of electric shock to persons.
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
The exclamation point within an equilateral triangle is
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
11. Only use attachments/accessories specified by the
manufacturer.
12. Use only with the cart, stand, tripod, bracket,
or table specified by the manufacturer, or
7. Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. If the provided plug
does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
sold with the apparatus. When a cart is used,
use caution when moving the cart/apparatus
combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when
unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
For the U.K.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE: NEUTRAL
BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
2
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USING THE UNIT SAFELY
The
symbol alerts the user to important instructions
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
The
symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
•
001 Before using this unit, make sure to read the
•
009 Do not excessively twist or bend the power cord,
nor place heavy objects on it. Doing so can
damage the cord, producing severed elements and
short circuits. Damaged cords are fire and shock
hazards!
instructions below, and the Owner’s Manual.
..........................................................................................................
002a
•
Do not open or perform any internal modifica-
tions on the unit.
..........................................................................................................
•
010 This unit, either alone or in combination with an
..........................................................................................................
amplifier and headphones or speakers, may be
capable of producing sound levels that could
cause permanent hearing loss. Do not operate for
a long period of time at a high volume level, or at
a level that is uncomfortable. If you experience
any hearing loss or ringing in the ears, you should
immediately stop using the unit, and consult an
audiologist.
•
003 Do not attempt to repair the unit, or replace parts
within it (except when this manual provides
specific instructions directing you to do so). Refer
all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
..........................................................................................................
004 Never use or store the unit in places that are:
..........................................................................................................
•
•
011 Do not allow any objects (e.g., flammable material,
• Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or
are
coins, pins); or liquids of any kind (water, soft
drinks, etc.) to penetrate the unit.
• Damp (e.g., baths, washrooms, on wet floors);
or are
..........................................................................................................
012a:
•
Immediately turn the power off, remove the
power cord from the outlet, and request servicing
by your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page when:
• Humid; or are
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.
..........................................................................................................
• The power-supply cord, or the plug has been
damaged; or
•
007 Make sure you always have the unit placed so it is
level and sure to remain stable. Never place it on
stands that could wobble, or on inclined surfaces.
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been
spilled onto the unit; or
..........................................................................................................
008a
•
The unit should be connected to a power supply
only of the type described in the operating instruc-
tions, or as marked on the rear side of unit.
• The unit has been exposed to rain (or otherwise
has become wet); or
• The unit does not appear to operate normally or
exhibits a marked change in performance.
..........................................................................................................
..........................................................................................................
008e
•
Use only the attached power-supply cord. Also,
the supplied power cord must not be used with
any other device.
..........................................................................................................
3
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•
013 In households with small children, an adult
•
106 Never climb on top of, nor place heavy objects on
should provide supervision until the child is
capable of following all the rules essential for the
safe operation of the unit.
the unit.
..........................................................................................................
107b
..........................................................................................................
014 Protect the unit from strong impact.
•
Never handle the power cord or its plugs with wet
hands when plugging into, or unplugging from,
an outlet or this unit.
•
(Do not drop it!)
..........................................................................................................
108d: Selection
..........................................................................................................
015 Do not force the unit’s power-supply cord to share
•
If you need to move the instrument, take note of
the precautions listed below. At least two persons
are required to safely lift and move the unit. It
should be handled carefully, all the while keeping
it level. Make sure to have a firm grip, to protect
yourself from injury and the instrument from
damage.
•
an outlet with an unreasonable number of other
devices. Be especially careful when using
extension cords—the total power used by all
devices you have connected to the extension
cord’s outlet must never exceed the power rating
(watts/amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat
up and eventually melt through.
1
• Check to make sure the screw securing the unit
to the stand have not become loose. Fasten them
again securely whenever you notice any
loosening.
..........................................................................................................
016 Before using the unit in a foreign country, consult
•
2
3
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page.
• Disconnect the power cord.
• Disconnect all cords coming from external
devices.
..........................................................................................................
023 DO NOT play a CD-ROM disc on a conventional
4
5
6
•
• Raise the adjusters on the stand (p. 11).
• Close the lid.
audio CD player. The resulting sound may be of a
level that could cause permanent hearing loss.
Damage to speakers or other system components
may result.
• Remove the music rest.
..........................................................................................................
026 Do not put anything that contains water (e.g.,
flower vases) on this unit. Also, avoid the use of
insecticides, perfumes, alcohol, nail polish, spray
cans, etc., near the unit. Swiftly wipe away any
liquid that spills on the unit using a dry, soft cloth.
..........................................................................................................
..........................................................................................................
109a
•
•
Before cleaning the unit, turn off the power and
unplug the power cord from the outlet (p. 9).
..........................................................................................................
110a
•
Whenever you suspect the possibility of lightning
in your area, pull the plug on the power cord out
of the outlet.
..........................................................................................................
116 Be careful when opening/closing the lid so you do
•
101a
not get your fingers pinched (p. 10). Adult super-
vision is recommended whenever small children
use the unit.
•
The unit should be located so that its location or
position does not interfere with its proper venti-
lation.
..........................................................................................................
118 Should you remove the screws fastening the
..........................................................................................................
102b
•
•
Always grasp only the plug on the power-supply
cord when plugging into, or unplugging from, an
outlet or this unit.
stand, and the music rest, and the thumbscrew
fastening the headphone hook, make sure to put
them in a safe place out of children's reach, so
there is no chance of them being swallowed
accidentally.
..........................................................................................................
103a:
•
At regular intervals, you should unplug the power
plug and clean it by using a dry cloth to wipe all
dust and other accumulations away from its
prongs. Also, disconnect the power plug from the
power outlet whenever the unit is to remain
unused for an extended period of time. Any
accumulation of dust between the power plug and
the power outlet can result in poor insulation and
lead to fire.
..........................................................................................................
..........................................................................................................
•
104 Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
..........................................................................................................
4
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IMPORTANT NOTES
291b
In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 3
and 4, please read and observe the following:
Power Supply
•
358 Do not allow objects to remain on top of the keyboard. This can
•
301 Do not connect this unit to same electrical outlet that is being
be the cause of malfunction, such as keys ceasing to produce
sound.
used by an electrical appliance that is controlled by an inverter
(such as a refrigerator, washing machine, microwave oven, or air
conditioner), or that contains a motor. Depending on the way in
which the electrical appliance is used, power supply noise may
cause this unit to malfunction or may produce audible noise. If it
is not practical to use a separate electrical outlet, connect a power
supply noise filter between this unit and the electrical outlet.
•
359 Do not paste stickers, decals, or the like to this instrument.
Peeling such matter off the instrument may damage the exterior
finish.
Maintenance
401b
•
307 Before connecting this unit to other devices, turn off the power to
all units. This will help prevent malfunctions and/or damage to
speakers or other devices.
•
To clean the unit, use a dry, soft cloth; or one that is slightly
dampened. Try to wipe the entire surface using an equal amount
of strength, moving the cloth along with the grain of the wood.
Rubbing too hard in the same area can damage the finish.
308 Although the LCD and LEDs are switched off when the POWER
•
402 Never use benzine, thinners, alcohol or solvents of any kind, to
•
switch is switched off, this does not mean that the unit has been
completely disconnected from the source of power. If you need to
turn off the power completely, first turn off the POWER switch,
then unplug the power cord from the power outlet. For this
reason, the outlet into which you choose to connect the power
cord’s plug should be one that is within easy reach and readily
accessible.
avoid the possibility of discoloration and/or deformation.
403
• The pedals of this unit are made of brass.
Brass eventually darkens as the result of the natural
oxidization process. If the brass becomes tarnished, polish
it using commercially available metal polisher.
Repairs and Data
452 Please be aware that all data contained in the unit’s memory may
Placement
•
•
351 Using the unit near power amplifiers (or other equipment
be lost when the unit is sent for repairs. Important data should
always be backed up on a floppy disk, or written down on paper
(when possible). During repairs, due care is taken to avoid the
loss of data. However, in certain cases (such as when circuitry
related to memory itself is out of order), we regret that it may not
be possible to restore the data, and Roland assumes no liability
concerning such loss of data.
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or move
it farther away from the source of interference.
352a
•
This device may interfere with radio and television reception. Do
not use this device in the vicinity of such receivers.
352b
•
Noise may be produced if wireless communications devices, such
Additional Precautions
as cell phones, are operated in the vicinity of this unit. Such noise
could occur when receiving or initiating a call, or while
conversing. Should you experience such problems, you should
relocate such wireless devices so they are at a greater distance
from this unit, or switch them off.
•
551 Please be aware that the contents of memory can be irretrievably
lost as a result of a malfunction, or the improper operation of the
unit. To protect yourself against the risk of loosing important
data, we recommend that you periodically save a backup copy of
important data you have stored in the unit’s memory on a floppy
disk.
•
353 Observe the following when using the unit’s floppy disk drive.
For further details, refer to “Before Using Floppy Disks” (p. 40).
• Do not place the unit near devices that produce a strong
magnetic field (e.g., loudspeakers).
• Install the unit on a solid, level surface.
• Do not move the unit or subject it to vibration while the drive
is operating.
•
552 Unfortunately, it may be impossible to restore the contents of
data that was stored on a floppy disk once it has been lost.
Roland Corporation assumes no liability concerning such loss of
data.
•
553 Use a reasonable amount of care when using the unit’s buttons,
354b
•
Do not expose the unit to direct sunlight, place it near devices
sliders, or other controls; and when using its jacks and
connectors. Rough handling can lead to malfunctions.
that radiate heat, leave it inside an enclosed vehicle, or otherwise
subject it to temperature extremes. Also, do not allow lighting
devices that normally are used while their light source is very
close to the unit (such as a piano light), or powerful spotlights to
shine upon the same area of the unit for extended periods of time.
Excessive heat can deform or discolor the unit.
•
554 Never strike or apply strong pressure to the display.
•
556 When connecting / disconnecting all cables, grasp the connector
itself—never pull on the cable. This way you will avoid causing
shorts, or damage to the cable’s internal elements.
355b
•
When moved from one location to another where the temper-
•
557 A small amount of heat will radiate from the unit during normal
ature and/or humidity is very different, water droplets (conden-
sation) may form inside the unit. Damage or malfunction may
result if you attempt to use the unit in this condition. Therefore,
before using the unit, you must allow it to stand for several
hours, until the condensation has completely evaporated.
operation.
558a
•
To avoid disturbing your neighbors, try to keep the unit’s volume
at reasonable levels. You may prefer to use headphones, so you
do not need to be concerned about those around you (especially
when it is late at night).
•
356 Do not allow rubber, vinyl, or similar materials to remain on the
559b
unit for long periods of time. Such objects can discolor or
otherwise harmfully affect the finish.
•
When you need to transport the unit, pack it in shock-absorbent
material. Transporting the unit without doing so can cause it to
become scratched or damaged, and could lead to malfunction.
5
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560 Do not apply undue force to the music rest while it is in use.
Handling Floppy Disks
•
•
562 Use a cable from Roland to make the connection. If using some
•
651 Floppy disks contain a plastic disk with a thin coating of
other make of connection cable, please note the following precau-
tions.
magnetic storage medium. Microscopic precision is required to
enable storage of large amounts of data on such a small surface
area. To preserve their integrity, please observe the following
when handling floppy disks:
• Never touch the magnetic medium inside the disk.
• Do not use or store floppy disks in dirty or dusty areas.
• Do not subject floppy disks to temperature extremes (e.g.,
direct sunlight in an enclosed vehicle). Recommended
temperature range: 0 to 50° C (50 to 122° F).
• Some connection cables contain resistors. Do not use cables
that incorporate resistors for connecting to this unit. The use
of such cables can cause the sound level to be extremely low,
or impossible to hear. For information on cable specifications,
contact the manufacturer of the cable.
565
• Before opening or closing the keyboard lid, always make sure that
no pets or other small animals are located on top of the
instrument (in particular, they should be kept away from the
keyboard and its lid). Otherwise, due to the structural design of
this instrument, small pets or other animals could end up getting
trapped inside it. If such a situation is encountered, you must
immediately switch off the power and disconnect the power cord
from the outlet. You should then consult with the retailer from
whom the instrument was purchased, or contact the nearest
Roland Service Center.
• Do not expose floppy disks to strong magnetic fields, such as
those generated by loudspeakers.
652 Floppy disks have a “write protect” tab which can protect the
disk from accidental erasure. It is recommended that the tab be
kept in the PROTECT position, and moved to the WRITE position
only when you wish to write new data onto the disk.
•
Rear side of the disk
9•83Howling could be produced depending on the location of micro-
phones relative to speakers. This can be remedied by:
1. Changing the orientation of the microphone(s).
2. Relocating microphone(s) at a greater distance from speakers.
3. Lowering volume levels.
Write
(can write new data onto disk)
Write Protect Tab
Protect
(prevents writing to disk)
Before Using Floppy Disks
•
653 The identification label should be firmly affixed to the disk.
Should the label come loose while the disk is in the drive, it may
be difficult to remove the disk.
Handling the Floppy Disk Drive
•
602 Install the unit on a solid, level surface in an area free from
•
654 Store all disks in a safe place to avoid damaging them, and to
protect them from dust, dirt, and other hazards. By using a dirty
or dust-ridden disk, you risk damaging the disk, as well as
causing the disk drive to malfunction.
vibration.
•
603 Avoid using the unit immediately after it has been moved to a
location with a level of humidity that is greatly different than its
former location. Rapid changes in the environment can cause
condensation to form inside the drive, which will adversely affect
the operation of the drive and/or damage floppy disks. When the
unit has been moved, allow it to become accustomed to the new
environment (allow a few hours) before operating it.
•
655 Disks containing performance data for this unit should always be
locked (have their write protect tab slid to the “Protect” position)
before you insert them into the drive on some other unit (except
the PR-300, or a product in the HP-G, HPi, MT, KR, or Atelier
families), or into a computer’s drive. Otherwise (if the write
protect tab remains in the “Write” position), when you perform
any disk operations using the other device’s disk drive (such as
checking the contents of the disk, or loading data), you risk
rendering the disk unreadable by this unit’s disk drive.
•
604 To insert a disk, push it gently but firmly into the drive—it will
click into place. To remove a disk, press the EJECT button firmly.
Do not use excessive force to remove a disk which is lodged in
the drive.
605a
•
Never attempt to remove a floppy disk from the drive while the
drive is operating (the indicator is lit); damage could result to
both the disk and the drive.
Handling CD-ROMs
•
801 Avoid touching or scratching the shiny underside (encoded
605b
surface) of the disc. Damaged or dirty CD-ROM discs may not be
read properly. Keep your discs clean using a commercially
available CD cleaner.
•
The indicator light for the disk drive lights up at full brightness
when reading or writing data, and lights up at half brightness at
other times. Don’t try to eject the disk while reading or writing is
in progress (that is, when the indicator light is lit up at full
brightness). Attempting to do so may damage the magnetic
surface of the disk, rendering it unusable.
203
*
GS (
) is a registered trademark of Roland Corporation.
) is a registered trademark of Yamaha Corpo-
•
606 Remove any disk from the drive before powering up or down.
***
•
607 To prevent damage to the disk drive’s heads, always try to hold
*
XG lite (
ration.
the floppy disk in a level position (not tilted in any direction)
while inserting it into the drive. Push it in firmly, but gently.
Never use excessive force.
220
*
All product names mentioned in this document are trade-
marks or registered trademarks of their respective owners.
•
608 To avoid the risk of malfunction and/or damage, insert only
floppy disks into the disk drive. Never insert any other type of
disk. Avoid getting paper clips, coins, or any other foreign objects
inside the drive.
6
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Connecting the Speaker Cable
Connect headphones ...............................................9
Turning the Power On/Off........................................10
Cancelling Auto Demo ...............................................11
Button Operations..................................................16
Playing songs consecutively (All Song Play).....18
Registering the Songs You Like (Favorites) .......19
Adding a Count to Assist Your Timing ...................21
a measure (Resolution)..........................................23
(PC Edit) ..................................................................52
Saving the Notation Data in BMP Format ...............52
Functions that Can be Selected Using
the [Function] Button ..................................................54
Adjusting the volume balance between
Adding Variety to Your Performances .....26
Selecting the Sound to Play........................................26
Playing percussion instruments or sound
effects .......................................................................26
Applying Effects to the Sound...................................27
Adding reverberation to the sound (Reverb) ....27
Adding richness to the sound (Chorus) .............27
accompaniment and keyboard (Balance) ...........55
Adjusting the Piano Sounds
(Piano Setting) ........................................................55
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Contents
(Tuning)...................................................................55
Changing the function of the pedals (Pedal) .....56
Changing the language displayed in
Selecting Images To Be Shown on
Setting the Demo (Auto DEMO)..........................57
buttons during SMF playback
more concise instructions.
One Touch Program [Piano] button.
note or precaution. These should not be ignored.
• [+] [-], [
] [
], [
] [
] means that you should
Specific Instruments (16 Track)............................58
Remembering the settings even when
Connections with MIDI Devices................................61
Chord List .....................................................................74
Internal Song List.........................................................75
Songs for Visual Lesson ........................................76
Pianist Style List...........................................................76
Music Files That the HPi-7 Can Use .........................77
MIDI Implementation Chart......................................78
Main Specifications......................................................79
Index..............................................................................80
Connecting an External Display
(HPi-7LE only).............................................82
8
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Before You Begin Playing
fig.LCDcord-e
Making the Connections
Connecting
Disconnecting
Connecting the pedal cable
Insert the pedal cable into the Pedal connector on the rear panel of the
HPi-7.
Connect the power cord
Insert the included power cord into the AC inlet on the bottom panel
of the HPi-7, and then plug it into an AC power outlet.
*
Use only the included power cord.
Bottom rear of the HPi-7
Connecting the Speaker Cable
(HPi-7LE only)
1
As shown in the diagram, connect the speaker cable
leading from the speaker box of the stand to the speaker
connector located on the rear bottom of the HPi-7 LE.
Push the speaker cable in until it clicks into position.
fig.ACcord-e
Connect headphones
1
Plug the headphones into the Phones jack on the bottom
Speaker connector
Clip portion
panel of the HPi-7.
When you connect headphones, no sound will be output from the
internal speakers.
Speaker cable
*
Do not put anything that contains water (e.g., flower vases) on this
unit. Also, avoid the use of insecticides, perfumes, alcohol, nail
polish, spray cans, etc., near the unit.
The headphone volume is adjusted by the [Volume] knob (p. 12)
of the HPi-7.
*
*
Please use stereo headphones.
The speakers of this piano are mounted beneath the upper
surface, and face upwards. Malfunctions or accidents may occur if
liquids contact any part of the speakers.
Make sure to use only Roland headphones. Headphones from
other manufacturers may be unable to provide sufficient volume.
fig.headphones
Speakers
Attach the music rest
The music rest of the HPi-7 contains a liquid crystal display screen.
Use the following procedure, and handle the music rest with care.
Some Notes on Using Headphones
1
Insert the music rest as shown in the diagram.
• To avoid damaging or severing the headphone cord, be
sure to handle the headphones by holding the phones
themselves, and grasping the plug and not the cord when
pulling the headphone plug.
fig.mrest
• To prevent possible auditory damage, loss of hearing, or
damage to the headphones, the headphones should not be
used at an excessively high volume. Listen at appropriate
levels.
2
Connect the cable of the music rest to the LCD Out
• The headphones may be damaged if the volume is too
high when they are plugged in. Connect the headphones
only after turning the volume down completely.
connector on the rear panel of the HPi-7.
*
The power must be off when connecting the cable of the music
rest.
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Before You Begin Playing
Using the Headphone Hook
fig.Power-e
Whenever you are not using the headphones, you can hang them on
the headphone hook at the lower left of the HPi-7.
Attaching the Headphone Hook
Press and twist the headphone hook included with the HPi-7 into
the hole in the bottom of the HPi-7 (refer to the figure below).
Turn the headphone hook thumbscrew to secure the headphone hook.
Power Indicator
To turn the power off, turn the [Volume] knob all the
way to the left, and press the [Power On] switch.
The Power indicator at the left front of the HPi-7 will go dark, and
the power will be turned off.
945
*
If you need to turn off the power completely, first turn off the
POWER switch, then unplug the power cord from the power outlet.
Refer to Power Supply (p. 5).
Adjusting the Volume or
Brightness of the Sound
Opening and Closing the Lid
To open the lid, use both hands to lift it lightly, and slide it away from
Turn the [Volume] knob to adjust the overall volume.
yourself.
To close the lid, pull it gently toward yourself, and lower it softly after
Turn the [Brilliance] knob to adjust the brightness of the
sound.
it has been fully extended.
fig.futa
Min
Mellow
Bright
Max
fig.knobs
*
*
Be careful not to get your fingers pinched when opening or closing
the lid. If small children will be using the HPi-7, adult supervision
should be provided.
Adjusting the Contrast of the
Screen
To prevent accidents, the lid must be closed when transporting the
piano.
To adjust the contrast of the screen, turn the [Contrast] knob located at
the back of the music rest.
Back of the music rest
Cover
Turning the Power On/Off
941
*
Once the connections have been completed (p. 9), turn on power
to your various devices in the order specified. By turning on
devices in the wrong order, you risk causing malfunction and/or
damage to speakers and other devices.
fig.contrast-e
To turn the power on, turn the [Volume] knob all the way
down, and then press the [Power On] switch.
Some Notes on Using the LCD screen
• Never remove the liquid crystal display cover at the back
of the music rest. By removing it you risk electrical shock
and/or malfunction.
• You may see vertical lines in the screen, but this is due to
the structure of a liquid crystal display, and does not
indicate a malfunction. By using the [Contrast] knob to
adjust the contrast of the screen, you can minimize these
lines.
The power will turn on, and the Power indicator at the left front of
the HPi-7 will light.
After a few seconds, you will be able to play the keyboard to
produce sound. Use the [Volume] knob to adjust the volume.
942
*
This unit is equipped with a protection circuit. A brief interval (a
few seconds) after power up is required before the unit will operate
normally.
• The contrast of the screen may be affected by the
temperature.
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Before You Begin Playing
About the Pedals
Disabling Functions Other
Than Piano Performance
(Panel Lock)
The pedals have the following functions, and are used mainly for
piano performance.
fig.pedal-e
The “Panel Lock” function locks the HPi-7 in a state where only piano
performance can be used, and all buttons will be disabled. This
prevents the settings from being inadvertently modified even if
children press the buttons accidentally.
*
In the Panel Lock state, only the grand piano sound can be
played. Also, nothing will be displayed in the screen.
Soft Pedal
Damper Pedal
Sostenuto Pedal
1
Turn the volume to the minimum, and press the [Power
On] switch to turn off the power.
Damper pedal (right pedal)
While this pedal is pressed, notes will be sustained even after you take
On] switch to turn on the power.
Continue holding down the button for six or seven seconds.
Adjust the volume. When you play the keyboard, the grand piano
sound will be heard.
On an acoustic piano, holding down the damper pedal will allow the
remaining strings to resonate in sympathy with the sounds that you
played from the keyboard, adding a rich resonance.
To defeat the Panel Lock function, turn the volume down to the
minimum, and turn on the power once again.
The HPi-7 simulates this sympathetic resonance.
→
You can adjust the amount of sympathetic resonance that occurs
when you press the damper pedal. Refer to “Adjusting the depth of
the effects (Effect)” (p. 55).
Cancelling Auto Demo
Sostenuto pedal (center pedal)
This pedal sustains only the sounds of the keys that were already
The HPi-7 is set at the factory so that it automatically starts playback
of the demo songs whenever the keys and controls have been left
played when you pressed the pedal.
You can cancel this setting.
When you hold down this pedal and play the keyboard, the sound
1
Press the [Function] button.
fig.d-kihonsettei-e
will have a softer tone.
The softness of the tone can be varied subtly by the depth to which
you press the pedal.
→
The Sostenuto pedal and Soft pedal can be given functions other
than these. Refer to “Notation Screen” (p. 15) and “Changing the
function of the pedals (Pedal)” (p. 56).
About the adjuster
When you move the HPi-7 or if you feel that the pedals are unstable,
2
Press the [ ] [
] [ ] [
] buttons to select “Auto
adjust the adjuster located below the pedals as follows.
Demo,” then press [ (Enter)] button.
•
Rotate the adjustor to lower it so that it is in firm contact with the
floor. If there is a gap between the pedals and the floor, the pedals
may be damaged. In particular when placing the instrument on
carpet, adjust this so that the pedals firmly contact the floor.
fig.adjust
3
4
→
Press the [ ] [ ] buttons to select “Auto Start,” then
press the [+] [-] buttons to set this to “Off”.
Adjuster
Press the [ (Close)] button to return the Notation screen
to the display.
For more details about Auto Demo, refer to p. 57.
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Panel Descriptions
Front Panel
fig.panelfront-e
12 13 12 1516 19
21
27
29
2
3
4
5
6
7 8
9 10 11 14
14 1718 20 222324 2526 28
1
1
2
3
4
[Power On] switch
14 [ ] [ ] buttons
Pressed to switch the power on and off (p. 10).
Press the [ ] button to confirm the selections you’ve made
using the Cursor buttons (13 ) (p. 14).
The [ ] cancels the operation, or displays the notation screen.
[Volume] knob
Adjusts the overall volume (p. 10).
Depending on the screen, other functions may be assigned.
[Brilliance] knob
15 [Song] button
Adjusts the brightness of the sound (p. 10).
Use this button to select internal songs or songs from floppy
[Transpose] button
disk (p. 16, p. 46).
(p. 24).
16 [Lesson] button
5
6
7
[Tone] buttons
17 [Notation] button
Select the type of sound (the tone group) that will be played
from the keyboard (p. 26).
18 [Zoom] button
[Pianist] button
This magnifies the notation (zooms in) (p. 16).
your playing (p. 32).
19 [ (Metronome)] button
[Reverb]/[Intro/Ending] button
Adds reverberation to the sound (p. 27).
20 Tempo [Slow] [Fast] buttons
Adjust the tempo(p. 16, p. 20, p. 32).
Simultaneously pressing the [Slow] and [Fast] buttons will
restore the basic tempo.
When you are using the Pianist function, this starts/stops the
8
9
[Chorus]/[Start/Stop] button
Adds spaciousness to the sound (p. 27).
When you are using the Pianist function, this starts/stops the
accompaniment (p. 32).
21 Track buttons
Used to play back or record each track of a song (p. 16, p. 37,
p. 40).
[Split] button
22 [ (Reset)] button
Lets you play different sounds in the left and right-hand areas
of the keyboard (p. 28).
Resets the song playback-start location to the beginning of the
song.
10 [Key Touch] button
23 [
(Play/Stop)] button
Adjusts the touch of the keyboard (p. 25).
This starts and stops playback and recording of songs.
11 [Function] button
24 [ (Rec)] button
Selects various performance-related functions (p. 41–p. 44,
When pressed, this button places the instrument in recording
p. 54–p. 63).
standby (p. 34–p. 40).
12 [+] [-] buttons
25 [
(Bwd)] button
(Fwd)] button
Used to select the value that you want to set (p. 14).
Rewinds the song.
13 [ ] [
] [
] [
] buttons (Cursor buttons)
26 [
Used to select the item that you want to set (p. 14).
Fast-forwards the song.
Depending on the screen, other functions may be assigned.
27 [Wonderland] button
Here you can enjoy the “Drums,” “SFX,” and “Game,” and
learn about instruments while having fun (p. 33).
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Panel Descriptions
28 [Marker/Count] button
29 Disk Drive
This is also used for setting the count (p. 21).
You can insert a floppy disk for playing back or saving songs (p.
These allow you to add and move markers in the notation as
well as repeat playback of song segments simply and easily.
41, p. 46).
Rear Panel
fig.panelrear
1
2
3
4
1
2
3
LCD Out Connector
4
Output jacks
Connect the cable of the music rest to this connector (p. 9).
These jacks can be connected to your audio system to enjoy
more powerful sound. They can also be connected to a tape
recorder or similar device in order to record your performance
on a cassette tape (p. 61).
Pedal connector
Connect the pedal cable of the stand to this connector (p. 9).
Input jacks
These jacks can be connected to another sound generating
device or an audio device, so that the sound of that device will
be output from the HPi-7’s speakers (p. 61).
Bottom Panel
Music Rest
fig.panelbottom
fig.pmrest
1
1
2
3
4
5
1
2
3
Phones jacks
1
Display
A set of headphones can be connected here (p. 9).
This screen displays the notation of an internal song or disk
song, and also displays various settings.
Mic Volume knob
*
The explanations in this manual include illustrations that depict
what should typically be shown by the display. Note, however,
that your unit may incorporate a newer, enhanced version of the
system (e.g., includes newer sounds), so what you actually see
in the display may not always match what appears in the
manual.
Adjusts the volume level for the microphone.
Mic jacks
output from the HPi-7’s speakers (p. 56).
4
5
MIDI Out/In connector
An external MIDI device can be connected here to receive
performance data (p. 61).
fig.contrast
2
USB connector
Used for connecting a computer to the HPi-7 using a USB cable
(p. 62).
2
[Contrast] knob
This knob adjusts the contrast of the screen (p. 10).
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Basic Operation and the Main Screen
Basic operation
The HPi-7 is operated mainly by using the cursor buttons and [
3. Detailed settings screen
fig.d-kihonsettei-e
]
[
] [+] [-] buttons while viewing the screen.
The every screen shows the functions of the cursor buttons and the
] [ ] [+] [-] buttons.
The main functions are as follows.
[
Cursor [ ] [ ] [ ] [ ] buttons:
Move to an item to select it, switch pages
[
[
] button: Finalize the selected value
] button: Display the notation screen, or return to the previous
screen
[+] [-] button: change the selected value
fig.cursor-e
[+][-] buttons
Detailed settings for functions are made in a screen similar to this.
The currently selected item will be highlighted, and you can use the
[+] [-] buttons to edit the value. An explanation of the selected item is
shown below the item. For some items, an explanation of the values
will also be displayed.
Cursor buttons
[ ][ ] buttons
The main screens include the following.
If you simultaneously press the [+] and [-] buttons, the value will
revert to the basic setting.
1. Notation screen (basic screen)
fig.d-kihonscore-e
When you press the [ ] button the selected value will be finalized,
and you’ll then be returned to the screen that was displayed prior to
the current screen.
When “P.*/*” appears at the upper right of the screen, it indicates
that there are other parameters on the previous or next page.
Messages
Various messages will sometimes be displayed during operation.
These messages ask you to confirm an operation, inform you of the
results of an operation, or indicate an error when an operation could
not be performed.
This is the first screen that will be displayed when you turn on the
power.
If some other screen is displayed, you can press the [Notation]
button, then press the [ ] button to access this screen.
For details on the notation screen display, refer to p. 15.
For details on error messages that begin with “Error,” refer to p. 66.
When a message like the following is displayed, use the [
] [
]
buttons to select your response, and press the [ ] button to finalize
it. Pressing the [ ] button returns you to the previous screen.
fig.msg-e
2. List screen
fig.list-e
This type of list screen will appear when you select songs, tones, or
accompaniment styles.
In this screen, use the cursor buttons to select the desired item. The
selected item will be highlighted.
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Playing Along With A Song
Notation Screen
When the power of the HPi-7 is turned on, a notation screen like the following will appear in the
display.
This can display not only the onboard songs, but also the notation for SMF music files or a performance
that you’ve recorded on the HPi-7.
fig.notation-e
Tempo Song name Beat Measure
Change the setting
Select the item to set
Close, open the menu
For details refer to p. 47
Lyrics
Part
When playing back song data that contains lyric data,
the lyrics will be displayed if you check this.
This item cannot be selected if there is no lyric data.
Select the part(s) for which
the notation will be displayed.
: Notation for both hands
: Right-hand notation only
: Left-hand notation only
: Notation of the specified part
Pedal
When “Replay” is selected, you can start and stop
playback of the song data by pressing the left pedal (p. 56).
When “PageTurn” is selected, you can turn the pages of
the score by pressing the pedals. Press the center pedal to
turn to the next page in the score, and press the left pedal
to turn to the previous page.
(→ to change the part, see p. 47)
Keyboard
The keyboard will be displayed
Fingering
When playing back song data that includes fingering
you check this. This is convenient when you want to
practice the correct fingering.
The fingers are numbered as follows: 1: thumb, 2: index
finger, 3: middle finger, 4: ring finger, 5: little finger.
This item cannot be selected if there is no fingering
data.
under the notation if you check this.
Chord
When playing back song data that
contains chord data, the chord name
will be displayed if you check this.
This item cannot be selected if there
is no chord data.
*
If you have selected a part that contains no performance data, the notation will not show any notes. To change the
part that is displayed, refer to “Changing the Notation Screen Settings” (p. 47).
*
*
The fingering numbers shown in the screen indicate one possible fingering.
The fingering numbers can be displayed only when playing some internal song.
Some notes on the notation screen
•
When you begin song playback, the notation screen will show . While this symbol is displayed,
performance data is being loaded from floppy disk or internal memory. It may take dozens to
read the data. Please wait.
•
The displayed notation is generated from the music files, and priority is given to making the
display easy to read rather than reproducing a complicated or difficult performance accurately.
For this reason, you may notice differences when compared with commercially available sheet
music. In particular, this is not suitable for display of sophisticated or complex songs that require
detailed notations.
•
•
In the notation screen, lyrics or notes may fall outside the display range of the screen, and fail to
be shown.
If you display the notation or change the displayed part during song playback, the song may
sometimes play back from the beginning.
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Playing Along With A Song
Button Operations
The following buttons are used to play back a song.
fig.panel1-e
[Transpose] button
[Song] button
Changes the playback key of the song (p. 24).
Selects the song that will be played (p. 17).
[Notation] button
[Volume] knob
[Marker/Count] button
Displays the notation using
the entire screen.
Adjusts the volume (p. 10).
Assigns a marker within the song (p. 22).
[Tempo] buttons
Adjust the tempo of the song.
[Zoom] button
Magnifies the notation (zoom in).
Track buttons
Each part of the song being played is assigned to a track button.
Select parts, or switch them between muted (button’s indicator
dark) and playing (button’s indicator lit).
[
(Bwd)] [
(Fwd)] buttons
Press this once to go back or forward one measure.
Goes back or forward continuously when held down.
[
(Rec)] button
Records a performance (p. 34).
[
(Play)] button
Starts and stops playback.
[
(Reset)] button
Returns to the beginning of the song.
* If you hold down the [
(Fwd)] button, you will move to the end of the song.
(Play/Stop)] button and press the
[
The HPi-7 comes with 170 piano songs onboard.
All of these can be viewed in the notation screen.
They also have orchestral accompaniments, so you can play along with the accompaniment, or adjust
the tempo to the desired speed for easier practice.
→
“Internal Song List” (p. 75)
fig.panelsngslct
2
1
2
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Playing Along With A Song
Select a song
1
Press the [Song] button. In the screen, select the song that you want to play.
fig.songslcte
Song name
The name of the currently selected song.
Disk
Select songs from disk.
Genre
For details refer to p. 46.
Press [ ] [ ] to
select the genre.
Registor to
“Favorites”
For details refer
Selectable songs differ
for each genre.
Select a song
to p. 19.
Select a genre
Song list
The selection will be
Audition the
selected song
highlighted in black.
Back to score screen
Chords, fingerings, and lyrics in
songs containing such data are
displayed here.
Play back
2
Press the [
(Play/stop)] button.
The button’s indicator will light.
The song will begin playing.
While the screen shows the
symbol, the song data is being loaded.
To adjust the tempo
Use the Tempo [Slow] [Fast] buttons to adjust the tempo.
The tempo is adjusted in terms of the value of a quarter note, with 10-500 being the permissible range.
If you press the Tempo [Slow] [Fast] buttons simultaneously, you will return to the basic tempo of the
song (the tempo before it was modified).
Muting (silencing) parts of the playback
Press a track button to mute a specific track.
The indicators of the buttons you pressed will go dark, and the selected track will not be heard.
To cancel muting, press the same track button once again to make the indicator light.
*
When playing back SMF music files for Roland Piano Digital series instruments, and the [3/Left hand] button and
[4/Right hand] button do not correctly control the left/right-hand performances, please change the “Track Assign”
settings.
Please refer to “Changing the parts assigned to the track buttons during SMF playback (Track Assign)” (p. 57).
Stop the song
3
Press the [
(play/Stop)] button once again.
Playback will stop automatically when it reaches the end of the song.
Press the [ (Reset)] button to return to the beginning of the song.
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Playing Along With A Song
If a screen like the following is displayed
fig.d-delete-e
If a song has already been selected in the current area (internal memory), it will not be possible to
choose another song or record a new performance.
If you want to erase the song, use the [ ] [ ] buttons to select “OK,” then press the [ (Execute)]
button. If you do not want to erase the song, select “Cancel” and save the song on a floppy disk (p. 42).
Playing songs consecutively (All Song Play)
The internal songs can be played back consecutively.
fig.panelallsng
Change the tempo
1
2
1
Hold down the track [Song] button and press the [
(Play/Stop)] button.
fig.allsonge
Select a
category
Song category
The category for
the song being
played back is
displayed.
Start
playback
Back to
previous screen
item
Song Category
Value
Random Play, Practice, Masterpieces, Popular, Favorites,
Disk (only when the floppy disk is inserted in the floppy disk drive)
When you press the [
(Play)] button, all of the internal songs in the selected category are played
back. If you want to play back songs on floppy disks you have, select “Disk.”
If no operations are performed for dozens of seconds, “Random Play” will start automatically.
Songs will be played consecutively.
When all selected songs have been played, playback will return to the first song and resume.
Stop playback
2
Press the [
(Play/Stop)] button.
Playback will stop.
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Playing Along With A Song
Playing back at a fixed tempo
In the case of a song with difficult tempo changes, it is effective to practice initially with a fixed tempo.
Playing back at a fixed tempo without allowing tempo changes is called “Tempo Mute.”
1
Hold down the [
[Fast] button.
(Play/Stop)] button and press either the Tempo [Slow] or
While Tempo Mute is enabled, the indication of the tempo in the screen will be highlighted.
fig.tempomutee
When you play back the song, it will play at a constant tempo.
To defeat Tempo Mute, hold down the [
or [Fast] button.
(Play/Stop)] button and press either the Tempo [Slow]
Tempo Mute will also be cancelled when you select a different song.
Registering the Songs You Like (Favorites)
You can register songs you are currently practicing or enjoy playing to “Favorites,” allowing you to
select these songs easily.
1
2
Selecting the Song
Press the [+] button.
A screen like the one shown below appears.
fig.favorite
Select a choice
Finalise a choice
Return to the
previous screen
3
Select “OK” and press the [ (Execute)] button.
The selected song is registered to Favorites.
Now you can select the registered song by selecting Favorites for the genre in the Song Selection screen.
*
Never turn off the power while the display indicates “Executing....”
Removing Songs from Favorites
Select “Favorites” in the song select screen, choose the song you want to delete, then press the [+]
button.
*
Never turn off the power while the display indicates “Executing....”
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Playing Along With A Song
Using the Metronome
The HPi-7 contains a versatile metronome function.
While a song or accompaniment (Pianist function, p. 32) is playing, the metronome will sound at the
corresponding tempo and time signature (Beat).
fig.panelmetro
1
1
Press the [Metronome] button.
The button’s indicator will blink according to the time signature (Beat), and the metronome will sound.
To stop the metronome, press the [Metronome] button, getting its indicator to go dark.
fig.metroe
Volume
Set the metronome
Change the setting
volume.
Beat
Set the beat.
Sound
Specify the
Select the item to set
metronome sound.
Pattern
Specify the timing
Return to the previous screen
interval of the
metronome’s weak beats.
Beat LED
Set the metronome button’s
indicator on or off.
In this screen you can make the following settings.
Item
Setting
Volume
OFF (no sound)-10
2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8
Beat
*
It is not possible to change the “Beat” setting while a song is playing.
Click, Electronic, Voice (Japanese) (“1,” “2,” “3” in Japanese),
Voice (English) (“1,” “2,” “3” in English), Animal, Wood Block, Triangle & Castanets, Hand Claps
Sound
Normal,
(dotted half note),
(half note),
(dotted quarter note),
(eighth note), (sixteenth note),
(quarter note),
(dotted eighth note),
Pattern
Double (note added to back beat of the first beat),
Triple (added notes sound the first beat as a triplet),
Shuffle (notes added to create a shuffle)
Beat LED
On (The [Metronome] button’s light flashes in time with the beat.), Off (Dark)
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Playing Along With A Song
Adding a Count to Assist Your Timing
“Count-in” means to sound a count before song playback begins.
“Countdown” means to sound a count after the end of the song introduction (before you begin playing
the keyboard).
If you will be playing along with a song, sounding a count will make it easier to match the timing of
your performance to the song.
fig.panelcnt
1
1
Press the [Marker/Count] button.
fig.count1e
Change the setting
Select the item to set
Return to the previous screen
Item
Setting
Count In (add a count before the performance),
Countdown (add a count only before you begin playing),
Count In/down (add both a count-in and a countdown)
Specify what type of count will be
added.
Count Mode
Countdown
Sound
Specify the count-down sound.
Voice (Japanese), Voice (English)
Left & Right Track (Right-hand and left-hand parts of a
piano song)
Left Track (Left-hand part of a piano song)
Right Track (Right-hand part of a piano song)
Part 1-16
Specify the track or part that will
determine the beginning of the
performance when adding a
countdown.
Countdown
Track
Stick, Click, Electronic, Voice (Japanese),
Voice (English), Wood Block, Triangle & Castanets,
Hand Clap, Animal
Count In
Sound
Specify the count-in sound.
Specify the length (number of
measures) of the count-in.
Count In
Measure
1, 2
When “Repeat” is turned on in the
Marker setting screen (p. 22), this
specifies whether the count-in will
sound each time the range between
the markers is repeated, or only the
first time.
First time,
Each time
Count In
Repeat
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Playing Along With A Song
Assigning Markers to a Song for Repeated Practice
You can add markers within a song so that you can move to a marked measure, or play back repeatedly
between two markers.
fig.panelmark
3
2 1
Before you begin, select the song in which you want to assign markers (p. 17).
Access the Marker screen
1
Press the [Marker/Count] button. In the Count screen, press the [ ] button.
fig.marke
Marker B
Marker A
Indicates the measure number at
which marker B was assigned.
Indicates the measure
number at which
marker A was
assigned.
Set marker A, move to marker A.
Delete a marker
Switch “Repeat” on/off
Set marker B, move to marker B.
Repeat
If this is “On,”
playback will
repeat between
markers.
Make detailed settings
for the resolution
For details refer to p. 22.
Return to the previous screen
Move to the location at which you want to assign a marker.
2
3
Use the [
(Bwd)] [
(Fwd)] buttons to move to the measure at which you
want to assign a marker.
Assign a marker
Press the [ ] or [ ] button to assign marker A or B.
The screen will indicate the number of the measure at which the marker was assigned.
It is not possible to assign marker B at the same location or earlier than marker A.
→
Markers can also be assigned in units of beats rather than measures. Refer to “Assigning a marker in the middle of
a measure (Resolution)” (p. 23).
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Playing Along With A Song
Moving an assigned marker
After assigning a marker in the song, you can hold down the [
] button and press the [
(Bwd)]
or [
(Fwd)] button to adjust the location at which marker A was assigned. To adjust the location of
] button and press the [ (Bwd)] or [ (Fwd)] button.
marker B, hold down the [
Moving to the location of an assigned marker
After assigning a marker in the song, press either the [
location of the marker.
] or [
] buttons to move (jump) to the
Playing repeatedly between markers.
After assigning both markers A and B, press the [
] button. In the screen, turn “Repeat” to “On.”
When you press the [
(Play/Stop)] button, playback will repeat between the markers.
If you use Repeat Playback without assigning marker A or B
The entire selected song will be played back repeatedly.
If you use Repeat Playback when only marker A is assigned
The song will play back repeatedly from marker A to the end of the song.
If you use Repeat Playback when only marker B is assigned
The song will play back repeated from the beginning of the song to marker B.
*
If “Repeat” in the Marker screen is turned “On,” you can press the [ ] button to display the Notation screen and
play back repeatedly.
Anything you want to do that involves markers, including moving to a particular marker, is accomplished within the
Marker screen.
Deleting a marker you’ve assigned
Hold down the [
delete marker B.
] button, and press the [ ] button to delete marker A, or press the [ ] button to
Assigning a marker in the middle of a measure (Resolution)
A marker can be assigned in the middle (at the beginning of a beat) of a measure.
1
2
Press the [Marker/Count] button. In the Count screen, press the [ (Marker)]
button.
The screen for setting markers appears.
Press the [ (Resolution)] button once more to access the Resolution setting
screen.
item
Setting
Measure
Beat
Markers will be assigned to the beginning of a measure.
Markers will be assigned to the beginning of a beat.
Resolution
→
If you want to assign a marker to the beginning of a beat, assign
the marker while playing back the song.
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Playing Along With A Song
Changing the Key of the Keyboard or Song Playback
(Transpose)
By using the “Transpose” function, you can transpose your performance without changing the notes
you play. For example, if a song is in a difficult key with numerous sharps ( ) or flats ( ), you can use
this function to play it in an easier key.
You can also use this function to play back a song in a different key.
When accompanying a vocalist, you can easily transpose the key to a range that is comfortable for the
singer, while still playing the notes as written (i.e., with the same fingering positions).
fig.paneltrns
1
1
Press the [Transpose] button.
fig.transe
Link
Setting this to “Off” allows you to set values
separately for the keyboard and the song data.
Change the setting
For example, if you want the E
pitch to sound when you press
the C key, set the “Keyboard”
transpose setting to “4.”
Select the item to set
If you play C E G
It will sound E G#
B
Return to the
previous screen
Switches the link
on and off
Item
Setting
Transpose the keys played by the keyboard. This setting can
be set by holding down the [Transpose] button and pressing
the key to which you want to transpose.
Keyboard
Song
-6–0–5
Transpose the song playback.
-24–0–24
When you transpose the keyboard, the [Transpose] button’s indicator will light. If the transpose setting
is “0,” the button’s indicator will be dark.
When set to “Link On,” the values for the keyboard and the song data are the same.
When set to “Link Off,” the values for the keyboard and the song data can be set separately. To cancel
transposition, press the [Transpose] button, getting its indicator to go dark.
The transposition setting returns to “0”, when you choose another song.
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Playing Along With A Song
Adjusting the Keyboard Touch (Key Touch)
You can adjust the touch (playing feel) of the keyboard.
fig.panelktch
1
1
Press the [Key Touch] button.
fig.keytouche
Change the setting
Key Touch
Press
to switch
the setting.
Return to the
previous screen
Item
Indicator
Setting
This allows you to play using the most natural touch. This setting
is closest to the response of an acoustic piano.
No Light
Medium
Heavy
Fortissimo (ff) cannot be produced unless you play more strongly
than usual, making the keyboard feel heavier. This setting allows
you to add more expression when playing dynamically.
Red Light
Key Touch
Fortissimo (ff) can be produced by playing less strongly than
usual, making the keyboard feel lighter. This setting makes it
easier for children, whose hands have less strength.
Green
Light
Light
Fixed
Orange
Light
Sounds at a fixed volume, regardless of your keyboard playing
strength.
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Adding Variety to Your Performances
Selecting the Sound to Play
The HPi-7 contains 600 and more different tones.
The tones are organized into six tone groups, which are assigned to the [Tone] buttons.
fig.paneltone
1
1
Press one of the [Tone] buttons, and select the desired tone in the screen.
When you press a [Tone] button, the button’s indicator will light.
fig.toneslcte
Tone list
The selection will be highlighted in Orange.
Select a tone
Hear a demo of the
selected tone
Return to the
previous screen
The next time you press this [Tone] button, the tone you finalized here will be heard.
→
“Tone List” (p. 67)
Tones indicated by
is called an “EX voice.” These voices are especially recommended.
mark produce the “Key Off Sound.”
Tones indicated by a red
What “Key Off Sound” does is recreate the tonal changes produced when the fingers are released from
the keys.
Playing percussion instruments or sound effects
Press the Tone [Others] button.
Use the cursor buttons to select a rhythm set such as “DR Standard” or SFX set.
Drum set names are indicated by initial “DR.”
Each note of the keyboard will play a different sound.
→
For the sounds that are assigned to each key of a drum set or sound effect set, refer to “Drum Set List” (p. 70).
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Adding Variety to Your Performances
Applying Effects to the Sound
fig.paneleffect
1 1
Adding reverberation to the sound (Reverb)
By applying the reverb effect you can produce a pleasant reverberation, making it sound as though you
were performing in a concert hall.
1
Press the [Reverb] button.
The button’s indicator will light, and a reverb effect will be applied to the sound.
To cancel the reverb effect, press the [Reverb] button, getting its indicator to go dark.
*
It is not possible to memorize the reverb effect setting for each sound.
Adding richness to the sound (Chorus)
By applying the chorus effect you can make the sound richer and more spacious.
1
Press the [Chorus] button.
The button’s indicator will light, and a chorus effect will be applied to the sound.
To cancel the chorus effect, press the [Chorus] button, getting its indicator to go dark.
*
The chorus setting can be memorized for each sound. Turning off the power restores the original settings.
→
The depth of the reverb effect and chorus effect can be adjusted. Refer to “Adjusting the depth of the effects (Effect)”
(p. 55).
Playing Two Sounds Layered Together (Dual)
Simultaneously playing two sounds when one key is pressed is called “dual performance.”
1
Simultaneously press two of the [Tone] buttons.
Both of the button indicators will light. Of the two buttons, the sound of the left button will be “Tone
1,” and the sound of the right button will be “Tone 2.”
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Adding Variety to Your Performances
fig.duale
Tone 1
Displays the tone name for
the left Tone button that is
ratio of the two selected
selected.
Tone 2
Dual Balance
Displays the volume
Displays the tone name for
the right Tone button that is
selected.
tones.
Change the tone,
change the Dual Balance
Select the item to set
The selected item will be
highlighted in orange.
Hear a demo of the
selected tone
Return to the previous screen
When the tone names of “Tone 1” or “Tone 2” are highlighted, you can press the [+] or [-] button to
select tones within the same tone group (p. 26).
To cancel dual performance, press any [Tone] button.
Playing Different Sounds in the Right and Left Hand
(Split)
Dividing the keyboard into right-hand and left-hand areas, then playing different sounds in each is
called “split performance.” The boundary key is called the “split point.”
fig.splitpoint-e
Split Point (set to F 3, when the power is turned on.)
…
A0 B0 C1 D1 E1 F1 G1 A1 B1 C2
C3
C4
C5
B7 C8
Left-hand Tone
Right-hand Tone
*
The split point key is included in the left-hand keyboard area.
fig.panelsplit
1
1
Press the [Split] button.
The button’s indicator will light.
The tone on the right will be the “Right-hand Tone,” and the tone on the left will be the “Left-hand
Tone.”
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Adding Variety to Your Performances
fig.splite
Left-hand Tone
Split Point
Right-hand Tone
Displays the name of the tone
selected for the left-hand
keyboard area.
Displays the key between the
right-hand and left-hand
keyboard areas.
Displays the name of the tone
selected for the right-hand
keyboard area.
Change the tone,
change the Split Point
Select the item to set
The selected item will be
highlighted in orange.
Hear a demo of the
selected tone
Return to the previous screen
When the “Right-hand Tone” or “Left-hand Tone” are highlighted, you can use the [Tone] buttons and
the [+] or [-] button to select tones.
When the “Split Point” is selected, you can press the [+] or [-] button to change the split point.
The split point can also be set by holding down the [Split] button and pressing the key for the desired
split point.
To cancel split performance, press the [Split] button, getting its indicator to go dark.
Changing from dual performance to split performance
By changing from dual performance to split performance, you can divide the keyboard into right-hand
and left-hand areas, and layer two tones in the right-hand area.
1
When using Dual performance, press the [Split] button.
The [Split] button’s indicator will light.
fig.dualsplite
Tone 1
Left-hand Tone
Split Point
Displays the name of Tone
1 of the Dual performance
in the right-hand area.
Displays the name of the
tone selected for the left-
hand keyboard area.
Displays the key between
the right-hand and left-
hand keyboard areas.
Change the tone,
change the Split Point,
change the Dual Balance
Select the item to set
The selected item will be
highlighted in orange.
Hear a demo of the
selected tone
Return to the
previous screen
Tone 2
Dual Balance
Displays the volume ratio of the two tones
Displays the name of Tone 2 of the Dual
performance in the right-hand area.
selected for the right-hand area.
To switch from split to dual performance
1
2
When using split performance (p. 28), highlight the “Right-hand Tone.”
Simultaneously press the two [Tone] buttons that you want to layer.
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Using the Lesson Function (Visual Lesson)
You can enjoy your practices with the HPi-7’s Lesson function.
Play along with the accompaniment, and a notation indicating how well you have performed appears
in the display.
You can select the level and practice songs to match your current abilities. You can also supplement
your stock of practice songs with additional music data.
fig.panelwonder
2, 3
1
At this point, pressing [ ] advances you to the next screen, and pressing [ ] returns the previous
screen to the display.
1
Press the [Lesson] button.
A screen like the following will appear.
fig.wonder-e
2
Press the [ ] or [ ] button to select a course, then press the [ (Enter)] button.
fig.wonder-e
3
Select a practice song, then press the [ (Next)] button.
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Using the Lesson Function (Visual Lesson)
A screen like the one below appears when you select the “Repertoire” course.
fig.wonder-e
Part
Start Measure
This sets the starting
measure.
This selects the part to
be practiced.
setting: Both Hands,
Left Hands,
Right Hands
Tempo
End Measure
This sets the
ending measure.
This sets the tempo for
your practice.
setting: Original Tempo,
A Little Slower,
Slower,
Much Slower
Set the tempo and the part you want to practice, then press the [
(Next)] button.
4
Play along with the accompaniment.
When you have finished playing, your score appears in the display.
Press the [ (Review)] button to display the results of your performance in the notation.
fig.wonder-e
Rhythm (Light Blue)
The timing of the
accent was off.
Sound (Red)
The pitch was
incorrect.
? (Green)
A note not in the
score was played.
Practicing with Internal Songs and Songs on Floppy Disks
1
2
3
Select “Preset/Disk Song” in the practice song select screen, then press the
[
(Next)] button.
The song select screen (p. 17) appears.
Select a practice song, then press the [ (Enter)] button.
If you have selected the “Repertoire” course, set the tempo and the part you want to practice, then
press the [
(Next)] button.
Play along with the accompaniment.
When you have finished playing, your score appears in the display.
Press the [ (Review)] button to display the results of your performance in the notation.
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Adding an Accompaniment to Your Performance
(Pianist Function)
The Pianist function automatically adds a suitable accompaniment to your piano performance.
You can choose one of 35 different accompaniment styles as suitable for the song that you want to play.
You can specify the accompaniment chord in the left-hand keyboard area, or press a single button to
play an intro or ending.
fig.panelpianist
Change the accompaniment tempo
1 3 2
1
→
→
“Pianist Style List” (p. 76)
“Chord List” (p. 74)
1
Press the [Pianist] button to access the Style Select screen, and select an
accompaniment style.
The [Pianist] button’s indicator will light, and the [Intro/Ending] button’s indicator will blink.
The keyboard will be divided at the Split Point (p. 28) into right-hand and left-hand areas.
fig.pianiste
Style list
Chord
The selection will
be highlighted in
orange.
Starting the accompaniment
2
3
Either press the [Start/Stop] button, or play a chord in the left-hand keyboard area.
The accompaniment will begin with an intro.
If you do not want to add an intro, press the [Intro/Ending] button so its indicator goes dark, then
perform step 2.
In the left-hand keyboard area, specify the accompaniment chord. Play freely in the right-hand
keyboard area.
You can press the [
(Chord Finder)] button to display the “Chord Fingering List.”
Stopping the accompaniment
If you press the [Intro/Ending] button, the accompaniment will stop after an ending. If you press the
[Start/Stop] button, the accompaniment will stop immediately.
To cancel the Pianist function, press the [Pianist] button, getting its indicator to go dark.
*
When using the Pianist function, you cannot select and play a sound in the left-hand keyboard area.
You can change the split point by holding down the [Split] button and pressing a key (p. 29).
*
→
You can change the volume balance between the keyboard playing and the accompaniment. Refer to “Adjusting
the volume balance between accompaniment and keyboard (Balance)” (p. 55).
*
The accompaniment data produced by the Pianist function will not be output from the MIDI Out connector.
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Playing in a Wonderland of Sound
“Wonderland” allows children to experience a variety of sounds and onboard songs with easy
operation and enjoyable animation.
fig.panelwonder
1
1
Press the [Wonderland] button, and select the desired item in the screen.
After the opening screen is displayed, a screen like the following will appear.
fig.wonder-e
Select an item or instrument
Proceed to the
next screen,
audition/stop
the selected
sound or song
Return to the
previous screen,
exit Wonderland
Explanation of each selection
Item
Content
Select a picture of a percussion instrument to hear the sound of that instru-
ment. Play the keyboard to play the selected percussion instrument.
Drums
Piano
Alphabet
SFX
Learn about how pianos are made.
Use the keyboard to become familiar with the alphabet.
Listen to a wide variety of sound effects.
Listen to the onboard songs.
Songs
Select a picture of an instrument to hear the sound of that instrument. Play the
keyboard to play the selected instrument.
Tones
Flash Card
Game
In this game, you play the notes shown on the cards.
In this game, you try to name the scales, chords, and rhythms that you hear.
To exit Wonderland, press the [ ] button several times, or press the [Wonderland] button, getting its
indicator to go dark.
→
When using the Wonderland function, you can use the [Reverb] button and [Chorus] button to apply effects to the
sound (p. 27).
However, buttons other than the buttons used in step 1 above, and the [Reverb], [Chorus], and [Key Touch] buttons
will not be operable.
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A recorded performance can be played back to hear your own playing, or to add additional parts.
The following types of recording can be done using the HPi-7.
•
•
•
•
Record along with an internal song or disk song (→ “Recording Along with a Song”)
Recording just your own keyboard performance (→ “Recording a New Song” (p. 36))
Re-recording (p. 38)
Using the Pianist function to record (→ “Recording with an accompaniment (the Pianist
function)” (p. 39))
•
Multitrack recording on five tracks (p. 40)
*
Songs you record are discarded as soon as you select another song, or turn off the power of the HPi-7. Be sure to
save important performances on a floppy disk. Refer to “Saving Songs” (p. 42).
Recording Along with a Song
You can record a performance that you play along with an internal song or disk song.
Here we will explain how you can listen to the accompaniment for an internal song while recording
your right-hand performance.
fig.panelovrec
5
4
2
5 8 6,7 1 3
Before you record, first select a song, and press the [ ] button to display the Notation screen.
Refer to p. 17 for details on how to select an internal song, or to p. 46 for how to select a disk song.
Make recording settings
1
Press the [ (Rec)] button.
*
While the measure number is highlighted, the notation screen is being generated. When the highlighted number
returns to normal, please try the operation again.
fig.recmsg1e
The selected item
will be highlighted
in orange.
Select a choice
Finalize a choice
Return to the
previous screen
2
Use the [ ] [ ] button to choose “Add On,” then press the [ (Execute)] button.
With this setting, you can record while listening to the selected song.
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Recording Your Performance
fig.recmsg2e
Select the track that you want to record
3
Press the track button for the track that you want to record (i.e., the track that you
want to play yourself).
The indicator of the button you pressed will blink, and the HPi-7 enters recording-standby mode.
Since in this example we will record the right-hand performance, press the [4/Right] button to make
the button’s indicator blink.
*
Only the sounds of a drum set or SFX set can be recorded in the [R/Rhythm] button.
Select the tone that will be recorded
4
5
Use the [Tone] buttons to select the tone that you want to record.
After selecting the Tone, press the [ (close)] button to display the Notation screen.
Set the tempo
Use the [Tempo] buttons to set the recording tempo.
*
You can also record using the metronome. In this case, the sound of the metronome will not be recorded.
Start recording
6
Press the [
(Play/Stop)] button.
After a two-measure count, recording will begin.
Note that recording will also begin as soon as you play anything on the keyboard, even if you do not
press the [
(Play/Stop)] button. In this case, no count will be heard.
(Play/Stop)] button and the [ (Rec)] button indicators will light.
When recording begins, the [
Go ahead and perform on the keyboard.
Stop recording
7
8
Press the [
(Play/Stop)] button.
Recording will stop, and the [
out.
(Play/Stop)] button and the [ (Rec)] button indicators will go
Play back the recorded performance
Press the [ (Reset)] button, and then press the [
(Play/Stop)] button.
You will hear the recorded performance.
To stop the playback, press the [
(Play/Stop)] button once again.
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Recording Your Performance
Recording a New Song
Here’s how to record your own keyboard performance without using an internal song.
fig.panelnrec
5
4
2 1
5 8 6,7 3
Make recording settings (choose “New Song”)
1
Press the [Song] button.
fig.songslct2j
Regist a
“Favorites”
New Song
Select a song
2
Press the [ ] button to return to the first song, then press the [ ] button once
more to select “New Song.”
When you press any of the [ ] [
] [ ] [
] buttons while a song in the HPi-7’s current (the
internal memory) is selected, the display will ask “Delete the selected song. OK?” (p. 18). When you
delete the song, the “0: New Song” is displayed.
The notation will appear when you press the [Notation] button.
3
Press the [ (Rec)] button.
The indicators of all Track buttons will blink, and the HPi-7 enters recording-standby mode.
*
*
If the display indicates “Close/ New Song/ Add On,” select “New Song.” In this case, steps 1-2 will be omitted.
Be aware that if you select “New Song,” the currently selected song will disappear.
Select the tone that will be recorded
4
5
Use the [Tone] buttons to select the tone that you want to use for recording.
After selecting the Tone, press the [ ] button to display the Notation screen.
Use the [Tempo] buttons to set the recording tempo.
If you want to change the time signature (beat) of the song, press the [Metronome] button and make
settings in the Metronome screen.
After setting the tempo, press the [ ] button to display the Notation screen.
*
You can use the metronome while recording. In this case, the metronome sound will not be recorded.
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Recording Your Performance
Start recording
6
Press the [
(Play/Stop)] button.
After a two-measure count, recording will begin.
Note that recording will also begin as soon as you play anything on the keyboard, even if you do not
press the [ (Play/Stop)] button. In this case, no count will be heard.
Once recording begins, the [ (Play/Stop)] button and the [ (Rec)] button indicators will light.
Go ahead and perform on the keyboard.
Stop recording
7
8
Press the [
(Play/Stop)] button.
Recording will stop, and the [
out.
The recorded performance will be recorded on the [1/User] button.
(Play/Stop)] button and the [ (Rec)] button indicators will go
Play back the recorded performance
Press the [ (Reset)] button, and then press the [
(Play/Stop)] button.
You will hear the recorded performance.
To stop the playback, press the [
(Play/Stop)] button once gain.
Track button assignments for the recorded performance
When you record only a keyboard performance, the performance will be assigned to the track buttons
as follows.
•
Normal performance (playing a single sound from the entire keyboard)
The performance is recorded to the [1/User] button.
Dual performance
The performance is recorded to the [1/User] button.
Split performance
•
•
The left-hand performance is recorded to the [3/Left] button, and the right-hand performance to the
[4/Right] button.
•
Dual performance and Split performance
The left-hand performance is recorded to the [3/Left] button, and the right-hand dual performance to
the [4/Right] button.
•
Drum set or sound effect performance
The performance is recorded to the [R/Rhythm] button.
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Recording Your Performance
Re-recording
When you want to re-record, specify the track button whose performance you want to re-record, and
then record again.
When you select a previously recorded track button and re-record, the performance from the location
at which you begin recording up to the location at which you stop recording will be replaced by the
newly re-recorded performance.
*
The tempo of the song is stored within the song that was selected. You can slow down the tempo for recording, but
when you play back the performance it will play back at the original tempo.
1
2
Use the [
(Bwd)] or [
(Fwd)] button to move to the measure that you want
to re-record.
Press the [ (Rec)] button.
fig.recmsg1e
The selected item
will be highlighted
in orange.
Select a choice
Finalize a choice
Return to the
previous screen
3
Choose “Add On.”
With this setting, you can record while listening to the selected song.
fig.recmsg2e
4
5
Press the track button for the track that you want to re-record.
The indicators of the button you pressed and of the [
7 enters recording-standby mode.
(Play/Stop)] button will blink, and the HPi-
Press the [
(Play/Stop)] button to start recording.
After a two-measure count, recording will begin.
When recording begins, the [
(Play/Stop)] button and [ (Rec)] button indicators will light.
Go ahead and perform on the keyboard.
6
Press the [
(Play/Stop)] button to stop recording.
The [
(Play/Stop)] button and the [ (Rec)] button indicators will go out.
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Recording Your Performance
Erasing a Recorded Song
A recorded song can be erased in the following two ways:
1
2
After recording a song, press the [Song] button and select another song in the song-select screen.
Hold down the [Song] button and press the [ (Rec)] button.
When either of these operations are performed, a display like the following will appear.
fig.songdelmsge
If you select “OK,” the song will be deleted.
If you do not want to erase the song, save it on a floppy disk or Favorite (p. 42).
Recording with an accompaniment (the Pianist function)
You can use the Pianist function to record while adding an accompaniment.
→
For details on the Pianist function, refer to “Adding an Accompaniment to Your Performance (Pianist Function)” (p.
32).
1
2
3
4
As described in steps 1 and 2 of “Recording a New Song” (p. 36), select “New
Song.”
Press the [ (Rec)] button.
The indicators of all Track buttons will blink, and the HPi-7 enters recording-standby mode.
Press the [Pianist] button and select the desired accompaniment style.
Adjust the tempo as necessary.
Recording will begin at the moment you either press the [Start/Stop] button or
begin playing in the left-hand keyboard area.
If you press the [
(Play/Stop)] button, the accompaniment will begin with an intro after a two-
measure count, and recording will begin simultaneously.
5
When you press either the [Intro/Ending] or [Start/Stop] button to stop the
accompaniment, recording will also stop simultaneously.
You can also press the [
(Play/Stop)] button to stop recording even in the middle of the
accompaniment.
The right-hand performance will be recorded on the [4/Right] track, the accompaniment drum sounds
will be recorded on the [R/Rhythm] track, and the non-drum accompaniment sounds will be recorded
on the [2/Accomp] track.
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Recording Your Performance
*
If you want to re-record only your own performance after using the Pianist function to record, you must turn off the
Pianist function before you record. If you fail to turn off the Pianist function, the Pianist accompaniment will be added
to the previously recorded accompaniment.
*
If you want to re-record the accompaniment of the Pianist function, select the [2/Accomp] track or the [R/Rhythm]
track, and re-record.
Multitrack recording on five tracks
Multitrack recording is a method by which you can record additional tracks while listening to the
previously recorded tracks.
The HPi-7 provides five tracks, so you can record different sounds on each track to create an ensemble
song.
→
You can also record on 16 tracks (p. 58).
Record the first track
1
2
The song tempo will be remembered as the tempo at which you recorded the first track.
Record the second and subsequent tracks
*
Select and record additional tracks one at a time as described in “Re-recording”
(p. 38).
For the second and subsequent recordings, you can listen to the previously recorded performances
while you record.
Record additional tracks as desired to complete the song.
*
Only drum set or SFX set sounds can be recorded in the [R/Rhythm] button.
The five track buttons and 16 parts
Many songs in commercially available SMF music files consist of 16 parts. The 16 parts are divided
among the five track buttons.
The track buttons and the 16 parts correspond as follows.
Track button
[R/Rhythm]
Part
10 (D), 11 (S)
[1/User]
1
[2/Accomp]
[3/Left]
2, 5-9, 12-16
3
4
[4/Right]
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Saving Your Performance
The performance data you record on the HPi-7 will be lost when you select another song or turn off
the power of the HPi-7. If you want to keep important performance data, you must save it to floppy
disks or Favorites.
→
If you will be using a disk drive for the first time, please be sure to read “Before Using Floppy Disks” (p. 6).
Using Floppy Disks
Inserting/removing a floppy disk
Inserting a floppy disk
1
With the label of the floppy disk facing upward, insert it into the disk drive
until it clicks into place.
fig.FDDe
Indicator
Eject buttons
Floppy disk
Removing a floppy disk
1
Press the eject button.
The floppy disk will protrude from the disk drive. Grasp the edge of the floppy disk and gently pull it
out.
*
Don’t try to eject the disk while reading or writing is in progress. Attempting to do so may damage the magnetic
surface of the disk, rendering it unusable. (The indicator light for the disk drive lights up at full brightness when
reading or writing data. Ordinally, the indicator will be less brightly lit, or be extinguished.)
Formatting a floppy disk
A newly purchased floppy disk, or a floppy disk that has been used by another device cannot be used
as is. Such floppy disks must be “formatted” for use with the HPi-7.
fig.panelFDformat
2 3, 4
1
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Saving Your Performance
First make sure that the protect tab of the floppy disk is in the “Write (write enable)” position.
fig.DiskProtecte
Rear side of the disk
Write
(can write new data onto disk)
Protect
Write Protect Tab
(prevents writing to disk)
1
2
Insert the floppy disk into the disk drive.
Press the [Function] button, and select “File” in the screen, and press the
[
(Enter)] button.
3
Use the [ ] [ ] buttons to select “Format,” and press the [ (Enter)] button.
fig.formate
4
Use the [ ] [ ] buttons to select “OK”, then press the [ (Execute)] button.
*
Do not remove the floppy disk from the disk drive until formatting is complete.
Saving Songs
When saving to floppy disks, first make sure that the protect tab of the floppy disk is in the “Write
(write enable)” position, then insert the floppy disk in the disk drive.
1
2
Press the [Function] button, and select “File” in the screen, and press the
[
(Enter)] button.
Use the [ ] [ ] buttons to select “Save,” and press the [ (Enter)] button.
fig.disksave1e
Change the setting
Change the item
to set
Proceed to the
next screen
Return to the
previous screen
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Saving Your Performance
3
4
Select the destination and the format in which to save.
Item
Value
Explanation
The song will be saved in i-format. A song saved in i-format can be listened to
on Roland digital pianos (such as those from the HP-G/R/i and KR series),
and on units from the MT series.
i-Format
Save Format
The song will be saved in SMF (Standard MIDI File) format. A song saved in
SMF format can be played on the many devices that are able to play back SMF
music files (p. 77).
SMF
Disk
Saves the song to the Floppy Disk.
Saves the song to the Favorites.
Destination
Favorite
*
You cannot save recorded songs that use copyrighted music files in SMF format.
Specify the song name and the save-destination song number.
Song name
fig.disksave2e
Change the character,
Displays the name of the song to save.
change the song number
Characters that can be input:
When the cursor is located at the song name
item, change the character at the cursor location.
When the save-destination item is highlighted in
white, change the save-destination song number.
ABCDEFGHIJKLMNOPQRSTUVWXYZ
[\]^_`abcdefghijklmnopqrstuvwxyz{|}~
Space !"#$%&'()*+-/0123456789:;<=>?@
Move the cursor,
select an item to set
Finalize the setting
and proceed to the
next screen
Return to the
previous screen
Save Destination
Displays the save-destination song number.
If you select a song number that displays a song name,
and save a new song, the previous song will be erased.
5
Follow the on-screen directions to begin saving the data.
The time required for saving will range from several seconds to half a minute or more.
Never remove the floppy disk from the disk drive until saving is complete.
Some notes on saving a song
*
•
•
•
Due to certain types of handling, the data on a floppy disk can be damaged and become
unplayable. We recommend that important song data be saved on two floppy disks.
When a song is played back on some other devices, notes may drop out or may be played
differently.
When you are finished saving, set the protect tab of the floppy disk to the “protect” position (p.
42). This will prevent the song from being accidentally erased.
Deleting Saved Songs
Here’s how to erase a song that was saved on a floppy disk, or to Favorites.
To delete a song on a floppy disk, first make sure that the protect tab of the floppy disk is in the “write
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Saving Your Performance
(write enable)” position (p. 42), then insert the floppy disk in the disk drive.
1
2
Press the [Function] button, and select “File” in the screen, and press the
(Enter)] button.
[
Use [ ] [ ] to select “Delete,” and press the [ (Enter)] button.
fig.diskdele
Save distination
The location where the song you want to delete is stored is displayed.
Select the
save destination
Finalize the setting
and proceed to the
next screen
Return to the
previous screen
File name (Song name)
Displays the name of the song that will be deleted
Select the song
to delete
Finalize a choice
Return to the
previous screen
3
Select the save destination and the file, then press the [ (Execute)] button.
*
Do not remove the floppy disk from the disk drive until deleting is complete.
Copying Songs
You can take songs saved on floppy disks and copy them to Favorites and vice versa.
1
2
Insert the floppy disk with the song to be copied in the disk drive.
Press the [Function] button, and select “File” in the screen, and press the
[
(Enter)] button.
3
Use [ ] [ ] to select “Copy,” and press the [ (Enter)] button.
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Saving Your Performance
fig.songcopye
Change the setting
Proceed to the
next screen
Return to the
previous screen
4
Select the copy type, and press the [ (Enter)] button.
The following “Copy Song screen” appears.
fig.songcopye
Copy source
Copy destination
Change the setting
Change the item to set
Proceed to the
next screen
Return to the
previous screen
5
Specifying the copy source and the copy destination.
If a song name is displayed with a number, a song is already saved to that number.
If you select a number with previously saved song data and proceed to copy to that location, the
previously saved song will be erased. If you don’t want to erase a previously saved song, choose a
number with no song name appears in the destination column.
When “All” is selected, all of the songs on the disk are copied to Favorites.
6
Press the [ (Execute)] button.
*
Do not eject the floppy disk from the disk drive until the copy is finished.
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on Floppy Disk
Here’s how you can play back commercially available music files, or a song that was saved on a floppy
disk. You can also play the keyboard along with the song playback.
→
→
For details on using the notation screen, refer to p. 15.
If you will be using a disk drive for the first time, please be sure to read “Before Using Floppy Disks” (p. 6).
fig.panelhozon
3 2
4,5
1
Insert the floppy disk into the disk drive.
Select a song
2
Press the [Song] button, and select “Disk” as the genre in the screen.
fig.songdiske
Disk
Registor to
“Favorites”
For details
Press [ ] [ ] to select the
“Disk” genre.
Select a song
refer to p. 19.
Song name
The name of the currently
selected song.
Select a genre
Song list
The selection is
highlighted in black.
Audition the
selected song
Back to Score
screen
3
Select the song that you want to play back.
If a screen like the following is displayed
If a song has already been selected in the current area (internal memory), it will not be possible to select
another song or record a new performance.
If it is OK to erase the existing song, select “OK.” If you do not want to erase the song, select “Cancel”
and save the song on a floppy disk (p. 42).
fig.songdelmsge
Play back the song
Press the [
(Play/Stop)] button.
The notation screen will appear, and the song will begin playing.
The measure number in the screen will be highlighted the music file is being loaded. Please wait.
To stop playback, press the [
(Play/Stop)] button once again.
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Convenient Functions
Changing the Notation Screen Settings
You can change the parts shown in the notation screen, and how the notation is displayed.
1
2
3
Press the [Notation] button, and press the [ (Options)] button.
Press the [ (Menu)] button to display the “Score Menu.”
Select “Score Option” and press the [ (Enter)] button.
The following screen will appear.
fig.scoreopte
Change the setting
Select the
item to set
Back to Score screen
Item
Setting
Item
Setting
Off
Not displayed.
Upper
Upper Track,
Part 1-16
Pitches
Specify how note
names are
displayed when
the notation
screen is
Select the part that will be displayed when you
The note name will be
displayed.
C, D, E
select
for “Part” in the notation screen.
Do, Re, Mi
(Fixed)
The pitch names (fixed Do)
are displayed.
Item
Setting
The syllable names
(movable Do) are
displayed.
The key will be set
automatically according to
the song file.
Do, Re, Mi
(Movable)
expanded.
Auto
Key
Display the
notation in the
specified key.
The notation will be
# x 6-0-b x 5 displayed in the specified
key.
Item
Setting
Clef L, Clef R
The display will be
switched automatically.
Auto
Specify whether
the notation will
be displayed as a
G-clef or F-clef.
Item
Setting
G clef
F clef
Select a G-clef notation.
Select a F-clef notation.
Resolution
Sets the minimum note value displayed in the
screen.
16th Note,
32nd Note
Item
User
Setting
Item
Setting
User Track,
Parts 1-16
Select the part that will be displayed when you
Bouncing Ball
select
for “Part” in the notation screen.
Sets whether or not the animation of the ball
bouncing in time with the tempo is to be
displayed when song data is played back.
On, Off
Item
Setting
Lower
Lower Track,
Parts 1-16
Item
Setting
Select the part that will be displayed when you
Color Notation
select for “Part” in the notation screen.
Sets whether or not the note currently being
played appears in color in the notation when
song data is played back.
On, Off
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Convenient Functions
Editing Songs
There are many ways you can edit performances recorded using the HPi-7 Track button (p. 40) or 16-track
sequencer (p. 58).
Basic Operation of the Editing Functions
1
2
3
Press the [Notation] button, and press the [ (Options)] button.
Press the [ (Menu)] button to display the “Score Menu.”
Select the “Song Edit”, then press the [ (Enter)] button.
fig.songedite
Change the setting
Select the item to set
Return to the
previous screen
Proceed to the
next screen
4
Select an editing function to set that function.
For more detailed information, refer to the corresponding page for each function.
Function
Undo
Copy
Quantize
Delete
Insert
Transpose
Erase
Part Exchange
Note Edit
PC Edit
Description
Page
p. 49
p. 49
p. 49
p. 50
p. 50
p. 51
p. 51
p. 52
p. 52
Undoes editing operations that have been performed.
Copies measures.
Evens out sounds in recorded performances.
Deletes measures.
Inserts a blank measure.
Transposes parts individually.
Erases data in measures, creating blank measures.
Exchanges the sounds in parts.
Allows corrections to be made note by note.
Allows editing of the Tones changes that occur during a song.
→
“PC” stands for “Program Change,” which is a command that tells an instrument to change the sound it’s using. With songs that
rely on the use of a variety of sounds, a “PC” needs to be located at every point within the song where the Tone is to be changed.
*
Some edits can’t be undone, not even by choosing “Undo.” We recommend saving songs to floppy disks or to user
memory before editing. For more on how to save songs, refer to “Saving Songs” (p. 42).
→
You can press the [
(Play/Stop)] button in the “Song Edit screen” to play back the song you want to edit. However, you
cannot play back the song while editing in the various edit screens.
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Convenient Functions
Item
Content
Undoing Edits (Undo)
Data can be copied in the following three ways:
If there is a performance recorded at the
You can cancel an editing operation that you’ve just carried out.
This is handy when you want to undo an edit and restore data to
the way it was before.
copy destination, this previous recording
is erased, and the copied data is written in
Replace
its place.
*
There are some edits that can’t be restored.
If there is a performance recorded at the
copy destination, the copied data is
layered over the previous recording. If
the Tones used for the copy source and
copy destination are different, the copy-
destination Tone is used.
Editing functions that can be undone appear on screen.
fig.d-e-undo
Mix
Mode
If there is a performance recorded at the
copy destination, the copied portion is
inserted without erasing the previous
recording. The song is lengthened by the
number of inserted measures.
Insert
Copy-destination measure number
When “End” is selected, the data is copied to the end
of the song.
To
If you select “Cancel”, the undo is cancelled, and you’re
returned to the Song Edit screen.
Times Number of times the data is to be copied
If you select “OK”, undone the most recent edit.
Correcting Timing Discrepancies
(Quantize)
Copying Measures (Copy)
You can correct for timing discrepancies in a recorded
performance by automatically aligning the music with the
timing you specify. This is called “Quantizing.”
You can copy a portion of a performance to a different bar in the
same Part or to a measure in another Part. This is handy when
you’re composing a song that repeats a similar phrase.
fig.e-copy
As an example, let’s say that the timing of some quarter-notes in
a performance is a little off. In this case, you can quantize the
performance with quarter-note timing, thus making the timing
Ex. To copy measures 5-7 to measure 8.
accurate.
fig.e-quantizee
1
2
2
3
3
4
4
5
5
6
6
7
7
Example: Quarter-note resolution
Actual note data
1
8
9
10
1
2
2
3
3
4
4
fig.d-e-copy
Note data after quantization
Example: Sixteenth-note resolution
Actual note data
1
Note data after quantization
fig.d-e-quant
Item
From
For
Content
Measure number of the first measure of the segment
to be copied
Number of measures to be copied
Copy-source Track button or part number
Choosing “All” copies all Parts. “---” appears in the
“Dst” column. If you choose a Track button, you can
only copy to the selected Track button. You cannot
copy to the other Track buttons.
Src
Dst
Copy-destination part number
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Convenient Functions
Inserting Blank Measures (Insert)
Item
From
For
Content
You can add a blank measure at a location you specify. This
Measure number of the first measure of the segment
to be quantized
Number of measures to be quantized
Track button or part number to be quantized
Choosing “All” quantizes the same passage in all
Parts.
addition of a blank measure is called “insertion.”
fig.e-inserte
Ex. To insert measures (bars) 5-7
Tr/Pt
Quantization timing
1
2
2
3
3
4
4
5
5
6
6
7
7
Select one of the following values
1/2 (half note), 1/4 (quarter note), 1/6 (quarter-note
triplet), 1/8 (eighth note), 1/12 (eighth-note triplet),
1/16 (sixteenth note), 1/24 (sixteenth-note triplet),
1/32 (thirty-second note)
Resolu
tion
1
fig.d-e-ins
8
9
10
Deleting Measures (Delete)
You can delete a part of a performance measure by measure.
When a portion of a performance is deleted, the rest of the
performance is shifted up to fill the gap. Erasing measures in a
specified passage is called “deleting.”
fig.e-deletee
Ex. To delete measures (bars) 5-8
1
2
2
3
3
4
4
5
5
6
6
7
8
9
10
1
Item
From
For
Content
fig.d-e-del
Measure number of the first measure of the segment
to be inserted
Number of measures to be inserted
Track button or part number where data will be
inserted
Tr/Pt
When “All” is selected, blank measures are inserted
at the same place in all parts.
Item
From
For
Content
Measure number of the first measure of the segment
to be deleted
Number of measures to be deleted
Track button or part number to be deleted
When “All” is selected, the same portion of all parts
is deleted.
Tr/Pt
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Convenient Functions
fig.d-e-erase
Transposing Individual Parts
(Transpose)
You can transpose specified parts and tracks individually.
fig.d-e-trans
Item
From
For
Content
Measure number of the first measure of the segment
to be erased
Number of measures to be erased
Track button or part number to be erased
When “All” is selected, the same portion of all parts
is erased.
Item
From
For
Content
Tr/Pt
Measure number of the first measure of the segment
to be transposed
Number of measures to be transposed
Track button or part number to be transposed
When “All” is selected, the same portion of all parts
is transposed.
to erase:
All performance data, including
Tr/Pt
All
notes, tempos, Tones switches,
volume changes, etc., are erased.
Tempo data is erased. Erasing the
tempo data for all measures results in
a single, constant tempo.
Erases the data for switching Tones
(p. 52).
The range of transposition
You can select the range to transpose the data, from
-24 (two octaves down) to +24 (two octaves up),
adjustable in semitones.
Tempo
Bias
Event
Prog.
Change
You cannot transpose performances of the drum sets and sound
effect sets (such as the Rhythm Track).
Note
Erases only notes.
Except
Notes
Erases all of the performance data
except for the notes.
Erases Expression (volume change)
information.
Making Measures Blank (Erase)
Expression
Lyrics
You can delete the performance data in a specified block of
measures, turning them into blank measures without reducing
Only the lyrics are removed.
the length of the song. This process is called “erasing.”
fig.e-erasee
Exchanging Parts (Part Exchange)
Ex. To erase measures (bars) 5-8
You can exchange the notes recorded for a particular part with
the notes recorded for another part. This process of exchanging
1
1
2
2
3
3
4
4
5
5
6
6
7
7
8
8
9
9
10
10
parts is called “part exchange.”
fig.d-e-partex
Blank measures
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Convenient Functions
Correcting Notes One by One (Note
Edit)
Modifying the Tone Changes in a Song
(PC Edit)
You can make corrections in a recorded performance one note at
a time. This process of making changes in individual notes is
called “note editing.”
In some songs, the instrument sound changes during the course
of the song (that is, the Tone changes in the middle of a Part). In
such songs, an instruction to switch the Tone is inserted at the
place where you want the sound to change. This instruction is
called a “Program Change” (PC), and actions such as deleting
program changes, or changing the selected Tone by them are
called “PC editing.”
• You can make these corrections by using note editing:
• Deleting misplayed notes
• Changing the scale of a single note
• Changing the force used in playing a single key
(velocity)
It is not possible to insert a program change into a measure or
beat that does not contain a program change.
• Change the fingering.
fig.e-note
fig.d-e-pc
The note-location display uses “Measure: Beat: Tick” as the
format. A tick is a unit of time that’s shorter than a beat.
The PC-location display uses “Measure: Beat: Tick” as the
format. A tick is a unit of time that’s shorter than a beat.
Use the [ ] [ ] buttons to select the part with the note to be
edited. The Part number appears at the top of the screen.
Use the [ ] [ ] buttons to select the part with the program
change to be edited.
The Part number appears at the top of the screen.
Use the [
] [
When you’ve found the note you want to correct, use the [
] buttons to select “Pitch” or “Velocity,” or “Fingering” for
the note.
(Bwd)] button and the [
(Fwd)] button or use
Use the [
(Bwd)] button and the [
(Fwd)] button or use
[
] buttons to find the note to be corrected.
[
] [ ] buttons to find the program change to be edited.
]
When you’ve found the Program Change you want to modify,
select “Tone Name” on the screen.
[
Press a Tone button to select a Tone group, then select a Tone
with the [-] [+] buttons. When selecting Part 10 or 11, select the
drum set or effect sound.
Use the [-] [+] buttons to correct the pitch or velocity. If you want
to delete the note, press the [ (Delete)] button.
If you want to delete the Program Change, press the
[
(Delete)] button.
Saving the Notation Data in BMP Format
You can take notations that are displayed on the HPi-7 and save them to floppy disks. You can also use
saved image data to your computer.
*
*
You cannot save copyrighted song data.
Other than for your own personal enjoyment, use of the notations that are output without the permission of the copyright
holder is prohibited by law.
1
Insert the floppy disk onto which you want to save the image data in the HPi-7’s disk drive.
Use a floppy disk formatted on the HPi-7.
For more on formatting disks, refer to p. 41.
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Convenient Functions
2
3
4
5
Select the song you want to save (p. 17).
Press the [Notation] button, and press the [ (Options)] button.
Press the [ (Menu)] button to display the “Score Menu”.
Select the “BMP output”, and press the [ (Enter)] button.
A screen like the one shown below appears.
fig.bmpe
Change the setting
Select the
item to set
Return to the
previous screen
Proceed to the
next screen
The following screen appears when you select a copyrighted song.
fig.d-bmpmsge
Press the [ (OK)] button or the [ (Close)] button at this point to return to Step 2 and select a different
song.
6
7
Set the range to be saved.
Item
Setting
Description
Start Measure
End Measure
Song Top, 2 –
– Song End
Selects the measure from which output starts.
Selects the measure from which output ends.
Portrait,
Landscape
Direction
Selects the orientation for output of the notation.
Press the [ (Execute)] button.
The notation is saved to the floppy disk as image data in BMP (bitmap) format.
*
Do not remove the floppy disk while “save” is in progress.
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Convenient Functions
Functions that Can be Selected Using the [Function] Button
Here’s how you can easily make changes such as tuning the HPi-7 or changing the function of the pedals.
fig.panelfunc
1
2
1
Press the [Function] button.
fig.functione
Select the item to set
Proceed to the
next screen
Return to the
previous screen
2
Use the cursor buttons to select the item that you want to set, and then press the [ (Enter)]
button.
fig.functione
Change the setting
Select the item to set
Return to the
previous screen
Follow the directions shown in the screen.
For details on the contents and settings of each item, refer to p. 55–p. 60. Refer to p. 62 on “MIDI,” and
referw to p. 41 on “File.”
54
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Convenient Functions
Adjusting the Resonant Sounds when the keys
are pressed (String Resonance)
Adjusting the volume balance between
accompaniment and keyboard
(Balance)
When the keys are pressed on an acoustic piano, the strings for
keys that are already pressed also vibrate sympathetically. The
function used to reproduce this resonance is called “String
Resonance.”
You can adjust the balance between the volume of the sound
played from the keyboard and the volume of the song playback
or Pianist function (p. 32) accompaniment.
Setting
Setting
Off, 1–10
Increasing the value will increase the amount of
effect.
Press [
Decreases the volume of the song or accompaniment
Press [ ] to change the setting toward “Accomp”
] to change the setting toward “Keyboard”
Adjusting the depth of the effects
(Effect)
Decreases the volume of the keyboard sound
You can adjust the depth of the reverb (p. 27) and chorus (p. 27).
Adjusting the Piano Sounds
(Piano Setting)
Refer to p. 54 for the procedure.
Setting
1–10
Increasing the value will increase the amount of
effect.
The HPi-7 is capable of reproducing a variety of the acoustic
piano’s distinctive characteristics. You can also adjust these to
suit your own taste and style.
*
This setting is valid when the [Chorus] button or [Reverb] button
*
This setting is valid when some piano sounds are selected.
→ Holding down the [Reverb] or [Chorus] button, press the [+]
Opening/Closing the Piano Lid (Lid)
or [-] button to adjust the depth of each effect.
This simulates the actual changes in sound that occur when the
lid of a grand piano is set at different heights.
Setting
Setting the reference pitch and
temperament (Tuning)
1–6
The lid is opened more as the value is increased.
Refer to p. 54 for the procedure.
Adjusting Resonance when the damper pedal
is depressed (Damper Resonance)
Master Tune
In situations such as when playing in ensemble with other
instruments, you can adjust the HPi-7’s reference pitch to that of
another instrument. Middle A is used as the reference pitch for
tuning instruments.
You can adjust this resonance (Damper Resonance) when the
damper pedal is depressed.
On an acoustic piano, holding down the damper pedal will
allow the remaining strings to resonate in sympathy with the
sounds that you played from the keyboard, adding a rich
resonance. The resonance is called “sympathetic resonance.”
Setting
The process of adjusting the reference pitch to match another
instrument is called “Tuning.”
Setting
415.3 Hz–440.0 Hz–466.2 Hz
Off, 1–10
Increasing the value will increase the amount of
effect.
Stretch Tuning
Changing How Rapidly Sounds Are Expressed
According to the Force Used to Play the Keys
(Hammer Response)
Pianos are generally tuned so that the low range is flatter and the
high range is sharper than equal tempered pitches. This method
of tuning is unique to the piano, and is known as “stretched
tuning.”
You can adjust the timing with which sounds are produced
according to the force used to play the keys.
Setting
Description
This tuning curve expands the low range and high
range. It is suitable for piano solos. This setting is
selected when the power is turned on.
When a key is pressed on an acoustic piano, it causes a hammer
to move and strike the strings, producing sound. The hammers
move more slowly when the keys are played gently, meaning
that sounds are produced just slightly later than when you play
the keyboard with greater force.
On
This is the standard tuning curve. It is suitable
when playing in an ensemble with other
instruments.
Off
Setting
Off, 1–10
Increasing the value will increase the amount of
effect.
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Convenient Functions
Temperament
Changing the function of the pedals
(Pedal)
You can play classical styles such as Baroque using historic
temperaments (tuning methods).
You can change the function of the left pedal and center pedal.
Refer to p. 54 for the procedure.
Today, compositions are generally created with equal
temperament in mind and are played using equal temperament.
However in past ages of classical music, a variety of
temperaments were used. By playing in the temperament that
was in use when a composition was created, you can experience
the sonorities of chords originally intended for that song.
Setting
Soft
(only left
pedal)
Description
When you hold down the pedal and play the
keyboard, the sound will have a softer tone.
Sostenuto
(only center
pedal)
Only the notes that were played while the pedal
was held down will be sustained.
Setting
Description
This temperament divides the octave into 12
equal parts. All intervals will be slightly out
of tune by the same amount.
The tempo of the song, accompaniment, or
metronome will be set by the interval at which
you press the pedal. When the pedal to which
this function is assigned is pressed several times
at the desired rate, the tempo will be set
accordingly.
Equal
Tap Tempo
This temperament makes the 5th and 3rd
intervals pure. It is unsuitable for playing
melodies and modulation is not possible, but
it produces beautifully harmonious chords.
Just Major
When using Split performance, the same effect
as the damper pedal will be applied to the left-
hand keyboard area.
Lower
Damper
Just intonation differs between major and
minor keys. The same results as major can be
obtained in a minor key.
Just Minor
Arabic
Pressing the pedal during playback of a song
stops the playback. When the pedal is released,
playback resumes from the beginning of the
measure that was playing when the pedal was
pressed. When the pedal is pressed in rapid
succession, the playback will resume backs up
the same number of measures as the number of
times the pedal is pressed.
This tuning is suitable for the music of
Arabia.
Replay
This temperament is a modification of
meantone temperament and just intonation,
allowing more freedom of modulation. It
allows you to play in all keys (third method).
Kirnberger
This temperament is based on the theories of
the Greek philosopher Pythagoras, and has
pure fourths and fifths. Chords containing a
third will sound impure, but melodies will
sound good.
Press the pedal or the Pad turns the notation
appearing on the display to the preceding page
while the performance of a song is stopped.
Press the pedal or the Pad turns the notation
appearing on the display to the next page while
Performs the same function as the [Start/Stop]
button.
Page Bwd
Page Fwd
Pythagorean
This temperament is a partial compromise of
just intonation in order to allow modulation.
Meantone
Composer
Start/Stop
This temperament is a combination of
meantone and Pythagorean temperaments.
It allows you to play in all keys. (First
method, number three.)
Werkmeister
Changing the language displayed in
the screen (Language)
Key
You can change the language that is displayed in the screen.
Refer to p. 54 for the procedure.
When playing in a temperament other than equal temperament,
you must specify the tonic (the note corresponding to C for a
major key, or to A for a minor key) of the key in which you will
play.
Setting
English, Japanese, German, French, Spanish
*
German, French, and Spanish are displayed for some functions.
Other screens will be displayed in English.
select the tonic.
Setting
C, C#, D, Eb, E, F, F#, G, Ab, A, Bb, B
Mic Echo
When you use the mic, you can adds a karaoke-like echo effect to
the mic.
Refer to p. 54 for the procedure.
Setting
Off, 1–10
Increasing the value will increase the amount of
effect.
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Convenient Functions
Setting the Demo (Auto DEMO)
Selecting Images To Be Shown on the
Displays (User Image Display)
Sets whether or not Auto mode is started when no action is
taken for a set length of time.
You can have image data from computers and other devices
shown on the onboard display.
Refer to p. 54 for the procedure.
1
Take a floppy disk to which the image data stored in
the HPi-7 has been saved, and insert the disk in the
disk drive.
Item
Description
Sets whether or not Auto mode is
started when no action is taken for a On, Off
set length of time.
Setting
Auto
Start
2
3
At Step 2 in p. 54, select “User Image Display” and
press the [ (Enter)] button.
Selects the image to be displayed in
the screen when Auto mode starts.
Select “Demo” to display the demo
introducing the piano’s functions.
Select “User Image” to display the
image saved with “User Image
Display.”
Selects whether or not BGM
(background music) is played when
Auto mode starts. When “On” is
selected, all of the songs are played
in random order.
Demo, User
Image
Mode
BGM
Select the image you want to be displayed from the list,
then press the [+] (Save) button.
When you press [ (Preview)] button, you can then show the
selected image data on the display.
Image Data That HPi-7 can display
On, Off
Size
640 x 240 pixels
Color
1/4/8 bit (2/16/256 colors)
→
If you select “Demo” with an image saved in “User Image
BMP format (The HPi-7 cannot deal with
compressed image data).
Format
Display,” the saved image appears at the beginning of the demo.
1–8 characters in length (lowercase is ok). A
filename extension of “.BMP” (uppercase
characters) must be added after the name.
Changing the parts assigned to the
track buttons during SMF playback
(Track Assign)
The following characters can be used to name an
image.
Ordinarily, when playing back SMF music files for Roland Piano
Digital instruments (p. 77), the left-hand part is assigned to the
Track [4/Right] button.
Name
A B C D E F G H I J K L M N O P Q R S T U V W X
Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z 0
1 2 3 4 5 6 7 8 9 # $% & ` ( ) - @ ~ { } ^ _ !
However, right-hand and left-hand part assignments in certain
SMF music files may differ. If these are set to “Auto,” and as a
result you are unable to use the track buttons to control the left-
and right-hand parts properly, change the setting to “2/1 Part”
or “3/4 Part.”
*
If you use a character that cannot be used in a
name, it will be replaced by another character
when displayed.
To Delete a Saved Image
Refer to p. 54 for the procedure.
4
Press the [
] button to return to the top of the
] button once more.
Setting
Description
list, then press the [
The part assigned to each track will be determined
automatically, depending on the song file.
Part 1 will be assigned to the right-hand track, part
2 to the left-hand track, and part 3 to the user track.
Part 4 will be assigned to the right-hand track, part
3 to the left-hand track, and part 1 to the user track.
The file name for the saved image is highlighted.
Auto
5
Press the [+ (Delete)] button.
2/1 Part
3/4 Part
*
After changing this setting, try selecting the song once again.
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Convenient Functions
You can also change the tones in each part, select specific parts
for playback (solo), and prevent specified parts from playing
(mute). Playback with only a single part muted is called “Minus
One.” You can even set solo and muting during playback.
Recording and Playing Back
Performances of Specific Instruments
(16 Track)
Multitrack recording is a method of recording whereby you
listen to what has previously been recorded while recording
new parts on top of that material.
→
Part 11 of Roland SMF music data that is available for purchase
is included with the track button [2/Bass and Accompaniment],
but the correspondence of other parts to the track buttons is the
same.
The HPi-7 lets you record 16 separate parts. By recording a
different tone to each part, you can create song data for
performances that feature up to 16 different tones layered
together.
*
Some commercially available SMF music file may contain data
that cannot be edited.
Basic Procedure
The function used for recording the 16 individual parts one
First, have the song that you want to edit selected.
at a time is called the “16-track sequencer.”
fig.16track.e
1
Press the [Function] button, then use the [ ] [
]
16-Track Sequencer
button to select “16 Track” and press the [ ] button.
You can record performances for up to 16 parts,
overlaying them part by part, to create a single song.
fig.16trke
Part 1
Flute Part
Part 2
Part 3
Part 4
Bass Part
Piano Part (left hand)
Piano Part (right hand)
•
•
•
Part 16
16-Track Sequencer and the Track Buttons
In addition to the “16-Track Sequencer” function, the “Track
Buttons” (p. 16) are another of the unit’s playing/recording
functions.
In addition to the “16-track sequencer,” the HPi-7 also
features the “track buttons” (p. 16).
2
Press the [
] [
] [
] [
] buttons to select the
part you want to edit.
These “track buttons” group the 16-track sequencer’s 16 parts
with five buttons. Using the 16-track sequencer to work with
performances recorded with the track buttons allows you to
record even more sounds and edit with precision.
The track buttons correspond to the 16-track sequencer's
parts as shown below.
3
4
Make the settings for the part and record.
When you have finished the settings and recording,
press the [ ] button
The following screen will appear.
Track button
[R/Rhythm]
[1/Whole]
Part
D (10), S (11)
1
[2/Bass Accomp]
[3/Lower]
2, 5–9, 12–16
3
4
5
Press the [
] [
] buttons to select “OK,” then press
[4/Upper]
the [ (xExecute)] button.
two tones simultaneously, as in Dual (p. 27) and Split (p. 28)
performances.
Preventing a Part from Playing (Mute)
Press the [+] or [-] button to select Solo or Mute.
The number of the muted part is displayed as “M.”
In addition, when recording performances using the Pianist
function, you can select only one part to record. If you want to
record multiple parts simultaneously with the Pianist function,
you should use the track buttons. Refer to “Recording with an
accompaniment (the Pianist function)” (p. 39).
Pressing the [+] or [-] button once more cancels Solo or Mute.
Changing Tones
Select tones by pressing the [Tone] button and
the [+] or [-] button.
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Convenient Functions
Recording
Formatting the User Memory
(Initialize User Memory)
Use the [
(Bwd)] or [
(Fwd)] buttons to
move to the measure you want to record.
Set the recording tempo and metronome.
The HPi-7 features an internal storage area where you can save
recorded performances and User Styles. This space is called the
“User Memory.”
1
2
Press the [
(Record)] button.
The following content is stored to the user memory.
• Content registered to the “Favorites”
The HPi-7 goes into record standby.
Press the [
(Play/Stop)] button to start recording.
• Image files set with the “User Image Display”
To delete all of the content held in the user memory and restore
the original factory settings, carry out the following procedure.
Two measures of the count-in sound is played, and the
recording begins.
3
Press the [
(Play/Stop)] button to stop recording.
1
In step 2 on p. 54, select “Initialize User Memory” and
press the [ (Enter)] button, and a message will be
displayed.
Making Part Settings
This makes more detailed settings for the parts.
1
Select the part you want to edit, then press the
(Options)] button.
2
Use the [
] or [
] buttons to select “OK,” then press
[
the [ (Execute)] button to carry out the Initializing
procedure.
The following screen will appear.
*
Never turn off the power while the display indicates
“Executing....” Doing so will damage the HPi-7’s internal
memory, making it unusable.
Carrying out this operation does not initialize any settings other
than the user memory settings. To restore settings other than
those for the user memory to the original factory settings, carry
out Factory Reset.
Remembering the settings even when
the power is turned off
(Memory Backup)
Normally, the settings of the various variations will revert to
their default values when the power is turned off. However, you
can specify that the various settings will be remembered even
when the power is turned off.
2
Press the [
] or [
] button to select the parameter,
then change the value with the [+] or [-] buttons.
Display
Description
Volume
Reverb
Chorus
Changes the volume level.
This function is called “Memory Backup.”
Changes the amount of reverb effect
applied to the sound.
1
2
In step 2 on p. 54, select “Memory Backup” and press
the [ (Enter)] button, and a message will be
displayed.
Changes the amount of chorus applied.
Shifts the direction from which the sound is
heard between left and right.
Press the [+] button to shift the sound to the
right, or press the [-] button to shift it to the
left.
Use the [
] or [
] buttons to select “OK,” then press
Panpot
the [ (Execute)] button to carry out the Memory
Backup procedure.
What’s Panpot?
Panpot is the control that determines the placement of
the sound in the stereo sound field between left and
right speakers. By altering the Panpot setting, you can
change the perceived location of the sound between the
left and right speakers.
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fig.V-LINKkey
Stored contents
Lid, Damper Resonance, Hammer Response, String Resonance
(p. 55)
Key Touch (p. 25)
Metronome Sound (p. 20)
A0 B0 C1 D1 E1 F1 G1
A0 – G1#
Count In Sound, Countdown Sound, Count In Measure (p. 21)
Language (p. 56), Track Assign (p. 57), Reverb Switch, Reverb
Depth (p. 55)
While V-LINK is switched on, no sound is produced when you
press any of the twelve keys at the left end of the keyboard.
*
Never turn off the power while the display indicates “Writing...”
Doing so will damage the HPi-7’s internal memory, making it
unusable.
Playing Back Songs (Play Mode)
→
The settings for the following parameters are saved even without
Memory Backup.
With the normal setting, GS tones (sounds that are compatible
with other GS instruments) will normally be used to play back
song data. By changing this setting, you can play back song
using HPi-7-specific tones for certain portions of the data.
Refer to p. 54 for the procedure.
Restoring the factory settings (Factory
Reset)
The memory backup settings can be restored to the factory-set
condition. This operation is referred to as “Factory Reset.”
Setting
Description
Playback uses GS-compatible tones for
performances that sound like other GS
instruments.
GS
1
2
In step 2 on p. 54, select “Factory Reset” and press the
] button, and a message will be displayed.
[
Playback uses HPi-7 tones for greater
expressiveness. However, differences may appear
when playing back using devices other than the
HPi-7.
HPi-7
Use the [
the [ (Execute)] button to carry out the Factory Reset
procedure.
] or [
] buttons to select “OK,” then press
*
After changing this setting, try selecting the song once again.
Once the Factory Reset has been completed, switch the power
off, then on again.
*
Never turn off the power while the display indicates
“Executing....” Doing so will damage the HPi-7’s internal
memory, making it unusable.
Playing the Demos
You can play demo songs that give you an idea of the HPi-7’s
Using the V-LINK function
various functions.
allows you to control the images with the HPi-7.
1
Hold down the Track [4/Left] button and press the
[Wonderland] button.
V-LINK (
) is functionality promoted by Roland
The songs in the “Masterpieces” category are played back, and
the screens showing the HPi-7’s functions appear in sequence in
the display.
that allows linked performance of music and visual material. By
using V-LINK-compatible video equipment, visual effects can be
easily liked to, and made part of the expressive elements of a
performance.
2
To delete a demo song, press the [ ] button.
→
You can set the HPi-7 so that the demo songs start playing
automatically in All Song Play if the instrument is not played or
adjusted for several minutes.
Refer to p. 54 for the procedure.
921
*
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power on
all devices before making any connections.
Setting
Description
Switches to Image Control mode.
You can control images using the twelve keys at
the left end of the keyboard.
On
Off
Cancels Image Control mode.
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Connecting External Devices
Connections with MIDI Devices
Connecting Audio Devices
By connecting external MIDI devices and exchanging performance
data, a device can control the performance of another device. For
example, you can play sounds from another device, or select sounds
remotely.
You can connect audio devices to play the sound of the HPi-7
through the speakers of your audio system, or to record your
performance on a tape recorder or other recording device.
Use phone plug audio cables (sold separately) to make connections.
What is MIDI?
“MIDI” stands for “Musical Instrument Digital Interface,” and is a
universal standard created to allow for the exchange of performance
data among electronic musical instruments and computers.
*
926aWhen connection cables with resistors are used, the volume
level of equipment connected to the input jacks may be low. If
this happens, use connection cables that do not contain
resistors, such as those from the Roland PCS series.
The HPi-7 provides MIDI connectors, which allow performance data
to be exchanged with an external device. When these connectors are
used to connect the HPi-7 to external devices, an even wider range of
Example connections
921
*
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power on
all devices before making any connections.
possibilities becomes available.
984
*
A separate publication titled “MIDI Implementation” is also
available. It provides complete details concerning the way MIDI
has been implemented on this unit. If you should require this
publication (such as when you intend to carry out byte-level
programming), please contact the nearest Roland Service
Center or authorized Roland distributor.
Playing the sound of the HPi-7 through the
speakers of an audio system/Recording the
performance of the HPi-7 on a recording device
fig.audio1e
Input R/L
(Line In, Aux In)
Example connections
921
*
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power on
all devices before making any connections.
HPi-7
Playing the HPi-7 from a MIDI sequencer/Recording
an HPi-7 performance on a MIDI sequencer
fig.midi1e
Use the following procedure when turning on the power.
MT Series
* MT-90s/80s has no MIDI Out connector.
1
2
3
Turn on the power of the HPi-7.
Out
MIDI
In
Turn on the power of the connected device.
Adjust the volume of each device.
HPi-7
Playing the sound of an audio device through the
speakers of the HPi-7
fig.audio2e
Output R/L
(Line Out, Aux Out)
*
If you are connecting a MIDI sequencer, set “Local Off.” For
details refer to “Local Control setting” (p. 62).
Perform on the HPi-7 to play a MIDI sound
generator
HPi-7
fig.midi2e
Sound Module
MIDI
OUT
IN
HPi-7
Use the following procedure when turning on the power.
1
2
3
Turn on the power of the connected device.
Turn on the power of the HPi-7.
→ For details on MIDI settings, refer to “Making MIDI-Related
Settings” (p. 62).
Adjust the volume of each device.
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Connecting External Devices
Connections to a Computer
You can use a USB connector to connect the HPi-7 to your
computer.
Making MIDI-Related
Settings
Here’s how you can set the transmit channel and other MIDI-related
Roland’s “Visual MT” is installed, you will be able to play the sound
of the software sound generator from the HPi-7’s speakers, or save a
recorded HPi-7 song on your computer.
settings.
1
2
Press the [Function] button.
Select “MIDI,” and press the [
For more details, refer to the separate “USB Installation
] button.
Guide.”
921
Follow the directions that appear in the screen.
*
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power on
all devices before making any connections.
MIDI settings
MIDI transmit channel setting
*
Connecting your computer to the HPi-7 for the first time requires
installation of the “USB Driver” (on the included CD-ROM) to the
computer. For more details, refer to the separate “USB
Installation Guide.”
MIDI has sixteen “MIDI channels,” numbered 1–16. Even if a MIDI
device is connected, it will not be possible to play or select sounds
unless the MIDI channels of the two devices match.
*
When Dual performance (p. 27) is being used on the HPi-7, only
the channel you specify here will be transmitted.
*
*
*
Only MIDI data can be transmitted using USB.
Use a USB cable no longer than 3 meters.
*
The HPi-7 receives all channels 1–16.
USB cables are not included. Consult your Roland dealer if you
need to purchase.
Item
Explanation
Setting
Select the MIDI transmit
channel.
Transmit Channel
1–16
*
*
Turn on the power to the HPi-7 before starting up MIDI
applications on the computer. Do not turn the HPi-7 on or off
while any MIDI application is running.
Local Control setting
If the data that is produced when you play the keyboard is sent to
the sound generation section via both routes (1) and (2) as shown in
the diagram, notes will be doubled or may be interrupted. To
prevent this, use the “Local Off” setting to disconnect route (1).
Do not connect or disconnect the USB cable while the HPi-7’s
power is on.
*
*
If not using USB, disconnect the USB cable from the HPi-7.
Set Local Off if you have connected the HPi-7 to a MIDI sequencer.
fig.locale
If, during the transmission/reception of data, the computer
switches to energy-saving mode or suspended mode, or if the
HPi-7’s power is switched on or off, the computer may freeze, or
the HPi-7’s operation may become unstable.
Local On
(1)
Sequencer
Memory
MIDI
OUT
MIDI
IN
Sound
Generator
*
When using your computer’s sequencer software to record
HPi-7 performances, we recommend setting the sequencer
software’s Soft Thru to “OFF.”
MIDI
OUT
MIDI
IN
Thru function On
(2)
Each note played
is sounded twice
*
When a Roland MT series instrument is connected, it is not
necessary to make the Local Off setting. The MT transmits a
Local Off message when the power is turned on. If you turn on
the power in the order of the HPi-7 → MT series, Local Off will be
set automatically.
Item
Explanation
Setting
Switch the Local Control
setting on/off.
Local Control
On, Off
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Connecting External Devices
Composer Out setting
If you want a performance recorded on the HPi-7 to be transmitted
to an external MIDI device or computer, turn the “Composer Out”
setting “On.”
Item
Explanation
Setting
Specify whether a recorded
performance will be
transmitted to a MIDI
device.
Composer Out
On, Off
Program Change setting
Program changes are a type of message that tell a device to “switch
to sound number `x’.” A device that receives this message will select
the sound of the corresponding number.
When you use this setting to specify a program change (program
number), that program number will be transmitted to a MIDI device
connected to the HPi-7. A MIDI device that receives the program
number will switch to the sound corresponding to that program
number.
Normally, program changes select from 128 different sounds.
However, some MIDI devices have more than 128 sounds. For such
devices, Bank Select messages are combined with Program Change
messages to select sounds. Bank Select consists of two messages:
MSB (controller number 0; value: 0-127), and LSB (controller number
32; value: 0-127).
*
Some MIDI devices cannot use bank select messages.
Alternatively, some devices may use bank select messages, but
ignore the LSB message.
Item
Explanation
Transmit the bank
select MSB.
Setting
Bank Select MSB
0 (00h)–127 (7FH)
Transmit the bank
select LSB.
Transmit the
Bank Select LSB
Program Change
0 (00h)–127 (7FH)
1 (00h)–128 (7FH)
program number.
Making the Settings for the
USB Driver
If you intend to connect to a computer using the USB
connector, you need to make the following setting before you
make the connection.
1
2
Press the [Function] button.
Select “USB Driver,” and press the [
] button.
Item
Setting
Explanation
Select this when using the
supplied driver with a USB
connection.
Select this when using a generic
USB driver included with the OS
with a USB connection.
Vendor
USB Driver
Selects the USB
driver type.
Generic
3
Turn on the power once again.
63
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If you think there’s a problem, read this first.
Case
Cause/Remedy
Case
The power
doesn’t come
on.
The button
doesn’t work.
Cause/Remedy
Press the [ ] button several times to return to
the notation screen (p. 15), and then select a
tone.
Can’t select a
tone
correctly? (p. 9)
The tuning or
pitch of the
keyboard or
Volume of
Have you set Transpose? (p. 24)
Is the panel locked? (p. 11)
Are the settings for the “Temperament” and
“Stretch Tuning” correct? (p. 55)
Is the setting for the “Tuning” correct? (p. 55)
Turn the power off, then back on.
The HPi-7 uses a liquid-crystal screen, so text
may not be displayed when the ambient
temperature is below freezing.
Is the music rest (screen) connection cable
connected correctly? (p. 9)
Nothing
appears on
screen.
accompaniment Could the “Balance” setting be set all the way
or internal song toward “Keyboard”? (p. 55)
is too low
Vertical lines
appear in the
screen/Color is
“washed out” at malfunction. They can be minimized by
the edges of the adjusting the brightness of the screen (p. 10).
screen
Does the screen indicate message, like “Deletes
the selected song. OK?” (p. 18)
These occur due to the nature of a liquid
crystal display, and do not indicate a
Song doesn’t
play back
The internal songs cannot be played back
while recorded performance data remains in
the HPi-7’s memory. Try playing back the song
after deleting the performance data.
Is the light for the Track button extinguished?
(p. 16, p. 58)
If the button light is out, the music on that track
is not heard. Press the track button so the light
is illuminated.
Is the volume level of the HPi-7 (p. 10) or
connected device turned all the way down?
Are headphones plugged in?
Only the sound
of a particular
instrument in a
song does not
play
Has a plug remained connected to the Phones
No sound is
jack? (p. 9)
heard.
When you connect the headphones, the sound
Or cancel the mute in the "16 track" screen.
is heard only through the headphones.
Could the “Balance” setting be set all the way
toward “Accomp” or “Keyboard”? (p. 55)
Pressing the
Some music files may contain settings that stop
play at a point partway through the song.
[
(Reset)]
button doesn’t
return to the
Have all devices been switched on? (p. 61)
No sound is
Press the [
(Reset)] button several times
Are the MIDI cables connected correctly?
heard (when a
beginning of the more to return to the beginning of the tune.
song.
(p. 61)
MIDI instrument
Does the MIDI channel match the connected
is connected).
The [
(Fwd)] and [
(Bwd)] reverse
instrument? (p. 62)
buttons are ignored while music files is being
read in. Wait until processing finishes.
If you attempt to play back performance data
that contains more data than the entire
capacity of the HPi-7’s memory, you may find
rewind or fast forward) become unavailable.
There are two types of SMF music files: format
0 and format 1. If the song uses SMF format 1
data, there will be a slight delay until playback
starts. Refer to the booklet that came with the
music files you’re using to determine the
format type.
No sound is
heard when the
keyboard is
played.
Volume of
keyboard is too
low
Has Local Control been set to “Off”?
When Local Control is set to Off, no sound is
produced by playing the keyboard, Set Local
Control to On (p. 62).
The[
and [
(Bwd)] buttons
don’t work.
(Fwd)]
Could the “Balance” setting be set all the way
toward “Accomp”? (p. 55)
Is the [Pianist] button’s indicator lit? (p. 32)
If the [Pianist] button’s indicator is lit, there
will be no sound from the left-hand section of
the keyboard.
No sound from the left side is V-LINK
switched on? (p. 60)
When V-LINK is switched on, the twelve keys
at the left end of the keyboard are used to
control images, and no sounds are played with
these keys.
Is the HPi-7 in Dual play? (p. 27)
When the HPi-7 is connected to an external
There is a slight
delay before
playback of a
disk starts.
No sound from
left-hand
section of
keyboard
Has one of the track buttons for recording been
selected? (p. 38)
It is not possible to record while the notation is
being generated. Once the unit has finished
generating the notation (i.e., when the measure
number in the screen is no longer highlighted),
try the operation once again.
Can’t record
Sounds are
heard twice
(doubled) when sequencer, set it to the Local OFF mode (p. 62).
If you select an internal song in which the
record, the tempo will change in the same way
for the performances that are recorded on the
other tracks. The tempo of the metronome will
also change in the same way.
If you record additional material without
erasing the previously recorded song, the song
will be recorded at the first-recorded tempo.
Please erase the previously recorded song
before you re-record (p. 39).
the keyboard is
played.
Alternatively, the sequencer could be set so its
Soft Thru feature is OFF.
The maximum number of notes that the HPi-7
can play simultaneously is 128. Frequent use of
the damper pedal during automatic
accompaniment or when playing along with a
song on floppy disk may result in performance
data with too many notes, causing some notes
to drop out.
Tempo of
Not all played
notes are
sounded.
recorded song
ormetronomeis
off
64
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Trouble Shooting
Case
Cause/Remedy
Case
Cause/Remedy
When a performance made along with a Music
Files tune has been recorded, recording the
performance to button [1/User] may make the
Tones for buttons [3/Left] and [4/Right]
change as well.
When listening through headphones:
Some of the more flamboyant and
effervescent piano tones feature an ample
high-end component, which may make the
sound appear to have metallic
The Tone has
changed.
The recorded
performance
has
Any performance that has been recorded is
deleted when the power to the HPi-7 is turned
off or a song is selected. A performance cannot
be restored once it’s been deleted.
With some music files, the lyrics cannot be
displayed correctly.
In the notation screen, some lyrics or notes
could extend beyond the edges of the screen,
If you select a part that does not contain
performance data, notes will not be displayed
in the notation. Change the part that is
displayed (p. 47).
The notation screen feature is particularly
unsuitable for the display of difficult, complex
musical works that demand accurate notation.
Refer to “Some notes on the notation screen”
(p. 15).
In the notation screen, some lyrics or notes
could extend beyond the edges of the screen,
and not be displayed.
In certain cases, such as when playing songs on
amounts of performance data are used.
Is the pedal connected correctly?
Make sure the pedal cord extending from the
stand is securely connected to the pedal jack on
the rear of the unit (p. 9).
Has a different function been assigned to the
pedal?
See “Changing the function of the pedals
(Pedal)” (p. 56).
Adjust the adjuster underneath the pedal so
that the pedal presses firmly against the floor
surface (p. 11).
Since the HPi-7’s piano sounds faithfully
reproduce the sense of spaciousness and
reverberation of an actual acoustic piano’s
sound, a certain amount of reverberation is still
perceptible, even with the reverb effect
deactivated.
On an acoustic piano, notes in the upper one
and a half octaves of the keyboard continue to
sound until they decay naturally, regardless of
the damper pedal. There is a difference in the
timbre as well. Roland pianos faithfully
reverberation added. Since this
reverberation becomes particularly
audible when supplemented by heavy
reverb, you may be able to diminish the
problem by reducing the amount of reverb
applied to the sound.
A High-pitched
whine is
produced
disappeared.
Lyrics are not
indicated
properly in the
display.
When listening through speakers:
Here, a different cause (such as resonance
produced by the HPi-7) would be suspect.
Consult your Roland dealer or nearest
Roland Service Center.
When listening through speakers:
Playing at loud volumes may cause
instruments near the HPi-7 to resonate.
Resonation can also occur with fluorescent
light tubes, glass doors, and other objects.
In particular, this problem occurs more
easily when the bass component is
increased, and when the sound is played at
higher volumes. Use the following
measures to suppress such resonance.
• Place speakers so they are 10–15 cm
from walls and other surfaces.
Notation is not
indicated
properly in the
display.
The bass range
sounds odd, or
there is a
resonance
Song becomes
unstable
• Reduce the volume.
• Move the speakers away from any
resonating objects.
Depressing a
pedal has no
effect, or the
pedal effect
doesn’t stop.
When listening through headphones:
Here, a different cause (such as resonance
produced by the HPi-7) would be suspect.
Consult your Roland dealer or nearest
Roland Service Center.
The volume
level of the
instrument
connected to
Input jacks is
too low.
Could you be using a connection cable that
contains a resistor?
Use a connection cable that does not contain a
resistor.
The pedal
rattles
Reverberation
still audible
even with
Reverb turned
off
Has the song name data (Sequence/Track
Name Meta Event) been entered in the file?
Song titles are not displayed if the song name
data is blank or consists exclusively of spaces.
Is the file name no more than eight single-byte
characters?
Have any double-byte characters (such as
Japanese Hiragana or Kanji characters) been
used in the file name? This instrument does not
display double-byte characters. For characters
that can be used with this instrument, refer to
p. 43.
Titles of songs
on floppy disk
not being
In the upper
range, the
sound changes
abruptlybeyond simulate such characteristics of the acoustic
a certain key
displayed
piano. On the HPi-7, the range that is
unaffected by the damper pedal will change
depending on the Key Transpose setting.
Is "MID" used as the extension? The song
cannot be treated as song data if a different
extension is used.
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If this Message Appears on Screen
Indication
Meaning
Indication
Meaning
When a song with a pickup (a song
that does not start on the first beat)
is played back, the measure
numbers will be indicated in the
display as PU, 1, 2, and so forth.
Be sure you’re using Roland SMF
Music Files or other music files
compatible with Roland digital
pianos (p. 77).
15:
PU
Can’t read this data.
The HPi-7 cannot read the floppy
disk quickly enough. Press the
To protect the copyright, this
music file cannot be saved as an
SMF.
Also, the music file can not be
saved. If you want to save it,
please save on the same floppy
disk.
16:
[
(Play/Stop)] button, then
press the [ (Reset)] button and
00:
Playback is aborted.
This data cannot be saved
in SMF format. You cannot
save on this floppy.
[
play the song.
displayed. If it cannot be made to
appear either on the HPi-7’s
display or the external display,
you will need to prepare image
data that can be used with the HPi-
7 (p. 57).
You can only read the music file. It
can not be saved on a floppy disk
or user memory.
17:
01:
The selected image data
cannot be displayed.
You cannot save this data.
The protect tab on the floppy disk
is set to the Protect position (p. 6).
Change it to the Write position.
Repeat the procedure.
02:
Write protected.
30:
Save the song on a floppy disk (p.
42) to delete the song data stored
on the HPi-7 memory.
Can’t do this function.
Memory full.
This floppy disk cannot store the
format or save any data.
Insert a different disk and repeat
the procedure.
03:
The HPi-7 cannot deal with the
excessive MIDI data sent from the
external MIDI device. Reduce the
amount of MIDI data sent to the
HPi-7.
This is a master disk.
40:
Buffer full.
The data cannot be saved onto this
floppy disk because the format is
different. Use the floppy disk in
the same format.
04:
Can’t save to this disk.
A MIDI cable has been
disconnected. Connect it properly
and securely.
41:
MIDI cable disconnected.
A new song cannot be written on
this song. Select a different song
number or use a different floppy
disk, and repeat the procedure.
05:
You can’t overwrite this
file.
An excessive amount of
42:
performance data has been sent to
HPi-7 in one time and therefore
could not be recorded.
Can’t record.
No floppy disk is connected to the
disk drive. Insert the disk
correctly, and repeat the
procedure.
10:
There is something wrong with
the system. Repeat the procedure
from the beginning. If it is not
solved after you have tried several
times, contact the Roland service
center.
No disk.
51:
There is not sufficient space left on
the floppy disk or User memory
for the data to be saved.
Memory error.
11:
delete files on user memory, and
repeat the procedure.
Disk or memory full.
The floppy disk inserted into the
disk drive can’t be read. Be sure
you’re using Roland SMF Music
Files or other music files
compatible with Roland digital
pianos (p. 77). Also, if you want to
save your work on floppy disk,
you need to format the floppy disk
first (p. 41).
12:
Disk is not formatted.
The floppy disk was removed
from the disk drive while reading
or writing was in progress. Insert
the floppy disk and repeat the
procedure.
13:
Disk ejected while it was
being accessed.
14:
This floppy disk is damaged and
cannot be used. Insert a different
disk and repeat the procedure.
Corrupt sector found on
disk or in memory.
66
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Tone List
Balafon
St. Harp
Boys Choir
Glasswaves
Holy Voices
Glittery Pad
HollowReleas
Voice Oohs
Dat Accent
Bap Accent
Dat & Bap
Thum Voice
Pop Voice
Piano
Others
Hard E.Piano
Mild E.Grand
Hard Clav.
Soft Clav.
Reso Clav.
Phase Clav.
Analog Clav.
Pop Vibe.
Velo Strings
Legato Str
PizzicatoStr
SlowStrings2
Bell Strings
OrchestraHit
Warm JP Str
Slow Violin
Contrabass
Timpani
DecayStrings
Syn.Strings1
Syn.Strings2
Strings 2
OB Strings
Decay Str2
Euro Hit
6th Hit
Bass Hit
Soprano Sax
Flute
Trumpet
MutedTrumpet
AltoSax + Tp
Oboe
NaturalGrand **
NaturalMello **
Natural Hps. **
Grand Piano1
MellowPiano1
Harpsichord2
Natural Gnd2 **
MellowPiano2
NaturalC.Hps **
Grand Piano2
DetunedPiano
PianoStrings
Piano Choir
Honky-tonk
Ballad Piano
Piano Str2
Honky-tonk 2
Rock Piano
Bright Piano
UprightPiano
Mono Piano
Bell Piano
Air Grand
Piano 1
Piano 2
Piano 3
Nylon Guitar
Steel Guitar
Jazz Guitar
Acoustic Bs.
A.Bass+Cymbl
12str Guitar
DR POP
DR ROCK
Pop Celesta
Tubular-bell
Santur
DR JAZZBRUSH
DR STANDARD
SOUND EFFECT
Nylon+Steel
Nylon Gt.o
Hawaiian Gt.
Banjo
JC E.Guitar
Muted Gt.
DistortionGt
Steel Vox
Rock Rhythm
Rock Rhythm2
Overdrive Gt
Power Guitar
Power Gt.2
Muted Dis.Gt
Wood Bass
W.Bass+Ride
Fingered Bs.
Picked Bs.
Fretless Bs.
Slap Bass
Muted Gt.2
Mellow Gt.
5th Dist.
Feedback Gt2
Synth Bass 1
Synth Bass 2
SynthBass101
Jungle Bass
Modular Bass
WireStr Bass
ResoSH Bass
SH101 Bass
Mute PickBs.
Mr.Smooth
Open Hard
Dazed Guitar
Acid Guitar
Ukulele
Org Bells
Kalimba
Doos Voice
Mellow Choir
Choir Oohs
Choir Aahs
Decay Choir
Decay Pad
Warm SquPad
New Age Pad
LM PureLead
LM Square
Natural Lead
2600 SubOsc
SquareWave2
Fantasia
Organ
ChurchOrgan1
Nason flt 8'
Rotary Organ
Mellow Bars
ChurchOrgan2
Jazz Organ1
Full Organ 1
Lower Organ1
Theater Org.
Bandoneon
Organ Flute
Pipe Organ 1
Pipe Organ 2
Jazz Organ2
Full Organ 2
Full Organ 3
Lower Organ2
Rock Organ1
Harmonica
Pop Organ
Clarinet
Crystal
Harpvox
CC Solo
TromboneSoft
Soft Brass
GS Tuba
Power Brass
St. Brass ff
English Horn
BrassSection
Blow Sax
Bright Brass
Brass ff
EX Trumpet
Grow Sax
Alto Sax
Tenor Sax
GS Bari Sax
Fr.Horn Solo
Synth Brass3
Trombone 2
Piccolo
E.Piano
Brightness
Syn.Square
JP8 Square
FM Lead 1
FM Lead 2
Mg Lead
Dual Sqr&Saw
P5 Saw Lead
Rhythmic Saw
Waspy Synth
JP8 Pulse
Cheese Saw
SynVox
Clear Bells
Soft Crystal
Digi Bells
Pop E.Piano
Stage EP
Vibraphone
Morning Lite
70's E.Piano
Vibe Tr.
E.Piano 1
E.Piano 2
Marimba
60's EP2
Accordion
BrightAccord
Trem.Flute
Jazz Organ3
Jazz Organ4
Full Organ 4
Rotary Org.S
Rotary Org.F
Rock Organ2
Organ Bass
Metalic Org.
VS Organ
Clav.
Marimba Tr.
Steel Drums
Tremolo EP
Soft E.Piano
60's E.Piano
Vibra Bells
Celesta
Nylon Harp
Nylon + EP
Fantasia 2
Soft Pad
P5 Poly
Pan Flute
GS Pan Flute
Blow Pipe
Bottle Blow
Bassoon
Organ 1
Organ 2
Digi Church
Xylophone
E. Grand
Jazzy Vib+Gt
MIDI Piano1
MIDI Piano2
FM+SA EP
St.FM EP
Hard FM EP
Soft Marimba
EG+E.Piano 1
EG+E.Piano 2
Hard EP2
Reso Saw
Koto
Shamisen
Recorder
RAVE Vox
Fat & Perky
Heaven II
JP8 Sqr Pad
Sweep Pad 2
Big Panner
Ai-yai-a
Echo Pan 2
Falling Down
Poly King
Warm Pad
RandomEnding
Strings
French Horn
Synth Brass1
Synth Brass2
Oct SynBrass
Shakuhachi
Brass 1
Mellow Str
Bright Str
Strings
Slow Strings
Choir Str
Harp Strings
Violin
DR ROOM
DR POWER
DR ELECTRO
DR TR-808
DR DANCE
DR JAZZ
DR BRUSH
DR ORCHESTRA
DR GS STAND
DR GS ROOM
DR GS BRUSH
Piano 1
Brass 2
Ocarina
Cello
Glockenspiel
E.Piano 3
Mild E.Piano
Music Box
Warm Strings
Orchestra
Orchestra 2
Oct Strings
Voice
Jazz Scat
Rich Choir
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Tone List
Piano 1w
Piano 1d
Piano 2
Piano 2w
Piano 3
Piano 3w
GS Honkytonk
Honky-tonk 2
GS E.Piano1
GS E.Piano2
60's E.Piano
E.Piano 1v
E.Piano 2v
Detuned EP 1
Detuned EP 2
GS Harpsi.
Coupled Hps.
Harpsi.w
Feedback Gt.
Gt.Harmonics
Gt. Feedback
GS Ac.Bass
GS Fing.Bass
GS Picked Bs
Fretless Bs.
Slap Bass
Slap Bass 2
SynthBass101
Synth Bass 1
Synth Bass 2
Synth Bass 3
Synth Bass 4
Rubber Bass
GS Violin
Slow Violin
Viola
GS Cello
Contrabass
GS Trem.Str
PizzicatoStr
GS Harp
Whistle
Ocarina
Wind
Stream
Bubble
Bird
Dog
Horse-Gallop
Bird 2
Telephone 1
Telephone 2
DoorCreaking
Door
OverdriveGt*
Dist.Guitar*
Gt.Harmo*
Acoustic Bs*
Fingered Bs*
Picked Bs.*
Fretless Bs*
Slap Bass 1*
Slap Bass 2*
Synth Bass1*
Synth Bass2*
Rubber Bass*
Violin*
Viola*
Cello*
Contrabass*
Tremolo Str*
Pizzicato*
Harp*
Timpani*
Strings*
SlowStrings*
Syn.Str 1*
Syn.Str 2*
Choir Aahs*
Pop Voice*
SynVox*
Orche.Hit*
Trumpet*
Trombone*
Tuba*
M.Trumpet*
FrenchHorns*
Brass 1*
Square Wave
Square
Sine Wave
Saw Wave
Saw
Doctor Solo
Syn.Calliope
Chiffer Lead
Charang
Solo Vox
Scratch
5th Saw Wave
Bass & Lead
Fantasia
Windchime
Helicopter
Car-Engine
Car-Stop
Car-Pass
Car-Crash
Siren
Train
Jetplane
Starship
Burst Noise
Applause
Laughing
Screaming
Punch
Heart Beat
Footsteps
Gun Shot
Machine Gun
Lasergun
Explosion
Piano 1*
Warm Pad
Polysynth
Space Voice
Bowed Glass
Metal Pad
Halo Pad
Sweep Pad
Ice Rain
Soundtrack
Crystal
Syn Mallet
Atmosphere
Brightness
Goblin
Harpsi.o
Soft Clav.
Celesta
GS Glocken
GS Music Box
Vibraphone
Vibe.w
GS Marimba
Marimba
Xylophone
Tubular-bell
Church Bell
Carillon
Timpani
GS Strings
Orchestra
GS Sl.Str
Syn.Strings1
Syn.Strings2
Syn.Strings3
Choir Aahs
Choir
Echo Drops
Echo Bell
Echo Pan
Star Theme
Sitar
GS Santur
Organ 1
Organ 2
Pop Voice
SynVox
Pop Organ 1
Detuned Or.1
Detuned Or.2
GS ChurchOr1
GS ChurchOr2
Church Org.3
Full Organ 4
Jazz Organ1
Rock Organ2
Reed Organ
Accordion Fr
Accordion It
GS Harmonica
Bandoneon
GS Nylon Gt.
Nylon Guitar
Nylon Gt.o
Ukulele
Steel-str.Gt
12-str.Gt
GS Mandolin
Jazz Guitar
GS Hawaiian
Clean Gt.
Chorus Gt.
Muted Gt.
Funk Gt.
OrchestraHit
GS Trumpet
GS Trombone
Trombone 2
GS Tuba
MutedTrumpet
French Horn
Fr.Horn 2
Sitar 2
Banjo
GS Shamisen
Koto
Taisho Koto
Kalimba
Bagpipe
Fiddle
Shanai
Tinkle Bell
Agogo
Steel Drums
Woodblock
Castanets
Taiko
Concert BD
Melo. Tom 1
Melo. Tom 2
Synth Drum
808 Tom
Elec Perc.
Reverse Cym.
Gt.FretNoise
Gt.Cut Noise
String Slap
Breath Noise
Fl.Key Click
Seashore
Piano 2*
Piano 3*
SynthBrass1*
SynthBrass2*
A.Brass 1*
Soprano Sax*
Alto Sax*
Tenor Sax*
BaritoneSax*
Oboe*
EnglishHorn*
Bassoon*
Clarinet*
Piccolo*
Flute*
Honky-tonk*
E.Piano 1*
E.Piano 2*
Harpsichord*
Clav.*
Celesta*
Brass 1
Brass 2
Glocken*
Music Box*
Vibraphone*
Marimba*
Xylophone*
Tubularbell*
Santur*
Synth Brass1
Synth Brass2
Synth Brass3
Synth Brass4
AnalogBrass1
AnalogBrass2
GS Sop.Sax
Alto Sax
Tenor Sax
GS Bari Sax
GS Oboe
GS Eng.Horn
Bassoon
Clarinet
Piccolo
GS Flute
Recorder
GS Pan Flute
GS BottleBlw
Shakuhachi
Recorder*
Pan Flute*
Bottle Blow*
Shakuhachi*
Whistle*
Organ 1*
Organ 2*
Pop Organ 1*
Rock Organ2*
ChurchOrg.1*
Reed Organ*
AccordionFr*
Harmonica*
Bandoneon*
Nylon-strGt*
Steel-strGt*
Jazz Guitar*
Clean Gt.*
Muted Gt.*
Funk Gt.*
Ocarina*
Square Wave*
Saw Wave*
Doctor Solo*
SynCalliope*
ChifferLead*
Charang*
Solo Vox*
5th SawWave*
Bass & Lead*
Fantasia*
Funk Gt.2
Overdrive Gt
GS Dist.Gt
Rain
Thunder
Warm Pad*
68
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Tone List
Polysynth*
Space Voice*
Bowed Glass*
Metal Pad*
Halo Pad*
Sweep Pad*
Ice Rain*
SFX Set
*
*
-----: No sound.
[EXC]: will not sound simultaneously with other percussion
instruments of the same number.
SOUND EFFECT
21
23
24
26
28
29
31
33
35
36
38
40
41
43
45
47
-----
-----
-----
-----
-----
-----
-----
-----
-----
-----
-----
-----
-----
-----
-----
-----
Soundtrack*
Crystal*
Syn Mallet*
Atmosphere*
Brightness*
Goblin*
Echo Drops*
Star Theme*
Sitar*
Banjo*
Shamisen*
Koto*
Kalimba*
Bagpipe*
22
25
27
30
32
34
C2
-----
-----
High Q
Slap
Scratch Push [EXC7]
Scratch Pull
Sticks
37
39
Fiddle*
Shanai*
[EXC7]
42
44
46
Square Click
Tinkle Bell*
Agogo*
Steel Drums*
Woodblock*
Taiko*
Melo.Tom 1*
Synth Drum*
ReverseCym.*
Fret Noise*
BreathNoise*
Seashore*
Bird*
Telephone 1*
Helicopter*
Applause*
Gun Shot*
Metronome Click
Metronome Bell
Guitar sliding Finger
Guitar cutting noise (up)
Guitar cutting noise (down)
String slap of double bass
Fl.Key Click
Laughing
Screaming
Punch
Heart Beat
Footsteps1
Footsteps2
Applause
Door Creaking
Door
C3 48
50
49
51
52
53
54
56
58
55
57
59
C4 60
62
Scratch
61
63
Wind Chimes
Car-Engine
Car-Stop
Car-Pass
Car-Crash
Siren
Train
Jetplane
Helicopter
Starship
Gun Shot
Machine Gun
Lasergun
Explosion
Dog
Horse-Gallop
Birds
Rain
Thunder
Wind
Seashore
Stream
64
65
66
68
70
67
69
71
*
*
Tone with a “*” symbol appended to their name may not play
C5 72
74
back satisfactorily on other GS sound generating devices.
73
75
Tone with a “**” symbol appended to their name may produce
the Key Off sound (reproduces the tonal change produced when
the fingers are released from the keys).
76
77
78
80
82
79
81
83
Bubble
Cat
Bird
C6 84
86
85
87
BabyLaughing
Boeeeen
Glass & Glam
Ice Ring
Crack Bottle
Pour Bottle
Car Horn
R.Crossing
SL 1
88
89
90
92
94
91
93
95
SL 2
Seal
Fancy Animal
Elephant
96
98
C7
97
99
100
101
Bike
-----
102
104
Applause
-----
-----
103
105
-----
69
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Drum Set List
*
*
-----: No sound.
[EXC]: will not sound simultaneously with other percussion instruments of the same number.
DR POP
DR ROCK
DR JAZZBRUSH
21
23
24
26
28
29
31
33
35
36
38
40
41
43
45
47
R&B Snare
R&B Snare
R&B Snare
22
Rock Snare
Rock Snare
Pop Snare m
Pop Snare Ghost
Pop Snare m
Finger Snap
707 Claps
Hand Clap
Hand Clap2
Hand Clap
Pop Pedal HH
Gospel Hand Clap
Snare Roll
Pop Kick
Pop Kick
Pop Side Stick
Pop Sanre s
Pop Snare Ghost
Pop Snare s
Pop Low Tom f
Pop CHH 1
Pop Low Tom
Pop CHH 2
Pop Mid Tom f
Pop OHH
Pop Snare m
Pop Snare m
Pop Snare m
Pop Snare Ghost
Pop Snare m
Finger Snap
707 Claps
Hand Clap
Hand Clap2
Hand Clap
Pop Pedal HH
Gospel Hand Clap
Snare Roll
Rock Kick
Rock Kick
Rock Side Stick
Rock Sanre s
Rock Snare Ghost
Rock Snare s
Rock Low Tom f
Rock CHH 1
Rock Low Tom
Rock CHH 2
Rock Mid Tom f
Rock OHH
Rock Mid Tom
Rock High Tom f
Rock Crash Cymbal
Rock High Tom
Rock Ride Cymbal 1
Pop Chinees Cymbal
Pop Ride Bell
Tambourine 2
Splash Cymbal
Cha Cha Cowbell
Chinees Cymbal
Vibra-slap 2
Pop Ride Cymbal 3
High Bongo 2
Low Bongo 2
Mute Conga
High Conga 2
Low Conga 2
High Timbale 2
Low Timbale 2
High Agogo
Pop Snare m
Pop Snare m
Pop Snare m
Pop Snare Ghost
Pop Snare m
Finger Snap
707 Claps
Hand Clap
Hand Clap2
Hand Clap
Pop Pedal HH
Gospel Hand Clap
Snare Roll
Pop Kick
Pop Kick
Jazz Snare Swing
Jazz Sanre
Pop Snare Swing
Jazz Sanre
Jazz Low Tom f
Pop CHH 1
Jazz Low Tom
Pop CHH 2
Jazz Mid Tom f
Pop OHH
Jazz Mid Tom
Jazz High Tom f
Jazz Crash Cymbal 1
Jazz High Tom
Jazz Ride Cymbal 1
Jazz Chinees Cymbal
Jazz Ride Cymbal 2
Tambourine 2
Splash Cymbal
Cha Cha Cowbell
Jazz Crash Cymbal 2
Vibra-slap 2
Pop Ride Cymbal 2
High Bongo 2
Low Bongo 2
Mute Conga
High Conga 2
25
27
[EXC7]
[EXC7]
[EXC7]
[EXC7]
[EXC7]
[EXC7]
30
32
34
[EXC1]
[EXC1]
[EXC1]
C2
37
39
42
44
46
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
Pop Mid Tom
Pop High Tom f
C3 48
50
49
51
Pop Crash Cymbal 1
Pop High Tom
Pop Ride Cymbal 1
Pop Chinees Cymbal
Pop Ride Bell
Tambourine 2
Splash Cymbal
Cha Cha Cowbell
Pop Crash Cymbal 2
Vibra-slap 2
Pop Ride Cymbal 2
High Bongo 2
Low Bongo 2
Mute Conga
High Conga 2
Low Conga 2
52
53
54
56
58
55
57
59
C4 60
62
61
63
64
Low Conga 2
High Timbale 2
Low Timbale 2
High Agogo
Low Agogo
Shaker 3
High Timbale 2
Low Timbale 2
High Agogo
Low Agogo
Shaker 3
65
66
68
70
67
Low Agogo
Shaker 3
Shaker 4
Short Hi Whistle
69
Shaker 4
Short Hi Whistle
Shaker 4
Short Hi Whistle
71
[EXC2]
[EXC2]
[EXC2]
Long Low Whistle [EXC2]
Long Low Whistle [EXC2]
Long Low Whistle [EXC2]
C5 72
74
73
75
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
76
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
77
78
80
82
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
79
81
83
Jingle Bell
Bell Tree
Castanets
Jingle Bell
Bell Tree
Castanets
Jingle Bell
Bell Tree
Castanets
C6 84
86
85
87
Mute Surdo
Open Surdo
Cana
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
Cana
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
Cana
[EXC6]
[EXC6]
88
Falamenco Hi-Timbale
Falamenco Lo-Timbale
Falamenco Tmbl Flam
Shekere 1
Falamenco Hi-Timbale
Falamenco Lo-Timbale
Falamenco Tmbl Flam
Shekere 1
Falamenco Hi-Timbale
Falamenco Lo-Timbale
Falamenco Tmbl Flam
Shekere 1
89
90
92
94
91
93
Shekere 2
Shekere 2
Shekere 2
Low Bongo Mute
High Bongo Mute
-----
-----
-----
Low Bongo Mute
High Bongo Mute
-----
-----
-----
Low Bongo Mute
High Bongo Mute
-----
-----
-----
95
96
98
C7
97
99
-----
-----
-----
100
101
Falamenco HC
Falamenco HC
Bongo Cowbell
-----
Bongo Cowbell
-----
Falamenco HC
Falamenco HC
Bongo Cowbell
-----
Bongo Cowbell
-----
Falamenco HC
Falamenco HC
Bongo Cowbell
-----
Bongo Cowbell
-----
102
104
103
105
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Drum Set List
*
*
-----: No sound.
[EXC]: will not sound simultaneously with other percussion instruments of the same number.
DR STANDARD
DR ROOM
DR POWER
DR ELECTORONIC
21
23
24
26
28
29
31
33
35
36
38
40
41
43
45
47
-----
-----
-----
Bar Chime
Snare Roll
Finger Snap
High Q
-----
-----
-----
Bar Chime
Snare Roll
Finger Snap
High Q
-----
-----
-----
Bar Chime
Snare Roll
Finger Snap
High Q
-----
-----
-----
Bar Chime
Snare Roll
Finger Snap
High Q
22
25
27
Slap
Slap
Slap
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Std Kick 2’
Kick 1
Side Stick
Std Snr 1
Hand Clap
Std Snr 2
Low Tom 2
Closed Hi-hat 1’
Low Tom 1
Pedal Hi-hat 1’
Mid Tom 2
Open Hi-hat 1’
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Kick1
Room Kick
Side Stick
Room Snr 1
Hand Clap
Std Snr 1
Room Low Tom 2’
Closed Hi-hat 1’
Room Low Tom 1’
Pedal Hi-hat 1’
Room Mid Tom 2’
Open Hi-hat 1’
Room Mid Tom 1’
Room Hi Tom 2’
Crash Cymbal 1
Room Hi Tom 1’
Ride Cymbal 1
Chinese Cymbal
Ride Bell
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Std Kick 2
MONDO Kick
Side Stick
Gated SD
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Std Kick 2
Elec BD
Side Stick
Elec SD
Hand Clap
[EXC7]
[EXC7]
30
32
34
C2
37
39
Hand Clap
Snare Drum 2
Room Low Tom 2
Closed Hi-hat 1
Room Low Tom 1
Pedal Hi-hat 1
Room Mid Tom 2
Open Hi-hat 1
Room Mid Tom 1
Room Hi Tom 2
Crash Cymbal 1
Room Hi Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Gated SD
Elec Low Tom 2
Closed Hi-hat 1
Elec Low Tom 1
Pedal Hi-hat 1
Elec Mid Tom 2
Open Hi-hat 1
Elec Mid Tom 1
Elec Hi Tom 2
Crash Cymbal 1
Elec Hi Tom 1
Ride Cymbal 1
Reverse Cymbal
Ride Bell
42
44
46
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
C3 48
50
49
51
52
53
54
56
58
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
55
57
59
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
C4 60
62
61
63
64
65
66
68
70
67
69
Maracas
Short Hi Whistle
Maracas
Short Hi Whistle
Maracas
Short Hi Whistle
Maracas
Short Hi Whistle
71
[EXC2]
[EXC2]
[EXC2]
[EXC2]
Long Low Whistle [EXC2]
Long Low Whistle [EXC2]
Long Low Whistle [EXC2]
Long Low Whistle [EXC2]
C5 72
74
73
75
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
76
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
77
78
80
82
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
79
81
83
Jingle Bell
Bell Tree
Castanets
Jingle Bell
Bell Tree
Castanets
Jingle Bell
Bell Tree
Castanets
Jingle Bell
Bell Tree
Castanets
C6 84
86
85
87
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
88
71
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Drum Set List
*
*
-----: No sound.
[EXC]: will not sound simultaneously with other percussion instruments of the same number.
DR JAZZ
DR GS STAND
DR TR-808
DR DANCE
DR BRUSH
21
23
24
26
28
29
31
33
35
36
38
40
41
43
45
47
-----
-----
-----
Bar Chime
Snare Roll
Finger Snap
High Q
-----
-----
-----
Bar Chime
Snare Roll
Finger Snap
High Q
-----
-----
-----
Bar Chime
Snare Roll
Finger Snap
High Q
-----
-----
-----
Bar Chime
Snare Roll
Finger Snap
High Q
22
25
27
Slap
Slap
Slap
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Std Kick 2
808 Bass Drum 1
808 Rim Shot
808 Snare Drum
Hand Clap
Snare Drum 2
808 Low Tom 2
808 CHH
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Dance Snr 1
Square Click
Metronome Click
Metronome Bell
Kick 1
808 Bass Drum 2
808 Rim Shot
TR-909 Snr
Hand Clap
Dance Snr 2
808 Low Tom 2
808 CHH [EXC1]
808 Low Tom 1
808 CHH [EXC1]
808 Mid Tom 2
808 OHH [EXC1]
808 Mid Tom 1
808 Hi Tom 2
808 Cymbal
808 Hi Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
808 Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo
Low Bongo
808 High Conga
808 Mid Conga
808 Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Std Kick 2
Std Kick 1
Side Stick
Snare Drum 1
Hand Clap
Snare Drum 2
Low Tom 2
Closed Hi-hat 1
Low Tom 1
Pedal Hi-hat 1
Mid Tom 2
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Kick 2
Kick 1
Side Stick
Brush Tap
[EXC7]
[EXC7]
30
32
34
C2
37
39
Brush Slap
Brush Swirl
Brush Low Tom 2
Closed Hi-hat 2
Brush Low Tom 1
Pedal Hi-hat 2
Brush Mid Tom 2
Open Hi-hat 2
Brush Mid Tom 1
Brush Hi Tom 2
Crash Cymbal 1
Brush Hi Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
42
44
46
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
808 Low Tom 1
808 CHH
808 Mid Tom 2
808 OHH [EXC1]
808 Mid Tom 1
808 Hi Tom 2
808 Cymbal
808 Hi Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
808 Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo
Low Bongo
808 High Conga
808 Mid Conga
808 Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Open Hi-hat 1
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
C3 48
50
49
51
52
53
54
56
58
55
57
Crash Cymbal 2
Vibra-slap
59
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
C4 60
62
61
63
64
65
66
68
70
67
69
Cabasa
808 Maracas
Short Hi Whistle
808 Maracas
Short Hi Whistle
Maracas
Short Hi Whistle
Maracas
Short Hi Whistle
71
[EXC2]
[EXC2]
[EXC2]
[EXC2]
Long Low Whistle [EXC2]
Long Low Whistle [EXC2]
Long Low Whistle [EXC2]
Long Low Whistle [EXC2]
C5 72
74
73
75
Short Guiro
Long Guiro
808 Claves
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
[EXC3]
[EXC3]
Short Guiro
Long Guiro
808 Claves
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
76
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
77
78
80
82
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
79
81
83
Jingle Bell
Bell Tree
Castanets
Jingle Bell
Bell Tree
Castanets
Jingle Bell
Bell Tree
Castanets
Jingle Bell
Bell Tree
Castanets
C6 84
86
85
87
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
88
72
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Drum Set List
*
*
-----: No sound.
[EXC]: will not sound simultaneously with other percussion instruments of the same number.
DR ORCHESTRA
DR GS ROOM
DR GS BRUSH
21
23
24
26
28
29
31
33
35
36
38
40
41
43
45
47
-----
-----
-----
-----
-----
-----
Bar Chime
Snare Roll
Finger Snap
High Q
-----
-----
-----
Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Std Kick 2
22
Bar Chime
Snare Roll
Finger Snap
Close Hi-hat
Pedal Hi-hat
Open Hi-hat
Ride Cymbal
Sticks
Square Click
Metronome Click
Metronome Bell
Concert BD 2
Concert BD 1
Side Stick
Concert SD
Castanets
Concert SD
Timpani F
Timpani F#
Timpani G
Timpani G#
Timpani A
25
27
[EXC1]
[EXC1]
[EXC1]
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Std Kick 2
Std Kick 1
Side Stick
Snare Drum 1
Hand Clap
Snare Drum 2
Room Low Tom 2
Closed Hi-hat 1
Room Low Tom 1
Pedal Hi-hat 1
Room Mid Tom 2
Open Hi-hat 1
Room Mid Tom 1
Room Hi Tom 2
Crash Cymbal 1
Room Hi Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
[EXC7]
[EXC7]
[EXC7]
[EXC7]
30
32
34
Std Kick 1
Side Stick
Brush Tap
C2
37
39
Brush Slap
Brush Swirl
Low Tom 2
Closed Hi-hat 1
Low Tom 1
Pedal Hi-hat 1
Mid Tom 2
Open Hi-hat 1
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
42
44
46
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
Timpani A#
Timpani B
Timpani c
Timpani c#
Timpani d
Timpani d#
Timpani e
C3 48
50
49
51
52
Timpani f
53
54
56
58
Tambourine
Splash Cymbal
Cowbell
Concert Cymbal 2
Vibra-slap
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
55
57
59
Concert Cymbal 1
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
C4 60
62
61
63
64
65
66
68
70
67
69
Maracas
Short Hi Whistle
Maracas
Short Hi Whistle
Maracas
Short Hi Whistle
71
[EXC2]
[EXC2]
[EXC2]
Long Low Whistle [EXC2]
Long Low Whistle [EXC2]
Long Low Whistle [EXC2]
C5 72
74
73
75
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
[EXC3]
[EXC3]
76
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
77
78
80
82
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
79
81
83
Jingle Bell
Bell Tree
Castanets
Jingle Bell
Bell Tree
Castanets
Jingle Bell
Bell Tree
Castanets
C6 84
86
85
87
Mute Surdo
Open Surdo
Applause
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
88
73
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Chord List
● symbol: Indicates the constituent note of chords.
★ symbol: Chord shown with an “★”can be played by pressing just the key marked with the “★.”
C
C#
D
E
E
E
E
E
E
E
F
Cmaj7
C7
C#maj7
C#7
Dmaj7
D7
maj7
7
Emaj7
E7
Fmaj7
F7
Cm
C#m
Dm
m
Em
Fm
Cm7
Cdim
C#m7
C#dim
Dm7
Ddim
m7
dim
Em7
Edim
Fm7
Fdim
F#
G
A
A
B
B
F#maj7
F#7
Gmaj7
G7
A
A
A
A
A
maj7
Amaj7
A7
B
B
B
B
B
maj7
Bmaj7
B7
7
7
F#m
Gm
m
Am
m
Bm
F#m7
F#dim
Gm7
Gdim
m7
dim
Am7
Adim
m7
dim
Bm7
Bdim
74
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Internal Song List
981a
• All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable
laws.
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
Czerny 100-20
Czerny 100-30
Czerny 100-38
Czerny 100-43
Czerny 100-60
Czerny 100-75
Czerny 100-86
Czerny 100-96
Old MacDonald Had A Farm
Puppy’s March
Twinkle Twinkle, Little Star
Frog Song
Little Fox
Jingle Bells
Lightly Row
The Cuckoo
Mary Had A Little Lamb
London Bridge
Joy To The World
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
Brautchor
Battle of Waterloo
Wiener Marsch
Le Coucou
Menuett G dur (Bach)
Spinnerlied
Gavotte
Heidenroslein
Zigeuner Tanz
La Cinquantaine
Csikos Post
Dolly’s Dreaming Awakening
La Violette
Frohlicher Landmann
Sonatine op.36-1 (Clementi)
Sonatine op.20-1 (Kuhlau)
Sonatine No.5 (Beethoven)
Practice
Openness
Arabesque
Pastoral
A Small Gathering
Innocence
1
2
3
4
5
6
7
8
Progress
The Clear Stream
Gracefulness
The Hunt
Tender Flower
The Young Shepherdess
Farewell
Consolation
Austrian Dance
Ballad
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
Sighing
The Chatterbox
Restlessness
Ave Maria
Tarantella
Popular
Canon (Pachelbel)
Ombra maifu
Les patineurs, Valse
Brindisi
Die Lorelei
Entertainer
Annie Laurie
O’sole Mio
Grandfather’s Clock
Ave Maria
Greensleeves
Hallelujah!
Stagecoach
Little Brown Jug
Amazing Grace
Londonderry Air
Silent Night, Holy Night
When The Saints Go Marchin’ In
Preludelight *
Blue Sky Rag *
Late Night Chopin *
Sun Daze *
1
2
3
4
5
6
7
8
Masterpices
Sonate fur Klavier No. 15
Liebestraume III
Etude, op.10-3
Je te veux
1
2
3
4
5
6
7
8
Angelic Harmony
Gondola Song
The Return
The Swallow
The Knight Errant
Invention 1
Invention 2
Invention 3
Invention 4
Invention 5
Invention 6
Invention 7
Invention 8
Invention 9
Invention 10
Invention 11
Invention 12
Invention 13
Invention 14
Invention 15
Beyer 15
Beyer 21
Beyer 25
Beyer 29
Beyer 34
Beyer 38
Beyer 42
Beyer 46
Beyer 51
Beyer 55
Beyer 60
Beyer 64
Beyer 67
Beyer 73
Beyer 78
Beyer 81
Beyer 90
Valse, op.64-1
Golliwog’s Cake walk
Fantaisie-Impromptu
Alabesque 1
An der schonen, blauen Donau
Auf Flugeln des Gesanges
Mazurka No.5
1ere Gymnopedie
Etude, op.25-1
Clair de Lune
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
Etude, op.10-5
Doctor Gradus ad Parnassum
Grande Valse Brillante
La priere d’une Vierge
Course en Troika
To The Spring
Valse, op.64-2
Radetzky Marsch
Traumerei
Moments Musicaux III
Prelude, op.28-15
The harmonious blacksmith
Ungarische Tanze V
Turkischer Marsch (Beethoven)
Nocturne No.2
Fruhlingslied
Praludium
Jagerlied
Menuet Antique
Fur Elise
Turkischer Marsch (Mozart)
Standchen
Humoreske
Blumenlied
Keepers Tale *
Secret Agent *
Kismet’s Salsa *
Roll Over Ludwig *
A Prelude To... *
Count On The Blues *
One Down And Easy *
Bach’s A Boppin’ *
From Matthew’s Passion *
Hungarian Rag *
Paganini Boogie *
Fly Free *
*
Song with a "*" symbol appended to
their name may not allow output of
their notations as image data in BMP
(bitmap) format.
Beyer 93
Beyer 98
Beyer 103
Czerny 100- 1
Czerny 100-10
Alpenglockchen
Menuett G dur (Beethoven)
Venezianisches Gondellied
Alpenabendrote
Farewell to the Piano
75
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Pianist Style List
Songs for Visual Lesson
Beginner’s Course
Repertoire Course
Challenge Course
Mary Had A Little Lamb
Come Birds
The Cuckoo
Old MacDonald Had A Farm
London Bridge
Oh! Susanna
Sonata (Mozart)
Aura Lee
Traumerei
Trepak
Canon (Pachelbel)
I've Been Working On The Railroad
Silent Night, Holy Night
Clair De Lune
Hanon
Burgmuller
Beethoven
Chopin
Fast Play
Finger Technique
Chord
American Folk Song
Screen Music
Jazz
La Primavera
Grandfather's Clock
Eine Kleine Nachtmusik
Gymnopedie 1
Pathetique
Amazing Grace
Pianist Style List
Piano Pop
Jazz Club
EnglishWaltz
Kids Shuffle
’70s Dance
PianoClasic1
’70s Pop
Piano Night
Fast Waltz
MarchingBand
Slow 8-Beat
PianoClasic2
Ballad Pop
Piano Ballad
MidBossa Nova
PianoShuffle
Pop Rock
Piano Polka
Light Pops
’50s Ballad
Piano Latin
P.Swing Pop
P.Gospel
P.Concerto 1
P.Pop
P.Swing
P.Slow Waltz
P.Ragtime
P.Rock’nRoll
P.Concerto 2
P.Ballad
P.Stride
P.Bossa Nova
P.Shuffle
P.’50s Rock
76
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Music Files That the HPi-7 Can Use
What Are Music Files?
■ About the HPi-7 Sound
Music Files contain information describing the details of a
Generator
musical performance, such as “the C3 key on a keyboard was
The HPi-7 come equipped with GM 2/GS sound generators.
pressed for this amount of time, using this amount of force.”
By inserting the floppy disk into the disk drive on the HP, the
General MIDI
performance information is sent from the floppy disk to the
The General MIDI is a set of recommendations which seeks to
piano, and played faithfully by the piano. This is different
provide a way to go beyond the limitations of proprietary designs,
than a CD, since the music file does not contain a recording
and standardize the MIDI capabilities of sound generating devices.
of the sound itself. This makes it possible to erase certain
Sound generating devices and music files that meets the General
parts, or to change instruments, tempos and keys freely,
MIDI standard bears the General MIDI logo. Music files bearing the
allowing you to use it in many different ways.
General MIDI logo can be played back using any General MIDI
sound generating unit to produce essentially the same musical
performance.
Regarding Copyright
Use of the song data supplied with the Data Disk attached to
this product for any purpose other than private, personal
enjoyment without the permission of the copyright holder is
prohibited by law. Additionally, this data must not be
copied, nor used in a secondary copyrighted work without
the permission of the copyright holder.
General MIDI 2
The upwardly compatible General MIDI 2 recommendations pick up
where the original General MIDI left off, offering enhanced
expressive capabilities, and even greater compatibility. Issues that
were not covered by the original General MIDI recommendations,
such as how sounds are to be edited, and how effects should be
handled, have now been precisely defined. Moreover, the available
sounds have been expanded. General MIDI 2 compliant sound
generators are capable of reliably playing back music files that carry
either the General MIDI or General MIDI 2 logo.
■ The HPi-7 allows you to use
the following music files
● Floppy disks saved on a Roland MT Series, or Roland Piano
Digital HP-G/R/i and KR Series instrument
In some cases, the conventional form of General MIDI, which does
not include the new enhancements, is referred to as “General MIDI
1” as a way of distinguishing it from General MIDI 2.
● Roland Digital Piano Compatible Music Files
Roland’s original music file is made specifically for practicing the
piano. Some follow an instructional curriculum, allowing for a
complete range of lessons, such as “practicing each hand
separately” or “listening to only the accompaniment.”
GS Format
The GS Format is Roland’s set of specifications for standardizing the
performance of sound generating devices. In addition to including
support for everything defined by the General MIDI, the highly
compatible GS Format additionally offers an expanded number of
sounds, provides for the editing of sounds, and spells out many
details for a wide range of extra features, including effects such as
reverb and chorus. Designed with the future in mind, the GS Format
can readily include new sounds and support new hardware features
when they arrive. Since it is upwardly compatible with the General
MIDI, Roland’s GS Format is capable of reliably playing back GM
Scores equally as well as it performs GS music files (music files that
have been created with the GS Format in mind). This product
supports both the General MIDI 2 and the GS Format, and can be
used to play back music data carrying either of these logos.
● SMF Music Files (720KB/1.44MB format)
SMFs (Standard MIDI Files) use a standard format for music file
that was formulated so that files containing music file could be
widely compatible, regardless of the manufacturer of the
listening device. An enormous variety of music is available,
whether it be for listening, for practicing musical instruments, for
Karaoke, etc.
*
If you wish to purchase SMF Music Files, please consult the
retailer where you purchased your HPi-7.
SMF with Lyrics
“SMF with Lyrics” refers to SMF (Standard MIDI File) that
contains the lyrics. When Music Files carrying the “SMF with
Lyrics” logo are played back on a compatible device (one
bearing the same logo), the lyrics will appear in its display.
XG lite
XG is a tone generator format of YAMAHA Corporation, that
defines the ways in which voices are expanded or edited and the
structure and type of effects, in addition to the General MIDI 1
specification. XGlite is a simplified version of XG tone generation
format. You can play back any XG music files using an XGlite tone
generator. However, keep in mind that some music files may play
back differently compared to the original files, due to the reduced set
of control parameters and effects.
77
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MIDI Implementation Chart
DIGITAL PIANO
Date : April 1, 2004
Version : 1.00
Model HPi-7
MIDI Implementation Chart
Transmitted
Recognized
Remarks
Function...
Basic
Channel
Default
Changed
1
1–16
1–16
1–16
Default
Messages
Altered
Mode 3
x
Mode 3
Mode 3, 4(M=1)
* 2
Mode
**************
Note
Number :
15–113
**************
0–127
0–127
True Voice
Note ON
Note OFF
O
O
O
O
Velocity
*1
*1
After
Touch
Key’s
Ch’s
x
x
O
O
Pitch Bend
O
O
0, 32
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
Bank select
Modulation
Portamento time
Data entry
1
O
*3
*3
*3
5
6, 38
7
O
O
O
Volume
10
O
Panpot
*3
*3
11
O
Expression
Hold 1
Control
Change
64
O
65
O
Portamento
Sostenuto
*3
66
O
67
O
Soft
84
O
Portamento control
Effect1 depth
Effect3 depth
NRPN LSB, MSB
RPN LSB, MSB
*3
91
O (Reverb)
93
O (Chorus)
98, 99
100, 101
O
O
*1
*1
*3
*3
Prog
Change
0–127
**************
O
0–127
: True #
Program number 1–128
System Exclusive
O
O
: Song Pos
: Song Sel
: Tune
x
x
x
x
x
x
System
Common
System
Real Time
: Clock
: Commands
O
x
x
x
x
x
x
x
O
x
O (120, 126, 127)
: All sound off
O
:
Reset all controllers
Aux
Message
O
: Local Control
: All Notes OFF
: Active Sense
: Reset
O (123–125)
O
x
* 1 O x is selectable by Sys Ex.
* 2 Recognized as M=1 even if M=1.
* 3 O x is selectable by Composer Out setting.
Notes
Mode 1 : OMNI ON, POLY
Mode 2 : OMNI ON, MONO
O : Yes
X : No
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO
78
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Main Specifications
<Others>
<Keyboard>
Internal Songs
Over 170 songs
88 keys (Progressive Hammer Action Key-
board with Escapement)
Max. 200 songs on Favorites,
1 User image
Keyboard
User Memory
Touch Sensitivity
Keyboard Mode
Light, Medium, Heavy, Fixed
Rated Power Out-
put
HPi-7: 40 W x 2
HPi-7LE: 50 W x 2
Whole
Split (split point adjustable)
Dual (volume balance adjustable)
Pianist
HPi-7: 20 cm x 2
HPi-7LE: 20 cm x 2 (Speaker Box), 5cm x 2
Speakers
Display
640 x 240 dots graphic color LCD (with back-
lit)
Manual Drums/SFX
<Sound Generator>
Conforms to GM2 / GS / XG Lite
Grand staff / G clef staff / F clef staff, with
note name / lyrics / chords/ fingering
Notation
Languages
Max. Polyphony
128 voices
English/Japanese/German/French/Span-
ish
600 sounds in 6 groups (including 15 drum
sets, 1 SFX set)
Tones
HPi-7: Yes (Built-in Display, MIDI Out)
HPi-7LE: Yes (Built-in Display, MIDI Out,
External display)
Temperament
8 types, tonic selectable
2 types
Lyrics
Stretched Tuning
415.3 Hz–466.2 Hz (adjustable in increments
of 0.1 Hz)
Volume, Brilliance, LCD contrast,
Mic volume
Master Tuning
Transpose
Control
Key Transpose (-6–+5 in semitones)
Playback Transpose (-24–+24 in semitones)
Damper (half-pedal recognition)
Soft (half-pedal recognition, function assign-
able)
Pedals
Reverb (10 levels), Chorus (10 levels)
Damper Resonance (for Piano only,
Sostenuto (function assignable)
Effects
10 levels), String Resonance (for Piano only,
10 levels), Lid (for Piano only, 10 levels)
Hammer Response (for Piano only, 10 levels)
Panel Lock, Replay, Wonderland/Game,
Auto demo, Visual lesson, BMP export,
Mic echo, User image display, V-LINK
Other Functions
<Arranger>
Music Styles
Output jacks (L/Mono, R)
Input jacks (L/Mono, R)
Headphones jack (Stereo) x 2
Mic Input jack
MIDI In connector
MIDI Out connector
Pedal connector (8 pin DIN type)
LCD connector (20 pin)
USB connector
Ext Display connector (15-pin D-Sub type,
HPi-7LE only)
35 Pianist Styles
Start/Stop
Intro/Ending
Control
<Composer>
Connectors
Beat: 2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4,
7/4, 3/8, 6/8, 9/8, 12/8
Volume: 10 levels
Pattern: 11 patterns
Sound: 8 types
Metronome
AC 117 V, AC 230 V or AC 240V (50/60 Hz),
AC 220 V (60 Hz)
Tracks
5 tracks / 16 tracks
1 song
Power Supply
Song
Power Consump-
tion
HPi-7: 105 W (117 V/230 V/240 V)
HPi-7LE: 120 W (117 V/230 V/240 V)
Note Storage
Tempo
Approx. 30,000 notes
Quarter note = 10–500
120 ticks per quarter note
(including piano stand)
1,421 (W) x 526 (D) x 894 (H) mm
56 (W) x 20-3//4 (D) x 35-1/4 (H) inches
Resolution
Copy, Quantize, Delete, Insert, Erase, Trans-
pose, Part Exchange, Note Edit,
PC Edit
Dimensions
Edit
(Including piano stand and music rest)
1,421 (W) x 526 (D) x 1,101 (H) mm
56 (W) x 20-3/4 (D) x 43-3/8 (H) inches
Reset, Play/Stop, Rec, Bwd, Fwd, Track
Select, All Song Play, Random Play, Count-
in, Countdown, Marker Set, Repeat, Tempo
Mute
Weights (includ-
ing piano stand)
HPi-7: 69 kg / 153 lbs
HPi-7LE: 80 kg / 176 lbs 6 oz
Control
Owner’s Manual
Roland 60 Classical Piano Masterpieces
Installation Guide
<Disk Drive / Disk Storage>
3.5-inch Micro Floppy Disk Drive
Disk Format
Files
720 K bytes (2DD), 1.44 M bytes (2HD)
Accessories
CD-ROM (Roland Digital Piano USB Driver)
Power Cord
Max. 99 songs
Headphones Hook
Music Rest (with installation screws)
Approx. 120,000 notes (2DD)
Approx. 240,000 notes (2HD)
Note Storage
Playable Software
Save
962a
*
Standard MIDI Files (Format 0/1)
Roland Original Format (i-format)
In the interest of product improvement, the specifications
and/or appearance of this unit are subject to change without
prior notice.
Standard MIDI Files (Format 0)
Roland Original Format (i-format)
79
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A
Audio Device ................................................................. 61
Auto Demo ..................................................................... 11
General MIDI 2 .............................................................. 77
GS ..................................................................................... 77
B
Hammer Response ........................................................ 55
C
Contrast .......................................................................... 10
Initialize User Memory ................................................. 59
Key ................................................................................... 47
Key Touch ....................................................................... 25
D
Deleting Saved Songs ................................................... 43
Message ........................................................................... 66
MIDI Device ................................................................... 61
Music Files ...................................................................... 77
N
E
Effects .............................................................................. 27
Error Message ................................................................ 66
P
Pedal .......................................................................... 11, 56
Pedal cable ........................................................................ 9
Percussion ....................................................................... 26
Pianist Function ............................................................. 32
Pianist Style List ............................................................ 76
Piano ................................................................................ 33
F
Factory Reset .................................................................. 60
Factory Setting
User Memory ........................................................... 59
Favorites ......................................................................... 19
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Pitches ............................................................................. 47
Play Mode ...................................................................... 60
Power On/Off ............................................................... 10
Q
Wonderland ................................................................... 33
R
Resolution
S
Sostenuto pedal ............................................................. 11
T
Track ................................................................................ 37
U
Undo ................................................................................ 49
Upper .............................................................................. 47
USB .................................................................................. 63
User ................................................................................. 47
User Image Display ....................................................... 57
81
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Information
When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.
PHILIPPINES
COSTA RICA
TRINIDAD
NORWAY
JORDAN
AFRICA
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
JUAN Bansbach Instrumentos
Musicales
AMR Ltd
Roland Scandinavia Avd.
AMMAN Trading Agency
245 Prince Mohammad St.,
Amman 1118, JORDAN
TEL: (06) 464-1200
Ground Floor
Kontor Norge
EGYPT
Al Fanny Trading Office
9, EBN Hagar A1 Askalany
Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
TEL: 20-2-417-1828
Maritime Plaza
Barataria Trinidad W.I.
TEL: (868)638 6385
Ave.1. Calle 11, Apartado 10237,
San Jose, COSTA RICA
TEL: 258-0211
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
TEL: (02) 899 9801
KUWAIT
EASA HUSAIN AL-YOUSIFI
& SONS CO.
Abdullah Salem Street,
Safat, KUWAIT
TEL: 2273 0074
SINGAPORE
SWEE LEE MUSIC
COMPANY PTE. LTD.
150 Sims Drive,
SINGAPORE 387381
TEL: 6846-3676
URUGUAY
Todo Musica S.A.
Francisco Acuna de Figueroa
1771
C.P.: 11.800
Montevideo, URUGUAY
TEL: (02) 924-2335
CURACAO
Zeelandia Music Center Inc.
Orionweg 30
Curacao, Netherland Antilles
TEL:(305)5926866
POLAND
MX MUSIC SP.Z.O.O.
UL. Gibraltarska 4.
PL-03664 Warszawa POLAND
TEL: (022) 679 44 19
REUNION
TEL: 243-6399
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
LEBANON
Chahine S.A.L.
Gerge Zeidan St., Chahine
Bldg., Achrafieh, P.O.Box: 16-
5857
Beirut, LEBANON
TEL: (01) 20-1441
DOMINICAN REPUBLIC
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3
Ens.La Esperilla
Santo Domingo,
Dominican Republic
TEL:(809) 683 0305
PORTUGAL
Roland Iberia, S.L.
Portugal Office
Cais das Pedras, 8/9-1 Dto
4050-465, Porto, PORTUGAL
TEL: 22 608 00 60
CRISTOFORI MUSIC PTE LTD
Blk 3014, Bedok Industrial Park E,
#02-2148, SINGAPORE 489980
TEL: 6243-9555
VENEZUELA
Instrumentos Musicales
Allegro,C.A.
Av.las industrias edf.Guitar
REUNION ISLAND
TEL: (0262) 218-429
SOUTH AFRICA
That Other Music Shop(PTY)Ltd.
11 Melle St., Braamfontein,
Johannesbourg,
SOUTH AFRICA
TEL: (011) 403 4105
TAIWAN
ROLAND TAIWAN
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung
Shan N.Road Sec.2, Taipei,
TAIWAN, R.O.C.
import
#7 zona Industrial de Turumo
Caracas, Venezuela
TEL: (212) 244-1122
ROMANIA
FBS LINES
Piata Libertatii 1,
535500 Gheorgheni,
ROMANIA
OMAN
ECUADOR
Mas Musika
Rumichaca 822 y Zaruma
Guayaquil - Ecuador
TALENTZ CENTRE L.L.C.
P.O. BOX 37, MUSCAT,
POSTAL CODE 113
TEL: 931-3705
FAX: (011) 403 1234
EUROPE
TEL:(593-4)2302364
TEL: (02) 2561 3339
TEL: (266) 364 609
Paul Bothner(PTY)Ltd.
17 Werdmuller Centre,
Main Road, Claremont 7708
SOUTH AFRICA
QATAR
Al Emadi Co. (Badie Studio &
Stores)
P.O. Box 62, Doha, QATAR
TEL: 4423-554
EL SALVADOR
OMNI MUSIC
75 Avenida Norte y Final
Alameda Juan Pablo II,
Edificio No.4010 San Salvador,
EL SALVADOR
THAILAND
AUSTRIA
Roland Elektronische
Musikinstrumente HmbH.
RUSSIA
MuTek
3-Bogatyrskaya Str. 1.k.l
107 564 Moscow, RUSSIA
TEL: (095) 169 5043
Theera Music Co. , Ltd.
330 Verng NakornKasem, Soi 2,
Bangkok 10100, THAILAND
TEL: (02) 2248821
TEL: (021) 674 4030
Austrian Office
Eduard-Bodem-Gasse 8,
A-6020 Innsbruck, AUSTRIA
TEL: (0512) 26 44 260
SAUDI ARABIA
aDawliah Universal
Electronics APL
Corniche Road, Aldossary
Bldg., 1st Floor, Alkhobar,
SAUDI ARABIA
VIETNAM
Saigon Music
Suite DP-8
40 Ba Huyen Thanh Quan Street
Hochiminh City, VIETNAM
TEL: (08) 930-1969
TEL: 262-0788
SPAIN
ASIA
Roland Iberia, S.L.
Paseo García Faria, 33-35
08005 Barcelona SPAIN
TEL: 93 493 91 00
GUATEMALA
BELGIUM/FRANCE/
HOLLAND/
LUXEMBOURG
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
CHINA
Roland Shanghai Electronics
Co.,Ltd.
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
Casa Instrumental
Calzada Roosevelt 34-01,zona 11
Ciudad de Guatemala
Guatemala
SWEDEN
P.O.Box 2154, Alkhobar 31952
SAUDI ARABIA
TEL: (03) 898 2081
TEL:(502) 599-2888
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
HONDURAS
Almacen Pajaro Azul S.A. de C.V.
BO.Paz Barahona
3 Ave.11 Calle S.O
San Pedro Sula, Honduras
TEL: (504) 553-2029
AUSTRALIA/
NEW ZEALAND
TEL: (014) 575811
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 3 Section Anhuaxili
Chaoyang District Beijing
100011 CHINA
SYRIA
Technical Light & Sound
Center
Rawda, Abdul Qader Jazairi St.
Bldg. No. 21, P.O.BOX 13520,
Damascus, SYRIA
CZECH REP.
K-AUDIO
Kardasovska 626.
CZ-198 00 Praha 9,
CZECH REP.
AUSTRALIA/
SWITZERLAND
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
SWITZERLAND
TEL: (061) 927-8383
NEW ZEALAND
Roland Corporation
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
MARTINIQUE
Musique & Son
Z.I.Les Mangle
97232 Le Lamantin
Martinique F.W.I.
TEL: 596 596 426860
TEL: (2) 666 10529
TEL: (010) 6426-5050
TEL: (011) 223-5384
DENMARK
Roland Shanghai Electronics
Co.,Ltd.
(GUANGZHOU OFFICE)
2/F., No.30 Si You Nan Er Jie
Yi Xiang, Wu Yang Xin Cheng,
Guangzhou 510600, CHINA
TEL: (020) 8736-0428
TURKEY
Ant Muzik Aletleri Ithalat Ve
Ihracat Ltd Sti
Siraselviler Caddesi
Siraselviler Pasaji No:74/20
Taksim - Istanbul, TURKEY
TEL: (0212) 2449624
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
UKRAINE
TIC-TAC
Mira Str. 19/108
P.O. Box 180
295400 Munkachevo,
UKRAINE
TEL: (03131) 414-40
For Australia
Tel: (02) 9982 8266
For New Zealand
Tel: (09) 3098 715
Gigamusic SARL
10 Rte De La Folie
97200 Fort De France
Martinique F.W.I.
TEL: 596 596 715222
TEL: 3916 6200
FINLAND
Roland Scandinavia As, Filial
Finland
Elannontie 5
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
HONG KONG
Tom Lee Music Co., Ltd.
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
U.A.E.
Zak Electronics & Musical
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Grand Floor, Dubai,
U.A.E.
CENTRAL/LATIN
AMERICA
UNITED KINGDOM
MEXICO
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico
D.F. MEXICO
ARGENTINA
Instrumentos Musicales S.A.
Av.Santa Fe 2055
(1123) Buenos Aires
ARGENTINA
TEL: (011) 4508-2700
GERMANY
Roland Elektronische
Musikinstrumente HmbH.
Oststrasse 96, 22844
Norderstedt, GERMANY
TEL: (040) 52 60090
TEL: 2415 0911
TEL: (04) 3360715
UNITED KINGDOM
TEL: (01792) 702701
TEL: (55) 5668-6699
Parsons Music Ltd.
NICARAGUA
Bansbach Instrumentos
Musicales Nicaragua
Altamira D'Este Calle Principal
de la Farmacia 5ta.Avenida
1 Cuadra al Lago.#503
Managua, Nicaragua
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 2333 1863
NORTH AMERICA
MIDDLE EAST
BARBADOS
GREECE
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
CANADA
Roland Canada Music Ltd.
(Head Office)
5480 Parkwood Way
Richmond B. C., V6V 2M4
CANADA
A&B Music Supplies LTD
12 Webster Industrial Park
Wildey, St.Michael, Barbados
TEL: (246)430-1100
INDIA
Rivera Digitec (India) Pvt. Ltd.
409, Nirman Kendra
Mahalaxmi Flats Compound
Off. Dr. Edwin Moses Road,
Mumbai-400011, INDIA
TEL: (022) 2493 9051
BAHRAIN
Moon Stores
No.16, Bab Al Bahrain Avenue,
P.O.Box 247, Manama 304,
State of BAHRAIN
TEL: (505)277-2557
BRAZIL
Roland Brasil Ltda.
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
PANAMA
TEL: (604) 270 6626
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE
PANAMA
TEL: 17 211 005
HUNGARY
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint,
HUNGARY
CYPRUS
Radex Sound Equipment Ltd.
17, Diagorou Street, Nicosia,
CYPRUS
Roland Canada Music Ltd.
(Toronto Office)
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
INDONESIA
PT Citra IntiRama
J1. Cideng Timur No. 15J-150
Jakarta Pusat
INDONESIA
TEL: (021) 6324170
TEL: 315-0101
TEL: (23) 511011
CHILE
Comercial Fancy II S.A.
Rut.: 96.919.420-1
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
PARAGUAY
Distribuidora De
Instrumentos Musicales
J.E. Olear y ESQ. Manduvira
Asuncion PARAGUAY
TEL: (595) 21 492147
TEL: (022) 66-9426
TEL: (905) 362 9707
IRELAND
Roland Ireland
G2 Calmount Park, Calmount
Avenue, Dublin 12
Republic of IRELAND
TEL: (01) 4294444
IRAN
MOCO INC.
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
U. S. A.
KOREA
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
COLOMBIA
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9
Medellin, Colombia
PERU
Audionet
Distribuciones Musicales SAC
Juan Fanning 530
Miraflores
TEL: (021) 285-4169
TEL: (323) 890 3700
ITALY
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
ISRAEL
Halilit P. Greenspoon & Sons
Ltd.
8 Retzif Ha'aliya Hashnya St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
MALAYSIA
Roland Asia Pacific Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
TEL: (574)3812529
Lima - Peru
TEL: (511) 4461388
As of January 15, 2005 (ROLAND)
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For EU Countries
This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
–
–
–
–
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
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Connecting an External Display
(HPi-7LE only)
You can connect a computer display or other such external
display to the instrument, and display scores and lyrics on
the larger screen.
1
2
Turn off the power to the HPi-7LE and the
display to be connected.
Use display cable (sold separately) to connect the
display to the Ext Display connector on the HPi-
7LE.
Displays That Can Be Connected to This
Instrument
3
4
Switch on the HPi-7LE.
In general, a great many of the VGA displays and multiscan
displays that are available on the market are compatible
with this instrument. However, before you connect any
display, make sure it meets the following specifications:
Switch on the connected display.
→ For more on handling the external display, refer to your display’s
owner’s manual.
• Resolution
• Horizontal scan frequency 31.5 kHz
• Vertical scan frequency
• Connector
• Signal
640 x 240 pixels
*
When using the HPi-7LE with a display placed on it, be sure
to note the following precautions.
60 Hz
• Make sure the display sits stably on the HPi-7LE before
use.
3-row, 15-pin D-Sub type
Analog
• If you are placing the display on top of the HPi-7LE, we
recommend using a liquid crystal display (LCD). If
using a cathode ray tube (CRT) display, take extra care
to ensure that the display rests stably on the instrument.
• Keep the base of the display within one of the areas
shown by the dotted lines in the illustration below.
*
*
An externally connected display will
mirror the content of the HPi-7LE’s
onboard display. When connected, the
screen is blank at the top and bottom,
as shown in the figure.
Areas for placing the display
Confirm that the display to be used is compatible with the
frequencies mentioned above. Using a display that is not
compatible with the above frequencies may result in
incorrect image output when images move, and in certain
cases may even damage the display.
Making the Connections
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the
power on all devices before making any connections.
Turning the Power Off
After use, turn off the power using the following procedure.
D-sub 15 pin
(Mini)
D-sub 15 pin
(Mini)
1
Turn the volume all the way down on the HPi-
7LE.
2
3
Turn off the HPi-7LE.
Display Cable
(Sold separately)
HPi-7LE Rear
Ext Display
Connector
Turn off the connected display.
External Display
This owner’s manual is printed on recycled paper.
03454423
’05-2-3N
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