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Introduction
Thank you, and congratulations on your choice of the FP-7. To ensure that you obtain the
maximum enjoyment and take full advantage of the FP-7’s functionality, please read this
owner’s manual carefully.
About the Manual
You should first read the “Before You Play” (p. 18) section of the owner’s manual (this
document). This explains how to connect the AC adaptor and turn on the power.
The owner’s manual explains basic operations you’ll need to know in order to master the
FP-7’s performance functions, as well as more advanced operations, such as using the
FP-7 to record a song.
Conventions in this Manual
In order to explain the operations as clearly as possible, this manual uses the following
conventions.
• Text enclosed in square brackets [ ] indicates the name of a button or a knob, such as the
[Display] button.
NOTE
• Lines that begin with
to read.
or an asterisk * are cautionary statements that you must be sure
• The numbers of pages that you can turn to for additional, related information are given like
this: (p. **).
• This document uses screen shots for explanatory purposes. Please be aware that the settings
in these explanatory screen shots may not match the actual factory settings (Tone names, etc.).
Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (p. 8), and
“Important Notes” (p. 11). These sections provide important information concerning the proper
operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every
feature provided by your new unit, owner’s manual should be read in its entirety. The manual should
be saved and kept on hand as a convenient reference.
Copyright © 2006 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form
without the written permission of ROLAND CORPORATION.
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Main Features
Main Features
Serious piano performance
The FP-7 provides the sounds of a high-quality concert grand piano coupled with the PHA II keyboard, which delivers a
more piano-like touch, where the low range is heavier and the high range is lighter.
It provides three pedal jacks, and is shipped with a pedal that supports half-damper operation, allowing you to adjust the
depth of the lingering resonances so that you can enjoy the subtle nuances of serious piano performance.
High-quality speakers and piano sounds
The FP-7 features 88-key multi-sampled piano sounds.
Every note of an 88-key grand piano has been sampled to faithfully reproduce its tonal character and allow for dynamic
expression of the full range of sonic nuances, from delicate pianissimo to powerful fortissimo.
The rich resonances and lifelike presence of these sounds are faithfully reproduced through the high-quality speakers of
the FP-7.
“Audio Key” lets you play back an audio file while you perform
You can prepare your own audio file and trigger it for playback at the desired moment during your performance. This
can be used to add human voices or short phrases to your performance, giving a “live” atmosphere to your playing.
Alternatively, you can assign a different audio song to each key, and perform with these songs in the background.
“Session Partner” lets you enjoy session-style playing
You can play the piano along with realistic “rhythms” to enjoy session-style performances.
Since suitable chord progressions are assigned to each rhythm, simply selecting a rhythm will automatically choose the
appropriate chord progression.
“Piano Designer” lets you customize the piano sound to your liking
This function gives you even greater expressive range by letting you adjust a simulation of how a piano’s strings
sympathetically vibrate, the way in which opening or closing the lid of a grand piano affects the sounds, or the way in
which the damper moves away from the strings when you press the damper pedal. By making these adjustments you can
create your own personal piano sound.
“Registrations” let you store favorite performance settings
Your performance settings such as sound selections, settings for Session Partner, and keyboard touch settings can be
stored as a “registration” for instant recall when desired.
What you can do using USB memory
The FP-7 provides an external memory connector. If you connect USB memory (sold separately), you’ll be able to play
back SMF music files or audio files from USB memory. This also provides a convenient way to store a performance
you’ve recorded or registration data you’ve created.
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Adding Reverberation to Sounds (Reverb Effect) ...........49
Changing the Depth of Reverb Effect.......................49
Adding a Variety Effects to the Sound (Effects) .............50
Introduction ................................................ 3
About the Manual.......................................................3
Adding a Spinning Sound to Organ Tones (
Attaching the Music Rest........................................20
Saving the Piano Designer Settings.........................65
Changing the Volume of the Song ..........................28
Determining the Volume of a Muted Track ...............31
Listening to Songs Saved in Internal Memory................32
Selecting a Rhythm’s Chord Progression......................72
Performing with a Variety of Sounds ...........................35
Simulating the Way that Sounds are Created on
Recalling a Registration.............................................82
Saving a Registration Set...........................................83
Loading a Registration Set You Saved.........................85
Deleting a Registration Set You Saved.........................87
Copying a Registration Set ........................................89
Using a Pedal to Switch Registrations..........................91
Changing the Tone Variations................................42
Performing with Different Tones in the Left and
Right Sides of the Keyboard (Split Play).......................43
Switching Tone Groups and Tone Variations............45
Changing the Keyboard’s Split Point.......................46
Changing the Volume Balance for Dual Play and
Split Play .................................................................47
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Contents
Changing the Velocity When the Key Touch is
Recording ................................................. 92
Saving the Songs You Record...................................105
Initializing USB Memory......................................107
Deleting a Saved Song............................................109
Copying a Song from USB Memory to Internal
Pedal Settings ........................................................117
Changing How the Pedals Work ..........................118
Effect Settings.........................................................119
Specifying the Equalizer Setting at Power-on..........122
Changing the Equalizer Settings...........................123
Keyboard Settings ..................................................124
Connecting a CD Drive (Sold Separately)..................144
Making the Connections......................................144
Playing Back Songs from a CD ............................145
Performing along with a Music CD (Center Cancel) 146
Specifying What the Transpose Button will Affect
(Transpose)........................................................124
Changing the Keyboard Touch (Key Touch) ...........125
Making Fine Adjustments to the Keyboard Touch
Sensitivity ..........................................................125
Performing while You Listen to the Melody of
the Music Files ...................................................146
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Contents
Connecting to MIDI Devices.....................................147
Appendices
Registration List.......................................................171
Effects List ..............................................................172
Stored Settings .......................................................176
MIDI Implementation Chart ......................................177
Main Specifications ................................................178
Index ....................................................................180
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USING THE UNIT SAFELY
The
symbol alerts the user to important instructions or
Used for instructions intended to alert the
user to the risk of death or severe injury
should the unit be used improperly.
warnings.The specific meaning of the symbol is
determined by the design contained within the triangle.
In the case of the symbol at left, it is used for general
cautions, warnings, or alerts to danger.
Used for instructions intended to alert the
user to the risk of injury or material
damage should the unit be used
improperly.
The
symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic animals
or pets.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
Do not disassemble or modify
Connect the AC adaptor to an outlet of the correct
voltage
002cDo not open (or modify in any way) the unit or its
AC adaptor.
008cBe sure to use only the AC adaptor supplied with
the unit. Also, make sure the line voltage at the
installation matches the input voltage specified on
the AC adaptor’s body. Other AC adaptors may
use a different polarity, or be designed for a
different voltage, so their use could result in
......................................................................................
Do not repair or replace parts
003 Never attempt to repair this device or replace
parts. If repair or part replacement should become
necessary, you must contact your dealer or a
Roland service center.
damage, malfunction, or electric shock
......................................................................................
Use only the included power cord
......................................................................................
008e
Do not use or store in the following types of
You must use only the power cord included with the
locations
device. Do not use the included power cord with
any other device.
004
• Locations of extremely high temperature (such as
in direct sunlight, near heating equipment, or on
a device that generates heat)
• Near moisture (such as in a bathroom, near a
sink, or on a wet floor) or in locations of high
humidity
......................................................................................
Do not bend the power cord or place heavy objects
on it
009 Do not bend the power cord excessively, or place
heavy objects on the power cord. Doing so will
damage the power cord, and may cause short
circuits or faulty connections, possibly resulting in
fire or electrical shock.
• Locations exposed to rain
• Locations of excessive dust
• Locations subject to heavy vibration
......................................................................................
......................................................................................
Do not share an outlet with an unreasonable
number of other devices
Use only a stand that is recommended
005 This unit should be used only with a stand that is
recommended by Roland.
015 Do not connect excessive numbers of electrical
devices to a single power outlet. In particular,
when using a power strip, exceeding the rated
capacity (watts/amps) of the power strip may
cause heat to be generated, possibly melting the
cable.
......................................................................................
Do not place in an unstable location
006 When using the unit with a stand recommended by
Roland, the stand must be carefully placed so it is
level and sure to remain stable. If not using a
stand, you still need to make sure that any location
you choose for placing the unit provides a level
surface that will properly support the unit, and
keep it from wobbling.
......................................................................................
......................................................................................
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USING THE UNIT SAFELY
Avoid extended use at high volume
Do not place containers of water on the device
010 This device, either by itself or used in conjunction
with headphones, amps, and/or speakers, is
capable of producing volume levels that can cause
permanent hearing damage. If you experience
impaired hearing or ringing in your ears, immedi-
ately stop using the device and consult a medical
specialist.
026 Do not place containers of water (such as a flower
vase) or drinks on the device. Nor should you
place containers of insecticide, perfume, alcoholic
liquids, nail polish, or spray cans on the device.
Liquids that spill into the device may cause it to
malfunction, and may cause short circuits or faulty
operation.
......................................................................................
......................................................................................
Do not insert foreign objects
011 Never allow foreign objects (flammable objects,
coins, wires, etc.) to enter this device.
This can cause short circuits or other malfunctions.
......................................................................................
Turn off the power if an abnormality or
malfunction occurs
012b
Immediately turn the power off, remove the AC
adaptor from the outlet, and contact your dealer or
a service center to have the device serviced.
• The AC adaptor, the power-supply cord, or the
plug has been damaged
• The device produces smoke or an unusual smell
• A foreign object enters the device, or liquid
spills into the device
• The device becomes wet (by rain, etc.)
• An abnormality or malfunction occurs in the device
......................................................................................
Do not allow children to use without supervision
013 In households with children, take particular care
against tampering. If children are to use this device,
they must be supervised or guided by an adult.
......................................................................................
Do not drop or subject to strong impact
014 Do not drop this device or subject it to strong
impact.
......................................................................................
Do not use overseas
016 If you wish to use this device overseas, please
contact your dealer or a service center.
......................................................................................
Do not use a CD-ROM in an audio CD player or
DVD player
023
If you attempt to play back a CD-ROM in a conventional
audio CD player or DVD player, the resulting high
volume may damage your hearing or your speakers.
......................................................................................
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USING THE UNIT SAFELY
Place in a well ventilated location
Unplug the AC adaptor from the AC outlet before
cleaning
101b
When using this device and AC adaptor, ensure
that it is placed in a well ventilated location.
109b
Before cleaning the unit, turn off the power and
unplug the AC adaptor from the outlet (p. 18).
..........................................................................................................
Grasp the plug when connecting or disconnecting
the power cord
..........................................................................................................
If there is a possibility of lightning strike,
102cAlways grasp only the plug on the AC adaptor
cord when plugging into, or unplugging from, an
outlet or this unit.
disconnect the AC adaptor from the AC outlet
110b
Whenever you suspect the possibility of lightning in
your area, disconnect the AC adaptor from the
outlet.
..........................................................................................................
Periodically wipe the dust off the AC adaptor plug
..........................................................................................................
103b
Keep small items out of the reach of children
At regular intervals, you should unplug the AC
118cTo prevent small items such as the following from
being swallowed accidentally, keep them out of the
reach of children.
adaptor and clean it by using a dry cloth to wipe
all dust and other accumulations away from its
prongs. Also, disconnect the power plug from the
power outlet whenever the unit is to remain unused
for an extended period of time. Any accumulation
of dust between the power plug and the power
outlet can result in poor insulation and lead to fire.
..........................................................................................................
• Included items
• Music rest attachment screws
..........................................................................................................
Manage cables for safety
104 Ensure that the connected cables are organized
and managed in a safe manner. In particular,
place the cables out of reach of children.
..........................................................................................................
Do not stand or place heavy objects on this device
106 Do not stand on this device, or place heavy objects
on it.
..........................................................................................................
Do not connect or disconnect the AC adaptor with
wet hands
107cNever handle the AC adaptor or its plugs with wet
hands when plugging into, or unplugging from, an
outlet or this unit.
..........................................................................................................
Cautions when moving this device
108d: Selection
When moving this device, please check the
following cautions. Then, make sure that at least
two persons work together in lifting and carrying
the device, all the while making sure to keep it
level. When doing so, be careful not to pinch your
hands or drop the device on your feet.
1
• Check whether the knob bolts fastening the
device to its stand have become loose. If they
are loose, tighten them firmly.
• Disconnect the power cord.
2
3
• Disconnect external devices.
• Remove the music rest.
6
......................................................................................
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Important Notes
In addition to the “USING THE UNIT SAFELY” listed on page 8, please observe the following cautions.
360
Power Supply
• Depending on the material and temperature of the surface
301
on which you place the unit, its rubber feet may discolor or
mar the surface.
You can place a piece of felt or cloth under the rubber feet
to prevent this from happening. If you do so, please make
sure that the unit will not slip or move accidentally.
• Do not connect this device to the same electrical outlet as an
inverter-controlled device such as a refrigerator, microwave
oven, or air conditioner, or a device that contains an electric
motor. Depending on how the other device is used, power
supply noise could cause this device to malfunction or produce
noise. If it is not practical to use a separate electrical outlet,
please connect this device via a power supply noise filter.
Care
302
401b
• The AC adaptor will begin to generate heat after long
• For everyday care, wipe with a soft dry cloth, or remove
hours of consecutive use. This is normal, and is not a cause
for concern.
stubborn dirt using a tightly wrung-out cloth. If this device
contains wooden components, wipe the entire area
following the direction of the grain. The finish may be
damaged if you continue strongly rubbing a single location.
307
• Before you make connections, you must switch off the power
on all devices to prevent malfunction and/or speaker damage.
Addition
• If water droplets should adhere to this device, immediately
wipe them off using a soft dry cloth.
Location
402
351
• Do not use solvents such as benzene, thinner, or alcohol,
• If this device is placed near devices that contain large
since these can cause deformation or color change.
transformers, such as power amps, hum may be induced in
this device. If this occurs, move this device farther away or
change its orientation.
Servicing
• If you return this device for servicing, the contents of
352a
452
• If this device is operated near a television or radio, color
distortion may be seen in the television screen or noise may
be heard from the radio. If this occurs, move this device
farther away.
memory may be lost. Please store important contents on
USB memory, or make a note of the contents. We take
utmost care to preserve the contents of memory when
performing service, but there may be cases when the stored
content cannot be recovered because the memory section
has malfunctioned. Please be aware that we cannot accept
responsibility for the recovery of lost memory content or for
any consequences of such loss.
352b
• Keep your cell phone powered off or at a sufficient distance
from this device. If a cell phone is nearby, noise may be
heard when a call is received or initiated, or during
conversation.
354b
• Do not leave this device in direct sunlight, near devices that
produce heat, or in a closed-up automobile. Do not allow
illumination devices operated in close proximity (such as a
piano light) or powerful spotlights to shine on the same
location on this device for an extended time. This can cause
deformation or color change.
Other Cautions
• Stored content may be lost due to a malfunction of the
551
device or because of inadvertent operation. You should
back up important content on USB memory as a safeguard
against such loss
355b
• If you move this device between locations of radically different
552
temperature or humidity, water droplets (condensation) may
form inside the device. Using the device in this condition will
cause malfunctions, so please allow several hours for the
condensation to disappear before you use the device.
• We cannot accept responsibility for the recovery of any
content lost from internal memory or USB memory, or for
the consequences of such loss.
553
• Do not apply excessive force to the buttons, knobs, or
356
• Do not allow items made of rubber or vinyl to remain on
input/output jacks, since this may cause malfunctions.
top of this device for an extended time. This can cause
deformation or color change.
554
• Never strike or apply strong pressure to the display.
556
• When connecting or disconnecting cables, grasp the plug
358
• Do not leave objects on top of the keyboard. This can
(not the cable) to prevent short circuits or broken
connections.
cause malfunctions such as failure to sound.
359
• Do not affix adhesive labels to this device. The exterior
finish may be damaged when you remove the labels.
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Important Notes
558a
Before Using the External Memory
Connector
• Please enjoy your music in ways that do not inconvenience
other people nearby, and pay particular attention to the
volume at nighttime. Using headphones will allow you to
enjoy music without having to be concerned about others.
External Memory Connector Handling
559a
704
• When you need to transport the unit, package it in the box
• When connecting USB memory, firmly insert it all the way
(including padding) that it came in, if possible. Otherwise,
you will need to use equivalent packaging materials.
in.
705
• Do not touch the pins of the USB memory connector, or
560
• If using the music rest, do not apply excessive force to it.
561
allow them to become dirty.
708
• Use only the specified expression pedal (EV-5; available
• USB memory is made using high-precision electronic
separately). Connecting a pedal made by a different
manufacturer may cause this device to malfunction.
components, so please observe the following points when
handling it.
562
• To prevent damage from static electrical charges,
discharge any static electricity that might be present in
your body before handling USB memory.
• Do not touch the terminals with your fingers or any metal
object.
• Some connection cables contain a resistor. Do not connect
such cables to this device. Doing so may make the volume
extremely low or inaudible. Please use connection cables
not containing a resistor.
• Do not bend or drop USB memory, or subject it to strong
impact.
• Do not leave USB memory in direct sunlight or in
locations such as a closed-up automobile. (Storage
temperature: 0–50 degrees C)
• Do not allow USB memory to become wet.
• Do not disassemble or modify USB memory.
Addition
• When connecting USB memory, position it horizontally with
the external memory connector and insert it without using
excessive force. The external memory connector may be
damaged if you use excessive force when inserting USB
memory.
Addition
• Do not insert anything other than USB memory (e.g., wire,
coins, other types of device) into the external memory
connector. Doing so will damage the external memory
connector.
Addition
• Do not apply excessive force to the connected USB
memory.
Addition
• If you will not be using USB memory for an extended period
of time, close the USB memory cover.
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Important Notes
CD Handling
801
• Do not touch or scratch the recording surface of a CD.
Doing so may render the data unreadable. If a CD
becomes soiled, clean it using a commercially available CD
cleaner.
203
* GS (
) is a registered trademark of Roland
) is a registered trademark of Yamaha
Corporation.
Add
* XG lite (
Corporation.
204
* Microsoft and Windows are registered trademarks of
Microsoft Corporation.
206j
* Windows® is known officially as: ”Microsoft®
Windows® operating system.”
207
* Apple and Macintosh are registered trademarks of
Apple Computer, Inc.
209
* Mac OS is a trademark of Apple Computer, Inc.
220
* All product names mentioned in this document are
trademarks or registered trademarks of their
respective owners.
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Names of Things and What They Do
Front Panel
1
2
3
4 5
6
7
8
9 10 11
12
1
2
7
8
[Power] Switch
Turns the power on/off (p. 19).
[Session Partner] Button
(p. 67). By switching Session Partner on, you can
[Volume] Knob
Adjusts the overall volume of the FP-7 (p. 20).
If headphones are connected, this adjusts the
headphone volume (p. 22).
Track Buttons
These buttons switch the performance part when playing
Partner’s performance parts, chord progression patterns,
and rhythm patterns (p. 69, p. 72, p. 75).
3
4
[Balance] Knob
Adjusts the volume balance of the Upper and Lower
9
[Play] Button
Starts and stops playback of internal songs and
recorded performances (p. 26).
[Function] Button
This button lets you make various settings.
[Transpose] button, you can listen to the demo song (p.
24).
10
11
12
[Rec] Button
You can record your own playing into the FP-7 (p. 92).
5
[Transpose] Button
[Metronome] Button
Turns the internal metronome on and off (p. 54).
This button lets you transpose the keyboard or song (p.
[Function] button, you can listen to the demo song (p.
24).
Display
This shows information about the sounds (tone number
and name), song information (song number, song title,
number of measures), Session Partner settings (rhythm
number, rhythm name, chord progression), tempo, and
other settings.
6
[Audio Key] Button
This button lets you play back audio files by pressing
keys B 0--B1 (p. 59).
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Names of Things and What They Do
17 18
13
14 15
16
19 20 21 22
13
14
17
[Contrast] Knob
This knob adjusts the contrast of the screen (p. 22).
[Registration] Button
settings, such as those for the selection of tones, Session
Partner (p. 78).
[Display] Button
Press this button when you want to change the tone, the
song to play back, the rhythm, or the tempo. Each time
tone information (tone number and name), song
information (song number, name, and number of
measures), Session Partner information (rhythm number,
rhythm name, and chord progression), and tempo.
In Function mode, you can make various settings by
holding down this button and using the [-] [+] buttons (p.
115).
18
19
20
21
Allows you to play different tones in the left and right
sides of the keyboard (p. 43).
[Multi Effects] Button
This button lets you apply various effects to the sound (p.
50).
You can use this to add the characteristic reverberation
of a concert hall to what you play (p. 49).
15
[-] [+] Buttons
These two buttons are used to modify the values of a
variety of settings.
Pressing both the [-] and [+] buttons simultaneously
returns the setting of a particular item or function to its
original value.
displayed, you can hold down these buttons to rewind or
fast-forward.
[Sound Control] Button
56).
By holding down this button and pressing the [Equalizer]
button, you can turn V-LINK on and off (p. 136).
22
[Equalizer] Button
16
Tone Buttons
Switches the equalizer on or off (p. 57). You can use the
equalizer to adjust the tonal character by boosting or
cutting just the low or high frequency regions.
By holding down this button and pressing the [Sound
Control] button, you can turn V-LINK on and off (p. 136).
They are used to choose the kinds of tones (Tone
Groups) played by the keyboard (p. 35).
While the [Registration] button is lit, Tone buttons [1]–[7]
can be used to select registrations.
15
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Names of Things and What They Do
23
24
26
27
28
25
29 30
31
Rear Panel
These connectors are located at the rear panel.
23
28
MIDI Connectors
Speaker Switch
You can connect these to external MIDI devices to
transfer performance data (p. 147).
This switch turns the internal speaker on/off (p. 138).
29
30
Ground Terminal (p. 18)
24
USB (MIDI) Connector
You can connect this to your computer for transferring
performance data (p. 143).
DC In Jack
Connect the supplied AC adaptor here (p. 18).
25
Pedal Jacks
31
Cord Hook
other suitable pedals (p. 21).
Use this to fix in place the cord from the supplied AC
adaptor (p. 18).
26
27
Input Jacks
electronic musical instrument, and listen to the connected
device through the FP-7’s speakers (p. 139).
Output Jacks
You can connect external speakers here to reproduce the
FP-7’s sound (p. 138, p. 140).
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Names of Things and What They Do
33
32
32
33
Phones Jacks
Here you can connect headphones.
The FP-7 lets you use two sets of headphones
External Memory Connector
You can connect USB memory to this connector, and
play back songs saved on USB memory (p. 33) or save
songs you’ve recorded on the FP-7 to USB memory (p.
105).
You can also save a registration set to USB memory, or
load a saved registration set into the FP-7.
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Before You Play
Getting Ready to Play
Ground Terminal
Connecting the AC Adaptor
1. Make sure that the [Power] switch located at
the right side of the keyboard is off (in the
Cord Hook
upward position).
fig.PowerOn.eps
Upper Position
Power
(AC Adaptor)
Power Cord
Off
To prevent the inadvertent disruption of power to your
unit (should the plug be pulled out accidentally), and to
avoid applying undue stress to the AC adaptor jack,
anchor the power cord using the cord hook, as shown in
the illustration.
Even if the cord is fastened, strong tension applied to the
cord may cause it to be damaged or broken. Be careful
not to pull the cord accidentally, or to apply strong
pressure to it.
2. Turn the [Volume] knob all the way toward the
left to minimize the volume.
3. Connect the supplied Power Cord to the
Depending on the circumstances of a particular setup,
you may experience a discomforting sensation, or
perceive that the surface feels gritty to the touch when
you touch this device. This is due to an infinitesimal
electrical charge, which is absolutely harmless.
supplied AC adaptor.
AC adaptor
Power Cord
AC Outlet
However, if you are concerned about this, connect the
ground terminal (see figure) with an external ground.
When the unit is grounded, a slight hum may occur,
depending on the particulars of your installation. If you
are unsure of the connection method, contact the nearest
Roland Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
Indicator
Place the AC adaptor so the side with the indicator
(see illustration) faces upwards and the side with
textual information faces downwards.
NOTE
The indicator will light when you plug the AC
adaptor into an AC outlet.
Unsuitable places for connection
• Water pipes (may result in shock or electrocution)
• Gas pipes (may result in fire or explosion)
4. Connect the AC adaptor to the FP-7’s DC In
jack, and plug the power cord into an
electrical outlet.
• Telephone-line ground or lightning rod (may be
dangerous in the event of lightning)
5. Loop the AC adaptor cord around the cord
hook to fasten it in place.
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Before You Play
Turning the Power Off
Turning the Power On/Off
1. Turn the [Volume] knob all the way toward the
Once you’ve got everything connected properly, you
can turn on the power using the following procedure.
If you fail to perform these steps in the correct order,
you risk causing a malfunction or damaging the
speakers.
NOTE
left to minimize the volume.
fig.VolumeMin.eps
Turning the Power On
1. Turn the [Volume] knob all the way toward the
left to minimize the volume.
fig.VolumeMin.eps
2. Press the [Power] switch.
The screen goes blank and the power is turned off.
ig.PowerOn.eps
Upper Position
Power
Off
2. Press the [Power] switch.
fig.PowerOn.eps
Lower
Power
Position
On
The power will turn on, and the [Piano] and other
buttons will light.
3. Use the [Volume] knob to adjust the volume (p.
20).
The unit becomes operable and playing the keyboard
produces sound.
Due to a circuitry protection feature, this unit requires
NOTE
a few moments after power is turned on before it is
ready for normal operation.
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Before You Play
Adjusting the Volume
Attaching the Music Rest
Here’s how to adjust the volume when you’re playing the
keyboard, or when you’re playing back internal preset songs
or USB memory songs.
If headphones are connected, use the [Volume] knob to adjust
the headphone volume.
Here’s how to attach the included music rest.
1. Install the included screws into the back of the
instrument (two locations) as shown in the
illustration.
fig.MusicRest.eps
1. Turn the [Volume] knob to adjust the overall
volume.
Adjust the volume while you play the keyboard to
produce sound.
Rotating the knob clockwise increases the volume;
counterclockwise rotation decreases it.
fig.MasterVolume.eps
2. Place the music rest between the screws and
the chassis.
fig.MusicRestScrew.eps
3. While using one hand to support the music
rest, tighten the screws (two locations) to
fasten the music rest firmly in place.
fig.MusicRest.eps
When attaching the music rest, you must use your hand
to support it firmly so that it does not fall. Be careful not
to pinch your hand.
To remove the music rest, support it with one hand while
you loosen the screws. Remove the music rest, and then
securely retighten the screws.
Don’t apply excessive force to the installed music
rest.
NOTE
You must use the included screws to attach the music
rest.
NOTE
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Before You Play
Damper Pedal
Use this pedal to sustain the sound.
Connecting the Pedals
Connect the included pedal to one of the Pedal jacks.
While this pedal is held down, notes will be sustained for an
extended time even if you release your fingers from the
keyboard.
The operation of the pedal will differ depending on the jack to
which it’s connected.
The pedal included with the FP-7 functions as a half-damper
pedal, which allows you to adjust the amount of resonance.
fig.pedals-e.eps
On an acoustic piano, holding down the damper pedal will
cause the strings for notes other than the ones you actually
play to vibrate in sympathy with what you’ve played,
producing a rich resonance. The FP-7 simulates this
sympathetic vibration (damper resonance).
Set the switch on the included pedal to “Continuous”
when the pedal is connected.
Sostenuto Pedal
The notes you are pressing when this pedal is depressed will
be sustained.
With the pedal connected to the Sostenuto / (FC1)
jack, it can be assigned other functions as well. Refer
to “Changing How the Pedals Work” (p. 118),
“Using a Pedal to Switch Registrations” (p. 91).
Pedal
Connected jack
Damper jack
Operation
The pedal will operate as a damper
pedal.
The pedal will operate as a sostenuto
pedal.
Alternatively, you can assign a
different function (p. 91, p. 118).
This pedal is used to make the sound softer.
Playing with the soft pedal depressed produces a sound that is
not as strong as when otherwise played with the equivalent
acoustic piano.
Sostenuto / (FC1)
jack
The pedal will operate as a soft pedal.
Alternatively, you can assign a
different function (p. 91, p. 118).
The softness of the tone can be varied subtly by the depth to
which you press the pedal.
Soft / (FC2) jack
With the pedal connected to the Soft / (FC2) jack, it
can be assigned other functions as well. Refer to
“Changing How the Pedals Work” (p. 118), “Using
a Pedal to Switch Registrations” (p. 91).
Unplugging a pedal cord from the unit while the
power is on may cause the pedal’s effect to be
applied without stopping. The power of the FP-7 must
be turned off before inserting or removing a pedal
cord.
NOTE
By obtaining a second and third pedal, you can then
use three pedals simultaneously. If you wish to
purchase the optional pedal (DP series), please
contact the dealer where you purchased the FP-7.
You can connect the expression pedal to the
Sostenuto/ (FC1) or the Soft/ (FC2) jack to adjust the
volume. Use only the specified expression pedal (EV-
5; sold separately). By connecting any other
expression pedals, you risk causing malfunction
and/or damage to the unit.
NOTE
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Before You Play
Listening through Headphones
You can use headphones to enjoy the FP-7 without disturbing
those around you, such as at night. Since the FP-7 has two
headphone jacks, two people can also use headphones
simultaneously.
Adjusting the Contrast of the
Screen
You can adjust the brightness of the FP-7’s display.
fig.
If you’re using only one set of headphones, you may connect
them to either of the two headphone jacks.
fig.Headphones.eps
1. Turn the [Contrast] knob to adjust the contrast
of the screen.
Cautions Regarding the LCD Display
Headphones
• You may see vertical lines in the screen, but this is due to
the structure of a liquid crystal display, and does not
indicate a malfunction. By using the [Contrast] knob to
adjust the contrast of the screen, you can minimize these
lines.
1. Plug the headphones into the Phones jack.
If headphones are connected, no sound will be output
from the FP-7’s speakers.
• The contrast of the screen may be affected by the
temperature.
2. Use the FP-7’s [Volume] knob (p. 20) to adjust
the headphone volume.
Cautions when Using Headphones
• To prevent damage to the cord’s internal conductors,
avoid rough handling. When using headphones, mainly
try to handle either the plug or the headset.
• Your headphones may be damaged if the volume of a
device is already turned up when you plug them in.
Minimize the volume before you plug in the headphones.
• Excessive input will not only damage your hearing, but
may also strain the headphones. Please enjoy music at an
appropriate volume.
• Use headphones that have a stereo 1/4” phone plug.
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Before You Play
Songs you’ve recorded on the FP-7 or performance settings
you’ve created (registration sets) can be copied for
safekeeping to separately available USB memory (p. 89, p.
111).
You can also play back SMF music files saved on USB
memory (p. 33), or play audio files from USB memory (p. 59).
Use USB memory available from Roland. Proper
NOTE
functioning cannot be guaranteed if other external
memory products are used.
Connecting USB Memory
1. Connect your USB memory to the external
memory connector as shown below.
fig.
USB memory
(sold separately)
If you’re using the USB memory for the first time, you
must initialize (format) it on the FP-7.
NOTE
Refer to “Initializing USB Memory” (p. 107).
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Listening to Songs
Listening to Demo Songs
Now, try listening to demo songs.
The FP-7 comes with ten demo songs.
The seven Tone buttons, the [Audio Key] button, the [Session Partner] button, and the
[Play] button are each assigned one demo song.
Button
Piano
Indication
Piano
Composer/Copyright
Masasi & Kazuko Hirashita / © 2006 Roland Corporation
Masasi & Kazuko Hirashita / © 2006 Roland Corporation
Masasi & Kazuko Hirashita / © 2006 Roland Corporation
Masasi & Kazuko Hirashita / © 2006 Roland Corporation
Masasi & Kazuko Hirashita / © 2006 Roland Corporation
Masasi & Kazuko Hirashita / © 2006 Roland Corporation
© 2006 Roland Corporation
E. Piano
E.Piano
Organ
Organ
Strings/Pad
Guitar/Bass
Voice/GM2
TW Organ
Audio Key
Session Partner
Play
Strings/Pad
Guitar/Bass
Voice/GM2
TW Organ
Audio Key
Session Partner
Song
© 2006 Roland Corporation
© 2006 Roland Corporation
Masasi & Kazuko Hirashita / © 2006 Roland Corporation
All rights reserved. Unauthorized use of this material for purposes other than private,
personal enjoyment is a violation of applicable laws.
NOTE
NOTE
No MIDI data for the music that is played will be output.
fig.Panel-Demo.eps
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Listening to Songs
Hold down the [Function] button and press the [Transpose] button.
1.
The indicators for the seven Tone, [Function], [Transpose], [Audio Key], [Session Partner] and
[Play] buttons flash.
The following appears in the display.
fig.d-Demo.eps
You can’t play back the demo songs if your recorded performance has not been saved.
NOTE
Either erase your performance (p. 31), or save your recorded performance (p. 105).
Press one of the seven Tone buttons, the [Audio Key] button, the [Session
Partner] button, or the [Play] button.
2.
The songs will play consecutively, starting with the demo song you selected. The button for the
song currently being played back flashes on and off.
When playback of the last song is reached, playback continues by returning to the first song and
playing that again.
The display will show the name of the currently playing demo song.
fig.d-DemoSongName.eps
To stop playback, press the flashing button.
3.
4.
Press the [Function] button and the [Transpose] button to exit Demo mode.
The indicators return to their previous state.
A demo song will not play if you press an unlit button.
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Listening to Songs
Listening to Internal Songs
The FP-7 contains 65 built-in songs. Here’s how to select and play back one of these songs.
About the name of the internal song, refer to “Internal Song List” (p. 169).
fig.Panel-Internal.eps
Selecting a Song
Press the [Display] button several times so it’s lit in green.
1.
Press the [-] or [+] button to select the song.
2.
If a built-in preset song is selected, the screen will indicate “Preset.”
fig.d-SongPreset.eps
The screen will indicate “Internal” for songs in internal memory, and “External” for
songs on external memory, such as USB memory.
fig.d-SongInternal.eps
Playing the Song
Press the [Play] button.
3.
The selected song will play.
The selected song is played to the end, and then playback stops.
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Listening to Songs
If a song is playing while the song select screen is displayed, you can rewind the song
by holding down the [-] button, or fast-forward the song by holding down the [+] button.
To stop playback, press the [Play] button once more.
The next time you press the [Play] button, playback will resume from the point at which you
stopped.
If playback has stopped at the end of the song, playback will start from the beginning of the song.
If the song select screen is displayed, pressing the [-] button will return you to the beginning of the
song. Pressing the [-] button once again will return you to the preceding song.
About the Song Select Screen
The song select screen will change as follows.
fig.SongDisplay-e.eps
New Song to record
USB memory songs
Internal
memory songs
Song tempo
Intranal songs
Measure number
Song number
Song name
By holding down the [Display] button and pressing the [-] [+] buttons, you can quickly
select the first song in the song group (i.e., “first song in internal memory,” “first song in
USB memory,” or “first song in internal memory”).
The “Internal” or “External” indications will not appear if there is no song in
NOTE
internal memory or if no USB memory is connected.
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Listening to Songs
Changing the Volume of the Song
Here’s how to adjust the volume when song is playing back.
When you’re playing along with a song, this lets you adjust the volume balance between
the song and the sounds you’re playing on the keyboard.
fig.Panel-Internal.eps
While holding down the [Play] button, press the [-] or [+] button.
1.
fig.d-SPvolume.eps
The screen will indicate “Audio Volume,” when audio files are playing back.
The song volume can be set to any value from 0 to 127.
While you hold down the [Play] button, the display will show the volume of the song.
NOTE
You can not change the volume of the demo song.
You can also adjust the volume of the song by turning the [Balance] knob while you
hold down the [Play] button.
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Listening to Songs
Playing Back All Songs Continuously (All Song Play)
The internal songs and the songs in internal memory or USB memory can be played
repeatedly in succession. This function is called “All Song Play.”
fig.Panel-AllSong.eps
Specifying the First Song
Press the [Display] button several times so it’s lit in green.
1.
2.
Press the [-] or [+] button to select the song.
Playing Back the Songs Successively
While holding down the [Display] button, press the [Play] button.
3.
The screen will indicate “
consecutively.
.” If you’ve selected preset songs, the preset songs will play back
The internal memory songs will play consecutively if you’ve selected an internal memory song,
and the USB memory songs if you’ve selected a USB memory song.
fig.d-AllSong.eps
The songs will play back successively, starting with the selected song.
When the last song finishes playing, the instrument will return to the first song and playback will
continue.
To Stop Playback
Press the [Play] button so its illumination is turned off.
4.
All Song Play is exited when the performance is stopped.
The next time you press the [Play] button, playback will resume from the point at which you
stopped.
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Listening to Songs
Listening to Each Part Separately (Track Mute)
With the internal songs, you can select the performance part that is to be played back.
You can also practice each hand separately while playing along with the song.
fig.Panel-TrackMute.eps
The performance data is assigned to the Track buttons as shown below.
fig.TrackButtons-e.eps
In the internal songs, the left-hand performance is
assigned to the Track [1] button and the right-hand
performance is assigned to the Track [2] button.
Other performance is assigned to the Track [R] button.
Rhythm/
“Tracks” are areas in which music data is held, and
Accompaniment
Right-hand Part
Left-hand Part
buttons [1], [2], and [R] are referred to as the “track
buttons.”
Part
Select the song that you want to play (p. 26, p. 32, p. 33).
Press the [Play] button to play the song.
1.
2.
3.
Select the part that you don’t want to play back.
Press the Track [1] button, the Track [2] button, or the [R] button.
The button you pressed will go out, and the corresponding part will no longer be heard.
Temporarily silencing a specific part in this way is called “muting.”
For example, if you want to practice the right-hand part, press the Track [2] button so its
illumination is turned off. When you play back the song, the right-hand part will not play.
If you again press the button you selected in step 3, so the button is lit, the sound of that part will
be heard.
Even while the song is stopped, you can press the track buttons to mute or un-mute the sound.
Press the [Play] button to stop playback.
4.
NOTE
Mute settings will be cleared when you switch songs.
Internal songs 6–65 do not contain a performance in the rhythm/accompaniment part
(Track [R] button). If you press a track button that does not contain a performance, it
will not light.
NOTE
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Listening to Songs
When the following appears in the display
If there is a song you’ve recorded but not saved, a screen like the following will appear
when you select a song.
fig.d-SongDelete.eps
If you want to erase your performance and play back the preset song, hold down the
[Display] button and press the [+] button to select “OK,” then press the [Rec] button.
If you don’t want to erase your performance, hold down the [Display] button and press
the [-] button to select “Cancel,” then press the [Rec] button.
For details on saving a performance you’ve recorded, refer to “Saving the Songs You
Record” (p. 105).
Determining the Volume of a Muted Track
Here’s how to adjust the volume that a part will have after you’ve pressed a track button
to mute the playback while playing back a song.
The FP-7 lets you play back a specific part at a reduced volume so you can use that part
as a “guide” for your own playing.
Select the song that you want to play (p. 26, p. 32, p. 33).
1.
2.
Hold down a track button and use the [-] [+] buttons to specify the volume
that the track will have when its playback is muted.
The volume for when the playback is muted will be shown while you hold down the track button.
fig.d-MuteVol-0.eps
The track mute volume can be set to any value from 0 to 80.
NOTE
When you turn off the power, the track mute volume setting will return to “0.”
You can also adjust the track mute volume by turning the [Balance] knob while you
hold down the track button.
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Listening to Songs
Listening to Songs Saved in Internal Memory
Here’s how to play back songs that you’ve saved in internal memory.
You can save the songs you’ve recorded and the songs that are saved on USB memory
to internal memory. For details, refer to “Saving the Songs You Record” (p. 105) and
“Copying a Song from USB Memory to Internal Memory” (p. 113).
fig.Panel-Internal.eps
Selecting a Song
Press the [Display] button several times so it’s lit in green.
1.
Press the [-] or [+] button to select the song.
2.
If you’ve selected a song that’s saved in internal memory, the screen will indicate “Internal.”
fig.d-SongInternal.eps
If you have not saved any songs in internal memory, the “Internal” indication will not
NOTE
appear.
Playing the Song
Press the [Play] button.
3.
The selected song will play.
The selected song is played to the end, and then playback stops.
To stop playback, press the [Play] button once more. The next time you press the [Play] button,
playback will resume from the point at which you stopped.
If playback has stopped at the end of the song, playback will start from the beginning of the song.
If the song select screen is displayed, pressing the [-] button will return you to the beginning of the
song. Pressing the [-] button once again will return you to the preceding song.
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Listening to Songs
Listening to Songs Saved in USB Memory
Here’s how you can listen to songs that are saved on USB memory (sold separately). You can also
use the keyboard to play along with the song.
fig.Panel-Internal.eps
Selecting a Song
Connect the USB memory (sold separately) containing the song you want
to listen to the external memory connector (p. 23).
1.
Press the [Display] button several times so it’s lit in green.
2.
Press the [-] or [+] button to select the song.
3.
If you’ve selected a song that’s saved in USB memory, the screen will indicate “External.”
fig.d-SongExternal.eps
If no songs have been saved in USB memory, the “External” indication will not appear.
If USB memory contains folders, the name of the folders will be displayed.
If you have connected a CD drive (commercially available) to the external memory
connector and have selected a CD song, the display will indicate “CD” or “Music CD”
rather than “External.”
Playing the Song
Press the [Play] button.
4.
The selected song will play.
The selected song is played to the end, and then playback stops.
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Listening to Songs
To stop playback, press the [Play] button once more.
The next time you press the [Play] button, playback will resume from the point at which you
stopped.
If playback has stopped at the end of the song, playback will start from the beginning of the song.
If the song select screen is displayed, pressing the [-] button will return you to the beginning of the
song. Pressing the [-] button once again will return you to the preceding song.
Selecting a Song in a Folder
Press the [Display] button several times so it’s lit in green.
1.
Use the [-] [+] buttons to select the desired folder.
2.
Press the [Play] button.
3.
After a brief time, the songs in the folder will be displayed.
Use the [-] [+] buttons to select the desired song.
4.
To leave the folder and return to the next higher level, use the [-] [+] buttons to
select “Up” then press the [Play] button.
About Audio Files
Audio files in the following format can be played back:
• Wav format
• 16-bit linear
• Sampling rate of “44.1 kHz”
• Stereo/Mono
You cannot use the following functions in playing back audio files.
• Saving to internal memory (p. 105)
• Changing the Tempo (p. 55)
• Measure indication in the song select screen (p. 27)
• Recording (p. 92)
NOTE
cause the song to stop while it is playing.
If there’s a song that you’re practicing or that you particularly like, you can save it in
internal memory for easy access.
→ “Copying a Song from USB Memory to Internal Memory” (p. 113)
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Performing
Performing with a Variety of Sounds
The FP-7 features over 300 different internal sounds, allowing you to enjoy performing
with sounds suitable for many different types of music.
These onboard sounds are called “Tones.” The Tones are divided into seven different
groups, each of which is assigned to a different Tone button.
The Tone “Grand Piano 1” is selected when the instrument’s power is turned on.
fig.Panel-ToneSelect.eps
When the [Registration] button is lit, Tone buttons ([1]–[7]) can be pressed to select registrations.
If you want to select a tone, press the [Registration] button to turn off its light.
Press a Tone button to select a tone group.
1.
2.
Try fingering the keyboard. You’ll hear a tone of the selected tone group.
The display will indicate the name and number of the currently selected tone.
fig.d-1.eps
Use the [-] [+] buttons to select a variation tone from the tone group.
The Tone you’ve selected is heard when you finger the keyboard.
The next time you select this Tone button, you’ll hear the tone you selected here.
fig.d-12.eps
About the Tone name, refer to “Tone List” (p. 158).
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Performing
Simulating the Way that Sounds are Created on an Organ
(Tone Wheel)
The FP-7 lets you create your own original organ sounds.
Of the Tone buttons, the tones assigned to the [TW Organ] (Tone Wheel Organ) button
simulate the way in which sounds are created on a tonewheel organ.
On a tonewheel organ, you can create original sounds by sliding nine harmonic bars
(drawbars) forward or backward to change their relative balance. Each bar is assigned
a different footage, and this footage determines the pitch of the sound.
8' is the footage that forms the basic pitch of the sound; this is the center around which
you create the tone.
Each harmonic bar is assigned a sine wave (a pure pitch without overtones) of a different
pitch, and by combining these pitches you can create a wide range of sounds.
Time
8' volume: 8
Time
Time
4' volume: 5
You can simulate the creation of tones using the harmonic bars by assigning footages to
the Tone buttons.
The FP-7 provides two screens for this purpose: the “Tonewheel Organ screen” and the
“TW Edit (Tone Wheel Edit) screen.” Graphics indicating the state of the harmonic bars
are shown in these screens.
You can switch between these two screens by holding down the [Display] button and
using the [-] [+] buttons.
The Tonewheel Organ Screen
TW Edit (Tone Wheel edit) Screen
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Performing
What’s the feet?
“Feet” is a term that began as a measurement of the length of the pipes in a pipe organ.
The pipes that produce the basic pitch (fundamental) for each note are considered to be
“8 feet” in length.
Therefore, a pipe producing a pitch one octave below that of the reference of 8' (eight
feet) would be 16'; for one octave above the reference, the pipe would be 4', and to take
the pitch up yet another octave it would be shortened to 2'.
The pitches of the harmonic bars are related as follows.
When the middle C (C4) note is pressed, each
harmonic bar will sound the following notes.
16'
51/3'
8'
4'
22/3'
12th
2'
13/5' 11/3'
1'
15th
one octave 5th
below
root
8th
17th
19th
22nd
8' =
On tonewheel organs, the high-pitched footage for a portion of the high range, and the
low-pitched footage for a portion of the low range are “folded-back” in units of one
octave.
Folding back the high-frequency portion prevents the high-frequency sounds from being
unpleasantly shrill, and folding back the low-frequency portion prevents the sound from
becoming “muddy.”
On the FP-7 faithfully simulates this characteristic.
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Performing
When the [Registration] button is lit, Tone buttons ([1]–[7]) can be pressed to select registrations.
If you want to select a tone, press the [Registration] button to turn off its light.
Selecting the Type of Tonewheel Organ
Press the [TW Organ] button so it’s lit.
1.
The tonewheel organ screen will appear.
Tonewheel organ tone number
Harmonic bar (footage) status
Percussion settings
Use the [-] [+] buttons to select a variation.
2.
The type of tonewheel organ will change.
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Performing
Selecting the Footage to Adjust the Volume
Hold down the [Display] button and press the [+] button to get the
following screen.
3.
Hold down the [Display] button and press the [-] [+] buttons several times
to select the footage for which you want to change the volume.
4.
Footage 16' 51/3' 8' 4' 22/3' 2' 13/5' 11/3' 1'
If the TW Edit (tone wheel edit) screen is displayed, you can use the Tone buttons, [Registration]
button, and [Split] button to select the desired footage. After selecting a footage, you can also use
the [-] [+] buttons to adjust its volume.
16'
51/3'
8'
4'
22/3'
2'
13/5'
11/3'
1'
Adjusting the Volume of a Footage
Use the [-] [+] buttons to adjust the volume of the selected footage.
5.
The screen will indicate the volume as you adjust it.
Volume of each footage
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Performing
Adding Sparkle to the Sound (Percussion)
Percussion adds an attack-type sound to the beginning of the note to give the sound more
crispness. The attack sound changes according to the value.
The percussion on tone wheel organs did not apply to all notes that were played. When notes
were played legato (smoothly and connectedly), percussion was applied only to the first-played
note. When notes were played staccato (articulating each note separately), percussion was
applied to all notes. This method is referred to as single trigger algorithm, and is a very important
element in organ performance. On the FP-7 faithfully simulates this characteristic.
Hold down the [Display] button and press the [-] [+] buttons to select the
type of the percussion.
6.
The Percussion is applied only to the Upper Tone.
NOTE
NOTE
When percussion is on, the 1' pitch will not be
produced.
Setting
Description
Off
Percussion will not sound.
2nd
3rd
Percussion sounds at a pitch one octave above that of the key pressed.
Percussion sounds at a pitch an octave and a fifth above that of the key pressed.
Adjusting the Rate at which the Percussion Decays
Hold down the [Display] button and press the [-] [+] buttons to select the
speed at which the percussion sound will decay.
7.
Setting
Description
The percussion sound will disappear slowly.
The percussion will have a more gentle attack.
Slow
Fast
The percussion sound will disappear quickly.
The percussion will have a sharper attack.
When “Fast“ is seleced
Volume
When “Slow“ is seleced
Volume
Short decay time
Long decay time
Volume of
Percussion
Volume of
Percussion
Volume of
Harmonic Bar
Volume of
Harmonic Bar
Time
Time
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Performing
Performing with Two Layered Tones (Dual Play)
You can play two different tones from a single key at the same time. This method of
performance is called “Dual Play.”
As an example, let’s try layering piano and strings sounds.
fig.Panel-ToneSelect.eps
When the [Registration] button is lit, Tone buttons ([1]–[7]) can be pressed to select registrations.
If you want to select a tone, press the [Registration] button to turn off its light.
Hold down the [Piano] button and press the [Strings/Pad] button.
1.
The indicators for both buttons light.
Try fingering the keyboard. Both the piano and strings sounds play.
Pressing two Tone buttons at the same time in this manner activates Dual Play.
Of these two selected tones, the one for the Tone button you pressed first is called the “Upper
Tone,” and the one for the Tone button you pressed after that is called the “Lower Tone.”
fig.d-1.eps
Here, the piano tone is the Upper Tone and the strings tone is the Lower Tone.
Turning Off Dual Play
1.
Now you’ll hear only the tone of the button you pressed.
You can change the pitch of the Lower Tone an octave at a time. Refer to “Changing
the Pitch of the Lower Tone in Octave Steps (Octave Shift)” (p. 126).
You can vary the volume-level balance of the two tones. Take a look at “Changing the
Volume Balance for Dual Play and Split Play” (p. 47).
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Performing
You can select the part that will take priority for effects if the Upper tone and Lower
tone have different effect settings when you’re using Dual play. Refer to “Setting the
Part to Which Effects Are Added” (p. 120).
You can change the part to which the function assigned to the pedal will apply. Refer
to “Changing How the Pedal Effects Are Applied” (p. 117).
If you’re using Split play, pressing two Tone buttons won’t switch you to Dual play.
Changing the Tone Variations
Changing the Upper Tone
Press the [-] or [+] button.
1.
Changing the Lower Tone
Hold down the Tone button for the Lower Tone, and press the [-] or [+]
button.
1.
The display will show the tone name and number of the lower tone.
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Performing
Performing with Different Tones in the Left and Right Sides of the
Keyboard (Split Play)
Performing with the keyboard divided at a certain key into a left side and a right side is
called “Split Play,” and the point at which the keyboard is divided is called the “Split Point.”
In Split Play, you can have a different tone sound in the left and right sides.
When the instrument is turned on, the split point is set to “F 3.” The split point key is
included in the left side.
While in Split Play, a sound played in the right side is called an “Upper Tone,” and the
sound played in the left side is called a “Lower Tone.”
fig.SplitPoint-e.eps
Spilit Point (Power-up default: F 3)
A0 B0 C1 D1 E1 F1 G1 A1 B1 C2
C3
C4
C5
B7 C8
Lower Tone
Upper Tone
As an example, here’s how to play the tone of the [Piano] button as part of a Split play.
fig.Panel-Split-4.eps
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Performing
When the [Registration] button is lit, Tone buttons ([1]–[7]) can be pressed to select registrations.
If you want to select a tone, press the [Registration] button to turn off its light.
Press the [Piano] button.
1.
2.
Now, the piano tone is selected.
fig.d-1.eps
Press the [Split] button, getting its indicator to light.
The keyboard will be divided into left and right sides.
The F 3 key forms the division between the left and right sides of the keyboard.
The right-hand section of the keyboard plays piano tone, and the left-hand section plays
“A. Bass+Cymbl” (Acoustic Bass + Cymbal) tone.
You can play a tone for the right side (the Upper Tone) before splitting the keyboard.
Turning Off Split Play
Press the [Split] button so its illumination is turned off.
1.
keyboard.
You can vary the volume-level balance of the two tones. Take a look at “Changing the
When you switch from Dual Play (p. 41) to Split Play, the Upper Tone used in Dual
Play is selected as the Upper Tone for Split Play.
You can specify which part is to have priority when the effects assigned to the Upper
Tone and Lower Tone differ. Refer to “Setting the Part to Which Effects Are Added” (p.
120).
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Performing
Switching Tone Groups and Tone Variations
Changing the Upper Tone
Press the Tone button to choose a tone group.
1.
2.
Press the [-] or [+] button to select a variation tone.
Changing the Lower Tone
Hold down the [Split] button and press the Tone button to choose a tone
group.
1.
2.
Hold down the [Split] button and press the [-] or [+] button to select a
variation tone.
You can change the pitch of the Lower Tone an octave at a time. Refer to “Changing
the Pitch of the Lower Tone in Octave Steps (Octave Shift)” (p. 126).
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Performing
Changing the Keyboard’s Split Point
You can change the split point (the key at which the keyboard is divided).
The split point can be set to any value from B1 through B6.
This is set to “F 3” when the instrument is turned on.
This setting remains in effect until you turn off the power.
fig.SplitPoint-3-e.eps_77
Split Point (Power-up default: F 3)
A0
C1
B1 C2
C3
C4
C5
C6
B6 C7
C8
Range in which you can specify the split point (B1–B6)
fig.Panel-Split-4.eps
Hold down the [Split] button and press a key set as the split point.
1.
The key you pressed becomes the split point, and appears in the display.
fig.d-spltpoint.eps
The key being used as the split point belongs to the left-hand section of the keyboard.
The display will return to its previous state when you release the [Split] button.
The name of the lower tone is displayed while you hold down the [Split] button.
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Performing
Changing the Volume Balance for Dual Play and Split Play
You can change the volume balance of the Upper and Lower Tones in Dual Play (p. 41)
and Split Play (p. 43).
fig.Panel-Balance.eps
Use the [Balance] knob to adjust the volume balance.
1.
Turning the knob toward the left (toward “Lower”) increases the volume of the Lower tone.
Turning the knob toward the right (toward “Upper”) increases the volume of the Upper tone.
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Performing
Adjusting the Keyboard Sensitivity (Key Touch)
You can change the touch sensitivity, or response of the keys.
You can adjust the keyboard touch as appropriate for the playing strength of the person
who is performing.
fig.Panel-KeyTouch.eps
Hold down the [Reverb] button and press the [Sound Control] button.
1.
The Key Touch screen appears.
fig.d-M-.eps
Press the [-] or [+] button to select the keyboard touch.
2.
Setting
Description
Off
The sound plays at one set volume, regardless of the force used to play the keys.
This setting produces the lightest keyboard touch.
Super Light
You can achieve fortissimo (ff) play with a less forceful touch than usual, so the
keyboard feels lighter. This setting makes it easy to play, even for children.
Light
This sets the standard keyboard touch. You can play with the most natural touch.
This is the closest to the touch of an acoustic piano.
Medium
You have to finger the keyboard more forcefully than usual in order to play
more feeling to what you play.
Heavy
Super Heavy
This setting produces the heaviest keyboard touch.
3.
You can specify the loudness at which each note will sound when the “Off” keyboard touch
is selected. Refer to “Changing the Velocity When the Key Touch is Set to “Off”” (p. 126).
You can adjust the keyboard touch sensitivity in the Function screen (p. 125).
You can make even finer adjustments to the keyboard touch. Please refer to “Making
Fine Adjustments to the Keyboard Touch Sensitivity” (p. 125).
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Performing
Adding Reverberation to Sounds (Reverb Effect)
You can apply a reverb effect to the notes you play on the keyboard. With the reverb
effect, you obtain a pleasant reverberation, making it sound as if you were performing
in a concert hall or similar space.
fig.Panel-Reverb.eps
Press the [Reverb] button so it’s lit.
1.
Try fingering the keyboard.
The reverb effect is applied to the entire tone.
Turning Off the Reverb Effect
Press the [Reverb] button so its light is turned off.
1.
Changing the Depth of Reverb Effect
You can select from ten levels of depth for the reverb effect.
Hold down the [Reverb] button and press the [-] or [+] button.
1.
The depth for the reverb effect appears in the display.
fig.d-2.eps
You cannot make separate reverb effect depth settings for each individual tone. The
NOTE
same depth of reverb effect will apply to all sounds.
You cannot change reverb effect depth of Session Partner, Demo songs, and Internal
NOTE
song.
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Performing
Adding a Variety Effects to the Sound (Effects)
In addition to reverb, you can apply a variety of effects to the FP-7’s sounds.
These are referred to as “effects.” With the FP-7, you can select from 62 different effect
types.
With the factory settings, an effect suitable for each tone is selected.
fig.Panel-Effects.eps
Press the [Multi Effects] button so it’s lit.
1.
Try fingering the keyboard.
The effect is applied to the currently selected tone.
Some tones initially have effect applied. Selecting such a tone makes the [Multi Effects]
button light up automatically.
You can change the effect type. Refer to “Changing the Effect Type” (p. 119).
Turning Off the Effects
1.
You can select the part that will take priority for effects if the Upper tone and Lower
tone have different effect settings when you’re using Dual play or Split play. Refer to
“Setting the Part to Which Effects Are Added” (p. 120).
You can make detailed adjustments to the effect settings, such as adjusting the effect
depth. Refer to “Editing the Effect Settings in Detail” (p. 119).
The effect settings are displayed while you hold down the [Multi Effects] button. You
can change the effect settings by holding down the [Multi Effects] button and using the
[-] [+] buttons.
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Performing
Adding a Spinning Sound to Organ Tones (Rotary Effect)
The Rotary effect is applied to some Organ tones you can select with the [Organ] button.
When one of these tones is selected, you can use the [Multi Effects] button to change the
speed of the rotary effect.
What’s the Rotary Effect?
What the rotary effect does is to add a “spinning” effect similar to the sound of an organ
using a rotating speaker.
In most rotary speakers, the high-frequency speaker and low-frequency speaker rotate at
different speeds. The FP-7 can simulate this complex type of modulation.
fig.Panel-Rotaty.eps
Press the [Organ] button and then press the [-] or [+] button to select the
organ tone.
1.
2.
When a tone that has the Rotary effect added is selected, the [Multi Effects] button flashes or
blinks.
Each time pressing the [Multi Effects] button, switch the speed of the rotary
effect between rapid and slow rotation.
If the [Multi Effects] button is blinking rapidly, the rotary effect is being applied with the fast
rotational speed. If the [Multi Effects] button is blinking slowly, the rotary effect is being applied
with the slow rotational speed.
If you don’t want the rotary effect to be applied, select an effect type other than the
NOTE
rotary effect (p. 119), then turn off the effect (p. 50).
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Performing
Transposing the Key of the Keyboard or Song Playback (Transpose)
By using the “Transpose” function you can transpose the keyboard or the key in which the
song plays back. This is convenient when you’re singing along with the song, since you
can shift the playback to a key that’s comfortable for the range of your voice. If you’re
accompanying a singer, you can use the Transpose function to shift the pitch to a key that’s
comfortable for the singer while you continue playing in the same familiar key (fingering).
You can also use this function to transpose the pitch of your playing without changing your
fingering on the keyboard. For example, if the song is in a difficult key with numerous
sharps ( ) or flats ( ), you can transpose to a key that’s easier for you to play.
fig.Panel-Transpose.eps
The FP-7 lets you transpose the key (pitch) of the keyboard, of the song, or of the song and the
keyboard together. If you want to transpose only the key of the keyboard or only the key of the
song, you’ll need to specify this ahead of time (p. 124). With the factory settings, the Transpose
function will transpose both the keyboard and the song simultaneously.
Hold down the [Transpose] button and press the key corresponding to the
keynote of the desired key.
1.
The Transpose settings value continues to appear in the display while the [Transpose] button is
held down.
fig.d--3.eps
With the [Transpose] button held down, you can change the value, even by pressing
the [-] or [+] button.
The available range is -6–0–+5. If the Key Transpose value is not “0,” you can use the [Transpose]
button to turn the Key Transpose function on/off.
When you release the [Transpose] button, you return to the previous screen.
By holding down the [Transpose] button and pressing both the [-] and [+] buttons
simultaneously, the setting returns to its original value (0).
NOTE
You can’t transpose the key of demo songs.
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Performing
NOTE
The transpose setting will return to “0” when you select another song.
Example: Playing a Song in the Key of E Major After Transposition to C
Major
Hold down the [Transpose] button and press the E key (since E is the keynote).
Counting from C as a reference point, one moves up four keys, including the black keys, to reach
E, thus “+4” appears in the display.
fig.d-4.eps/fig.Transpose.eps
If you play C E G
It will sound E G #
B
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Performing
Performing with the Metronome
You can perform while the metronome sounds.
The FP-7 provides a versatile Metronome function. You can adjust the volume or time
signature of the metronome, and change the way that beats are marked.
If a song is playing, the metronome will sound at the tempo and time signature of that
song. If a rhythm is playing, the metronome will sound at the tempo and time signature
of that rhythm.
fig.Panel-Metronome.eps
Press the [Metronome] button so it’s lit.
1.
The [Metronome] button flashes in red and green in time with the beat selected at that time. The
indicator lights in red on the downbeats, and in green on weak beats.
Press the [Display] button several times to access the metronome screen.
1.
You can change the beat of metronome. Please refer to the “Changing the Beat of
Metronome” (p. 134).
You can make the metronome sound each beat in greater detail. Please refer to the
“Changing the Way in which the Metronome Marks the Beat” (p. 134).
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Performing
Changing the Tempo
Press the [Display] button several times so it’s lit in orange.
1.
The tempo is displayed.
fig.d-Tempo.eps
Press the [-] or [+] button to adjust the tempo.
2.
The tempo is set in terms of the value of a quarter note, with possible values ranging from 10 up
to 500.
Changing the Volume of the Metronome
The volume of the metronome can be adjusted, with ten volume levels available.
This is set to “5” when the instrument is turned on.
While holding down the [Metronome] button, press the [-] or [+] button to
adjust the volume.
1.
The display will indicate the metronome volume.
fig.d-MetroVol.eps
NOTE
When the metronome volume is set to “0,” the metronome sound does not play.
You can also adjust the volume of the metronome by turning the [Balance] knob while
you hold down the [Metronome] button.
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Performing
Adding Liveliness to the Sound (Sound Control)
You can add liveliness to the sound to give it superb clarity and distinctness.
fig.Panel-SoundControl.eps
Press the [Sound Control] button so it’s lit.
1.
The Sound Control function is switched on, enlivening the sound.
While holding down the [Sound Control] button, press the [-] or [+] button
to change the type.
2.
fig.d-1.eps
Setting
Description
Sharp
Clear
Creates a sound with boosted bass and treble.
Produces a sound with chords in the low registers that are clear and distinct.
Creates a sound with boosted bass.
Power
Turning Off Sound Control
Press the [Sound Control] button so its light is turned off.
1.
You can specify the Sound Control setting that will be selected when the power is
turned on. Please refer to “Specifying the Sound Control Setting at Power-on” (p. 122).
For some sounds, this may cause distortion. If the sound distorts, refer to “Adjusting the
NOTE
Volume (Master Gain)” (p. 123).
The Sound Control function is not applied to the sounds of external devices connected
NOTE
to the Input jacks.
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Performing
Changing the Tonal Quality (Equalizer)
You can use the equalizer to adjust the tonal quality.
This allows you to adjust the tonal character by boosting or decreasing the low-frequency
or high-frequency portions.
fig.Panel-Equalizer.eps
Press the [Equalizer] button so it’s lit.
1.
The equalizer will be turned on, and the tonal character will change.
Turning Off the Equalizer
Press the [Equalizer] button so its light is turned off.
1.
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Changing the Equalizer Type
You can switch the equalizer settings to apply different changes to the tonal character.
The FP-7 provides four equalizer settings.
While holding down the [Equalizer] button, press the [-] or [+] button to
select the equalizer type.
1.
A screen like the following will be displayed while you hold down the [Equalizer] button.
Setting
Description
1
2
3
4
The high frequencies will be boosted, producing a bright, sparkling sound.
The high frequencies will be restrained, producing a more mellow sound.
The low-mid frequencies will be boosted, producing a powerful sound.
This setting is suitable for piano solos.
You can make more exacting changes to the equalizer settings. Please refer to the
“Changing the Equalizer Settings” (p. 123).
You can specify the equalizer setting that will be selected when the power is turned on.
Please refer to the “Specifying the Equalizer Setting at Power-on” (p. 122).
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Performing
Performing with Audio Files (Audio Key)
The FP-7 lets you play audio files saved on USB memory (sold separately) while you
perform. This is called the “Audio Key” function.
The Audio Key function lets you assign an audio file to each key B 0–B1, and play those
audio files by pressing the corresponding key. You can assign various phrases to the keys
and play them at the appropriate moments during your performance.
You can also specify that an audio file play repeatedly, or reserve the audio file that
should be played next.
If you turn on the Audio Key function when USB memory containing audio files is not
connected, an audio file built into the FP-7 will be selected.
Here are some ways in which you can enjoy using the Audio Key function.
• By switching audio files between sections such as Intro, Theme, Break, and Ending
as your song progresses, you can freely change the structure of the song while you
perform.
• Assign a different audio song to each key, and use the keyboard to switch songs so
you can perform to the accompaniment of an audio song.
fig.Panel-Equalizer.eps
Performing with Audio Files from USB Memory
Here’s how you can perform while playing audio files saved on USB memory (sold
separately).
prepare the audio file set that you want to play back on the FP-7.
The included CD-ROM contains a sample audio file set that you can copy to USB memory
and use.
Connect the USB memory containing audio file sets to the external memory
connector (p. 23).
1.
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Performing
While holding down the [Audio Key] button, and use the [-] [+] buttons to
select an audio file set.
2.
When you take your finger off the button, a screen like the following will appear.
The Audio Key function will be activated, allowing you to play audio files by pressing a key.
Indication
Description
One-shot Now
O
When you press the key, the audio file will play only once.
The audio file will play immediately when you press the key.
One-shot Wait
When you press the key, the audio file will play only once.
With this setting, pressing the key while another audio file is playing will
reserve the audio file to be played next. When the currently playing audio file
has finished, the reserved audio file will play.
O-W
L
Loop Now
When you press the key, the audio file will play repeatedly.
The audio file will play immediately when you press the key.
Loop Wait
When you press the key, the audio file will play repeatedly.
With this setting, pressing the key while another audio file is playing will
reserve the audio file to be played next. When the currently playing audio file
has finished, the reserved audio file will play.
L-W
STOP
When you press this key, the audio file will stop playing.
If no audio files have been assigned to keys, nothing will be shown in the keyboard
graphic in the screen.
NOTE
Play a key B 0–B1.
3.
The audio file assigned to the respective key will play.
B 0–B1
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If you play the B 0 key, a screen like the following will appear.
If a key is assigned to play an audio file, the color of the key in the screen will change. The name
and remaining time of the currently playing audio file is also shown in the screen.
The key that is playing an audio file
Name of the audio file
Remaining time of the audio file
Keys set to “O-W” or “L-W” let you reserve the audio file that will be played when the currently
playing audio file has finished playing. If you’ve pressed the B 0 key and then press the E1 key
to reserve the next-played audio file, the screen will show as follows.
Key of the currently playing audio file
Key of the next-played audio file
* The border of the reserved
audio file will be shown with
a thicker border in the screen.
Name of the currently playing audio file
Remaining time of the currently playing audio file
Play the A0 key.
4.
Audio file playback will stop.
A0
For details on installing the included “Audio Key Utility” into your computer, refer to
“Audio Key Utility quick guide” (separate document).
If no USB memory (sold separately) containing audio files is connected to the FP-7,
follows).
If the connected USB memory does not contain an audio file set created by the “Audio
Key Utility,” you’ll be able to assign audio files from USB memory to each key and play
them.
You can also change the settings of the audio files assigned to the keys, and change
the settings that specify how the audio files will be repeated (p. 127).
The changes you make will be remembered until you turn off the power. However, the
changes you make will be lost if you select another audio file set.
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Performing
Performing with Audio Files that are Built Into the FP-7
If USB memory (sold separately) containing audio files is not connected, you’ll be able
to play audio files that are built into the FP-7.
The audio file set that’s built into the FP-7 is shown as “Internal Demo.”
Even if you’re using the audio file set that’s built into the FP-7, you can change the
settings of the audio files assigned to the keys, and change the settings that specify
how the audio files will be repeated (p. 127).
The changes you make will be remembered until you turn off the power. Even if you
don’t turn off the power, the changes you make will be lost if you connect USB memory
and select another audio file set.
If you’re using an audio file that’s built into the FP-7, you can’t save your changes in
NOTE
USB memory.
Adjusting the Volume of the Audio Key
You can adjust the volume when using the Audio Key function.
You can adjust the volume of the audio key to change the volume balance between your
keyboard performance and the audio file playback.
Hold down the [Audio Key] button and turn the [Balance] knob.
1.
The volume can be adjusted to any value from 0 to 127.
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Performing
Creating a Piano Sound to Your Taste (Piano Designer)
The FP-7 lets you create your own piano sound by adjusting settings such as the sympathetic
resonance of the piano strings. This function is called “Piano Designer.”
When you’ve created a sound you like, you can also save it.
When the [Registration] button is lit, Tone buttons ([1]–[7]) can be pressed to select registrations.
If you want to select a tone, press the [Registration] button to turn off its light.
Press the [Display] button so its illumination is turned off.
1.
2.
The name of the currently selected tone is shown in the screen.
Select the “Grand Piano 1” sound.
Press the [Piano] button to select the Piano Tone Group.
Press the [-] button several times to select “Grand Piano 1.”
Hold down the [Display] button and press the [+] button.
3.
The Piano Designer screen will appear.
There are four Piano Designer screens. To switch between the Piano Designer screens, hold down
the [Display] button and use the [-] [+] buttons.
Hold down the [Display] button and use the [-] [+] buttons to select the item
that you want to adjust.
4.
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Indication
Lid
Item
Description
Adjusts the degree to which the grand piano’s lid is open.
Closing the lid of the piano shown in the screen will produce a more
mellow tone. Opening the lid will brighten the tone.
Lid *
Adjusts the damper noise of an acoustic piano (the sound of the strings
being released when you press the damper pedal).
Damper Noise *
Duplex Scale *
Adjusts the sympathetic vibrations produced by the duplex scale of an
acoustic piano.
Higher values will increase the volume of the sympathetic vibration.
Adjusts the string resonance of an acoustic piano (the sound of the
sympathetically vibrating strings for keys that are already held down
when you strike a different key).
Resonance
String
Resonance
Higher values will increase the volume of the sympathetic vibration.
Adjusts the sympathetic vibration produced by the key-off sound of an
acoustic piano (the subtle sound produced when you release a key).
Higher values will increase the volume of the sympathetic vibration.
Key Off
Resonance
This adjusts how your playing strength will affect the timing at which the
note sounds.
On an acoustic piano, pressing a key moves a hammer, which strikes a
string to produce sound. If you press the key softly, the hammer will move
slowly, meaning that it will take slightly longer (in comparison to a
strongly-played note) from the moment you press the key until the sound
is produced.
Hammer
Response
Keyboard
If the Hammer Response function is turned on, the time between the
moment you press a key until the sound is heard will change depending
on the strength with which you play. As you play more softly, this time
will become longer.
Adjusts the sound of the hammer striking the strings of an acoustic piano.
Higher values will produce a louder hammer strike.
Hammer Noise
Prset (Preset)
Applies the “stretched tuning” system that is distinctive to a piano, in
which the high range is tuned slightly sharper than standard tuning, and
the low range is tuned slightly flatter.
If you select Prset (Preset), the standard preset tuning curve of the FP-7 will
be used.
Stretch
Tuning
You can adjust the stretch tuning setting as desired.
Play the key whose pitch you want to adjust, then use the [-] [+] buttons
to adjust its pitch.
-50–0–+50
* These settings are valid only when the [Multi Effects] button is on (lit) and the effect type is set
to “Damper Resonance.”
Use the [-] [+] button to adjust the setting.
5.
What are Duplex Scale?
The Duplex Scale is a system of sympathetically vibrating strings sometimes included in
grand pianos.
These sympathetically vibrating strings are not struck directly with hammers, but sound by
vibrating in sympathy with the vibrations of other strings. By resonating with the overtones,
these strings add richness and brilliance to the sound. These sympathetic strings are added
only to the high register above approximately C4. Since they do not have a damper (a
mechanism that stops them from sounding), they will continue sounding even after you play
a note and then release it to stop the sound of the string that was actually struck.
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Performing
Saving the Piano Designer Settings
When you’ve used Piano Designer to create a piano sound that you particularly like, you
can save it in internal memory. Settings you save in this way will be preserved even if
you turn off the power.
Access the Piano Designer screen (p. 63).
1.
2.
Hold down the [Display] button and press the [+] button several times to
access the following screen.
Hold down the [Display] button and press the [+] button once again to
select “OK.”
3.
4.
If you decide not to save the Piano Designer settings, press the [Display] button.
Press the [Rec] button.
The Piano Designer settings will be saved.
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Playing Along with Rhythms
What is Session Partner?
“Session Partner” Lets You Enjoy Playing with a Session-Like Feel
“Session Partner” is an easy-to-use function that plays rhythm in a variety of musical
styles. Playing along with this accompaniment, with its realistic sounds, gives you the feel
that you are playing live with a band backing you.
For example, you can practice the piano in a different way than usual by playing along
with Session Partner instead of a metronome.
You can also change the accompaniment as you like to suit whatever you are playing.
By changing the chords and Rhythms, even while playing the same melody, you can
easily create all kinds of new arrangements.
We encourage you to enjoy the variety of performance options open to you by using the
“Session Partner” feature.
What You Can Do with “Session Partner”
“Session Partner” lets you mainly do the following things.
• Play piano with a session-like feel along with Rhythms while the chord progression continues
automatically (p. 67).
• Play the piano to provide your own accompaniment as you specify chords with the left hand
(the left part of the keyboard) (p. 73).
• Enjoy freer piano performances using your own original chord progressions (p. 76).
“Session Partner” lets you add accompaniment with the “rhythms” and performance parts
you select.
You can play intros, endings, and fill-ins (short phrases inserted at transition points in the
song) by pressing buttons as you play the keyboard.
What are the FP-7’s “Rhythms?”
The FP-7 features internal “Rhythms” complementing Pops, Jazz, and other various
musical genres.
“Rhythms,” or combinations of elements from a musical genre that recreate the mood or
signature sound of a particular style, form the foundation of the accompaniment used in
“Session Partner.”
A “Rhythm” is composed from the following three items.
Drums Part
Bass Part
Accompaniment Part (except drum and bass part)
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Playing Along with Rhythms
Now, let’s try performing along with Session Partner.
Since a wide variety of musical genres is provided, be sure to use a Rhythm that best suits
the song you are performing.
Please refer to “Selecting a Rhythm” (p. 70).
fig.Panel-Session-1.eps
Press the [Session Partner] button.
1.
The [Session Partner] button will light, and the performance will begin from the intro.
During the intro, the Track [R] button will blink.
The chord is shown in the display.
The chord progression advances automatically, freeing you up to play the melody.
fig.d-C.eps
Tempo
Rhythm
Name
Rhythm
Number
The chord that’s playing now
The chord that will be played next
The chord name indication will be highlighted slightly before the chord changes.
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Playing Along with Rhythms
Stopping the Session Partner Performance
Press the [Session Partner] button.
1.
When you press the [Session Partner] button, an ending will be played and then Session Partner
will stop.
The Track [R] button will blink while the ending is playing. When Session Partner stops, the
[Session Partner] button will go out.
If you press the [Session Partner] button once again during the intro or ending, the performance
will stop immediately.
You can change the rhythm that will sound.
➝ “Rhythm List” (p. 163)
You can also specify the chords to be played in a Rhythm.
➝ “Performing with the Chord Progression Specified in the Left Hand (Chord Progression
Off)” (p. 73)
You can change the chord progression patterns.
➝ “Selecting a Rhythm’s Chord Progression” (p. 72)
You can perform without adding an intro or ending.
➝ “Setting the Intro and Ending On or Off” (p. 129)
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Playing Along with Rhythms
Changing the Volume of the Session Partner Performance
Here’s how to adjust the volume when Session Partner is playing.
While holding down the [Session Partner] button, press the [-] or [+]
button.
1.
fig.d-SPvolume.eps
While you hold down the [Session Partner] button, the display will show the volume of
Session Partner.
You can also adjust the volume of the Session Partner by turning the [Balance] knob
while you hold down the [Session Partner] button.
Selecting Parts
You can select the part to be played.
Press the [Session Partner] button so Session Partner starts playing.
1.
2.
Press the Track [1] button.
The part or group of parts enabled for performance changes each time you press the Track [1]
button, as shown below.
Track [1] button
The parts that will play
Drums, Bass, Accompaniment
Lit in red
Lit in orange
Lit in green
Drums, Bass
Drums
Stopping the Session Partner Performance
Press the [Session Partner] button.
1.
When you press the [Session Partner] button, an ending will be played and then Session Partner
will stop.
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Playing Along with Rhythms
Selecting a Rhythm
Now, try changing the Rhythm being performed.
Let’s try changing the rhythm to suit the song you want to play.
fig.Panel-Session-2.eps
Press the [Display] button, getting its indicator to light in red.
1.
The Settion Partner screen appears.
The display will show the rhythm number and rhythm name.
fig.d-r01.eps
Press the [-] or [+] button to select the Rhythm.
2.
For more information on the different Rhythm type, refer to “Rhythm List” (p. 163).
Changing Rhythms as You Perform
If you change Rhythms while a Rhythm is being played, the selected Rhythm begins after
the fill-in is played.
What’s a “Fill-In”?
A short improvisational phrase inserted at the bar line is called a “Fill-In.”
The phrase best suited to the selected Rhythm is played.
The Track [R] button will blink while the fill-in is playing.
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Playing Along with Rhythms
Changing a Rhythm’s Tempo
The FP-7 has an optimal tempo for each Rhythm.
You can change the tempo of the selected Rhythm.
Furthermore, you can change the tempo as the Rhythm is being played.
fig.Panel-Session-2.eps
Press the [Display] button, getting its indicator to light in orange.
1.
The tempo is displayed.
fig.d-Tempo.eps
Press the [-] or [+] buttons to adjust the tempo.
2.
The tempo is set in terms of the value of a quarter note, with possible values ranging from 10 up
to 500.
When the [Session Partner] button is pressed, the Rhythm is played at the selected tempo.
If you change the Rhythm during Session Partner play, the tempo won’t change. Press
NOTE
the [Display] button several times to access the Metronome screen, then use the [-] [+]
buttons to change the tempo.
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Playing Along with Rhythms
The FP-7 has an optimal chord progression pattern for each Rhythm.
You can change the chord progression pattern if you want.
For more information on chord progression patterns, refer to the “Chord Progression
Pattern List” (p. 164).
fig.Panel-Session-3.eps
Press the [Session Partner] button so Session Partner starts playing.
1.
2.
Hold down the Track [2] button and press the [-] or [+] button to change
the chord progression pattern.
The pattern number of the currently selected chord progression will be displayed while you hold
down the Track [2] button.
fig.d-12.eps
If you change the chord progression pattern during the performance, a fill-in will be played, and
then the performance will begin using the selected chord progression.
Stopping the Session Partner Performance
Press the [Session Partner] button.
1.
When you press the [Session Partner] button, an ending will be played and then Session Partner
will stop.
You can change the root note of the chord. Refer to “Selecting the Root Note of the
Chord Progression” (p. 130).
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Playing Along with Rhythms
Performing with the Chord Progression Specified in the Left Hand
(Chord Progression Off)
Performing with the keyboard divided at a certain key into a left side and a right side is
called “Split Play.” While in Split Play, you can use the left side to specify chords instead
of using it to play the Lower Tone.
When specifying the chords in the left part of the keyboard, Dual Play (p. 41) is
NOTE
disabled in the right part.
fig.Panel-Session-4.eps
Press the [Session Partner] button so Session Partner starts playing.
1.
Press the Track [2] button so its light is turned off.
2.
The [Split] button lights up.
The left side of the keyboard will no longer produce sound.
Use the left side of the keyboard to specify a chord, and play a melody in
the right side.
3.
fig.ChordProgOff.eps
Split Point
* You can change the split point.
A0
C1
B1 C2
C3
C4
C5
C6
B6 C7
C8
Region for specifying chords
It is not necessary to continue holding down the keys for chords in the left side. Even after you
release the key, the same chord continues until the next chord is played.
You can specify chords simply with your finger, even without playing the keys for all
the chords’ constituent notes. For more information about chord fingering, refer to the
“Chord Fingering List” (p. 167).
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Playing Along with Rhythms
The point at which the keyboard is divided is called the “split point”; you can also
change this split point. For more information, take a look at “Changing the Keyboard’s
Split Point” (p. 46).
In the left side of the keyboard, you can specify chords while playing the Lower tone.
Press the [Split] button to turn off its light, then press the [Split] button once again so it’s
lit. The Lower tone will sound when you play the left side of the keyboard.
Returning to Automatic Chord Progression Switching
Press the Track [2] button so it’s lit.
4.
You’ll be returned to the setting for automatic chord progression switching.
Stopping the Session Partner Performance
Press the [Session Partner] button.
5.
After the ending, the performance will stop.
The [Session Partner] button will go out.
You can change the performance settings by using your left hand to specify a chord
before Session Partner begins playing.
1. While holding down the [Session Partner] button, press the Track
[2] button so the Track [2] button’s illumination is turned off.
The [Split] button will light.
The [Session Partner] button will blink, and the instrument will wait for the performance to
begin.
2. Use the left side of the keyboard to specify a chord, and play a
melody in the right side.
3. Press the [Session Partner] button to stop the playback.
When you press the [Session Partner] button, an ending will be played and then Session
Partner will stop.
The [Session Partner] button will blink, and the instrument will wait for the performance to
begin.
To defeat the setting for using your left hand to specify the chords while you play, hold
down the [Session Partner] button once again and press the Track [2] button so its indicator
is turned on.
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Playing Along with Rhythms
Changing the Rhythm Pattern (Original/Variation)
Each rhythm has two varieties of accompaniment patterns; the original accompaniment
pattern, and a more colorful variation of that pattern.
A fill-in (short phrase) will be inserted between changes of the accompaniment pattern,
adding contrast to the song.
For example, it is effective to use the quiet Original pattern for the first half of the song,
and then switch to the Variation pattern for the second half when you want to build
excitement.
fig.Panel-Session-5.eps
Press the [Session Partner] button so Session Partner starts playing.
Press the Track [R] button to make it light or go out.
1.
2.
Track [R] button
Description
The original accompaniment pattern will play.
The variation accompaniment pattern will play.
Unlit
Lit
The Track [R] button will blink while the fill-in is playing.
Stopping the Session Partner Performance
Press the [Session Partner] button.
1.
When you press the [Session Partner] button, an ending will be played and then Session Partner
will stop.
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Playing Along with Rhythms
Recording the Chord Progression
You can save a chord progression you’ve specified using the left-hand section of the
keyboard.
ffig.Panel-Session-6.eps
Hold down the [Session Partner] button and press the [Rec] button.
1.
The [Session Partner] and the [Rec] buttons flash, and the FP-7 is put into recording standby.
The following screen appears.
fig.d-UserChordProg.eps
Press the [Session Partner] button or the [Rec] button to exit from recording standby.
Use the left side of the keyboard to specify a chord and begin recording
the chord progression.
2.
3.
You can store up to sixteen chords.
Press the [Session Partner] button to stop recording the chord progression.
The chord progression you record will be recorded to “User Chord.” To select the chord
You can record a chord progression of up to sixteen measures. However, when the
recorded. Recording will stop automatically when you reach the specified number of
measures. You can store up to sixteen chords.
If you want to change the number of measures for which you can record a chord
progression, refer to “Changing the Number of Measures of the Chord Progression
You Record” (p. 77).
You can make settings so that the chord progression pattern won’t change when you
change the rhythm. Refer to “Fixing a Set Chord Progression” (p. 130).
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Playing Along with Rhythms
The song may not play back correctly if the performance is played with a different beat
than the one used in recording the original chord progression.
The recorded chord progression will be discarded as soon as the power is turned off. If
you want to keep it, you’ll need to save registration (p. 80).
Changing the Number of Measures of the Chord Progression You Record
When creating your own chord progression pattern, you can specify the number of
measures for the chord progression.
When you turn on the power, this is set to eight measures.
fig.Panel-Session-7.eps
Hold down the [Session Partner] button and press the [Rec] button.
1.
The following screen appears.
fig.d-UserChordProg.eps
Press the [+] button.
2.
The Select Measure screen appears.
The display will show the number of measures for which you will record a chord progression.
fig.d-RhythmMeasure.eps
Use the [-] [+] buttons to select the desired number of measures.
3.
You can choose 4, 8, 12, or 16 measures.
Use the left side of the keyboard to specify a chord and begin recording.
4.
Press the [Session Partner] button to stop recording.
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Saving Your Favorite Performance Settings
About the Registration
You can save your favorite combinations of performance settings, including the tone
selection, the dual/split play setting, and Session Partner settings as “Registrations.”
You can use the [Registration] button to store twenty-eight sets of your favorite
performance settings. These twenty-eight registrations are collectively called a
“registration set.”
The registrations are assigned to the seven buttons from [1] to [ 7], with four registrations
assigned to each button.
Variation
1
1-1 2-1 3-1 4-1 5-1 6-1 7-1
1-2 2-2 3-2 4-2 5-2 6-2 7-2
1-3 2-3 3-3 4-3 5-3 6-3 7-3
1-4 2-4 3-4 4-4 5-4 6-4 7-4
4
The registration set can be saved in the FP-7’s internal memory and USB memory (sold
separately).
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Saving Your Favorite Performance Settings
fig.Registration.eps
Registration
(Favorite Performance Settings)
Tone setting, Session Partner
setting, etc.
Write
Registrations you can
access with buttons
FP-7
Internal Memory
Save
Load
1-1 2-1 3-1 4-1 5-1 6-1 7-1
1-22-23-24-25-26-27-2
1-32-33-34-35-36-37-3
1-42-43-44-45-46-47-4
Variation
1
1-1 2-1 3-1 4-1 5-1 6-1 7-1
1-2 2-2 3-2 4-2 5-2 6-2 7-2
1-3 2-3 3-3 4-3 5-3 6-3 7-3
1-4 2-4 3-4 4-4 5-4 6-4 7-4
1-42-43-44-45-46-47-4
.....
1-4 2-4 3-4 4-4 5-4 6-4 7-4
1-4 2-4 3-4 4-4 5-4 6-4 7-4
-4
---
4
Registration Sets
28 Registrations
1 Registration Set
Copy
Copy
USB Memory
Save
Load
1-1 2-1 3-1 4-1 5-1 6-1 7-1
1-22-23-24-25-26-27-2
1-32-33-34-35-36-37-3
1-42-43-44-45-46-47-4
1-42-43-44-45-46-47-4
1-42-43-44-45-46-47-4
--
----
1-4 2-4 3-4 4-4 5-4 6-4 7-4
Registration Sets
For details on the settings that are saved as a registration, refer to “Settings Stored in a
Registration” (p. 176).
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Saving Your Favorite Performance Settings
Storing Your Performance Settings (Registration)
You can use the [Registration] button to store the currently selected buttons and Session
Partner settings. You can also use the [Registration] button and [1]–[7] buttons to recall
the settings you’ve stored. If you have certain combinations of Session Partner settings
The FP-7 lets you store twenty-eight different sets of performance settings.
The recommended settings were stored in the FP-7 when it shipped from the factory.
Registration from 7-1 to 7-4 include the “Basic Registration.” Use this when creating
registration from scratch.
For details on the settings that are saved as a registration, refer to “Settings Stored in a
Registration” (p. 176).
fig.Panel-RegistSave.eps
Specifying the Storage Destination for the Registration
Make the desired Session Partner settings and tone settings.
1.
Hold down the [Registration] button and press one of the [1]–[7] buttons,
then press the [-] [+] buttons to which you want to assign the settings.
2.
A screen like the following will appear when you take your finger off the [Registration] button.
fig.d-Regist.eps
While this screen is displayed, you can hold down the [Display] button and press the
[-] button to select the write-destination registration number. At this time you can also
use the [-] [+] buttons to change the write-destination number.
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Saving Your Favorite Performance Settings
Changing the Name of a Registration
Hold down the [Display] button and use the [-] [+] buttons to select the
character that you want to change.
3.
Use the [-] [+] buttons to select the desired character.
4.
If you decide not to write the registration, press any of the [1]–[7] buttons.
Storing the Registration
Press the [Registration] button.
5.
Your performance settings will be saved.
NOTE
internal memory will be destroyed, rendering it unusable.
You can return the content saved at a [Registration] button to the factory-set condition.
Refer to “Restoring the Factory-set Condition (Factory Reset)” (p. 135).
To select the performance settings you saved, refer to “Recalling a Registration” (p. 82).
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Saving Your Favorite Performance Settings
Recalling a Registration
Settings you’ve stored with the [Registration] button can be recalled instantly.
The recommended settings were stored in the instrument when it shipped from the factory.
Registration from 7-1 to 7-4 include the “Basic Registration.” Use this when creating
registration from scratch.
For details on the settings that are saved as a registration, refer to “Settings Stored in a
Registration” (p. 176).
fig.Panel-RegistSave.eps
Press the [Registration] button.
1.
The first time you press the [Registration] button
after turning the power on, a screen like the one
shown at left will be displayed.
Press one of the buttons from [1] to [7] to select the button at which you
saved the desired registration.
2.
fig.d-RegistVar.eps
Use the [-] [+] buttons to select the registration variation.
3.
fig.d-RegistVar2.eps
The performance settings will change accordingly.
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Saving Your Favorite Performance Settings
Saving a Registration Set
Here’s how the twenty-eight registrations stored with the [Registration] button can be
saved in internal memory or USB memory as a single set.
If you want to save the registration set to USB memory, connect your USB memory to the
external memory connector.
For details on handling USB memory, refer to “Using USB Memory” (p. 23).
fig.Panel-RegistLoad.eps
Press the [Function] button.
1.
2.
Press the Track [R] button.
The Registration File screen appears.
While holding down the [Display] button, use the [-] [+] buttons to select
“Save.”
3.
4.
Press the [Display] button.
Changing the Name of a Registration Set
Hold down the [Display] button and use the [-] [+] buttons to select the
character that you want to change.
5.
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Saving Your Favorite Performance Settings
Use the [-] [+] buttons to select the desired character.
6.
Selecting the Save Destination for Registration Sets
While holding down the [Display] button, use the [-] [+] buttons to select
“Media.”
7.
Use the [-] [+] buttons to select the save-destination media.
8.
Setting
Description
Internal
External
Internal Memory
USB Memory
While holding down the [Display] button, use the [-] [+] buttons to select
“Destination.”
9.
fig.d-001+.eps
10.Use the [-] [+] buttons to select the save destination.
If a registration set name is displayed for a number, a registration set has already been saved at
that number.
If you select a number in which a registration set has already been saved, and save to that number,
the previously saved registration set will be deleted. If you don’t want to delete a previously saved
registration set, select a number for which the save-destination field indicates “(Not Used).”
Saving the Registration Set
11.Press the [Rec] button.
The registration set will be saved.
Never turn off the power while settings are being saved. If you do so, the FP-7’s
NOTE
internal memory will be destroyed, rendering it unusable.
You can return the content saved at a [Registration] button to the factory-set condition.
Refer to “Restoring the Factory-set Condition (Factory Reset)” (p. 135).
To recall the saved registration set, refer to “Loading a Registration Set You Saved” (p.
85).
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Saving Your Favorite Performance Settings
Loading a Registration Set You Saved
can be loaded back to the [Registration] button.
Note that when you load a registration set, all of the settings that were stored at the
NOTE
[Registration] button will be overwritten and lost.
If you want to load a registration set that was saved on USB memory, connect your
NOTE
USB memory to the external memory connector. For more about handling USB
memory, refer to “Using USB Memory” (p. 23).
fig.Panel-RegistLoad.eps
Press the [Function] button.
1.
2.
Press the Track [R] button.
The Registration File screen appears.
While holding down the [Display] button, use the [-] [+] buttons to select
“Load.”
3.
fig.d-Registload.eps
If no registration set has been saved in internal
memory, or if USB memory is not connected, the
“
” icon will be shown for the Load field.
Press the [Display] button.
4.
The Load Registration screen appears.
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Saving Your Favorite Performance Settings
While holding down the [Display] button, use the [-] [+] buttons to select
“Media.”
5.
6.
Use the [-] [+] buttons to select the media on which the registration set was
saved.
Setting
Description
Internal
External
Internal Memory
USB Memory
While holding down the [Display] button, use the [-] [+] buttons to select
“File.”
7.
Use the [-] [+] buttons to select a registration set that you want to load.
8.
Loading the Registration Set
Press the [Rec] button.
9.
The registration set will be loaded to the [Registration] button.
Never turn off the power while settings are being loaded. If you do so, the FP-7’s
internal memory will be destroyed, rendering it unusable.
NOTE
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Saving Your Favorite Performance Settings
Deleting a Registration Set You Saved
Here’s how to delete an entire registration set that’s been saved in internal memory or
USB memory.
For details on handling USB memory, refer to “Using USB Memory” (p. 23).
fig.Panel-RegistLoad.eps
If you want to delete a registration set from USB memory, connect your
USB memory to the external memory connector (p. 23).
1.
Press the [Function] button.
2.
3.
Press the Track [R] button.
The Registration File screen appears.
While holding down the [Display] button, use the [-] [+] buttons to select
“Delete.”
4.
fig.d-Registload.eps
If no registration set has been saved in internal
memory, or if USB memory is not connected, the
“
” icon will be shown for the Delete field.
Press the [Display] button.
5.
The Delete Registration screen appears.
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Saving Your Favorite Performance Settings
While holding down the [Display] button, use the [-] [+] buttons to select
“Media.”
6.
7.
Use the [-] [+] buttons to select the media from which you want to delete a
registration set.
Setting
Description
Internal
External
Internal Memory
USB Memory
While holding down the [Display] button, use the [-] [+] buttons to select
“File.”
8.
Use the [-] [+] buttons to select a registration set that you want to delete.
9.
Deleting the Registration Set
10.Press the [Rec] button.
The registration set you selected will be deleted.
Never turn off the power while settings are being deleted. If you do so, the FP-7’s
internal memory will be destroyed, rendering it unusable.
NOTE
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Saving Your Favorite Performance Settings
Copying a Registration Set
Registration sets you saved in internal memory can be copied to USB memory.
Conversely, registration sets you saved on USB memory can also be copied to internal
memory.
For details on handling USB memory, refer to “Using USB Memory” (p. 23).
fig.Panel-RegistLoad.eps
Connect your USB memory to the external memory connector (p. 23).
Press the [Function] button.
1.
2.
3.
Press the Track [R] button.
The Registration File screen appears.
While holding down the [Display] button, use the [-] [+] buttons to select
“Copy.”
4.
fig.d-Registload.eps
If no registration set has been saved in internal
memory, or if USB memory is not connected, the
“
” icon will be shown for the Copy field.
Press the [Display] button.
5.
The Copy Registration screen appears.
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Saving Your Favorite Performance Settings
While holding down the [Display] button, use the [-] [+] buttons to select
“Type.”
6.
7.
Use the [-] [+] buttons to select the direction of the copy operation.
Setting
Int –> Ext
Ext –> Int
Description
Copies registration sets from internal memory to USB memory.
Copies registration sets from USB memory to internal memory.
While holding down the [Display] button, use the [-] [+] buttons to select
“Int” (internal memory).
8.
9.
If the copy type is “Int -> Ext,” this indicates the registration set number to be copied.
If the copy type is “Ext -> Int,” this indicates the destination to which the registration set will be copied.
Use the [-] [+] buttons to change the setting as desired.
If you select “All,” all registration sets will be copied.
If you select a number in which a registration set has already been saved, then execute the copy,
the previously saved registration set will be deleted. If you don’t want to delete the saved
registration set, select a number for which “Not Used” is shown, then carry out the copy.
You won’t be able to execute the copy if the save-destination memory is full. Delete unneeded data
before you execute the copy.
10.While holding down the [Display] button, use the [-] [+] buttons to select
“Ext” (USB memory).
If the copy type is “Int -> Ext,” this indicates the destination to which the registration set will be copied.
If the copy type is “Ext -> Int,” this indicates the registration set number to be copied.
11.Use the [-] [+] buttons to change the setting as desired.
Copying the Registration Set(s)
12.Press the [Rec] button.
The registration set(s) will be copied.
Never turn off the power while settings are being copied. If you do so, the FP-7’s
NOTE
internal memory will be destroyed, rendering it unusable.
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Saving Your Favorite Performance Settings
Using a Pedal to Switch Registrations
You can assign a pedal to successively switch registrations. Each time you press the
pedal, you will switch to the next registration. Before a concert or other performance, you
can save the appropriate registrations in the order in which you’ll use them, and then
step smoothly through the registrations while you play.
For details on handling USB memory, refer to “Using USB Memory” (p. 23).
fig.Panel-RegistPedal.eps
Press the [Function] button.
1.
2.
Press the [Registration] button.
The Registration screen appear.
While holding down the [Display] button, use the [-] [+] buttons to select
“Shift.”
3.
Use the [-] [+] buttons to change the setting.
4.
Setting
Description
Pressing a pedal connected to the FC2 connector or FC1 connector will not switch
registrations.
Off
The functions assigned to the FC2 jack and FC1 jack will be available for use (p. 118).
The pedal connected to the FC2 jack can be used only for switching registrations.
In this case, the function assigned to the FC2 jack cannot be used.
FC 2
FC 1
The pedal connected to the FC1 jack can be used only for switching registrations.
In this case, the function assigned to the FC1 jack cannot be used.
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Recording
You can easily record your performances.
You can play back a performance you have recorded to check what and how you
played, and play melodies on the keyboard along with prerecorded accompaniment
using the Rhythm.
Memo
• The song you record will disappear when you turn off the power of the FP-7.
You should save your important performances in internal memory or on external
memory, such as separately available USB memory.
➝ “Saving the Songs You Record” (p. 105)
• With second or later recordings, the previously recorded song is erased as the new
material is recorded. When recording a new performance, it is probably a good
idea to erase the previously recorded performance first (p. 103).
• About the Track Buttons
Track buttons
Description
The performance will be recorded.
Blinking
If performance data already exists, the existing performance will be erased
and replaced as the new recording proceeds.
The performance will not be recorded.
During recording, the performance located at this track button will play back.
Lit
The performance will not be recorded.
This track does not contain performance data.
Unlit
If the Following Display Appears
If there is a song you’ve recorded but not saved, a screen like the following will appear
if you attempt to select a different song.
fig.d-dEL.eps
You can’t play back an internal preset song or song saved on USB memory if you have
not yet saved the song you recorded. If it is OK to erase the song, hold down the [Display]
button and press the [+] button to select “OK,” then press the [Rec] button. If you don’t
want to erase the song, select “Cancel” and press the [Rec] button. Save the song in USB
memory or internal memory (p. 105).
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Recording
Recording a New Song
Here’s how to record just your own keyboard performance without using Session Partner
or an internal song.
fig.Panel-RecNew.eps
Settings for Recording
If there is already a recorded song, delete the recorded song before you proceed (p. 103).
Press the [Display] button several times so it’s lit in green.
Press the [-] button several times to select “New Song.”
1.
2.
fig.d-USr.eps
Press the [Rec] button.
3.
The [Rec] button lights, the [Play] button begins flashing, and the FP-7 is put into recording
standby.
If you decide not to record, press the [Rec] button once again.
Starting Recording
Press the [Play] button.
4.
After two measures of count sound, recording begins.
Recording starts when you start playing the keyboard (without pressing the [Play] button). In this
case, a count is not sounded.
When recording begins, the [Rec] button and [Play] button will light.
During the count-in, the count measure is indicated in the display as “-2” then “-1.”
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Recording
Stopping Recording
Press the [Play] button.
5.
Recording will stop.
When you stop recording, the “Song” indication in the song select screen will change to
“Modified.”
The “Modified” indication shows that there is already a previously recorded performance.
Listening to the Recorded Performance
Press the [Play] button.
6.
The recorded performance will play back.
Press the [Play] button once again to stop playback.
7.
The recorded performance will disappear when you turn off the power. If you want to
NOTE
You can change the tone used in recording.
You can change the tempo and set the beat for the song.
➝ “Changing the Tempo” (p. 55)
➝ “Changing the Beat of Metronome” (p. 134)
You can use the FP-7’s metronome function.
In this case, the metronome sound is not recorded.
➝ “Performing with the Metronome” (p. 54)
When you record only a keyboard performance, the performance will be assigned to the
track buttons as follows.
Normal performance (playing a single
The performance is recorded to the Track [2] button.
sound from the entire keyboard)
Dual performance (p. 41)
The performance is recorded to the Track [2] button.
The Lower Tone is recorded to the Track [1] button,
and the Upper Tone to the Track [2] button.
Split performance (p. 43)
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Recording
Recording Your Playing Along with a Song
Here’s how you can play along with an internal song and record your performance.
The song being played back will be recorded together with the performance you play on
the keyboard. The FP-7 is able to record your playing along with an internal piano song.
For example, you could listen to the left-hand part while you record the right-hand part.
If you select a track button and then record, the sound of the selected track button will
not be heard during recording.
fig.Panel-RecSong.eps
Performance Settings
Select a song.
1.
For details on how to select a song, refer to “Listening to Songs” (p. 24).
If you are recording along with a song from USB memory, you’ll need to connect the USB memory
beforehand (p. 23).
You can change the tone used in performances (p. 35) and change the tempo at which songs are
played back (p. 55). You can also play the metronome sound while recording (p. 54).
Settings for Recording
Press the [Rec] button.
2.
The following screen appears.
If you want to record your playing along with the song, press the [Rec] button.
If you want to record a new song, press the [Play] button.
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Recording
Press the [Rec] button once again.
The following screen appears.
3.
4.
Press the button of the track you want to record, so the button is blinking.
This setting lets you record while listening to the selected song.
The [Rec] button will light, the [Play] button will blink, and the instrument will enter recording
standby mode.
If you decide not to record, press the [Rec] button once again.
Track button
Description
The performance will be recorded.
If performance data already exists, the existing performance will be erased and
replaced as the new recording proceeds.
Blinking
The performance will not be recorded.
During recording, the performance located at this track button will play back.
Lit
The performance will not be recorded.
This track does not contain performance data.
Unlit
How the track buttons correspond to an internal song’s performance parts
Track button
Track [1] button
Track [2] button
Performance part
Left-hand part
Right-hand part
For internal song numbers 1–5, this track contains performance data other than
the right-hand part and left-hand part.
Track [R] button
For internal song numbers 6–65, this track does not contain performance data.
Starting Recording
Press the [Play] button.
5.
After two measures of count sound, recording begins.
Recording starts when you start playing the keyboard (without pressing the [Play] button). In this
case, a count is not sounded.
When recording begins, the [Rec] button and [Play] button will light.
During the count-in, the count measure is indicated in the display as “-2” then “-1.”
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Recording
Stopping Recording
Press the [Play] button.
6.
Recording will stop.
Listening to the Recorded Performance
Press the [-] button to return to the beginning of the song you recorded.
7.
8.
Press the [Play] button.
The recorded performance will play back.
Press the [Play] button once again to stop playback.
9.
The recorded performance will disappear when you turn off the power. If you want to
keep the performance you recorded, you must save it in internal memory or on USB
memory. Refer to “Saving the Songs You Record” (p. 105).
NOTE
The tempo of the performance you recorded will be stored as the tempo of the song
you selected when recording.
If you record your performance while playing along with a song, it will be recorded
with the time signature of that song.
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Recording
Recording Your Performance with Session Partner
You can easily record session performances to the session partner.
fig.Panel-RecSession.eps
The Session Partner performance can be recorded only to the Track [R] button.
Performance Settings
Select the Tone to be played (p. 35).
1.
Make the desired settings for Session Partner (p. 66).
2.
Settings for Recording
If there is already a recorded song, delete the recorded song before you proceed (p. 103).
Select the “New Song.”
3.
Press the [Display] button several times so it’s lit in green to display the Song Select screen.
Press the [-] button several times to select “New Song.”
fig.d-USr.eps
Press the [Rec] button.
4.
The [Rec] button will light, the [Play] button will blink, and the instrument will enter recording
standby mode.
If you decide not to record, press the [Rec] button once again.
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Recording
Starting Recording
Start the Session Partner performance (p. 67, p. 73).
5.
The Rhythm starts to play, while simultaneously recording begins.
When recording begins, the [Rec] button and [Play] button will light.
For more information on the different Rhythm and Chord progression pattern, refer to
the “Rhythm List” (p. 163) and “Chord Progression Pattern List” (p. 164).
If you want to record with the chord progression specified (p. 73), the chord is
specified with a key in the left part of the keyboard, and recording begins.
Stopping Recording
Press the [Play] button.
6.
Recording will stop.
When you stop recording, the “Song” indication in the song select screen will change to
“Modified.”
The “Modified” indication shows that there is already a previously recorded performance.
Listening to the Recorded Performance
Press the [-] button to return to the beginning of the song you recorded.
7.
8.
Press the [Play] button.
The recorded performance will play back.
Press the [Play] button once again to stop playback.
9.
The recorded performance will disappear when you turn off the power. If you want to
NOTE
keep the performance you recorded, you must save it in internal memory or on USB
memory. Refer to “Saving the Songs You Record” (p. 105).
Session Partner performance
The performance is recorded to the Track [R] button.
The performance is recorded to the Track [2] button.
The performance is recorded to the Track [2] button.
Normal performance (playing a single
sound from the entire keyboard)
Dual performance (p. 41)
The Lower Tone is recorded to the Track [1] button,
and the Upper Tone to the Track [2] button.
Split performance (p. 43)
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Recording
Recording Selected Track Buttons
FP-7’s Recorder has three Track buttons.
You can play each hand of your performance separately, for example recording the left-
hand part on the Track [1] button and the right-hand part on the Track [2] button. You
can also re-record just a specific part of a previously recorded performance.
fig.Panel-RecTrack.eps
If you’re recording a new song, select “New Song” as described in steps 1–2 of “Recording a
New Song” (p. 93). If you decide to re-record an existing song, select that song.
Performance Settings
Press the [Rec] button.
The following screen appears.
1.
If you want to record along with the song or recorded performance, press the [Rec] button.
If you want to record a new song, press the [Play] button.
Press the [Rec] button once again.
The following screen appears.
2.
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Recording
Press the button of the track you want to record, so the button is blinking.
3.
This setting lets you record while listening to the selected song.
Track buttons
Description
The performance will be recorded.
Blinking
If performance data already exists, the existing performance will be erased
and replaced as the new recording proceeds.
The performance will not be recorded.
During recording, the performance located at this track button will play back.
Lit
The performance will not be recorded.
This track does not contain performance data.
Unlit
The [Rec] button will light, the [Play] button will blink, and the instrument will enter recording
standby mode.
If you decide not to record, press the [Rec] button once again.
Starting Recording
Press the [Play] button.
4.
After two measures of count sound, recording begins.
Recording starts when you start playing the keyboard (without pressing the [Play] button). In this
case, a count is not sounded.
When recording begins, the [Rec] button and [Play] button will light.
During the count-in, the count measure is indicated in the display as “-2” then “-1.”
Stopping Recording
Press the [Play] button.
5.
Recording will stop.
If you record without erasing the existing song, the song tempo, time signature, and
metronome settings will remain as they were for the first recording.
NOTE
Listening to the Recorded Performance
Press the [-] button to return to the beginning of the song you recorded.
6.
7.
Press the [Play] button.
The recorded performance will play back.
Press the [Play] button once again to stop playback.
8.
The recorded performance will disappear when you turn off the power. If you want to
NOTE
keep the performance you recorded, you must save it in internal memory or on USB
memory. Refer to “Saving the Songs You Record” (p. 105).
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Recording
●Session Partner performances, and Upper and Lower tones during Split performance
Track button
Track [R] button
Track [1] button
Track [2] button
Performance recorded
Session Partner (p. 66)
Lower Tone in Split play (p. 43)
Upper Tone in Split play (p. 43)
●Normal performance (playing a single tone from the entire keyboard) and Dual
performance
• When you record without specifying a recording track
If none of the track buttons ([R] [1] [2] buttons) has performance data, the data will be
recorded to button [2]. If any of the track buttons have performance data, the data
will be recorded in the order of button [2] → button [1] → button [R].
• When you record with a specified recording track
Your performance will be recorded on the track you’ve specified.
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Recording
Erasing Recorded Performances
You can erase recorded performances.
fig.Panel-DeleteSong.eps
Hold down the [Display] button and press the [Rec] button.
1.
A following screen appears.
fig.d-dEL.eps
If you decide not to erase your song, select “Cancel” then press the [Rec] button.
Hold down the [Display] button and press the [+] button to select “OK.”
2.
3.
Press the [Rec] button.
The recorded performance is erased.
After playing back a song, you can hold down one of the track buttons and press the
[Rec] button to erase the performance of only that track. If you erase the performance
from all tracks, the display will indicate “New Song.”
A performance you recorded will be erased automatically when you turn off the power.
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Saving a Performance
About Saving and Copying
A song you’ve recorded can be saved in internal memory or to USB memory.
A song you’ve saved in internal memory can also be copied to USB memory or other
external memory.
FP-7
Recorded Song
Save
Save
1
2
3
4
Copy
Copy
USB memory
(Sold Separaterly)
FP-7’s internal memory
Saving a recorded song in internal memory
• You can save a recorded song so it will be preserved even while the FP-7’s power is turned
off. The songs you record will be lost if you simply turn off the power. However, once they’re
saved in internal memory, your songs won’t be discarded; the next time you turn the power
on, you’ll be able to play them back and listen to your performance.
Saving a recorded song to USB memory
• You can save a recorded song to USB memory as a backup.
It’s a good idea to save important performance data to USB memory.
Saving favorite songs to internal memory
• You can save songs you’re practicing to internal memory.
If you connect separately sold USB memory or a CD drive, and copy SMF music files from the
USB memory or a CD-ROM into the FP-7’s internal memory, it will be easy to select these
songs.
NOTE
You can’t copy a Wav file into internal memory.
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Saving a Performance
Saving the Songs You Record
A song you’ve recorded can be saved in internal memory or to USB memory.
If you record a song and then turn off the power of the FP-7 without saving the song, your
recorded song will disappear. Songs that you’ve saved in internal memory or to USB
memory will not disappear even if you turn off the power; if you want to keep a song,
you should save it in internal memory or to USB memory.
fig.Panel-RegistLoad.eps
Record your performance (p. 93, p. 95, p. 98, p. 100).
Press the [Function] button.
1.
2.
3.
Press the Track [1] button.
The Song File screen appears.
While holding down the [Display] button, use the [-] [+] buttons to select
“Save.”
4.
5.
Press the [Display] button.
The Save Song screen appears.
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Saving a Performance
Changing the Name of a Song
Hold down the [Display] button and use the [-] [+] buttons to select the
character that you want to change.
6.
Use the [-] [+] buttons to select the desired character.
7.
Selecting the Save Destination for Song
While holding down the [Display] button, use the [-] [+] buttons to select
“Media.”
8.
Use the [-] [+] buttons to select the save-destination media.
9.
Setting
Internal
External
Description
Internal memory
USB memory
10.While holding down the [Display] button, use the [-] [+] buttons to select
“Destination.”
11.Use the [-] [+] buttons to select the save destination.
If a song name is displayed for a number, a song has already been saved at that number.
If you select a number in which a song has already been saved, and save to that number, the
previously saved song will be deleted. If you don’t want to delete a previously saved song, select
a number for which the save-destination field indicates “(Not Used).”
Saving the Song
12.Press the [Rec] button.
The song will be saved.
Never turn off the power while data is being saved. If you do so, the internal memory
NOTE
will be destroyed, rendering it unusable.
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Using USB Memory
You can also play back SMF music files you’ve saved on USB memory (p. 33), and play
back audio files from USB memory (p. 59).
Use USB memory available from Roland. Proper functioning cannot be guaranteed if
NOTE
other external memory products are used.
About the connecting a USB memory, please refer to “Connecting USB Memory” (p.
23).
Initializing USB Memory
“Initialization” (formatting) is an operation that prepares USB memory so that it can be
used with the FP-7.
If the USB memory is not formatted correctly for the FP-7, it cannot be used.
If you’re using the USB memory for the first time, you must initialize (format) it on the FP-7.
Formatting the USB memory will erase all the content stored on that USB memory. If
NOTE
you intend to format and reuse USB memory that has previously been used, you must
make sure that it doesn’t contain important data you need to keep.
Press the [Function] button.
1.
2.
Press the Track [2] button.
The Format screen appears.
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Saving a Performance
While holding down the [Display] button, use the [-] [+] buttons to select
“External Memory.”
3.
Press the [Display] button.
4.
A confirmation message will appear.
If you want to return to the previous screen without formatting, hold down the [Display]
button, use the [-] [+] buttons to select “Cancel,” then press the [Rec] button.
While holding down the [Display] button, use the [-] [+] buttons to select
“OK.”
5.
6.
Press the [Rec] button.
Formatting begins.
When formatting is complete, you’re returned to the previous screen.
NOTE
the USB memory, rendering it unusable.
NOTE
Don’t remove the USB memory until formatting is completed.
This operation will not initialize any settings other than the contents of USB memory. If
NOTE
you want to return settings other than the contents of USB memory to the factory-set
state, please execute Factory Reset (p. 135) and Initializing User Memory (p. 132).
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Saving a Performance
Deleting a Saved Song
Here’s how to delete a song you’ve saved in internal memory or USB memory.
For details on handling USB memory, refer to “Using USB Memory” (p. 23).
fig.Panel-RegistLoad.eps
If you want to delete a song from USB memory, connect your USB memory
to the external memory connector (p. 23).
1.
Press the [Function] button.
2.
3.
Press the Track [1] button.
The Song File screen appears
While holding down the [Display] button, use the [-] [+] buttons to select
“Delete.”
4.
Press the [Display] button.
5.
The Delete Song screen appears
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Saving a Performance
While holding down the [Display] button, use the [-] [+] buttons to select
“Media.”
6.
Use the [-] [+] buttons to select the media from which you want to delete a
song.
7.
8.
Setting
Description
Internal
External
Internal Memory
USB Memory
While holding down the [Display] button, use the [-] [+] buttons to select
“File.”
Use the [-] [+] buttons to select the song that you want to delete.
9.
Deleting the Song
10.Press the [Rec] button.
The selected song will be deleted.
Never turn off the power while a song is being deleted. If you do so, the FP-7’s internal
NOTE
memory will be destroyed, rendering it unusable.
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Saving a Performance
Copying a Song
Copying a Song from Internal Memory to USB Memory
Here’s how you can copy a song saved in internal memory to USB memory.
In this way, songs you’ve recorded on the FP-7 and saved in internal memory can be
copied to USB memory.
Preparations for Copying
To the external memory connector, connect the USB memory to which you
want to copy the song (p. 23).
1.
Press the [Function] button.
2.
3.
Press the Track [1] button.
The Song File screen appears.
While holding down the [Display] button, use the [-] [+] buttons to select
“Copy.”
4.
Press the [Display] button.
5.
The Copy Song screen appears.
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Saving a Performance
While holding down the [Display] button, use the [-] [+] buttons to select
“Type.”
6.
Use the [-] [+] buttons to select the direction of the copy operation.
7.
8.
Choose “Int -> Ext.”
While holding down the [Display] button, use the [-] [+] buttons to select
“Int” (internal memory).
The number and name of the song to be saved will appear.
Use the [-] [+] buttons to select the song(s) that you want to copy.
9.
If you select “All,” all songs will be copied.
10.While holding down the [Display] button, use the [-] [+] buttons to select
“Ext” (USB memory).
The screen will show the save-destination song number and song name.
If you select a number in which a song has already been saved, the song that was previously
saved at the copy destination will be erased. If you don’t want to erase a previously saved song,
select a number for which the display indicates “(Not Used).”
11.Use the [-] [+] buttons to select the copy destination.
Copying the Song(s)
12.Press the [Rec] button.
The selected song(s) will be copied to USB memory.
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Saving a Performance
Copying a Song from USB Memory to Internal Memory
Here’s how you can copy a song saved on USB memory to internal memory.
Preparations for Copying
Prepare the songs that you want to copy to internal memory.
Connect the USB memory (p. 23).
1.
2.
3.
4.
Press the [Function] button.
Press the Track [1] button.
The Song File screen appears.
While holding down the [Display] button, use the [-] [+] buttons to select
“Copy.”
5.
Press the [Display] button.
6.
The Copy Song screen appears.
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Saving a Performance
While holding down the [Display] button, use the [-] [+] buttons to select
“Type.”
7.
Use the [-] [+] buttons to select the direction of the copy operation.
8.
9.
Choose “Ext -> Int.”
While holding down the [Display] button, use the [-] [+] buttons to select
“Ext” (USB memory).
The number and name of the song to be saved will appear.
10.Use the [-] [+] buttons to select the song(s) that you want to copy.
If you select “All,” all songs will be copied.
11.While holding down the [Display] button, use the [-] [+] buttons to select
“Int” (internal memory).
The screen will show the save-destination song number and song name.
If you select a number in which a song has already been saved, the song that was previously
saved at the copy destination will be erased. If you don’t want to erase a previously saved song,
select a number for which the display indicates “(Not Used).”
12.Use the [-] [+] buttons to select the copy destination.
Copying the Song(s)
13.Press the [Rec] button.
The selected song(s) will be copied to internal memory.
NOTE
Never turn off the power while data is being copied.
You can save up to 99 songs in internal memory. However, if there is insufficient
NOTE
capacity remaining, the indication “Error: 11” will appear (p. 157), and you won’t be
able to save the song even though there are fewer than 99.
You can erase all of the content saved in internal memory and restore it to the factory-
set condition. Refer to “Initializing Internal Memory” (p. 132)
You can’t copy a Wav file into internal memory.
NOTE
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Various Settings
You can make a variety of performance- and recording-related settings in “Function Mode.”
Tuning Settings
Storing the Master Tuning Setting in
Internal Memory
Matching the Pitch with Other
Instruments (Master Tune)
When playing ensemble with other instruments and in other
such instances, you can match the standard pitch to another
instrument.
After adjusting the master tuning setting, you can store that
setting to internal memory.
If you’ve stored the master tuning setting, it will be preserved
even when the power is turned off.
The standard pitch generally refers to the pitch of the note
that’s played when you finger the middle A key. For a cleaner
ensemble sound while performing with one or more other
instruments, ensure that each instrument’s standard pitch is in
tune with that of the other instruments. This tuning of all the
instruments to a standard pitch is called “master tune.”
5. While holding down the [Display] button, use
the [-] [+] buttons to select “Backup.”
fig.d-backup.eps
1. Press the [Function] button.
2. Press the [Piano] button.
6. Press the [Display] button.
The Tuning screen appears.
fig.d-Tuning.eps
The following screen appears.
fig-d-TuningBackuup-2.eps
3. While holding down the [Display] button, use
If you decide to cancel the operation, select “Cancel”
and press the [Rec] button.
the [-] [+] buttons to select “Master Tune.”
7. While holding down the [Display] button, use
4. Use the [-] [+] buttons to change the setting.
the [-] [+] buttons to select “OK.”
fig-d-TuningBackuup-3.eps
Setting
415.3 Hz–440.0 Hz–466.2 Hz
When the instrument is shipped from the factory, this is
set to “440.0 Hz.”
8. Press the [Rec] button.
The master tuning setting will be stored to internal
memory.
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Various Settings
Temperament
Meantone
Description
Adjusting the Tuning (Temperament)
You can play classical music such as baroque pieces using
This scale makes some compromises in
just intonation, enabling transposition to
other keys.
their original tuning.
This tuning, devised by the philosopher
Pythagoras, eliminates dissonance in
fourths and fifths. Dissonance is produced
by third-interval chords, but melodies are
euphonious.
Most modern songs are composed and played with the
assumption that equal temperament (the most common tuning
in use today) will be used, but when classical music was
composed, there were a wide variety of other tuning systems
in existence. Playing a composition with its original tuning lets
you enjoy the sonorities of the chords that the composer
originally intended.
Pythagorean
Werckmeister
This temperament combines the Mean
Tone and Pythagorean tunings.
Performances are possible in all keys (first
method, number three).
1. Press the [Function] button.
Specifying the Keynote
2. Press the [Piano] button.
When playing with tuning other than equal temperament, you
need to specify the keynote for tuning the song to be
performed (that is, the note that corresponds to C for a major
key or to A for a minor key).
If you choose an equal temperament, there’s no need to select
a keynote.
The Tuning screen appears.
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Type.”
fig.d-TemperamentType.eps
5. While holding down the [Display] button, use
the [-] [+] buttons to select “Temperament
Key.”
fig.d-Temperament.eps
4. Use the [-] [+] buttons to change the
temperament setting.
You can choose from among the seven tunings
described below.
Temperament
Equal
Description
6. Use the [-] [+] buttons to change the keynote.
In this tuning, each octave is divided into
twelve equal steps. Every interval
produces about the same amount of slight
dissonance. This setting is in effect when
you turn on the power.
Setting
C, C , D, E , E, F, F , G, A , A, B , B
This tuning eliminates ambiguities in the
fifths and thirds. It is unsuited to playing
melodies and cannot be transposed, but
is capable of beautiful sonorities.
Just Major
Just Minor
When performing in ensemble with other
NOTE
instruments, be aware that depending on the key,
there may be some shifting of the pitch. Tune the FP-7
to the fundamental pitch of the other instruments.
The Just tunings differ from major and
minor keys. You can get the same effect
with the minor scale as with the major
scale.
This is an improvement of the Meantone
and Just tunings that provides a high
degree of freedom of modulation.
Performances are possible in all keys
(third method).
Kirnberger
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Various Settings
How the Sostenuto Pedal (FC1) Effects
are Applied
Changing How the Pedal Effects Are
Applied
1. Press the [Function] button.
When the pedal is pressed in Dual Play (p. 41) or Split Play
(p. 43), the pedal’s effect is applied to both the Upper Tone
and the Lower Tone, but you can change the settings for the
tone to which the effect is applied.
2. Press the [E.Piano] button.
The Pedal screen appears.
3. While holding down the [Display] button, use
the [-] [+] buttons to select “FC1 Part.”
Setting
Upr&Lwr
Description
fig.d-FC1Part.eps
All enabled
Upper
Lower
Applied only to the Upper Tone
Applied only to the Lower Tone
How the Damper Pedal Effects are
Applied
4. Use the [-] [+] buttons to specify the part(s) to
which the pedal will apply.
How the Soft Pedal (FC2) Effects are
Applied
1. Press the [Function] button.
2. Press the [E.Piano] button.
The Pedal screen appears.
1. Press the [Function] button.
3. While holding down the [Display] button, use
2. Press the [E.Piano] button.
the [-] [+] buttons to select “Damper Part.”
fig.d-DamperPart.eps
The Pedal screen appears.
3. While holding down the [Display] button, use
the [-] [+] buttons to select “FC2 Part.”
fig.d-FC2Part.eps
4. Use the [-] [+] buttons to specify the part(s) to
which the pedal will apply.
4. Use the [-] [+] buttons to specify the part(s) to
which the pedal will apply.
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Various Settings
NOTE With certain sounds, the function may not work.
Changing How the Pedals Work
Use only the specified expression pedal (EV-5; sold
NOTE
A pedal connected to the Soft/(FC2) jack normally functions
as a soft pedal (p. 21). A pedal connected to the Sostenuto/
(FC1) jack normally functions as a sostenuto pedal (p. 21).
It can also be set to function as an another works.
separately). By connecting any other expression
pedals, you risk causing malfunction and/or
damage to the unit.
This may not work correctly if you connect a pedal
NOTE
If a pedal connected to the FP-7 is assigned to switch
NOTE
other than an expression pedal or a half-damper
registrations, that pedal will operate only to switch
compatible pedal.
registrations. The function assigned to the pedal will
not operate.
Be sure to switch off the power to the unit before
NOTE
attempting to disconnect or connect a pedal cord.
You can select from the following pedal functions.
Setting
Damper
Description
Changing the Works of the Sostenuto
Pedal (FC1)
Sets function to damper pedal.
Sets function to soft pedal.
Sets function to sostenuto pedal.
Soft
Sostenuto
When the instrument is turned on, this is set to function as a
sostenuto pedal.
Allows control of the volume.
You will find it convenient to connect
a separately sold expression pedal
(EV-5).
1. Press the [Function] button.
Expression
You cannot change volume of the
Session Partner or recorder.
2. Press the [E.Piano] button.
The Pedal screen appears.
You can play/stop the song by
pressing the pedal instead of pressing
[Play] button.
Song Play
3. While holding down the [Display] button, use
the [-] [+] buttons to select “FC1 Func.”
Audio Key can be switched on by
pressing the pedal instead of pressing
[Audio Key] button.
Audio Key Sw
Session Sw
Leading Bass
You can start/stop Session Partner by
pressing the pedal instead of pressing
[Session Partner] button.
Allows control the on/off of leading
bass function*. It is turned on while
having stepped on the pedal.
4. Use the [-] [+] buttons to select the pedal
function.
Effects can be switched on/off by
pressing the pedal instead of pressing
the [Multi Effects] button.
Effect Sw
When effect type is rotary, you can
control the slow/fast of spinning.
Bend Up
Pitch rises by pressing the pedal.
Pitch lowers by pressing the pedal.
Bend Down
Vibrato is added by pressing the
pedal.
Modulation
* What is the leading bass function?
The function that sounds the lowest note of a fingered chord as
the bass tone is called “Leading Bass.”
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Various Settings
Changing the Works of the Soft Pedal
(FC2)
Effect Settings
When the instrument is turned on, this is set to function as a
soft pedal.
Changing the Effect Type
Here’s how to select the effect that will be applied when you
press the [Multi Effects] button.
1. Press the [Function] button.
1. Press the [Function] button.
2. Press the [E.Piano] button.
The Pedal screen appears.
2. Press the [Multi Effects] button.
The Effects screen appears.
3. While holding down the [Display] button, use
the [-] [+] buttons to select “FC2 Func.”
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Type.”
fig.d-EfxType.eps
4. Use the [-] [+] buttons to select the pedal
4. Use the [-] [+] buttons to select the effect type.
function.
For details on the effect types and the settings for
each effect, refer to “Effects List” (p. 172).
Editing the Effect Settings in Detail
You can make detailed changes for each effect, such as
adjusting the effect depth.
5. Select the item that you want to edit.
While holding down the [Display] button, use the [-] [+]
buttons to select the item that you want to edit (the
second and third lines from the top in the Effects screen).
The item in the second line from the top of the Effects
screen can be changed by holding down the [Multi
Effects] button and using the [-] [+] buttons, without your
having to open this screen.
6. Use the [-] [+] buttons to edit the setting.
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Various Settings
Setting the Part to Which Effects Are
Added
System Settings
This specifies which part is to have priority when the effects
assigned to the Upper Tone and Lower Tone differ in Dual Play
(p. 41) or Split Play (p. 43).
Disabling Automatic Selection of VIMA
TUNES Recommended Tones
You can connect a commercially available USB CD drive to
the FP-7, and play back separately sold CD-ROMs created for
the VIMA (VIMA TUNES).
1. Press the [Function] button.
Songs on VIMA CD-ROM (VIMA TUNES) are programmed
with “recommended tones” suitable for each song.
When you select a song from a VIMA CD-ROM (VIMA
TUNES), recommended tones will be assigned to the FP-7’s
[Strings/Pad], [Guitar/Bass], and [Voice/GM2] tone buttons,
and these three tone buttons will blink.
When you press a flashing Tone button, the recommended
tone is then selected, enabling you to perform the selected
song using a tone matched to that song as it plays back.
You can set the FP-7 so that the recommended tones are
automatically assigned or not assigned.
2. Press the [Multi Effects] button.
The Effects screen appears.
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Source.”
fig.d-EfxType.eps
1. Press the [Function] button.
4. Use the [-] [+] buttons to select the part to
2. Press the [Reverb] button.
which you want to apply effects.
The System screen appears.
Setting
Upper
Description
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Recommended
Tone.”
The effect will be preferentially applied to the
Upper tone.
The effect will be preferentially applied to the
Lower tone.
Lower
If same effects are assigned to the Upper Tone and
Lower Tone, the same effects are added to both of
Tones.
4. Use the [-] [+] buttons to change the setting.
Setting
Description
When you select a song from a VIMA CD-
ROM (VIMA TUNES), recommended tones
will automatically be assigned to the FP-7’s
[Strings/Pad], [Guitar/Bass], and [Voice/
GM2] tone buttons.
On
When you select a song from a VIMA CD-
ROM (VIMA TUNES), recommended tones
are not used, and only the FP-7’s internal
tones can be selected.
Off
With the factory settings, this is ”On.“
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Various Settings
Switching Lyric Display On/off
Switching the Language for Lyric
Display
Some SMF music files created for karaoke contains lyric data.
You can make this data appear automatically in the lyric
screen when such a song is played back. If you want the lyric
screen to appear automatically, turn this setting “On.”
When the FP-7 is shipped from the factory, lyric display is
“On.”
When SMF music files containing lyrics is played back on the
FP-7, English lyrics will be displayed in English, and Japanese
lyrics will be displayed in Japanese.
However, if you play back a song that does not have the
language information of the lyrics, Japanese will not be
displayed even if the song contains Japanese lyrics.
In such cases, you can switch the language as follows.
1. Press the [Function] button.
2. Press the [Reverb] button.
1. Press the [Function] button.
The System screen appears.
2. Press the [Reverb] button.
3. While holding down the [Display] button, use
The System screen appears.
the [-] [+] buttons to select “Lyrics.”
3. While holding down the [Display] button, use
the [-] [+] buttons to select “SongLanguage.”
4. Use the [-] [+] buttons to change the setting.
Setting
Description
4. Use the [-] [+] buttons to change the setting.
The lyric screen will appear automatically
when you play back song that contains lyric
data.
On
Setting
English
Description
The lyrics are displayed in English.
The lyric screen will not appear when you
play back song that contains lyric data.
The lyrics are displayed in Japanese.
The song title is also displayed in Japanese.
Off
Japanese
If this setting is “English,” the characters may not be
shown correctly when displaying Japanese lyrics or
song titles. Conversely, if this setting is “Japanese,”
the display of English lyrics or song titles may be
incorrect.
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Various Settings
Specifying the Sound Control Setting at
Power-on
Specifying the Equalizer Setting at
Power-on
You can change the Sound Control type that is selected when
You can specify that the equalizer be on when you turn on the
you turn on the power of the FP-7.
power.
You can also specify that Sound Control be off when you turn
on the power.
You can also specify the equalizer type that will be selected if
the equalizer is on when you turn on the power of the FP-7.
1. Press the [Function] button.
1. Press the [Function] button.
2. Press the [Reverb] button.
2. Press the [Reverb] button.
The System screen appears.
The System screen appears.
3. While holding down the [Display] button, use
3. While holding down the [Display] button, use
the [-] [+] buttons to select “PwrOnSoundCtrl.”
the [-] [+] buttons to select “Pwr On Equalizer.”
4. Use the [-] [+] buttons to change the setting.
4. Use the [-] [+] buttons to change the setting.
Setting
Description
Setting
Description
When you turn on the power, the [Sound
Control] button will be on, and the “Sharp”
Type Sound Control setting will be selected.
When you turn on the power, the [Equalizer]
button will be on, and the Type 1 Equalizer
setting will be selected.
Sharp
1
2
3
4
When you turn on the power, the [Sound
Control] button will be on, and the “Clear”
Type Sound Control setting will be selected.
When you turn on the power, the [Equalizer]
button will be on, and the Type 2 Equalizer
setting will be selected.
Clear
Type Sound Control setting will be selected.
When you turn on the power, the [Equalizer]
button will be on, and the Type 3 Equalizer
setting will be selected.
Power
Off
When you turn on the power, the [Sound
Control] button will be off.
button will be on, and the Type 4 Equalizer
setting will be selected.
About the type of the Sound Control, refer to
“Adding Liveliness to the Sound (Sound Control)” (p.
56).
When you turn on the power, the [Equalizer]
button will be off.
Off
About the type of the Equalizer, refer to “Changing
the Equalizer Type” (p. 58).
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Various Settings
Adjusting the Volume (Master Gain)
Equalizer Settings
If you’ve connected an external device to the Input jacks and
want to listen to the sound from it, the sound from the external
device may not be loud enough even if you’ve turned the FP-
7’s volume knob to the maximum position. In such cases, you
can adjust the master gain setting as follows.
Changing the Equalizer Settings
You can make fine, detailed changes to the equalizer settings.
Before you make detailed adjustments to the equalizer
settings, select the equalizer type that you want to edit (p. 58).
Adjusting the master gain will also affect the volume of the
internal speakers and headphones.
1. Press the [Function] button.
The sound may distort if you increase the volume
excessively.
NOTE
2. Press the [Equalizer] button.
1. Press the [Function] button.
The Equalizer screen will appear.
There are three Equalizer screens.
2. Press the [Reverb] button.
The System screen appears.
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Master Gain.”
4. Use the [-] [+] buttons to change the setting.
Setting
-10 dB–0 dB–10 dB
3. While holding down the [Display] button, use
the [-] [+] buttons to select the item you want to
edit.
4. Use the [-] [+] buttons to change the setting.
The FP-7 remembers the settings even while its power
is turned off.
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Various Settings
Setting
Setting
Description
Keyboard Settings
Adjusts the level of the low-
frequency range.
Low Gain -12 dB–+12 dB
Frequency point in the low-
frequency range.
Generally, this changes the
level at and below this
frequency.
This setting specifies what the [Transpose] button will affect.
You can use the [Transpose] button to change the pitch of both
the song and the keyboard, the pitch of only the song, or the
pitch of only the keyboard.
Low Freq 100 Hz–1.0 kHz
Adjusts the level of the low-
frequency range to
midrange.
Low Mid
-12 dB–+12 dB
Gain
→ “Transposing the Key of the Keyboard or Song Playback
Frequency point in the low-
frequency range to
(Transpose)” (p. 52)
Low Mid
midrange. This changes the
level of the specified
bandwidth centered on this
frequency.
16 Hz–16.0 kHz
Freq
1. Press the [Function] button.
2. Press the [Transpose] button.
The Keyboard screen appears.
Changes the bandwidth of
the low-frequency range to
Low Mid 0.5, 1.0, 2.0, 4.0, midrange. The bandwidth
Q
8.0
affected by the controls
narrows as the value
increases.
High Mid
Gain
Adjusts the level of the mid-
to high-frequency range.
-12 dB–+12 dB
Frequency point in the mid-
to high-frequency range to
midrange. This changes the
level of the specified
bandwidth centered on this
frequency.
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Transpose.”
High Mid
Freq
16 Hz–16.0 kHz
4. Use the [-] [+] buttons to change the setting.
Setting
Keyboard
Song
Description
Keyboard notes
Changes the bandwidth of
the mid- to high-frequency
High Mid 0.5, 1.0, 2.0, 4.0, range. The bandwidth
Song playback
Q
8.0
affected by the controls
narrows as the value
increases.
Both
Keyboard notes and song playback
High
Gain
Adjusts the level of the high-
frequency range.
-12 dB–+12 dB
Frequency point in the high-
frequency range.
12.5 kHz–16.0 kHz Generally, this changes the
level at and over this
High
Freq
frequency.
Sounds may become distorted as the Gain level
increases.
NOTE
The equalizer will be turned on when you access the
Equalizer screen.
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Various Settings
Changing the Keyboard Touch
(Key Touch)
Making Fine Adjustments to the
Keyboard Touch Sensitivity
You can adjust the sensitivity with which the keyboard
You can make fine adjustments to the touch sensitivity of the
responds to your playing.
keyboard.
You can adjust the keyboard touch in even greater detail than
specified by the Key Touch setting (see preceding section).
1. Press the [Function] button.
1. Press the [Function] button.
2. Press the [Transpose] button.
The Keyboard screen appears.
2. Press the [Transpose] button.
The Keyboard screen appears.
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Key Touch.”
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Key Touch Offset.”
4. Use the [-] [+] buttons to change the setting.
Setting
Description
4. Use the [-] [+] buttons to change the setting.
With this setting, all notes will sound at a
fixed volume regardless of how strongly you
play the keyboard.
Off
Setting
-10–0–9
This setting produces the lightest keyboard
touch.
Super Light
Light
This setting allows you to produce fortissimo
(ff) sounds without having to play so strongly,
giving you the sensation that the keyboard is
lighter. A child whose hand strength is not yet
developed will find it easy to play using this
setting.
This setting offers the most natural-feeling
touch, and is closest to the sensitivity of an
acoustic piano.
Medium
Heavy
This setting requires that you play more
strongly in order to produce fortissimo (ff)
sounds, giving you the sensation that the
keyboard is heavier. With this setting, you’ll
Super
Heavy
This setting produces the heaviest keyboard
touch.
You can specify the loudness at which each note will
sound when the “Off” keyboard touch is selected.
Refer to “Changing the Velocity When the Key Touch
is Set to “Off”” (p. 126).
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Various Settings
Changing the Velocity When the Key
Touch is Set to “Off”
Changing the Pitch of the Lower Tone
in Octave Steps (Octave Shift)
This sets the velocity the sound will have when the keyboard
touch is set to “Off.”
If you turn the keyboard’s touch sensitivity “Off,” all notes will
sound at a fixed loudness regardless of how strongly you play
the keyboard. The setting described below specifies the
loudness in this case.
You can change the pitch of the Lower Tone in Dual Play (p.
41) and Split Play (p. 43) an octave at a time.
Altering the pitch in one-octave units in this way is called
“Octave Shift.”
For example, you can raise the pitch of the Lower Tone to the
same pitch of the Upper Tone in Split Play.
1. Press the [Function] button.
1. Press the [Function] button.
2. Press the [Transpose] button.
2. Press the [Transpose] button.
The Keyboard screen appears.
The Keyboard screen appears.
3. While holding down the [Display] button, use
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Lower Octave
Shift.”
the [-] [+] buttons to select “Fix Velocity.”
4. Use the [-] [+] buttons to change the setting.
4. Use the [-] [+] buttons to specify the pitch of the
Setting
notes.
1–127
The range of available pitch change spans from two
octaves higher to two octaves lower.
The pitch is lowered one octave each time the [-] button
is pressed, while each press of the [+] button raises the
pitch by one octave.
To return to the original pitch, press the [-] and [+]
buttons simultaneously.
Setting
-2–0–+2
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Various Settings
Changing the Audio File Settings
Here’s how you can edit the audio file settings, such as
changing the audio file played by each key, or specifying
whether the file will be played repeatedly.
Audio Key Settings
Selecting an Audio File Set
From the sets of audio files saved on USB memory (sold
separately), here’s how to select the set of audio files that
you’ll play from the keyboard using the FP-7’s Audio Key
function.
1. Press the [Function] button.
2. Press the [Audio Key] button.
The Audio Key screen appears.
If you install the included “Audio Key Utility” in your computer,
you’ll be able to easily prepare sets of audio files to be played
back using the FP-7’s Audio Key function.
1. Press the [Function] button.
2. Press the [Audio Key] button.
The Audio Key screen appears.
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Assign.”
The Audio Key Assign screen appears.
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Set Name.”
4. Press the [Display] button.
4. Use the [-] [+] buttons to select the audio file
set that you want to play using the Audio Key
function.
The following screen appears.
If no audio file sets are saved in USB memory, the names
of the audio file sets saved in the FP-7 will be displayed.
5. Press the key whose settings you want to
change.
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Various Settings
6. Use the [-] [+] buttons to select the audio file
9. Press the [Display] button to complete the
setting.
that will be played by the specified key.
The following screen appears
If you press the [-] [+] buttons simultaneously, the
audio file assigned to that key will be cleared.
If you want to overwrite the settings using the changes
you made, holding down the [Display] button and press
the [+] button to select “OK,” then press the [Rec] button.
If you decide not to apply the changes you made,
holding down the [Display] button and press the [-]
button to select “Cancel,” then press the [Rec] button.
No playback mode indication is shown on the
graphic for keys to which no audio file is assigned,
and the audio file name field will indicate “No
Assign.”
7. While holding down the [Display] button,
press the [+] button to select the playback
status (Play Mode) indication.
If you’ve modified the audio file settings but have not
written your changes onto the settings, the following
screen will appear when you attempt to access the
Audio Key Assign screen.
8. Use the [-] [+] buttons to select the playback
status (Play Mode).
If you want to select the audio file from before you made
the changes, holding down the [Display] button and
press the [+] button to select “OK,” then press the [Rec]
button.
If you want to recall the changes you made, holding
down the [Display] button and press the [-] button to
select “Cancel,” then press the [Rec] button.
Indication
Description
When you press the key, the audio file will
play only once.
The audio file will play immediately when you
press the key.
One-shot
Now
When you press the key, the audio file will be
played once when the currently playing
audio file finishes playing.
One-shot
Wait
When you press the key, the audio file will
play repeatedly. The audio file will play
immediately when you press the key.
Loop Now
Loop Wait
When you press the key, the audio file will be
played repeatedly when the currently playing
audio file finishes playing.
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Various Settings
Selecting a Chord Progression Pattern
Here’s how to select the chord progression pattern for the
Session Partner Settings
currently selected rhythm used when Session Partner plays.
Setting the Intro and Ending On or Off
This sets session partner Intro and Ending on or off. When set
to “Off,” pressing the [Session Partner] button causes the Intro
and Ending not to be played.
1. Press the [Function] button.
2. Press the [Session Partner] button.
The Session Partner screen appears.
1. Press the [Function] button.
3. While holding down the [Display] button, use
2. Press the [Session Partner] button.
the [-] [+] buttons to select “Chord Prog.”
The Session Partner screen appears.
4. Use the [-] [+] buttons to change the setting.
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Intro/Ending.”
Setting
User Chord, 1–56
4. Use the [-] [+] buttons to change the setting.
“User Chord” is a chord progression pattern you
yourself recorded.
Setting
On
Description
Pressing the [Session Partner] button causes
the Intro and Ending to be played.
“User Chord” is shown only if there is a chord
progression pattern that you created (p. 76).
Pressing the [Session Partner] button causes
the Intro and Ending not to be played.
Off
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Various Settings
Selecting the Root Note of the Chord
Progression
Here’s how to specify the root note of the first chord of
currently Session Partner’s chord progression.
Fixing a Set Chord Progression
Session Partner contains chord progression pattern data that is
suitable for each rhythm.
Here you can specify whether a chord progression suitable for
the rhythm will be automatically selected when you switch the
rhythm of the Session Partner function.
1. Press the [Function] button.
1. Press the [Function] button.
2. Press the [Session Partner] button.
The Session Partner screen appears.
2. Press the [Session Partner] button.
The Session Partner screen appears.
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Root.”
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Auto Chord Prog.”
4. Press the [-] [+] buttons or the key
corresponding to the root note.
4. Use the [-] [+] buttons to change the setting.
Setting
Setting
Description
C, C , D, E , E, F, F , G, A , A, B , B
When you change rhythms, the chord
On
progression pattern will switch to the pattern
that is most suitable for the selected rhythm.
When the rhythm changes, the chord
progression pattern does not change.
Off
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Various Settings
6. Use the [-] [+] buttons to mute the specified
part.
Settings for Song Playback
Muted (silenced) parts are indicated by “M.”
Muting a Specific Part (Part Mute)
Here’s how you can mute a specific part so that it will not be
heard when the song plays.
You can also make settings so that only a specific part will be
heard.
If you use the [-] [+] buttons several times to make the
“S” indication appear, only that part will be played (i.e.,
that part will be soloed).
1. Press the [Function] button.
2. Press the Track [1] button.
The Song File screen appears.
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Part Mute.”
Most commercially available SMF music files consists of
sixteen channels (parts).
Each channel contains a separate performance; for
example, channel 1 might contain strings and channel 2
bass, with the drums on channel 10. The song data
consists of these sixteen channels of performances, played
4. Press the [Display] button.
back simultaneously.
The following screen appears.
fig.MelodyChannel.eps
Channel 1
Channel 2
:
Strings
Bass
:
Channel 10
:
Drums
:
Channel 16
Guitar
5. While holding down the [Display] button, use
the [-] [+] buttons to select the part that you
want to mute.
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Various Settings
Changing the Parts Assigned to the
Track Buttons During SMF Music Files
Playback (Track Assign)
Initializing (Formatting)
Memory
Normally, when you play back SMF music files that is
compatible with Roland Piano Digital (p. 170), the left-hand
part is assigned to the Track [1] button and the right-hand part
is assigned to the Track [2] button. However, some SMF music
files assigns the right-hand part and left-hand part to the track
buttons in a different way. If this setting is “Auto,” and you are
unable to use the track buttons (p. 30) to control the right-hand
part or left-hand part as you expect, you can change the
setting to “2/1 Part” or “3/4 Part.”
Initializing Internal Memory
The FP-7 contains a storage area in which you can save your
recorded performances or your registration sets. This area is
called “internal memory.”
If you want to erase the entire contents of internal memory and
restore it to the factory-set condition, execute the following
procedure.
1. Press the [Function] button.
This setting applies to SMF format songs from USB
NOTE
memory. It does not affect the internal presets songs
2. Press the Track [2] button.
or songs that are stored in internal memory.
The Format screen appears.
1. Press the [Function] button.
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Internal Memory.”
2. Press the Track [1] button.
The Song File screen appears.
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Track Assign.”
4. Press the [Display] button.
A confirmation message will appear.
4. Use the [-] [+] buttons to change the setting.
Setting
Auto
Description
The assignment of parts to tracks will be done
automatically according to the song data.
If you want to return to the previous screen without
formatting, hold down the [Display] button, use the [-] [+]
buttons to select “Cancel,” then press the [Rec] button.
Part 1 is assigned to the Track [2] button, part
2 to the Track [1] button, and the remaining
parts to the Track [R] button.
2/1 Part
3/4 Part
5. While holding down the [Display] button, use
Part 4 is assigned to the Track [2] button, part
3 to the Track [1] button, and the remaining
parts to the Track [R] button.
the [-] [+] buttons to select “OK.”
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Various Settings
6. Press the [Rec] button.
5. While holding down the [Display] button, use
Initialization will begin.
the [-] [+] buttons to select “OK.”
The entire contents of internal memory will be erased.
“Executing.” Doing so may destroy the FP-7’s
memory, rendering it unusable.
This operation will not initialize any settings other
NOTE
than the contents of internal memory. If you want to
return settings other than internal memory to the
factory-set state, please execute Factory Reset (p.
135) or Initializing USB memory (p. 133).
6. Press the [Rec] button.
Initialization will begin.
The entire contents of USB memory will be erased.
* Never turn off the power while the screen indicates
“Executing.” Doing so may destroy the USB memory,
rendering it unusable.
Initializing USB Memory
completed.
NOTE
You can initialize (format) USB memory that’s connected to the
FP-7. If you want to erase the entire contents of USB memory
and return it to the condition in which you purchased it,
execute the following procedure.
This operation will not initialize any settings other
NOTE
than the contents of USB memory. If you want to
return settings other than USB memory to the factory-
set state, please execute Factory Reset (p. 135) or
Initializing internal memory (p. 132).
1. Press the [Function] button.
2. Press the Track [2] button.
The Format screen appears.
3. While holding down the [Display] button, use
the [-] [+] buttons to select “External Memory.”
4. Press the [Display] button.
A confirmation message will appear.
If you want to return to the previous screen without
formatting, hold down the [Display] button, use the [-] [+]
buttons to select “Cancel,” then press the [Rec] button.
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Various Settings
Changing the Way in which the
Metronome Marks the Beat
Metronome Settings
You can make the metronome sound each beat in greater
detail.
Changing the Beat of Metronome
You can specify the time signature at which the metronome
will sound.
1. Press the [Function] button.
When you record your own performance, it will be recorded
with the time signature you specify here.
2. Press the [Metronome] button.
The Metronome screen appears.
1. Press the [Function] button.
2. Press the [Metronome] button.
The Metronome screen appears.
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Type.”
The display will indicate how beats are currently being
marked.
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Beat.”
4. Use the [-] [+] buttons to select how the beats
The currently selected time signature will be displayed.
are to be marked.
4. Press the [-] [+] buttons to select the beat.
Setting
Beat
Setting
Beat
Eighth-note
intervals
Setting
Normal
Usual sound
2/2, 0/4 (Weak beats only), 2/4, 3/4, 4/4, 5/4, 6/4, 7/4,
3/8, 6/8, 9/8, 12/8
Dotted half-
note intervals
Sixteenth-note
intervals
Half-note
intervals
Single back
beat added
When you change the rhythm or the Internal song,
the beat of metronome is changed.
Double
Triplet
Shuffle
Dotted quarter-
note intervals
Triplet rhythm
added
You cannot change the metronome beat while a
song or Rhythm is being played.
NOTE
Quarter-note
intervals
Shuffle rhythm
added
Dotted eighth-
note intervals
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Various Settings
Disabling the Buttons (Panel Lock)
If you activate the Panel Lock function, buttons will not operate
when they are pressed. You can use this to prevent children
from inadvertently changing the settings by pressing buttons.
Other Settings
Restoring the Factory-set Condition
(Factory Reset)
1. Hold down the [Function] button and press the
[Equalizer] button.
You can restore the settings you’ve changed on the FP-7 to
Reset.”
A lock symbol will appear in the screen as follows.
When you perform a Factory Reset, all the settings
NOTE
you have stored will be erased, and the FP-7 will
return to the factory-set condition. This operation will
not restore the contents of internal memory to the
factory-set condition.
Refer to “Initializing Internal Memory” (p. 132).
1. Turn the volume to the minimum, and press the
Releasing the Panel Lock
[Power] switch to turn off the power.
1. Hold down the [Function] button and press the
[Equalizer] button.
2. Hold down the [Function] button, and press the
[Power] switch to turn on the power.
The lock symbol will disappear from the screen.
Continue pressing the [Function] button until the
following display appears.
If you have pressed a Tone button to select a tone
before you activate Panel Lock, you’ll be able to play
the specified tone. You can’t change tone while
Panel Lock is active.
When the Factory Reset is completed, the Tone screen
will appear.
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Various Settings
Using the V-LINK Function
Changing the External Memory Setting
Connecting the FP-7 to a V-LINK compatible image device
allows you to control the images with the FP-7.
In some cases, when USB memory is connected to the external
memory connector, it may take longer for data to be loaded,
or data may fail to be loaded successfully. If this occurs, you
may be able to solve the problem by changing the external
memory setting.
To prevent malfunction and/or damage to speakers
NOTE
or other devices, always turn down the volume, and
turn off the power on all devices before making any
connections.
1. Press the [Function] button.
V-LINK
V-LINK (
) is functionality promoted by Roland
2. Press the [Reverb] button.
that allows linked performance of music and visual material.
By using V-LINK-compatible video equipment, visual effects
can be easily liked to, and made part of the expressive
elements of a performance.
The System screen appears.
3. While holding down the [Display] button, use
the [-] [+] buttons to select “External Memory.”
fig.d-Tuning.eps
How to Use the V-LINK
1. Hold down the [Sound Control] button and
press the [Equalizer] button.
The FP-7 switches to Image Control mode.
A V-LINK symbol will appear in the screen.
4. Use the [-] [+] buttons to change the setting.
Setting
Mode1, Mode2
5. Turn on the power once again.
You can control images using the twelve keys at the left
end of the keyboard.
fig.V-Link.eps
A0–A 1 (lowest twelve keys)
While V-LINK is switched on, no sound is produced
NOTE
when you press any of the twelve keys at the left end
of the keyboard.
To deactivate the V-LINK function, hold down the [Sound
Control] button and press the [Equalizer] button.
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Sending the Sound to External Speakers.............................................................. 138
Listening to a CD from the FP-7’s Speakers........................................................... 139
Recording an FP-7 Performance to an External Device......................... 140
Recording an FP-7 Performance to a CD or Cassette Tape, etc. .............................. 140
Using Your Computer to Create a CD ................................................................. 141
Connecting a CD Drive (Sold Separately)............................................. 144
Making the Connections.................................................................................... 144
Playing Back Songs from a CD........................................................................... 145
Performing along with a Music CD (Center Cancel) .............................................. 146
Connecting to MIDI Devices ................................................................ 147
What’s MIDI?................................................................................................... 147
Making the Connections.................................................................................... 147
Using the FP-7 to Play Another MIDI Sound Module .............................................. 148
MIDI Settings.................................................................................................... 148
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Connecting Audio Equipment
By connecting audio equipment to the FP-7, you can listen to its sound from the speakers
of your audio system, or listen to sound from your audio system via the FP-7’s speakers.
To make connections, use audio cables with 1/4” phone plugs.
Before connecting this unit to other devices, turn off the power to all units. This will help
NOTE
prevent malfunctions and/or damage to speakers or other devices.
Some connection cables contain resistors. Do not use cables that incorporate resistors
NOTE
for connecting to this unit. The use of such cables can cause the sound level to be
extremely low, or impossible to hear. For information on cable specifications, contact
the manufacturer of the cable.
Sending the Sound to External Speakers
If you’ll be playing the FP-7 in a larger space, such as in a concert, you can connect
amplified speakers to make the sound louder.
Make connections as shown below.
fig.cnct-speaker1.eps
Output jacks
Speaker switch
Amplified Speakers, etc.
Input (Line In) jacks
• Sound will still be heard from the FP-7’s internal speakers even if you connect external
speakers.
If you don’t want to hear the internal speakers, turn the [Speaker] switch “Off” so that sound
will be heard only from the external speakers.
• The FP-7 is designed so that when you connect headphones, the sound is optimized for
listening through headphones. For this reason, the sound heard from speakers connected to
the FP-7 will be different depending on whether or not headphones are connected.
* If you connect the FP-7 to an external device (such as an external speaker) in monaural, it
may sound differently than when using a stereo connection.
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Connecting Audio Equipment
Listening to a CD from the FP-7’s Speakers
If you connect your CD player or cassette tape player to the FP-7 so that the sound is
heard from the FP-7’s speakers, you can perform on the FP-7 while you listen to the
accompaniment provided by the song of the cassette tape or CD.
Make connections as shown below.
fig.cnct-speaker2.eps
Input jacks
CD Player, etc.
Output jacks
* If you need to change the volume of the CD, adjust the volume on the connected CD
player.
You can also connect your portable audio player and listen to it from the FP-7’s speakers.
Connect your portable audio player to the FP-7’s Mix In jack.
Mix In jacks
Portable Audio Player, etc.
Output jacks
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Recording an FP-7 Performance to an External Device
Before connecting this unit to other devices, turn off the power to all units. This will help
NOTE
prevent malfunctions and/or damage to speakers or other devices.
Recording an FP-7 Performance to a CD or Cassette Tape, etc.
Using the Roland CD-2 or Other Dedicated Unit to Create a CD
By using a Roland CD-2, you can record your FP-7 performance directly to a CD without
using a computer.
fig.cnct-rec2.eps
Output jacks
Roland CD-2, etc.
Input (LINE IN) jacks
Recording an FP-7 Performance to an Cassette Tape
You can record an FP-7 performance on cassette tape. This is a convenient way for you
to check the results of your practicing or to let a friend hear your performance.
Make connections as shown below.
fig.cnct-rec1.eps
Output jacks
Cassette Tape recorder, etc.
Input (Line In) jacks
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Recording an FP-7 Performance to an External Device
Using Your Computer to Create a CD
In order to use your computer to record a performance from the FP-7, you’ll need a drive
that can write CDs, and software such as “Windows Media Player” (in Windows) or
“iTunes” (in Mac OS).
These requirements are met by most computers today, but some versions are unable to
NOTE
create a CD. For details, refer to the owner’s manual or online help for your software.
fig.cnct-rec4.eps
FP-7
Output
jacks
Input
jacks
USB Audio
Interface
(UA-1EX, etc.)
Computer
Use audio recording Use software such
software to create
“.wav files.”
as “Windows
Media Player,”
“iTunes,” etc. on
your computer to
write the files to a
CD.
LIne IN
jacks
Output
jacks
FP-7
R-09
Computer
Transmit the audio
file (.WAV) from the
R-09 to your
computer via the
USB connection.
Use software such
as “Windows
Media Player,”
“iTunes,” etc. on
your computer to
write the files to a
CD.
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Connecting the USB Memory (Sold Separately)
You can use USB memory in the following ways on the FP-7.
What you can do
Page
Save a song you’ve recorded
p. 105
A performance you’ve recorded can be saved to USB memory as a backup.
Save a registration set
p. 83
p. 85
The twenty-eight registrations saved in [Registration] button can be saved together
to USB memory as a registration set.
A registration set saved to USB memory can be loaded into the FP-7’s
[Registration] button and used.
Play back songs from USB memory
p. 33
p. 34
You can listen to songs, such as SMF music files, saved on USB memory.
Play back audio files from USB memory
You can play back audio files saved on USB memory. You can also enjoy
performing on the keyboard while an audio file plays.
Use the Audio Key function to play audio file sets from USB memory
You can enjoy using the Audio Key function with an audio file set you’ve
prepared. By playing human voices or brief phrases, you can add a “live” feel to
your performances.
p. 59
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Connecting to a Computer
Connecting to a Computer via
Caution
the USB (MIDI) Connector
• To avoid the risk of malfunction and/or speaker
damage, always make sure to turn the volume all the
way down and turn off the power on all equipment
before you make any connections.
If you use a USB cable (commercially available) to connect the
USB (MIDI) connector located on the FP-7’s rear panel to the
USB connector of your computer, you’ll be able to do the
following things.
• Only MIDI data can be transmitted and received via
USB.
• Use the FP-7 to play SMF music files played back by MIDI-
compatible software.
• A USB cable is not included. If you need to obtain
one, ask the dealer where you purchased the FP-7.
• By transferring MIDI data between the FP-7 and your
sequencer software, you’ll be able to enjoy a wide range
of possibilities for music production and editing.
• Switch on power to the FP-7 before you start up the
MIDI application on your computer. Don’t turn the FP-7’s
power on/off while your MIDI application is running.
Connect the FP-7 to your computer as shown below.
fig.cnct-usb2.eps
Changing the USB Driver Settings
1. Press the [Function] button.
USB cable
USB connector
2. Press the [Reverb] button.
Computer
3. While holding down the [Display] button, use
* Refer to the Roland website for system requirements.
Roland website: http://www.roland.com/
the [-] [+] buttons to select “USB Driver.”
If connection to your computer is
unsuccessful...
Normally, you don’t need to install a driver in order to connect
the FP-7 to your computer. However, if some problem occurs,
4. Press the [-] or [+] button to select the USB
For details on downloading and installing the Roland original
driver, refer to the Roland website.
Roland website:http://www.roland.com/
Setting
Description
Choose this if you want to use the standard
USB driver that was included with your
computer.
Generic
Specify the USB driver you want to use, and then install the
driver. For details, refer to “Changing the USB Driver Settings”
(p. 143).
Normally, you should use this mode.
Choose this if you want to use a USB driver
downloaded from the Roland website.
Original
5. Turn the power off, then on again.
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Connecting a CD Drive (Sold Separately)
By connecting a commercially available CD drive that is USB-
compatible, you can use the FP-7 to play back ordinary music
CDs or songs from a CD-ROM that contains SMF music files.
Making the Connections
The FP-7 provides a range of performance possibilities, such
as a “Center Cancel” function, which minimizes the vocal
portion of commercially available CDs so that you can sing the
1. Power off the FP-7 and the CD drive that you’ll
be connecting.
vocal yourself, and a “Melody Guide” function, which mutes
2. Using the USB cable included with the CD
the melody portion of SMF music files so that you can play it
yourself.
drive, connect the CD drive’s USB connector to
the FP-7’s external memory connector.
fig.cnct-cdrom2.eps
Cautions when Using a CD
• CD-R/RW discs containing music tracks, or CDs that
contain both music tracks and data will not play
correctly.
External
Memory Connector
• For playback of commercially available CDs, this
device supports playback only for discs bearing the
“COMPACT disc DIGITAL AUDIO” logo, which
indicates the official CD standard.
• We cannot guarantee that this device will correctly play
discs that do not comply with the CD standard, such as
music discs that use copy-protection technology.
For details on music discs that use copy-protection
technology, please contact the distributor of the disc.
• You cannot save songs on a CD or delete a song from
a CD, nor can you format a CD.
USB Cable
USB or
USB Mini
Connector
CD Drive
(Sold Separately)
• For details on turning the power of the CD drive on or
off, inserting and removing CDs, and the types of
media that are recommended, refer to the owner’s
manual of your CD drive.
3. Switch on the FP-7’s power.
4. Switch on the power to the connected CD drive.
• “USB bus powered” units are not supported.
• CD drive models that have been verified to operate
correctly with the FP-7 are listed on the Roland website.
(www.roland.com)
5. Into the CD drive, insert a music CD or a CD-
ROM that contains SMF music files.
Go ahead and try playing SMF music files, songs from a
music CD, or audio files.
Turning the Power Off
If you’re unable to remove the CD
Proceed as follows.
If you are still unable to remove the CD, refer to the
owner’s manual of the CD drive.
1. Power off all devices.
If a song is playing, stop the song before you turn off the
power.
1. Remove the CD from the CD drive.
* Firmly press the eject button of the CD drive.
* It may take some time for the CD to be ejected.
2. Power off the FP-7.
3. Switch on the CD drive’s power.
4. Wait for a while after the power has turned on, and
then firmly press the eject button.
2. Minimize the volume of the FP-7, and turn off
the power (p. 19).
3. Power off the CD drive.
* Make sure that all power is switched off before
you unplug the CD drive cable.
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Connecting a CD Drive (Sold Separately)
Playing the Song from a CD
4. Press the [Play] button.
Playing Back Songs from a CD
Here’s how to play back commercially available music CDs,
CD-ROMs containing SMF music files, or the CD-ROMs made
for the VIMA (VIMA TUNES).
If a song is playing while the song select screen is
displayed, you can rewind the song by holding down
the [-] button, or fast-forward the song by holding down
the [+] button.
Selecting a Song from CD
1. Into the CD drive, insert a music CD or a CD-
For details on adjusting the volume of the CD, refer
NOTE
to “Changing the Volume of the Song” (p. 28).
ROM that contains SMF music files.
2. Press the [Display] button several times to
If the CD won’t play
make the button light in green.
In some cases, it may take some time after inserting the
CD into the CD drive before playback can occur. Please
wait for a while, and then try playing the song again.
If you are still unable to play back the CD, remove the
CD, turn off the power (p. 19), switch on power to the FP-
7 and the CD drive once again, and re-insert the CD.
A screen like the following will appear.
fig.cnct-cdrom3.eps
Stopping the Song
3. Use the [-] [+] buttons to select the song.
If a song from CD is selected, the screen will indicate
1. Press the [Play] button once again.
“CD” or “Music CD.”
fig.cnct-cdrom3.eps
2. Remove the CD from the disc tray.
fig.cnct-cdrom3.eps
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Connecting a CD Drive (Sold Separately)
Performing along with a
Music CD (Center Cancel)
Performing while You Listen to
the Melody of the Music Files
commercially available music CD or an audio file, and
perform that part yourself. This is a convenient way to perform
using a favorite music CD.
or play it at a reduced volume. You may find it convenient to
practice while listening to the melody at a reduced volume,
and then mute the melody completely when you’ve learned it.
1. Into your CD drive, insert the music CD that
you want to play, and select the song that you
want to play (p. 145).
1. Into your CD drive, insert the CD containing
SMF music files, and select the song that you
want to perform (p. 145).
The Track [2] button will light.
The track buttons will light.
2. Press the [Play] button to play back the song.
2. Press the [Play] button to play back the song.
3. Press the Track [2] button to turn off its
3. Press a track button so its illumination is
illumination.
turned off.
The sound of the melody or vocal will be minimized.
Play the melody yourself while listening to the other parts
of the song.
The sound assigned to that track button will be muted.
Now you can practice while listening to the
accompaniment of the other tracks.
For some songs, the vocal sound may not be
eliminated completely.
NOTE
4. Hold down a track button and use the [-] [+]
buttons to specify the volume that the track
will have when its playback is muted.
4. Press the Track [2] button to make the button
light once again.
The volume for when the playback is muted will be
shown while you hold down the track button.
The track mute volume can be set to any value from 0 to
80.
While listening to the song, play along with the melody.
The melody will be heard at a lower volume, so you can
use it as a guide.
The melody or vocal will return to its original volume.
5. Press the [Play] button to stop the song
playback.
5. Press the track button to make it light once
again.
The volume will return to its original level.
6. Press the [Play] button to stop the song
playback.
146
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Connecting to MIDI Devices
The FP-7 provides MIDI connectors so that performance data
can be transferred between it and other devices. By using
these connectors to connect other devices with the FP-7, you
can take advantage of a wide range of possibilities.
Making the Connections
To prevent malfunction and/or damage to speakers
or other devices, always turn down the volume, and
turn off the power on all devices before making any
connections.
NOTE
NOTE
What’s MIDI?
“MIDI” stands for “Musical Instrument Digital Interface.” It is a
universal standard that allows performance data to be
exchanged among electronic musical instruments and computers.
The FP-7 contains a General MIDI 2 compatible sound
generator.
MIDI cables are not included. Consult your Roland
dealer if you need to purchase.
1. Turn the volume all the way down on the FP-7
and the device you’re about to connect.
General MIDI
2. Turn off the power to the FP-7 and the device
The General MIDI is a set of recommendations which seeks to
provide a way to go beyond the limitations of proprietary
designs, and standardize the MIDI capabilities of sound
generating devices. Sound generating devices and music files
that meets the General MIDI standard bears the General MIDI
logo. Music files bearing the General MIDI logo can be
played back using any General MIDI sound generating unit to
produce essentially the same musical performance.
being connected.
3. Connect a MIDI cable (sold separately)
between the MIDI connectors on each device.
4. Switch on the power to the FP-7 and the
connected device.
General MIDI 2
The upwardly compatible General MIDI 2 recommendations pick
up where the original General MIDI left off, offering enhanced
expressive capabilities, and even greater compatibility. Issues that
were not covered by the original General MIDI recommendations,
such as how sounds are to be edited, and how effects should be
handled, have now been precisely defined. Moreover, the
available sounds have been expanded. General MIDI 2 compliant
sound generators are capable of reliably playing back music files
that carry either the General MIDI or General MIDI 2 logo.
In some cases, the conventional form of General MIDI, which does
not include the new enhancements, is referred to as “General
MIDI 1” as a way of distinguishing it from General MIDI 2.
connected device.
6. You should also set the MIDI settings as
needed.
You may need to set things such as the MIDI transmit
channel (p. 148) and the Local on/off setting (p. 149).
Connectors
fig.cnct-midi1.eps
MIDI Out Connector
Sends data about what is being played on the keyboard and
other performance data.
Connect to the MIDI In connector on the external MIDI device.
MIDI In Connector
Receives messages sent from external MIDI devices.
Connect to the MIDI Out connector on the external MIDI
device.
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Connecting to MIDI Devices
Using the FP-7 to Play
Another MIDI Sound Module
MIDI Settings
Matching the Channels of the FP-7
and the Connected Device
(MIDI Transmit Channel)
MIDI sound generating device (a sound module or instrument
that supports the MIDI specification). This lets you layer sounds
to create a richer performance, or play sounds on an external
sound module that does not have a keyboard.
In order to use this type of connection, you must set the FP-7’s
transmit channel to match the receive channel of your external
MIDI equipment (p. 148).
This setting specifies the MIDI channel on which the FP-7 will
transmit.
MIDI uses sixteen “MIDI channels,” which are numbered 1
through 16. By connecting MIDI devices and specifying the
appropriate MIDI channel for each device, you can play or
select sounds on those devices.
Connection Example: Connection to a
MIDI Sound Module
The FP-7 will receive all sixteen channels (1–16).
1. Press the [Function] button.
fig.cnct-midi2.eps
2. Press the [Sound Control] button.
The MIDI screen appears.
MIDI Out
connector
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Upper Tx Ch” or
“Lower Tx Ch.”
MIDI cable
MIDI IN
connector
MIDI
OUT
THRU
IN
MIDI Sound Module
Item
Description
Upper Tx Ch
Lower Tx Ch
MIDI transmit channel of the Upper tone
MIDI transmit channel of the Lower tone
4. Press the [-] or [+] button to select the
transmission channel.
Off, 1–16
If you choose the “Off” setting, MIDI data will not be
transmitted.
NOTE
For details on connecting MIDI devices, refer to
“Making the Connections” (p. 147).
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Connecting to MIDI Devices
When a Roland MT series instrument is connected, it
is not necessary to make the Local Off setting. The
MT transmits a Local Off message when the power is
turned on. If you turn on the power in the order of the
FP-7 → MT series, Local Off will be set automatically.
Preventing Doubled Notes When
Connected to a Sequencer
(Local Control)
When you have a MIDI sequencer connected, set this
parameter to Local Off.
1. Press the [Function] button.
Since the Thru function of your sequencer will normally be
turned on, notes played on the keyboard or played back by
the recorder will be transmitted to the sound generator by the
two routes (1) and (2) shown in the illustration, causing notes
to be sounded in duplicate or to be cut off unnaturally. To
prevent this, the setting called “Local Off” is used to disconnect
the route in (1).
2. Press the [Sound Control] button.
The MIDI screen appears.
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Local Control.”
Local On
(1)
Sequencer
Memory
MIDI
OUT
MIDI
IN
Sound
Generator
MIDI
OUT
MIDI
IN
Soft Thru On
(2)
Each note played is sounded twice
4. Press the [-] or [+] button to change the
settings.
Local On: The keyboard and recorder are connected to the
Setting
Description
internal sound generator.
The Local Control is set to On.
The keyboard and recorder are connected to
the internal sound generator.
Sound is emitted
On
The Local Control is set to Off.
Sound Generator
Local On
The keyboard and recorder are not
connected to the internal sound generator.
Playing the keyboard or playing back a song
will not produce sound.
Off
Local Off: The keyboard and recorder are not connected to
the internal sound generator. No sound will be
produced by the keyboard when it is played.
No sound produced
Sound Generator
Local Off
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Connecting to MIDI Devices
Transmitting Tone Change Data
(Program Change Transmit Switch)
Transmitting a Recorded
Performance (Recorder MIDI Out)
You can specify whether a tone selection message will be
transmitted to the MIDI device connected to the FP-7 when you
switch tones on the FP-7.
A performance you’ve recorded on FP-7 can be transmitted to
an external MIDI device or computer, allowing you to save the
performances you record.
1. Press the [Function] button.
1. Press the [Function] button.
2. Press the [Sound Control] button.
2. Press the [Sound Control] button.
The MIDI screen appears.
The MIDI screen appears.
3. While holding down the [Display] button, use the
3. While holding down the [Display] button, use
the [-] [+] buttons to select “Recorder MIDI
Out.”
[-] [+] buttons to select “ProgramChangeTxSw.”
4. Press the [-] or [+] button to change the
settings.
4. Press the [-] or [+] button to change the
settings.
Setting
Description
Setting
Description
Tone selections you make on the FP-7 will be
transmitted to the MIDI device connected to
the FP-7.
On
When you play back a performance that you
recorded on the FP-7, the recorded
performance will be transmitted to an
external MIDI device or computer.
On
Tone selections you make on the FP-7 will not
be transmitted to the MIDI device connected
to the FP-7.
Off
Even if you play back a performance that you
recorded on the FP-7, the recorded
performance will not be transmitted to an
external MIDI device or computer.
Off
You cannot transmit a performance to an external
MIDI device by playing back an audio file.
NOTE
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Connecting to MIDI Devices
If you want your recorded performance to be saved on a MIDI
sequencer such as an MT-series unit (except for the MT-90s),
proceed as follows.
In this case, turn off the MIDI Thru setting of your external MIDI
sequencer. For details, refer to the owner’s manual of your
MIDI sequencer.
Transmitting Program Changes
Changes
external MIDI device each time you switch registrations
(favorite performance settings) on the FP-7 (p. 78).
The program change setting will be stored as part of each
registration, together with the other button settings, etc.
MT-series or other MIDI sequencer.
2. Record your performance on the FP-7 (p. 92).
A Program Change is a MIDI message that means
“change to the Tone of the specified number.” The device
that receives this changes to the Tone of the
3. Turn on the “Recorder MIDI Out” setting (p.
150).
corresponding number.
When you choose a Program Change message (Program
Number), the Program Number will be transmitted to the
MIDI device connected to the FP-7. The MIDI device that
receives the Program Number changes the tone to the
corresponding Program Number.
Normally, the Tone is selected from the 128 Tones
available. Some MIDI devices, however, have more than
128 Tones. With such devices, the Tone is selected
through a combination of Program Change messages and
Bank Select messages. There are two parts of a Bank Select
message: the MSB (Controller 0, with a value of 0–127)
and the LSB (Controller 32, with a value of 0–127).
* Some MIDI instruments can’t handle Bank Select
messages. Others can handle Bank Selects, but do not
recognize the LSB part.
4. Start recording on your connected MIDI
sequencer.
5. Play back the performance that you recorded
on the FP-7.
6. When playback is finished, stop recording on
your MIDI sequencer.
7. On the connected MIDI sequencer, save the
performance data that was transmitted from
the FP-7.
1. Press the [Function] button.
2. Press the [Registration] button.
The Registration screen appears.
3. While holding down the [Display] button, use
the [-] [+] buttons to select the item.
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Connecting to MIDI Devices
Item
Description
Specifies the Bank Select MSB that will
be transmitted.
Bank Select MSB
Bank Select LSB
Program Change
Specifies the Bank Select LSB that will
be transmitted.
Specifies the Program Change
number that will be transmitted.
4. Press the [-] or [+] button to change the
settings.
Item
Setting
0 (00h)–127 (7Fh)
Bank Select MSB
Bank Select LSB
Program Change
0 (00h)–127 (7Fh)
1 (00h)–128 (7Fh)
5. Press the [Display] button.
Setting the Transmit Channel
Here’s how to specify the channel on which a PC (program
change) message will be transmitted to an external MIDI
device when you switch registrations on the FP-7.
6. While holding down the [Display] button, use
the [-] [+] buttons to select “Tx Channel.”
7. Press the [-] or [+] button to select the
transmission channel.
Setting (Channel)
Off, 1–16
If you choose the “Off” setting, program change will
not be transmitted.
NOTE
8. Save the setting in the registration (p. 80).
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Troubleshooting
If you think there’s a problem, read this first.
Symptom
Cause/Action
Is the power cord connected correctly?
Is Panel Lock activated?
Page
Power does not turn on
p. 18
The button doesn’t work
Hold down the [Function] button and press the [Equalizer] button to turn off the
Panel Lock function.
p. 135
—
Since the FP-7 uses a liquid crystal screen, it may happen that no text or graphics
appear in the screen if the temperature is below zero degrees Celsius (32 degrees
Fahrenheit).
Nothing appears in the screen
Vertical lines appear in the screen/
Color is “washed out” at the edges
of the screen
These occur due to the nature of a liquid crystal display, and do not indicate a
malfunction. They can be minimized by adjusting the contrast of the screen.
—
Is the pedal connected correctly?
Plug the cord firmly into the pedal jack.
p. 21
—
Are you using a pedal made by another manufacturer?
Use the pedal included with the FP-7 or an optional DP Series or similar pedal.
Unplugging a pedal cord from the FP-7 while the power is on may cause the
pedal’s effect to be applied nonstop.
Be sure to switch off the power to the FP-7 before attempting to disconnect or
connect a pedal cord.
Pedal does not work, or is “stuck”/
Pedal does not operate correctly
—
If you’ve assigned the soft pedal or sostenuto pedal as a registration select switch,
or assigned it to some other function, the pedal won’t operate as a soft pedal or
sostenuto pedal.
p. 91
p. 118
Are you using (optional) Roland USB memory?
Reliable performance cannot be guaranteed if you use non-Roland USB memory
products.
—
Can’t read or write USB memory
successfully
If you are unable to read or write USB memory successfully, change the External
Memory setting.
p. 136
—
“Buzz” is heard from external
devices
Are the external devices connected to more than one AC power outlet?
If you connect external devices, be sure to connect them to the same AC outlet.
Device connected to the Input jacks
has insufficient volume
Could you be using a connection cable that contains a resistor?
Use a connection cable that does not contain a resistor.
—
No sound
Could the FP-7’s volume or the volume of the connected equipment be turned
down?
p. 20
p. 22
Could headphones be connected?
Could there be a plug inserted in a headphone jack?
The speakers will not produce sound if headphones or plug are connected to the
headphone jacks.
No sound
Could the [Balance] knob be set all the way toward “Lower” or “Upper”?
p. 47
p. 16
Is the Speaker switch to “Off”?
Turn it on with the Speaker switch.
Is Local Off set to Off?
When Local Control is set to Off, no sound is produced by playing the keyboard.
Set Local Control to “On.”
p. 149
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Troubleshooting
Symptom
Cause/Action
Page
p. 149
p. 28
Could the local control setting be turned “Off”?
If the local control setting is “Off” when you play back a song, you won’t hear
sound from the speakers of the FP-7.
Can’t hear the recorder song
Could the song volume be set to “0”?
Is V-LINK switched on?
When V-LINK is switched on, the twelve keys at the left end of the keyboard are
used to control images, and no sounds are played with these keys.
No sound from the leftmost notes of
the keyboard
p. 136
Are all devices powered on?
p. 147
p. 147
p. 148
No sound (when a MIDI device is
connected)
Are the MIDI cables connected correctly?
Do the MIDI channels of the FP-7 and the connected device match?
The maximum simultaneous polyphony is 128 notes. If you are playing along with
a song and making heavy use of the damper pedal, the number of notes the FP-7
is attempting to produce may exceed the maximum polyphony, meaning that some
of the notes will drop out.
Not all the notes you play are
sounded
—
Notes don’t sound right
Could you have made transpose settings?
Is the Master Tune setting appropriate?
Are the settings for the Temperament correct?
Is the FP-7 in Dual Play?
p. 52
p. 115
p. 116
p. 41
Pitch of the keyboard or song is
incorrect
Two sounds are produced when the
keyboard is played
When the FP-7 is connected to an external sequencer, set it to the Local Off mode.
Alternatively, set SOFT THRU on the sequencer to “Off.”
p. 149
Tone buttons [Strings/Pad] [Guitar/Bass] [Voice/GM2] also operate as buttons
that select “Recommended Tones.”
With the factory settings, connecting a commercially-available CD-ROM drive to
the external memory connector and selecting a song from a CD-ROM produced for
the VIMA (VIMA TUNES) will automatically cause sounds appropriate for that song
to be assigned to the [Strings/Pad], [Guitar/Bass], or [Voice/GM2] Tone buttons,
so that you can select “recommended” tones by pressing one of these buttons.
You can also make settings so that “recommended” tones are not automatically
assigned.
The wrong instrument is selected
when you press the [Strings/Pad],
[Guitar/Bass], or [Voice/GM2]
button
p. 120
You can specifies which part is to have priority when the effects assigned to the
Upper Tone and Lower Tone differ in Dual Play or Split Play.
Effect does not apply
p. 120
—
The FP-7’s piano sound faithfully simulates the depth and resonance of an acoustic
piano, and this may give the impression of reverberation even if you’ve defeated
the Reverb effect.
Reverberation remains even if you
defeat the Reverb effect
On an acoustic piano, the approximately one and a half octaves of notes at the
top of the keyboard will continue sounding regardless of the damper pedal. These
notes also have a somewhat different tonal character. FP-7 faithfully simulate this
characteristic of acoustic pianos. On the FP-7, the range that is unaffected by the
damper pedal will change according to the key control setting.
The sound of the higher notes
suddenly changes from a certain
key
—
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Troubleshooting
Symptom
Cause/Action
Page
If you hear this in headphones:
Piano sounds that have a brilliant and crisp character contain substantial high-
frequency components that may sound as though a metallic ringing has been
added. This is because the character of an actual piano is being faithfully
reproduced, and is not a malfunction. This ringing is more obtrusive if the reverb
effect is applied heavily, so you may be able to minimize it by decreasing the
reverb.
High-pitched ringing is heard
—
If you don’t hear this in headphones:
It is likely that there is some other reason (such as resonances within the unit).
Please contact your dealer or a nearby Roland service center.
If you don’t hear this in headphones:
Performing at high volumes may cause the speakers or objects near the FP-7 to
resonate. Fluorescent lights or glass doors may also resonate sympathetically. In
particular, this is more likely to occur for lower notes and higher volumes. You can
take the following measures to minimize resonances.
• Locate the speakers 10–15 cm away from walls or other surfaces.
• Keep the volume down.
• Move away from the objects that are resonating.
—
Low notes sound wrong, or are
buzzy
If you hear this in headphones:
It is likely that there is some other reason. Please contact your dealer or a nearby
Roland service center.
With certain tones, the sounds may seem to be distorted.
Turn down the volume. Alternatively, lower the master gain setting.
p. 123
p. 92
Song does not play correctly
Song won’t play
Does “OK to erase Song?” appear in the display?
You cannot play back an internal preset song if memory contains an unsaved song.
Try playing back the song after deleting the performance data.
Is Track Mute on?
p. 30
p. 131
—
The track mute volume is set to “0,” the music on that track is not heard.
Only the sound of a particular
instrument in a song does not play
Could the Part Mute setting be active?
Muted parts will not be heard.
You can not rewind or fast-forward while music files is being read in. Wait until
processing finishes.
Can’t rewind or fast-forward
If you attempt to play back performance data that contains more data than the
entire capacity of the FP-7’s memory, you may find that operations other than
playback (such as rewind or fast forward) become unavailable.
—
—
SMF music files comes in two types; Formats 0 and 1. In the case of format 1 data,
it may take a certain amount of time for playback to begin.
The format type is indicated on the booklet for the music files you’re using.
Songs in USB memory are not
played immediately
Lyrics are not indicated properly in
the display
With some music files, the lyrics cannot be displayed correctly.
—
—
—
—
When playing a song from USB memory, the tempo may become unstable if there
is an excessive amount of performance data.
Song tempo becomes unstable
The song name will not be shown if the song information in the file is empty or
consists only of spaces.
Can’t play back a song saved in
USB memory
Is the filename extension “MID”?
Files with other filename extensions cannot be handled as song data.
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Troubleshooting
Symptom
Cause/Action
Page
Can’t record / play back
Has one of the track buttons for recording been selected?
p. 95
p. 100
Can’t record
Your recorded performance will disappear if you switch off the FP-7’s power or
select a song. There is no way to recover the lost performance. Before you turn off
the power, save your recorded performance in internal memory.
The recorded performance
disappeared
p. 105
—
If you select an internal song in which the tempo changes during the song, and
then record, the tempo will change in the same way for the performances that are
recorded on the other tracks. The tempo of the metronome will also change in the
same way.
Tempo of recorded song or
metronome is off
If you record additional material without erasing the previously recorded song, the
song will be recorded at the first-recorded tempo. Please erase the previously
recorded song before you re-record.
p. 103
About the Audio Key
Is the audio file in a format supported by the FP-7?
Audio files of the following format can be played back.
• File extension “WAV”
• 16-bit linear
• “44.1 kHz” sampling rate
Can’t play back an audio file
p. 34
—
Can’t record along with an audio
file / Can’t copy an audio file into
internal memory
The FP-7 can’t record using audio files or copy them into internal memory.
About the audio file
Could you be using Session Partner?
You can’t use the Audio Key function while using the Session Partner function.
—
—
—
Can’t use the Audio Key function
You can’t use the Audio Key function while playing or recording a song.
If you’re using the Audio Key function with the FP-7’s built-in audio files, the audio
key settings you modify cannot be saved to USB memory.
Audio Key settings you made are
not saved in USB memory
When using audio files from USB memory
Edited audio key settings can be saved in USB memory only for audio file sets that
were created using the Audio Key Utility installed in your computer.
—
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Error Messages
Indication
Meaning
You can only read the music file. It can not be saved.
An error occurred during writing.
Error: 1
Error: 2
The external media’s protect tab may be in the “Protect” (writing prohibited) position, or the external media
may not yet be initialized.
Error: 10
Error: 11
No external media is inserted. Insert the external media and try again.
There is not sufficient free memory in the save destination.
Delete unneeded files (Songs or Registration Sets) you’ve saved in internal memory and try again.
An error occurred during writing. The external media may be corrupted.
Insert other external media and try again. Alternatively, you can initialize the external media.
Error: 14
Error: 15
Error: 16
The file is unreadable. The data format is not compatible with the FP-7.
Data was not called up in time for playback of the song.
After waiting several seconds, you may be able to play back the song by pressing the [Play] button again.
This audio format is not supported.
Please use 44.1 kHz 16-bit linear WAV format audio files.
Error: 18
Error: 30
Error: 40
The internal memory capacity of the FP-7 is full.
The FP-7 cannot deal with the excessive MIDI data sent from the external MIDI device.
Reduce the amount of MIDI data sent to the FP-7.
A MIDI cable has been disconnected.
Connect it properly and securely.
Error: 41
Error: 43
A MIDI transmission error has occurred.
Check the MIDI cable and connected MIDI device.
There may be a problem with the system.
Error: 51
Error: 65
Repeat the procedure from the beginning. If it is not solved after you have tried several times, contact the
Roland service center.
The External Memory connector was subjected to excessive current.
Make sure that there is no problem with the external media, then turn the power off, then on again.
* External Media: USB memory, etc.
* Press [Display] button, and you can cancel the error message.
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Tone List
044 Harpsi.o
045 Clav.
Piano
Strings/Pad
Voice/GM2
046 Pulse Clav.
047 Celesta
001 Grand Piano1
002 Piano + Str.
003 Grand Piano2
004 Piano + Pad
005 Grand Piano3
006 MagicalPiano
007 Rock Piano
008 Piano+Choir
009 Honky-tonk
001 Rich Strings
002 OrchestraStr
003 Velo Strings
004 DecayStrings
005 SynthStrings
006 Soft Pad
007 Glass Pad
008 Silky Way
009 Lunar Strngs
010 Dcy ChoirPad
011 Orchestra
012 OrchestraBrs
013 Harp
001 Aerial Choir
002 Jazz Scat
003 Female Aahs
004 Angels Choir
005 Beauty Vox
006 Male Aahs
007 Harpvox
008 Decay Choir
009 Alto Sax
010 Tenor Sax
011 BrassSection
012 Flute
048 Glockenspiel
049 Music Box
050 Vibraphone
051 Vibraphone w
052 Marimba
053 Marimba w
054 Xylophone
055 TubularBells
056 Church Bell
057 Carillon
058 Santur
059 Organ 1
060 TremoloOrgan
061 '60s Organ
062 Organ 2
063 Perc.Organ 1
065 Perc.Organ 2
066 Rock Organ
067 Church Org.1
068 Church Org.2
069 Church Org.3
070 Reed Organ
071 Puff Organ
072 Accordion 1
073 Accordion 2
074 Harmonica
075 Bandoneon
076 Nylon-str.Gt
077 Ukulele
*1
*1
*1
010 Harpsichord
011 Coupled Hps.
013 ChamberWinds
E.Piano
GM2
001 Vintage EP
002 Pop E.Piano
003 '60s E.Piano
004 FM E.Piano
005 '70s E.Piano
006 Stage Phaser
007 E.Grand
Guitar/Bass
014 STANDARD Set
015 ROOM Set
016 POWER Set
017 ELEC.Set
018 ANALOG Set
019 JAZZ Set
020 BRUSH Set
021 ORCH.Set
022 SFX Set
001 Nylon-str.Gt
002 Steel-str.Gt
003 Clean Guitar
004 Jazz Guitar
005 Overdrive Gt
006 AcousticBass
007 A.Bass+Cymbl
008 FingeredBass
009 FretlessBass
010 Slap Bass
008 Clav.
009 Vibraphone
010 Marimba
011 Celesta
012 Mallet Isle
013 Morning Lite
014 EP Belle
* 014–022 are drum/SFX
sets. Refer to p. 160–p.
162 for details on the
sounds in the drum/SFX
sets.
011 Synth Bass
012 Thum Voice
015 Ballad Bells
023 Piano 1
024 Piano 1w
025 Piano 1d
026 Piano 2
027 Piano 2w
028 Piano 3
Organ
078 Nylon Gt o
079 Nylon Gt 2
080 Steel-str.Gt
081 12-str.Gt
001 Combo Jz.Org
002 Ballad Organ
003 Gospel Spin
004 Full Stops
005 Mellow Bars
006 Light Organ
007 Lower Organ
008 Purple Spin
009 '60s Organ
010 ChurchOrgan1
011 ChurchOrgan2
012 Nason flt 8'
013 Accordion
029 Piano 3w
030 Honky-tonk
031 Honky-tonk w
032 E.Piano 1
033 Detuned EP 1
034 Vintage EP
035 '60s E.Piano
036 E.Piano 2
037 Detuned EP 2
038 St.FM EP
039 EP Legend
040 EP Phase
041 Harpsichord
042 Coupled Hps.
043 Harpsi.w
082 Mandolin
083 Steel+Body
084 Jazz Guitar
085 Hawaiian Gt
086 Clean Guitar
087 Chorus Gt 1
088 Mid Tone Gt
089 Muted Guitar
090 Funk Guitar1
091 Funk Guitar2
092 Chorus Gt 2
093 Overdrive Gt
094 Guitar Pinch
095 DistortionGt
158
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Tone List
096 Gt Feedback1
097 Dist.Rtm Gt
098 Gt Harmonics
099 Gt Feedback2
100 AcousticBass
101 FingeredBass
102 Finger Slap
103 Picked Bass
104 FretlessBass
105 Slap Bass 1
106 Slap Bass 2
107 Synth Bass 1
108 WarmSyn.Bass
109 Synth Bass 3
110 Clav.Bass
111 Hammer
148 Tuba
200 Bowed Glass
201 Metallic Pad
202 Halo Pad
203 Sweep Pad
204 Ice Rain
205 Soundtrack
206 Crystal
207 Synth Mallet
208 Atmosphere
209 Brightness
210 Goblins
211 Echo Drops
212 Echo Bell
213 Echo Pan
214 Star Theme
215 Sitar 1
252 Bird 2
149 MuteTrumpet1
150 MuteTrumpet2
151 French Horn1
152 French Horn2
153 Brass 1
253 Telephone 1
254 Telephone 2
255 DoorCreaking
256 Door
257 Scratch
154 Brass 2
258 Wind Chimes
259 Helicopter
260 Car Engine
261 Car Stop
262 Car Pass
263 Car Crash
264 Siren
265 Train
266 Jetplane
267 Starship
155 Synth Brass1
156 Synth Brass3
157 AnalogBrass1
158 Jump Brass
159 Synth Brass2
160 Synth Brass4
161 AnalogBrass2
162 Soprano Sax
163 Alto Sax
112 Synth Bass 2
113 Synth Bass 4
114 RubberSyn.Bs
115 Attack Pulse
116 Violin
117 Slow Violin
118 Viola
119 Cello
120 Contrabass
121 Tremolo Str.
122 PizzicatoStr
123 Harp
124 Yang Qin
125 Timpani
164 Tenor Sax
165 Baritone Sax
166 Oboe
167 English Horn
168 Bassoon
169 Clarinet
170 Piccolo
171 Flute
172 Recorder
216 Sitar 2
217 Banjo
268 Burst Noise
269 Applause
270 Laughing
271 Screaming
272 Punch
273 Heart Beat
274 Footsteps
275 Gun Shot
276 Machine Gun
277 Laser Gun
278 Explosion
218 Shamisen
219 Koto
220 Taisho Koto
221 Kalimba
222 Bagpipe
223 Fiddle
224 Shanai
225 Tinkle Bell
226 Agogo
227 Steel Drums
228 Woodblock
229 Castanets
230 Taiko
231 Concert BD
232 Melodic Tom1
233 Melodic Tom2
234 Synth Drum
235 TR-808 Tom
236 Elec.Perc.
237 Reverse Cym.
238 Gt FretNoise
239 Gt Cut Noise
240 BsStringSlap
241 Breath Noise
242 Fl.Key Click
243 Seashore
244 Rain
173 Pan Flute
174 Bottle Blow
175 Shakuhachi
176 Whistle
TW Organ
177 Ocarina
126 Strings
178 Square Lead1
179 Square Lead2
180 Sine Lead
181 Saw Lead 1
182 Saw Lead 2
183 Doctor Solo
184 Natural Lead
185 SequencedSaw
186 Syn.Calliope
187 Chiffer Lead
188 Charang
189 Wire Lead
190 Solo Vox
191 5th Saw Lead
192 Bass+Lead
193 Delayed Lead
194 Fantasia
001 TW-Organ 1
002 TW-Organ 2
003 TW-Organ 3
004 TW-Organ 4
005 TW-Organ 5
006 TW-Organ 6
127 Orchestra
128 '60s Strings
129 Slow Strings
130 Syn.Strings1
131 Syn.Strings3
132 Syn.Strings2
133 Choir 1
134 Choir 2
135 Voice
Tones indicated by “*1” are
suitable for playing layered
with a piano tone.
136 Humming
137 Synth Voice
138 Analog Voice
139 OrchestraHit
140 Bass Hit
141 6th Hit
142 Euro Hit
143 Trumpet
144 Dark Trumpet
145 Trombone 1
146 Trombone 2
147 Bright Tb
In the tone group “Voice/
GM2” when you hold down
the [-] or [+] button to switch
tone in succession, the tones
will stop changing at number
014 and number 023. To
select the next sound, release
the [-] or [+] button, then
press it again.
245 Thunder
246 Wind
247 Stream
248 Bubble
249 Bird 1
250 Dog
251 Horse Gallop
195 Warm Pad
196 Sine Pad
197 Polysynth
198 Space Voice
199 Itopia
159
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Tone List
STANDARD Set
ROOM Set
POWER Set
ELEC.Set
27
28
High-Q
Slap
High-Q
Slap
High-Q
Slap
High-Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Kick Drum 2
Kick Drum 1
Side Stick
Snare Drum
Hand Clap
Electric Snare 3
Low Tom 2
Closed Hi-Hat 1
Low Tom 1
Pedal Hi-Hat 1
Mid Tom 2
Open Hi-Hat 1
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal 1
Ride Bell 1
Tambourine
Splash Cymbal
Cowbell
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Room Kick 2
Room Kick 1
Side Stick
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Room Kick 1
Power Kick
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Power Kick
Electric Kick
Side Stick
Electric Snare 1
Hand Clap
Electric Snare 2
Electric Low Tom 2
Closed Hi-Hat 2
Electric Low Tom 1
Pedal Hi-Hat 2
Electric Mid Tom 2
Open Hi-Hat 2
Electric Mid Tom 1
Electric High Tom 2
Crash Cymbal 3
Electric High Tom 1
Ride Cymbal 3
Reverse Cymbal
Ride Bell 2
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
[EXC7]
[EXC7]
29
30
31
32
33
34
35
36
38
40
41
43
45
47
C2
Side Stick
Power Snare
Hand Clap
37
39
Room Snare
Hand Clap
Electric Snare 4
Room Low Tom 2
Closed Hi-Hat 2
Room Low Tom 1
Pedal Hi-Hat 2
Room Mid Tom 2
Open Hi-Hat 2
Room Mid Tom 1
Room High Tom 2
Crash Cymbal 3
Room High Tom 1
Ride Cymbal 3
Chinese Cymbal 2
Ride Bell 2
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Electric Snare 5
Power Low Tom 2
Closed Hi-Hat 2
Power Low Tom 1
Pedal Hi-Hat 2
Power Mid Tom 2
Open Hi-Hat 2
Power Mid Tom 1
Power High Tom 2
Crash Cymbal 3
Power High Tom 1
Ride Cymbal 3
Chinese Cymbal 2
Ride Bell 2
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
42
44
46
C3 48
50
49
51
52
53
54
56
58
55
57
Crash Cymbal 2
Vibraslap
59
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
C4 60
62
61
63
64
65
66
68
70
67
Low Agogo
Cabasa
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Low Agogo
Cabasa
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Low Agogo
Cabasa
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
69
Cabasa
Maracas
71
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
C5 72
74
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
-----
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
-----
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
-----
[EXC3]
[EXC3]
73
75
76
77
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
78
80
82
79
81
83
C6 84
86
85
87
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
[EXC6]
[EXC6]
[EXC6]
[EXC6]
[EXC6]
[EXC6]
88
* -----: No sound.
* [EXC]: will not sound simultaneously with other percussion instruments of the same number.
160
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Tone List
ANALOG Set
JAZZ Set
BRUSH Set
ORCH.Set
27
High-Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
TR-808 Kick 2
TR-808 Kick 1
TR-808 Rim shot
TR-808 Snare
Hand Clap
High-Q
Slap
High-Q
Slap
Closed Hi-Hat 2
Pedal Hi-Hat 2
Open Hi-Hat 2
Ride Cymbal 3
Sticks
Square Click
Metronome Click
Metronome Bell
Concert Bass Drum 2
Concert Bass Drum 1
Side Stick
Concert Snare Drum
Castanets
Concert Snare Drum
Timpani F
Timpani F#
Timpani G
Timpani G#
Timpani A
Timpani A#
Timpani B
Timpani C
Timpani C#
Timpani D
Timpani D#
Timpani E
Timpani F
Tambourine
Splash Cymbal
Cowbell
Concert Cymbal 2
Vibraslap
Concert Cymbal 1
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
[EXC1]
[EXC1]
[EXC1]
28
29
31
33
35
36
38
40
41
43
45
47
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Room Kick 2
Jazz Kick
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Room Kick 2
Jazz Kick
Side Stick
Brush Tap
Brush Slap1
Brush Swirl
Brush Low Tom 2
Brush Closed Hi-Hat [EXC1]
Brush Low Tom 1
Brush Pedal Hi-Hat [EXC1]
Brush Mid Tom 2
Brush Open Hi-Hat [EXC1]
Brush Mid Tom 1
Brush High Tom 2
Jazz Crash Cymbal
Brush High Tom 1
Jazz Ride Cymbal 1
Chinese Cymbal 2
Jazz Ride Cymbal 2
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
[EXC7]
[EXC7]
30
32
34
C2
Side Stick
Jazz Snare
Hand Clap
37
39
Electric Snare 6
TR-808 Low Tom 2
Electric Snare 7
Jazz Low Tom
Closed Hi-Hat 2
Low Tom 1
Pedal Hi-Hat 2
Mid Tom 2
Open Hi-Hat 2
Jazz Mid Tom
Jazz High Tom 2
Crash Cymbal 3
Jazz High Tom 1
Ride Cymbal 3
Chinese Cymbal 2
Ride Bell 2
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
TR-808 Closed Hi-Hat 1 [EXC1]
TR-808 Low Tom 1
TR-808 Closed Hi-Hat 2 [EXC1]
TR-808 Mid Tom 2
TR-808 Open Hi-Hat [EXC1]
TR-808 Mid Tom 1
TR-808 High Tom 2
TR-808 Crash Cymbal
TR-808 High Tom 1
Ride Cymbal 3
[EXC1]
[EXC1]
[EXC1]
42
44
46
C3 48
50
49
51
52
Chinese Cymbal 2
Ride Bell 2
Tambourine
53
54
56
58
Splash Cymbal
55
TR-808 Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
57
59
C4 60
62
Low Bongo 2
61
63
TR-808 High Conga
TR-808 Mid Conga
TR-808 Low Conga
High Timbale
Low Timbale
High Agogo
64
65
66
68
70
67
Low Agogo
Cabasa
69
Cabasa
Maracas
TR-808 Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
71
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
C5 72
74
[EXC3]
[EXC3]
[EXC3]
[EXC3]
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
Applause
[EXC3]
[EXC3]
73
75
76
77
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
78
80
82
79
81
83
C6 84
86
85
87
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
[EXC6]
[EXC6]
88
* -----: No sound.
* [EXC]: will not sound simultaneously with other percussion instruments of the same number.
161
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Tone List
SFX Set
-----
-----
27
28
-----
-----
29
30
-----
-----
31
32
33
-----
-----
-----
34
35
-----
-----
-----
High Q
36
38
40
41
43
45
47
C2
37
39
Slap
Scratch Push [EXC7]
Scratch Pull
Sticks
[EXC7]
42
44
46
Square Click
Metronome Click
Metronome Bell
Guitar Fret Noise
Guitar Cutting Noise Up
Guitar Cutting Noise Down
String Slap of Double Bass
Fl.Key Click
Laughing
C3 48
50
49
51
52
Screaming
Punch
53
54
56
58
Heart Beat
Footsteps 1
Footsteps 2
Applause
Door Creaking
Door
55
57
59
C4 60
62
Scratch
61
63
Wind Chimes
Car-Engine
Car-Stop
64
Car-Pass
Car-Crash
Siren
65
66
68
70
67
Train
69
Jet Plane
Helicopter
Starship
71
Gun Shot
Machine Gun
Laser Gun
Explosion
Dog
C5 72
74
73
75
76
Horse-Gallop
Birds
Rain
Thunder
Wind
77
78
80
82
79
81
Seashore
Stream
83
Bubble
-----
-----
-----
C6 84
86
85
87
88
-----
* -----: No sound.
* [EXC]: will not sound simultaneously with other percussion instruments of the same number.
162
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Rhythm List
Chord
Chord
No.
Style Name
8-Beat Funk
Tempo
No.
Style Name
S.8-Bt Rock3
Tempo
Progression
Progression
1
16
19
26
51
52
13
39
41
36
35
23
21
48
47
24
38
33
16
20
22
14
28
51
17
17
23
24
24
14
14
52
52
26
27
28
28
53
19
19
29
108
104
108
94
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
29
53
54
11
11
12
12
40
42
43
43
44
55
50
37
35
34
36
36
37
38
56
25
21
47
48
45
46
46
45
49
18
25
25
15
32
32
33
30
31
140
142
86
2
Guitar Funk
8-Beat Pop 1
Street Pop
8-Beat Rock1
Loose Rock
Ballad
16-BeatRock1
16-BeatRock2
Bounce Rock
S.BounceRock
Gt Ballad
3
4
105
105
80
5
128
174
82
6
7
S.Gt Ballad
E.Piano Bld
808 Ballad
New Age Bld
S.NewAge Bld
6/8 Ballad
Piano Ballad
Piano Waltz
Jazz Brush
S.Jazz
80
8
R&B Ballad
Fast Jazz 1
Jazz
60
67
9
128
136
113
95
65
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
66
8-Bt Fusion1
Fusion
66
178
64
Latin Fusion
Latin Pop
125
150
120
110
85
90
16-BeatFunk1
16-BeatFunk2
Slow Funk
Y2K Funk
60
136
220
140
140
120
110
90
Fast Jazz 2
W Time Feel
S.WTime Feel
Scat Swing
Piano Jazz
Jazz Waltz
8-Bt Fusion2
16-Bt Fusion
Fast Bossa
Bossa Nova
Salsa
103
100
96
Cutting Gt
'70s Soul
16-Beat Pop
8-Bt Shuffle
S.Street Pop
Pop
116
96
94
112
124
110
125
92
100
100
93
S.Pop
Contemporary
Medium Pop
S.Medium Pop
8-Beat Pop 2
S.8-Bt Pop 2
Piano Pop
S.Piano Pop
Guitar Pop
Country Pop
Shuffle
86
86
Latin
116
116
92
126
126
116
116
132
98
S.Latin
Mambo
Beguine
105
98
Hip Hop
808 Hip Hop
S.808 HipHop
Euro Dance
Honky Pop
S.Honky Pop
Boogie
102
102
135
185
185
170
120
150
116
116
88
S.Shuffle
Smooth Pop
8-Beat Rock2
S.8-Bt Rock2
8-Beat Rock3
106
106
140
Gospel
Gospel Shout
163
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Chord Progression Pattern List
It is the Chord Progression Pattern List by each measure. These are basic chord progression pattern from No. 1
to No. 10, and these are suitable chord progression for the internal rhythm from No. 11 to No. 56.
Chord Progression
Rhythm
Pattern
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Orig/
Vari
1
2
C
Am
G
Dm7
G7
E7
G7
C
Am
G
Dm7
G7
E7
G7
A7
C
Orig/
Vari
Am
F
Am
F
Orig/
Vari
3
CM7
Dm7
C
Am7
G7
Bm7
G7
F7
Dm7
CM7
Em7
CM7
C7
CM7
Dm7
F
Am7
G7
G
Dm7
CM7
Csus4
Am7
C7
Orig/
Vari
4
Am7
Am
FM7
→
Orig/
Vari
5
Orig/
Vari
6
Dm7
C7
Bm7 5 E7
A7
→
Orig/
Vari
7
F7
→
G7
→
G
G7
F7
C7
G7
Orig/
Vari
8
CM7
C
→
Cdim
Am7
Am
→
Dm9
Dm7
F
CM7
G7sus4
C
Dm9
→
CM7
→
Cdim
→
Dm9
G7
CM7
→
Orig/
Vari
9
→
→
Orig/
Vari
10
C
C
C/B
Am/G
→
Orig
C7sus4
E7
F
B 7sus4
C
C7sus4
Em7
G7
F
Fm6
G
11
12
13
14
15
16
17
18
19
20
21
22
Vari Am
Orig Dm
C7
C
F
Fm6
Dm
F
F
G7
G
A7
Am
Am
F
D7
A7
D
Vari
F
C
C7sus4
Am
D
G
Orig Am
→
G
→
→
C
→
Vari
D
C
→
C
→
F
G
Orig
→
E 7
F7
→
E 7
B
Vari C7sus4 C7
B 7sus4 B 7
C7sus4 C7
A 7sus4 B 7sus4
Orig Am
→
D
→
Am
C
→
G
→
Vari
C
F
→
B
→
→
E
G
Orig
→
B
→
F
→
B
→
Vari Dm
Orig
Vari FM9
C
Dm
FM7
C
C
B
→
Gm
F
C
C
Gm7
F/G
B
B 7
Am7
Gm7
G7
G7
Am7
D7
C
Gm7
F/G
B
F/G
F/G
Gm7
B
FM9
C
B 7
C
Orig
Vari
Orig
C
C
C
C
G7
Am7
→
C
C
G7
Am7
Fm7
D7
→
C
Dm7
CM7
Am7
Am7
CM9
B 9
Am9
FM9
C
Dm7
F/G
Am7
F/G
FM9
B 9
Am9
FM9
G7
→
Vari FM7
Orig Am7
FM7
Am7
C
D7
→
F/G
→
Vari
C
→
Orig CM9
Vari A M9
Orig CM9
Vari FM9
A M7
→
A M7
→
CM9
A M9
CM9
FM9
A M7
→
F/G
→
→
→
→
→
FM9
CM9
→
→
G6
→
→
G6
G6
G6
G6
F/G
164
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Chord Progression Pattern List
Chord Progression
Rhythm
Pattern
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Orig
C
→
FM7
→
C
→
F/G
→
→
C7
→
23
Vari Dm7
Orig
G7
→
C
Am7
→
Dm7
G7
G7
→
C
C
G
C
F
→
→
C
G
Am7
Dm7
C
G
C
C7
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
Vari FM7
Orig Am7
Vari Am7
Orig CM7
→
G
→
FM7
Gm7
FM7
Dm7
Dm
C
→
G
FM7
G7
→
→
F/G
D7
Am7
D7
D7
→
C7
Gm7
Am7
G7
G
E7 9
B M7
→
D7sus4 Am7
E7 9
→
→
Am7
F
Vari
Orig
Vari
Orig
C
C
C
C
→
→
→
→
C
→
F
→
G
→
C
→
Am
G
C
Am
G
Am
G
F
G
F
C
F
G7
→
→
→
F7sus4 F7
G7sus4 G7
Vari FM7
G7
→
C
→
FM7
C
G7
→
C
→
Orig
Vari
Orig
Vari
Orig
Vari
Orig
Vari
C
F
G
→
G
→
Am
→
G7
Fm7
C/G
→
Dm7
→
F
Am7
G7
→
C
F
C
C dim Dm7
G7
→
F dim
→
A7
→
D7
→
→
G7
→
C7
G
C
C
C
F
→
→
F
C
F
C
F
C
G7
F7
→
→
→
→
→
→
→
G
→
F7
→
G7
→
G7
→
→
→
F
→
→
→
C
→
F
→
G
→
Orig A7
D7
F
A7
C
→
D7
F7
F7
G7
Dm7
Dm7
F
→
A7
C
→
E7
D7
D7
A7
C
E7
G7
Vari
C
F
C7
C7
→
→
A7
C7
→
G7
Orig
C7
→
Am7
D7
Dm7
Dm7
→
B 7
→
F/C
C7
C6
C6
C
Vari A7
Orig C6
Vari C6
→
G7
G7
C7
C7
→
G7
G7
→
→
Am
Am
G7
D7
Am9
Dm7
→
G(11)
G(11)
→
→
C6
C6
F/G
C6
→
→
A aug Dm7
→
Orig
Vari
Orig
C
C
C
→
→
F7
C
C
G7
G7
F
C
F7
C
→
C
A7
→
G7
→
F
→
F
Vari Em7
Orig CM9
Vari FM9
A7 9
→
Dm7
F/G
CM9
Gm7
C
G7
→
Em7
CM9
C dim Dm7
G7
F/G
F/G
→
C9
FM9
CM7
Gm7
Am
F/G
→
Am9
→
Dm7 5 G7 9
Orig
Vari
C
F
C
→
G7
C7
G7
→
F
G7
F/G
G7
C7
Fm7
G7 9
Orig CM7
Vari FM7
Orig Cm7
Vari Ddim
C dim Dm7
CM7
FM7
Cm7
Ddim
C dim Dm7
G7
CM7
Cm7
Ddim
G7
C
Fm7
G7 9
Fm7
G7 9
Fm7
G7 9
Cm7
Ddim
165
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Chord Progression Pattern List
Chord Progression
Rhythm
No.
Pattern
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Orig Gm
Vari E 6
→
Am7 5 D7
Gm
→
Am7 5 D7
42
43
44
45
46
47
48
49
D7
Dm
Gm7
Dm7/G
Em9
F
C7
C
E M7
F
D7
Gm
E
Gm
Orig
Vari
Orig
Vari
Orig
Vari
C
C
C
F
Em7
D7
Am
→
D
Bm7
Am
→
A7
G
Am
C
Dm9
F
G7sus4
G
Em
→
C
Dm
→
C
→
Em
→
Am
→
F
→
F/G
G7
C
F
G7
C
→
G7
C
→
C
G7
C7
E7
E7
→
F
G7
Dm7
Bm7
Em9
C
Orig Am
Vari Am
Orig DM7
Vari DM7
E7
E7
→
Am
Am
Dm7
F m9
GM7
Dm7
F
E7
G7
F9
E7
E7
E 9
A7
→
Am
CM7
C m7 5 Bm7
Am7
→
Fm7 5 Em9
Orig
Vari
Orig
Vari
Orig
C
F
→
Fm
→
→
→
D6
C
G7
Fm
→
C
→
G7sus4 G7
C
C
C
→
→
→
G
C
F
→
→
→
G7
→
→
→
→
G
→
→
G7
→
C
C
C
→
→
→
G7
CM7
→
→
→
G7
CM7
Dm7
G7
Fm
→
C7
→
→
C dim Dm7
50
E dim
(D dim)
Vari Dm
Em7
A7
Dm7
G7
C
→
Orig
Vari
Orig
C
C
C
G7
G7
→
A
F
C
G7
G7
→
A
F
51
52
53
54
55
E
D7
→
C
E
G7
→
Am
FM7
C
Am
G7
G7
Cm
G/D
G
Vari FM7
Orig Cm
Vari Cm
C
C
E
C
→
CmM7 Cm7
CmM7 Cm7
F7
F7
B /D
C 7
F
Cm
A 7
D
A 7
G7
C/D
Bm
F
→
F7
Orig
D
C/D
Bm
F
G/D
D
B /D
A7
F/G
F/G
Vari F m7
F m7
C
Orig
Vari
C
F
C
C
C
F
C
F
C
Dm7
C 7
(D 7)
Orig Fm7
Fm7
A
Fm7
F
C7
C7
Fm7
Fm7
Fm7
C7
Fm
B 7
E 7
B 7
B 7
B
B 7
B 7
B 7
56
C
(D )
Vari
B m7
Gm7 5
Orig: Original
Vari: Variation
166
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● symbol: indicates the constituent notes of chords.
★ symbol: Chords shown with an “★” can be played by pressing just the key marked with the “★”.
→ “Performing with the Chord Progression Specified in the Left Hand (Chord Progression Off)” (p. 73)
C
C# / D
D
E
E
E
E
E
E
/ D#
E
F
Cmaj7
C7
C#maj7 / D maj7 Dmaj7
maj7 / D#maj7 Emaj7
Fmaj7
F7
C#7 / D
C#m / D
7
D7
7 / D#7
E7
Cm
m
Dm
m / D#m
Em
Fm
Cm7
Cdim
C#m7 / D m7
C#dim / D dim
Dm7
Ddim
m7/ D#m7
dim / D#dim
Em7
Edim
Fm7
Fdim
Cm7 ( 5 )
C#m7( 5) / D m7( 5) Dm7 ( 5 )
E
m7( 5) / D#m7( 5 ) Em7 ( 5 )
Fm7 ( 5 )
Caug
C#aug / D aug
Daug
E
E
E
E
E
aug / D#aug
Eaug
Faug
Csus4
C7sus4
C6
C#sus4 / D sus4 Dsus4
C#7sus4 / D 7sus4 D7sus4
sus4 / D#sus4
Esus4
Fsus4
F7sus4
F6
7sus4 / D#7sus4 E7sus4
C#6 / D
6
D6
6 / D#6
E6
Cm6
C#m6 / D m6
Dm6
m6 / D#m6
Em6
Fm6
167
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Chord Fingering List
● symbol: indicates the constituent notes of chords.
★ symbol: Chords shown with an “★” can be played by pressing just the key marked with the “★”.
→ “Performing with the Chord Progression Specified in the Left Hand (Chord Progression Off)” (p. 73)
F# / G
G
A
A
A
A
A
A
/ G#
A
B
B
B
B
B
B
/ A#
B
F#maj7 / G maj7 Gmaj7
maj7 / G#maj7 Amaj7
maj7 / A#maj7 Bmaj7
F#7 / G
F#m / G
7
G7
7 / G#7
A7
7 / A#7
B7
m
Gm
m / G#m
Am
m / A#m
Bm
F#m7 / G m7
F#dim / G dim
Gm7
Gdim
m7 / G#m7
dim / G#dim
Am7
Adim
m7 / A#m7
dim / A#dim
Bm7
Bdim
F#m7( 5)/G m7( 5) Gm7 ( 5 )
A m7( 5)/G#m7( 5) Am7 ( 5 )
B
m7( 5)/A#m7( 5) Bm7 ( 5 )
F#aug / G aug
Gaug
A
A
aug / G#aug
Aaug
B
B
aug / A#aug
Baug
F#sus4 / G sus4
Gsus4
sus4 / G#sus4 Asus4
7sus4 / G#sus4 A7sus4
sus4 / A#sus4
Bsus4
F#7sus4 / G 7sus4 G7sus4
A
A
B
B
7sus4 / A#7sus4 B7sus4
F#6 / G
6
G6
6 / G#6
A6
6 / A#6
B6
F#m6 /G m6
Gm6
A
m6 / G#m6
Am6
B
m6 / A#m6
Bm6
168
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Internal Song List
1
Trio Grande
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
Für Elise
2
Wedding Song
Türkischer Marsch (Mozart)
Ständchen
3
Late Night Chopin
Preludelight
4
Humoreske
5
Blue Sky Rag
Blumenlied
6
Sonate No.15
Alpenglöckchen
Menuett G dur (Beethoven)
Venezianisches Gondellied
Alpenabendröte
Farewell to the Piano
Brautchor
7
Liebesträume 3
8
Étude, op.10-3
9
Je te veux
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
Valse, op.64-1
Golliwog’s Cakewalk
Fantaisie-Impromptu
Arabesque 1
Battle of Waterloo
Wiener Marsch
An der schönen, blauen Donau
Auf Flügeln des Gesanges
Mazurka No.5
Le Coucou
Menuett G dur (Bach)
Spinnerlied
Gymnopédie 1
Gavotte
Étude, op.25-1
Heidenröslein
Clair de Lune
Zigeuner Tanz
Étude, op.10-5
La Cinquantaine
Csikos Post
Dr. Gradus ad Parnassum
Grande Valse Brillante
La prière d’une Vierge
Course en Troïka
To The Spring
Dolly’s Dreaming Awakening
La Violette
Fröhlicher Landmann
Sonatine op.36-1 (Clementi)
Sonatine op.20-1 (Kuhlau)
Sonatine No.5 (Beethoven)
Valse, op.64-2
Radetzky Marsch
Träumerei
981a
* All rights reserved. Unauthorized use of this material for
purposes other than private, personal enjoyment is a
violation of applicable laws.
Moments Musicaux 3
Prélude, op.28-15
Harmonious Blacksmith
Ungarische Tänze 5
Türkischer Marsch (Beethoven)
Nocturne No.2
Frühlingslied
Präludium
Jägerlied
Menuet Antique
169
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Music Files That the FP-7 Can Use
What Are Music Files?
Music files contains musical information such as how long the
General MIDI
The General MIDI is a set of recommendations which seeks to
key for a corresponding pitch is played, the force applied to
the key played, and other such information. Performance data
is transmitted to the FP-7 from music files saved in USB
memory, and played back without change as songs. This is
different than a audio CD, since the music file does not
contain a recording of the sound itself. This makes it possible
to change tempos and keys freely, allowing you to use it in
many different ways.
provide a way to go beyond the limitations of proprietary
designs, and standardize the MIDI capabilities of sound
generating devices. Sound generating devices and music files
that meets the General MIDI standard bears the General MIDI
logo. Music files bearing the General MIDI logo can be
played back using any General MIDI sound generating unit to
produce essentially the same musical performance.
General MIDI 2
Regarding Copyright
Use of the internal songs and audio files for any purpose other
than private, personal enjoyment without the permission of the
copyright holder is prohibited by law. Additionally, this data
must not be copied, nor used in a secondary copyrighted
work without the permission of the copyright holder.
Please be aware that if you create derivative works that are
based on existing copyrighted material, such as commercially
available SMF music files, such works may violate copyright
law if used for any purpose other than personal enjoyment.
Roland takes no responsibility for any copyright violation you
may commit by creating such works.
The upwardly compatible General MIDI 2 recommendations
pick up where the original General MIDI left off, offering
enhanced expressive capabilities, and even greater
compatibility. Issues that were not covered by the original
General MIDI recommendations, such as how sounds are to
be edited, and how effects should be handled, have now been
precisely defined. Moreover, the available sounds have been
expanded. General MIDI 2 compliant sound generators are
capable of reliably playing back music files that carry either
the General MIDI or General MIDI 2 logo.
In some cases, the conventional form of General MIDI, which
does not include the new enhancements, is referred to as
“General MIDI 1” as a way of distinguishing it from General
MIDI 2.
The FP-7 Allows You To Use the
Following Music Files
GS Format
The GS Format is Roland’s set of specifications for
standardizing the performance of sound generating devices.
In addition to including support for everything defined by the
General MIDI, the highly compatible GS Format additionally
offers an expanded number of sounds, provides for the editing
of sounds, and spells out many details for a wide range of
extra features, including effects such as reverb and chorus.
Designed with the future in mind, the GS Format can readily
include new sounds and support new hardware features when
they arrive. Since it is upwardly compatible with the General
MIDI, Roland’s GS Format is capable of reliably playing back
GM Scores equally as well as it performs GS music files (music
files that have been created with the GS Format in mind).
VIMA TUNES
VIMA TUNES is a Roland specification for music files that
contains image and lyric data, allowing you to enjoy songs
with lyrics and images simultaneously. When data bearing the
“VIMA TUNES” logo is played back on a device that bears
the same logo, lyrics can be shown on the screen of a
connected external display or television, letting you enjoy
karaoke or watch a slide show.
* This instrument (FP-7) is not able to play back VIMA TUNES
images.
SMF Music Files
SMFs (Standard MIDI Files) use a standard format for music
file that was formulated so that files containing music file could
be widely compatible, regardless of the manufacturer of the
listening device. An enormous variety of music is available,
whether it be for listening, for practicing musical instruments,
for Karaoke, etc.
XG lite
XG is a tone generator format of YAMAHA Corporation, that
defines the ways in which voices are expanded or edited and
the structure and type of effects, in addition to the General
MIDI 1 specification. XGlite is a simplified version of XG tone
generation format. You can play back any XG music files
using an XGlite tone generator. However, keep in mind that
some music files may play back differently compared to the
original files, due to the reduced set of control parameters and
effects.
SMF with Lyrics
“SMF with Lyrics” refers to SMF (Standard MIDI File) that
contains the lyrics. When Music Files carrying the “SMF with
Lyrics” logo are played back on the FP-7, the lyrics will appear
in its display.
170
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Registration List
The recommended settings were stored in the instrument when it shipped from the factory.
No.
No.
No.
No.
No.
Registration Name
Piano + Str.
No.
Registration Name
TW-Org. Rock
1-1
1-2
1-3
1-4
6-1
6-2
6-3
6-4
Piano+EPiano
Gt + Harpvox
Winds + Str.
TW-Org. Jazz
TW-Org Bossa
TW-Org. Full
Registration Name
No.
Registration Name
2-1
2-2
2-3
2-4
E.Piano / Bs
Vib. / BsCym
Piano / Pad
ChorusGt/Bs
7-1
7-2
7-3
7-4
FP REGIST.
FP REGIST.
FP REGIST.
FP REGIST.
Registration from 7-1 to 7-4 include the “Basic
Registration.” Use this when creating registration
from scratch.
Registration Name
3-1
3-2
3-3
3-4
JazzComboSes
R&B Session
MamboSession
Funk Session
Registration Name
4-1
4-2
4-3
4-4
JazzPno Ses1
RockPno Ses
LatinPno Ses
JazzPno Ses2
Registration Name
5-1
5-2
5-3
5-4
BossaEP Ses
'60sEP Ses
JazzEP Ses
'70sEP Ses
171
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Effects List
Effect Name
Parameter
Low Gain
Value
-15– +15 dB
Description
Gain of the low range
Gain of the high range
Equalizer
High Gain
500Hz
-15– +15 dB
Spectrum
Enhancer
-15– +15 dB
Gain of each frequency band
Sensitivity of the enhancer
1250Hz
Sens
0–127
0–127
Mix
Level of the overtones generated by the enhancer
Boost/Cut Mid
These boost and cut each of the High and Middle frequency ranges.
At -60 dB, the sound becomes inaudible. 0 dB is equivalent to the input
level of the sound.
Isolator
-60– +4 dB
Boost/Cut High
Boost Frequency 50–125 Hz
Center frequency at which the lower range will be boosted
Amount by which the lower range will be boosted
Low Boost
Boost Gain
0– +12 dB
Cutoff frequency of the filter
Increasing this value will raise the cutoff frequency.
Filter Cutoff
0–127
High Pass Filter
Filter resonance level
Increasing this value will emphasize the region near the cutoff
frequency.
Filter Resonance 0–100
Type of guitar amp
Small: small amp, Built-In: single-unit type amp,
2-Stack: large double stack amp, 3-Stack: large triple stack amp
Small, Built-In, 2-Stack,
Amp Type
Level
3-Stack
Overdrive
Distortion
0–127
Output Level
Type of guitar amp
Small: small amp, Built-In: single-unit type amp,
2-Stack: large double stack amp, 3-Stack: large triple stack amp
Small, Built-In, 2-Stack,
3-Stack
Amp Type
Level
0–127
Output Level
Type of guitar amp
Small: small amp, Built-In: single-unit type amp,
2-Stack: large double stack amp, 3-Stack: large triple stack amp
Small, Built-In, 2-Stack,
3-Stack
Amp Type
Level
Overdrive2
Distortion2
0–127
Output Level
Type of guitar amp
Small: small amp, Built-In: single-unit type amp,
2-Stack: large double stack amp, 3-Stack: large triple stack amp
Small, Built-In, 2-Stack,
3-Stack
Amp Type
Level
0–127
Output Level
Type of speaker
Output Level
Sp. Type
Level
(See the table.)
0–127
Speaker
Simulator
JC-120, Clean Twin,
MATCH Drive,
BG Lead, MS1959I,
MS1959II,
Amp Simulator
(Guitar Amp
Simulator)
PreAmp
MS1959I+II, SLDN
Lead, Metal5150,
Metal Lead, OD-1,
OD-2 Turbo,
Type of guitar amp
Distortion, Fuzz
Sp. Type
Rate
(See the table.)
0.05–10.00 Hz
0–127
Type of speaker
Frequency of modulation (Hz)
Phaser
Manual
Rate
Adjusts the basic frequency from which the sound will be modulated.
Frequency of modulation (Hz)
0.05–10.00 Hz
0–127
Multi Stage
Phaser
Manual
Adjusts the basic frequency from which the sound will be modulated.
Speed at which to raise or lower the frequency at which the sound is
modulated (+: upward / -: downward)
Speed
-100– +100
0–127
Infinite Phaser
Resonance
Amount of feedback
172
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Effects List
Effect Name
Parameter
Rate
Value
0.05–10.00 Hz
0–127
Description
Frequency of modulation (Hz)
Depth of modulation
Stereo Flanger
Depth
Rate
0.05–10.00 Hz
0–127
Frequency of modulation (Hz)
Depth of modulation
3D Flanger
2Band Flanger
Auto Wah
Depth
Low Rate
High Rate
Rate
0.05–10.00 Hz
0.05–10.00 Hz
0.05–10.00 Hz
0–127
Rate at which the low-range flanger sound is modulated (Hz)
Rate at which the high-range flanger sound is modulated (Hz)
Frequency of modulation (Hz)
Manual
Rate
Adjusts the center frequency at which the effect is applied.
Frequency at which the two vowels switch (note)
note
Humanizer
Degree of distortion
Drive
0–127
0–127
Also changes the volume.
Frequency
Balance
Rate
Adjusts the frequency at which modulation is applied.
Ring Modulator
Tremolo
D100:0W–D0:100W Volume balance between the direct sound (D) and the effect sound (W)
0.05–10.00 Hz
0–127
Frequency of the change (Hz)
Depth
Rate
Depth to which the effect is applied
Frequency of the change (Hz)
0.05–10.00 Hz
0–127
Auto Pan
Depth
Rate
Depth to which the effect is applied
Rate at which the 16-step sequence will cycle (note)
note
Timing of volume changes for even-numbered steps (step 2, step 4, step
Slicer
Shuffle
0–127
6...).
The higher the value, the later the beat progresses.
Threshold
Attack
0–127
0–127
0–127
Adjusts the volume at which compression begins
Sets the speed at which compression starts
Adjusts the volume at which compression begins
Compressor
Limiter
Threshold
Ratio
1.5:1, 2:1, 4:1, 100:1 Compression ratio
Rate
0.05–10.00 Hz
0–127
Frequency of modulation (Hz)
Stereo Chorus
Hexa Chorus
Tremolo Chorus
Space D
Depth
Depth of modulation
Rate
0.05–10.00 Hz
0–127
Frequency of modulation (Hz)
Depth
Depth of modulation
Chorus Depth
Tremolo Rate
Rate
0–127
Modulation depth of the chorus effect
Modulation frequency of the tremolo effect (Hz)
Frequency of modulation (Hz)
0.05–10.00 Hz
0.05–10.00 Hz
0–127
Depth
Depth of modulation
Rate
0.05–10.00 Hz
0–127
Frequency of modulation (Hz)
3D Chorus
Depth
Modulation depth of the chorus effect
Modulation depth for the low-range chorus sound
Modulation depth for the high-range chorus sound
Low Depth
High Depth
0–127
2Band Chorus
0–127
Simultaneously switch the rotational speed of the low frequency rotor
and high frequency rotor.
Slow: Slows down the rotation to the Slow Rate.
Fast: Speeds up the rotation to the Fast Rate.
Speed
Slow, Fast
Rotary
Separation
Speed
0–127
Spatial dispersion of the sound
Slow, Fast
Rotational speed of the rotating speaker
Switches the rotation of the rotary speaker.
When this is turned on, the rotation will gradually stop. When it is
turned off, the rotation will gradually resume.
Rotary2
Brake
Off, On
Low- and high-frequency rotation speeds (Rate)
Slow: (Slow Rate), Fast: (Fast Rate)
Rotary Speed
OD Drive
Slow, Fast
0–127
Rotary Multi
Amount of distortion
173
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Effects List
Effect Name
Parameter
Feedback
Value
0– +80 %
Description
Adjusts the amount of the delay sound that’s fed back into the effect.
Stereo Delay1
Balance
Feedback
Balance
Feedback
Balance
Feedback
Balance
Feedback
Balance
D100:0W–D0:100W Volume balance between the direct sound (D) and the delay sound (W)
0– +80 % Adjusts the amount of the delay sound that’s fed back into the effect.
D100:0W–D0:100W Volume balance between the direct sound (D) and the delay sound (W)
0– +80 % Adjusts the amount of the delay sound that’s fed back into the effect.
D100:0W–D0:100W Volume balance between the direct sound (D) and the delay sound (W)
0– +80 % Adjusts the amount of the delay sound that’s fed back into the effect.
D100:0W–D0:100W Volume balance between the direct sound (D) and the delay sound (W)
0– +80 % Adjusts the amount of the delay sound that’s fed back into the effect.
Stereo Delay2
Stereo Delay3
Stereo Delay4
Stereo Delay5
D100:0W–D0:100W Volume balance between the direct sound (D) and the delay sound (W)
Delay time from when the original sound is heard to when the delay
sound is heard (note)
Delay Time
note
Monaural Delay
Balance
Depth
D100:0W–D0:100W Volume balance of the original sound (D) and delay sound (W)
0–127
D100:0W–D0:100W Volume balance between the direct sound (D) and the delay sound (W)
Adjusts the amount of the delay sound that’s fed back into the effect.
D100:0W–D0:100W Volume balance between the direct sound (D) and the delay sound (W)
Center Feedback 0– +80 % Adjusts the proportion of the delay sound that is fed back into the effect.
Depth of modulation
Modulation
Delay
Balance
Center Feedback 0– +80 %
Balance
Triple Tap
Delay
3D Delay
Balance
D100:0W–D0:100W Volume balance between the direct sound (D) and the effect sound (W)
Tape speed
Repeat Rate
Echo Level
Delay Time
Balance
0–127
Increasing this value will shorten the spacing of the delayed sounds.
Tape Echo
0–127
Volume of the echo sound
Delay time from when sound is input into the reverse delay until the
delay sound is heard (Hz)
1–1270 ms
Reverse Delay
D100:0W–D0:100W Volume balance of the original sound (D) and delay sound (W)
Degrades the sound quality. The sound quality grows poorer as this
LoFi Type
1–9
Lo-Fi
(LoFi Compress)
value is increased.
Balance
D100:0W–D0:100W Volume balance between the direct sound (D) and the effect sound (W)
Voice Quality
Balance
0–15
Audio quality of the telephone voice
Telephone
D100:0–D0:100W
Volume balance between the direct sound (D) and the effect sound (W)
Type of reverb
Normal: conventional gated reverb
Reverse: backwards reverb
Sweep1: the reverberant sound moves from right to left
Sweep2: the reverberant sound moves from left to right
Normal, Reverse,
Sweep1, Sweep2
Type
Gate Reverb
Balance
D100:0W–D0:100W Volume balance between the direct sound (D) and the reverb sound (W)
Chorus Rate
0.05–10.00 Hz
Frequency of modulation (Hz)
OD–>Chorus
(Overdrive–>
Chorus)
Adjusts the volume balance between the sound that is sent through the
chorus (W) and the sound that is not sent through the chorus (D).
Cho. Balance
Flanger Rate
Fl. Balance
D100:0W–D0:100W
0.05–10.00 Hz
Frequency of modulation (Hz)
OD–>Flanger
(Overdrive–>
Flanger)
Adjusts the volume balance between the sound that is sent through the
flanger (W) and the sound that is not sent through the flanger (D).
D100:0W–D0:100W
Degree of distortion
Also changes the volume.
Drive
0–127
Overdrive–>
Delay
Adjusts the volume balance between the sound that is sent through the
delay (W) and the sound that is not sent through the delay (D).
Delay Balance
Chorus Rate
D100:0W–D0:100W
0.05-10.00 Hz
Dist.–>Chorus
(Distortion–>
Chorus)
Frequency of modulation (Hz)
Adjusts the volume balance between the sound that is sent through the
chorus (W) and the sound that is not sent through the chorus (D).
Cho. Balance
D100:0W-D0:100W
174
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Effects List
Effect Name
Parameter
Value
Description
Dist.–>Flanger Flanger Rate
(Distortion–>
0.05-10.00 Hz
Frequency of modulation (Hz)
Adjusts the volume balance between the sound that is sent through the
flanger (W) and the sound that is not sent through the flanger (D).
Fl. Balance
Flanger)
D100:0W-D0:100W
0–127
Degree of distortion
Also changes the volume.
Dist.–>Delay
(Distortion–>
Delay)
Drive
Adjusts the volume balance between the sound that is sent through the
delay (W) and the sound that is not sent through the delay (D).
DelayBalance
Chorus Rate
D100:0W-D0:100W
0.05–10.00 Hz
Enhancer–>
Cho
Frequency of modulation (Hz)
Adjusts the volume balance between the sound that is sent through the
chorus (W) and the sound that is not sent through the chorus (D).
(Enhancer–>
Chorus)
Cho. Balance
D100:0W–D0:100W
Flanger Rate
Fl. Balance
0.05–10.00 Hz
D100:0W–D0:100W
0–127
Frequency of modulation (Hz)
Enhancer–>Fl.
(Enhancer–>
Flanger)
Adjusts the volume balance between the sound that is sent through the
flanger (W) and the sound that is not sent through the flanger (D).
Enhancer Sens
Delay Balance
Sensitivity of the enhancer
Enhancer–>
Delay
Adjusts the volume balance between the sound that is sent through the
delay (W) and the sound that is not sent through the delay (D).
D100:0W–D0:100W
Volume balance between the direct sound (D) and the chorus sound
(W)
Cho. Balance
Delay Balance
Fl. Balance
D100:0W–D0:100W
D100:0W–D0:100W
D100:0W–D0:100W
D100:0W–D0:100W
D100:0W–D0:100W
Chorus–>Delay
Adjusts the volume balance between the sound that is sent through the
delay (W) and the sound that is not sent through the delay (D).
Volume balance between the direct sound (D) and the flanger sound
(W)
Flanger–>
Delay
Adjusts the volume balance between the sound that is sent through the
delay (W) and the sound that is not sent through the delay (D).
Delay Balance
Cho. Balance
Volume balance between the direct sound (D) and the chorus sound
(W)
Chorus–>
Flanger
Adjusts the volume balance between the sound that is sent through the
flanger (W) and the sound that is not sent through the flanger (D).
Fl. Balance
Depth
D100:0W–D0:100W
0–127
0–64
Depth of the effect
Damper
Resonance
Volume of additional slight resonance when the damper pedal is not
pressed
Damper Offset
Type
Small 1
Cabinet
Speaker
Microphone
Dynamic
Small open-back enclosure
Small open-back enclosure
Open back enclosure
Open back enclosure
Open back enclosure
Open back enclosure
Open back enclosure
Open back enclosure
Open back enclosure
Sealed enclosure
10
10
Small 2
Dynamic
Middle
12 x 1
12 x 2
12 x 2
12 x 2
12 x 2
12 x 2
12 x 2
12 x 2
12 x 2
12 x 4
12 x 4
12 x 4
12 x 4
12 x 4
Dynamic
JC-120
Dynamic
Built-In 1
Built-In 2
Built-In 3
Built-In 4
Built-In 5
BG Stack 1
BG Stack 2
MS Stack 1
MS Stack 2
Metal Stack
2-Stack
Dynamic
Condenser
Condenser
Condenser
Condenser
Condenser
Condenser
Condenser
Condenser
Condenser
Condenser
Condenser
Large sealed enclosure
Large sealed enclosure
Large sealed enclosure
Large double stack
Large double stack
3-Stack
Large triple stack
175
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Stored Settings
Settings Stored in a Registration
Stored Items
Page
p. 35, p. 41,
p. 43
Tone and variation selected for the Upper part and Lower part
Settings for dual and split play
p. 47
The volume balance for dual and split play
p. 48, p. 125,
p. 126
Keyboard Touch, The velocity when the keyboard touch is set to “Off”
Reverb button’s on or off, and the depth of reverb
p. 49
p. 50, p. 119,
p. 120
The effect type and the settings of effects (*1)
Speed of the rotary effect for organ sounds
p. 51
Transpose’s on or off, its value, and Transpose mode
p. 52, p. 124
p. 66–p. 77
p. 129–p. 130
Session Partner settings
How the pedal effect is applied, and the function of the pedal
Setting the part to which effects are added
Octave Shift for the Lower tone
p. 117, p. 118
p. 120
p. 126
MIDI transmit channel
p. 148
Program Change settings
p. 151
*1: Only the selected tone and rhythm-related settings are stored.
Settings Stored While the Power is Off
Stored Items
USB Driver Setting
Page
p. 143
p. 122
p. 120
p. 121
p. 122
p. 122
p. 136
Equalizer Settings
VIMA TUNES recommended tones on/off setting
Lyrics display on/off setting, lyrics display language setting
Sound Control’s on or off, and the type of Sound Control
Equalizer’s on or off, and the type of Equalizer
External Memory Mode
Settings that Can be Stored by Backing Up
Stored Items
Master Tuning
Page
p. 115
p. 63
Piano Designer Settings
176
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MIDI Implementation Chart
DIGITAL PIANO
Model FP-7
Date : Oct. 1, 2006
Version : 1.00
MIDI Implementation Chart
Transmitted
Recognized
Remarks
Function...
Basic
Channel
Default
Changed
1
1–16
1–16
1–16
Default
Messages
Altered
Mode 3
x
Mode 3
Mode 3, 4 (M=1)
* 2
Mode
**************
Note
Number :
15–113
**************
0–127
0–127
True Voice
Note ON
Note OFF
O
O
O
O
Velocity
*1
*1
After
Touch
Key’s
Ch’s
x
x
O
O
Pitch Bend
O
O
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
0, 32
1
Bank select
Modulation
Portamento time
Data entry
O
O
x
O
O
5
O
6, 38
7
x
O
Volume
O
x
O
10
11
64
65
66
67
71
72
73
74
75
76
77
78
84
91
93
Panpot
O
Expression
Hold 1
O
O
x
O
O
Portamento
Sostenuto
O
O
O
x
O
Control
Change
Soft
O
Resonance
Release time
Attack time
Cutoff
O
x
O
x
O
x
O
Decay time
Vibrato rate
Vibrato depth
Vibrato delay
Portamento control
Effect 1 depth
Effect 3 depth
NRPN LSB, MSB
RPN LSB, MSB
x
O
x
O
x
O
x
O
*1
*1
*1
*1
*1
x
O
O
x
O (Reverb)
O (Chorus)
98, 99
100, 101
x
O
O
x
Prog
Change
0–127
**************
O
0–127
: True Number
Program number 1–128
System Exclusive
O
O
: Song Pos
: Song Sel
: Tune
x
x
x
x
x
x
System
Common
System
Real Time
: Clock
: Commands
O
O
x
x
x
x
x
x
O
x
O (120, 126, 127)
: All sound off
O
:
Reset all controllers
Aux
Message
O
: Local Control
: All Notes OFF
: Active Sense
: Reset
O (123–125)
O
x
* 1 O x is selectable by SysEx.
* 2 Recognized as M=1 even if M≠1.
Notes
Mode 1 : OMNI ON, POLY
Mode 2 : OMNI ON, MONO
O : Yes
X : No
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO
177
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Main Specifications
FP-7: Digital Piano
Keyboard
88 keys PHA II keyboard
Touch Sensitivity
Sound Generator
Max. Polyphony
Tones
100 levels, Off (velocity adjustable)
GM2 system/GS/XG lite compatible
128 voices
339 tones (include 6 Tone Wheel Organ) + 9 Drums Sets
Reverb
Digital Effect (62 types)
Sound Control (3 types)
4-band Digital Equalizer
Effects
Rhythm: 80 types x 2 variations
Session Partner
Chord Progression: Automatic or input with keyboard (User Programmable)
Tracks: 3 tracks
Song: 1 song (Max. 99 songs to Internal Memory)
Note Storage: Approx. 30000 notes
Tempo: Quarter note = 10 to 500
Resolution: 120 ticks per quarter note
28
Recorder
Registration
Internal Songs
Demo Songs
65 Songs
10 Songs
Media: USB Memory
Playback file: SMF format (0/1)
Playback and Save
Audio File (WAV format, 44.1 kHz, 16 bit linear)
*Audio File can be played with Audio Key Function.
Save format: SMF format (0), Registration set
<Others>
Rated Power Output
Speakers
13 W x 2
8 cm x12cm x 2 with Speaker Box
Graphic LCD 128 x 64 dots (with backlit)
Display
External Memory Connector
Output Jacks (L/Mono, R): 1/4 inch phone type
Input Jacks (L/Mono, R): 1/4 inch phone type
Mix In Jack: Stereo miniature phone type
Headphone Jack x 2: Stereo 1/4 inch phone type
USB (MIDI) Connector
Connectors
MIDI Connectors (In, Out)
Pedal Jacks (Damper, Soft*, Sostenuto*)
DC In Jack
* Assignable
Power Supply
DC 12 V (AC Adaptor)
26 W
Power Consumption
178
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Main Specifications
1346 (W) x 375 (D) x 137 (H) mm
53 (W) x 14-13/16 (D) x 5-7/16 (H) inches
Dimensions (Including stand)
Weight
1346 (W) x 396 (D) x 949 (H) mm
53 (W) x 15-5/8 (D) x 37-3/8 (H) inches
(FP-7 with dedicated stand and music rest)
23.9 kg / 52 lbs 12 oz
Owner’s Manual
Audio Key Utility Quick Guide
CD-ROM (Audio Key Utility)
Information about SONAR LE
CD-ROM (SONAR LE)
AC Adaptor
Accessories
Power Cord
Music Rest
2 screws for the Music Rest
Pedal (available Half-damper)
Dedicated Stand: KSC-44
Damper Pedal
Pedal Switch
Foot Switch
Options
Expression Pedal (EV-5)
USB Memory
* In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior
notice.
179
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Index
A
Audio Equipment ................................................ 138
Audio File ............................................... 34, 59, 62
[Audio Key] Button .......................................... 14, 60
Audio Key Settings .............................................. 127
B
Recorded Performance .................................... 103
C
Center Cancel ................................................... 146
Chord Progression Pattern ..................................... 129
Connecting
MIDI Sound Module ........................................ 148
USB Memory .......................................... 23, 142
[Contrast] Knob .............................................. 15, 22
Contrast of the Screen ............................................ 22
Registration Set ................................................ 89
GS ................................................................. 170
GS Format ........................................................ 170
D
Damper Jack ............................................... 21, 117
Damper Noise ..................................................... 64
Damper Pedal .............................................. 21, 118
Damper Resonance ............................................... 21
DC In Jack .................................................... 16, 18
Deleting
Initializing ........................................ 107, 132–133
Input Jacks .................................................. 16, 139
Internal Memory ....... 29, 32, 78, 105, 109, 111, 113
Initializing .................................................... 132
Internal Song .................................... 26, 29–30, 95
Internal Song List ................................................ 169
Intro ................................................................ 129
Saved Song .................................................. 109
180
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K
Key Off Resonance ............................................... 64
Keyboard Sensitivity ...................................... 48, 125
Pedal Jacks ......................................................... 16
L
Listening
Songs Saved in Internal Memory .......................... 32
Songs Saved in USB Memory .............................. 33
M
[Metronome] Button ......................................... 14, 54
MIDI Connector ............................................ 16, 147
MIDI In Connector ............................................... 147
MIDI Transmit Channel ......................................... 148
Modulation ....................................................... 118
Music Files ........................................................ 170
Music Rest .......................................................... 20
Muting ............................................................... 30
Reverb Effect ....................................................... 49
Depth ........................................................... 49
Rhythm List ........................................................ 163
Rhythm Pattern ..................................................... 75
Root Note of the Chord Progression ........................ 130
Rotary Effect ....................................................... 51
O
Octave Shift ...................................................... 126
Original/Variation ................................................ 75
181
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Index
S
Registration Set ................................................ 83
Songs You Record .......................................... 105
Song
USB Memory . 23, 33, 104, 107, 111, 113, 133, 142
Sostenuto / (FC1) Jack ................................... 21, 117
Sostenuto Pedal ............................................ 21, 118
Speaker Switch ............................................ 16, 138
[Split] Button ...................................... 15, 44–46, 73
Stretch Tuning ...................................................... 64
String Resonance .................................................. 64
Metronome .................................................... 55
Muted Track ................................................... 31
Session Partner Performance ............................... 69
Volume Balance ................................................... 47
T
Track Assign ...................................................... 132
Track Buttons ................. 14, 30, 92, 94, 96, 99–102
Track Mute .......................................................... 30
Transpose ................................................... 52, 124
[Transpose] Button .......................................... 14, 52
Troubleshooting .................................................. 153
Tuning ..................................................... 115–116
182
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MEMO
183
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MEMO
184
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Information
When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.
PHILIPPINES
CURACAO
URUGUAY
NORWAY
JORDAN
AFRICA
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
Zeelandia Music Center Inc.
Orionweg 30
Todo Musica S.A.
Francisco Acuna de Figueroa
1771
Roland Scandinavia Avd.
MUSIC HOUSE CO. LTD.
Kontor Norge
FREDDY FOR MUSIC
P. O. Box 922846
Amman 11192 JORDAN
TEL: (06) 5692696
EGYPT
Al Fanny Trading Office
9, EBN Hagar A1 Askalany
Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
TEL: 20-2-417-1828
Curacao, Netherland Antilles
TEL:(305)5926866
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
C.P.: 11.800
Montevideo, URUGUAY
TEL: (02) 924-2335
TEL: (02) 899 9801
DOMINICAN REPUBLIC
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3
Ens.La Esperilla
Santo Domingo,
Dominican Republic
TEL:(809) 683 0305
TEL: 2273 0074
SINGAPORE
SWEE LEE MUSIC
COMPANY PTE. LTD.
150 Sims Drive,
SINGAPORE 387381
TEL: 6846-3676
KUWAIT
EASA HUSAIN AL-YOUSIFI
& SONS CO.
Abdullah Salem Street,
Safat, KUWAIT
TEL: 243-6399
VENEZUELA
Instrumentos Musicales
Allegro,C.A.
Av.las industrias edf.Guitar
POLAND
ROLAND POLSKA SP. Z O.O.
UL. Gibraltarska 4.
PL-03 664 Warszawa
POLAND
REUNION
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
import
#7 zona Industrial de Turumo
Caracas, Venezuela
TEL: (212) 244-1122
TEL: (022) 679 4419
ECUADOR
Mas Musika
Rumichaca 822 y Zaruma
Guayaquil - Ecuador
TAIWAN
ROLAND TAIWAN
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung
Shan N.Road Sec.2, Taipei,
TAIWAN, R.O.C.
LEBANON
Chahine S.A.L.
Gerge Zeidan St., Chahine
Bldg., Achrafieh, P.O.Box: 16-
5857
Beirut, LEBANON
TEL: (01) 20-1441
PORTUGAL
Roland Iberia, S.L.
Portugal Office
Cais das Pedras, 8/9-1 Dto
4050-465, Porto, PORTUGAL
TEL: 22 608 00 60
REUNION ISLAND
TEL: (0262) 218-429
TEL:(593-4)2302364
SOUTH AFRICA
T.O.M.S. Sound & Music
(Pty)Ltd.
2 ASTRON ROAD DENVER
JOHANNESBURG ZA 2195,
SOUTH AFRICA
TEL: (011)417 3400
FAX: (011)417 3462
EUROPE
EL SALVADOR
OMNI MUSIC
75 Avenida Norte y Final
Alameda Juan Pablo II,
Edificio No.4010 San Salvador,
EL SALVADOR
TEL: (02) 2561 3339
AUSTRIA
Roland Elektronische
Musikinstrumente HmbH.
ROMANIA
FBS LINES
Piata Libertatii 1,
535500 Gheorgheni,
ROMANIA
OMAN
THAILAND
TALENTZ CENTRE L.L.C.
Malatan House No.1
Al Noor Street, Ruwi
SULTANATE OF OMAN
TEL: 2478 3443
Theera Music Co. , Ltd.
330 Soi Verng NakornKasem,
New Road, Sumpantawongse,
Bangkok 10100, THAILAND
TEL: (02) 224-8821
Austrian Office
Eduard-Bodem-Gasse 8,
A-6020 Innsbruck, AUSTRIA
TEL: (0512) 26 44 260
TEL: 262-0788
TEL: (266) 364 609
Paul Bothner(PTY)Ltd.
Royal Cape Park, Unit 24
Londonderry Road, Ottery 7800
Cape Town, SOUTH AFRICA
TEL: (021) 799 4900
GUATEMALA
BELGIUM/FRANCE/
HOLLAND/
LUXEMBOURG
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
RUSSIA
MuTek
Dorozhnaya ul.3,korp.6
117 545 Moscow, RUSSIA
TEL: (095) 981-4967
QATAR
Al Emadi Co. (Badie Studio &
Stores)
P.O. Box 62, Doha, QATAR
Casa Instrumental
Calzada Roosevelt 34-01,zona 11
Ciudad de Guatemala
Guatemala
AUSTRALIA/
NEW ZEALAND
TEL:(502) 599-2888
TEL: 4423-554
SLOVAKIA
HONDURAS
Almacen Pajaro Azul S.A. de C.V.
BO.Paz Barahona
3 Ave.11 Calle S.O
San Pedro Sula, Honduras
TEL: (504) 553-2029
AUSTRALIA/
SAUDI ARABIA
aDawliah Universal
Electronics APL
Corniche Road, Aldossary
Bldg., 1st Floor, Alkhobar,
SAUDI ARABIA
ASIA
TEL: (014) 575811
DAN Acoustic s.r.o.
Povazská 18.
NEW ZEALAND
Roland Corporation
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
CHINA
Roland Shanghai Electronics
Co.,Ltd.
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
CROATIA
ART-CENTAR
Degenova 3.
HR - 10000 Zagreb
TEL: (1) 466 8493
SK - 940 01 Nové Zámky
TEL: (035) 6424 330
SPAIN
Roland Iberia, S.L.
Paseo García Faria, 33-35
08005 Barcelona SPAIN
TEL: 93 493 91 00
MARTINIQUE
Musique & Son
Z.I.Les Mangle
97232 Le Lamantin
Martinique F.W.I.
TEL: 596 596 426860
P.O.Box 2154, Alkhobar 31952
SAUDI ARABIA
TEL: (03) 898 2081
CZECH REP.
CZECH REPUBLIC
DISTRIBUTOR s.r.o
Voctárova 247/16
CZ - 180 00 PRAHA 8,
CZECH REP.
For Australia
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 3 Section Anhuaxili
Chaoyang District Beijing
100011 CHINA
Tel: (02) 9982 8266
For New Zealand
Tel: (09) 3098 715
SYRIA
Technical Light & Sound
Center
Rawda, Abdul Qader Jazairi St.
Bldg. No. 21, P.O.BOX 13520,
Damascus, SYRIA
SWEDEN
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
Gigamusic SARL
10 Rte De La Folie
97200 Fort De France
Martinique F.W.I.
TEL: 596 596 715222
TEL: (2) 830 20270
CENTRAL/LATIN
AMERICA
TEL: (010) 6426-5050
DENMARK
TEL: (011) 223-5384
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
HONG KONG
Tom Lee Music Co., Ltd.
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
SWITZERLAND
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
SWITZERLAND
TEL: (061) 927-8383
ARGENTINA
Instrumentos Musicales S.A.
Av.Santa Fe 2055
(1123) Buenos Aires
ARGENTINA
TEL: (011) 4508-2700
TURKEY
ZUHAL DIS TICARET A.S.
Galip Dede Cad. No.37
Beyoglu - Istanbul / TURKEY
TEL: (0212) 249 85 10
MEXICO
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico
D.F. MEXICO
TEL: 3916 6200
FINLAND
Roland Scandinavia As, Filial
Finland
Elannontie 5
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
TEL: 2415 0911
TEL: (55) 5668-6699
U.A.E.
Zak Electronics & Musical
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Grand Floor, Dubai,
U.A.E.
UKRAINE
EURHYTHMICS Ltd.
P.O.Box: 37-a.
Nedecey Str. 30
UA - 89600 Mukachevo,
UKRAINE
Parsons Music Ltd.
BARBADOS
NICARAGUA
Bansbach Instrumentos
Musicales Nicaragua
Altamira D'Este Calle Principal
de la Farmacia 5ta.Avenida
1 Cuadra al Lago.#503
Managua, Nicaragua
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 2333 1863
A&B Music Supplies LTD
12 Webster Industrial Park
Wildey, St.Michael, Barbados
TEL: (246)430-1100
GERMANY
Roland Elektronische
Musikinstrumente HmbH.
Oststrasse 96, 22844
Norderstedt, GERMANY
TEL: (040) 52 60090
TEL: (04) 3360715
TEL: (03131) 414-40
INDIA
Rivera Digitec (India) Pvt. Ltd.
409, Nirman Kendra
Mahalaxmi Flats Compound
Off. Dr. Edwin Moses Road,
Mumbai-400011, INDIA
TEL: (022) 2493 9051
BRAZIL
Roland Brasil Ltda.
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
UNITED KINGDOM
TEL: (505)277-2557
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
NORTH AMERICA
PANAMA
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE
PANAMA
GREECE/CYPRUS
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
CANADA
Roland Canada Ltd.
(Head Office)
5480 Parkwood Way
Richmond B. C., V6V 2M4
CANADA
UNITED KINGDOM
TEL: (01792) 702701
CHILE
Comercial Fancy II S.A.
Rut.: 96.919.420-1
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
INDONESIA
PT Citra IntiRama
J1. Cideng Timur No. 15J-150
Jakarta Pusat
INDONESIA
TEL: (021) 6324170
TEL: 315-0101
PARAGUAY
Distribuidora De
Instrumentos Musicales
J.E. Olear y ESQ. Manduvira
Asuncion PARAGUAY
TEL: (595) 21 492147
MIDDLE EAST
TEL: (604) 270 6626
HUNGARY
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint,
HUNGARY
BAHRAIN
Moon Stores
No.16, Bab Al Bahrain Avenue,
P.O.Box 247, Manama 304,
State of BAHRAIN
COLOMBIA
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9
Medellin, Colombia
Roland Canada Ltd.
(Toronto Office)
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
KOREA
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
TEL: (23) 511011
PERU
Audionet
Distribuciones Musicales SAC
Juan Fanning 530
Miraflores
TEL: (574)3812529
TEL: 17 211 005
TEL: (905) 362 9707
IRELAND
Roland Ireland
G2 Calmount Park, Calmount
Avenue, Dublin 12
Republic of IRELAND
TEL: (01) 4294444
COSTA RICA
JUAN Bansbach Instrumentos
Musicales
Ave.1. Calle 11, Apartado
10237,
San Jose, COSTA RICA
TEL: 258-0211
MALAYSIA
IRAN
MOCO INC.
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
U. S. A.
Roland Asia Pacific Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
Lima - Peru
TEL: (511) 4461388
TRINIDAD
AMR Ltd
Ground Floor
Maritime Plaza
Barataria Trinidad W.I.
TEL: (868) 638 6385
TEL: (021) 285-4169
TEL: (323) 890 3700
ITALY
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
ISRAEL
Halilit P. Greenspoon & Sons
Ltd.
8 Retzif Ha'aliya Hashnya St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
As of November 1, 2006 (ROLAND)
185
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For the U.K.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE:
NEUTRAL
BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
For EU Countries
This product complies with the requirements of European Directive 89/336/EEC.
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
–
–
–
–
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
For the USA
DECLARATION OF CONFORMITY
Compliance Information Statement
Model Name :
FP-7
Type of Equipment :
Digital Piano
Responsible Party : Roland Corporation U.S.
Address : 5100 S. Eastern Avenue, Los Angeles, CA 90040-2938
(323) 890-3700
Telephone :
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