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Thank you, and congratulations on your choice of the Roland SP-555.
Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” and “IMPORTANT
NOTES” (p. 4; p. 6). These sections provide important information concerning the proper operation of the
unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by
your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand
as a convenient reference.
Copyright © 2007 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written
permission of ROLAND CORPORATION.
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USING THE UNIT SAFELY
USING THE UNIT SAFELY
The
symbol alerts the user to important instructions or
Used for instructions intended to
warnings.The specific meaning of the symbol is
determined by the design contained within the triangle.
In the case of the symbol at left, it is used for general
cautions, warnings, or alerts to danger.
alert the user to the risk of death or
severe injury should the unit be used
improperly.
Used for instructions intended to alert the
user to the risk of injury or material
damage should the unit be used
improperly.
The
symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic animals
or pets.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
• Before using this unit, make sure to read the instructions
• When using the unit a stand recommended by Roland, the
stand must be carefully placed so it is level and sure to
remain stable. If not using a stand, you still need to make sure
that any location you choose for placing the unit provides a
level surface that will properly support the unit, and keep it
from wobbling.
below, and the Owner’s Manual.
....................................................................................................
• Do not open (or modify in any way) the unit or its AC
adaptor.
....................................................................................................
....................................................................................................
• Be sure to use only the AC adaptor supplied with the unit.
Also, make sure the line voltage at the installation matches
the input voltage specified on the AC adaptor’s body. Other
AC adaptors may use a different polarity, or be designed for
a different voltage, so their use could result in damage,
malfunction, or electric shock.
• Do not attempt to repair the unit, or replace parts within it
(except when this manual provides specific instructions
directing you to do so). Refer all servicing to your retailer, the
nearest Roland Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
....................................................................................................
....................................................................................................
• Never use or store the unit in places that are:
• Use only the attached power-supply cord. Also, the supplied
power cord must not be used with any other device.
•
Subject to temperature extremes (e.g., direct sunlight in
an enclosed vehicle, near a heating duct, on top of heat-
generating equipment); or are
....................................................................................................
•
•
•
•
•
Damp (e.g., baths, washrooms, on wet floors); or are
Humid; or are
Exposed to rain; or are
• Do not excessively twist or bend the power cord, nor place
heavy objects on it. Doing so can damage the cord,
producing severed elements and short circuits. Damaged
cords are fire and shock hazards!
Dusty; or are
....................................................................................................
Subject to high levels of vibration.
....................................................................................................
• This unit, either alone or in combination with an amplifier and
headphones or speakers, may be capable of producing
sound levels that could cause permanent hearing loss. Do not
operate for a long period of time at a high volume level, or at
a level that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should immediately stop using
the unit, and consult an audiologist.
• This unit should be used only with a stand that is recom-
mended by Roland.
....................................................................................................
....................................................................................................
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USING THE UNIT SAFELY
• Do not allow any objects (e.g., flammable material, coins,
pins); or liquids of any kind (water, soft drinks, etc.) to
penetrate the unit.
• Try to prevent cords and cables from becoming entangled.
Also, all cords and cables should be placed so they are out
of the reach of children.
....................................................................................................
• Never climb on top of, nor place heavy objects on the unit.
....................................................................................................
• In households with small children, an adult should provide
supervision until the child is capable of following all the rules
essential for the safe operation of the unit.
....................................................................................................
• Never handle the AC adaptor or its plugs with wet hands
when plugging into, or unplugging from, an outlet or this unit.
....................................................................................................
• Protect the unit from strong impact.
(Do not drop it!)
....................................................................................................
• Before moving the unit, disconnect the AC adaptor and all
cords coming from external devices.
....................................................................................................
• Do not force the unit’s power-supply cord to share an outlet
with an unreasonable number of other devices. Be especially
careful when using extension cords—the total power used by
all devices you have connected to the extension cord’s outlet
must never exceed the power rating (watts/amperes) for the
extension cord. Excessive loads can cause the insulation on
the cord to heat up and eventually melt through.
....................................................................................................
• Before cleaning the unit, turn off the power and unplug the
AC adaptor from the outlet (Quick Start Guide).
....................................................................................................
• Whenever you suspect the possibility of lightning in your
area, disconnect the AC adaptor from the outlet.
....................................................................................................
• Before using the unit in a foreign country, consult with your
retailer, the nearest Roland Service Center, or an authorized
Roland distributor, as listed on the “Information” page.
....................................................................................................
• Should you remove screws for CARD LOCK, keep them in a
safe place out of children’s reach, so there is no chance of
them being swallowed accidentally.
....................................................................................................
• DO NOT play a CD-ROM disc on a conventional audio CD
player. The resulting sound may be of a level that could cause
permanent hearing loss. Damage to speakers or other system
components may result.
....................................................................................................
• Always turn the phantom power off when connecting any
device other than condenser microphones that require
phantom power. You risk causing damage if you mistakenly
supply phantom power to dynamic microphones, audio
playback devices, or other devices that don’t require such
power. Be sure to check the specifications of any microphone
you intend to use by referring to the manual that came with it.
• The unit and the AC adaptor should be located so their
location or position does not interfere with their proper venti-
lation.
(This instrument’s phantom power: 48 V DC, 10 mA Max)
....................................................................................................
....................................................................................................
• This (SP-555) for use only with Roland stand PDS-10. Use
with other stands is capable of resulting in instability causing
possible injury.
....................................................................................................
• This stand for use only with specific Roland musical instru-
ments. See apparatus instructions. Use with other models is
capable of resulting in instability causing possible injury.
....................................................................................................
• Always grasp only the plug on the AC adaptor cord when
plugging into, or unplugging from, an outlet or this unit.
....................................................................................................
• At regular intervals, you should unplug the AC adaptor and
clean it by using a dry cloth to wipe all dust and other
accumulations away from its prongs. Also, disconnect the
power plug from the power outlet whenever the unit is to
remain unused for an extended period of time. Any accumu-
lation of dust between the power plug and the power outlet
can result in poor insulation and lead to fire.
....................................................................................................
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IMPORTANT NOTES
In addition to the items listed under “USING THE UNIT SAFELY” on p. 4, please read and observe the following:
Power Supply
Repairs and Data
• Do not connect this unit to same electrical outlet that is being used by
an electrical appliance that is controlled by an inverter (such as a
refrigerator, washing machine, microwave oven, or air conditioner),
or that contains a motor. Depending on the way in which the
electrical appliance is used, power supply noise may cause this unit to
malfunction or may produce audible noise. If it is not practical to use
a separate electrical outlet, connect a power supply noise filter
between this unit and the electrical outlet.
• Please be aware that all data contained in the unit’s memory may be
lost when the unit is sent for repairs. Important data should always be
backed up on a CompactFlash card, or written down on paper (when
possible). During repairs, due care is taken to avoid the loss of data.
However, in certain cases (such as when circuitry related to memory
itself is out of order), we regret that it may not be possible to restore
the data, and Roland assumes no liability concerning such loss of
data.
• The AC adaptor will begin to generate heat after long hours of
consecutive use. This is normal, and is not a cause for concern.
Additional Precautions
• Please be aware that the contents of memory can be irretrievably lost
as a result of a malfunction, or the improper operation of the unit. To
protect yourself against the risk of loosing important data, we
recommend that you periodically save a backup copy of important
data you have stored in the unit’s memory on a CompactFlash card.
• Before connecting this unit to other devices, turn off the power to all
units. This will help prevent malfunctions and/or damage to speakers
or other devices.
Placement
• Using the unit near power amplifiers (or other equipment containing
large power transformers) may induce hum. To alleviate the problem,
change the orientation of this unit; or move it farther away from the
source of interference.
• Unfortunately, it may be impossible to restore the contents of data that
was stored in the unit’s memory or CompactFlash card once it has
been lost. Roland Corporation assumes no liability concerning such
loss of data.
• Use a reasonable amount of care when using the unit’s buttons,
sliders, or other controls; and when using its jacks and connectors.
Rough handling can lead to malfunctions.
• This device may interfere with radio and television reception. Do not
use this device in the vicinity of such receivers.
• Noise may be produced if wireless communications devices, such as
cell phones, are operated in the vicinity of this unit. Such noise could
occur when receiving or initiating a call, or while conversing. Should
you experience such problems, you should relocate such wireless
devices so they are at a greater distance from this unit, or switch them
off.
• When connecting / disconnecting all cables, grasp the connector
itself—never pull on the cable. This way you will avoid causing shorts,
or damage to the cable’s internal elements.
• To avoid disturbing your neighbors, try to keep the unit’s volume at
reasonable levels. You may prefer to use headphones, so you do not
need to be concerned about those around you (especially when it is
late at night).
• Do not expose the unit to direct sunlight, place it near devices that
radiate heat, leave it inside an enclosed vehicle, or otherwise subject
it to temperature extremes. Excessive heat can deform or discolor the
unit.
• When you need to transport the unit, package it in the box (including
padding) that it came in, if possible. Otherwise, you will need to use
equivalent packaging materials.
• When moved from one location to another where the temperature
and/or humidity is very different, water droplets (condensation) may
form inside the unit. Damage or malfunction may result if you attempt
to use the unit in this condition. Therefore, before using the unit, you
must allow it to stand for several hours, until the condensation has
completely evaporated.
• Some connection cables contain resistors. Do not use cables that
incorporate resistors for connecting to this unit. The use of such cables
can cause the sound level to be extremely low, or impossible to hear.
For information on cable specifications, contact the manufacturer of
the cable.
• Depending on the material and temperature of the surface on which
you place the unit, its rubber feet may discolor or mar the surface.
You can place a piece of felt or cloth under the rubber feet to prevent
this from happening. If you do so, please make sure that the unit will
not slip or move accidentally.
• The sensitivity of the D Beam controller will change depending on the
amount of light in the vicinity of the unit. If it does not function as you
expect, adjust the sensitivity as appropriate for the brightness of your
location.
• The explanations in this manual include illustrations that depict what
should typically be shown by the display. Note, however, that your
unit may incorporate a newer, enhanced version of the system (e.g.,
includes newer sounds), so what you actually see in the display may
not always match what appears in the manual.
Maintenance
• For everyday cleaning wipe the unit with a soft, dry cloth or one that
has been slightly dampened with water. To remove stubborn dirt, use
a cloth impregnated with a mild, non-abrasive detergent. Afterwards,
be sure to wipe the unit thoroughly with a soft, dry cloth.
• Never use benzine, thinners, alcohol or solvents of any kind, to avoid
the possibility of discoloration and/or deformation.
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IMPORTANT NOTES
Before Using Cards
* Microsoft and Windows are registered trademarks of Microsoft
Corporation.
• Carefully insert the CompactFlash card all the way in—until it is firmly
in place.
* Windows Vista is a trademark of Microsoft Corporation.
• Never touch the terminals of the CompactFlash card. Also, avoid
getting the terminals dirty.
* Windows® is known officially as: “Microsoft® Windows®
operating system.”
• This unit’s memory card slot accepts CompactFlash memory cards.
Microdrive storage media are not compatible.
* The screen shots in this document are used in compliance with the
guidelines of the Microsoft Corporation.
•
CompactFlash cards are constructed using precision components;
handle the cards carefully, paying particular note to the following.
* Mac OS is a trademark of Apple Computer, Inc.
•
To prevent damage to the cards from static electricity, be sure to
discharge any static electricity from your own body before
handling the cards.
* Pentium is a registered trademark of Intel Corporation.
•
Do not touch or allow metal to come into contact with the contact
* All product names mentioned in this document are trademarks or
registered trademarks of their respective owners.
portion of the cards.
•
•
Do not bend, drop, or subject cards to strong shock or vibration.
Do not keep cards in direct sunlight, in closed vehicles, or other
such locations (storage temperature: -25 to 85˚ C).
Do not allow cards to become wet.
* VST is a trademark of Steinberg Media Technologies AG.
•
•
Do not disassemble or modify the cards.
* CompactFlash and
are trademarks of SanDisk
Corporation and licensed by CompactFlash association.
Handling CD-ROMs
• Avoid touching or scratching the shiny underside (encoded surface) of
the disc. Damaged or dirty CD-ROM discs may not be read properly.
Keep your discs clean using a commercially available CD cleaner.
* Roland Corporation is an authorized licensee of the
™
CompactFlash and CF logo (
) trademarks.
Copyright
• Recording, duplication, distribution, sale, lease, performance, or
broadcast of copyrighted material (musical works, visual works,
broadcasts, live performances, etc.) belonging to a third party in part
or in whole without the permission of the copyright owner is forbidden
by law.
* Fugue © 1999–2007 Kyoto Software Research, Inc. All rights
reserved.
• Do not use this unit for purposes that could infringe on a copyright
held by a third party. We assume no responsibility whatsoever with
regard to any infringements of third-party copyrights arising through
your use of this unit.
•
The sounds, phrases and patterns contained in this product are sound
recordings protected by copyright. Roland hereby grants to purchasers of
this product the permission to utilize the sound recordings contained in this
product for the creation and recording of original musical works; provided
however, the sound recordings contained in this product may not be
sampled, downloaded or otherwise re-recorded, in whole or in part, for
any other purpose, including but not limited to the transmission of all or any
part of the sound recordings via the internet or other digital or analog
means of transmission, and/or the manufacture, for sale or otherwise, of
any collection of sampled sounds, phrases or patterns, on CD-ROM or
equivalent means.
The sound recordings contained in this product are the original works
of Roland Corporation. Roland is not responsible for the use of the
sound recordings contained in this product, and assumes no liability
for any infringement of any copyright of any third party arising out of
use of the sounds, phrases and patterns in this product.
SAMPLE PAD BANK A PAD13–16: Created by Tim Hüfken
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Setting a sample’s volume .................. 28
a sample.......................................... 28
Exchanging samples between two pads30
Converting to a sample that has
Panel Descriptions .............................10
Using effects..................................................18
Effect knob control .............................19
(Pattern Sequencer) ....................................... 33
Playing and stopping a pattern ........... 33
Sampling..........................................22
Sampling with a specified tempo.........23
Deleting a sample..............................23
Resampling.......................................24
Copying a pattern to another pad....... 37
Trigger............................................. 39
Connecting the SP-555 to your computer........ 40
Loop Capture.................................................25
Installing the driver and software......... 40
Changing the signal flow
when using USB audio....................... 42
About SONAR LE (Windows only)....... 43
About SP-555 Wave Converter........... 43
Deleting the phrase recorded by Loop
Capture............................................26
Adjusting the playback level
of the phrase.....................................26
Recording with a specified tempo........26
Layering sound onto a previously
recorded phrase (Overdubbing) ..........26
Saving a recorded phrase to a pad .....27
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Effect list........................................... 54
Error message list.............................. 64
Troubleshooting ................................ 65
Attaching the stand (sold separately).... 68
CompactFlash cards...........................45
Loading backup data (backup load).....48
About MIDI....................................... 69
Synchronizing the pattern
Restoring the factory settings ...............50
Adjusting the blinking speed
of the display illumination...................51
Checking the version number ..............51
Setting the SP-555’s
MIDI channel (Pad Base Ch.)
and note numbers ............................. 71
MIDI Thru setting............................... 71
internal processing level .....................51
About V-LINK ................................................52
MIDI Implementation ..................................... 72
Specifications................................................ 75
Index............................................................ 76
What is V-LINK?................................52
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Introducing the SP-555
Panel Descriptions
Top panel
1
2
3 4 5
6
7
11
12
13
14
15
16
8
9
17
18
10
1. Internal Mic
* This instrument is equipped with balanced (XLR/TRS) type jacks.
Wiring diagrams for these jacks are shown below. Make
connections after first checking the wiring diagrams of other
equipment you intend to connect.
This is the SP-555’s built-in mic. If you connect your own
mic (sold separately) to the MIC jack of the top panel, this
internal mic will not function.
GND(SLEEVE)
2. External Input
1:GND
2:HOT
MIC Jack
HOT(TIP)
3:COLD
This is a microphone jack for analog audio signals. It
supports both XLR and 1/4” phone type plugs. The XLR
type jack can provide 48 V phantom power, allowing you
to connect phantom-powered condenser microphones. In
this case, turn the input select switch to the PHANTOM
ON position.
COLD(RING)
MIC LEVEL Knob, MIC Button
This adjusts the volume of the SP-555’s internal mic or a
mic connected to the MIC jack. If you’re inputting audio
from a mic, turn the MIC button on.
* Turn the MIC button OFF before you operate the input select
switch.
* In order to protect the circuitry, there will be no sound for a short
time after you operate the input select switch.
The phone type jack also accommodates high-impedance
inputs, allowing you to directly connect a guitar or bass.
In this case, set the input select switch to the Hi-Z
position.
* Even if you turn the MIC LEVEL knob all the way down, the
sound will not be muted completely. If you’re not using the mic,
turn the MIC button off.
LINE IN LEVEL Knob, LINE IN Button
This adjusts the volume of the device connected to the rear
panel LINE IN jacks. Turn on the LINE IN button if you’re
sampling audio from the LINE IN jacks.
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Introducing the SP-555
PEAK Indicator
LENGTH Button
When recording a pattern, this specifies the length of the
pattern.
This indicator helps you adjust the MIC or LINE IN level.
Adjust the level so that this indicator lights occasionally.
QUANTIZE Button
3. VOLUME Knob
This specifies automatic timing adjustments (quantization)
This adjusts the volume of the LINE OUT and PHONES
output.
when recording a pattern.
8. EFFECTS Knobs (CTRL 1–3)
4. METRONOME Button
These control the parameters that are assigned to each
When you press this button so it’s lit, the metronome will
knob by the selected effect. You will also use these knobs
➜ “Using effects” (p. 18)
sound at the BPM of the pattern sequencer. To adjust the
➜ “Effect list” (p. 54)
You can’t sound the metronome while sampling.
CTRL 1 Knob
Use this to adjust the starting location of a sample, or to
change the playback time of a sample.
5.
Display Illumination
This will blink according to the audio signal level while
CTRL 2 Knob
sampling, or in sync with the pattern tempo while using the
pattern sequencer.
Use this to adjust the BPM (tempo) of the pattern, or to
change the ending location of a sample.
➜ “Adjusting the blinking speed of the display
illumination” (p. 51)
MFX/CTRL 3 Knob
Use this to select the type of MFX, or to adjust the sampling
level or the volume of the sample.
Display
9. Effect Buttons
values of various settings, and error messages. You can
also view the remaining sampling time here (➜ p. 21).
Use these to select the effect you want to use. A button is
TAP TEMPO Button
* You can’t turn on more than one effect at the same time.
By pressing this button several times at the desired tempo,
* By holding down the EFFECT ASSIGN button and pressing
one or more pads, you can turn on the effect for one or more
pads.
you can set the tempo to the corresponding interval.
6. D BEAM (D Beam controller)
10.LOOP CAPTURE
You can apply a variety of effects to the sound by moving
Here you can record the currently playing sample or
your hand over this (➜ p. 38). The following buttons will
blink when the D Beam controller responds.
pattern, or a phrase from an external input source (up to
approximately 15 seconds).
➜ “Loop Capture” (p. 25)
SYNTH Button
Use the D Beam controller to play internal synthesizer
sounds.
MEASURE Button
This specifies the number of measures to be recorded. If
you specify FREE, you’ll be able to record up to
approximately 15 seconds.
FILTER Button
Use the D Beam controller to control the cutoff frequency
of the internal filter.
AUTO START Button
If you turn this button on, recording will begin
automatically when sound is input.
TRIGGER Button
Use the D Beam controller to trigger the desired pad.
If you hold down the TRIGGER button and press a pad, the
D Beam controller will trigger that pad.
SOURCE SELECT Button
This selects what will be recorded. EXT ONLY will record
only the signal from the mic, line input, or built-in
sequencer controlled by the D Beam. EXT & PADS will
record this sound mixed with the currently playing
sample/pattern.
7. PATTERN SEQUENCER (➜ p. 33)
PATTERN SELECT Button
Press this when you want to play or record a pattern.
While this button is lit, you can select a pattern by pressing
a pad.
REC Button
Pressed to start recording. During recording, press this
button to stop recording. You can also use this to layer an
additional sample during LOOP CAPTURE playback.
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Introducing the SP-555
PLAY Button
alternately start or stop playing each time you press the
trigger playback will occur if this button is extinguished.
This plays the recorded phrase.
SAVE TO PAD Button
This saves a phrase recorded using LOOP CAPTURE to a
pad.
LOOP Button (➜ p. 17)
This switches you between “loop playback” in which the
sample will play repeatedly when you press the pad, and
“one-shot playback” in which the sound will play only
once. Loop playback will occur if this button is lit, and one-
shot playback will occur if this button is extinguished.
11.
CANCEL Button
By pressing this button you can cancel an operation such
as sampling or sample deletion. This button will also stop
pattern playback or recording.
By rapidly pressing this button four times, you can stop all
currently playing sounds.
REVERSE Button (➜ p. 15)
This selects “reverse playback” in which the sample will
play backward. Reverse playback will occur if this button
is lit, and normal playback will occur if it is extinguished.
REMAIN Button
When you press this button, the display will indicate the
remaining time available for sampling. By holding down
which the effect will apply, or the pad whose settings you
want to edit (i.e., the current pad).
14.BANK Buttons (A, B, C/G, D/H, E/I, F/J)
When [PATTERN SELECT] is extinguished or when you are
recording a pattern, these buttons select the sample bank.
When [PATTERN SELECT] is lit, these buttons select the
pattern bank. Internal memory bank A or B will be
selected if you press BANK [A] or [B] so one of the buttons
is lit. CompactFlash banks C–F will be selected if you press
BANK [C/G]–[F/J] and light one of the buttons, and
CompactFlash banks G–J will be selected if you press
12.DEL Button
Use this to delete a sample or pattern.
13.SAMPLE
SAMPLING Button
Use this to start/stop sampling, or to record a pattern (➜
p. 21).
15.V-LINK Button
RESAMPLE Button
Use this to resample the sound of a sample processed by
V-LINK (
) is a function that lets you
perform music and video in synchronization.
By using MIDI to connect two or more V-LINK compatible
devices, you can easily enjoy a wide range of visual
effects that are linked to the expressive elements of a
musical performance.
an effect.
START/END/LEVEL Button
Use this to change the playback start/end point of a
TIME/BPM Button
Use this to specify the playback time or BPM (tempo) of a
sample.
➜“About V-LINK” (p. 52)
16.EFFECT MEMORY Button
MARK Button
knob values) and call them up instantly by operating a
pad.
➜ “Storing effect settings (EFFECT MEMORY)”
sound to be heard. While this button is lit, only the
specified portion will be heard.
17.
LO-FI Button (➜ p. 22)
is performed. Lo-fi sampling will occur if this button is lit,
and standard sampling will occur if this button is
extinguished.
FIXED VELOCITY Button (➜ p. 15)
of how strongly you strike the pads.
ROLL Button (➜p. 15)
Use this when you want to play sounds as a “drum roll.”
STEREO Button (➜ p. 22)
This specifies whether you will be sampling in monaural or
in stereo. Stereo sampling will occur if this button is lit, and
monaural sampling will occur if this button is extinguished.
HOLD (➜ p. 15)
If you press a pad while holding down the HOLD pad, the
sample will continue sounding even after you release your
finger.
GATE Button (➜ p. 16)
This switches you between “gate playback,” in which the
sample will sound only while you continue holding down
the pad, and “trigger playback,” in which the sound will
SUB PAD (➜ p. 15)
You can use the SUB PAD to play the sample of the pad
you pressed most recently.
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Introducing the SP-555
18.Pads 1–16
When you press a pad that is lit red, the sample assigned
Rear panel
to that pad will sound. The pad will blink while the sample
is playing.
When [PATTERN SELECT] is lit, you can use the pads to
select the pattern that will be played or recorded.
Front panel
1 2 3 4 5
1. Cord Hook
6
7
8
9
10 11
Wrap the AC adaptor cord around this to prevent the AC
adaptor’s plug from being accidentally unplugged.
2. Grounding Terminal
1
2
* Depending on the circumstances of a particular setup, you may
experience a discomforting sensation, or perceive that the
surface feels gritty to the touch when you touch this device,
microphones connected to it, or the metal portions of other
objects, such as guitars. This is due to an infinitesimal electrical
charge, which is absolutely harmless. However, if you are
concerned about this, connect the ground terminal (see figure)
with an external ground. When the unit is grounded, a slight
hum may occur, depending on the particulars of your
1. PHONES Jack
You can connect stereo headphones here to listen to the
same sound as from LINE OUT.
You can insert a separately sold CompactFlash card here.
By using banks C–J of the CompactFlash you can sample
for a longer time than is possible using the SP-555’s
internal memory.
installation. If you are unsure of the connection method, contact
the nearest Roland Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
When the SP-555 is shipped from the factory, a card
cover is attached to the MEMORY CARD slot. To detach
the cover, pinch the left and right edges of the cover
toward the middle, and pull it toward yourself.
➜ “About CompactFlash” (p. 44)
Unsuitable places for connection
•Water pipes (may result in shock or electrocution)
•Gas pipes (may result in fire or explosion)
•Telephone-line ground or lightning rod (may be dangerous
in the event of lightning)
3. DC IN Jack
Connect the included AC adaptor here.
4. POWER Switch
This turns the power on/off.
audio interface. You can also record the SP-555’s sound
to your computer, or sample sounds from your computer
to the SP-555.
6. MIDI OUT Connector
You can connect this connector to a MIDI device.
➜ “Using the SP-555 with other MIDI equipment” (p.
69)
7. MIDI IN Connector
You can connect a MIDI device to this connector.
➜ “Using the SP-555 with other MIDI equipment” (p.
69)
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Introducing the SP-555
audio player.
8. PEDAL Jack
You can connect a pedal switch (DP series; sold
10.LINE OUT Jacks (L/R)
separately) here and use it to perform loop capture or
pattern play/stop operations (p. 68).
Connect these jacks to your audio system, amp, or mixer.
9. LINE IN Jacks (L/R)
11.Security Slot (
)
Connect these jacks to the audio source device from which
you want to sample, such as a CD player or portable
Signal flow (block diagram)
SAVE TO PAD
LOOP CAPTURE
SAMPLING / RESAMPLE
D BEAM SYNTH
(*2)
LINE OUT /
PHONE
D BEAM
EFFECT
SAMPLER
FILTER
(*3)
USB AUDIO
(*1)
from PC
METRONOME
(*4)
(*5)
LINE IN / MIC
USB AUDIO
to PC
*1: USB Audio Input. To mute this, hold down [CANCEL], press [MIC], and operate the CTRL 3 knob.
*2: D Beam Synth send to Effect. To turn this on, hold down [EFFECT ASSIGN] and press [SYNTH].
*3: USB Audio send to Effect. To turn this off, hold down [EFFECT ASSIGN] and [CANCEL], and press [MIC]/[LINE IN].
*4: Mic/Line In send to Effect. To turn this off, hold down [EFFECT ASSIGN] and press [MIC]/[LINE IN].
*5: USB Audio output source SW. To change this setting, hold down [CANCEL], press [LINE IN], and operate the CTRL 3 knob.
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Playing samples
The SP-555 provides sixteen velocity-sensitive pads, which let you vary the volume according to the force with which you strike the
pads. Striking a pad strongly will produce a louder sound, and striking it softly will produce a softer sound.
BANK A–BANK J
GATE
Banks A/B are in internal memory, and the remaining banks are on
the CompactFlash card. Press a button to switch to the corresponding
bank. Sixteen samples can be assigned to each bank. Select banks
C--F by pressing a bank C--J button, causing it to light; select banks
G--J by pressing a button twice so it's blinking.
If this is unlit, the sample will play to the end when you
press a pad once. If you press this button so it's lit after
pressing the desired pad, the sound will continue playing
only while you continue pressing the pad.
LOOP
CANCEL
If this is unlit, the sample will play to the end and then
stop. If you press this button so it's lit after pressing the
desired pad, the sound will play repeatedly as a loop.
By pressing this four times
in rapid succession, you
can stop playback of all
samples.
REVERSE
If you press this button so it's lit after pressing the desired
pad, the sample will play backward.
FIXED VELOCITY
If you press this button so it's lit, the sample will play at
the same volume regardless of how strongly you strike
the pad.
ROLL
If you hold down this button and press a pad, the sample
will play as a "roll" as long as you continue holding
down the pad. This produces a "drum roll" effect. By
holding down this button and pressing HOLD, you can
maintain the state of the pad being held down.
HOLD
If you press this button while holding down a pad, the
playback will continue even if you release the pad.
(This is valid only for pads for which GATE is turned on.)
The sound will stop when you press the pad once again.
PAD 1–PAD 16
Press a pad to play the sample assigned to that pad.
Lit red: A sample is assigned.
Unlit: No sample is assigned.
Blinking: Currently playing.
SUB PAD
When you press this pad, the sample assigned to the
previously struck pad will be heard. You can use this to
play repeated strikes using both hands.
About the banks
About the polyphony
The SP-555 has ten sample banks: A–J.
The SP-555 can play up to twelve samples simultaneously.
However, the polyphony is reduced as shown in the table
below if you’re using stereo samples or if you’re resampling.
Banks A and B use the SP-555’s internal memory. With the
factory settings, bank A contains preloaded samples. If
you’re using the SP-555’s internal memory, you can record
a maximum of 32 samples with a total maximum of
approximately five minutes.
Monaural samples
Stereo samples
Normally
While resampling
12
4
6
2
Banks C–J are located on the memory card (CompactFlash).
You can record up to 128 samples on a memory card.
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Playing samples
Pad sensitivity
Gate playback (GATE) and trigger
playback
You can adjust the relationship between the force used when
striking pads and the volume of sample playback.
Pads for which GATE is turned on will start playing when you
press the pad, and will stop playing when you release the
pad (Gate playback).
1. Hold down [CANCEL] and press [FIXED VELOCITY].
2. While viewing the display, use the CTRL 3 knob to
Press the pad
Release the pad
adjust the sensitivity.
“-L-”: A loud volume will be produced even if you strike
the pads softly.
“-M-”: Medium sensitivity.
“-H-”: There will be no sound unless you strike the pads
strongly.
Sound starts
Sound stops
In contrast, pads for which GATE is turned off will start
playing when you press the pad, and will continue playing
even when you release the pad (Trigger playback). Playback
will stop when you reach the end (End Point) of the sample
(only if Loop is turned off).
3. Press [SAMPLING] to save the setting.
4. When you’ve finished making the adjustment, press
[CANCEL] to return to normal operation.
Press and
Press and
release the pad release the pad
Playing samples at a fixed loudness
If you turn [FIXED VELOCITY] on, the samples will play at a
fixed volume regardless of how strongly you strike the pads.
Here’s how to specify the volume that will be produced when
[FIXED VELOCITY] is on.
Sound starts
Sound starts
Sound stops at end
of the sample
1. Hold down [FIXED VELOCITY] and use the CTRL 3 knob
to adjust the fixed velocity.
If you want a long phrase to continue playing, you should use
Trigger playback + Loop playback. If you are playing drum-
type samples, you should use Trigger playback + One-shot
playback. The sample will play to its end even if you press the
pad for only an instant.
Any value from 16 through 127 can be specified.
2. While still holding down [FIXED VELOCITY], press
[SAMPLING] to save the setting.
After sampling, the following settings are made automatically.
If the length resulting from automatic BPM calculation(p. 32) is
less than one measure: Trigger Playback
If the length resulting from automatic BPM calculation (p. 32) is
one measure or greater: Gate Playback
Adjusting the roll speed (ROLL)
By holding down [ROLL] and turning the CTRL 3 knob you
can adjust the speed of the roll. While viewing the display,
hold down [ROLL] and press [SAMPLING] to save the setting
as follows.
If you have specified Trigger playback + One-shot playback
for a long sample, the sound may continue playing for longer
than you would like. In this case, you can stop the playback by
pressing [CANCEL] four times in rapid succession.
Gate on/off can be specified independently for each pad.
4:
Quarter notes
1. Make sure that [PATTERN SELECT] is extinguished.
4.3:
8:
Quarter note triplets
Eighth note
If it is lit, press [PATTERN SELECT] so its light is turned
off.
8.3:
16:
Eighth note triplets
Sixteenth notes
2. Press the pad whose Gate on/off setting you want to
change, making it the current pad.
16.3: Sixteenth note triplets
32: Thirty-second notes
32.3: Thirty-second note triplets
The sample will play, and the pad will blink.
If you press [REMAIN], the current pad will blink, allowing you
to check which pad is the current pad.
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Playing samples
You can also change the current pad by holding down
[REMAIN] and pressing a pad.
Making the sample continue playing
even after you release your finger from
the pad (HOLD)
3. Press [GATE] to switch on or off the button’s light.
[GATE] lit: Gate playback
[GATE] unlit: Trigger playback
If you turn HOLD on, the sample will continue playing even
after you release your finger from the pad. This function is
convenient when you want to temporarily turn Gate off for a
pad whose Gate is on.
4. Make sure that [LOOP] is extinguished.
If it is lit, press [LOOP] so its light is turned off.
Loop playback
1. Make sure that [PATTERN SELECT] is extinguished.
If it is lit, press [PATTERN SELECT] so its light is turned
off.
You can use Loop playback if you want a sampled phrase of
several measures to play repeatedly.
2. While pressing a pad to play the sample, press
1. Make sure that [PATTERN SELECT] is extinguished.
[HOLD].
If it is lit, press [PATTERN SELECT] so its light is turned
off.
[HOLD] will light, and the sound will be held. In this
state, the sample will continue playing even after you
take your finger off of the pad.
2. Press the pad for which you want to specify Loop
playback, making it the current pad.
3. When you press [HOLD] once again, the sound will
The sample will play, and the pad will blink.
stop.
If you press [REMAIN], the current pad will blink, allowing you
to check which pad is the current pad.
Hold is valid only for a pad whose Gate is turned on. You
cannot turn Hold on for pads whose Gate is off
You can also change the current pad by holding down
[REMAIN] and pressing a pad.
3. Press [LOOP] so the button is lit.
Combining LOOP and GATE
You can make Gate playback/Trigger playback
settings even if Loop playback is on.
When both LOOP and GATE are on
Press the pad
Sound starts
Release the pad
Sound stops
When LOOP is on and GATE is off
Press and
release the pad
Press and
release the pad
Sound starts
Sound stops
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Using effects
The SP-555 contains 37 types of effects. However, you can
use only one type of effect at a time. You can’t use a multiple
number of effects at the same time.
Storing effect settings
(EFFECT MEMORY)
You can use [EFFECT MEMORY] to store and instantly call
up EFFECT settings (effect type and CTRL 1/2/3 knob
values).
By default, the effect will be applied only to the pad you
pressed most recently (the “current pad”).
You can directly select the five effects SUPER FILTER,
VOICE TRANS (voice transformer), DELAY, ISOLATOR,
and DJFX LOOPER by pressing a button. To choose one of
the other effects, press the MFX button, then press a bank (A
or B), and finally press a pad 1–16 to select the desired
effect.
Storing settings
1. Make the necessary settings for the effect, so it’s in the
state you want to store.
The SP-555 has an effect memory function, which lets you
use [EFFECT MEMORY] to store and instantly switch among
up to sixteen effect settings.
2. Press [EFFECT MEMORY].
3. Press [SAMPLING]. Pads 1–16 will blink.
4. Press the pad to which you want to store the effect
settings. The pad you pressed will light, and
[SAMPLING] will blink.
Applying an effect to a sample
1. Press the pads to find the sample to which you want to
apply an effect. The effect will be applied to the pad
you pressed last (the “current pad”).
5. Press [SAMPLING] to store the current effect settings.
Calling up settings
2. Press the appropriate button for the effect you want to
apply.
1. Press [EFFECT MEMORY] so the button is lit.
To select SUPER FILTER, VOICE TRANS, DELAY,
ISOLATOR, or DJFX LOOPER, simply press the
corresponding button. For MFX, hold down [MFX] and
turn the CTRL 3 knob to select an effect while viewing
the display.
2. Press a pad 1–16 to call up the stored settings.
The effect type and the values for the CTRL 1/2/3 knobs
will be called up.
Since the values for the CTRL 1/2/3 knobs that existed at the
time you stored the effect are given priority, the current
physical position of the CTRL 1/2/3 knobs will not match the
effect that is applied.
3. Turn the CTRL 1–CTRL 3 knobs to adjust the effect.
The parameters that are controlled by the CTRL 1–CTRL
3 knobs will depend on the effect type. Refer to “Effect
list” (p. 54).
Checking the settings
Applying an effect to the
mic/line input
If you want to apply an effect to the mic/line input as well,
hold down [EFFECT ASSIGN] and press [MIC] or [LINE IN].
1. Press [EFFECT MEMORY] so the button is lit.
2. Hold down [REMAIN], and press the pad that you want
to check.
While you hold down [REMAIN], the LED for the effect
type stored at that pad will blink (if the effect is one of
the five types that can be selected directly by a button),
or the 7-segment LED will indicate the bank and number
(A.1–B.16).
* The effect will be applied to both the line input and mic. You
can’t apply the effect to just one or the other.
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Using effects
Effect knob control
Tips for using effects
The SP-555 lets you choose either of the following two
methods of operation to specify what will happen to the knob
settings when you switch from one type of effect to another.
Applying the same effect to more than
one pad (EFFECT ASSIGN)
To apply the same effect to one or more pads in addition to
the current pad, hold down [EFFECT ASSIGN] and press the
desired pad.
1. While holding down [CANCEL], press [SUPER FILTER].
Each time you press [SUPER FILTER], the display’s
indication will alternate between “C.nL” and “C.JP.”
“C.JP” (Jump):
The same effect is applied to each pad that lights when you
press [EFFECT ASSIGN].
The setting of the parameter will match the knob
position the instant you turn the knob.
“C.nL” (Null):
When you start turning the knob, the setting will not
actually change until the knob position passes
through the current value of the setting.
When you turn on the power, this is always set to
“C.JP” (Jump).
If you hold down [EFFECT ASSIGN] while together pressing
both [PAD 1] and [PAD 16], you can simultaneously turn the
effect on/off for all pads in that bank.
Effect
Pad lit
Pad unlit
Current pad: blinking, lit longer
Current pad: blinking, lit briefly
on
off
on
off
In the “C.nL” (Null) state, the display will indicate the
relation between the knob position and the value of the
setting. This will help you match the knob position with
the value.
By default, if you select as the current pad a pad to which
the effect is not applied, and then turn the effect on/off or
change the effect settings, the effect assign settings will be
cancelled, so that the effect is applied only to the current
pad.
When the value is lower than the knob position
Effect assign mode
If you hold down [EFFECT ASSIGN] and press [REMAIN],
the [EFFECT ASSIGN] button will light. In this state, the
even if you change the current pad.
When the knob position is lower than the value
If you once again hold down [EFFECT ASSIGN] and press
[REMAIN], the [EFFECT ASSIGN] button will go out, and the
EFFECT ASSIGN setting will change when you change the
current pad.
You can also change the power-on default state. (➜ “Effect
Assign Mode” (p. 63) in “Parameters whose power-on
default setting can be changed.”)
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Using effects
Applying an effect to all pads
Here’s how to apply the effect to all pads of banks A–J.
About the lit, extinguished, and
blinking effect buttons
• When the effect of the current pad is on, the button of
the effect being used will light. (In the case of MFX, the
[MFX] button will light.)
• If the current pad’s effect is off, and the effect is turned
on for a source other than the current pad (i.e., for
another pad, EXT SOURCE, USB AUDIO, D BEAM),
the effect button will blink.
1. Make sure that [PATTERN SELECT] is extinguished. If it
is lit, press [PATTERN SELECT] to turn it off.
2. While holding down [EFFECT ASSIGN], press [SUB
PAD]. All bank buttons and all pads will light (the
current pad will blink).
If you want to return to the state in which the effect is
applied only to the current pad, once again hold down
[EFFECT ASSIGN] and press [SUB PAD] so that only the
current pad blinks.
• If the effect is turned on for all sources, the effect
buttons will be extinguished.
Checking the previously used effect
If you press [EFFECT ASSIGN], the button of the previously
used effect will blink.
Turning on the effect only while you
hold down the button (EFFECT GRAB)
Normally, the effect will turn on when you press the button,
and turn off when you press the button again.
Presetting the parameters of the effect
you’ll be using next
While holding down [REMAIN], turn the CTRL 1–CTRL 3
knobs to adjust the parameters. Next, press an effect button,
and the effect will be applied with the parameter values you
set in advance.
If you hold down [EFFECT ASSIGN] and press an effect
button (or [MFX]), the effect will be on only while you
continue pressing it, and turn off when you release it. This is
convenient when you want to rapidly turn an effect on and
off.
Effect Limit mode
About the effect tempo
By using Effect Limit mode, you can prevent unintentionally
loud sounds from being produced by an effect that uses
feedback or resonance. Hold down [CANCEL] and press
off if the Display indicates “L.oF.”
Effect tempo mode
The parameters of some effects, such as the delay time of a
delay-type effect or BPM LOOPER, will synchronize to the
By default, these are set to synchronize with the BPM of the
current pad. However, if you hold down [EFFECT ASSIGN]
and press [PATTERN SELECT], the effect will synchronize to
the tempo of the pattern sequencer, regardless of the BPM of
the current pad.
Some effects do not have a limit mode.
This will be off when you turn on the power.
You can also change the power-on default state. (➜ “Effect
Tempo Mode” (p. 63) in “Parameters whose power-on
default setting can be changed.”)
If you hold down [EFFECT ASSIGN] and press [TAP TEMPO],
the effect will temporarily synchronize to the tempo of the
pattern sequencer, and the pattern of effects that have a
pattern (*1) will be reset.
*1 SLICER+FLG (A-13), STEP FILTER (B-13), STEP RING MOD
(B-14), BPM LOOPER (B-15)
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Sampling (recording)
Remaining sampling time
When you press [REMAIN], the display will indicate the
remaining time.
About the available sampling times
When using internal memory
If you sample to bank A or B, the sample is stored in internal
memory. Internal memory can hold up to 32 samples. If you
reach 32 samples, you won’t be able to record further
samples.
Minutes Seconds
STANDARD
stereo (mono)
LO-FI
stereo (mono)
Using internal
memory
Approx. 5 minutes
(11 minutes)
Approx. 11 minutes
(22 minutes)
* This includes the PRELOADED SAMPLES THAT ARE ASSIGNED to bank
A when the SP-555 is shipped from the factory.
Minutes (x10 seconds)
* LO-FI: This mode provides the distinctive low-fidelity sound that
is typical of early digital devices. It allows longer sampling
times, but the sound quality is not as good as STANDARD.
Once you record a sample using LO-FI, you can’t regain the
original sound quality, even if you resample it using
STANDARD.
When using CompactFlash
Minutes
If you sample to banks C–J, the sample is stored on
CompactFlash. A CompactFlash card can hold up to 128
samples, regardless of the capacity of the card. If you reach
128 samples, you won’t be able to record further samples.
The remaining time in internal memory is shown if an internal
memory bank is selected, and the remaining time on the
CompactFlash is shown if a CompactFlash bank is selected.
Card capacity
128 MB
256 MB
512 MB
1 GB
STANDARD
LO-FI
stereo (mono)
stereo (mono)
The indication shows the time available for sampling in
monaural/standard mode.
Approx. 24 minutes
(48 minutes)
Approx. 48 minutes
(96 minutes)
Approx. 96 minutes
(193 minutes)
Approx. 193 minutes
(386 minutes)
Approx. 48 minutes
(96 minutes)
Approx. 96 minutes
(193 minutes)
Approx. 193 minutes
(386 minutes)
Approx. 386 minutes
(772 minutes)
The remaining time indication is an estimate.
2 GB
Approx. 386 minutes
(772 minutes)
Approx. 772 minutes
(1544 minutes)
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Sampling (recording)
Standby mode
Sampling
* During this procedure, you can cancel the preceding steps by
pressing [CANCEL].
1. From standby mode, press [SAMPLING] to begin
sampling.
1. Make sure that [PATTERN SELECT] is off (extinguished).
If you’re sampling from a CD or MP3 player, put your
CD or MP3 player in playback mode, and press
[SAMPLING] at the appropriate moment. During
sampling, the display will indicate “rEC.”
2. Press [SAMPLING].
3. Press a bank button to specify the bank into which you
want to sample. When you press a bank button, the
pads within that bank to which you can sample (i.e.,
pads that do not contain a sample) will blink.
2. Press [SAMPLING] once again to stop sampling.
To hear the result, press the pad to which you sampled.
Even if there is unwanted sound or silence at the
beginning or end of the sample, you can adjust the start
or end point so that these unwanted portions are not
heard.
4. Press one of the blinking pads to specify the sampling-
destination pad.
5. Only the specified pad will be lit, and [SAMPLING] will
Since the BPM value that is displayed after sampling is an
estimated value that is calculated from the sampled time, it
may not be accurate. This means that even if two samples
have the same BPM value, they may drift apart in timing if they
are played as continuous loops for an extended time.
blink.
6. Press [LO-FI] to select the sampling
[LO-FI] unlit:
[LO-FI] lit:
STANDARD (high quality)
LO-FI (low fidelity)
Starting sampling automatically
(Auto Sampling)
The Auto Sampling function will cause sampling to begin
automatically when the input signal (sound) exceeds a
specified level. This is convenient when you want to begin
sampling from the introduction of a song. Before you enter
sampling standby mode, adjust the sampling trigger level as
described below.
LO-FI provides the distinctive low-fidelity sound that is typical of
early digital devices. If you select LO-FI, you won’t be able to
monitor the sampled result during sampling. When sampling is
finished, you can press the pad to play back the sample for
auditioning. Once you record a sample using LO-FI, you can’t
regain the original sound quality, even if you resample it using
STANDARD.
7. Press [STEREO] to select either stereo or monaural
sampling.
[STEREO] lit:
Stereo sampling
[STEREO] unlit:
Monaural sampling
1. Hold down [CANCEL] and press [SAMPLING].
[SAMPLING] will blink, and the display will indicate
“-0-.”
Now you’re ready to sample.
2. Turn the CTRL 3 (LEVEL) knob to set the level.
The sampling trigger level will be the level at which the
PEAK indicator lights. Turning the knob toward the right
will raise the level. The display will indicate the level
you specified (ten stages, 0–9).
When “-0-” is indicated, conventional sampling will occur
(i.e., auto sampling will not be used). Choose the “-0-” setting
if you don’t want to use auto sampling.
3. To check the sampling trigger level, press [SAMPLING]
once again.
When you start sampling with auto sampling specified,
the display will indicate “rdY” until a signal exceeding
the sampling trigger level is received.
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Sampling (recording)
Sampling with a specified tempo
Using a count-in
If you specify the BPM (tempo) while you’re still in sampling
standby mode, the end point (the timing at which the sound
stops playing) will be automatically set after sampling to a
beat of the BPM value you specified.
You can add a count-in (1, 2, 3, 4) when you start sampling.
This is convenient when you are sampling with a specific
tempo or time signature in mind.
1. Specify the tempo as described in steps 1–4 of
1. Enter sampling standby mode.
“Sampling with a specified tempo” (p. 23)
2. Press [TIME/BPM] so the button is lit.
2. Press [START/END/LEVEL] so the button is lit.
3. Set the BPM, either by pressing [TAP TEMPO] in time
with the beat, or by holding down [TAP TEMPO] and
turning the CTRL 2 knob.
3. When you press [SAMPLING], the metronome will
sound, and the display will successively indicate
“-1-” ➜ “-2-” ➜ “-3-” ➜ “-4-” ➜ “rEC.”
Sampling will begin when the “rEC” indication
appears.
Permissible values for the BPM range from 40 up to 200.
However, if the BPM is within the 40–60 or 160–180 ranges,
it can be set only in even-numbered values. If the BPM is
above 180, you can set it to either 180, 183, 186, 190,
193, 196, or 200.
Deleting a sample
1. Before you continue, make sure of the sample you
4. Press [TIME/BPM] to turn off the button’s light.
2. Press [DEL].
6. Press [SAMPLING] once again to stop sampling.
3. The display will indicate “dEL,” and pads to which
To hear the result, press the pad to which you sampled.
samples are assigned will blink.
If you specify the BPM (tempo) while in sampling standby
point) will automatically be set to a beat of the BPM value you
assigned before pressing the button. This means that [MARK]
will light automatically to indicate that the end point has been
set. For more about the end point, refer to “Adjusting the
playback region of a sample” (p. 28).
4. Press the pad of the sample that you want to delete.
When you press a pad, the pad will change from
blinking to lit.
5. If you want to delete the samples from several pads,
press the appropriate pads at this point. You can select
bank.
case, press [TIME/BPM] so the button is lit, then turn the CTRL
2 (BPM) knob to set the desired value. Refer to “Changing a
sample’s BPM” (p. 32).
* If you decide to cancel the operations you’ve performed up to
this point, press [CANCEL].
6. When you press [DEL], the samples will start being
deleted. When the deletion is complete, the “dEL”
indication in the display will disappear.
The displayed BPM value is an approximation derived from
the sampled time, and may not be accurate.
Depending on the BPM value, the time corresponding to the
BPM may not precisely match the time from the start point to
the end point. For this reason if you use “Loop playback” (p.
17) to continuously play a sample for an extended time, the
timing will gradually drift.
* Never turn off the power before the deletion is complete. Doing
so may destroy not only the samples being deleted, but also
other samples, or damage the CompactFlash card itself.
* Once you press [DEL] to begin deleting the samples, you won’t
be able to cancel the operation by pressing [CANCEL].
* If you specify a bank that is protected (p. 51), the display will
indicate “Prt” (Protected), and you won’t be able to delete
anything.
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Sampling (recording)
5. Adjust the CTRL 3 (LEVEL) knob so that the display
illumination does not light red.
Deleting all samples
While [RESAMPLE] is lit, you can’t use the CTRL 3 knob to
adjust the effect depth. If you want to use the CTRL 3 knob to
adjust the effect depth, press [CANCEL] to make [RESAMPLE]
go out.
Here’s how to delete all samples from internal memory or the
CompactFlash card.
1. Make sure that [PATTERN SELECT] is extinguished.
6. Press [SAMPLING] so the button is blinking. The bank
buttons and pads to which resampling is possible will
start blinking.
If it is lit, press [PATTERN SELECT] to turn it off.
2. While holding down [CANCEL], press [DEL].
The display will indicate “dAL,” and [DEL] will light.
BANK [A]–[F/J] will blink.
7. Press the pad to which you want to resample, so the
pad is lit.
If no CompactFlash card is inserted, BANK [C/G]–[F/J] will
not blink.
You can also resample to a different bank.
3. Press one of the bank buttons to specify the memory
You can’t resample to a pad to which a sample is already
assigned.
that you want to delete.
BANK [A] or [B]:
BANK [C/G]–[F/J]: CompactFlash
Internal memory
8. Press [LO-FI] to select standard grade.
[LO-FI] unlit:
[LO-FI] lit:
STANDARD (high quality)
LO-FI (low fidelity)
* If you decide to cancel the operation at this point, press
[CANCEL].
If you’ve recorded a sample at LO-FI, resampling it at
STANDARD quality will not return it to its original quality.
4. When you press [DEL], the samples will start being
deleted. When the deletion is complete, the “dAL”
indication in the display will disappear.
9. Press [STEREO] to choose stereo or monaural sampling.
[STEREO] lit:
Stereo sampling
* Never turn off the power before the deletion is complete. Doing
so may destroy not only the samples being deleted, but also
other samples, or damage the CompactFlash card itself.
* Once you press [DEL] to begin deleting the samples, you won’t
be able to cancel the operation by pressing [CANCEL].
[STEREO] unlit:
Monaural sampling
10.Press [SAMPLING] so the button is lit. Resampling will
not yet begin at this point.
* If you specify a bank that is protected (p. 51), the display will
indicate “Prt” (Protected), and you won’t be able to delete
anything.
11.Press the pad to which you want to resample. The
sample will begin playing, and resampling will start.
Never turn off the power during resampling. Turning off the
power at this time may destroy not only the sample being
resampled, but also other samples as well.
Resampling
You can play back a sample with an effect applied, and then
newly sample the result. This is called “resampling.”
12.When resampling is finished, press [SAMPLING].
13.To hear the resampled sound, press the pad to which
1. Make sure that [PATTERN SELECT] is extinguished.
you resampled.
If it is lit, press [PATTERN SELECT] to turn it off.
2. Apply an effect to the original sample, and adjust the
effect parameters.
3. Press [RESAMPLE] so the button is lit. The display will
indicate “LEV.”
4. Play back the original sample.
24
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Loop Capture
The SP-555’s Loop capture function lets you capture the
currently playing sound as a loop phrase.
Using Loop Capture to record from
an external device
* Here we explain how you can use Loop Capture to record from
a playback device connected to LINE IN, such as a CD player
or portable audio player. If you want to record from a mic,
replace references to LINE IN with MIC in the explanation that
follows.
LINE OUT / PHONE
LINE IN / MIC
You can record for a maximum of approximately 15 seconds.
1. Connect your playback device to LINE IN.
2. Press [LINE IN] so it lights in red.
3. Adjust the LINE IN LEVEL so that the PEAK indicator
lights occasionally.
Get your playback device to produce sound while you
adjust the recording level.
4. If desired, turn on the effect.
You can record the sound processed by the effect.
➜“Applying an effect to the mic/line input” (p. 18)
5. Press [MEASURE] enough times to get FREE to light.
6. Play back your external device.
LOOP CAPTURE
7. When you want to start recording, press [REC].
SAVE TO PAD
Saves the phrase recorded by Loop Capture to a pad as a sample.
8. When you want to stop recording, press [PLAY].
Recording will stop, and the recorded phrase will be
played as a loop.
PLAY
Plays the phrase that was
MEASURE
recorded by Loop Capture.
Specifies the length of the
phrase that will be recorded.
If you record with MEASURE set to FREE, and there is an
extremely brief interval (less than 0.3 seconds) from when you
press [REC] to start recording until you press [PLAY] (or [REC])
to stop recording, nothing will be recorded.
9. Press [PLAY] once again to stop the loop playback.
If you want to re-record, you’ll need to delete the sample
that was captured by Loop Capture.
You can quickly delete the recorded phrase by holding down
[EFFECT ASSIGN] and pressing [REC].
AUTO START
The BPM value displayed after recording is an approximation
derived from the recorded time, and will not be precisely
accurate.
REC
Automatically starts recording
Starts recording.
when input occurs.
SOURCE SELECT
EXT ONLY will record the signals from MIC/LINE IN, USB AUDIO,
and the internal synthesizer controlled by the D Beam. EXT & PADs
will record these signals mixed with the performance of the pads.
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Loop Capture
Deleting the phrase recorded by
Loop Capture
Recording with a specified tempo
If you know the BPM of the phrase you’re going to record, or
if you’re going to record the playback of the pattern
sequencer, you can record a specified length of measures.
1. Press [DEL].
2. The display will indicate “dEL” and [PLAY] will blink.
1. Set the BPM, either by pressing [TAP TEMPO] in rhythm
with the tempo, or by holding down [TAP TEMPO] and
using the CTRL 2 knob.
If you’ve selected a protected bank, the display will indicate
“Prt,” but you’ll still be able to delete the phrase.
3. In the LOOP CAPTURE section, press [PLAY].
If you want to record while looping a pad, hold down [TAP
TEMPO] and press a pad; the recording tempo will be set to
the tempo of that pad.
4. If you press [DEL], the phrase will be deleted. When the
deletion is complete, [PLAY] will go out.
* Never turn off the power before the deletion is complete.
The BPM can be set to any value from 40 to 200. However, if
the BPM is a value within the 40–60 or 160–180 ranges, it
can be set only in even-numbered values. If the BPM is above
180, you can set it to either 180, 183, 186, 190, 193, 196,
or 200.
Alternatively, you can quickly delete the recorded phrase by
holding down [EFFECT ASSIGN] and pressing [REC].
Below 64 BPM, four measures would exceed 15 seconds, so
you won’t be able to record four entire measures.
Adjusting the playback level
of the phrase
2. Press [MEASURE] several times to select either 1, 2,
or 4.
1. Make sure that [PATTERN SELECT] is extinguished. If it
is lit, press [PATTERN SELECT] to turn it off.
3. Press [REC] to start recording.
2. Press [PLAY] to play back the phrase.
4. When the specified number of measures has elapsed,
recording will end and the newly recorded phrase will
play.
3. Press [START/END/LEVEL] so the button is lit.
4. Turn the CTRL 3 (LEVEL) knob to adjust the phrase’s
volume.
The BPM value displayed after recording is an approximation
derived from the recorded time, and will not be exact.
5. When you’ve finished making adjustments, press
[START/END/LEVEL] to turn off its light.
Layering sound onto a previously
recorded phrase (Overdubbing)
Turning the CTRL 3 (LEVEL) knob toward the left will
decrease the volume, and turning it toward the right will
increase the volume. A setting of 127 is the maximum
volume. The default value immediately after recording
is 127.
1. Press [PLAY] to play a previously recorded phrase.
[PLAY] will blink.
2. Press [REC] to begin recording (overdubbing).
[REC] will light, and [PLAY] will blink in orange.
3. Press [REC] to stop recording (overdubbing).
[REC] will go out and [PLAY] will light in green, and the
phrase will continue playing.
4. Press [PLAY] to stop the phrase playback.
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Loop Capture
Saving a recorded phrase to a pad
Tips for using Loop Capture
By using [SAVE TO PAD], a phrase recorded by Loop
Capture can easily be sampled to a pad.
Selecting the source for Loop Capture
If [SOURCE SELECT] is set to EXT ONLY, you’ll be
recording only the sound from the external input (MIC/
LINE IN) and the sound from the monophonic
* If you want to cancel the preceding steps during the following
procedure, press [CANCEL].
synthesizer controlled by the D Beam controller. This is
useful when you want to play an instrument along with
the pad performance or pattern sequencer.
1. Press [SAVE TO PAD].
2. Press a bank button to specify the bank of the save-
destination pad. When you press a bank button, the
pads in that bank to which sampling is possible (i.e.,
pads in which nothing has been recorded) will blink.
* If you use this setting, the effect will not be applied to the
pad performance during recording.
Effects for Loop Capture
You can’t apply an effect to the phrase recorded by
Loop Capture. If you want to apply an effect to the Loop
Capture sound, use [SAVE TO PAD] to save the phrase
to a pad.
Loop Capture will record the sound processed by all
effects.
3. Press one of the blinking pads to specify the save-
destination pad.
4. Only the specified pad will be lit, and [SAVE TO PAD]
will blink.
5. Press [PLAY] to play back the phrase.
Automatically starting sampling (Auto Start)
The Auto Start function lets you automatically start
recording when a signal (sound) greater than a
specified level is received.
If you’ve pressed [AUTO START], pressing [REC] will
put the SP-555 in standby mode, and recording will
begin when a signal is input.
6. Use the CTRL 3 (LEVEL) knob to adjust the level. Adjust
the level so that the display indicator does not light red.
7. Press [LO-FI] to select the sampling grade.
[LO-FI] unlit:
[LO-FI] lit:
STANDARD (high quality)
LO-FI (low fidelity)
8. Press [STEREO] to select stereo or monaural sampling.
[STEREO] lit:
Stereo sampling
This function is independent of the sampling function
Auto Sampling.
[STEREO] unlit:
Monaural sampling
9. When you’ve adjusted the level, press [SAVE TO PAD]
to begin saving the phrase.
The indication in the display will change from “rdY” to
“rEC.” When “rEC” disappears, saving is complete.
Never turn off the power while saving is in progress. Turning
saved, but also other samples as well.
Since Loop Capture and Sampling use different internal
processing, the length of a phrase recorded by Loop Capture
will not precisely match the length of the sample saved in the
pad. For this reason, the sample’s BPM may be slightly
different, or even if the BPM values are the same, timing drift
may occur if you loop the sound for an extended time.
The sample will be saved in the pad with the GATE setting
turned on. Its end point (p. 28) will be set at an appropriate
location according to the BPM. If necessary, you can execute
Truncate (p. 31) to delete any unwanted portion of the sample.
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Editing a sample
Setting a sample’s volume
Here’s how to adjust the volume of each pad.
Adjusting the playback region of
a sample
For each sample, the SP-555 lets you specify the region
within the sample’s waveform data that will actually play.
The point within the waveform data at which playback will
begin is called the Start Point, and the point at which
playback will end is the End Point.
If there is unwanted sound or silence at the beginning of a
sampled sound, you can omit this by adjusting the Start
Point. If the unwanted material is at the end, you can adjust
the End Point.
1. Make sure that [PATTERN SELECT] is extinguished. If it
is lit, press [PATTERN SELECT] to turn it off.
2. Press the pad to which the sample whose volume you
want to adjust is assigned. The pad will light, and that
sample will play.
3. Press [START/END/LEVEL] so the button is lit.
4. Turn the CTRL 3 (LEVEL) knob to adjust the sample’s
volume.
Start sampling
Stop sampling
5. When you’ve finished making adjustments, press
[START/END/LEVEL] to turn off its light.
Turning the CTRL 3 (LEVEL) knob toward the left will
reduce the volume, and turning it toward the right will
increase the volume. A setting of 127 is the maximum
volume. The default value immediately after sampling is
127.
Unwanted
Unwanted
End Point
While [START/END/LEVEL] is lit, you can adjust not only the
volume but also the start point and end point (p. 29) by using
the CTRL 1 and 2 knobs. If you’ve moved the CTRL 1 or 2
knobs by accident, set them back to the center position. The
settings will return to their previous values. If you press
[START/END/LEVEL] to turn off the button’s light without
returning the knobs to the center, the modified start point and
end point settings will be set.
This region will sound
When you specify the start point or end point, the BPM
(tempo) will be automatically calculated according to the
newly specified duration, and displayed. If the duration is
multiple measures or less than one measure, the displayed
BPM value may be half or double the actual value. To set the
BPM to the desired value, refer to “Changing a sample’s
BPM” (p. 32).
In some cases, such as if the length of the region is three
beats, it may not be possible to calculate or adjust the BPM
value correctly.
(deleting a marker)
[MARK] will light if you’ve specified either the start point or
end point. If you want to cancel these settings, press the lit
[MARK] button during playback to turn off the button’s light.
By carrying out the procedure explained in “Converting to a
sample that has a modified playback region” (p. 31), you
can delete the portions other than the specified playback
region, so that the start point and end point are the beginning
and end of the sample.
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Editing a sample
Adjusting both the start point and end
point
Adjusting only the end point
1. Make sure that [PATTERN SELECT] is extinguished. If it
is lit, press [PATTERN SELECT] to turn it off.
1. Make sure that [PATTERN SELECT] is extinguished. If it
is lit, press [PATTERN SELECT] to turn it off.
2. Hold down [MARK], and press the pad whose
playback region you want to adjust, making it sound.
2. Press the pad whose playback region you want to
adjust, making it sound.
3. When the sound begins to play, release [MARK].
4. While the sound plays, press [MARK] at the timing of
If [MARK] is lit, the start point or end point has already been
adjusted. In this case, cancel the start point/end point setting
(p. 28) before you proceed with the steps below.
the desired end point.
3. While listening to the sound, press [MARK] at the
If you press [MARK] to turn off its light while the sound is
playing, the change in the start point and end point will be
cancelled.
timing of the desired start point.
4. Press [MARK] again at the timing of the desired end
point.
1. Make sure that [PATTERN SELECT] is extinguished. If it
Start sampling
Stop sampling
is lit, press [PATTERN SELECT] to turn it off.
2. Press the pad whose playback region you want to
adjust, making it sound.
Unwanted
Unwanted
If [MARK] is lit, the start point or end point has already been
adjusted. In this case, cancel the start point/end point setting
(p. 28) before you proceed with the steps below.
Press [MARK]
Press [MARK]
3. While listening to the sound, press [MARK] at the
This region will sound
timing of the desired start point.
4. Stop the pad playback.
If you specify the BPM (tempo) between steps 3 and 4, the end
point will automatically be set to the location of the beat that is
closest to the timing at which you press [MARK] in step 4 (in
units of beats of the BPM value, beginning at the start point).
To specify the BPM, you can either press [TIME/BPM] so the
button is lit and then turn the CTRL 2 knob, or press [TAP
TEMPO] several times.
Beat
Beat
Beat
Beat
Timing at which
you press [MARK]
Start point
Adjusted
Specified end point
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Editing a sample
Exchanging samples between two
pads
Making fine adjustments to the start
point and end point
You can exchange samples between two pads. This lets you
bring together the desired samples into a single bank, or
move samples from internal memory to a CompactFlash
card.
1. Make sure that [PATTERN SELECT] is extinguished. If it
is lit, press [PATTERN SELECT] to turn it off.
2. Play the pad whose playback region you want to
adjust, making it the current pad.
If you decide to cancel this operation during the procedure,
press [CANCEL].
3. Press [START/END/LEVEL] so the button is lit.
4. Use the CTRL 1 knob to adjust the start point, and the
1. While holding down [DEL], press [SAMPLING].
CTRL 2 knob to adjust the end point.
2. The display will indicate “CHG,” and [DEL] and
5. When you’ve finished making adjustments, press
[SAMPLING] will light.
[START/END/LEVEL] to turn off its light.
3. Press the pad for one of the samples you want to
exchange.
Start sampling
Stop sampling
4. Press the other pad.
5. When the two pads have been pressed, [SAMPLING]
will blink.
6. When you press [SAMPLING], the exchange will begin.
When the “CHG” indication in the display has
disappeared, the exchange is complete.
CTRL 1
Start point
CTRL 2
End point
If there is not enough free memory to perform the exchange,
the display will indicate “FuL” and the exchange cannot be
performed.
This region will sound
Never turn off the power before the exchange has been
completed. Doing so will destroy not only the samples being
exchanged, but may also destroy other samples or the
CompactFlash card.
•
•
You can press the pad to produce sound even while
making adjustments.
For both the CTRL 1 and 2 knobs, turning the knob toward
the left will move the start point/end point toward the
beginning of the sound, and turning the knob toward the
right will move the point toward the end of the sound.
You can’t adjust the playback region beyond the
beginning or end of the sample.
•
•
If you decide to cancel the adjustment, return the CTRL 1
and 2 knobs to the center position so that the indication is
“0.”
•
The range of movement for a single operation is
approximately 130 milliseconds before or after the current
start point or end point. If you want to adjust the point by a
greater amount, repeat the same procedure.
You can’t set the start point and end point closer than
approximately 100 milliseconds.
•
•
If your adjustment results in the start point and end point
being respectively at the beginning and end of the sample,
[MARK] will go out.
•
•
If [MARK] is extinguished (i.e., if the playback region has
not been adjusted), adjusting the sample’s start point or
end point will cause [MARK] to light.
When you move the start point or end point, the sample’s
BPM (tempo) will automatically change accordingly.
However, there will be a small discrepancy in the BPM.
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Editing a sample
Copying a sample to another pad
You can copy a sample from one pad to another pad. This
lets you create another sample based on an existing sample.
Converting to a sample that has
a modified playback region
When you adjust the start point or end point, the unused
portions of the sample will be unnecessarily occupying
memory. By deleting (truncating) these unused portions, you
can make efficient use of memory.
If you decide to cancel this operation during the procedure,
press [CANCEL].
1. While holding down [DEL], press [RESAMPLE].
2. The display will indicate “CPY.”
Start sampling
Stop sampling
3. Press the pad for the copy-source sample.
4. Press the copy-destination pad.
When the two pads have been pressed, [SAMPLING]
will blink.
Unwanted
Unwanted
End point
5. When you press [SAMPLING], the copy will begin.
Start point
6. When the indication of “CPY” in the display has
This region will sound
Truncate
disappeared, the copy is complete.
If there is not enough free memory to perform the copy, the
display will indicate “FuL” and the copy cannot be performed.
Never turn off the power before the copy has been completed.
Doing so will destroy not only the samples being copied, but
may also destroy other samples or the CompactFlash card.
This operation cannot be undone.
1. Play the pad that you want to convert, making it the
current pad.
2. Make sure that [MARK] is lit (indicating that the
playback region has been adjusted).
3. Press [DEL].
4. Press [MARK]. The display indication will change to
“trC.”
5. Press [DEL] to begin the conversion. When “trC”
disappears from the display, the operation is complete.
Never turn off the power before this operation has been
completed. Doing so will destroy not only the sample being
truncated, but may also destroy other samples or the
CompactFlash card.
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Editing a sample
Changing a sample’s BPM
Changing the length of
a sample without changing
the pitch (Time Modify)
If you want to consecutively play samples of differing tempo,
you can use the Time Modify function to create natural-
sounding transitions so that the tempo is not interrupted.
A sample’s BPM (tempo) is automatically determined by the
length between the sample’s start point and end point.
However, depending on this length, the calculated BPM
value may be half or double the actual BPM. In this case, you
can correct the BPM as follows.
1. Play the pad that you want to change, making it the
If you’ve specified Reverse Playback(p. 15), the Time Modify
setting is disabled, and the effect won’t be obtained. If you
want to use Time Modify, you must turn off Reverse Playback.
current pad.
2. Press [TIME/BPM] so the button is lit.
3. Turn the CTRL 2 (BPM) knob to change the BPM value.
Turn the knob toward the left if you want to halve the
displayed value, or toward the right if you want to
double it.
1. Play the pad that you want to change, making it the
current pad.
2. Press [TIME/MODIFY] so the button is lit.
3. Turn the CTRL 1 (TIME) knob to change the length. The
display will indicate the sample length in terms of the
BPM.
4. When you’ve made the change, press [TIME/BPM]
once again to turn off the button’s light.
While you’re performing this operation, the CTRL 1 knob will
perform the Time Modify function. Be careful not to change it
inadvertently.
4. When you’ve finished making the change, press [TIME/
BPM] once again to turn off the button’s light.
Turning the CTRL 1 (TIME) knob all the way to the left will turn
Time Modify off, so that the sample will play at its original
length. (The display will indicate “oFF.”)
Turning the CTRL 1 (TIME) knob all the way to the right will
cause the sample to play at the tempo of the pattern. (The
display will indicate “Ptn.”)
The BPM can be adjusted to any value from half to
approximately 1.3 times the original BPM. However, the BPM
must fall within the 40–200 range.
If Time Modify is set to “Ptn,” the tempo of the sample will
change according to the pattern’s tempo within a range of
between half and approximately 1.3 times the sample’s
original BPM. If the pattern’s tempo is set outside this range,
the sample’s tempo is limited to the maximum value (200) or
minimum value (40).
Please be aware that a sample for which you’ve specified
Time Modify may sound quavery or noisy.
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Playing samples and recording your
performance (Pattern Sequencer)
The SP-555 provides a Pattern Sequencer, which lets you
play samples and record your performance. You can play
samples, record your performance as a “pattern,” and then
play back the recorded pattern. You can create a song by
putting together various phrase samples, or create a rhythm
pattern by putting together rhythm samples.
Playing and stopping a pattern
When [PATTERN SELECT] is lit, playback will start when you
press a pad to which a pattern is assigned. Once playback
starts, the pattern will continue playing even after you take
your finger off the pad.
To stop the currently playing pattern, press [CANCEL]
(PATTERN STOP).
How patterns are organized
When [PATTERN SELECT] is lit, one pattern each can be
assigned to the sixteen pads (1–16) of the panel. After a
pattern has been assigned to each pad, such a collection of
sixteen patterns is called a “pattern bank.” The SP-555 lets
you use ten pattern banks, A–J. Pattern banks A and B are
located in the SP-555’s internal memory, and pattern banks
C–J are on the CompactFlash card.
You can also stop pattern playback by pressing the pad of
the currently playing pattern (i.e., the pad that is lit).
Switching patterns during
playback
1. Press [PATTERN SELECT] so the button is lit.
The display will indicate the currently playing measure
and beat, and pads to which patterns are assigned will
light.
When the power is turned on, pattern bank A is selected.
When [PATTERN SELECT] is lit, you can use BANK [A]–[F/J]
to specify the pattern bank, and pads 1–16 to specify the
pattern.
2. Press one of the BANK [A]–[F/J] buttons to select the
bank containing the pattern you want to play next.
To select a bank G–J, press BANK [C/G]–[F/J] once
again so the button is blinking. If no CompactFlash card
is inserted, you won’t be able to select pattern banks C–
J.
Specifying the pattern tempo
The pattern tempo setting is shared by all patterns. You can’t
3. Press the pad for the pattern that you want to play
next.
1. Set the BPM either by pressing [TAP TEMPO] at the
desired tempo or by holding down [TAP TEMPO] and
turning the CTRL 2 knob.
If you press another pad while a pattern is playing, it
will be reserved as the pattern to be played next. When
the currently playing pattern has played to the end, the
reserved pattern will automatically begin playing.
[TAP TEMPO] will light when the display shows the pattern
tempo.
If you hold down [SUB PAD] while you press a pad, playback
will switch immediately to the pattern of that pad.
If the pattern tempo is synchronized to the tempo of your MIDI
sequencer (p. 69), the display will indicate “Mid” and you
won’t be able to perform the operations described below.
If you press a pad to which no pattern is assigned (i.e., a pad
that is not lit), nothing will happen.
The BPM can be set to any value from 40 to 200. However, if
the BPM is a value within the 40–60 or 160–180 ranges, it
can be set only in even-numbered values. If the BPM is above
180, you can set it to either 180, 183, 186, 190, 193, 196,
or 200.
33
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Playing samples and recording your performance (Pattern Sequencer)
for the range of 1–20 measures, and in four-measure
units for longer patterns.
Recording a pattern
11.Press [QUANTIZE] so the button is lit.
When you play samples and record your performance as a
pattern, recording will occur repeatedly for the number of
measures you specify (i.e., “loop recording”), allowing you
to continue layering (overdubbing) additional samples onto
the pattern.
[LENGTH] will go out, and the display will indicate the
quantize setting.
What is quantization?
Quantization is a function that automatically corrects the slight
inaccuracies in timing that can sometimes occur when you are
pressing pads and playing samples to produce a recording.
Once you’ve specified a quantize setting, your performance
will be recorded at accurate intervals of quarter notes, eighth
notes, or sixteenth notes. This function is particularly useful
when you’re creating groove-based music and need the timing
to be tight. This is also useful when you’re creating rhythm
patterns.
1. Press [PATTERN SELECT] so the button is lit.
The display will indicate “Ptn” and the pads to which a
pattern is assigned will blink.
2. Press [SAMPLING] so the button is lit.
All pads to which no pattern is assigned will blink.
12.Turn the CTRL 3 knob to specify the desired quantize
3. Press one of the BANK [A]–[F/J] buttons to select the
setting.
pattern bank into which you want to record.
The display will indicate the quantize setting you
specify.
If no CompactFlash card is installed, you won’t be able to
select pattern banks C–J.
The indication has the following significance.
S.8: Quantize to 8th notes using shuffle quantize.
S.16: Quantize to 16th notes using shuffle quantize.
4. Press the pad to which you want to assign the pattern
you’re going to record.
4:
4.3: Quantize to quarter-note triplets.
8: Quantize to eighth notes.
8.3: Quantize to eighth-note triplets.
16: Quantize to sixteenth notes.
16.3: Quantize to sixteenth-note triplets.
32: Quantize to thirty-second notes.
Quantize to quarter notes.
The pad you pressed will light, and the remaining pads
will go out. [SAMPLING] will blink, and the metronome
will begin sounding.
5. Press [START/END/LEVEL] so the button is lit.
6. Turn the CTRL 3 (LEVEL) knob to adjust the metronome
oFF: Quantize will not be used. The actual timing at
which you pressed the pad will be recorded.
volume.
7. Press [TIME/BPM] so the button is lit.
If you use shuffle quantize, use the CTRL 2 knob to specify the
rate. The rate specifies the proportion by which the backbeats
will be separated from the downbeats of the quantization
you’ve specified. If this is set to “50,” each backbeat will be
exactly between two adjacent downbeats. If this is set to “0,”
each backbeat will be at the same timing as the preceding
downbeat. If this is “100,” each backbeat will be at the same
timing as the following downbeat.
The display will indicate the pattern tempo (BPM).
8. Specify the pattern tempo, either by holding down [TAP
TEMPO] and turning the CTRL 2 (BPM) knob, or by
pressing [TAP TEMPO] several times at the desired
tempo.
13.Press [QUANTIZE] to extinguish the button.
BPM range: 40–200. If the BPM is in the 40–60 or 160–180
ranges, it can be set only in even-numbered values. If the BPM
is above 180, you can set it to either 180, 183, 186, 190,
193, 196, or 200.
14.Press [SAMPLING].
[SAMPLING] will change from blinking to lit, and
recording will begin.
There will be a one-measure count before recording
actually begins, so wait for one measure while listening
to the metronome. During this time, the display will
indicate a count of -4, -3, -2, -1.
9. Press [LENGTH] so the button is lit.
The display will indicate the length (number of
measures) of the pattern that will be recorded.
10.Turn the CTRL 3 knob to specify the length of the
When the count ends, recording will begin, and the
display will indicate the measure and beat.
pattern.
The display will indicate the pattern length you specify.
Range: 1–99
If the pattern already contains data, you can’t make it
shorter than its current length.
You can specify the pattern length in one-measure units
Pads you play during the count will not be recorded.
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Playing samples and recording your performance (Pattern Sequencer)
15.Press the pads at the desired timing.
During recording, you can use the pads to play
samples. You can also press a bank button to switch
sample banks.
The samples of the pads you pressed will play, and will
be recorded at the timing specified by the selected
quantize setting.
Erasing a mistake from your performance
If you’ve played a sample by mistake while recording, you
can use the corresponding pad to erase it from the recorded
pattern.
When the measure number shown in the display
reaches the pattern length you specified, you will
automatically return to measure one, and recording will
continue (“loop recording”). The previously recorded
performance will play back during this time.
If you press [SAMPLING] once again so the button is
blinking, the display will indicate “rEH” and you’ll be in
Rehearsal mode. In this state, pressing the pads will
play the corresponding samples, but they won’t be
recorded. When you press [SAMPLING] once again so
the button is lit, you’ll exit Rehearsal mode and return to
the conventional recording mode. This gives you a
convenient way to find the next sample that you want to
play.
1. Press [PATTERN SELECT] so the button is lit.
The display will indicate “Ptn” and pads to which a
pattern is assigned will blink.
2. Press [SAMPLING] so the button is lit.
3. Press the pad for the pattern containing the
performance from which you want to delete the
mistake.
The pad you pressed will light, and the other pads will
go out. [SAMPLING] will blink, and the metronome will
begin sounding.
4. Press [SAMPLING].
[SAMPLING] will change from blinking to lit, and
recording will begin.
The recorded performance will play back. If you press
the pad of a sample at this time, it will be recorded.
16.Press the pads of samples that you want to overdub.
The pad performance that you recorded on the previous
pass will be recorded along with your newly added
pad performance (overdubbed). You can use this
method to gradually build up complex rhythms that
would be impossible to play all at once.
5. Press [DEL] so the button is lit.
The display will indicate “ErS.”
6. Press the pad for the sample that you want to erase,
During this recording process, you can change the
quantization as follows.
throughout the period where you want the erasure to
take place.
1. Press [QUANTIZE] so the button is lit.
2. Turn the CTRL 3 knob to change the quantize setting.
3. When you’ve made the desired setting, press
[QUANTIZE] to extinguish the button.
The new quantize setting will be applied
immediately.
The dot in the display will blink, and any occurrences of
that sample will be erased from the pattern during the
duration that you hold down the pad.
By holding down [HOLD] you can erase the performances of
all pads.
17.When you want to stop recording, press [CANCEL].
7. Repeat step 6 as desired.
The dot in the display will blink. When the blinking
stops, recording is complete.
8. When you’ve finished erasing mistakes, press [DEL].
[DEL] will go out, and the pattern will return to normal
recording.
Never turn off the power while the dot is blinking. Doing so
may destroy not only the pattern you recorded, but also other
patterns or the CompactFlash card.
If you press the pad of a sample at this time, it will be
recorded.
9. Press [CANCEL] to carry out the erasure.
The dot in the display will blink while the erasure is
being carried out. When the blinking stops, the erasure
is complete.
Never turn off the power while the dot is blinking. Doing so
may destroy not only the pattern you recorded, but also other
patterns or the CompactFlash card.
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Playing samples and recording your performance (Pattern Sequencer)
Deleting a pattern
Deleting all patterns
Here’s how to delete all patterns from internal memory or
CompactFlash.
1. Press [PATTERN SELECT] so the button is lit.
The display will indicate “Ptn” and the pads that have
been recorded will blink.
1. Press [PATTERN SELECT] so the button is lit.
2. Press [DEL] so the button is lit.
The display will indicate “Ptn,” and pads that are
recorded will blink.
The display will indicate “dEL.”
If the display indicates “EMP,” that bank does not
contain any pads to which a pattern is assigned.
2. While holding down [CANCEL], press [DEL].
The display will indicate “dAL,” and [DEL] will light.
BANK [A]–[F/J] will blink.
3. Press a bank button and a pad to specify the bank and
pad of the pattern you want to delete.
The selected pad will light, and [DEL] will blink.
If no CompactFlash card is inserted, BANK [C/G]–[F/J] will
not blink.
Nothing will happen if you press a pad to which no pattern is
assigned (i.e., a pad that is not lit).
3. Press one of the bank buttons to specify the memory
that you want to erase.
BANK [A] or [B]:
BANK [C/G]–[F/J]:
Internal memory
CompactFlash
You can simultaneously select more than one pad if they are in
the same bank.
If you specify a protected bank (p. 51), the display will
indicate “Prt” (Protected), and you won’t be able to delete the
patterns.
If you specify a bank that’s protected (p. 51), the display will
indicate “Prt” (Protected) and you won’t be able to delete a
pattern.
If you decide not to delete the patterns, press [CANCEL].
If you decide not to delete a pattern, press [CANCEL].
4. Press [DEL] to carry out the deletion.
4. Press [DEL] to carry out the deletion.
During this process, [DEL] will change from blinking to
lit, and the dot in the display will blink. When the dot
stops blinking, the deletion has been completed.
During this process, [DEL] will change from blinking to
lit, and the dot in the display will blink. When the dot
stops blinking, deletion has been completed.
Never turn off the power while the dot is blinking. Doing so
may destroy not only the patterns you’re deleting, but also
other patterns or the CompactFlash card.
Never turn off the power while the dot is blinking. Doing so
may destroy not only the pattern you’re deleting, but also other
patterns or the CompactFlash card.
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Playing samples and recording your performance (Pattern Sequencer)
Exchanging the patterns of
two pads
You can change the patterns assigned to each pad by
exchanging patterns between two pads.
You can also exchange patterns between a pad to which an
already-recorded pattern is assigned and a pad to which no
pattern is assigned.
Copying a pattern to another pad
You can copy a pattern from one pad to another pad. This
lets you create a new pattern based on an existing pattern.
If you decide to cancel this operation midway through the
procedure, press [CANCEL].
1. Press [PATTERN SELECT] so the button is lit.
The display will indicate “Ptn.”
1. Press [PATTERN SELECT] so the button is lit.
2. While holding down [DEL], press [RESAMPLE].
3. The display will indicate “CPY.”
4. Press the copy-source pad.
The display will indicate “Ptn.”
2. While holding down [DEL], press [SAMPLING].
[DEL] and [SAMPLING] will light, the display will
indicate “CHG,” and pads to which a pattern is
assigned will blink.
5. Press the copy-destination pad.
The pads to which you can copy will blink.
3. Press a bank button and pad to select one of the
patterns that you want to exchange.
The pad will light.
6. When you’ve pressed the two pads, [SAMPLING] will
blink.
4. Press a bank button and pad to select the other pattern
that you want to exchange.
7. Press [SAMPLING] to start the copy. When the “CPY”
indication disappears from the display, the copy has
been completed.
The pad will light, and [SAMPLING] will blink.
5. Press [SAMPLING] to carry out the exchange.
If there’s not enough memory to perform the copy, the display
will indicate “FuL” and the copy will not be performed.
[DEL] and [SAMPLING] will light, and the dot in the
display will blink. When the dot stops blinking, the
exchange has been completed.
Never turn off the power before the copy operation has been
completed. Doing so may destroy not only the patterns you’re
copying, but also other patterns or the CompactFlash card.
If you’re exchanging patterns between internal memory and
the CompactFlash card, and there is insufficient internal
memory or insufficient space on the CompactFlash card, the
display will indicate “FuL” and you won’t be able to carry out
the exchange.
Never turn off the power while the dot is blinking. Doing so
may destroy not only the patterns you’re exchanging, but also
other patterns or the CompactFlash card.
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D Beam controller
Monophonic synthesizer (SYNTH)
If you press [SYNTH] so the button is lit, you’ll be able to use
the SP-555 as a monophonic synthesizer whose pitch is
controlled by the position of your hand above the D Beam
controller. Moving your hand closer to the controller will
raise the pitch in steps of the scale you select. Use [SYNTH]
+ CTRL 2 to change the scale.
The SP-555 provides a D Beam controller, which lets you
modify the sound in various ways by moving your hand
above it. You can choose one of three modes: [SYNTH]
(monophonic synthesizer), which lets you control the pitch by
your hand position; [FILTER], which lets you control the cutoff
frequency; and [TRIGGER], which lets you trigger the desired
pad.
There’s also a built-in delay that can be used to produce a
variety of effects.
[SYNTH] will blink when you’re within the effective range of
the D Beam controller.
The effective range of the D Beam controller
The illustration below shows the effective range of the D
Beam controller. Moving your hand beyond this range
will not produce any effect.
Synth settings
Purpose
Operation
Tone setting
[SYNTH] + pads 1–8
[SYNTH] + pads 9–16
[SYNTH] + CTRL 1
[SYNTH] + CTRL 2
[SYNTH] + CTRL 3
[EFFECT ASSIGN] + [SYNTH]
Delay setting
Key shift setting
Scale setting (*1)
Volume setting
Apply an effect
*1: Select one of the following effects
CHr:
tCH:
SPn:
bLS:
Cd:
MAJ:
Min:
HMJ:
HMi:
dH:
MMi:
GPS:
doM:
Wt:
HbL:
AUG:
rkY:
Chromatic Scale
Tcherepnin’s Scale
Spanish Scale
Blues Mixolydian Scale
Combination of Diminished Scale
Diatonic Major Scale
Natural Minor Scale
Harmonic Major Scale
Harmonic minor Scale
Double Harmonic Scale
Melodic Minor Scale
Gypsy Scale
Dominant Scale
Whole Tone Scale
Hexatonic Blue Scale
Augmented Scale
Ryukyu Scale
The effective range of the D Beam controller will be
greatly reduced under strong, direct sunlight. Please be
aware of this when using the D Beam controller
outdoors.
The sensitivity of the D Beam controller will change depending
on the brightness of the environment. If it does not operate as
you expect, please readjust the sensitivity (D Beam Sens) as
follows.
While holding down [CANCEL], press either [SYNTH],
[FILTER], or [TRIGGER], and then use the CTRL 3 knob to adjust
the sensitivity. Turning the knob toward the right will increase
the sensitivity. When you’ve finished adjusting the sensitivity,
you can press [SAMPLING] to save the setting.
iSd:
In Sen Scale, Decending
In Sen Scale, Ascending
Major Pentatonic Scale
Minor Pentatonic Scale
iSA:
PMJ:
PMi:
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D Beam controller
Filter
Trigger
If you press [FILTER] so the button is lit, you’ll be able to
control the cutoff frequency of a filter by moving your hand
above the controller.
If you press [TRIGGER] so the button is lit, you’ll be able to
play the desired pad by moving your hand above the
controller.
[FILTER] will blink when you’re within the effective range of
the D Beam controller.
To specify the pad, hold down [TRIGGER] and press the
desired pad 1–16.
Be aware that if you select Trigger and then switch the pad
bank, the pad that will be triggered will not change, but the
sample that will be played will be different.
Filter settings
Press [FILTER] + a pad to select the desired combination of
filter type and resonance.
You can use [TRIGGER] + CTRL 3 knob to specify the velocity
at which the pad will play.
If you’re using Roll to play the pad, and you turn the D Beam
controller [TRIGGER] on, you’ll be able to use the D Beam
controller to control the volume of the roll.
High
If the SP-555 is in a state in which pressing a pad does not
play a sample (e.g., if [PATTERN SELECT] is lit or if [EFFECT
ASSIGN] is lit), you won’t be able to use the D Beam controller
to trigger pads.
Zero
LPF
HPF
BPF NOTCH
• Pad 1: Low-pass filter
• Pad 2: High-pass filter
• Pad 3: Band-pass filter
• Pad 4: Notch filter
Higher pads select a filter with stronger resonance.
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Connecting the SP-555 to your computer
The SP-555 provides USB audio/MIDI interface
functionality.
Installing SP-555 Wave Converter
1. Navigate to the SP-555 UTILITY CD-ROM “Wave
If you install a dedicated driver in your computer and use a
USB cable (sold separately) to connect the SP-555 to your
computer, you'll be able to output sound from your computer
via the SP-555. By using the included SONAR LE software,
you can use your computer to record sound from a guitar or
mic connected to the SP-555.
Converter” folder, and double-click Setup.exe.
2. The “Welcome” screen will appear. Click [Next].
3. Follow the on-screen directions to proceed with
installing SP-555 Wave Converter.
Installing SONAR LE
You can also use SP-555 Wave Converter to convert WAV/
AIFF format files that you created on your computer into SP-
555 samples, or to convert SP-555 samples to WAV/AIFF
format files.
1. Place the installation CD-ROM into your computer’s
CD-ROM drive.
* If the auto-play dialog box appears, choose “Run Setup.exe”
and proceed to step 4.
You must install the driver before you connect the SP-555 to
your computer.
Computer.”
3. The drives detected by your computer will appear;
double-click the CD-ROM drive.
Installing the driver and software
4. The installer will start up. Proceed with the installation
as directed by the on-screen instructions.
* If SONAR LE automatically starts up after installation is
completed, refer to “Starting SONAR LE and making
settings” (p. 43).
Windows XP users
* In order to install the driver and the software, you’ll need to log
on as a user who has administrative privileges.
Installing the driver
1. Start up your computer with all USB cables
disconnected (except for a USB keyboard and/or
mouse, if used).
2. Navigate to the SP-555 UTILITY CD-ROM “Driver”
folder ➜ “XP” folder, and double-click Setup.exe.
3. When the display indicates “Roland SP-555 Driver will
be installed on your computer....” click [Next].
4. Follow the on-screen directions to proceed with the
driver installation.
* The SP-555 UTILITY CD-ROM Driver folder ➜ XP folder
contains a Readme file that describes how to install the driver,
and provides troubleshooting information. Be sure to read this
before you use the system.
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Connecting the SP-555 to your computer
5. The installer will start up. Proceed with the installation
as directed by the on-screen instructions.
Windows Vista users
* When the “Finished with setup” dialog box appears, clear the
“Start up SONAR LE” check box, and click “Finish.” If you fail
to clear this check box and the program starts up, exit SONAR
LE.
* In order to install the driver and the software, you’ll need to log
on as a user who has administrative privileges.
6. When installation is completed, right-click the “SONAR
LE” icon on your desktop, and choose “Properties”
from the menu that appears.
Installing the driver
1. Start up your computer with all USB cables
disconnected (except for a USB keyboard and/or
mouse, if used).
7. Click the “Compatibility” tab to access the
Compatibility page.
2. Navigate to the SP-555 UTILITY CD-ROM “Driver”
8. In “Privilege level,” select “Run this program as
folder ➜ “Vista” folder, and double-click Setup.exe.
administrator.”
3. A user account control screen will appear; click
9. Click “OK” to close the Properties.
* When you start up SONAR LE, the display will indicate “An
unidentified program is trying to access your computer.” Click
[Allow].
[Continue].
4. When the display indicates “Roland SP-555 Driver will
be installed on your computer....” click [Next].
5. Follow the on-screen directions to proceed with the
driver installation.
* The SP-555 UTILITY CD-ROM Driver folder ➜ Vista folder
contains a Readme file that describes how to install the driver,
and provides troubleshooting information. Be sure to read this
before you use the system.
Installing SP-555 Wave Converter
1. Navigate to the SP-555 UTILITY CD-ROM “Wave
Converter” folder, and double-click Setup.exe.
2. The screen will indicate “An unidentified program is
trying to access your computer.” Click [Allow].
3. The installer will start up. Follow the on-screen
directions to proceed with installing SP-555 Wave
Converter.
Installing SONAR LE
1. Place the installation CD-ROM into your computer’s
CD-ROM drive.
* If the auto-play dialog box appears, choose “Run Setup.exe”
and proceed to step 5.
2. From the Windows Start menu, choose “Computer.”
3. The drives detected by your computer will appear;
double-click the CD-ROM drive.
4. The screen will indicate “An unidentified program is
trying to access your computer.” Click [Allow].
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Connecting the SP-555 to your computer
Changing the signal flow
when using USB audio
Mac OS X users
Installing the driver
* If the “Authentication” dialog box appears during the
installation, enter the password and click [OK].
For the default state and the overall signal flow, refer to
“Signal flow (block diagram)” (p. 14).
1. Start up your computer with all USB cables
disconnected (except for a USB keyboard and/or
mouse, if used).
To do this
Operation
Remarks
Turn the USB audio
input on/off from
your computer
Hold down [CAN-
CEL] and use the
CTRL 3 knob (“oFF”
/ “on”)
Default setting is on.
This setting will re-
turn to the default
when you turn off
the power.
2. Navigate to the “Driver” folder on the CD-ROM, and
double-click SP555USBDriver.pkg.
Apply or bypass the
effect for the USB au-
dio input from the
computer
Whileholdingdown
[EFFECT ASSIGN]
and [CANCEL],
press [MIC (or [LINE
IN])
Whileholdingdown
[CANCEL], press
[LINE IN] and use
the CTRL 3 knob
(“oFF” / “InP” /
“out”)
The effect is applied
by default. This set-
ting will return to the
default when you
turn off the power.
The default setting is
out (output the same
signal as LINE
OUT). InP will output
only the LINE IN sig-
nal and MIC IN sig-
nal. This setting will
return to the default
when you turn off
the power.
3. In some cases you may see the message “A program
must be executed by this installer package to
determine whether installation is possible. Continue?”
If so, click [Continue].
Switch the source
that is output to USB
audio from the SP-
555
4. The screen will indicate “Welcome to the Roland SP-
555 Driver installer.” Click [Continue].
5. The screen will indicate “Select the installation
destination,” so click the drive in which the system is
installed, and then click [Continue].
6. The screen will indicate “Easy installation,” so click
either [Install] or [Upgrade].
If you’re using software that has a recording monitor or input
monitor function, and select “InP” as the source being output
from the SP-555 to USB, it is possible that the audio signal will
create a feedback loop. Either turn off the recording monitor
or input monitor function in your software, or select “OFF” or
“out” for the source being output from the SP-555 to USB
audio.
7. The screen will indicate “When you install this
software, you’ll need to restart your computer when
the installation is completed.” Click [Continue with
installation].
8. The screen will indicate “The software was installed
successfully,” so click [Restart] to restart your
computer.
This completes installation of the SP-555 Driver.
Installing SP-555 Wave Converter
1. Navigate to the “Wave Converter” folder on the SP-
555 UTILITY CD-ROM, and double-click “SP-555 Wave
Converter Installer.pkg.”
2. The installer will start up. Follow the on-screen
instructions to proceed with installing SP-555 Wave
Converter.
This completes installation of SP-555 Wave Converter.
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Connecting the SP-555 to your computer
About SONAR LE (Windows only)
About SP-555 Wave Converter
SONAR LE is a DAW application for Windows. It allows you
to perform a variety of operations ranging from music
production using MIDI and audio, all the way to creating
master data.
SP-555 Wave Converter is a tool that converts samples on a
CompactFlash card formatted for the SP-555 to WAV/AIFF
files on your computer, and vice versa.
In order for you to use SP-555 Wave Converter, you’ll need a
CompactFlash card, and a CompactFlash card reader for your
computer.
Starting SONAR LE and making settings
1. Double-click the SONAR LE icon on your desktop.
Starting up SP-555 Wave Converter
2. When the audio device confirmation dialog box
appears, click Yes. When it completes successfully,
click Close.
1. Before you continue, format a CompactFlash card on
the SP-555.
* A CompactFlash card formatted by your computer can’t be
used with the SP-555.
3. When the online activation dialog box appears, select
“Activate later” and click [OK].
2. Connect the CompactFlash card reader to your
computer, and insert the CompactFlash card into the
reader.
4. The hint of the day will appear. Click close.
5. A dialog box indicating that you have not selected
MIDI outputs will appear. Click Choose MIDI Output,
and the MIDI Devices dialog box will appear.
3. Start up SP-555 Wave Converter.
•
On Windows, Start ➜ All Programs ➜ SP-555 Wave
Converter ➜ SP-555 Wave Converter
On Mac OS, Finder ➜ Applications ➜ Roland ➜ SP-555
Wave Converter
6. In the MIDI Devices dialog box, select the device
containing the characters “SP-555” for both input and
output, and click OK to close the dialog box.
•
SP-555 Wave Converter will start up.
For details on using SP-555 Wave Converter, refer to the
online manual. The online manual is located in the Manual
folder inside the folder in which SP-555 Wave Converter is
installed.
7. When the quick start dialog box appears, click Close.
SONAR will now start up. Next, you’ll make audio device
settings.
1. With SONAR running, select the Option menu item
Audio to open the Audio Device dialog box.
2. Open the Devices tab, and for both the input device
and the output device, select only the device containing
the characters “SP-555.” Then click OK to close the
dialog box. When the screen suggests that you restart
SONAR LE, restart SONAR LE.
This completes settings for SONAR LE.
For details on using SONAR LE, refer to the online help.
While SONAR LE is running, you can press the F1 key to
access the online help.
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About CompactFlash
Recommended types of
CompactFlash
The SP-555 supports CompactFlash cards (type I) having a
capacity of from 32 MB up to 2 GB.
CompactFlash theft prevention
When the SP-555 is shipped from the factory, special screws
are attached to the bottom panel at the locations marked by
★. With the memory card cover attached, you can use a
Phillips screwdriver to remove these screws and reinstall
them in the CARD LOCK screw holes, making it impossible
to remove the memory card cover, and helping to prevent
theft of the CompactFlash card.
* You can’t use Type II cards such as Microdrives.
As of this date, Roland has verified that the SP-555 will work
correctly with the following memory cards.
Manufacturer
Model
Sandisk
SDCFH-2048-903 (2GB)
SDCFX3-1024-903 (1GB)
IO Data
Buffalo
CF115-256M (256MB)
CF115-512M (512MB)
RCF-X128MY (128MB)
RCF-X256MY (256MB)
RCF-X512MY (512MB)
RCF-X1GY (1GB)
Hagiwara Sys-Com
HPC-CF512ZP (512MB)
HPC-CF2GZP (2GB)
HPC-CF1GZ2F (1GB)
HPC-CF2GZ2F (2GB)
* Even cards of the identical model may be unusable due to
differences in the specific design of the card or differences in
the conditions of use. We cannot completely guarantee all
operation with the above models.
★
When turning the unit upside-down, get a bunch of
newspapers or magazines, and place them under the four
corners or at both ends to prevent damage to the buttons and
controls. Also, you should try to orient the unit so no buttons or
controls get damaged.
When turning the unit upside-down, handle with care to avoid
dropping it, or allowing it to fall or tip over.
* You must use only these screws. Using any other screws will
cause malfunctions.
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About CompactFlash
Inserting and removing
CompactFlash cards
Formatting a CompactFlash card
(initializing)
When you format a CompactFlash card, all data on that card
will be erased.
Never insert or remove a CompactFlash card while this unit’s
power is on. Doing so may corrupt the unit’s data or the data
on the CompactFlash card.
1. While holding down [CANCEL], press [REMAIN].
BANK [C/G]–[F/J] will blink, and the display will
indicate “FMt.”
Inserting a CompactFlash card
2. Press any one of the BANK [C/F]–[F/J] buttons.
1. Switch off the SP-555’s power.
BANK [C/F]–[F/J] will change from blinking to lit, and
[DEL] will blink.
2. Remove the memory card cover.
3. Insert the CompactFlash card in the front panel card
If you decide not to format the card, press [CANCEL].
slot.
3. Press [DEL].
[DEL] will light, and formatting will begin.
During the formatting process, the dot in the display will
blink.
4. Attach the memory card cover.
Carefully insert the CompactFlash card all the way in–until it is
firmly in place.
When the blinking stops, formatting is complete.
Never turn off the power while the dot is blinking. Doing so
may damage the CompactFlash card, rendering it unusable.
If you’re using a CompactFlash card for the first time, you must
format it using the SP-555. The SP-555 will not recognize a
CompactFlash card that was formatted by another device.
Don’t modify or delete the files or folders that are created
when a CompactFlash card is formatted. The SP-555 will not
recognize the card correctly if you do so.
Removing a CompactFlash card
1. Switch off the SP-555’s power.
2. Remove the memory card cover.
3. Push the eject button located beside the front panel
card slot. The CompactFlash card will pop out partially.
Grasp the CompactFlash card and pull it out toward
yourself.
4. Attach the memory card cover.
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About CompactFlash
1. Make sure that [PATTERN SELECT] is extinguished.
If it is lit, press [PATTERN SELECT] to turn it off.
Importing audio files
You can import audio files via CompactFlash card and
assign them to pads.
2. While holding down [CANCEL], press [RESAMPLE].
The display will indicate “FiL” (File Import/Export), and
[SAMPLING] and [RESAMPLE] will blink.
3. Press [SAMPLING].
Caution when importing audio files
(WAV/AIFF)
The display will indicate “iMP” (File Import),
[SAMPLING] will light, and [RESAMPLE] will go out.
Pads [1]–[16] will blink.
• Use a CompactFlash card that was formatted by
the SP-555.
If there is no audio file in the CompactFlash card, the display
will indicate “EMP” (Empty), and the Import operation cannot
be performed.
• When you use your computer or other device to
copy or save audio files (WAV/AIFF) on a
CompactFlash card, place the files in the root
directory (top level) of the CompactFlash card.
You won’’t be able to import the files into the SP-
555 if they’re anywhere other than the root
directory.
• A maximum of 160 audio files can be handled
when importing. If more than this number of
audio files are on the CompactFlash card,
unexpected operation may occur.
• You can’t use the “.” (period) character at the
beginning of a file name. Nor can certain other
characters (\ / : , : * ? “ < > |) be used in a file
name.
• The extension of a WAV file must be WAV, and
the extension of an AIFF file must be AIF. The file
will not be recognized if its name has any other
extension.
• The audio files will be imported in the ASCII code
order of their file names.
• 8-bit and 16-bit are the only sample depths
supported.
• Sample rate conversion will not be performed.
The data will be imported as if it had a sample
rate of 44.1 kHz. If you import a file whose
actual sample rate is other than 44.1 kHz, the
playback pitch will be incorrect.
4. Select the import-destination sample bank.
Press one of the BANK [A]–[F/J] buttons. The button you
pressed will light, and that bank (A–F) will be selected.
will change from lit to blinking, and the corresponding
bank G–J will be selected.
5. Select the import-destination pad.
The pad you pressed will light, and the other pads will
stop blinking.
[SAMPLING] will also blink. If a sample is assigned to
the selected pad (or subsequent pads if you selected
more than one pad), it will be overwritten.
If you specify a pad that is protected (p. 51), the display
will indicate “Prt” (Protected), and you won’t be able to
import the file.
6. Press [SAMPLING] so the button is lit.
If there are two or more files, they will be imported in
order of their file name, starting at the pad you selected
in step 5.
During the import process, the dot in the display will
blink. When the blinking dot has disappeared, the
import process has been completed.
• Loop point settings in an AIFF file will be ignored.
• If you attempt to import a WAV/AIFF file whose
format is not supported by the SP-555, the error
message “UnS” (Unsupported) will appear, and
you won’t be able to import the file.
• Compressed audio files cannot be imported.
• In some cases, it may not be possible to import
audio files of an extremely short duration.
• Importing will take approximately half as long as
the playback time of the audio file.
• Once you start the import process, you cannot
cancel it before completion.
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About CompactFlash
Exporting audio files
Naming of exported audio files
A sample assigned to a pad can be exported to a
CompactFlash card as an audio file.
(WAV/AIFF)
Audio files (WAV/AIFF) that have been exported to a
CompactFlash card will be located in the root folder
(top level) of the CompactFlash card.
When you use a computer or similar device to look at
the root folder of the CompactFlash card, the exported
audio files (WAV/AIFF) will be named as follows.
• If you’ve exported the sample of sample bank A
pad 1:
1. While holding down [RESAMPLE], turn on the power.
2. Turn the CTRL 3 knob to select the format in which you
want to export the files.
WAV: WAV format
AiF:
AIFF format
3. Press [SAMPLING] to confirm your choice of file type.
WAV: A_01.WAV
AIFF: A_01.AIF
• If you’ve exported the samples of sample bank E
This selection is maintained even when you turn off the power.
4. Make sure that [PATTERN SELECT] is extinguished. If it
pads 6–16:
WAV: E_06.WAV–E_16.WAV
is lit, press [PATTERN SELECT] to turn it off.
AIFF: E_06.AIF–E_16.AIF
5. While holding down [CANCEL], press [RESAMPLE].
The display will indicate “FiL” (File Import/Export), and
[SAMPLING] and [RESAMPLE] will blink.
6. Press [RESAMPLE].
The display will indicate “EXP” (File Export),
[SAMPLING] will light, and [RESAMPLE] will go out.
7. Select the export-source sample bank.
Press one of the BANK [A]–[F/J] buttons. The button you
pressed will light, and that bank (A–F) will be selected.
If you press BANK [C/G]–[F/J] once again, that button
will change from lit to blinking, and the corresponding
bank G–J will be selected.
Pads to which a sample is assigned will blink.
If the selected bank contains no samples, the display will
indicate “EMP” (Empty).
8. Select the export-source pad.
The pad you pressed will light, and the other pads will
stop blinking.
[SAMPLING] will also blink.
You can select two or more pads if they are within the same
sample bank. To select a pad, press a pad that was blinking
in step 7, so it lights steadily.
9. Press [SAMPLING] so the button is lit.
During the export, the dot in the display will blink.
When the blinking dot has disappeared, the export
process is complete.
If there are identically named audio files in the root folder of
the CompactFlash card, they will be overwritten.
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About CompactFlash
Saving backup data (backup save)
Here’s how to save a set of backup data (containing all of
the SP-555’s internal data including sample banks and
pattern banks) to a CompactFlash card. Up to sixteen sets of
backup data can be saved on a card.
Loading backup data (backup
load)
Here’s how to load a set of backup data (containing all the
SP-555’s settings including sample banks and pattern banks)
from a CompactFlash card.
settings will be erased and overwritten by the newly loaded
backup data.
If you’ve saved numerous samples and patterns on a card, and
it doesn’t have much space remaining, you’ll only be able to
save a small number of backup sets.
1. While holding down [CANCEL], press one of the BANK
1. While holding down [CANCEL], press the BANK [A] or
[C/G]–[F/J] buttons.
[B] button.
The display will indicate “SAV,” and the pads to which
backup data has not been saved will blink.
The display will indicate “Lod,” and the pads to which
backup data has been saved will blink.
2. Select the desired save-destination pad.
If the memory is protected (p. 51), the display will indicate
“Prt” (Protected) and the backup load operation cannot be
executed.
The selected pad will light, the other pads will go out,
and [SAMPLING] will light.
You can’t select a pad that is unlit in step 1 (i.e., a pad in
which no data has been saved).
If there is no backup data on the CompactFlash card, the
display will indicate “EnP” and the backup load operation
cannot be executed.
If you decide to cancel, press [CANCEL].
2. Press a pad to select the backup data that you want to
load.
3. Press [SAMPLING].
The selected pad will light, and the other pads will go
out. [SAMPLING] will blink.
[SAMPLING] will light, and the backup save operation
will be executed. During execution, the dot in the
display will blink. When the blinking stops, the backup
save operation has been completed.
You can’t select a pad that was unlit in step 1 (i.e., a pad in
which no data was saved).
Never turn off the power while the dot is blinking. Doing so
may destroy the backup data or the CompactFlash card.
If you decide to cancel, press [CANCEL].
3. Press [SAMPLING].
[SAMPLING] will light, and the backup load operation
will be executed. During execution, the dot in the
display will blink. When the blinking stops, the backup
load operation has been completed.
Never turn off the power while the dot is blinking. Doing so
may destroy the SP-555’s internal memory data or the
CompactFlash card.
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About CompactFlash
Deleting backup data (backup
delete)
Here’s how to delete a set of backup data (containing all the
SP-555’s settings including sample banks and pattern banks)
from the CompactFlash card.
1. While holding down [DEL], press one of the BANK [C/
G]–[F/J] buttons.
The display will indicate “bdL,” and the pads to which
backup data has been saved will blink.
2. Press a pad to specify the backup data you want to
delete.
The selected pad will light, and the other pads will go
out.
[DEL] will blink.
You can’t select a pad that is unlit in step 1 (i.e., a pad in
which no data has been saved).
If you decide to cancel, press [CANCEL].
3. Press [DEL].
[DEL] will light, and the backup delete operation will be
executed. During execution, the dot in the display will
blink. When the blinking stops, the backup delete
operation has been completed.
Never turn off the power while the dot is blinking. Doing so
may destroy the backup data or the CompactFlash card.
49
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Other settings
Restoring the factory settings
Here’s how to restore all settings of the SP-555, including the
sample and pattern data (banks A and B) and effect memory
settings to the factory-set state.
Here’s how to erase all of the internal memory (bank A and
B) sample and pattern data, as well as the effect memory
settings, and initialize other internal settings to the default
state.
This operation will cause all internal memory data to be lost. If
necessary, you should make a backup before you proceed.
(“Saving backup data (backup save)” (p. 48))
This operation will cause all internal memory data to be lost. If
necessary, you should make a backup before you proceed.
(“Saving backup data (backup save)” (p. 48))
1. Switch off the SP-555’s power.
1. While holding down [CANCEL], turn on the power of
2. Copy the “FCTRY” folder from the SP-555 UTILITY CD-
ROM into the “ROLAND” folder of a CompactFlash
card that was formatted by the SP-555.
the SP-555; this will turn off the internal memory
protect setting.
The display will indicate “P.oF,” indicating that
protection has been disabled for the samples and pads
of banks A–J.
The FCTRY folder of the SP-555 UTILITY CD-ROM contains the
factory preset data.
2. Switch off the SP-555’s power.
3. Insert the CompactFlash card into the SP-555, and
while holding down [CANCEL], [REMAIN], and [DEL],
turn on the power.
The display will indicate “ini,” and [SAMPLING] will
blink.
3. While holding down [CANCEL], [REMAIN], and [DEL],
turn on the power.
The display will indicate “ini,” and [SAMPLING] will
blink.
If you decide to cancel the operation, simply turn off the
power.
If you decide to cancel the operation, simply turn off the
power.
4. If you are sure you want to restore the SP-555 to the
4. If you are sure you want to initialize the SP-555, press
factory settings, press [SAMPLING].
[SAMPLING].
[SAMPLING] will light, and the dot in the display will
blink. When the blinking dot disappears, the operation
has been completed.
[SAMPLING] will light, and the dot in the display will
blink. When the blinking dot disappears, the operation
has been completed.
Never turn off the power while the dot is blinking. Doing so
may destroy the data.
Never turn off the power while the dot is blinking. Doing so
may destroy the data.
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Other settings
Protecting the memory
You can protect the memory so that samples and patterns
cannot be deleted accidentally.
Adjusting the blinking speed
of the display illumination
Here’s how to adjust the speed of the illumination around the
display.
Protecting all samples and patterns
1. While holding down [TAP TEMPO], turn on the power.
The display will indicate “LEd.”
1. While holding down [REMAIN], turn on the power.
2. Turn the CTRL 3 knob to adjust the speed.
The display will indicate “P.on,” and the samples and
patterns of banks A–J will be protected.
[SAMPLING] will blink when you turn the knob.
Setting
Explanation
“oFF”
The illumination will not blink.
If you use a CompactFlash card with the same SP-555, the
card banks will also be protected, but the card will not be
protected when used with another device or computer.
* It will not blink even during pattern playback.
“1–9”
“Ptn”
The illumination will blink at a fixed speed. Higher set-
tings produce faster blinking.
* While a pattern is playing, the blinking will be synchro-
nized to the tempo of the pattern.
The illumination will blink in synchronization with the pat-
tern tempo.
This setting is retained even while the power is turned off.
Protecting the preset samples and
patterns (sample bank A and pattern
bank A)
3. Press [SAMPLING] to confirm the speed of blinking.
If you decide to cancel, press [CANCEL].
1. While holding down BANK [A] and [REMAIN], turn on
This setting is retained even while the power is turned off.
the power.
The display will indicate “A.on,” and the samples and
patterns of bank A will be protected.
Checking the version number
This setting is retained even while the power is turned off.
1. While holding down [MARK], turn on the power.
The display will indicate the version number.
With the factory settings, sample bank A and pattern bank A
are protected.
Press [CANCEL] to return to the normal state.
Canceling protection
Setting the SP-555’s
internal processing level
1. While holding down [CANCEL], turn on the power.
The display will indicate “P.oF,” and protection will be
cancelled for the samples and patterns of banks A–J.
Here’s how to adjust the overall volume of the SP-555 for
internal processing.
Protection will be cancelled for the factory-set samples and
patterns.
1. While holding down [CANCEL] and [START/END/
LEVEL], turn the CTRL 3 (LEVEL) knob.
Range: -3 dB, 0 dB, 3 dB, 6 dB, 9 dB, 12 dB
This setting is retained even while the power is turned off.
The SP-555 has a maximum polyphony of twelve notes. There
will be a major difference in the volume depending on
whether one note or twelve notes are being produced. If you
are playing only a few pads at a time, or if you have
connected the SP-555 to a DJ mixer or other device, and are
using it as an effects processor, raising this internal processing
level will allow you to output a higher level. If you are playing
a larger number of pads simultaneously and the sound is
distorting, you should lower this internal processing level.
When the power is turned on, this will always be set to 0 dB.
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About V-LINK
What is V-LINK?
Turning V-LINK on/off
V-LINK (
) is functionality promoted by
1. Press the SP-555’s [V-LINK] button so it’s lit; V-LINK
Roland that makes it easy to synchronize visual effects with
music. By using video equipment that supports the use of V-
LINK (such as Edirol motion dive .tokyo Performance
Package), you can easily produce a variety of visual effects
that are linked to the expressive elements of your
performance.
For example, if you use the SP-555 in conjunction with the
motion dive .tokyo Performance Package, you’ll be able to
do the following.
will be on.
When [V-LINK] is lit, you can operate the SP-555 to
control images in synchronization with the SP-555’s
performance.
2. To turn off V-LINK, press [V-LINK] once again so its
light goes out.
Functions that you can control using CTRL
1–3 and D Beam
• Use the SP-555’s synthesizer to produce synchronized
music and video performances.
• Play the SP-555’s pads or sequencer (songs or
patterns) to switch images on the motion dive .tokyo
Performance Package.
• Use the SP-555’s CTRL 1–3 knobs and D Beam
controller to control the brightness or hue of an image.
Display indication
Value
Response by motion
dive .tokyo
oFF
1
2
3
4
5
6
7
8
Off
ColorEQ Fore
ColorEQ Back
Scratch SW
Speed Knob
Total Fader
Cross Fader
BPM Sync SW
Clip Loop SW
Assign Knob
Fade Time SW
Visual Knob
AB SW
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
In order to use V-LINK between the SP-555 and the motion
dive .tokyo Performance Package, you’ll need to make
connections using a MIDI cable (sold separately).
Connection example
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
As an example, we will use a setup in which the SP-555 is
connected to the motion dive .tokyo Performance Package.
Use a MIDI cable to connect the SP-555’s MIDI OUT
connector to the MIDI IN connector of the Edirol MD-P1.
Tap SW
Total Select
FX Select
Play Pos
To prevent malfunction or speaker damage, minimize the
volume on all your equipment and turn off the power before
you make connections.
Loop Start Pos
Loop End Pos
Layer Mode Sel
Playback Speed
Dissolve Time
T Bar
Color Cr
Brightness
VFX1
VFX2
MIDI OUT
MIDI IN
VFX3
VFX4
Output Fade
Edirol motion dive .tokyo
Performance Package
SP-555
* For details on how to change these functions, refer to “V-LINK
settings” (p. 53).
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About V-LINK
V-LINK settings
You can set or edit the following functions that are related to V-LINK. With the exception of the pad mode, make the setting and
then press [SAMPLING] to save the setting.
Function
Value (display indi-
cation)
Operation
Remarks
Pad mode
Clip/Palette
(“CLP”, “PLT”)
[V-LINK] + [EFFECT MEMORY]
Fixed at Clip at power-on.
V-LINK Ctrl
Ach
1 – 16
(“C. 1”–“C.16”)
Specifies the MIDI channel that will control section A of mo-
tion dive .tokyo. The factory setting is channel 4.
[CANCEL] + [V-LINK] ➜ Bank[A] ➜
CTRL 3 knob (can also change using
pad [1]–[16])
V-LINK Ctrl
Bch
1 – 16
(“C. 1”–“C.16”)
Specifies the MIDI channel that will control section B of motion
dive .tokyo. The factory setting is channel 10.
[CANCEL] + [V-LINK] ➜ Bank[B] ➜
CTRL 3 knob (can also change using
pad [1]–[16])
V-LINK Ctrl
Cch
1 – 16
(“C. 1”–“C.16”)
Specifies the MIDI channel that will control the MIDI Note
plug-in of motion dive .tokyo. The factory setting is channel 9.
[CANCEL] + [V-LINK] ➜ Bank[C/G]
➜ CTRL 3 knob (can also change us-
ing pad [1]–[16])
CTRL 1 Assign
(*1)
Off, 1 – 30
(“oFF”, “ 1”–“30”)
Assigns a V-LINK function to CTRL 1. The factory setting is 4
(Speed Knob).
[CANCEL] + [V-LINK] ➜ Sw below
CTRL 1 ➜ CTRL 3 knob
CTRL 2 Assign
(*1)
Off, 1 – 30
(“oFF”, “ 1”–“30”)
Assigns a V-LINK function to CTRL 2. The factory setting is 2
(ColorEQ Back).
[CANCEL] + [V-LINK] ➜ Sw below
CTRL 2 ➜ CTRL 3 knob
CTRL 3 Assign
(*1)
Off, 1 – 30
(“oFF”, “ 1”–“30”)
Assigns a V-LINK function to CTRL 3. The factory setting is 6
(Cross Fader).
[CANCEL] + [V-LINK] ➜ Sw below
CTRL 3 ➜ CTRL 3 knob
D Beam As-
sign (*1)
Off, 1 – 30
(“oFF”, “ 1”–“30”)
Assigns a V-LINK function to D Beam. The factory setting is 1
(ColorEQ Fore).
[CANCEL] + [V-LINK] ➜ [SYNTH]/
[FILTER]/[TRIGGER] ➜ CTRL 3 knob
Seq Ach Ctrl
Pad Bank
Off, Bank A – J
(“off”, “b. A”–“b. J”)
Of the pad information included in the pattern data, the infor-
mation of the specified bank will be used to control section A
of motion dive .tokyo. The factory setting is bank A.
[CANCEL] + [V-LINK] ➜ Bank[D/H]
➜ CTRL 3 knob
Seq Bch Ctrl
Pad Bank
Off, Bank A – J
(“off”, “b. A”–“b. J”)
Of the pad information included in the pattern data, the infor-
mation of the specified bank will be used to control section B
of motion dive .tokyo. The factory setting is bank B.
[CANCEL] + [V-LINK] ➜ Bank[E/I] ➜
CTRL 3 knob
Seq Cch Ctrl
Pad Bank
Off, Bank A – J
(“off”, “b. A”–“b. J”)
Of the pad information included in the pattern data, the infor-
mation of the specified bank will be used to control the MIDI
Note plug-in of motion dive .tokyo. The factory setting is bank
[CANCEL] + [V-LINK] ➜ Bank[F/J] ➜
CTRL 3 knob
V-LINK Sw
Mode
Standerd, MD-P1
(“Std”, “MdP”)
Specifies what will happen when V-LINK is turned on/off.
With the “Standard” setting, only a V-LINK On/Off message
will be transmitted. With the “MD-P1” setting, a Reset Ctrl Pa-
rameters message will be transmitted when V-LINK is turned
on, and a message that sets Total Fader to 0 will be transmit-
ted when V-LINK is turned off. The factory setting is MD-P1.
[CANCEL] + [V-LINK] ➜ [FIXEDVE-
LOCITY] ➜ CTRL 3 knob
Devices such as the Edirol PR-50/80 use only V-LINK Ctrl Ach.
*1 For details on the functions that can be controlled, refer to “Functions that you can control using CTRL 1–3 and D Beam” (p. 52).
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Appendix
Effect list
Effects that you can select by directly pressing a button
Type
SUPER FILTER
CTRL 1 function (display)
CUTOFF (CoF)
CTRL 2 function (display)
RESONANCE (rES) ✩
CTRL 3 function (display)
FILTER TYPE (LPF/HPF/bPF/ntF)
A filter with an extremely
steep slope (sharp attenua-
tion). (-36 dB/octave)
Adjusts the cutoff frequency.
Adjusts the amount of peak at the
cutoff frequency.
Selects the type of filter. LPF: Passes
the frequency region below the cut-
off. HPF: Passes the frequency re-
gion above the cutoff. BPF: Passes
the frequency region around the cut-
off. NTF: Passes the frequency re-
gions other than the region near the
cutoff.
VOICE TRANS
FORMANT (FrM)
EFFECT LEVEL (EFF)
DIRECT LEVEL (dir)
Processes a human voice to
create a variety of characters.
Adjusts the character (formant) of
the voice.
Adjusts the volume of the effect
sound.
Adjusts the volume of the direct
sound.
DELAY
DELAY TIME (t32–t1) *1
FEEDBACK (Fdb) ✩
BALANCE (bAL)
Repeats the sound.
Adjusts the interval of the repeats.
Adjusts the number of the repeats.
Adjusts the volume balance be-
tween the direct sound and effect
sound.
ISOLATOR
LOW (Lo) ✩
MID (Mid) ✩
HIGH (Hi) ✩
Isolates or removes the low,
mid, or high frequency rang-
es.
Isolates/removes the low-frequency
range.
Isolates/removes the mid-frequency
range.
Isolates/removes the high-frequen-
cy range.
DJFX LOOPER
LENGTH (LEn) ✩
SPEED (-1.0–1.0)
LOOP SW (oFF/on)
Loops a short portion of the in-
put sound. You can vary the
playback direction and play-
back speed of the input sound
to add turntable-type effects.
Specifies the length of the loop.
Specifies the playback direction
and playback speed. Turning the
knob to the left of 12 o’clock pro-
duces backward playback, and
turning the knob to the right of 12
o’clock produces forward play-
back. At 12 o’clock, the playback is
stopped.
If you turn this on while sound is
playing, the sound at that point will
be looped. Turn this off to cancel
the loop.
✩: The depth of these parameters will be limited if you turn on “Effect Limit mode” (p. 20).
*1: Delay time is specified as a note value relative to the tempo of the longest sample of the samples to which the effect is
being applied.
Note values that you can specify:
32nd note (t32) / 16th note (t16) / 8th note triplet (t8t) / dotted 16th note (t16.) / 8th note (t8) / quarter note triplet
(t4t) / dotted 8th note (t8.) / quarter note (t4) / half note triplet (t2t) / dotted quarter note (t4.) / half note (t2) / dotted
half note (t2.) / whole note (t1)
However, you can’t select a setting that would cause the delay time to exceed approximately 2000 milliseconds. If a
pattern is playing, the tempo of the pattern is used as the reference.
54
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Appendix
MFX bank A
Number
Type
CTRL 1 function (display)
CTRL 2 function (display)
CTRL 3 function (display)
1
FLANGER
DEPTH (dPt)
RATE (rAt)
FEEDBACK (Fdb)✩
Creates modulation reminis-
cent of a jet airplane taking
off and landing.
Adjusts the depth of modula-
tion.
Adjusts the speed of modula-
tion.
Adjusts the proportion of effect
sound that is returned to the in-
put.
2
3
4
PHASER
Creates modulation by add-
ing a phase-shifted sound.
WAH
Produces a wah effect.
DEPTH (dPt)✩
Adjusts the depth of modula-
tion.
PEAK (PEk)
Adjusts the width of frequencies
to which effect is applied.
RATE (rAt)
Adjusts the speed of modula-
tion.
RATE (rAt)
Adjust the speed of modulation.
MANUAL (MAn)
Adjusts the pitch of the effect
sound.
MANUAL (MAn)
Adjusts the pitch of the effect
sound.
TREMOLO/PAN
DEPTH (dPt)
RATE (rAt)
WAVEFORM (trM/PAn)
Cyclically varies the volume
or panning.
Adjusts the amount of change in
volume/panning.
Adjusts the speed of volume/
panning change.
Specifies the volume/panning
modulation curve. Turn knob to
left to vary the volume, or to the
right to vary the panning.
5
REVERB
REVERB TIME (tiM)
REVERB TYPE (rM1–HL2)
3 BALANCE (bAL)
Adds reverberation to the
sound.
Adjusts the reverb time.
Selects the type of reverb.
ROOM 1 (rM1):
Short, high-density reverber-
ation.
Adjusts the volume balance be-
tween the direct sound and ef-
fect sound.
ROOM2 (rM2):
Short, low-density reverbera-
tion.
STAGE1 (St1):
More late reverberation.
STAGE2 (St2):
More early reflections.
HALL1 (HL1):
Clear reverberation.
HALL2 (HL2):
Rich reverberation.
6
7
8
TAPE ECHO
Simulates a tape-type echo
unit of the past.
RATE (rAt)
Specifies the tape speed.
INTENSITY (int)✩
Specifies the amount of echo re-
peat.
BALANCE (bAL)
Adjusts the volume balance be-
tween the direct sound and ef-
fect sound.
CHORUS
Adds spaciousness and rich-
ness to the sound.
DEPTH (dPt)
Adjusts the depth of modula-
tion.
RATE (rAt)
Adjusts the rate of modulation.
BALANCE (bAL)
Adjusts the volume balance be-
tween the direct sound and ef-
fect sound.
FILTER+DRIVE
CUTOFF (CoF)
RESONANCE (rES)✩
DRIVE (drV)✩
A low-pass filter with over-
drive. It cuts the high frequen-
cies and adds distortion.
Adjusts the frequency that will
be cut.
Adjusts peak frequency re-
sponse at the cutoff frequency.
Adds distortion.
9
DISTORTION
DRIVE (drV)✩
TONE (ton)✩
LEVEL (LEV)✩
Intensely distorts the sound.
OVERDRIVE
Mildly distorts the sound.
FUZZ
Adjusts the degree of distortion.
DRIVE (drV)✩
Adjusts the degree of distortion.
DRIVE (drV)✩
Adjusts the tone.
TONE (ton)✩
Adjusts the tone.
TONE (ton)✩
Adjusts the volume.
LEVEL (LEV)✩
Adjusts the volume.
LEVEL (LEV)✩
10
11
Adds overtones and intense-
ly distorts the sound.
Adjusts the degree of distortion.
Adjusts the tone.
Adjusts the volume.
12
OCTAVE
-2OCT LEVEL (oC2)
-1OCT LEVEL (oC1)
DIRECT LEVEL (dir)
Adds a pitch at lower oc-
taves.
Adds a pitch two octaves be-
low.
Adds a pitch one octave below.
Adjusts the volume of the direct
sound.
55
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Appendix
Number
13
Type
SLICER+FLG
CTRL 1 function (display)
TIMING PTN (P01–P16) (*1)
CTRL 2 function (display)
RATE (t32–t1) (*2)
CTRL 3 function (display)
FEEDBACK (Fdb)✩
Repeatedly cuts the sound. A
flanger is added.
The timing at which the sound is
cut.
Adjusts the length of TIMING
PTN.
Adjusts the flanger depth.
14
15
16
RING MOD
Gives the sound a metallic
character.
FREQUENCY (Frq)✩
Adjusts the pitch of the metallic
sound.
SENS (SEn)✩
Adjusts the depth to which the
frequency is modulated.
BALANCE (bAL)
Adjusts the volume balance be-
tween the direct sound and ef-
fect sound.
PITCH
Changes the pitch.
PITCH (Pit)
Adjusts the amount of pitch
change.
FEEDBACK (Fdb)✩
Adjusts the amount of pitch-shift-
ed sound that is fed back.
BALANCE (bAL)
Adjusts the volume balance be-
tween the direct sound and ef-
fect sound.
CHROMATIC PS
PITCH1 (- C– CC)
PITCH2 (- C– CC)
BALANCE (bAL)
A two-voice pitch shifter that
changes the pitch in semi-
tone steps.
Changes pitch 1 in semitone
steps over a +/-1 octave range.
Changes pitch 2 in semitone
steps over a +/-1 octave range.
Adjusts the volume balance be-
tween the direct sound and ef-
fect sound.
✩: The depth of these parameters will be limited if you turn on “Effect Limit mode” (p. 20).
For FLANGER and PHASER, you can use [MFX] + CTRL 1 knob to adjust the volume balance between the direct sound and effect sound.
*
*1: You can select the following patterns by turning the CTRL knob.
P01
P09
P10
P11
P12
P13
P14
P15
P16
P02
P03
P04
P05
P06
P07
P08
The TIMING PTN interval will synchronize to the tempo of the longest sample of the samples to which the effect is being applied. However,
if a pattern is playing, the interval will synchronize to the tempo of the pattern.
You can use RATE to adjust the synchronization speed as follows.
RATE maximum (turn the CTRL 2 knob all the way to the right): One cycle of TIMING PTN corresponds to one measure.
RATE minimum (turn the CTRL 2 knob all the way to the left): One cycle of TIMING PTN corresponds to a 32nd note.
By turning the CTRL 2 knob you can change this to any value from a 32nd note up to one measure.
*2: RATE is specified as a note value relative to the tempo of the longest sample of the samples to which the effect is being applied.
Note values that you can specify:
32nd note (t32) / 16th note (t16) / 8th note triplet (t8t) / dotted 16th note (t16.) / 8th note (t8) / quarter note triplet (t4t) / dotted 8th
note (t8.) / quarter note (t4) / half note triplet (t2t) / dotted quarter note (t4.) / half note (t2) / dotted half note (t2.) / whole note (t1)
If a pattern is playing, the tempo of the pattern is used as the reference. If a pattern is playing, or if “Effect tempo mode” (p. 20) is set
to synchronize to the tempo of the pattern sequencer, the tempo of the pattern is used as the reference.
56
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Appendix
MFX bank B
Number
Type
CTRL 1 function (display)
CTRL 2 function (display)
CTRL 3 function (display)
1
COMP
SUSTAIN (SUS)
ATTACK (Atk/rEL)✩
LEVEL (LEV)✩
Makes the sound more con-
sistent.
Adjusts the depth of the com-
pressor.
Adjusts the attack. If Limit mode
is on (rEL), this adjusts the re-
lease.
Adjusts the volume.
2
3
EQUALIZER
Adjusts the volume of each
frequency region.
LOW (Lo )✩
Adjusts the low-frequency vol-
ume.
MID (Mid)✩
Adjusts the mid-frequency vol-
ume.
HIGH (Hi )✩
Adjusts the high-frequency vol-
ume.
C.CANCELER
L-R BALANCE (L-r)
LOW BOOST (Lo )
HIGH BOOST (Hi )
Cancels the vocal or other
sound located in the center.
Adjusts the point at which maxi-
mum cancellation occurs.
Boosts the low-frequency
sounds located in the center,
such as the bass.
Boosts the high-frequency
sounds.
4
5
6
SUBSONIC
PITCH (Pit)
Adjusts the frequency of the sine
wave.
THRESHOLD (tHr)
Adjusts the volume at which the
sine wave will begin sounding.
BALANCE (bAL)
Adds a low-frequency sine
wave based on the volume
being input to the effect (*2).
Adjusts the volume balance be-
tween the direct sound and ef-
fect sound.
LO-FI COMP
LO-FI TYPE (tyP)
Adjusts the audio degradation.
PRE FILTER TYPE (FLt)✩
BALANCE (bAL)
Degrades the audio quality.
A compressor is also provid-
ed.
Selects the type of filter located
before the input to the Lo-Fi ef-
fect.
Adjusts the volume balance be-
tween the direct sound and ef-
fect sound.
NOISE GEN
WHITE NOISE (WHt)
DISC NOISE (diS)
HUM NOISE (HUM)
Applies a lo-fi effect, and
also adds noises such as
white noise and record
noise.
Adjusts the volume of the “hiss”
noise.
Adjusts the volume of the “pop”
noise.
Adjusts the volume of the “hum”
noise.
7
RADIO TUNING
DETUNE (tUn)
NOISE LEVEL (noS)
BALANCE (bAL)
Simulates sound heard from
a radio.
Adjusts the tuning drift of the ra-
dio.
Adjusts the volume of noise.
Adjusts the volume balance be-
tween the direct sound and ef-
fect sound.
8
VINYL SIM
FREQUENCY RANGE (rnG)
NOISE LEVEL (noS)
WOW/FLUTTER (FLU)
Simulates sound heard from
an analog record.
Adjusts the frequency response
of the playback system.
Adjusts the volume of noise.
Adjusts the rotational instability
of the analog record.
9
DIST+PAN
DRIVE (drV)
TONE (ton)
PAN (PAn)
Monaural distortion, with ad-
justable panning.
Adjusts the degree of distortion.
Adjusts the panning.
Adjusts the panning.
10
11
12
13
OD+PAN
Monaural overdrive, with ad-
justable panning.
AMP SIM
Simulates a guitar amp.
DRIVE (drV)
Adjusts the degree of distortion.
TONE (ton)
Adjusts the tonal character.
PAN (PAn)
Adjusts the panning.
AMP TYPE (JC –FUZ)
Selects the type of amp (*3).
VOLUME (VoL)
Adjusts the amp volume and de-
gree of distortion.
BIT (bit)✩
Adjusts the bit depth.
SPEAKER TYPE (SL1–3St)
Selects the type of speaker (*4).
BIT CRASH
Produces an extreme lo-fi ef-
fect.
SAMPLE RATE (rAt)
Adjusts the sample rate.
FILTER (FLt)
Adjusts the filter depth.
STEP FILTER
STEP PTN (P01–P16)
RATE (t32–t1)*1
RESONANCE (rES)✩
A filter that varies the cutoff
frequency in a stepwise man-
ner.
Selects the pattern in which the
cutoff frequency will change.*6
Adjusts the length of the STEP
PTN.
Adjusts peak frequency re-
sponse at the cutoff frequency.
14
STEP RING MOD
STEP PTN (P01–P16)✩
RATE (t32–t1)*1
BALANCE (bAL)
A ring modulator that varies
the modulated frequency in a
stepwise manner.
Selects the pattern in which the
modulated frequency will
change.*6
Adjusts the length of the STEP
PTN.
Adjusts the volume balance be-
tween the direct sound and ef-
fect sound.
57
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Appendix
Number
15
Type
BPM LOOPER
CTRL 1 function (display)
LENGTH (LEn)✩
CTRL 2 function (display)
TIMING (oFF,1–8)
CTRL 3 function (display)
LOOP SW (oFF/on)
Loops the input sound over a
short period.
Adjusts the length of the loop.
looped sound will automatically
start sounding (in 8th note inter-
vals) (*5). Set this to “oFF” if
you don’t want the loop to play
automatically.
If you turn this on while the
sound is heard, the sound at
that point will be looped. Turn
this off to defeat looping.
16
REVERSE
DELAY TIME (t32–t1)*1
FEEDBACK (Fdb)✩
Adds a delayed and re-
versed version of the input
sound.
Adjusts the length of time that
the reversed sound will be re-
peated.
Adjusts the number of times that
the reversed sound will be re-
peated.
Adjusts the volume balance be-
tween the direct sound and ef-
fect sound.
✩ : The depth of these parameters will be limited if you turn on “Effect Limit mode” (p. 20).
*1: RATE is specified as a note value relative to the tempo of the longest sample of the samples to which the effect is being applied.
Note values that you can specify:
32nd note (t32) / 16th note (t16) / 8th note triplet (t8t) / dotted 16th note (t16.) / 8th note (t8) / quarter note triplet (t4t) / dotted 8th
note (t8.) / quarter note (t4) / half note triplet (t2t) / dotted quarter note (t4.) / half note (t2) / dotted half note (t2.) / whole note (t1)
If a pattern is playing, the tempo of the pattern is used as the reference. If a pattern is playing or if “Effect tempo mode” (p. 20) has
been set to synchronize to the tempo of the pattern sequencer, the tempo of the pattern is also used as the reference.
*2: Turn the CTRL 3 balance toward 12 o’clock, turn the CTRL 1 pitch all the way to the right, and use CTRL 2 to adjust the threshold so that the
sine wave is sounded appropriately according to the input source. When you’ve finished setting the threshold, adjust the pitch and balance.
This is a convenient way to supplement the kick drum.
*3: JC-120( JC)/ CLEAN TWIN(CLn)/ MATCH DRIVE(Mdr)/ BG LEAD( bG)/ MS1959(I MS1)/ MS1959II(MS2)/ MS1959I+II(MS3)/ SLDN
LEAD(SLd)/ METAL 5150(Mt1)/ METAL LEAD(Mt2)/ OD-1(od1)/ OD2 TURBO(od2)/ DISTORTION(dSt)/ FUZZ(FUZ)
*4: SMALL1(SL1)/ SAMLL2(SL2)/ MIDDLE(MID)/ JC-120( JC)/ BUILT IN1(bL1)/ BUILT IN2(bL2)/ BUILT IN3(bL3)/ BUILT IN4(bL4)/ BUILT
IN5(bL5)/ BG STACK1(bG1)/ BG STACK2(bG2)/ MS STACK1(MS1)/ MS STACK2(MS2)/ METAL STACK(MtL)/ 2STACK(2St)/
3STACK(3St)
*5: The TIMING cycle will synchronize to the tempo of the longest sample to which the effect is being applied. However, if a pattern is playing,
it will synchronize to the tempo of the pattern.
*6: The pattern cycle will synchronize to the tempo of the longest sample to which the effect is being applied. However, if a pattern is playing,
it will synchronize to the tempo of the pattern.
You can use RATE to adjust the synchronization speed as follows.
RATE maximum (turn the CTRL 2 knob all the way to the right): One cycle of TIMING PTN corresponds to one measure.
RATE minimum (turn the CTRL 2 knob all the way to the left): One cycle of TIMING PTN corresponds to a 32nd note.
By turning the CTRL 2 knob you can change this to any value from a 32nd note up to one measure.
58
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Appendix
Quick reference of operations
Sampling operations
To accomplish this
Do this
Play a sample
Pad [1]–[16]
Play the external input sound
Set the volume of the external input
Record a sample
[MIC] /[LINE IN]
MIC LEVEL knob / LINE IN LEVEL knob
[SAMPLING]➜ Pad [1]–[16]➜ [SAMPLING] (press [SAMPLING] to stop sampling)
[CANCEL] + [SAMPLING]➜ CTRL3 knob ➜ [SAMPLING]
Make auto sampling settings
Cancel auto sampling
Set the BPM for sampling
[CANCEL] + [SAMPLING]➜ set CTRL3 knob to Min ➜ [SAMPLING]
In sampling standby mode, [TIME/BPM]➜ CTRL2 knob➜ [TIME/BPM]
➜ Sampling standby
Sample with a count-in
Resampling
In sampling standby mode [START/END/LEVEL]➜ [SAMPLING]
[RESAMPLE]➜ CTRL3 knob ➜ [SAMPLING]➜ Pad [1]–[16] ➜ [SAMPLING]
➜ Pad [1]–[16] (press [SAMPLING] to stop resampling)
Set the volume of a sample
Pad [1]–[16]➜ [START/END/LEVEL]
➜ CTRL3 knob (press [START/END/LEVEL] to end the setting)
Set the start/end points
Set only the start point
Set only the end point
Adjust the start/end point
Cancel the specified start/end points
Truncate
Pad [1]–[16]➜ [MARK]➜ [MARK]
Pad [1]–[16]➜ [MARK]➜ Pad [1]–[16] (same pad as initial one)
[MARK] + Pad [1]–[16]➜ [MARK]
Pad [1]–[16]➜ [START/END/LEVEL] ➜ CTRL1 knob (Start) / CTRL2 knob (End)
(with [MARK] lit) Pad [1]–[16]➜ (during playback) [MARK]
Pad [1]–[16]➜ [DEL]➜ [MARK]➜ [DEL]
Specify a sample’s BPM
Time Modify setting
Pad [1]–[16]➜ [TIME/BPM]➜ CTRL2 knob ( [TIME/BPM] ends the setting)
Pad [1]–[16]➜ [TIME/BPM]➜ CTRL1 knob ( [TIME/BPM] ends the setting)
Exchange samples between pads
[DEL] + [SAMPLING]➜ Specify the exchange-source pad ➜ Specify the exchange-destina-
tion pad ➜ [SAMPLING]
Copy samples between pads
[DEL] + [RESAMPLE]➜ specify the copy-source pad ➜ specify the copy-destination pad
➜ [SAMPLING]
Delete an individual sample
Delete all samples
[DEL]➜ Pad [1]–[16]➜ [DEL]
[CANCEL] + [DEL]➜ Bank [A]–[B] (internal)/[C/G]–[F/J] (card)➜ [DEL]
View remaining sampling time
View current pad
[REMAIN]
[REMAIN]
Stop all sounding samples
Rapidly press [CANCEL] four times
Effect operations
To accomplish this
Do this
Select MFX type (1)
Select MFX type (2)
Effect grab
Specify effect send for a sample
Effect send for Mic or Line In
[MFX] + CTRL3 knob
While holding down [MFX], Bank [A]/[B]➜ Pad [1]–[16]
[EFFECT ASSIGN] + effect button
[EFFECT ASSIGN] + Pad [1]–[16]
[EFFECT ASSIGN] + [MIC]/[LINE IN]
59
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Appendix
To accomplish this
Do this
Specify effect send for USB
Specify effect send for D Beam Synth
Effect send for current bank
Effect send for all samples
Effect assign mode
Check the previous effect
Set the parameters of the effect to use next
Effect limit mode
[EFFECT ASSIGN] + [CANCEL] + [MIC]/[LINE IN]
[EFFECT ASSIGN] + [SYNTH]
[EFFECT ASSIGN] + Pad [1] + [16]/ Pad [4] + [13]
[EFFECT ASSIGN] + [SUB PAD]
[EFFECT ASSIGN] + [REMAIN]
[EFFECT ASSIGN]
[REMAIN] + CTRL1 knob / CTRL2 knob / CTRL3 knob
[CANCEL] + [MFX]
Effect knob control
[CANCEL] + [SUPER FILTER]
Reset an effect’s tempo synchronization to the tempo of
the synthesizer
[EFFECT ASSIGN] + [TAP TEMPO]
Effect tempo mode
[EFFECT ASSIGN] + [PATTERN SELECT]
Call up an Effect Memory
Store an Effect Memory
[EFFECT MEMORY]➜ Pad [1]–[16]
[EFFECT MEMORY]➜ [SAMPLING]➜ Pad [1]–[16]➜ [SAMPLING]
[EFFECT MEMORY]➜ [REMAIN] + Pad [1]–[16]
Check the content of an Effect Memory
Loop Capture operations
To accomplish this
Do this
Record Loop Capture
Play back Loop Capture
Overdub Loop Capture
Specify the Loop Capture volume
Delete a Loop Capture recording (1)
Delete a Loop Capture recording (2)
Sample a Loop Capture to a pad
[REC] ( [REC] to stop recording, and [PLAY] to move to playback)
(with a loop recorded) [PLAY] ( [PLAY] to stop)
(with a loop recorded) [REC] ( [REC] to play back, [PLAY] to stop)
[PLAY]➜ [START/END/LEVEL]➜ CTRL3 knob ( [START/END/LEVEL] to end settings)
[DEL]➜ [PLAY]➜ [DEL]
[EFFECT ASSIGN] + [REC]
[SAVE TO PAD]➜ Pad [1]–[16]➜ [SAVE TO PAD]
Pattern operations
To accomplish this
Do this
Play a pattern
[PATTERN SELECT]➜ Pad [1]–[16]
During playback, select the pattern to play next
During playback, switch the pattern immediately
Stop the pattern (1)
During pattern playback Pad [1]–[16]
During pattern playback [SUB PAD] + Pad [1]–[16]
[CANCEL]
Stop the pattern (2)
[PATTERN SELECT]➜ Pad [1]–[16] (the pad of the currently playing pattern)
[PATTERN SELECT]➜ [TIME/BPM]➜ CTRL2 knob ( [TIME/BPM] ends the setting)
[TAP TEMPO] + CTRL2 knob
Press [TAP TEMPO] four or more times (display will temporarily show the pattern tempo)
[TAP TEMPO] + Pad [1]–[16] (BPM of that pad’s sample is assigned)
Sequencer tempo setting (1)
Sequencer tempo setting (2)
Sequencer tempo setting (tap tempo)
Sequencer tempo setting (copy tempo from pad)
Record a pattern
[PATTERN SELECT]➜ [SAMPLING]➜ Pad [1]–[16]➜ [SAMPLING]
( [CANCEL] to stop recording)
Quantize setting
During pattern recording standby / during recording [QUANTIZE]➜ CTRL3 knob
( [QUANTIZE] ends the setting)
Specify the length of the pattern
Metronome on/off
During pattern recording standby [LENGTH]➜ CTRL3 knob ( [LENGTH] ends the setting)
[METRONOME]
Specify metronome volume
[METRONOME] + CTRL3 knob
60
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Appendix
To accomplish this
Do this
Rehearse pattern recording
Delete playback data
While recording a pattern [SAMPLING]
While recording a pattern [DEL]➜ Pad [1]–[16]/[HOLD] (delete performances of all pads)
Exchange patterns between pads
[PATTERN SELECT]➜ [DEL] + [SAMPLING]➜ specify exchange-source pad
➜ specify exchange-destination pad ➜ [SAMPLING]
Copy patterns between pads
[PATTERN SELECT]➜ [DEL] + [RESAMPLE]➜ specify copy-source pad
➜ specify copy-destination pad ➜ [SAMPLING]
Delete an individual pattern
Delete all patterns
[PATTERN SELECT]➜ [DEL]➜ Pad [1]–[16]➜ [DEL]
[PATTERN SELECT]➜ [CANCEL] + [DEL]➜ Bank [A]–[B] (internal) /[C/G]–[F/J] (card)
➜ [DEL]
Play/stop patterns in sync with external sequencer
(when MIDI synchronization mode is Auto Sync)
[PATTERN SELECT]➜ [HOLD] + Pad [1]–[16]➜ (start/stop the external sequencer)
D-Beam controller operations
To accomplish this
Do this
D Beam Synth settings
[SYNTH] + Pad [1]–[8] (select a sound)
[SYNTH] + Pad [9]–[16] (select the Delay)
[SYNTH] + CTRL1 knob (specify the Key Shift)
[SYNTH] + CTRL2 knob (specify the Scale)
[SYNTH] + CTRL3 knob (specify the Level)
D Beam Filter settings
[FILTER] + Pad [1]/[5]/[7]/[13] (LPF)
[FILTER] + Pad [2]/[6]/[10]/[14] (HPF)
[FILTER] + Pad [3]/[7]/[11]/[15] (BPF)
[FILTER] + Pad [4] (NOTCH)
D Beam Trigger settings
D Beam Sens setting
[TRIGGER] + Pad [1]–[16] (select a pad)
[TRIGGER] + CTRL3 knob (specify the Velocity)
[CANCEL] + [SYNTH]/[FILTER]/[TRIGGER]➜ CTRL3 knob ➜ [SAMPLING]
System settings
To accomplish this
Do this
Specify the blinking speed of the display illumination
Specify the MIDI channel
MIDI Thru setting
[TAP TEMPO] + Power On ➜ CTRL3 knob ➜ [SAMPLING]
[PATTERN SELECT] + Power On ➜ Bank [A]➜ CTRL3 knob ➜ [SAMPLING]
[PATTERN SELECT] + Power On ➜ Bank [B]➜ CTRL3 knob ➜ [SAMPLING]
[TIME/BPM] + Power On ➜ Bank [A]➜ CTRL3 knob ➜ [SAMPLING]
[TIME/BPM] + Power On ➜ Bank [B]➜ CTRL3 knob ➜ [SAMPLING]
[TIME/BPM] + Power On ➜ Bank [C]➜ CTRL3 knob ➜ [SAMPLING]
[CANCEL] + [DEL] + [REMAIN] + Power On ➜ [SAMPLING]
MIDI synchronization mode setting
MIDI synchronization source setting
Tx MIDI Sync setting
Initialize internal memory
Disable protect
Bank A–J protect
[REMAIN] + Power On
Bank A protect
[REMAIN] + Bank [A] + Power On
Check the version number
Set the internal processing level
Roll Resolution setting
[MARK] + Power On
[CANCEL] + [START/END/LEVEL] + CTRL3 knob
[ROLL] + CTRL3 knob
Pad Velocity setting
[FIXED VELOCITY] + CTRL3 knob
Pad Sens setting
[CANCEL] + [FIXED VELOCITY]➜ CTRL3 knob ➜ [SAMPLING]
Pedal Assign setting
[CANCEL] + Pedal ➜ CTRL3 knob➜ [SAMPLING] (for details on each setting, refer to
“About the pedal” (p. 68))
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Appendix
CompactFlash card operations
To accomplish this
Format a CompactFlash card
Import an audio file
Export an audio file
Settings for exported audio files
Backup save
Do this
[CANCEL] + [REMAIN]➜ Bank [C/G]–[F/J]➜ [DEL]
[CANCEL] + [RESAMPLE]➜ [SAMPLING]➜ Pad [1]–[16]➜ [SAMPLING]
[CANCEL] + [RESAMPLE]➜ [RESAMPLE]➜ Pad [1]–[16]➜ [SAMPLING]
[RESAMPLE] + Power On ➜ CTRL3 knob➜ [SAMPLING]
[CANCEL] + Bank [C/G]–[F/J]➜ Pad [1]–[16] (specify the area)➜ [SAMPLING]
[CANCEL] + Bank [A]–[B]➜ Pad [1]–[16] (specify the area)➜ [SAMPLING]
[DEL] + Bank [C/G]–[F/J]➜ Pad [1]–[16] (specify the area) ➜ [DEL]
Backup load
Backup delete
USB MIDI/audio interface operations
To accomplish this
Do this
USB Audio Input Sw setting
USB Audio Output Source setting
Hold down [CANCEL], and [MIC]➜ CTRL3 knob
Hold down [CANCEL], and [LINE IN]➜ CTRL3 knob
V-LINK operations
To accomplish this
Do this
Turn V-LINK On/Off
[V-LINK]
Switch clips or palettes
Switch the pad mode (Clip/Palette)
Switch between V-LINK Ctrl Ach/Bch/Cch
Reset the image
Pad [1]–[16]
[V-LINK] + [EFFECT MEMORY]
[V-LINK] + Bank [A]–[C/G]
[V-LINK] + [FIXED VELOCITY]
V-LINK settings
[CANCEL] + [V-LINK] (➜for details on settings, refer to “About V-LINK” (p. 52))
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Appendix
Parameters that can change the start-up state
Parameter
Range (display indication)
Panel operation
Remarks
Fixed Velocity
16–127
(“ 16”–“127”)
[FIXED VELOCITY] + CTRL 3 knob
Specifies the velocity value when FIXED VELOCITY (p.
16) is on. After making the setting, press [FIXED VE-
LOCITY] + [SAMPLING] to save it.
Pad Sens
Light, Midium, Heavy
(“-L-”, “-M-”, “-H-”)
Specifies the pad sensitivity (p. 16). After making the
setting, press [SAMPLING] to save it.
[CANCEL] + [FIXED VELOCITY]
➜ CTRL 3 knob
Roll Resolution
quarter note, quarter note triplet,
8th note, eighth note triplet, 16th
note, 16th note triplet, 32nd note,
32nd note triplet
(“ 4 “, “4.3”, “ 8 “, “8.3”, “16
“, “16.3”, “32 “, “32.3”)
[ROLL] + CTRL 3 knob
Specifies the roll speed when ROLL (p. 16) is on. After
making the setting, press [ROLL] + [SAMPLING] to save
it.
Effect Tempo
Mode
Standerd, Sequencer
(“Std”, “SEq”)
[CANCEL] + [TAP TEMPO]
➜ CTRL 3 knob
Specifies whether the tempo of the effect will follow the
pad or pattern sequencer (Standard) or will always fol-
low the pattern sequencer (Sequencer) (p. 20). After
making the setting, press [SAMPLING] to save it.
Effect Assign
Mode
Auto, Manual
(“AUt”, “MAn”)
Specifies whether a pad’s EFFECT ASSIGN will auto-
matically switch to follow the current pad (Auto), or is
changed only by [EFFECT ASSIGN] + Pad (Manual).
After making the setting, press [SAMPLING] to save it.
[CANCEL] + [EFFECT ASSIGN]
➜ CTRL 3 knob
MIDI ch
1–15
(“C. 1”–“C.15”)
Specifies the MIDI transmit/receive channel (p. 71). Af-
ter making the setting, press [SAMPLING] to save it.
[PATTERN SELECT] + Power On
➜ Bank [A] ➜ CTRL 3 knob
MIDI Through
Sync Mode
Sync Source
Off/On
After making the setting, press [SAMPLING] to save it.
[PATTERN SELECT] + Power On
➜ Bank [B] ➜ CTRL 3 knob
[TIME/BPM] + Power On
➜ Bank [A] ➜ CTRL 3 knob
[TIME/BPM] + Power On
➜ Bank [B] ➜ CTRL 3 knob
(“oFF”/“ on”)
Auto Sync, Tempo Sync, Off
(“AUt”, “tmP”, “oFF”)
Specifies the MIDI synchronization mode (p. 69). After
making the setting, press [SAMPLING] to save it.
MIDI, USB
(“Mid”, “USb”)
Specifies whether the SP-555 will synchronize to the
MIDI clock from the MIDI connector (MIDI), or the MIDI
clock from USB MIDI (USB). After making the setting,
press [SAMPLING] to save it.
Tx MIDI Sync
D Beam Sens
Off/On
[TIME/BPM] + Power On
Turns MIDI clock transmission on/off. After making the
setting, press [SAMPLING] to save it.
(“oFF”, “ on”)
➜ Bank [C] ➜ CTRL 3 knob
0–127
(“ 0”–“127”)
[CANCEL] + [SYNTH]/[FILETR]/
[TRIGGER] ➜ CTRL 3 knob
Adjusts the sensitivity of the D Beam controller. After
making the setting, press [SAMPLING] to save it.
V-LINK Ctrl
Ach
1–16
(“C. 1”–“C.16”)
[CANCEL] + [V-LINK]
➜ Bank [A] ➜ CTRL 3 knob
This can also be changed by Pad [1]–[16]. After mak-
ing the setting, press [SAMPLING] to save it.
V-LINK Ctrl
Bch
1–16
(“C. 1”–“C.16”)
[CANCEL] + [V-LINK]
➜ Bank [B] ➜ CTRL 3 knob
This can also be changed by Pad [1]–[16]. After mak-
ing the setting, press [SAMPLING] to save it.
V-LINK Ctrl
Cch
1–16
(“C. 1”–“C.16”)
[CANCEL] + [V-LINK]
➜ Bank [C/G] ➜ CTRL 3 knob
This can also be changed by Pad [1]–[16]. After mak-
ing the setting, press [SAMPLING] to save it.
V-LINK Sw
Mode
Standerd, MD-P1
(“Std”, “MdP”)
[CANCEL] + [V-LINK]
➜ [FIXED VELOCITY]
➜ CTRL 3 knob
Specifies what will happen when V-LINK is switched
on/off. With the Standard setting, only the V-LINK On/
Off message is sent. Set this to MD-P1 when using the
“MD-P1.” After making the setting, press [SAMPLING]
to save it.
CTRL 1 Assign
CTRL 2 Assign
CTRL 3 Assign
Off, 1–30
[CANCEL] + [V-LINK]
➜ Sw bellow CTRL 1
➜ CTRL 3 knob
[CANCEL] + [V-LINK]
➜ Sw below CTRL 2
➜ CTRL 3 knob
[CANCEL] + [V-LINK]
➜ Sw below CTRL 3
➜ CTRL 3 knob
After making the setting, press [SAMPLING] to save it.
After making the setting, press [SAMPLING] to save it.
After making the setting, press [SAMPLING] to save it.
(“oFF”, “ 1”–“ 30”)
Off, 1–30
(“oFF”, “ 1”–“ 30”)
Off, 1–30
(“oFF”, “ 1”–“ 30”)
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Appendix
Parameter
Range (display indication)
Panel operation
Remarks
D Beam As-
sign
Off, 1–30
(“oFF”, “ 1”–“ 30”)
[CANCEL] + [V-LINK]
➜ [SYNTH]/[FILTER]/[TRIGGER]
➜ CTRL 3 knob
After making the setting, press [SAMPLING] to save it.
Seq Ach Ctrl
Pad Bank
Off, Bank A–J
[CANCEL] + [V-LINK]
After making the setting, press [SAMPLING] to save it.
After making the setting, press [SAMPLING] to save it.
After making the setting, press [SAMPLING] to save it.
(“off”, “b. A”–“b. J”)
➜ Bank [D/H] ➜ CTRL 3 knob
Seq Bch Ctrl
Pad Bank
Off, Bank A–J
(“off”, “b. A”–“b. J”)
[CANCEL] + [V-LINK]
➜ Bank [E/I] ➜ CTRL 3 knob
[CANCEL] + [V-LINK]
➜ Bank [F/J] ➜ CTRL 3 knob
[TAP TEMPO] + Power On
➜ CTRL 3 knob
Seq Cch Ctrl
Pad Bank
Off, Bank A–J
(“off”, “b. A”–“b. J”)
Blinking
Off, 1–9, Pattern
(“off”, “ 1”–“ 9”, “Ptn”)
speed of the
display illumi-
nation
Sample Ex-
port Type
WAV, AIFF
(“WAV”, “AIF”)
[RESAMPLING] + Power On
➜ CTRL 3 knob
Select the format for sample export. After making the
setting, press [SAMPLING] to save it.
Pedal Assign
Loop Capture Play/Overdub,
Loop Capture Play/Stop, Seq
Start/Stop, Fixed Velocity, Effect
On/Off
(“LC.1”, “LC.2”, “SEq”, “VEL”,
“EF.S”)
[CANCEL] + press the pedal
➜ CTRL 3 knob
After making the setting, press [SAMPLING] to save it.
For details on each setting, refer to “About the pedal”
(p. 68).
Error message list
Message
Explanation
EJC(Eject)
Processing is not possible because the memory card was removed.* Don’t remove the card while the pow-
er is on.
EMP(Empty)
There is no sample, pattern, or backup data to delete.
There is no backup data to load.
There is no WAV or AIFF to import.
There is no data to export as WAV or AIFF.
Err(Error)
Invalid data was found in internal memory, and it was repaired or deleted.
FUL(Memory Full)
Prt(Protected)
Processing could not be performed because of insufficient memory.
Processing could not be performed because Protect is enabled.
UnS(Unsupported format)
Processing was halted because the WAV or AIFF was in a format not supported by the SP-555.
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Appendix
Troubleshooting
This section lists some items to check and actions to take if
you experience problems. Refer to the section appropriate
for your situation.
No sound or insufficient volume from
equipment connected to LINE IN
Is [LINE IN] lit?
To play sounds from the line input, press [LINE IN] so it’s lit.
Could the external input level be lowered?
Turn the LINE IN LEVEL knob to adjust the level
appropriately. (p. 22)
No sound / Insufficient volume
Has the power to the SP-555 and your connected
equipment been turned on?
Could the volume of the device connected to LINE IN be
lowered?
Adjust the level appropriately.
Are the SP-555 and your external equipment connected
correctly?
Check the connections.
Is the audio cable connected correctly?
Check the connection.
Could an audio cable be broken?
Could the audio cable be broken?
Could you be using an audio cable that contains a built-in
resistor?
Use a connection cable that does not contain a built-in
resistor (such as one from the Roland PCS series).
Could you be using an audio cable that contains a built-in
resistor?
Use a connection cable that does not contain a built-in
resistor (such as the Roland PCS series).
Could the volume of the connected amp or mixer be turned
down?
Adjust the volume to an appropriate level.
No sound or insufficient volume from a
mic
Could the SP-555’s volume be lowered?
Adjust the volume to an appropriate level.
Is [MIC] lit?
Check whether you hear sound in your headphones.
If you hear sound in your headphones, the connection cable
may be broken, or there may be a problem with the
connected amp or mixer. Check the connections and the
connected equipment.
To play sound from the mic input, press [MIC] to make the
pad light.
Could the external input level be lowered?
Turn the MIC knob to adjust the level appropriately.
Is the mic cable connected correctly?
Check the connections.
If you’re using a CompactFlash card, is the card inserted
correctly?
Check the CompactFlash card.
Could the mic cable be broken?
The sample will play when you press a lit pad. No sample is
assigned to a pad that is unlit.
The mic picks up noise
The MIC volume can’t be turned down to zero
Could the sample level be lowered?
If you’re not using the mic, turn [MIC] off.
Adjust the level of the sample. (p. 28)
Could the effect level be lowered?
For some effect types, the level can be adjusted by a control
knob. For details on effect types and the control knob
assignments, refer to “Effect list” (p. 54).
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Appendix
Can’t sample
Sound is distorted when you save a Loop
Capture phrase
Could there be insufficient memory?
If there is insufficient memory, the display will indicate “FUL”
(Memory Full) when you attempt to sample. Delete unneeded
samples to increase the amount of free memory. (p. 23)
Did you save at an appropriate level?
When you overdub repeatedly, the phrase level may
increase, causing distortion when you save it to a pad.
Adjust the level when saving the sound to a pad. (p. 27)
Is the CompactFlash card inserted correctly?
If you’re sampling to sample banks C–J, make sure that the
CompactFlash card is inserted correctly. (p. 45)
An inserted CompactFlash card is not
recognized, or its data cannot be
selected
Is the CompactFlash card formatted correctly?
Format the CompactFlash card using the SP-555. (p. 45)
Are samples assigned to all pads?
You can’t sample if there are no vacant pads. Delete
unwanted samples to free up some pads. (p. 23)
Check the CompactFlash card. (p. 45)
Could [PATTERN SELECT] be lit?
If [PATTERN SELECT] is lit, you’re recording patterns, and
will not be able to sample.
Is the CompactFlash card an appropriate type?
You can use CompactFlash cards with a capacity between
32 MB and 2 GB. Other cards cannot be used. (p. 44)
Press [PATTERN SELECT] so its light is turned off.
Is the CompactFlash card formatted correctly?
CompactFlash cards formatted by a device other than the SP-
555 cannot be used. Please format the CompactFlash card.
(p. 45)
Could [DEL] be lit or blinking?
If [DEL] is lit or blinking, you are deleting samples, and will
not be able to sample.
Excessive noise or distortion in the
sampled sound
Data is not saved correctly in the SP-
Is the input level appropriate?
It is possible that the power was turned off while data
was being written into internal memory (i.e., while the
dot was blinking in the display). The lost data cannot
be recovered.
In this case, it is possible that all data in internal memory has
been destroyed. Additional malfunctions may occur if you
attempt to continue using the SP-555. Please initialize the
internal memory. (p. 50).
The sampled sound will be distorted if the input level is too
high, and if the level is too low there will be excessive noise.
Adjust the level so that the PEAK indicator lights
occasionally.
Are the effect settings appropriate?
Some types of effect will make the level higher than the
original sample, or may distort the sound itself. Some effects
also emphasize the noise. Try turning the effect off, and
check whether the noise or distortion is present in the original
sample itself. Then adjust the effect settings appropriately.
* When you initialize the memory, all data in internal memory
will be lost.
Could you be playing more than one sample
simultaneously?
Even if the level of each sample is appropriate, playing
multiple samples simultaneously will raise the overall level
excessively, possibly causing distortion. Lower the level of
each sample to avoid distortion.
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Appendix
Data is not saved correctly in the
CompactFlash card
It is possible that the power was turned off while data
was being written into the CompactFlash card (i.e.,
while the dot was blinking in the display). The lost data
cannot be recovered.
In this case, it is possible that all data in the CompactFlash
card has been destroyed. Additional malfunctions may occur
if you attempt to continue using the card. Please format the
CompactFlash card. (p. 45).
will be lost.
Pattern sequencer does not synchronize
to an external MIDI device
Have you made the correct settings so that the pattern
sequencer can synchronize?
Check the settings. (p. 69)
Is the external MIDI device set to transmit MIDI clock
messages?
Some devices have a setting that turns MIDI clock
transmission on/off. Also, some external devices, such as
sequencers, transmit MIDI clock only during playback.
Does the tempo of the external MIDI device exceed the
tempo range to which the SP-555 is able to synchronize?
The SP-555 can synchronize to a tempo in the 40–200
range. It may be unable to synchronize to a tempo that is
outside this range.
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Appendix
About the pedal
If you connect a pedal switch (DP series; sold separately) to the rear panel PEDAL jack, you’ll be able to perform the following
operations by pressing the pedal.
Function
Action
Operation
REC/OVERDUB/PLAY
loop capture
Press the pedal to cycle through the choices,
which are: record➜ play➜ overdub➜ play.
Rapidly press the pedal twice to stop.
While holding down [CANCEL], press the pedal➜ turn the CTRL 3 knob
to get the display to indicate “LC.1.” Press [SAMPLING] to confirm.
PLAY/STOP loop cap-
ture
Press the pedal to cycle through the choices,
which are: play➜ stop➜ play.
While holding down [CANCEL], press the pedal➜ turn the CTRL 3 knob
to get the display to indicate “LC.2.” Press [SAMPLING] to confirm.
PLAY/STOP pattern se-
quencer
Press the pedal to cycle through the choices,
which are: play➜ stop➜ play.
While holding down [CANCEL], press the pedal➜ turn the CTRL 3 knob
to get the display to indicate “SEq.” Press [SAMPLING] to confirm.
Turn FIXED VELOCITY
on/off
Press the pedal to toggle between on/off for
FIXED VELOCITY.
While holding down [CANCEL], press the pedal➜ turn the CTRL 3 knob
to get the display to indicate “VEL.” Press [SAMPLING] to confirm.
Turn the effect on/off
Press the pedal to turn the effect on/off.
While holding down [CANCEL], press the pedal➜ turn the CTRL 3 knob
to get the display to indicate “EF.S.” Press [SAMPLING] to confirm.
Attaching the stand (sold separately)
1. Using the screws located on the bottom of the SP-555,
attach the stand holder of the PDS-10 pad stand (sold
separately) as shown in the illustration.
* You must use these screws. Using any other screws will cause
malfunctions.
When turning the unit upside-down, get a bunch of
newspapers or magazines, and place them under the four
corners or at both ends to prevent damage to the buttons and
controls. Also, you should try to orient the unit so no buttons or
controls get damaged.
When turning the unit upside-down, handle with care to avoid
dropping it, or allowing it to fall or tip over.
2. Attach the SP-555 to the PDS-10 pad stand.
For details on assembling the pad stand or attaching the
stand holder, refer to the owner’s manual of the pad
stand.
If you attach the SP-555 to the PDS-10, you must spread the
legs of the PDS-10 to their full extent. You must set up the stand
so that the total height including the SP-555 itself does not
exceed one meter.
This stand for use only with specific Roland musical
instruments. See apparatus instructions. Use with other
models is capable of resulting in instability causing possible
injury.
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Using the SP-555 with other MIDI equipment
Synchronizing the SP-555
with another MIDI device
MIDI stands for Musical Instrument Digital Interface, and is a
global standard that allows electronic musical instruments
and computers to exchange performance data. The SP-555
is compatible with MIDI, and provides two MIDI connectors,
MIDI IN and MIDI OUT. By connecting these connectors to
other MIDI devices you can create a wide range of setups.
1. While holding down [TIME/BPM], turn on the power.
2. Press bank [A].
The display will indicate “Mod,” and then the MIDI
synchronization mode will be displayed.
Synchronization will operate according to the MIDI
synchronization mode.
“MIDI Implementation” (p. 72) is a chart that provides an
easy way of checking which MIDI messages the SP-555 is
able to receive. By comparing the MIDI implementation charts
of the SP-555 and some other MIDI device, you can see which
messages are compatible between the two devices.
MIDI synchroni-
zation mode
Explanation
“Aut”
(Auto Sync)
When MIDI clock is received, the SP-555 will au-
tomatically synchronize its own tempo to it. If
MIDI start/stop/continue messages are received,
the pattern will start/stop playing.
* MIDI start/stop/continue will not be received
during pattern recording.
“tMp”
(Tempo Sync)
When MIDI clock is received, the SP-555 will au-
tomatically synchronize its own tempo to it. MIDI
start/stop/continue messages will not be re-
ceived.
* Select this mode of operation if you want to
play the SP-555’s patterns later at the desired
timing in synchronization with the perfor-
mance of your external MIDI sequencer, so
that the two performances do not begin at the
same time.
“oFF”
(Sync OFF)
MIDI clock and start/stop/continue messages
will not be received.
* Select this mode of operation if you only want
to play the SP-555’s samples using note mes-
sages sent by your external MIDI sequencer.
3. Turn the CTRL 3 knob to select the MIDI synchronization
mode.
With the factory settings this is set to “Aut.”
4. Press [SAMPLING] so its light is turned off.
This completes the MIDI synchronization mode setting.
This setting will not change when you turn off the power.
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Using the SP-555 with other MIDI equipment
Synchronizing the pattern
Transmitting MIDI clock at
the pattern tempo
If you make this setting, the SP-555’s MIDI IN connector will
transmit timing clock in synchronization with the pattern
tempo, as well as synchronization-related MIDI messages
(start, stop, continue).
tempo and playback start/stop
with an external MIDI sequencer
With the factory settings, the SP-555 (whose MIDI
synchronization mode will be set to “Aut”) can be connected
to your external MIDI sequencer, and the external MIDI
sequencer can control the start/stop and tempo of the
pattern playback.
If the SP-555 is synchronized to an external MIDI device, it will
not transmit timing clock or synchronization-related MIDI
messages.
1. Use a MIDI cable to connect your external MIDI
sequencer’s MIDI OUT connector to the SP-555’s MIDI
IN connector.
1. While holding down [TIME/BPM], switch on the SP-
555’s power.
2. Press BANK [C].
2. Press [PATTERN SELECT] so the button is lit.
The display will indicate “tH.”
3. Press a BANK [A]–[F/J] button to select the bank of the
3. Turn the CTRL 3 knob to turn MIDI clock transmission
pattern you want to play.
on/off.
To select a pattern bank G–J, press BANK [C/G]–[F/J]
once again so the button is blinking.
If you turn this “on,” synchronization messages will be
transmitted from the MIDI OUT connector and from the
USB’s MIDI OUT.
If no CompactFlash card is inserted, you won’t be able to
select pattern banks C–J.
4. Press [SAMPLING] to save the setting.
4. While holding down [HOLD], press the pad of the
pattern you want to play.
In order to synchronize an external MIDI device to the SP-555,
the MIDI device must be set to follow these synchronization
messages. For details on these settings and how to make them,
refer to the owner’s manual for your MIDI device.
The pad of the specified pattern will light.
If you simply press the pad without pressing [HOLD], the
pattern will begin playing immediately.
5. Start your external MIDI sequencer.
The specified pattern will begin playing in
synchronization with your external MIDI sequencer.
The pattern tempo will synchronize to the tempo of your
external MIDI sequencer.
6. When you stop your external MIDI sequencer, the
pattern will stop playing.
If the pattern playback does not start when you start your
external MIDI sequencer, or if the tempo does not synchronize
to your external MIDI sequencer, it is possible that your
external MIDI sequencer is not transmitting MIDI clock or start/
continue/stop messages.
Refer to the owner’s manual of your external MIDI
sequencer and check its settings.
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Using the SP-555 with other MIDI equipment
MIDI channel (Pad Base Ch.) and
note numbers
Use the following MIDI channels and note numbers when
playing the SP-555’s samples from an external MIDI device,
or when using the SP-555’s pads to play an external MIDI
device.
MIDI Thru setting
1. While holding down [PATTERN SELECT], switch on the
SP-555’’s power.
2. Press BANK [B].
The display will indicate “trU.”
3. Turn the CTRL 3 knob to turn MIDI Thru on/off.
If this is “on,” MIDI messages received at the MIDI IN
connector or the USB MIDI input will be retransmitted
(“thru-ed”) from the MIDI OUT connector.
MIDI messages from the MIDI IN connector will be “thru-
ed” to the USB MIDI output.
MIDI Ch
Note
Note #
Pad Base Ch
Pad Base Ch+1
B1
:
D3
35(23h)
:
50(32h)
[A] Pad1
[F] Pad1
:
:
Pad16
Pad16
The “thru-ed” MIDI messages will be merged with the
pad performance and pattern sequencer performance,
and sent to each MIDI output.
Eb3
:
F#4
51(33h)
:
66(42h)
[B] Pad1
[G] Pad1
:
:
Pad16
Pad16
G4
:
Bb5
67(43h)
:
82(52h)
[C] Pad1
[H] Pad1
4. Press [SAMPLING] to save the setting.
:
:
Pad16
Pad16
B5
:
D7
83(53h)
:
98(62h)
[D] Pad1
[I]
Pad1
:
Pad16
:
Pad16
Eb7
:
F#8
99(63h)
:
114(72h)
[E] Pad1
[J] Pad1
:
:
Pad16
Pad16
Changing the MIDI channel (Pad Base
Ch.)
1. While holding down [PATTERN SELECT], switch on the
SP-555’s power.
2. Press BANK [A].
The display will indicate “C.1.”
3. Turn the CTRL 3 knob to specify the MIDI channel.
4. Press [SAMPLING] to save the setting.
You can’t change the MIDI channel used for transmission by
the pattern sequencer. The pattern sequencer always operates
under the assumption that Pad Base Ch. = 1.
71
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MIDI Implementation
Model:
Date:
Version:
SP-555
May 01, 2007
1.00
■System Realtime Message
●Timing Clock
Status
F8H
1. Receive data
*
This message is received if Sync Mode is AUTO or TEMPO.
■Channel Voice Messages
●Start
Status
FAH
*
For the correspondence between note numbers and pad banks, refer to “MIDI
channel (Pad Base Ch.) and note numbers” (p. 71).
●Note Off
Status
8nH
*
This message is received if Sync Mode is AUTO.
2nd byte
kkH
3rd byte
vvH
●Continue
9nH
kkH
00H
Status
FBH
n = MIDI channel number: 0H - FH (ch.1 - ch.16)
kk = note number: 23H - 72H (35 - 114)
vv = note off velocity: 00H - 7FH (0 - 127)
*
This message is received if Sync Mode is AUTO.
●Note On
Status
9nH
●Stop
Status
FCH
2nd byte
kkH
3rd byte
vvH
n = MIDI channel number: 0H - FH (ch.1 - ch.16)
kk = note number: 23H - 72H (35 - 114)
vv = note on velocity: 01H - 7FH (1 - 127)
*
This message is received if Sync Mode is AUTO.
●Active Sensing
Status
FEH
■Channel Mode Messages
*
If the following channel mode message is received during realtime recording,
note-off messages will be generated for all notes on the corresponding channel
that are currently on, and those note-off messages will be recorded.
2. Transmit data
*
For details on the messages that are transmitted during V-LINK operation, refer to
“About V-LINK” (p. 52).
●All Sounds Off (Controller number 120)
Status
BnH
2nd byte
78H
3rd byte
00H
■Channel Voice Messages
n = MIDI channel number: 0H - FH (ch.1 - ch.16)
*
For the correspondence between note numbers and pad banks, refer to “MIDI
channel (Pad Base Ch.) and note numbers” (p. 71).
*
If the All Sound Off message is received, all notes will be silenced regardless of
their channel.
●Note Off
Status
8nH
2nd byte
kkH
3rd byte
40H
■System Common Message
●Song Position Pointer
n = MIDI channel number: 0H - FH (ch.1 - ch.16)
kk = note number: 23H - 72H (35 - 114)
Status
F2H
2nd byte
mmH
3rd byte
llH
(mm ll: 00 00H - 7F 7FH (0 - 16383))
*
This message is received if Sync Mode is AUTO.
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MIDI Implementation
●Note On
Status
9nH
●Active Sensing
Status
FEH
2nd byte
kkH
3rd byte
vvH
n = MIDI channel number: 0H - FH (ch.1 - ch.16)
kk = note number: 23H - 72H (35 - 114)
vv = note on velocity: 01H - 7FH (1 - 127)
●Control Change
❍CTRL1 (Controller number 13)
Status
BnH
2nd byte
0DH
3rd byte
vvH
n = MIDI channel number: 0H - EH (ch.1 - ch.15)
vv = Control value: 00H - 7FH (0 - 127)
❍CTRL2 (Controller number 14)
Status
BnH
2nd byte
0EH
3rd byte
vvH
n = MIDI channel number: 0H - EH (ch.1 - ch.15)
vv = Control value: 00H - 7FH (0 - 127)
❍CTRL3 (Controller number 15)
Status
BnH
2nd byte
0FH
3rd byte
vvH
n = MIDI channel number: 0H - EH (ch.1 - ch.15)
vv = Control value: 00H - 7FH (0 - 127)
■System Realtime Message
●Timing Clock
Status
F8H
*
This message is transmitted only if Tx MIDI Sync is ON.
●Start
Status
FAH
*
This message is transmitted only if Tx MIDI Sync is ON.
●Continue
Status
FBH
*
This message is transmitted only if Tx MIDI Sync is ON.
●Stop
Status
FCH
*
This message is transmitted only if Tx MIDI Sync is ON.
73
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MIDI Implementation
Model SP-555
Date : May 01,2007
Version : 1.00
MIDI Implementation Chart
Function...
Default
Transmitted
Recognized
Remarks
Basic
1–16
1–16
1–16
1–16
Channel Changed
Default
Messages
Altered
X
X
Mode 3
X
Mode
**************
Note
Number :
35–114
**************
35–114
35–114
True Voice
Note On
Note Off
O
X
O
X
Velocity
After
Touch
Key's
Channel's
X
X
X
X
Pitch Bend
X
X
13
14
15
O
O
O
X
X
X
CTRL 1
CTRL 2
CTRL 3
Control
Change
Program
Change
X
X
X
**************
: True Number
System Exclusive
X
: Song Position
: Song Select
: Tune Request
X
X
X
O
X
X
*2
System
Common
System
Real Time : Commands
: Clock
O
O
*1
*1
O
O
*3
*2
X
X
X
X
O
X
O
X
X
X
O
X
: All Sound Off
: Reset All Controllers
Aux
Messages
: Local On/Off
: All Notes Off
: Active Sensing
: System Reset
*1 Transmitted if Tx MIDI Sync is ON.
*2 Received if Sync Mode is AUTO.
Notes
*3 Received if Sync Mode is AUTO or TEMPO.
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO
O : Yes
X : No
74
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Specifications
Signal Processing
AD Conversion: 24 bits
SP-555: Sampler
DA Conversion: 24 bits
Maximum Polyphony
12 voices
Pads
16 with velocity sensitivity
Sampling Frequency
44.1 kHz
Controllers
Control Knobs x 3, D Beam Controller
Data Format
SP-555 original format
(WAV/AIFF import/export possible)
Display
7 segments, 3 characters (LED)
Sampling Mode
STANDARD, LO-FI
Onboard Mic
Mono x 1
Maximum Sampling Time (mono, approx.)
Connectors
LINE INPUT Jacks (L, R) (RCA phono type)
LINE OUTPUT Jacks (L, R) (RCA phono type)
Headphones (PHONES) Jack (Stereo 1/4 inch phone type)
MIC Jack (1/4 inch phone type / XLR type, Hi-Z, phantom power)
Pedal Jacl (1/4 inch phone type)
Internal Memory
* Including Pre-loaded Samples
STANDARD
11 min.
LO-FI
22 min.
MIDI Connector (IN, OUT)
USB Connector (supports USB MIDI and USB Audio)
AC Adaptor Jack
Memory Card (CompactFlash)
Card capacity
128 MB
256 MB
512 MB
1 GB
STANDARD
48 min.
96 min.
193 min.
386 min.
772 min.
LO-FI
96 min.
193 min.
386 min.
772 min.
1544 min.
Memory Card Slot (CompactFlash)
Power Supply
DC 9 V (AC Adaptor)
Current Draw
800 mA
2 GB
Internal Memory
Samples: 32 (16 samples x 2 banks) * Including Pre-loaded Samples
Patterns: 32 (16 patterns x 2 banks) * Including Pre-loaded Patterns
Dimensions
280.0 (W) x 263.7 (D) x 73.7 (H) mm
11-1/16 (W) x 10-7/16 (D) x 2-15/16 (H) inches
Memory Card (CompactFlash)
Samples: 128 (16 samples x 8 banks)
Patterns: 128 (16 patterns x 8 banks)
Weight
1.8 kg
4 lbs
(excluding AC Adaptor)
Loop Capture
Accessories
Maximum recording time: approx. 15 sec.
CD-ROM x2 (SONAR LE, WAVE CONVERTER/USB DRIVER)
AC Adaptor
Owner’s Manual
Quick Start Guide
Pattern Sequencer
Maximum recordable
notes
Internal Memory:
Approx. 8,000 notes
* Including Pre-loaded Patterns
Options
Pedal Switch (DP-2)
Foot Switch (BOSS FS-5U)
Pad Stand (PDS-10)
Memory Card (CompactFlash):
Approx. 8,000 notes
96 ticks per quarter note
1–99 measures
Realtime Loop Recording
(with quantize function)
Resolution
Pattern Length
Recording method
* In the interest of product improvement, the specifications and/
or appearance of this unit are subject to change without prior
notice.
Effects
37 types
75
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A
backup data ........................................................................ 48
pattern ............................................................................... 36
AIF ........................................................................................... 64
AiF ........................................................................................... 47
Assign
Effect ................................................................................. 19
Preloaded samples .............................................................. 21
AUt .......................................................................................... 63
Auto
FILTER ....................................................................................... 11
B
C
C.nL ......................................................................................... 19
Card Slot .................................................................................. 13
CHG ........................................................................................ 30
Bank .................................................................................. 15
Slot .................................................................................... 13
Current
L
LINE IN ..................................................................................... 10
D
Delete
on/off ................................................................................ 60
pattern ............................................................................... 34
MIC .......................................................................................... 10
Mid .................................................................................... 33, 63
MIDI ......................................................................................... 13
Mod ......................................................................................... 69
E
Effect ........................................................................................ 18
Button ................................................................................ 11
D BEAM ............................................................................. 11
Knob ................................................................................. 11
Limit mode .......................................................................... 20
EFFECT GRAB ........................................................................... 20
EFFECT MEMORY ...................................................................... 12
EMP ......................................................................................... 46
O
oFF ........................................................................................... 63
out ............................................................................................ 42
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Index
SUB PAD ............................................................................. 12, 33
P
Pad
Pattern
Sequencer .......................................................................... 11
switch ................................................................................ 33
tempo ................................................................................ 33
PEDAL ...................................................................................... 14
PHONES .................................................................................. 13
TAP TEMPO ....................................................... 11, 20, 23, 26, 29
Tempo
TIME/BPM ................................................................................. 12
Q
R
rdY .................................................................................... 22, 27
REC .......................................................................................... 11
rEC ............................................................................... 22–23, 27
U
Line Out .............................................................................. 11
S
Sample
Delete ................................................................................ 23
Exchange ........................................................................... 30
Loop .................................................................................. 17
Playback region .................................................................. 28
Polyphony .......................................................................... 15
Resampling ......................................................................... 24
Tempo ............................................................................... 20
Volume .............................................................................. 28
SAMPLING ............................................................................... 12
WAV .................................................................................. 47, 64
SAVE TO PAD ........................................................................... 12
SEq ..................................................................................... 63–64
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For EU Countries
For China
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For the U.K.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE:
NEUTRAL
BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
For EU Countries
This product complies with the requirements of European Directive 89/336/EEC.
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
–
–
–
–
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
For the USA
DECLARATION OF CONFORMITY
Compliance Information Statement
Model Name :
Type of Equipment :
Responsible Party :
Address :
SP-555
Sampler
Roland Corporation U.S.
5100 S. Eastern Avenue, Los Angeles, CA 90040-2938
(323) 890-3700
Telephone :
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Information
When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.
PHILIPPINES
CURACAO
URUGUAY
NORWAY
JORDAN
AFRICA
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
Zeelandia Music Center Inc.
Orionweg 30
Todo Musica S.A.
Francisco Acuna de Figueroa
1771
Roland Scandinavia Avd.
MUSIC HOUSE CO. LTD.
Kontor Norge
FREDDY FOR MUSIC
P. O. Box 922846
Amman 11192 JORDAN
TEL: (06) 5692696
EGYPT
Al Fanny Trading Office
9, EBN Hagar Al Askalany
Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
TEL: 20-2-417-1828
Curacao, Netherland Antilles
TEL:(305)5926866
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
C.P.: 11.800
Montevideo, URUGUAY
TEL: (02) 924-2335
TEL: (02) 899 9801
DOMINICAN REPUBLIC
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3
Ens.La Esperilla
Santo Domingo,
Dominican Republic
TEL:(809) 683 0305
TEL: 2273 0074
SINGAPORE
SWEE LEE MUSIC
COMPANY PTE. LTD.
150 Sims Drive,
SINGAPORE 387381
TEL: 6846-3676
KUWAIT
EASA HUSAIN AL-YOUSIFI
& SONS CO.
Abdullah Salem Street,
Safat, KUWAIT
TEL: 243-6399
VENEZUELA
Instrumentos Musicales
Allegro,C.A.
Av.las industrias edf.Guitar
POLAND
ROLAND POLSKA SP. Z O.O.
UL. Gibraltarska 4.
PL-03 664 Warszawa
POLAND
REUNION
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
import
#7 zona Industrial de Turumo
Caracas, Venezuela
TEL: (212) 244-1122
TEL: (022) 679 4419
ECUADOR
Mas Musika
Rumichaca 822 y Zaruma
Guayaquil - Ecuador
TAIWAN
ROLAND TAIWAN
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung
Shan N.Road Sec.2, Taipei,
TAIWAN, R.O.C.
LEBANON
Chahine S.A.L.
George Zeidan St., Chahine
Bldg., Achrafieh, P.O.Box: 16-
5857
Beirut, LEBANON
TEL: (01) 20-1441
PORTUGAL
Roland Iberia, S.L.
Portugal Office
Cais das Pedras, 8/9-1 Dto
4050-465, Porto, PORTUGAL
TEL: 22 608 00 60
REUNION ISLAND
TEL: (0262) 218-429
TEL:(593-4)2302364
SOUTH AFRICA
T.O.M.S. Sound & Music
(Pty)Ltd.
2 ASTRON ROAD DENVER
JOHANNESBURG ZA 2195,
SOUTH AFRICA
EUROPE
EL SALVADOR
OMNI MUSIC
75 Avenida Norte y Final
Alameda Juan Pablo II,
Edificio No.4010 San Salvador,
EL SALVADOR
TEL: (02) 2561 3339
AUSTRIA
Roland Elektronische
Musikinstrumente HmbH.
ROMANIA
FBS LINES
Piata Libertatii 1,
535500 Gheorgheni,
ROMANIA
OMAN
THAILAND
TALENTZ CENTRE L.L.C.
Malatan House No.1
Al Noor Street, Ruwi
SULTANATE OF OMAN
TEL: 2478 3443
Theera Music Co. , Ltd.
330 Soi Verng NakornKasem,
New Road, Sumpantawongse,
Bangkok 10100, THAILAND
TEL: (02) 224-8821
Austrian Office
TEL: (011)417 3400
Eduard-Bodem-Gasse 8,
A-6020 Innsbruck, AUSTRIA
TEL: (0512) 26 44 260
TEL: 262-0788
Paul Bothner(PTY)Ltd.
Royal Cape Park, Unit 24
Londonderry Road, Ottery 7800
Cape Town, SOUTH AFRICA
TEL: (021) 799 4900
TEL: (266) 364 609
GUATEMALA
BELGIUM/FRANCE/
HOLLAND/
LUXEMBOURG
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
RUSSIA
MuTek
Dorozhnaya ul.3,korp.6
117 545 Moscow, RUSSIA
TEL: (095) 981-4967
QATAR
Al Emadi Co. (Badie Studio &
Stores)
P.O. Box 62, Doha, QATAR
Casa Instrumental
Calzada Roosevelt 34-01,zona 11
Ciudad de Guatemala
Guatemala
AUSTRALIA/
NEW ZEALAND
TEL:(502) 599-2888
TEL: 4423-554
ASIA
CHINA
Roland Shanghai Electronics
SLOVAKIA
HONDURAS
Almacen Pajaro Azul S.A. de C.V.
BO.Paz Barahona
3 Ave.11 Calle S.O
San Pedro Sula, Honduras
TEL: (504) 553-2029
AUSTRALIA/
SAUDI ARABIA
aDawliah Universal
Electronics APL
Corniche Road, Aldossary
Bldg., 1st Floor, Alkhobar,
31952 SAUDI ARABIA
TEL: (014) 575811
DAN Acoustic s.r.o.
Povazská 18.
NEW ZEALAND
Roland Corporation
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
CROATIA
ART-CENTAR
Degenova 3.
HR - 10000 Zagreb
TEL: (1) 466 8493
SK - 940 01 Nové Zámky
TEL: (035) 6424 330
Co.,Ltd.
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
SPAIN
Roland Iberia, S.L.
Paseo García Faria, 33-35
08005 Barcelona SPAIN
TEL: 93 493 91 00
MARTINIQUE
Musique & Son
Z.I.Les Mangle
97232 Le Lamantin
Martinique F.W.I.
TEL: 596 596 426860
P.O.Box 2154, Alkhobar 31952
SAUDI ARABIA
TEL: (03) 898 2081
CZECH REP.
CZECH REPUBLIC
DISTRIBUTOR s.r.o
Voctárova 247/16
CZ - 180 00 PRAHA 8,
CZECH REP.
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 3 Section Anhuaxili
Chaoyang District Beijing
100011 CHINA
For Australia
Tel: (02) 9982 8266
For New Zealand
Tel: (09) 3098 715
SYRIA
Technical Light & Sound
Center
Rawda, Abdul Qader Jazairi St.
Bldg. No. 21, P.O.BOX 13520,
Damascus, SYRIA
SWEDEN
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
Gigamusic SARL
10 Rte De La Folie
97200 Fort De France
Martinique F.W.I.
TEL: 596 596 715222
TEL: (2) 830 20270
TEL: (010) 6426-5050
CENTRAL/LATIN
AMERICA
DENMARK
HONG KONG
Tom Lee Music Co., Ltd.
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
TEL: (011) 223-5384
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
SWITZERLAND
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
SWITZERLAND
TEL: (061) 927-8383
ARGENTINA
Instrumentos Musicales S.A.
Av.Santa Fe 2055
(1123) Buenos Aires
ARGENTINA
TEL: (011) 4508-2700
TURKEY
ZUHAL DIS TICARET A.S.
Galip Dede Cad. No.37
Beyoglu - Istanbul / TURKEY
TEL: (0212) 249 85 10
MEXICO
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico
D.F. MEXICO
TEL: 3916 6200
TEL: 2415 0911
FINLAND
Roland Scandinavia As, Filial
Finland
Elannontie 5
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
Parsons Music Ltd.
TEL: (55) 5668-6699
U.A.E.
Zak Electronics & Musical
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Ground Floor, Dubai,
U.A.E.
UKRAINE
EURHYTHMICS Ltd.
P.O.Box: 37-a.
Nedecey Str. 30
UA - 89600 Mukachevo,
UKRAINE
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 2333 1863
BARBADOS
NICARAGUA
Bansbach Instrumentos
Musicales Nicaragua
Altamira D'Este Calle Principal
de la Farmacia 5ta.Avenida
1 Cuadra al Lago.#503
Managua, Nicaragua
A&B Music Supplies LTD
12 Webster Industrial Park
Wildey, St.Michael, Barbados
TEL: (246)430-1100
GERMANY
Roland Elektronische
Musikinstrumente HmbH.
Oststrasse 96, 22844
Norderstedt, GERMANY
TEL: (040) 52 60090
INDIA
Rivera Digitec (India) Pvt. Ltd.
411, Nirman Kendra
Mahalaxmi Flats Compound
Off. Dr. Edwin Moses Road,
Mumbai-400011, INDIA
TEL: (022) 2493 9051
TEL: (04) 3360715
TEL: (03131) 414-40
BRAZIL
Roland Brasil Ltda.
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
UNITED KINGDOM
TEL: (505)277-2557
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
NORTH AMERICA
PANAMA
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE
PANAMA
GREECE/CYPRUS
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
CANADA
Roland Canada Ltd.
(Head Office)
5480 Parkwood Way
Richmond B. C., V6V 2M4
CANADA
UNITED KINGDOM
TEL: (01792) 702701
INDONESIA
PT Citra IntiRama
Jl. Cideng Timur No. 15J-15O
Jakarta Pusat
INDONESIA
TEL: (021) 6324170
CHILE
Comercial Fancy II S.A.
Rut.: 96.919.420-1
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
TEL: 315-0101
PARAGUAY
Distribuidora De
Instrumentos Musicales
J.E. Olear y ESQ. Manduvira
Asuncion PARAGUAY
TEL: (595) 21 492147
MIDDLE EAST
TEL: (604) 270 6626
HUNGARY
KOREA
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint,
HUNGARY
BAHRAIN
Moon Stores
No.1231&1249 Rumaytha
Building Road 3931, Manama
339 BAHRAIN
COLOMBIA
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9
Medellin, Colombia
Roland Canada Ltd.
(Toronto Office)
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
TEL: (23) 511011
PERU
Audionet
Distribuciones Musicales SAC
Juan Fanning 530
Miraflores
TEL: (574)3812529
TEL: 17 813 942
TEL: (905) 362 9707
IRELAND
Roland Ireland
G2 Calmount Park, Calmount
Avenue, Dublin 12
Republic of IRELAND
TEL: (01) 4294444
MALAYSIA
COSTA RICA
JUAN Bansbach Instrumentos
Musicales
Ave.1. Calle 11, Apartado
10237,
San Jose, COSTA RICA
TEL: 258-0211
Roland Asia Pacific Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
IRAN
MOCO INC.
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
U. S. A.
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
Lima - Peru
TEL: (511) 4461388
TRINIDAD
AMR Ltd
Ground Floor
Maritime Plaza
Barataria Trinidad W.I.
TEL: (868) 638 6385
TEL: (021) 285-4169
TEL: (323) 890 3700
ITALY
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
VIET NAM
Suoi Nhac Company, Ltd
370 Cach Mang Thang Tam St.
Dist.3, Ho Chi Minh City,
VIET NAM
ISRAEL
Halilit P. Greenspoon & Sons
Ltd.
8 Retzif Ha'alia Hashnia St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
TEL: 9316540
As of May 1, 2007 (ROLAND)
04672023
Download from Www.Somanuals.com. All Manuals Search And Download.
07-07-2N
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