WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
product’s enclosure that may be of sufficient magnitude to
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
constitute a risk of electric shock to persons.
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
The exclamation point within an equilateral triangle is
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
11. Only use attachments/accessories specified by the
manufacturer.
12. Use only with the cart, stand, tripod, bracket,
or table specified by the manufacturer, or
7. Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. If the provided plug
does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
sold with the apparatus. When a cart is used,
use caution when moving the cart/apparatus
combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when
unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
For the U.K.
WARNING:
THIS APPARATUS MUST BE EARTHED
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS”, “USING THE UNIT
SAFELY” (p. 4), and “IMPORTANT NOTES” (p. 6). These sections provide important information concerning the proper
operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by
your new unit, this owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a
convenient reference.
Copyright © 2010 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
Roland is a registered trademark of ROLAND CORPORATION in the United States and/or other countries.
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USING THE UNIT SAFELY
•
Do not allow any objects (e.g., flammable material,
coins, pins); or liquids of any kind (water, soft drinks,
etc.) to penetrate the unit.
•
Please be sure to read and adhere to the cautionary
notices contained in the instructions that came with
this product.
Please note that, depending on the manner in which
keyboard performances are carried out, you may
encounter situations where the keyboard falls off the
stand or the stand topples over, even though you have
followed all of the instructions and advice contained
within the product’s manual. For this reason, you
should always perform a safety check each time you
use the stand.
..................................................................................................................................
•
Immediately turn the power off, remove the power
cord from the outlet, and request servicing by your
retailer, the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the
“Information” page when:
..................................................................................................................................
•
At regular intervals, you should unplug the power plug
and clean it by using a dry cloth to wipe all dust and
other accumulations away from its prongs. Also,
disconnect the power plug from the power outlet
whenever the unit is to remain unused for an extended
period of time. Any accumulation of dust between the
power plug and the power outlet can result in poor
insulation and lead to fire.
•
The power-supply cord or the plug has been
damaged; or
•
•
If smoke or unusual odor occurs
Objects have fallen into, or liquid has been spilled
onto the unit; or
•
•
The unit has been exposed to rain (or otherwise has
become wet); or
..................................................................................................................................
•
Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be placed
so they are out of the reach of children.
The unit does not appear to operate normally or
exhibits a marked change in performance.
..................................................................................................................................
..................................................................................................................................
•
Do not force the unit’s power-supply cord to share an
outlet with an unreasonable number of other devices.
Be especially careful when using extension cords—the
total power used by all devices you have connected to
the extension cord’s outlet must never exceed the
power rating (watts/amperes) for the extension cord.
Excessive loads can cause the insulation on the cord to
heat up and eventually melt through.
•
Never climb on top of, nor place heavy objects on the
unit.
..................................................................................................................................
•
Never handle the power cord or its plugs with wet
hands when plugging into, or unplugging from, an
outlet or this unit.
..................................................................................................................................
•
Before using the unit in a foreign country, consult with
your retailer, the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the
“Information” page.
..................................................................................................................................
•
If you need to move the instrument, disconnect the
power cord and all cords coming from external devices.
At least two persons are required to safely lift and move
the unit. It should be handled carefully, all the while
keeping it level. Make sure to have a firm grip, to
protect yourself from injury and the instrument from
damage.
..................................................................................................................................
•
Do not put anything that contains water (e.g., flower
vases) on this unit. Also, avoid the use of insecticides,
perfumes, alcohol, nail polish, spray cans, etc., near the
unit. Swiftly wipe away any liquid that spills on the unit
using a dry, soft cloth.
..................................................................................................................................
•
Before cleaning the unit, turn off the power and unplug
the power cord from the outlet (p. 18).
•
The unit should be located so that its location or
position does not interfere with its proper ventilation.
..................................................................................................................................
•
Whenever you suspect the possibility of lightning in
your area, pull the plug on the power cord out of the
outlet.
..................................................................................................................................
•
This (VR-700) for use only with Roland stand KS-G8. Use
with other stands is capable of resulting in instability
causing possible injury.
..................................................................................................................................
..................................................................................................................................
•
Should you remove music rest attachment screws, keep
them in a safe place out of children’s reach, so there is
no chance of them being swallowed accidentally.
•
Always grasp only the plug on the power-supply cord
when plugging into, or unplugging from, an outlet or
this unit.
..................................................................................................................................
..................................................................................................................................
5
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IMPORTANT NOTES
Power Supply
Maintenance
•
Do not connect this unit to same electrical outlet that is being used by
an electrical appliance that is controlled by an inverter (such as a
refrigerator, washing machine, microwave oven, or air conditioner), or
that contains a motor. Depending on the way in which the electrical
appliance is used, power supply noise may cause this unit to
malfunction or may produce audible noise. If it is not practical to use a
separate electrical outlet, connect a power supply noise filter between
this unit and the electrical outlet.
•
To clean the unit, use a dry, soft cloth; or one that is slightly dampened.
Try to wipe the entire surface using an equal amount of strength,
moving the cloth along with the grain of the wood. Rubbing too hard
in the same area can damage the finish.
•
Never use benzine, thinners, alcohol or solvents of any kind, to avoid
the possibility of discoloration and/or deformation.
Repairs and Data
•
•
Before connecting this unit to other devices, turn off the power to all
units. This will help prevent malfunctions and/or damage to speakers
or other devices.
•
Please be aware that all data contained in the unit’s memory may be
lost when the unit is sent for repairs. Important data should always be
backed up on a USB memory, or written down on paper (when
possible). During repairs, due care is taken to avoid the loss of data.
However, in certain cases (such as when circuitry related to memory
itself is out of order), we regret that it may not be possible to restore
the data, and Roland assumes no liability concerning such loss of data.
Although the LEDs are switched off when the POWER switch is
switched off, this does not mean that the unit has been completely
disconnected from the source of power. If you need to turn off the
power completely, first turn off the POWER switch, then unplug the
power cord from the power outlet. For this reason, the outlet into
which you choose to connect the power cord’s plug should be one
that is within easy reach and readily accessible.
Before Using USB Memories
•
•
•
Carefully insert the USB memory all the way in—until it is firmly in
place.
Placement
•
Using the unit near power amplifiers (or other equipment containing
large power transformers) may induce hum. To alleviate the problem,
change the orientation of this unit; or move it farther away from the
source of interference.
Never touch the terminals of the USB memory. Also, avoid getting the
terminals dirty.
USB memories are constructed using precision components; handle
the USB memories carefully, paying particular note to the following.
•
•
This device may interfere with radio and television reception. Do not
use this device in the vicinity of such receivers.
•
To prevent damage to the USB memories from static electricity, be
sure to discharge any static electricity from your own body before
handling the USB memories.
Noise may be produced if wireless communications devices, such as
cell phones, are operated in the vicinity of this unit. Such noise could
occur when receiving or initiating a call, or while conversing. Should
you experience such problems, you should relocate such wireless
devices so they are at a greater distance from this unit, or switch them
off.
•
•
•
Do not touch or allow metal to come into contact with the contact
portion of the USB memories.
Do not bend, drop, or subject USB memories to strong shock or
vibration.
Do not keep USB memories in direct sunlight, in closed vehicles, or
other such locations.
•
Do not expose the unit to direct sunlight, place it near devices that
radiate heat, leave it inside an enclosed vehicle, or otherwise subject it
to temperature extremes. Also, do not allow lighting devices that
normally are used while their light source is very close to the unit (such
as a piano light), or powerful spotlights to shine upon the same area of
the unit for extended periods of time. Excessive heat can deform or
discolor the unit.
•
•
Do not allow USB memories to become wet.
Do not disassemble or modify the USB memories.
•
•
When moved from one location to another where the temperature
and/or humidity is very different, water droplets (condensation) may
form inside the unit. Damage or malfunction may result if you attempt
to use the unit in this condition. Therefore, before using the unit, you
must allow it to stand for several hours, until the condensation has
completely evaporated.
Do not allow rubber, vinyl, or similar materials to remain on the unit for
long periods of time. Such objects can discolor or otherwise harmfully
affect the finish.
•
•
•
Do not allow objects to remain on top of the keyboard. This can be the
cause of malfunction, such as keys ceasing to produce sound.
Do not paste stickers, decals, or the like to this instrument. Peeling
such matter off the instrument may damage the exterior finish.
Depending on the material and temperature of the surface on which
you place the unit, its rubber feet may discolor or mar the surface.
You can place a piece of felt or cloth under the rubber feet to prevent
this from happening. If you do so, please make sure that the unit will
not slip or move accidentally.
6
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IMPORTANT NOTES
Additional Precautions
•
Please be aware that the contents of memory can be irretrievably lost
as a result of a malfunction, or the improper operation of the unit. To
protect yourself against the risk of loosing important data, we
recommend that you periodically save a backup copy of important
data you have stored in the unit’s memory on a USB memory.
•
Unfortunately, it may be impossible to restore the contents of data
that was stored on a USB memory, or in the unit’s memory once it has
been lost. Roland Corporation assumes no liability concerning such
loss of data.
•
•
Use a reasonable amount of care when using the unit’s buttons,
sliders, or other controls; and when using its jacks and connectors.
Rough handling can lead to malfunctions.
When connecting / disconnecting all cables, grasp the connector
itself—never pull on the cable. This way you will avoid causing shorts,
or damage to the cable’s internal elements.
•
•
A small amount of heat will radiate from the unit during normal
operation.
To avoid disturbing your neighbors, try to keep the unit’s volume at
reasonable levels. You may prefer to use headphones, so you do not
need to be concerned about those around you (especially when it is
late at night).
•
When you need to transport the unit, package it in the box (including
padding) that it came in, if possible. Otherwise, you will need to use
equivalent packaging materials.
•
•
Do not apply undue force to the music stand while it is in use.
Use only the specified expression pedal (EV-5 or EV-7; sold separately).
By connecting any other expression pedals, you risk causing
malfunction and/or damage to the unit.
•
•
The usable range of D Beam controller will become extremely small
when used under strong direct sunlight. Please be aware of this when
using the D Beam controller outside.
The sensitivity of the D Beam controller will change depending on the
amount of light in the vicinity of the unit. If it does not function as you
expect, adjust the sensitivity as appropriate for the brightness of your
location.
*
*
is either registered trademark or trademark of Roland
Corporation in the United States and/or other countries.
MPEG Layer-3 audio compression technology is licensed
from Fraunhofer IIS Corporation and THOMSON Multimedia
Corporation.
*
*
MMP (Moore Microprocessor Portfolio) refers to a patent
portfolio concerned with microprocessor architecture, which
was developed by Technology Properties Limited (TPL).
Roland has licensed this technology from the TPL Group.
All product names mentioned in this document are
trademarks or registered trademarks of their respective
owners.
7
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Features of the VR-700................................................................................ 12
Connecting the Power Cord................................................................................................................................................18
Connecting Playback Equipment......................................................................................................................................21
Connecting an Amp and Speakers......................................................................................................................21
Attaching the Music Rest......................................................................................................................................................22
Adjusting the Volume............................................................................................................................................................23
Layering Ensemble Sounds....................................................................................................................................29
Layering Two Ensemble Sounds ..........................................................................................................................30
Playing Organ Sounds or Ensemble Sounds Individually.........................................................................................33
Playing Only an Ensemble Sound........................................................................................................................33
Playing Only the Organ Sound .............................................................................................................................33
Playing the Sounds of Two Parts on the Keyboard (Split) ........................................................................................34
Boundary Between Upper and Lower Parts (Split Point) ............................................................................35
Using the D Beam Controller to Modify the Sound ....................................................................................................36
D Beam Effects ............................................................................................................................................................36
8
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Creating Organ Sounds............................................................................... 38
Adding Modulation to the Sound (Vibrato and Chorus)...........................................................................................42
Adding Reverberation (Reverb)..........................................................................................................................................44
Using a Pedal to Adjust the Volume.................................................................................................................................45
Playing Ensemble Sounds........................................................................... 46
Effects for the Ensemble Sound .........................................................................................................................................46
Initializing the Favorites........................................................................................................................................................47
Playing Songs from USB Memory......................................................................................................................................50
Operations in Function Mode.............................................................................................................................................51
Parameter List...........................................................................................................................................................................52
Pedal, Bend Lever, and Foot Controller Settings............................................................................................54
Player Parameters......................................................................................................................................................56
MIDI Input/Output Settings ...................................................................................................................................57
System Settings..........................................................................................................................................................59
V-LINK Settings ...........................................................................................................................................................60
Deleting Favorite Sets, Formatting USB Memory, Initializing the System............................................60
Deleting a Favorite Backup..................................................................................................................................................61
Formatting USB Memory ......................................................................................................................................................62
9
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Connection Example..............................................................................................................................................................64
MIDI Routing................................................................................................................................................................65
Connecting an External MIDI Keyboard..........................................................................................................................66
Playing a Desired Part (Factory Settings) ..........................................................................................................66
Playing the Upper Part or Lower Part.................................................................................................................66
Connecting an External MIDI Sequencer........................................................................................................................66
Local Control Setting................................................................................................................................................66
Connecting your Computer.................................................................................................................................................67
Local Control Setting................................................................................................................................................67
Troubleshooting .......................................................................................... 77
Error Messages............................................................................................. 79
Specifications............................................................................................... 80
Index ............................................................................................................. 82
Information .................................................................................................. 86
10
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*
The MIDI implementation is available on Roland’s website.
From the above page, proceed to the VR-700 page and download the MIDI implementation.
Convention used in this manual
•
•
•
•
Text enclosed in square brackets [ ] indicates the name of a button, such as the [UPPER] button.
Lines that begin with
or an asterisk * are cautionary statements that you must be sure to read.
(p. **) indicates a reference page.
The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your
unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may
not always match what appears in the manual.
11
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Features of the VR-700
The Pursuit of Excellence—Redefining the Basic Stage Keyboard
A full-fledged organ, high-quality piano, and a synthesizer equipped with all the standard sounds—all of this and more contained in
one easy-to-use, light, compact package. This one instrument is just about all you need for most any live performance; and since it’s
highly portable, you save on the amount of time it takes to get set up for a performance.
•
•
•
Creating Organ Sounds.......................................................................................... p. 38
Selecting an Ensemble Sound ............................................................................. p. 46
A total organ sound–from sound generation to sound reinforcement
Equipped with a virtual tone wheel sound generator, which forms the core of the Roland organ sound. In addition, the VR-700 offers a
completely realistic and expressive organ experience, including the characteristic effects and sound reproduction methods of vintage
organs.
•
About Virtual Tonewheel Sound Generators ................................................. p. 38
Rotary sound
What would an organ performance be without rotary speakers? The VR-700 faithfully re-creates the sound of rotating speakers,
including the acoustical characteristics of the tweeter (which change depending on the angle), and the way that changes in the speed
of the rotation occur. To enjoy a realistic, rotary sound that is filled with a sense of presence, all you need to do is connect a keyboard
amplifier or powered monitor.
•
Adding Rotary Speaker Modulation .................................................................. p. 43
Overdriven sound
Whether it be the unique characteristics of the vacuum-tube circuitry that was at the heart of the original rotary speakers, the
acoustical properties of the speaker cabinets, or the frequency responses of a variety of amplifiers—all these and more are faithfully
simulated by the VR-700. Simply by switching the amp type, you can enjoy a variety of sounds for your performances—from a warm,
deeply resonating sound to a fat, overdriven sound typical of rock. In addition, for each amp type, you can select from a number of
variations for the drive sound.
•
Making the Sound Distort ..................................................................................... p. 44
glissandos to fast, successive notes. And, it is equipped with nine harmonic bars, which are essential when you want to control the
sound in real time. Thanks to this, a wide variety of organ sounds can be controlled at will. In addition, the VR-700 can essentially be
turned into a two-manual + pedalboard organ—all you need to do is split the keyboard into two zones using the Split function, then
add on an optional PK-25A/7A pedalboard.
•
•
•
Varying the Sound in Real Time (Harmonic Bars) ......................................... p. 38
Playing the Sounds of Two Parts on the Keyboard (Split) ......................... p. 34
Connecting a Pedal Keyboard.............................................................................. p. 20
12
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Features of the VR-700
Ensemble section offers high-quality piano and synth sounds
Comes with a stringently selected collection of sounds geared for ensembles. Thanks to the adoption of “88-key multisampling,”
which results in very realistic sounds, you’ll be able to richly express every nuance of your music. Moreover, a wide variety of acoustic
sounds, including analog synthesizers and other electronic musical instruments, and realistic string sounds have also been included,
making it easy for you to contribute a wealth of sounds when playing in a band.
•
Ensemble Sound List ............................................................................................... p. 68
Easy operation—geared for live performances
since everything has been grouped together according to function, the VR-700 can be controlled simply and logically. Additionally,
we’ve made the buttons self-illuminating, so you don’t need to worry about finding things when you’re on a dark stage. Together, this
means that even the first-time user should experience no problems when using the VR-700, since it’s operation is intuitive.
And, once you have a certain combination of sounds you like, and have made a whole range of detailed settings, you can store your
efforts as a “Favorite,” and have instant access to it later simply by pressing a button.
•
•
Names of Things and What They Do ................................................................. p. 14
Storing Your Favorite Settings (Favorites)....................................................... p. 47
Equipped with player feature
The instrument comes stocked with a variety of rhythm patterns, which can be used as a “rhythm guide.” Thanks to this, you can gain
practice along more musical lines, when compared to simply using a metronome.
In addition, the inclusion of a USB memory connector allows you to make use of SMF, WAV, AIFF, and MP3 files stored on USB flash
drives. Such files can be played back when practicing or be used as backing while performing.
•
Playing Rhythms and Songs (Player Functions) ............................................ p. 49
Beautifully refined design
The VR-700’s metallic-colored body presents a striking image on stage. And, the distinctive quality of it’s real wood side panels can
only get better with age.
*
Like all fine products made of wood, the wooden side panels can be easily scratched. Please treat them with the care they deserve.
13
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Names of Things and What They Do
Top Panel
fig.VR-700Front.eps
[V-LINK] button
Organ control/Bender lever
This button turns V-LINK on/off (p. 64).
You can use the lever to vary the sound in real time.
When this is on, the VR-700 can be used to control a V-LINK
compatible video device connected to the VR-700.
*
The [ORGAN CONTROL] button and [BENDER] button cannot be
turned on simultaneously.
[MASTER VOLUME] knob
Control
Function
This knob adjusts the volume of the output from the OUTPUT
connectors on the rear panel and the PHONES jack (p. 23).
When this button is pressed to turn it on, the lever
will control the organ sound (p. 43).
[ORGANCONTROL]
button
Pitch up
D Beam
Change speed of
Change speed of
You can vary the organ sound or ensemble sound by moving your
hand above the D Beam controller (p. 36).
speaker rotation
speaker rotation
*
Only organ
sounds will be
affected.
If this button is pressed to turn it on, the lever will
vary the pitch of the sound or apply vibrato.
Modulation
[BENDER] button
*
Only ensemble
sounds will be
affected.
Pitch up
Pitch down
Harmonic bars
Use these to create the organ sound. You can adjust the tone in real
time while you perform (p. 38).
[ENSEMBLE VOLUME] bar
This adjusts the volume of the ensemble sound (p. 29).
14
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Names of Things and What They Do
fig.VR-700Front.eps
Display section
Display
Control
Function
This indicates the state of the VR-700 or the
current value of a setting (p. 24).
Indicators for TONE, PLAYER, and TEMPO are
located at the left of the display.
Display
This button changes the content shown in the
display (p. 24). In Function mode, this button
operates as the [EXIT] button to exit Function
mode.
[DISPLAY/EXIT]
button
Press this button to switch to Function mode.
In Function mode, this button serves for the
[ENTER] button to execute an operation.
[FUNCTION/ENTER]
button
[+] button,
[–] button
Use these buttons to edit a value.
ENSEMBLE section
Tone buttons
Control
Function
These buttons select the category of ensemble
sounds (p. 46).
ORGAN section
Tone buttons
[OCTAVE SHIFT]
button
This button sounds the selected ensemble sound
at a higher or lower octave (p. 46).
HARMONIC BAR
Here you can select the part that will reflect the settings of the
harmonic bars (p. 39).
[TO LOWER/PEDAL]
button
This sounds the selected ensemble sound in the
lower part or pedal part (p. 29).
Control
Function
EFFECT
These buttons select the part to which the organ
sound settings of the harmonic bars will apply.
If you press both buttons simultaneously, the
harmonic bars will be assigned to the pedal part.
[LOWER] button,
[UPPER] button
Control
Function
This knob adjusts the effect that’s applied to the
ensemble sound (p. 46).
[CONTROL] knob
Switches on/off the production of the organ
sound for all parts.
[ORGAN ON] button
[MANUAL] button
This button turns the effect on/off for the
ensemble sound (p. 46).
[ON] button
For the part selected by the [LOWER] button or
[UPPER] button, this button updates the organ
sound of that part to the current state of the
harmonic bars.
REVERB section
Here you can apply reverberation to the organ sounds and
ensemble sounds.
VIBRATO/CHORUS
These buttons turn the vibrato and chorus effects on/off for the
organ sound (p. 42).
Control
Function
[LEVEL] knob
[TYPE] button
Adjusts the depth of the reverb effect (p. 44).
Selects the type of reverb effect (p. 44).
PERCUSSION
These buttons specify the organ sound’s percussion (the attack
heard when you press a key) (p. 41).
ROTARY SOUND
Here you can specify the rotary effect (the modulation produced by
a rotating speaker) (p. 43).
15
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Names of Things and What They Do
fig.VR-700Front.eps
PLAYER section
Here you can play back internal rhythm patterns, or MIDI files and
audio files saved on external memory connected to the USB
MEMORY connector.
PLAYER
Control
Function
Use this button to specify playback of either
internal rhythm patterns or files stored on
external memory.
[RHYTHM/SONG]
button
This button plays the file.
During playback, pressing this button will stop
playback.
[
] (Play/
Stop) button
FAVORITE section
FAVORITE
The organ sounds and ensemble sounds that you use frequently,
together with their state, can be registered as Favorites. Once
you’ve registered your favorite settings, you’ll be able to call them
up simply by pressing one of the [FAVORITE] buttons.
Control
Function
This button divides the keyboard into two zones,
allowing you to play a different tone in each zone
(p. 34).
[SPLIT] button
sound and the organ sound together (p. 29).
[LAYER] button
Use this button to register the organ sounds,
ensemble sound, and other panel settings as
Current Settings as a Favorite” (p. 47).
[WRITE] button
[BANK] button
Use this button to select a bank of favorites (p. 46).
FAVORITE buttons:
[1]–[8]
Use these to callup favorite settings you’ve
registered (p. 46).
These buttons allow you to save or load all the
favorite settings in the VR-700’s internal memory
to or from USB memory connected to the USB
MEMORY connector (p. 48).
[FILE LOAD] button
[FILE SAVE] button
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Names of Things and What They Do
Rear Panel
fig.VR-700Rear.eps
[POWER] switch
PEDAL connectors
Turns the power on/off (p. 19).
Connector
Function
*
If you need to turn off the power completely, first turn off the
[POWER] switch, then unplug the power cord from the power outlet.
Refer to “Power Supply” (p. 6).
Connect a damper pedal here (p. 20).
Even after you take your fingers off the keyboard,
notes will be sustained as long as you hold down
the pedal.
DAMPER PEDAL
AC IN (AC inlet)
EXP PEDAL
connector
Connect an expression pedal here. You can use
this pedal to adjust the volume (p. 20).
Connect the included power cord here (p. 18).
Connect an expression pedal or damper pedal
here (p. 20). You can use this pedal to control
various functions of the VR-700 (p. 55).
CONTROL PEDAL
connector
USB connectors
Connector
Function
OUTPUT connectors
USB MEMORY
connector
Connect USB memory (sold separately) here (p.
22).
These are stereo output connectors for the audio signal. The same
signal is output from the XLR connectors (L, R) and from the phone
jacks (L/MONO, R).
You can use a USB cable (sold separately) to
connect this to your computer so that MIDI
messages can be transmitted and received (p. 67).
USB MIDI connector
About the phone jacks
MIDI connectors
If you connect a cable only to the L/MONO jacks of the phone
jacks, the sound of the left and right channels will be mixed
and output in monaural.
Connector
Function
You can use a MIDI cable (sold separately) to
connect this to a MIDI sound module or other MIDI
device, and transmit performance data from the
If you connect this to a V-LINK compatible video
device, your performance on the VR-700 can
control the video device (p. 64).
*
*
MIDI OUT/V-LINK
connector
We recommend that you use stereo output. If you use
monaural output, the quality and character of the sound may
be affected, but this does not indicate a malfunction.
MIDI PEDAL IN
connector
You can connect a pedal keyboard here, and
perform using the pedals (p. 20).
You can use a MIDI cable (sold separately) to
connect a MIDI keyboard or other MIDI device
here, and use that MIDI device to play the VR-700
(p. 65).
PHONES jack
MIDI IN connector
Connect headphones here (p. 21).
Even if headphones are connected, the audio signal will still be
output from the OUTPUT connectors.
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Getting Ready
Placing the VR-700 on the KS-G8 Stand
If you place the VR-700 on a stand, you must use the KS-G8 (sold separately).
•
•
•
When placing the VR-700 on the stand, be careful not to pinch your fingers between the instrument and the stand.
When lifting the VR-700 onto the stand, make sure to enlist the help of at least one other person.
Using the VR-700 with any other stand may produce an unstable situation, possibly causing the instrument to fall or overturn, and
resulting in injury or damage.
•
For details on how to assemble the stand, refer to the owner’s manual that accompanied the stand.
fig.VKvsKS-G8.eps
Front (keyboard) side
A
A
Top view
B
B
C
C
Rear panel side
1. Place the VR-700 in the position shown in the illustration.
•
•
•
Position rubber feet “A” on the outside of the stand’s rubber pads.
Position rubber feet “B” directly above the stand’s arms.
Position rubber feet “C” so that they contact the inside of the stand’s rubber pads.
*
Make sure that the VR-700’s six rubber feet (A–C) are not resting on the stand’s rubber pads.
Connecting the Power Cord
1. Before you begin making connections, confirm the following.
•
•
Is the volume level of the VR-700 or connected amp turned all the way down?
Is the power to the VR-700 or connected amp turned off?
2. Connect the supplied power cord to the AC Inlet of the VR-700, and plug the other end into an AC outlet.
fig.ConnectPowerCoad.eps
Rear panel
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Getting Ready
Turning the Power On/Off
Turning the Power On
Turning the Power Off
1. Turn the [VOLUME] knob to the minimum position
before you turn off the power.
Once the connections have been completed, turn on power to
your various devices in the order specified. By turning on
devices in the wrong order, you risk causing malfunction and/
or damage to speakers and other devices.
Also minimize the volume of any connected external equipment.
fig.VolMin.eps
1. Before you turn on the power, make sure that the
[VOLUME] knob is turned all the way down.
Also minimize the volume of any connected external audio
equipment.
fig.VolMin.eps
equipment.
3. To turn the power off, press the lower part of the
[POWER] switch located on the VR-700’s rear panel.
*
If you need to turn off the power completely, first turn off the
POWER switch, then unplug the power cord from the power outlet.
Refer to “Power Supply” (p. 6).
2. To turn the power on, press the upper part of the
[POWER] switch located on the VR-700’s rear panel.
fig.P-On.eps
The power will turn on, and the display will light up.
*
*
*
Minimize the volume before you turn on the power. Even if the
volume is minimized, you may hear sound when turning on the
power, but this does not indicate a malfunction.
Due to a circuitry-protection feature, this unit requires a few
moments after it has been powered up before it is ready for normal
operation.
If the power is turned off while a Factory Reset is being executed (p.
26), the internal data will be lost, and it may take some time to start
up the next time you switch on the VR-700’s power.
3. Switch on the power to any external equipment that is
connected.
4. Adjust the volume of any external equipment that is
connected.
5. Adjust the VR-700’s volume to an appropriate level.
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Getting Ready
Connecting Pedals
Connecting a Pedal Keyboard
Connecting an Expression Pedal and
Damper Pedal
Connect your pedal keyboard (PK-25A or PK-7A; sold separately) to
the MIDI PEDAL IN connector on the rear panel.
*
When making connections, please refer also to the owner’s manual
for the pedals you’re using.
*
*
When making connections, be sure to refer to the PK-25A or PK-7A
owner’s manual as well.
fig.ConnectPedals.eps
There’s no need to set the MIDI channel for the PK-25A and PK-7A.
fig.ConnectPedalKey.eps
To MIDI PEDAL IN connector
MIDI cable
Damper pedal
To MIDI OUT connector
Footswitch
Expression pedal
PK-7A
1. Make sure that the VR-700’s power is turned off.
2. Connect your damper pedal to the DAMPER PEDAL
connector on the rear panel.
PK-25A
1. Make sure that the VR-700 and the pedal you’ll be
connecting are turned off.
connector on the rear panel.
2. Use a MIDI cable (sold separately) to connect the MIDI
OUT connector of the PK-25A or PK-7A to the VR-700’s
used.)
4. Connect your damper pedal, expression pedal, or foot
panel.
*
An expression pedal, damper pedal, and foot switch are not
included. For details on the types of pedals that can be connected to
the VR-700, refer to “Specifications” (p. 80). If you want to purchase
these items, please contact the dealer where you purchased the
VR-700.
3. If desired, connect the FOOT SW OUT connector of the
PK-25A or PK-7A to the VR-700’s CONTROL PEDAL
connector.
*
For details on the functions that can be controlled by a foot switch
connected to the VR-700’s CONTROL connector, refer to “Functions
that can be assigned to the control pedal” (p. 55).
*
Use only the specified expression pedal (EV-5 or EV-7; sold
separately). By connecting any other expression pedal, you risk
causing malfunction and/or damage to the unit.
*
There’s no need to make a connection between the EXPRESSION
OUT connector of the PK-25A or PK-7A and the VR-700.
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Getting Ready
Connecting Playback Equipment
fig.ConnectPA.eps
Connecting an Amp and Speakers
1. Make sure that both the VR-700 and the equipment you
intend to connect are switched off.
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
2. Use audio cables to connect the VR-700’s rear panel
OUTPUT connectors to your playback equipment
(amplified speakers, mixer, etc.).
*
Audio cables are not included. If you want to purchase these items,
please contact the dealer where you purchased the VR-700.
Connecting Headphones
Mixer, etc.
1. Connect your headphones to the PHONES jack on the
VR-700’s rear panel.
Headphones
Powered speaker
*
Use headphones that have a 1/4” stereo plug.
Power amp/speaker
About the XLR connector OUTPUT connectors
The XLR connectors are wired as shown in the illustration.
Before you make connections, check the wiring of the
equipment you intend to connect.
fig.XLRJack.eps
1: GND
2: HOT
3: COLD
About the 1/4” phone jack OUTPUT connectors
If you connect a cable only to the L/MONO jack of the phone
jacks, the sound of the left and right channels will be mixed
and output in monaural.
*
*
The stereo signal will be output from the XLR connectors.
We recommend that you use stereo output. If you use
monaural output, the quality and character of the sound may
be affected, but this does not indicate a malfunction.
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Getting Ready
Connecting USB Memory
Attaching the Music Rest
Here’s how to attach the included music rest.
1. Make sure that the VR-700’s power is switched off.
1. Remove the two music rest fastening screws from the
rear panel.
fig.MusicrestRemove.eps
2. Connect your USB memory to the VR-700’s rear panel
USB MEMORY connector.
fig.ConnectUSBmem.eps
2. Tighten the two screws to fasten the music rest in place.
fig.MusicrestAttach.eps
•
Never insert or remove a USB memory device while this unit’s power
is on. Doing so may corrupt the unit’s data or the data on the USB
memory.
•
•
•
Carefully insert the USB memory all the way in—until it is firmly in
place.
If you’re using new USB memory, you must first initialize (format) it
on the VR-700, refer to “Formatting USB Memory” (p. 62).
For details on USB memory device that can be used with the VR-700,
refer to “Specifications” (p. 80). If you want to purchase USB
memory, please contact the retailer from whom you purchased the
VR-700.
•
•
When attaching the music rest, support it securely with your hand
so that it does not fall.
Be careful not to pinch your hand or fingers when attaching the
music rest.
•
•
Use only the included screws.
To detach the music rest, support it with your hand and slowly
remove the screws. After detaching the music rest, firmly tighten
the fastening screws.
•
The music rest fastening screws you remove must be kept out of the
reach of small children so that they will not be swallowed
accidentally.
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Getting Ready
Adjusting the Volume
Listening to the Demo Songs
The VR-700 contains 3 demo songs.
1. Use the [VOLUME] knob to adjust the volume.
Turning the knob toward the right will increase the volume, and
turning it toward the left will decrease the volume.
Composer/
Performer
No. Song Title
Copyright
You’ll also need to make appropriate volume adjustments on the
1
2
3
Desert Stroll
Mano Hanes © 2010 Roland Corporation
Kiyomi Otaka © 2010 Roland Corporation
connected equipment.
fig.VolAdj.eps
The Odd Mistress
7th Dance on a Sun Ray Ralf Schink
© 2010 Roland Corporation
*
All rights reserved. Unauthorized use of this material for purposes
other than private, personal enjoyment is a violation of applicable
laws.
fig.demo-play.eps
1. Simultaneously press the [RHYTHM/SONG] button and
the [
] (Play/Stop) button.
•
The VR-700 will enter Demo mode, and the display will indicate
.
•
•
The FAVORITE [1]–[3] buttons will blink.
In Demo mode, you can’t edit the organ sound, choose ensemble
sounds, or perform.
2. The blinking FAVORITE [1]–[3] buttons correspond to the
four demo songs. When you press one of the buttons, the
corresponding demo song will begin playing.
When the demo song has finished playing, the next demo song will
play.
3. To stop demo song playback, press the [
(Play/Stop) button.
]
4. To exit Demo mode, press the [DISPLAY/EXIT] button.
*
No data for the music that is played will be output from the MIDI
OUT connector and USB MIDI connector.
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Getting Ready
Indications when editing settings
Indications in the Display
When you’re changing the reverb or chorus type, the display will
indicate the respective type.
fig.paneldisp.eps
fig.disp-type01.eps
From this state, you can press the [DISPLAY/EXIT] button to return to
the previous display.
Indications in Function mode
fig.disp-func01.eps
Bank number
Favorite number
When you press the [FUNCTION/ENTER] button, the VR-700 will
enter Function mode. In Function mode you can specify Favorites
and make detailed settings for the VR-700 (p. 51).
When you switch on the VR-700’s power, the current favorite
number is shown in the display.
Pressing the [DISPLAY/EXIT] button cycles you through the
following choices for what is displayed.
fig.disp-norm01.eps
fig.arrow-right.eps
fig.disp-tone01.eps
Tone number of the
ensemble sound
Normal state
(indicates the favorite
number)
fig.arrow-top.eps
fig.arrow-bottom.eps
fig.disp-tempo01.eps
fig.arrow-reft.eps
fig.disp-player01.eps
Tempo of the internal
Player function’s rhythm
rhythm or song (p. 50)
and song selection (p. 49)
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Getting Ready
Turning the Lock Function On/Off
Disabling Panel Operations
(Lock Function)
1. Hold down the HARMONIC BAR [LOWER] button and
press the PLAYER [RHYTHM/SONG] button.
Lock function is a function that disables operation of the panel’s
buttons, and knobs. By locking the panel, you can prevent settings
from being inadvertently changed while you’re on stage.
When the panel has been locked, the VR-700 will be in the following
state.
•
•
Song playback will stop.
The following will be shown in the display.
fig.disp-func01.eps
Controls That can be Operated Even While
Locked
The following top panel controls can be operated even if the Lock
function is turned on. This allows you to control the sound of the
organ in real time even when the Lock function is on.
2. To turn off the Lock function, press the [DISPLAY/EXIT]
button.
•
•
•
•
Harmonic bars (see illustration)
Alternatively, you can turn off the Lock function by repeating the
action of step 1.
Some buttons and knobs of the organ section (see illustration)
D Beam controller
Organ control/Bender lever
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Getting Ready
Restoring the Factory Settings
(Factory Reset)
When you execute the Factory Reset operation, all Favorite settings
in the VR-700 and the values of the system parameters that can be
edited in Function mode will all be returned to their factory-set
condition.
If you want to keep the Favorite settings that are stored in the
VR-700 and the values of the system parameters, back them up
to USB memory as described in “Backing up Favorites to USB
Memory” (p. 48).
1. Press the [FUNCTION/ENTER] button.
The VR-700 will enter Function mode, and the display will indicate
.
2. Use the [–] button or [+] button to make the display
indicate
.
3. Press the [STRINGS] button.
The display will indicate
.
4. Press the [FUNCTION/ENTER] button.
The display will indicate
.
5. To execute the Factory Reset, press the [FUNCTION/
ENTER] button.
The display will indicate
executed.
while the Factory Reset is being
Never turn off the VR-700’s power while the Factory Reset is
being executed.
*
If you decide not to execute the Factory Reset, press the [DISPLAY/
EXIT] button.
6. When the Factory Reset is completed, the display will
indicates
.
Turn the VR-700’s power off, then on again.
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Playing the VR-700
When using an external MIDI keyboard
If you connect an external MIDI keyboard to the MIDI IN connector
on the rear panel, you can use your external MIDI keyboard to play
the upper part while using the VR-700’s keyboard to play the lower
The VR-700 has three parts: Upper part, Lower part, and Pedal part.
You can play a different sound in each of the three parts.
part (or vice versa).
fig.part-uploWmidi.eps
External MIDI keyboard
Upper Part
MIDI
When the Split function (p. 34) is off, the Upper part will sound when
Upper part
you play the keyboard.
fig.part-upper.eps
VR-700
VR-700
Upper part
•
•
If you’re using an external MIDI keyboard, change the Function
mode setting Sub Keyboard Function to upper (or lower). For more
about the Sub Keyboard Function setting, refer to “Various Settings
(Function mode)” (p. 51) and “Sub Keyboard Function” (p. 57).
Lower Part
If you turn on the Split function, the higher range of the keyboard
For details on connecting your external MIDI keyboard, refer to
“Connecting an External MIDI Keyboard” (p. 66).
will play the upper part and the lower range will play the lower part.
fig.btn-split.eps
fig.part-uplo.eps
VR-700
Lower part
Upper part
For more about the Split function, refer to “Playing the Sounds
of Two Parts on the Keyboard (Split)” (p. 34).
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Playing the VR-700
Pedal Part
Organ Sounds and Ensemble
Sounds
To turn on the Split function, hold down the [LOWER] and [UPPER]
buttons, and press the [SPLIT] button; the higher range of the
keyboard will play the upper part, and the lower range of the
Organ sounds
keyboard will play the pedal part.
fig.btn-splitpedal.eps
You can play different organ sounds from each of the VR-700’s three
parts.
The upper, lower, and pedal parts correspond to the upper organ,
lower organ, and pedal organ sounds, respectively.
fig.part-3organ.eps
VR-700
Lower organ
Upper organ
Pedal keyboard
fig.part-uppdl.eps
VR-700
Pedal organ
Ensemble sounds
Pedal part
Upper part
In addition to organ sounds, you can also play ensemble sounds (p.
46). The VR-700 contains various ensemble sounds. You can play
two ensemble sounds simultaneously.
If you hold down the [LOWER] button and press the [SPLIT]
button, the higher range of the keyboard will play the upper
part, and the lower range of the keyboard will play the lower
part.
The two ensemble sounds can be assigned to any desired parts.
The illustration below is a conceptual diagram of sounds assigned to
the upper part and lower part.
fig.part-3organ2ens.eps
When using a pedal keyboard
VR-700
If you connect a pedal keyboard to the rear panel MIDI PEDAL IN
connector, you can use your pedal keyboard to play the pedal part.
fig.part-pedal.eps
Ensemble sound 1
Lower organ
Ensemble sound 2
Upper organ
VR-700
Pedal keyboard
Upper part
MIDI
Pedal organ
Pedal keyboard
Pedal part
For details on connecting your pedal keyboard, refer to
“Connecting a Pedal Keyboard” (p. 20).
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Playing the VR-700
1. Changing the ensemble sound’s variation
Playing Organ Sounds and
fig.ens-assign02.eps
Ensemble Sounds Together (Layer)
Layering Ensemble Sounds
You can assign an ensemble sound to a desired part, and play it
together with an organ sound.
fig.layer01.eps
When the TONE indicator is lit, you can use the [+] button or [–]
button to select variations of the ensemble sound.
2. Adjusting the ensemble sound’s volume
1. Press the [LAYER] button to turn it on; layering is now
enabled.
Use the [ENSEMBLE VOLUME] bar to adjust the volume of the
ensemble sound.
fig.ens-assign03.eps
2. Press one of the ensemble sound buttons.
The ensemble sound will be assigned to the upper part; when you
play the keyboard, you’ll hear the upper organ and the ensemble
sound together.
fig.Layer-assign01.eps
Upper organ
Ensemble sound
•
•
The display will indicate the ensemble sound’s tone number (p. 24).
If you press an ensemble sound button without pressing the
[LAYER] button, only the ensemble sound will be heard (p. 33).
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Playing the VR-700
3. Assigning an ensemble sound to the lower part
Layering Two Ensemble Sounds
To assign the ensemble sound to the Lower part, press the [TO
LOWER/PEDAL] button.
1. Press the [LAYER] button to turn it on; layering is now
The [TO LOWER/PEDAL] button will light and “Lo” will be shown in
the display.
enabled.
fig.layer01.eps
At the same time, Split (p. 34) will turn on, allowing you to play the
upper organ sound in the upper part.
fig.ens-assign04.eps
2. While holding down an ensemble sound button, press
the button of another ensemble sound.
•
While you hold down the two sound buttons, the display will
indicate the volume balance between the two ensemble sounds (p.
31).
•
When you play the upper part, you’ll hear the upper organ and the
two ensemble sounds together.
fig.ens-assign11.eps
Lower organ
Upper organ
Ensemble sound
4. Assigning an ensemble sound to the pedal part
To assign the ensemble sound to the Pedal part, hold down the [TO
LOWER/PEDAL] button while you press the [–] button.
The [TO LOWER/PEDAL] button will light and “Pd” will be shown in
the display.
Upper organ
Ensemble sound 1
Ensemble sound 2
When you press the [SPLIT], [LOWER], and [UPPER] buttons
simultaneously, the Split function will turn on; the higher range
of the keyboard will play the upper part, and the lower range of
the keyboard will play the pedal part (p. 28).
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Playing the VR-700
The ensemble sound button you pressed first will light red, and the
ensemble sound button you pressed second will light green.
2. Adjusting the volume balance of the ensemble
sounds
The ensemble sound whose button is lit red is called “ensemble
sound 1,” and the ensemble sound whose button is lit green is
called “ensemble sound 2.”
While holding down the buttons of ensemble sound 1 and
ensemble sound 2, press the [+] button or [–] button to change the
volume balance of the ensemble sounds.
fig.ens-assign12.eps
Lights green:
Ensemble sound 2
Lights red:
Ensemble sound 1
fig.ens-assign15.eps
1. Changing the ensemble sound’s variation
For ensemble sound 1
In the same way as when using only one ensemble sound (p. 46), the
variation of ensemble sound 1 can be changed by using the [+]
button or [–] button when the TONE indicator is lit.
Volume of
ensemble sound 1
Volume of
ensemble sound 2
For ensemble sound 2
To change the variation of ensemble sound 2, hold down the button
of ensemble sound 2, and use the [+] button or [–] button.
fig.ens-assign13.eps
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Playing the VR-700
3. Assigning an ensemble sound to the lower part
For ensemble sound 1
4. Assigning an ensemble sound to the pedal part
For ensemble sound 1
In the same way as when using just one ensemble sound (p. 30),
press the [TO LOWER/PEDAL] button; the lower part will switch to
ensemble sound 1, and the [TO LOWER/PEDAL] button will light.
In the same way as when using just one ensemble sound (p. 30), the
ensemble sound is assigned to the Pedal part by holding down the
[TO LOWER/PEDAL] button and pressing the [–] button.
The [TO LOWER/PEDAL] button will light and “Pd” will be shown in
the display.
For ensemble sound 2
Hold down the button of ensemble sound 2 and press the [TO
LOWER/PEDAL] button; the lower part will switch to ensemble
For ensemble sound 2
sound 2.
fig.ens-assign16.eps
To assign the Ensemble 2 sound to the Pedal part, hold down both
the Ensemble 2 button and the [TO LOWER/PEDAL] button while
you press the [–] button.
Lights green:
Ensemble sound 2
If you hold down the [LOWER] and [UPPER] buttons and press
the [SPLIT] button, the Split function will turn on, allowing you
to play the upper part in the higher range of the keyboard and
the pedal part in the lower range of the keyboard (p. 28).
The [TO LOWER/PEDAL] button indicates the status of
ensemble sound 1. If you hold down the button of ensemble
sound 2, the [TO LOWER/PEDAL] button will instead indicate
the status of ensemble sound 2.
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Playing the VR-700
Playing Only the Organ Sound
Playing Organ Sounds or Ensemble
Sounds Individually
1. Press the [ORGAN ON] button.
The [ORGAN ON] button will light, and all parts will play the organ
sound.
Playing Only an Ensemble Sound
The ensemble sound selection will be cleared. If you want to
play ensemble sounds again, you’ll need to re-select the
ensemble sound.
1. Turn off the Split function.
If the Split function is on, press the [SPLIT] button so it’s turned off.
2. Press the ensemble sound button.
Changing a layered part to play only the organ
sound
The ensemble sound will be assigned to the upper part.
The organ sound will be muted.
fig.Single01.eps
2. Press the [ORGAN ON] button.
The [ORGAN ON] button will light, and all parts will play the organ
sound.
The ensemble sound selection will be cleared. If you want to
layer ensemble sounds again, enable layering as described in
“Playing Organ Sounds and Ensemble Sounds Together
(Layer)” (p. 29).
•
•
You can switch variations of the ensemble sound, adjust its volume,
and assign it to the lower part or pedal part in the same way as
when Layer is turned on. For details, refer to “Playing Organ Sounds
and Ensemble Sounds Together (Layer)” (p. 29).
Operation when playing two ensemble sounds is the same as when
Layer is on. For details, refer to “Layering Two Ensemble Sounds” (p.
30).
Switching a layered part to only the ensemble
sound
1. Press the [LAYER] button to turn it off.
The [ORGAN ON] button will go out, and the organ sound will be
muted.
If you’ve layered the organ sound and ensemble sound for
more than one part, the organ sound will be muted for both
parts. It’s not possible to mute the organ sound for just one of
the parts.
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Playing the VR-700
Playing the upper part and pedal part
Playing the Sounds of Two Parts on
the Keyboard (Split)
To turn on the Split function, hold down the [LOWER] and [UPPER]
buttons, and press the [SPLIT] button; the higher range of the
keyboard will play the upper part, and the lower range of the
keyboard will play the pedal part.
fig.btn-splitpedal.eps
Playing the upper part and lower part
Press the [SPLIT] button; the upper part will be assigned to the
upper zone of the keyboard, and the lower part to the lower zone of
the keyboard.
fig.btn-split.eps
fig.part-uppdl.eps
VR-700
fig.part-uplo.eps
VR-700
Pedal part
Upper part
If you hold down the [LOWER] button and press the [SPLIT]
button, the higher range of the keyboard will play the upper
part, and the lower range of the keyboard will play the lower
part.
Lower part
Upper part
Split will automatically be turned on when you assign an
ensemble sound to the lower part (p. 30).
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Playing the VR-700
Boundary Between Upper and Lower Parts
(Split Point)
How the Split Point Is Shown
When indicating the key that is the Split Point, the display
shows the note name followed by a number that signifies the
octave.
The VR-700 has a printed symbol to indicate the boundary (the split
point) between the upper part and lower part.
fig.splitpt.eps
fig.disp-split.eps
Note name Octave
Display
Note name
Display
Note name
C
C
D
E
F
G
A
A
B
B
When you press the [SPLIT] button to turn Split on, the display will
indicate the split point.
The split point is indicated as the highest key of the lower part
(or the pedal part.)
E
F
Changing the split point
You can use either of the following two ways to change the split
point.
•
•
Hold down the [SPLIT] button and press the key of the desired split
point.
Hold down the [SPLIT] button and use the [+] button or [–] button to
specify the desired split point.
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Playing the VR-700
Using the D Beam Controller to
Modify the Sound
Effects applied to ensemble sounds
By moving your hand above the D Beam controller you can apply a
When you press a button, it will light red, and the D Beam effect will
be applied to ensemble sounds.
variety of effects to the VR-700’s sound.
fig.Dbeam01.eps
*
For details on how to assign an ensemble sound, refer to “Playing
Organ Sounds and Ensemble Sounds Together (Layer)” (p. 29).
Button (lights red)
Effect
The pitch will fall as you move your hand
closer to the D Beam controller.
The maximum amount of pitch change
depends on the Function mode “Bend
Range” setting (p. 54).
[PITCH] button
The high-frequency range will be diminished
as you move your hand closer to the D Beam
controller, producing a more muffled sound.
[FILTER] button
The volume will decrease as you move your
hand closer to the D Beam controller.
[VOLUME] button
*
The D Beam effect will apply to all ensemble sounds.
Effects applied to organ sounds
1. Press a button to select the D Beam effect.
The button will light, and the D Beam effect will be selected.
When you press a button twice, it will light green, and the D Beam
effect will be applied to organ sounds.
Press the lit button a number of times until its light goes out; the D
beam will be turned off.
Button (lights green)
Effect
2. While you play, place your hand above the D Beam
controller and slowly move it up and down.
The Wheel Brake (p. 37) will be applied as you
move your hand closer to the D Beam
controller. The Wheel Brake will turn off
when you move your hand away from the D
Beam controller.
[WHEEL BRAKE] button
The effect will be applied when you move your hand near the D
Beam controller, and will return to its original state when you move
your hand away. The button will blink when the D Beam controller is
responding.
The Ring Modulator (p. 37) will be applied
when you move your hand close to the D
the D Beam controller, the stronger the Ring
Modulator will be.
[RING MOD] button
The usable range of the D Beam controller
A spring reverb shock sound (p. 37) will be
heard when you move your hand close to the
D Beam controller.
fig.splitpt.eps
[SPRING SHOCK] button
*
The volume of the spring reverb shock sound can be adjusted by
the REVERB [LEVEL] knob. The spring shock will be more effective if
you choose “SPRING” as the reverb type (p. 44).
The diagram shows the usable range of the D Beam controller.
Moving your hand outside this range will produce no effect.
*
The sensitivity of the D Beam controller will change depending
on the amount of light in the vicinity of the unit. If it does not
function as you expect, adjust the sensitivity as appropriate for
the brightness of your location (p. 54).
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Playing the VR-700
What is the Wheel Brake?
This simulates the way in which the tonewheels stop rotating
when you switch off the power on a tonewheel organ.
Since the amplifier of a tonewheel organ consisted of analog
circuits using vacuum tubes, it would continue to produce
sound for a short time even after the power was turned off.
However, since the organ’s tonewheels would start slowing
down as soon as the power was turned off, this would make
the pitch drop. The technique of stopping the tonewheels was
sometimes used on tonewheel organs. A skilled performer
could use this effect within their music.
What is a Ring Modulator?
This simulates a circuit that produces an unpitched metallic
sound by varying the frequency of the ring modulator’s
internal oscillator.
In hard rock of the past, some organ players applied aggressive
effects such as a ring modulator to their organ in order to
compete with the aggressive playing of the electric guitarist.
A ring modulator is an effect that generates complex overtones
that are not found in the original sound. These complex
overtones create a metallic-sounding resonance.
The word “ring” comes from the ring-shaped circuit that is
formed when a ring modulator is constructed using analog
components.
What is a Spring Reverb?
In the days when analog circuits were used, some reverb units
produced their reverb effects by using a spring. This was the
Spring Reverb. When physical impact is applied to a spring
reverb unit, the springs bounce against each other, producing
a distinctive clashing sound. Some performers used this sound
intentionally.
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Creating Organ Sounds
About Virtual Tonewheel Sound
Generators
Varying the Sound in Real Time
(Harmonic Bars)
Tonewheel organs are a type of organ that produce their sound by
means of toothed wheels called “tonewheels.”
The harmonic bars are controllers that create the basic framework of
the organ sound. By sliding the nine bars in or out, you can vary the
organ sound in real time.
fig.H-bar.eps
Tonewheel organs contain numerous tonewheels, with each wheel
corresponding to a key. The tonewheels are rotated by a motor.
When a key is pressed, a pickup detects the motion of that wheel’s
teeth as they rotate past a pickup, and converts this motion into
sound. Because of this method of producing sound, tonewheel
organs are able to produce sounds with a rapid (strong) attack, and
came to be used in a wide range of musical styles.
The VR-700 contains a “virtual tonewheel sound generator,” which
uses digital technology to faithfully simulate the sound-generating
methods of a tonewheel organ. In the same way as a traditional
tonewheel organ, the VR-700 lets you use harmonic bars to create
the basic sound of the organ.
An overtone of a different pitch is assigned to each harmonic bar,
and you can create the organ sound by combining these overtones.
It also uses digital technology to faithfully simulate various
distinctive characteristics of the tonewheel organ, and allows you to
freely vary these.
If you push a harmonic bar inward until none of the numerals
printed on it are visible, the overtone corresponding to that
harmonic bar will not be heard. If the harmonic bar is pulled
Ordinarily, the tone wheels revolve at a fixed speed. However, some
performers have been known to use a technique whereby they raise
the pitch by pushing the start switch while they’re performing,
which increases the speed of the tone wheels’ revolution. You can
re-create this effect by turning on the [ORGAN CONTROL] button,
then pushing the bend lever away from yourself.
outward all the way, its volume will be at the maximum.
fig.H-bar-Logic.eps
In addition, it digitally recreates the vibrato, chorus, and rotary
speaker sounds that are indispensable to an organ sound, giving
you a great deal of freedom to create the sound you want.
Time
Time
8’ volume: 8
4’ volume: 5
Time
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Creating Organ Sounds
Using the Harmonic Bars to Create Sounds
Harmonic Bars and Overtones
The numbers (16’, 5-1/3’, etc.) printed on each harmonic bar are the
“footage” (a number of feet). The footage plays an important role in
determining the tonal character. 8’ is the basic footage (pitch); you’ll
be creating the sound around this basic pitch.
1. Press either the HARMONIC BAR [UPPER] button or the
[LOWER] button to select the part whose sound you want
to create.
fig.pnl-assgn.eps
If you play the middle ‘C’ note (C4), the harmonic bars will be
sounding the following pitches.
fig.H-bar-Harmonic.eps
1
2
3
1
16’
5
/3’ 8’
4’
2
/3’ 2’
1
/5’ 1 /3’ 1’
one octave
below
5th
root
8th
12th
15th
17th
19th
22th
Part
Operation
Upper part
Lower part
Press the [Upper] button
Press the [Lower] button
Press the [Upper] button and [Lower]
button simultaneously
Pedal part
There are three colors of harmonic bars. Those that are in octave
multiples of 8’ are white, those that are not octave multiples are
black, and the lower-pitched bars are brown.
“About the VR-700’s Parts” (p. 27)
2. Press the [MANUAL] button.
When you press the [MANUAL] button so it’s lit, the organ sound will
reflect the current settings of the harmonic bars.
3. Move the harmonic bars to modify the sound.
•
•
•
•
If percussion is turned on, the 1’ sound will not be heard (p. 41).
For the Pedal part, only the 16’ and 8’ sounds will speak.
To hear the sound of the lower part, turn Split on, and then use the
left range of the keyboard to play the sound of the lower part (p. 34)
or connect an external MIDI keyboard (p. 66). To hear the sound of
the pedal part, turn Split on, and then use the left range of the
keyboard to play the sound of the pedal part (p. 34) or connect an
external pedal keyboard (p. 20).
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Creating Organ Sounds
What is footage?
This comes from the length of pipes in a pipe organ. On a
pipe organ, the pipes that sound the fundamental pitch of
each key are considered by convention to have a length of
eight feet (8’). A pipe that is half this length will produce a
pitch that is one octave higher, and a pipe that is double this
length will produce a pitch that is one octave lower. Thus, the
sixteen-foot (16’) pipe is one octave lower, and the four-foot
(4’) pipe is one octave higher.
A tonewheel organ’s overtone structure
In certain regions of a tonewheel organ’s keyboard, the
overtones will not correspond to the configuration of the
harmonic bars. In order to prevent unpleasantly high or low
pitches, the high footage is “folded back down” in one-
octave units for the high range, while the low footage is
“folded back up” in one-octave units for the low range. The
VR-700 faithfully reproduces this characteristic of tonewheel
organs.
How the harmonic bars are arranged
If you take a look at how the harmonic bars are arranged,
you’ll notice that the 5-1/3’ footage alone is not located in
the order of its pitch. This is because the 5-1/3’ pitch is not a
multiple of the 8’ pitch, but a multiple (the third harmonic) of
the 16’ pitch. In general, sounds consisting only of overtones
that are integer multiples will sound consonant, while sounds
that contain non-integer multiples will sound muddy. Since
the 5-1/3’ pitch is more easily understood as an overtone of a
16’ fundamental, the 5-1/3’ harmonic bar is placed beside the
16’ harmonic bar.
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Creating Organ Sounds
Using Percussion to add a Sense of Attack
fig.pnl-perc.eps
Percussion adds a sharply decaying component to the beginning of
the sound, giving the sound more crispness. When you play legato,
percussion is added only to the first note you play. When you play
staccato, percussion is added to each note.
*
Percussion can be added only to the upper part’s organ sound.
Percussion cannot be added to the lower part, the pedal part, or to
ensemble sounds.
Button
ON
OFF
The percussion sound will be decreased, and the harmonic bars will
The percussion sound will be at its normal volume, and the sound of
have their usual volume.
the harmonic bars will be decreased.
fig.Perc-Soft.eps
fig.Perc-Hard.eps
Volume
Volume
Percussion
Percussion sound will decay
Volume of the
harmonic bar
Volume of the harmonic
bars will decreases
[SOFT] button
Time
Time
*
The volume when percussion is softened can be adjusted by the
Function mode setting “Percussion Soft Level” (p. 52).
*
The volume when percussion is normal can be adjusted by the
Function mode setting “Percussion Normal Level” (p. 52).
The percussion sound will decay more slowly, producing a gentler
The percussion sound will decay quickly, producing a sharper attack.
attack.
fig.Perc-Slow.eps
fig.Perc-Fast.eps
Volume
Volume
Long decay time
Short decay time
Percussion
Percussion
[SLOW] button
Volume of the
harmonic bars
Time
Time
*
The percussion decay time can be adjusted by the Function mode
setting “Percussion Slow Time” (p. 52).
*
The percussion decay time can be adjusted by the Function mode
setting “Percussion Fast Time” (p. 52).
[SECOND] button
[THIRD] button
Percussion of the same pitch as the 4’ harmonic bar will be heard
Percussion will not sound.
Percussion will not sound.
•
•
•
If percussion is on, the 1’ harmonic bar will not sound.
The [SECOND] button and [THIRD] button cannot be turned on simultaneously.
If you turn the [SOFT] button off, the organ sound specified by the harmonic bars will decrease. This reproduces the characteristics of a tonewheel
organ. The Function mode setting “Percussion H-Bar Level” lets you specify how much the organ volume will decrease when the [SOFT] button is
turned off (p. 52).
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Creating Organ Sounds
Adding Modulation to the Sound
(Vibrato and Chorus)
About percussion on a tonewheel organ
The percussion sound on a tonewheel organ does not apply to
all the keys you play. Percussion will apply only to those keys
that are simultaneously pressed from a state of no keys being
pressed.
By pressing the [VIBRATO] button or [CHORUS] button to turn it on,
you can apply vibrato or chorus to the organ sound.
ig.pnl-vibcho.eps
If you play legato, percussion will apply only to the first note
you play. If you play staccato, percussion will apply to every
note. This is called the “single-trigger algorithm,” and is an
indispensable part of organ performance expression.
On a tonewheel organ, the percussion is created by analog
circuitry. For this reason, the percussion circuit may not have
enough time to recharge if there is only an extremely brief
interval between the releasing of a key to the pressing of the
next key, causing the percussion to sound at a lower volume.
The VR-700 reproduces this characteristic of the circuit’s
recharge time, and provides a Function mode setting
“Percussion Recharge Time” that lets you adjust it (p. 52).
*
*
You can’t apply vibrato and chorus simultaneously. Nor can you
apply vibrato or chorus with differing settings to the upper part,
lower part, and pedal part.
Vibrato and chorus will not apply to the percussion sound.
Turning on Vibrato or Chorus
1. Press the [VIBRATO] button or the [CHORUS] button.
The button you pressed will light, and the vibrato or chorus effect
will be applied to the organ sound.
Changing the Vibrato or Chorus Type
The vibrato and chorus effects can each be switched between three
types.
*
You can’t switch the vibrato or chorus type when vibrato or chorus
is on.
1. Verify that vibrato or chorus is off, and press the
[VIBRATO] button or [CHORUS] button.
The display will indicate the current vibrato type (V-1, V-2, V-3) or
chorus type (C-1, C-2, C-3).
2. Use the [–] button or [+] button to change the vibrato or
chorus type.
The effect will intensify as the vibrato type (V-1, V-2, V-3) or
chorus type (C-1, C-2, C-3) moves to a higher number.
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Creating Organ Sounds
Adding Rotary Speaker Modulation
Detailed settings for the rotary speaker
You can add the modulating sound that is typical of an organ with a
In Function mode you can make detailed settings for the rotary
speaker (p. 53).
rotary speaker connected.
fig.pnl-rot.eps
Speaker volume
You can specify the volumes of the tweeter and the woofer.
•
•
Volume of the tweeter: Rotary Tweeter Level
Volume of the woofer: Rotary Woofer Level
Rotational speed switching time
You can specify whether the rotational speed will change
slowly or quickly.
The higher the value, the faster the change.
Changing from SLOW to FAST
•
•
Woofer:
Rotary Woofer Rise Time
Rotary Tweeter Rise Time
Tweeter:
The most typical rotary speaker unit contained a high-frequency
speaker (tweeter) and a low-frequency speaker (woofer), each of
which rotated at a different speed. The VR-700 simulates the effect
produced by a rotary speaker.
Changing from FAST to SLOW
•
•
Woofer:
Rotary Woofer Rise Time
Rotary Tweeter Rise Time
Tweeter:
You can use the buttons in the rotary sound section to control the
operation of the rotary speaker.
Spread
You can specify the amount by which the sound will appear to
be spread to left and right by the rotation of the speaker.
Button
Description
•
•
Woofer:
Rotary Woofer Spread
Rotary Tweeter Spread
[ON] button
Turns on the rotary speaker effect.
Tweeter:
Switches the rotational speed of the
rotary speaker.
Press the [SLOW/FAST] button to toggle
between FAST and SLOW.
FAST is selected when the indicator is
blinking rapidly, and SLOW is selected
when the indicator is blinking slowly.
Rotational speed
[SLOW/FAST]
button
You can specify the speeds of the SLOW and the FAST rotation.
SLOW rotational speed
•
•
Woofer:
Rotary Woofer Slow Speed
Rotary Tweeter Slow Speed
When you turn this on (lit), the rotational
speed of the speaker will slow down and
eventually stop completely.
Tweeter:
FAST rotational speed
•
•
Woofer:
Rotary Woofer Fast Speed
Rotary Tweeter Fast Speed
*
The function mode setting “Rotary
Brake Position” lets you specify
at a random angle or at the same angle
each time when the rotation is stopped
completely (p. 52).
[BRAKE] button
Tweeter:
Distance between speaker and microphone
The distance between the speaker and the microphone will
affect the depth of the modulation.
•
Rotary Mic Distance
You can also use the bender lever (p. 14) or foot pedal to
control the operation of the [SLOW/FAST] button and [BRAKE]
button (p. 55).
Inconsistency of the speaker’s rotation
Depending on the condition of the rotary speaker, the
speaker’s rotation might not be perfectly consistent, and this
can create distinctive sounds.
•
Rotary Speed Randomize
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Creating Organ Sounds
Making the Sound Distort
Adding Reverberation (Reverb)
1. Turn the Rotary Sound section’s [GAIN] knob toward the
right.
The reverb effect adds reverberation to the sound.
fig.pnl-rev.eps
Turning the knob toward the right will raise the gain, adding
distortion to the sound.
About the amp types
The VR-700 also faithfully simulates the amp that is combined
with the rotary speaker. The VR-700 simulates five different
amp types, allowing you to produce various kinds of distortion.
You can change the amp type by editing the Function mode
setting “Amp Type” (p. 52).
From a jazzy sound to a heavily overdriven sound suitable for
rock, you can change the amp type to enjoy sounds suitable for
a variety of musical styles.
1. Turn the REVERB [LEVEL] knob to adjust the reverb
depth.
About the Active Amp Enhancer
Turning the knob toward the right will increase the reverb.
If you turn the knob all the way to the left, there will be no reverb.
When turned on, the sound is modified in a way that makes the
lower range thicker while producing characteristic distortion in
the middle to upper ranges; this modification takes into
account the settings for the amp type and the current statuses
of the expression pedal and harmonic bars.
Reverberation will be applied both to the organ sound and the
ensemble sounds. You can adjust the reverb balance between
the organ sounds and ensemble sounds. For details, refer to
Function mode “Reverb Send Level” (p. 52, p. 53).
Turning the [GAIN] knob clockwise makes the effect stronger.
Changes can be made by means of the Function mode’s
“Active Amp Enhancer” (p. 52).
Changing the Reverb Type
By changing the reverb type you can experience the sensation of
performing in a variety of locations.
1. Press the REVERB [TYPE] button.
The reverb type will change each time you press the [REVERB]
button, and the display will indicate the reverb type.
Display
Reverb type
Character
Room
The reverberation of a room
Hall
The reverberation of a large hall
The reverberation of a cathedral
Cathedral
Spring reverb
The reverberation of a spring
reverb unit
2. Use the [–] button or [+] button to change the reverb
type.
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Creating Organ Sounds
Using a Pedal to Adjust the Volume
Other settings for the organ sound
If you connect an expression pedal, you’ll be able to use the pedal to
In Function mode you can make additional detailed settings
for the tonewheel organ.
adjust the volume of the organ sound and ensemble sound.
fig.ConnectPedals.eps
Type of tonewheel
Due to the manufacturing precision of the tonewheels and the
performance of the analog circuitry, the sounds produced by
the tonewheels will not be perfect sine waves. This contributes
to the distinctive character of a tonewheel organ. The VR-700
can simulate the sounds of four different types of tonewheels.
The tonewheel type can be changed by the Function mode
setting “Wheel Type” (p. 52).
Leakage noise
On a tonewheel organ, a small amount of the signal from
tonewheels unrelated to the keys you pressed will leak into the
sound of the keys you pressed. This “leakage noise” is
considered a drawback of tonewheel organs, but some people
sounds.
Expression pedal
Stepping on the pedal will increase the volume, while releasing the
pedal will decrease the volume.
You can adjust the level of the leakage noise by using the
Function mode setting “Leakage Level” (p. 52).
*
The organ volume will not reach 0 even if you completely release
expression pedal.
Key click
This is the click noise heard when you press or release a key.
On the earliest traditional tonewheel organs, a “click” noise
occurred when you pressed or released a key. This was initially
considered a problem, but blues and rock performers began to
take advantage of it in their performances, and it is now
considered a distinctive aspect of some jazz sounds.
For details on connecting an expression pedal, refer to
“Connecting an Expression Pedal and Damper Pedal” (p. 20).
The noise that is heard when you press or release a key can be
adjusted in Function mode (p. 52).
•
Volume of noise when you press a key:
Key On Click Level
•
Volume of noise when you release a key:
Key OFF Click Level
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Playing Ensemble Sounds
The VR-700 provides ensemble sounds such as piano and strings.
You can play two ensemble sounds simultaneously, and assign
Octave Shift
them to the desired parts (p. 28). You can also play ensemble sounds
layered with organ sounds (p. 29).
You can shift the pitch of the ensemble sound in steps of an octave.
By combining these sounds with the organ you can make your
performances even more expressive.
1. Hold down the [OCTAVE SHIFT] button and use the [+]
button or [–] button.
fig.pnl-ens.eps
*
You can shift the pitch in a range from -2 octaves to +2 octaves.
Effects for the Ensemble Sound
An effect suitable for the character of each ensemble sound can be
applied to the ensemble sound.
*
The type of effect will differ depending on the category and
variation of the ensemble sound. You can’t change the type of
effect.
Turning the effect on/off
1. Press the EFFECT [ON] button.
The button will light, and the effect will turn on.
Selecting an Ensemble Sound
Changing the amount of effect
1. Turn the EFFECT [CONTROL] knob.
“Ensemble Sound List” (p. 68)
Turning the knob toward the right will make the effect stronger.
1. Press an ensemble sound button; the upper part will
switch to that ensemble sound.
The display will indicate the tone number of that category of sound.
2. Use the [+] button or [–] button to select variations of
that category of sound.
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Storing Your Favorite Settings (Favorites)
three parts, along with the Layer and Split status, can be saved as a
Saving the Current Settings as a
“favorite” in the VR-700’s internal memory.
Favorite
The VR-700’s internal memory can store 64 favorites.
A set of these 64 favorites can also be backed up to USB memory
(sold separately) connected to the USB MEMORY connector.
1. While holding down the [WRITE] button and [BANK]
button, press one of the FAVORITE [1]–[8] buttons to
specify the save-destination bank.
*
Some parameters of Function mode are stored independently for
each favorite. For details on the parameters stored for each favorite,
refer to “Parameter List” (p. 52).
The display will indicate the number of the bank you specified.
fig.pnl-favolite.eps
You don’t need to specify the bank over again if you intend to
save the Favorite in the current bank.
2. Hold down the [WRITE] button and press one of the
FAVORITE [1]–[8] buttons to specify the save-destination
favorite number.
The display will indicate the favorite number you specified, and the
current settings will be saved as a favorite.
Initializing the Favorites
If you want to erase the 64 favorites stored in internal memory,
returning them to their factory settings, execute the Factory Reset
operation (p. 26).
Selecting a Favorite
When the VR-700 is shipped from the factory, the 64 favorites
contain various sounds and settings.
Try selecting the factory-set favorites, and listen to their sounds.
1. Hold down the [BANK] button and press one of the [1]–
[8] buttons to select a bank.
While you hold down the [BANK] button, the button
corresponding to the currently selected bank will light.
2. Press one of the [1]–[8] buttons to select a favorite.
The selected button will light.
3. Play the keyboard and try out the sound.
If you’re selecting a different favorite within the same bank,
there’s no need to re-specify the bank.
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Storing Your Favorite Settings (Favorites)
Memory
Restoring from USB Memory
When you execute this operation, the 64 favorites and the system
parameters will be restored into the VR-700’s memory from the USB
backup.
When you execute this operation, all favorites stored in the VR-700
and the values of system parameters that can be edited in Function
mode will be backed up to USB memory.
You can choose whether to restore the 64 favorites and system
parameters together, or to restore only the 64 favorites and leave
the system parameters as they were.
1. Connect your USB memory to the rear panel USB
MEMORY connector (p. 22).
When you execute this operation to restore from USB memory,
the 64 favorites currently in the VR-700’s internal memory and
its Function mode system parameters will be erased
(overwritten by the restored data). This data cannot be
recovered, so we recommend that you back it up before you
proceed (p. 48).
2. Press the FAVORITE [FILE SAVE] button.
3. Use the [+] button or [–] button to specify the backup
number.
You can create up to 99 backups (numbered 01–99) on a single USB
memory device.
1. Connect your USB memory to the rear panel USB
MEMORY connector (p. 22).
*
*
If you specify a number for which a backup already exists, the
decimal point at the right edge of the display will light.
2. Press the FAVORITE [FILE LOAD] button.
If USB memory is not correctly inserted, the display will indicate
.
3. Use the [+] button or [–] button to select the desired
backup number.
4. When you’ve specified the backup number, press the
[FUNCTION/ENTER] button.
*
If USB memory is not correctly inserted, the display will indicate
.
Backup to USB memory will begin.
*
*
If you decide not to execute the Backup operation, press the
[DISPLAY/EXIT] button.
4. If you want to restore both the favorites and the system
parameters, press the [FUNCTION/ENTER] button.
If a backup already exists at the number you’ve specified,
will appear in the display. If you’re sure that you don’t mind
overwriting the existing backup, press the [FUNCTION/ENTER]
button.
If you want to restore only the favorites, hold down the
[BANK] button and press the [FUNCTION/ENTER] button.
*
If you decide not to execute the Restore operation, press the
[DISPLAY/EXIT] button.
If instead you want to select a different number, press the [DISPLAY/
EXIT] button.
Do not switch off the VR-700’s power while the restoration is
being executed.
Do not switch off the VR-700’s power while the backup is being
executed.
5. When the restoration is completed, the display will
return to its previous state.
5. When the backup is completed, the display will return to
its previous state.
48
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Playing Rhythms and Songs (Player Functions)
The VR-700 contains 51 rhythm patterns.
It can also play back SMF music data or audio data stored on USB
Button operations for the Player function
memory.
You can use the following buttons to perform operations such
as Play and Stop for the internal rhythms, or for SMF music data
or audio filea stored on USB memory.
fig.btn-allocate.eps
Playing Internal Rhythms
1. Press the PLAYER [RHYTHM/SONG] button.
fig.btn-player.eps
Action
Operation
Press the [
Stop) button
] (Play/
] (Play/
Play
The display will indicate
.
Press the [
Stop) button during playback
Stop
If the display does not indicate
, try pressing the
[RHYTHM/SONG] button once again.
Return to the beginning of the
song
Press the [–] button
Each time you press the [RHYTHM/SONG] button, you’ll
alternate between selecting internal rhythms and selecting
songs from USB memory (p. 49).
Hold down the [–] button for
several seconds during
playback
Rewind
Hold down the [+] button for
several seconds during
playback
2. Use the [+] button or [–] button to select the rhythm that
you want to play.
Fast-forward
Advance to the beginning of
the next song
Press the [+] button
“Internal Rhythm Pattern List” (p. 71)
3. Press the [
] (Play/Stop) button; the rhythm
] (Play/Stop) button once
Selecting the rhythm or song to play
will play.
Each time you press the PLAYER [RHYTHM/SONG] button,
you’ll switch between selecting internal rhythms or songs from
4. To stop, press the [
again.
USB memory.
fig.disp-file.eps
5. To stop rhythm playback and return to the previous
display, press the [DISPLAY/EXIT] button.
Internal rhythm
Song from USB memory
Music data
*
No data for the music that is played will be output from MIDI OUT
and USB MIDI.
Audio file
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Playing Rhythms and Songs (Player Functions)
Playing Songs from USB Memory
Songs inside a folder
1. Press the PLAYER [RHYTHM/SONG] button a number of
times to access the screen for selecting a song from USB
memory (p. 49).
Folders in USB memory are shown as follows in the display.
fig.disp-flddn.eps
2. Use the [+] button or [–] button to select the song
number that you want to play.
1. Press the [
songs in the folder.
] (Play/Stop) button to see the
3. Press the [
] (Play/Stop) button to play back
] (Play/Stop) button once
2. To return to the next higher folder, press the [+]
button or [–] button until the screen shown in the
illustration appears, and then press the [
the song.
]
4. To stop, press the [
(Play/Stop) button.
fig.disp-fldup.eps
again.
5. To end song playback and return to the previous screen,
press the [DISPLAY/EXIT] button.
Changing the Tempo
Caution when using USB memory
Internal rhythm patterns or music data stored in USB memory can
be played back at the desired tempo.
•
•
•
If you’re using new USB memory, you must first format it on the
VR-700. For the procedure, refer to “Formatting USB Memory”
(p. 62).
Audio data stored on USB memory can also be played back at a
different speed without changing its pitch.
USB memory that was formatted on a computer cannot be
used by the VR-700. USB memory that you want to use with the
VR-700 must be formatted by the VR-700.
1. Press the [DISPLAY/EXIT] button a number of times until
the TEMPO indicator lights.
fig.btn-tempo.eps
For details on the USB memory that can be used with the VR-
700, refer to “Specifications” (p. 80). To purchase USB memory,
contact the dealer where you purchased the VR-700.
•
•
For details on the format of songs that can be played back by
the VR-700, refer to “Specifications” (p. 80).
On the VR-700, all songs are indicated by a number. Be aware
that these will differ from the file names shown when the USB
memory is connected to a computer.
•
If a folder contains more than 100 songs, it may not be possible
to select songs correctly. Take care that there are no more than
100 songs in a folder.
2. Use the [+] button or [–] button to change the tempo.
•
For rhythm patterns or for music data stored on USB memory, the
tempo can be adjusted in a range of 10–500 (BPM).
•
For audio data, the playback speed can be adjusted in a range of 75–
125 (%).
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Various Settings (Function mode)
Operations in Function Mode
Editing Parameter Values
You can edit the value of a parameter by using the [–] button or [+]
button.
1. Press the [FUNCTION/ENTER] button.
The VR-700 will enter Function mode, and the display will indicate
.
Depending on how you press these buttons, the value will change
as follows.
2. Use the [+] button or [–] button to select the group
containing the parameter you want to edit.
The sound buttons will blink.
Operation
Change in value
Press the [+] button
Press the [–] button
Hold down the [+] button
Hold down the [–] button
Value increases
Value decreases
Display
Group
Refer to...
Value continues increasing
Value continues decreasing
Organ sound parameters
p. 52
Hold down the [+] button and
press the [–] button
Value increases rapidly
Percussion parameters
Rotary parameters
p. 52
p. 53
p. 53
p. 54
p. 54
p. 56
p. 57
p. 59
p. 60
Hold down the [–] button and
press the [+] button
Value decreases rapidly
Press the [+] button and [–]
button simultaneously
Value is reset to the factory-set value
Ensemble sound parameters
Equalizer settings
*
*
The factory settings of the system parameters are listed in the table
on the next and following pages.
In the case of parameters stored as a Favorite, pressing the [–]
button and [+] button simultaneously will reset the parameter to a
certain value, but please be aware that this is not the value stored in
the Favorite settings.
Pedal, bend lever, and foot
controller settings
Player parameters
MIDI input/output settings
System settings
Confirming System Parameters
Of the parameters that can be set in Function mode, some
parameters are stored as part of the system. The setting changes
you make for such system parameters can be stored by carrying out
the following procedure.
V-LINK settings
1. Edit the value of the parameter.
2. Press the [WRITE] button.
Deleting favorite sets,
formatting USB memory,
initializing the system
p. 60
The display will indicate
.
3. To write the edited value into memory, press the
[FUNCTION/ENTER] button.
3. After you’ve selected the group, press the sound button
that corresponds to the parameter that you want to edit.
If you decide not to write the edited value, press [DISPLAY/EXIT].
For the correspondence between parameters and sound buttons,
refer to the pages listed above.
4. Use the [+] button or [–] button to edit the value of the
parameter.
5. When you’ve finished editing, press the [DISPLAY/EXIT]
button to return to the state of selecting a group.
6. Press the [DISPLAY/EXIT] button once again to exit
Function mode.
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Various Settings (Function mode)
Parameter List
Organ Sound Parameters
With the Group already selected, press the [+] button or [–] button until
Settings for the following parameters are stored separately for each favorite.
is shown in the display.
*
Button
Parameter
Value
Wheel Type (p. 45)
1 (VINTAGE 1): Tonewheel used in tonewheel organs of the 1970’s.
2 (VINTAGE 2): Tonewheel used in tonewheel organs of the 1960’s.
[PIANO]
1–4
3 (SOLID):
Boosts the low range by adding low frequencies to the VINTAGE 1
tonewheel.
4 (CLEAN):
Tonewheel with no leakage noise.
Amp Type (p. 44)
1:
2:
A large stack-type vacuum tube amp often used in British hard rock of the 1970’s and
[E.PIANO]
3:
4:
A rotary speaker with distortion that can be changed significantly using the [GAIN]
knob.
1–5
5:
A rotary speaker for which the volume cannot be changed significantly using the
[STRINGS]
Organ Fine Tune
-50– +50 (cent)
0–127
[CHOIR/SCAT]
[BRASS]
Leakage Level (p. 45)
Key On Click Level (p. 45)
Key Off Click Level (p. 45)
Reverb Send Level (p. 44)
Active Amp Enhancer (p. 44)
0–31
[SYNTH LEAD]
[SYNTH PAD]
[GUITAR]
0–31
0–127
OFF, ON
If the Wheel Type is set to 1 (VINTAGE 1), 2 (VINTAGE 2), or 3 (SOLID), the leakage noise will not disappear even if you minimize
the Leakage Level.
Percussion Parameters
With the Group already selected, press the [+] button or [–] button until
is shown in the display.
For details for each parameter, refer to “Using Percussion to add a Sense of Attack” (p. 41)
Settings for the following parameters are stored separately for each favorite.
*
*
Button
Parameter
Value
0–15
[PIANO]
Percussion Soft Level
Percussion Normal Level
Percussion Slow Time
Percussion Fast Time
Percussion Recharge Time
Percussion H-Bar Level
[E.PIANO]
[STRINGS]
[CHOIR/SCAT]
[BRASS]
0–15
0–127
0–127
0–10
[SYNTH LEAD]
0–127
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Various Settings (Function mode)
Rotary Parameters
With the Group already selected, press the [+] button or [–] button until
is shown in the display.
For details for each parameter, refer to “Adding Rotary Speaker Modulation” (p. 43)
Settings for the following parameters are stored separately for each favorite.
*
*
Button
Parameter
Value
0–127
0–127
0–127
0–127
0–127
0–127
0–10
[PIANO]
Rotary Woofer Level
[E.PIANO]
[STRINGS]
[CHOIR/SCAT]
[BRASS]
Rotary Tweeter Level
Rotary Woofer Rise Time
Rotary Tweeter Rise Time
Rotary Woofer Fall Time
Rotary Tweeter Fall Time
Rotary Woofer Spread
Rotary Tweeter Spread
Rotary Woofer Slow Speed
Rotary Tweeter Slow Speed
[SYNTH LEAD]
[SYNTH PAD]
[GUITAR]
[BASS]
0–10
0–127
0–127
[OTHERS]
When you press the [TO LOWER/PEDAL] button, the sound button will blink green, allowing you to edit the following parameters.
Button
Parameter
Value
0–127
0–127
0–10
[TO LOWER/PEDAL] ➝ [PIANO]
[TO LOWER/PEDAL] ➝ [E.PIANO]
[TO LOWER/PEDAL] ➝ [STRINGS]
[TO LOWER/PEDAL] ➝ [CHOIR/SCAT]
Rotary Woofer Fast Speed
Rotary Tweeter Fast Speed
Rotary Mic Distance
Rotary Speed Randomize
0–10
Rotary Brake Position
: Stop at a random position (Free)
(Position at which the speaker will
be stopped by the ROTARY [BRAKE]
button)
[TO LOWER/PEDAL] ➝ [BRASS]
: Always stop at the same position (Fix)
Ensemble Sound Parameters
With the Group already selected, press the [+] button or [–] button until
Settings for the following parameters are stored separately for each favorite.
is shown in the display.
*
Button
Parameter
Value
[PIANO]
Ensemble 1 Expression Switch
Ensemble 2 Expression Switch
Ensemble Fine Tune
Reverb Send Level
OFF, ON
OFF, ON
-50–+50 (cents)
0–127
[E.PIANO]
[STRINGS]
[CHOIR/SCAT]
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Various Settings (Function mode)
Equalizer Settings
The VR-700 contains a three-band equalizer. When you turn on the EQ Switch (equalizer switch), the equalizer will apply to all organ
sounds, ensemble sounds, and the playback of the player.
With the Group already selected, press the [+] button or [–] button until
is shown in the display.
*
Settings for the following parameters are saved in system memory. After editing these, press the [WRITE] button to save the settings in
system memory (p. 51).
Button
Parameter
Value
Factory setting
OFF
[PIANO]
[E.PIANO]
[STRINGS]
EQ Switch
OFF, ON
EQ Input Gain
EQ Low Gain
-15–0–+3 (dB)
-12–0–+12 (dB)
0 (dB)
0 (dB)
200, 250, 315, 400, 500, 630, 800 (Hz)
1.00, 1.25, 1.60, 2.00, 2.50, 3.15, 4.00, 5.00, 6.30, 8.00 (kHz)
[CHOIR/SCAT]
EQ Mid Freq
800 (Hz)
[BRASS]
EQ Mid Gain
EQ High Gain
-12–0–+12 (dB)
-12–0–+12 (dB)
0 (dB)
0 (dB)
[SYNTH LEAD]
*
The shaded parameters are stored in system memory.
Pedal, Bend Lever, and Foot Controller Settings
With the Group already selected, press the [+] button or [–] button until
is shown in the display.
*
*
Settings for parameters other than Bend Range are saved in system memory. After editing these, press the [WRITE] button to save the
settings in system memory (p. 51).
The Bend Range setting is saved separately for each favorite.
Button
Parameter
Value
[PIANO]
Damper Pedal Polarity
Normal
: Normal
: Reverse
[E.PIANO]
[STRINGS]
Control Pedal Polarity
Control Pedal Assign
Normal
Refer to “Functions that can
be assigned to the control
pedal” (p. 55)
Rotary speed
[CHOIR/SCAT]
[BRASS]
Bender Range
0–24 (semitones)
1–127
–
D Beam Sensitivity
127
*
The shaded parameters are stored in system memory.
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Various Settings (Function mode)
Functions that can be assigned to the control pedal
Function
Display
No assign
Switch the rotational speed of the rotary speaker:
Turn the ROTARY [SLOW/FAST] button on/off (p. 43).
Rotational speed of the rotary speaker:
If an expression pedal is connected, control the speed of the rotating speaker between FAST and
SLOW.
Stop the rotary speaker:
Turn the ROTARY [BRAKE] button on/off (p. 43).
ROTARY [GAIN] knob:
If an expression pedal is connected, use the pedal to control the setting of the ROTARY [GAIN] knob
(p. 44).
Wheel brake:
Stop the tone wheels (p. 43).
Crescendo:
If an expression pedal is connected, the pedal will produce the same result as adjusting all of the
harmonic bars simultaneously. If you step all the way down on the pedal, the harmonic bars will be at
maximum volume and the rotary will be in the FAST state. The volume will decrease as you lift up on
the pedal, and when you completely release the expression pedal, the volume will return to the
settings of the harmonic bars.
Soft pedal:
Playing with the pedal held down will soften the tonal character. The soft pedal effect applies only to
piano sounds.
Sostenuto pedal:
Notes that you play with the pedal already pressed will continue sounding even after you release the
key. The sostenuto pedal effect applies only to ensemble sounds.
Turn the effect on/off for the ensemble sound:
Turns the ensemble section’s EFFECT [ON] button on/off (p. 46).
Adjust the amount of effect for the ensemble sound:
If an expression pedal is connected, the pedal will control the ensemble section’s EFFECT [CONTROL]
knob.
Raise the pitch (bend up):
If an expression pedal is connected, the pedal will raise the pitch of the ensemble sound.
Lower the pitch (bend down):
If an expression pedal is connected, the pedal will lower the pitch of the ensemble sound.
Start/stop the player:
The pedal will control the play/stop button.
Player’s tap tempo:
The playback tempo of the rhythm will synchronize to the timing at which you press the pedal.
Call up the next favorite.
Call up the preceding favorite.
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Various Settings (Function mode)
Player Parameters
With the Group already selected, press the [+] button or [–] button until
is shown in the display.
*
The Audio Volume setting is saved in system memory. After editing the setting, press the [WRITE] button to save the setting in system
memory (p. 51).
*
*
The Rhythm Reverb Send Level setting is saved separately for each favorite.
It is not possible to save the settings of the Rhythm Volume, Song Volume, Song Transpose, Song Play Mode, and Center Cancel
parameters. When you turn on the VR-700’s power, these parameters will automatically return to the values listed below.
Button
Parameter
Value
Factory setting
100
(at power-up)
[PIANO]
Rhythm Volume
Rhythm Reverb Send Level
Song Volume
0–127
[E.PIANO]
[STRINGS]
[CHOIR/SCAT]
[BRASS]
0–127
–
127
(at power-up)
0–127
Audio Volume
0–127
64
0
Song Transpose
-6–0–+5 (semitones)
(at power-up)
: Play a single song
Play a single song
(at power-up)
[SYNTH LEAD]
[SYNTH PAD]
Song Play Mode
Center Cancel
: Play all songs
OFF
(at power-up)
OFF, ON
*
*
The shaded parameters are stored in system memory.
Center Cancel is a function that minimizes the sound of the vocals when playing back an audio file. However, depending on the song,
the vocal sound might not be eliminated completely.
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Various Settings (Function mode)
MIDI Input/Output Settings
is shown in the display.
*
Settings for parameters other than Local Control are saved in system memory. After editing these, press the [WRITE] button to save the
settings in system memory (p. 51).
Button
Parameter
Value
Factory setting
Local Control
Internally connects (ON) or disconnects (OFF) the sound generator of
the organ sounds and ensemble sounds with the keyboard and other
controllers (p. 65).
ON
[PIANO]
OFF, ON
*
setting is automatically turned on when you turn on the power.
If you turn Local Control off, the keyboard unit connected to the MIDI
PEDAL IN connector will be disconnected from the sound generator.
(at power-up)
*
Device ID
Specifies the ID number used to identify units when using system
[E.PIANO]
17–32
17
exclusive messages to change the VR-700’s settings.
Sub Keyboard Function
OFF,
[STRINGS]
Specifies the part that will be played by a keyboard connected to the
MIDI IN connector (p. 66).
-U- (UPPER),
-L- (LOWER)
OFF
ON
OFF
ON
ON
MIDI Thru Switch
[CHOIR/SCAT]
[BRASS]
Specifies whether messages received at the MIDI IN connector will be
transmitted from the MIDI OUT connector (p. 66).
OFF, ON
OFF, ON
OFF, ON
OFF, ON
USB MIDI Thru Switch
Specifies whether MIDI Thru will be used on the computer when the USB
MIDI connector is connected to your computer (p. 67).
Transmit Program Change Switch
Specifies whether the corresponding MIDI message will be transmitted
when you switch Favorites.
[SYNTH LEAD]
[SYNTH PAD]
Receive Program Change Switch
Specifies whether incoming program change messages will switch
Favorites.
Upper Organ MIDI Channel
Specifies the MIDI transmit/receive channel for the upper organ (p. 65).
[GUITAR]
[BASS]
1–16
1–16
1–16
1
3
2
Lower Organ MIDI Channel
Specifies the MIDI transmit/receive channel for the lower organ (p. 65).
Pedal Organ MIDI Channel
Specifies the MIDI transmit/receive channel for the pedal organ (p. 65).
[OTHERS]
*
The shaded parameters are stored in system memory.
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Various Settings (Function mode)
When you press the [TO LOWER/PEDAL] button, the sound button will blink green, allowing you to edit the following parameters.
Button
Parameter
Value
Factory setting
Ensemble 1 MIDI Channel
[TO LOWER/PEDAL] ➝ [PIANO]
Specifies the MIDI transmit/receive channel for the
ensemble part 1 (p. 65).
1–16
4
Ensemble 2 MIDI Channel
[TO LOWER/PEDAL] ➝ [E.PIANO]
[TO LOWER/PEDAL] ➝ [STRINGS]
[TO LOWER/PEDAL] ➝ [CHOIR/SCAT]
Specifies the MIDI transmit/receive channel for the
ensemble part 2 (p. 65).
1–16
1–16
1–16
5
Rhythm MIDI Channel
Specifies the MIDI transmit/receive channel for the
Internal rhythm part (p. 65).
10
9
Spring MIDI Channel
Specifies the MIDI transmit/receive channel for the
spring shock part (p. 65).
Control MIDI Channel
Specifies the MIDI transmit/receive channel used to
control the VR-700. This channel is used to switch
Favorites and to control expression.
[TO LOWER/PEDAL] ➝ [BRASS]
1–16
16
MIDI Sound Controllers Switch
[TO LOWER/PEDAL] ➝ [SYNTH LEAD]
Specifies whether harmonic bar data will be
OFF, ON
ON
ON
MIDI General Controllers Switch
[TO LOWER/PEDAL] ➝ [SYNTH PAD]
Specifies whether wheel brake, rotary speed, and
rotary brake data will be transmitted and received
as MIDI messages.
MIDI/PLAYER Mode
-1- (Mode 1),
-2- (Mode 2),
-3- (Mode 3),
-4- (Mode 4)
Specifies the internal sound generator used for the
MIDI IN connector, USB MIDI connector, and song
playback. For details, refer to “The VR-700’s Internal
Structure” (p. 65).
[TO LOWER/PEDAL] ➝ [GUITAR]
-1- (Mode 1)
*
*
The shaded parameters are stored in system memory.
The MIDI channels specified for each of the following parameters must all be different MIDI channels. The same MIDI channel cannot be
shared by more than one parameter.
•
•
•
•
•
•
Upper Organ MIDI Channel
Lower Organ MIDI Channel
Pedal Organ MIDI Channel
Ensemble 1 MIDI Channel
Ensemble 2 MIDI Channel
Spring MIDI Channel
*
The Control MIDI channel must be set to a MIDI channel that is different than that of the following parameters.
•
•
•
•
Rhythm MIDI Channel
Ensemble 1 MIDI Channel
Ensemble 2 MIDI Channel
Spring MIDI Channel
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Various Settings (Function mode)
System Settings
With the Group already selected, press the [+] button or [–] button until
is shown in the display.
*
*
Settings for parameters other than Key Transpose are saved in system memory. After editing these, press the [WRITE] button to save the
settings in system memory (p. 51).
The Key Transpose setting is saved separately for each favorite.
Button
Parameter
Value
Factory setting
[PIANO]
[E.PIANO]
Master Tune
Key Transpose
415.3–466.2 (Hz)
-6–5 (semitone)
440.0 (Hz)
–
Notes will sound at a
fixedloudnessregardless
of how strongly you play
Lighter-feeling keyboard
touch
[STRINGS]
Key Touch
Normal
Normal
Heavier-feeling
keyboard touch
Key Touch Velocity
[CHOIR/SCAT]
[BRASS]
Specifies the strength of the notes when Key
Touch is turned OFF.
1–127
100
ON
Quick Firing
Enables the Quick Firing function for the organ.
Turning this OFF will make the keyboard less
responsive for glissandi or repeated notes, but
will reduce rebounding (bouncing) when you
release a key.
OFF, ON
Internal clock
MIDI clock
[SYNTH LEAD]
[SYNTH PAD]
[GUITAR]
Clock Source
Clock Out
Internal clock
OFF
OFF, ON
Use the computer’s
standard driver (Generic)
USB Driver
Generic
-2-
Use the dedicated driver
software (Original)
[BASS]
USB Memory Mode
-1-, -2-
*
The shaded parameters are stored in system memory.
About master tune
This adjusts the basic pitch of the entire VR-700. The display will show the numerical value of the reference pitch (Hz) with
the 100’s place omitted. For example, if the display indicates “38.5,” the reference pitch is 438.5 (Hz).
USB Driver
Specifies the USB driver to use when you connect your computer via the USB MIDI connector. Leave the USB Driver at the
“Generic” setting. If you change this to “Original,” you’ll need dedicated drive software in order to connect the VR-700 to
your computer. For more about the dedicated driver software, refer to the Roland website.
USB Memory Mode
In certain cases, data reading may be slow or unsuccessful when you connect USB memory to the USB MEMORY connector.
If so, you may be able to solve the problem by switching this setting.
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Various Settings (Function mode)
V-LINK Settings
With the Group already selected, press the [+] button or [–] button until
is shown in the display.
Settings for the following parameters are saved in system memory. After editing these, press the [WRITE] button to save the settings in
system memory (p. 51).
*
Button
Parameter
Transmit Channel
Value
Factory setting
[PIANO]
1–16
10
*
The shaded parameters are stored in system memory.
Deleting Favorite Sets, Formatting USB Memory, Initializing the System
With the Group already selected, press the [+] button or [–] button until
is shown in the display.
Button
Parameter
Operation
Delete Favorite
Delete a favorite backup from USB memory
[PIANO]
p. 61
Format
Format USB memory
[E.PIANO]
[STRINGS]
p. 62
p. 26
Factory Reset
Initialize the VR-700’s internal memory to the factory-set state
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Various Settings (Function mode)
Deleting a Favorite Backup
Here’s how to delete a specific backup of favorite settings stored on USB memory.
1. Press the [FUNCTION/ENTER] button.
The VR-700 will enter Function mode, and the display will indicate
.
2. Hold down the [+] button until the display indicates
3. Press the [PIANO] button.
.
The display will indicate
.
4. Press the [FUNCTION/ENTER] button.
The display shows the number of the backup to be deleted.
5. Use the [+] button or [–] button to specify the number of the backup that you want to delete.
6. When you’ve selected the number of the backup that you want to delete, press the [FUNCTION/ENTER] button.
The display will indicate
.
7. To execute the Delete operation, press the [FUNCTION/ENTER] button.
The specified backup of favorites will be deleted from USB memory.
If you decide not to execute the Delete operation, press [DISPLAY/EXIT].
8. When deletion has been completed, the Function mode screen will reappear.
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Various Settings (Function mode)
Formatting USB Memory
Here’s how to format USB memory. Before newly purchased USB memory or USB memory that was used with another product can be
used with the VR-700, that USB memory must be formatted using the following procedure.
•
USB memory that was formatted by a computer cannot be used by the VR-700. USB memory to be used by the VR-700 must be
formatted by the VR-700.
When you format USB memory, all data stored on that USB memory will be deleted. Be sure to back up any important data to
your computer before you proceed.
1. Press the [FUNCTION/ENTER] button.
The VR-700 will enter Function mode, and the display will indicate
.
2. Press the [+] button until the display indicates
3. Press the [E.PIANO] button.
.
The display will indicate
.
4. Press the [FUNCTION/ENTER] button.
The display will indicate
.
5. To execute the Format operation, press the [FUNCTION/ENTER] button.
During formatting the display will indicate
.
Never switch off the VR-700’s power while formatting is being performed.
If you decide not to execute the Format operation, press [DISPLAY/EXIT].
6. When formatting is completed, the Function mode screen will reappear.
62
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Using V-LINK to Control Video Equipment
V-LINK (
)is a function that allows you to perform music and video together. By using a V-LINK compatible video device, you can easily
enjoy a variety of video effects that are linked with your performance.
For example, by using the VR-700 in conjunction with the EDIROL Visual Sampler P-10, you can do the following things.
Use the VR-700’s keys (the leftmost octave) to switch images.
•
•
•
Use the VR-700’s bend lever to control the image playback speed.
Use the VR-700’s D Beam controller to control the brightness or hue of the image.
*
In order to take advantage of V-LINK between the VR-700 and the P-10, you’ll need to make connections using MIDI cables (sold separately).
Connection Example
fig.V-LINKConnection.eps
EDIROL P-10
This example explains connections with the EDIROL P-10.
Use a MIDI cable to connect the VR-700’s MIDI OUT connector to the P-10’s
MIDI IN connector.
MIDI IN
*
*
When making connections, you must first minimize the volume on all devices
and turn off their power to prevent malfunctions or speaker damage.
Set the Function mode setting “Transmit Channel” (p. 60) to match the MIDI
receive channel of your video device.
MIDI OUT
VR-700
Turning V-LINK On/Off
1. Press the [V-LINK] button.
The V-LINK function will be turned on, and the [V-LINK] button will light.
Operations on the VR-700
Operating the VR-700’s keyboard and controllers will control the image accordingly.
Keyboard/Controller
Keys (leftmost octave)
Bender lever
V-LINK function
Clip (1–12)
Transmitted MIDI message
Program Change
Pitch Bend
Description
Switch images.
[BENDER] on
[PITCH] on
Playback Speed
Playback Speed
Color Cb
Controls the playback speed.
Controls the playback speed.
Controls the hue and brightness.
Controls the video fader.
Pitch Bend
D Beam controller
[FILTER] on
[VOLUME] on
CC #74
Video Fader
CC #11
*
When V-LINK is on, the lowest 12 keys (one octave) will not produce sound.
2. To turn V-LINK off, press the [VLINK] button once again.
The V-LINK function will turn off, and the [V-LINK] button will go out.
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Connecting MIDI Equipment
*
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power on all
MIDI Routing
devices before making any connections.
fig.MIDIroute01.eps
External MIDI keyboard
The VR-700’s Internal Structure
Sound Generator Section
USB
MIDI
MIDI
IN
MIDI
OUT
The VR-700 contains a sound generator for organ sounds and
ensemble sounds, and a sound generator for song playback.
Player
Internal
rhythm
The organ/ensemble sound generator is a multi-part sound
generator; with the factory settings, each part is assigned to the
following MIDI channels.
Song
Song playback
sound generator
Organ/ensemble
sound generator
MIDI channel
Organ/ensemble sound generator parts
(factory setting)
Upper organ
Lower organ
Pedal organ
Ensemble 1
1
VR-700
Keyboard/Controllers
Pedal keyboard
3
2
MIDI
PEDAL
IN
4
Ensemble 2
5
Internal rhythm
Spring shock
10
9
Inside the VR-700, MIDI connections are routed as shown in the
illustration.
*
MIDI messages received at the MIDI PEDAL IN connector are
automatically converted to the MIDI channel specified by “Pedal
Organ MIDI Channel” (p. 57).
With the factory settings, MIDI messages received at the MIDI IN
connector or USB MIDI connector will play the corresponding part of
the organ/ensemble sound generator. When a song is played back
on the internal player, it will be sounded by the song playback
sound generator.
*
MIDI messages received at the MIDI PEDAL IN connector are
automatically converted to the MIDI channel specified by “Pedal
Organ MIDI Channel” (p. 57).
You can change the MIDI routing by changing the Function mode
setting “MIDI/Player Mode” (p. 57).
Received at the MIDI
MIDI/Player
Mode
IN connector or USB
MIDI connector
Song playback
Mode 1
(factory setting)
Organ/ensemble
sound generator
Song playback
sound generator
Song playback
sound generator
Song playback
sound generator
Mode 2
Mode 3
Mode 4
Organ/ensemble
sound generator
Organ/ensemble
sound generator
Song playback
sound generator
Song playback
sound generator
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Connecting MIDI Equipment
Connecting an External MIDI
Keyboard
Connecting an External MIDI
Sequencer
fig.ConnectMIDIkey.eps
fig.ConnectMIDISeq.eps
External MIDI keyboard
MIDI OUT
MIDI sequencer
MIDI IN
MIDI OUT
MIDI IN
MIDI IN
MIDI OUT
VR-700
VR-700
Playing a Desired Part (Factory Settings)
Turn the Function mode setting “Sub Keyboard Function” OFF.
You can use a MIDI cable (sold separately) to connect a MIDI
sequencer to the VR-700; the sequencer can record your
performance on the VR-700, and the VR-700 can sound the playback
from the sequencer.
*
If “Sub Keyboard Function” is OFF, you can play any desired part of
the organ/ensemble sound generator by setting your MIDI
keyboard to the appropriate MIDI transmit channel (p. 57).
Local Control Setting
Playing the Upper Part or Lower Part
change the following Function mode parameters as follows.
Set the Function mode “Sub Keyboard Function” to Upper (to play
the upper part) or Lower (to play the lower part).
•
Set “Local Control” to OFF (it will be ON when the power is turned
on)
*
If “Sub Keyboard Function” (p. 57) is set to Upper (or Lower), MIDI
messages received at the MIDI IN connector will automatically be
converted to the MIDI channel specified for “Upper Organ MIDI
Channel” (or “Lower Organ MIDI Channel”). The routing will be the
same as for the MIDI PEDAL IN connector (p. 65).
•
Set “MIDI Thru Switch” to OFF (factory setting is ON)
*
The “Local Control” setting is not remembered by the VR-700. It will
be ON when you turn on the power.
*
If “Sub Keyboard Function” (p. 57) is set to Upper (or Lower), MIDI
messages received at the MIDI IN connector will automatically be
converted to the MIDI channel specified by “Upper Organ MIDI
Channel” (or “Lower Organ MIDI Channel”). The routing will be the
same as for the MIDI PEDAL IN connector (p. 65).
fig.MIDIroute03.eps
USB
MIDI
MIDI
IN
MIDI
OUT
MIDI
Thru
Switch
Organ/ensemble
sound generator
Local Control
VR-700
MIDI
PEDAL
IN
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Connecting MIDI Equipment
Local Control Setting
Connecting your Computer
If you are using sequencer software on your computer, and your
sequencer software’s MIDI Thru function is enabled, change the
following Function mode parameters as follows.
fig.ConnectPC.eps
USB cable
To USB MIDI
•
on)
•
Set “USB MIDI Thru Switch” to ON (factory setting is OFF)
*
there’s no need to change these settings.
VR-700
Computer
*
*
The “Local Control” setting is not remembered by the VR-700. It will
be ON when you turn on the power.
You can use a USB cable (sold separately) to connect the VR-700 to
your computer.
If “Sub Keyboard Function” (p. 57) is set to Upper (or Lower), MIDI
messages received at the MIDI IN connector will automatically be
converted to the MIDI channel specified by “Upper Organ MIDI
Channel” (or “Lower Organ MIDI Channel”). The routing will be the
same as for the MIDI PEDAL IN connector (p. 65).
If the VR-700 is connected to a computer in which sequencer
software is installed, the playback from the software can be
sounded by the VR-700, and your performance on the VR-700 can
be recorded by your software.
Routing when USB MIDI Thru Switch=ON
fig.MIDIroute02.eps
Computer
USB
MIDI
MIDI
IN
MIDI
OUT
Organ/ensemble
sound generator
Local Control
VR-700
MIDI
PEDAL
IN
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Ensemble Sound List
PIANO group
BRASS group
BASS group
No. Tone Name
MSB
87
87
87
87
87
87
87
87
87
87
LSB
64
64
64
64
64
64
64
64
64
64
PC
1
No. Tone Name
MSB
87
LSB
72
PC
1
No. Tone Name
MSB
87
LSB
71
PC
1
1
2
3
4
5
6
7
8
9
Superior Grd
Ultimate Pno
Grand VR
1
2
3
4
5
Ac.Brass
1
2
3
4
5
AcousticBass
FingerMaster
Pick Bass
2
R&R Brass
87
72
2
87
71
2
3
Bigband Sax
VoyagerBrass
Jump For KY
87
72
3
87
71
3
Pure Grand
Mellow Piano
Pure Mellow
Rock Piano
4
87
72
4
101 Bass
87
71
4
5
87
72
5
Punch MG
87
71
5
6
7
SYNTH LEAD group
OTHERS/GM2 group
Honky-tonk
SuperiorMono
8
9
No. Tone Name
MSB
LSB
68
68
68
68
68
68
68
68
68
68
PC
1
No. Tone Name
MSB
LSB
73
PC
1
10 GrandVR Mono
10
1
2
3
4
5
6
7
8
9
Vintage Lead
Dual Lead
87
87
87
87
87
87
87
87
87
87
1
2
3
4
5
Piano+Str.
87
87
87
87
87
2
Piano+Pad
73
2
E.PIANO group
Saw Lead
3
E.Piano+Str.
E.Piano+Pad
Bass+RideCym
73
3
SuperSawSlow
Jupiter Lead
Square Lead
BrightSquare
Sine Lead
4
73
4
No. Tone Name
MSB
87
87
87
87
87
87
87
87
87
87
LSB
65
65
65
65
65
65
65
65
65
65
PC
1
5
73
5
1
2
3
4
5
6
7
8
9
VR E.Piano
Stage Phazer
70’s E.Piano
60’s E.Piano
FM E.Piano
S.A.E.P.
6
VR Drum Sets
2
7
6
7
8
9
VR Pop Kit
86
86
86
86
86
64
64
64
64
64
1
2
3
4
5
3
8
VR Rock Kit
VR Jazz Kit
VR R&B Kit
4
Syn.Calliope
9
5
10 Doctor Solo
10
6
10 VR House Kit
GM2 Drum Sets
11 STANDARD Set
12 ROOM Set
13 POWER Set
14 ELEC.Set
E.Grand
7
SYNTH PAD group
Clav
8
120
120
120
120
120
120
120
120
120
0
0
0
0
0
0
0
0
0
1
9
WahWah Clav
9
No. Tone Name
MSB
87
LSB
69
PC
1
10 Natural Hps
10
17
25
26
33
41
49
57
1
2
3
4
5
Soft Pad
Silky Way
87
69
2
15 ANALOG Set
16 JAZZ Set
STRINGS group
Nu Epic Pad
Strings Pad
Glass Organ
87
69
3
87
69
4
17 BRUSH Set
18 ORCH.Set
19 SFX Set
No. Tone Name
MSB
87
LSB
66
PC
1
87
69
5
1
2
3
4
5
VR Strings
Warm Strings
Studio Sect.
ChmbrStrings
JP Strings
87
66
2
GUITAR group
GM2 Tones
87
66
3
20 Piano 1
121
121
121
121
121
121
121
121
121
121
121
121
0
1
2
0
1
0
1
0
1
0
1
2
1
1
1
2
2
3
3
4
4
5
5
5
87
66
4
No. Tone Name
MSB
87
LSB
70
PC
1
21 Piano 1w
22 Piano 1d
87
66
5
1
2
3
4
5
Dyna Nylon
Steel Gtr
87
70
2
23 Piano 2
CHOIR/SCAT group
Jz Gtr Hall
JC Strat
87
70
3
24 Piano 2w
25 Piano 3
87
70
4
No. Tone Name
MSB
LSB
67
PC
1
Blusey OD
87
70
5
26 Piano 3w
27 Honky-tonk
28 Honky-tonk w
29 E.Piano 1
30 Detuned EP 1
31 Vintage EP
1
2
3
4
5
Real Choir
Jazz Scat
87
87
87
87
87
67
2
Aerial Choir
Female Vox
Female Aahs
67
3
67
4
67
5
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Ensemble Sound List
No. Tone Name
32 ‘60s E.Piano
33 E.Piano 2
MSB
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
LSB
3
0
1
2
3
4
0
1
2
3
0
1
0
0
0
0
1
0
1
0
0
1
2
0
0
1
2
3
0
1
2
0
0
1
2
0
1
0
1
0
0
0
1
2
3
0
PC
5
No. Tone Name
78 12-str.Gt
MSB
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
LSB
1
2
3
0
1
0
1
2
0
1
2
3
0
1
0
1
2
0
1
0
0
1
0
0
0
0
0
1
2
3
4
0
1
2
3
0
1
0
0
0
0
0
0
1
0
0
PC
26
26
26
27
27
28
28
28
29
29
29
29
30
30
31
31
31
32
32
33
34
34
35
36
37
38
39
39
39
39
39
40
40
40
40
41
41
42
43
44
45
46
47
47
48
49
No. Tone Name
124 Orchestra
125 ‘60s Strings
126 Slow Strings
127 Syn.Strings1
128 Syn.Strings3
129 Syn.Strings2
130 Choir 1
MSB
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
LSB
1
2
0
0
1
0
0
1
0
1
0
1
0
1
2
3
0
1
0
1
2
0
0
1
0
1
0
1
0
1
2
3
0
1
2
0
0
0
0
0
0
0
0
0
0
0
PC
49
49
50
51
51
52
53
53
54
54
55
55
56
56
56
56
57
57
58
58
58
59
60
60
61
61
62
62
63
63
63
63
64
64
64
65
66
67
68
69
70
71
72
73
74
75
6
79 Mandolin
34 Detuned EP 2
35 St.FM EP
6
80 Steel+Body
81 Jazz Guitar
82 Hawaiian Gt
83 Clean Guitar
84 Chorus Gt 1
85 Mid Tone Gt
86 Muted Guitar
87 Funk Guitar1
88 Funk Guitar2
89 Chorus Gt 2
90 Overdrive Gt
91 Guitar Pinch
92 DistortionGt
93 Gt Feedback1
94 Dist.Rtm Gt
95 Gt Harmonics
96 Gt Feedback2
97 AcousticBass
98 FingeredBass
99 Finger Slap
100 Picked Bass
101 FretlessBass
102 Slap Bass 1
103 Slap Bass 2
104 Synth Bass 1
105 WarmSyn.Bass
106 Synth Bass 3
107 Clav.Bass
108 Hammer
6
36 EP Legend
37 EP Phase
6
6
38 Harpsichord
39 Coupled Hps.
40 Harpsi.w
7
7
131 Choir 2
7
132 Voice
41 Harpsi.o
7
133 Humming
134 Synth Voice
135 Analog Voice
136 OrchestraHit
137 Bass Hit
42 Clav.
8
43 Pulse Clav.
44 Celesta
8
9
45 Glockenspiel
46 Music Box
47 Vibraphone
48 Vibraphone w
49 Marimba
10
11
12
12
13
13
14
15
15
15
16
17
17
17
17
18
18
18
19
20
20
20
21
21
22
22
23
24
25
25
25
25
26
138 6th Hit
139 Euro Hit
140 Trumpet
141 Dark Trumpet
142 Trombone 1
143 Trombone 2
144 Bright Tb
145 Tuba
50 Marimba w
51 Xylophone
52 TubularBells
53 Church Bell
54 Carillon
146 MuteTrumpet1
147 MuteTrumpet2
148 French Horn1
149 French Horn2
150 Brass 1
55 Santur
56 Organ 1
57 TremoloOrgan
58 ‘60s Organ
59 Organ 2
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
151 Brass 2
60 Perc.Organ 1
61 Chorus Organ
62 Perc.Organ 2
63 Rock Organ
64 Church Org.1
65 Church Org.2
66 Church Org.3
67 Reed Organ
68 Puff Organ
69 Accordion 1
70 Accordion 2
71 Harmonica
72 Bandoneon
73 Nylon-str.Gt
74 Ukulele
152 Synth Brass1
153 Synth Brass3
154 AnalogBrass1
155 Jump Brass
156 Synth Brass2
157 Synth Brass4
158 AnalogBrass2
159 Soprano Sax
160 Alto Sax
109 Synth Bass 2
110 Synth Bass 4
111 RubberSyn.Bs
112 Attack Pulse
113 Violin
114 Slow Violin
115 Viola
161 Tenor Sax
162 Baritone Sax
163 Oboe
116 Cello
117 Contrabass
118 Tremolo Str.
119 PizzicatoStr
120 Harp
164 English Horn
165 Bassoon
166 Clarinet
75 Nylon Gt o
76 Nylon Gt 2
77 Steel-str.Gt
121 Yang Qin
122 Timpani
167 Piccolo
168 Flute
123 Strings
169 Recorder
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Ensemble Sound List
No. Tone Name
170 Pan Flute
171 Bottle Blow
172 Shakuhachi
173 Whistle
MSB
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
LSB
0
0
0
0
0
0
1
2
0
1
2
3
4
0
0
0
1
0
0
0
1
0
0
1
0
0
1
0
0
0
0
0
0
0
1
0
0
0
0
1
2
0
0
1
0
0
PC
76
No. Tone Name
216 Koto
MSB
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
121
LSB
0
1
0
0
0
0
0
0
0
0
1
0
1
0
1
0
1
2
0
0
1
2
0
1
0
1
2
3
4
5
0
1
2
3
0
1
2
3
4
5
0
1
2
3
4
5
PC
108
108
109
110
111
112
113
114
115
116
116
117
117
118
118
119
119
119
120
121
121
121
122
122
123
123
123
123
123
123
124
124
124
124
125
125
125
125
125
125
126
126
126
126
126
126
No. Tone Name
262 Train
MSB
121
121
121
121
121
121
121
121
121
121
121
121
121
121
LSB
6
PC
126
126
126
126
127
127
127
127
127
127
128
128
128
128
77
217 Taisho Koto
218 Kalimba
263 Jetplane
264 Starship
7
78
8
79
219 Bagpipe
220 Fiddle
265 Burst Noise
266 Applause
267 Laughing
268 Screaming
269 Punch
9
174 Ocarina
80
0
175 Square Lead1
176 Square Lead2
177 Sine Lead
178 Saw Lead 1
179 Saw Lead 2
180 Doctor Solo
181 Natural Lead
182 SequencedSaw
183 Syn.Calliope
184 Chiffer Lead
185 Charang
81
221 Shanai
1
81
222 Tinkle Bell
223 Agogo
2
81
3
82
224 Steel Drums
225 Woodblock
226 Castanets
227 Taiko
270 Heart Beat
271 Footsteps
272 Gun Shot
273 Machine Gun
274 Laser Gun
275 Explosion
4
82
5
82
0
82
1
82
228 Concert BD
229 Melodic Tom1
230 Melodic Tom2
231 Synth Drum
232 TR-808 Tom
233 Elec.Perc.
234 Reverse Cym.
235 Gt FretNoise
236 Gt Cut Noise
237 BsStringSlap
238 Breath Noise
239 Fl.Key Click
240 Seashore
241 Rain
2
83
3
84
85
186 Wire Lead
187 Solo Vox
85
86
188 5th Saw Lead
189 Bass+Lead
190 Delayed Lead
191 Fantasia
87
88
88
89
192 Warm Pad
193 Sine Pad
90
90
194 Polysynth
195 Space Voice
196 Itopia
91
92
92
242 Thunder
243 Wind
197 Bowed Glass
198 Metallic Pad
199 Halo Pad
200 Sweep Pad
201 Ice Rain
93
94
244 Stream
95
245 Bubble
96
246 Bird 1
97
247 Dog
202 Soundtrack
203 Crystal
98
248 Horse Gallop
249 Bird 2
99
204 Synth Mallet
205 Atmosphere
206 Brightness
207 Goblins
99
250 Telephone 1
251 Telephone 2
252 DoorCreaking
253 Door
100
101
102
103
103
103
104
105
105
106
107
208 Echo Drops
209 Echo Bell
210 Echo Pan
211 Star Theme
212 Sitar 1
254 Scratch
255 Wind Chimes
256 Helicopter
257 Car Engine
258 Car Stop
259 Car Pass
260 Car Crash
261 Siren
213 Sitar 2
214 Banjo
215 Shamisen
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Internal Rhythm Pattern List
No.
01
02
03
04
05
06
07
08
09
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
Name
No.
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
Name
8-Beat Pop
16-Beat Pop
Shuffle Pop 1
Shuffle Pop 2
8-Beat Funk
16-Beat Funk
8-Beat Rock 1
8-Beat Rock 2
8-Beat Rock 3
16-Beat Rock
Rock 1
Fast Swing 1
Fast Swing 2
Jazz Brush 1
Jazz Brush 2
Jazz Waltz
5/4 Swing
7/4 Swing
Afro-Cuban
Blues 1
Blues 2
Gospel 1
Rock 2
Gospel 2
Rock 3
Latin Pop 1
Latin Pop 2
Latin Fusion
Bossa Nova 1
Bossa Nova 2
Bossa Nova 3
Salsa
Powerful Rock
Progressive Rock
R&B Pop
R&B
Ballad 1
Ballad 2
Fusion
Samba
West Coast
Motown
Slow Beat
Back Beat
Hip’n’Hop
Elec Dance
Acid Jazz
Bluegrass
Swing 1
Swing 2
Hi-Hat Count
71
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List of Effects for the Ensemble Sounds
PIANO group
Parameters assigned to
the Knobs
No.: Name
Default
Effect name
Description
1: Superior Grd
2: Ultimate Pno
3: Grand VR
On an acoustic piano, holding down the damper pedal allows other
strings to resonate in sympathy with the notes you play, creating rich
and spacious resonances. This effect simulates these sympathetic
resonances.
SYMPATHETIC
RESONANCE
On
Depth
4: Pure Grand
5: Mellow Piano
6: Pure Mellow
Controls the overtone structure of the high frequencies, adding sparkle
and tightness to the sound.
7: Rock Piano
Off
On
ENHANCER
Sens
8: Honky-tonk
On an acoustic piano, holding down the damper pedal allows other
strings to resonate in sympathy with the notes you play, creating rich
and spacious resonances. This effect simulates these sympathetic
resonances.
SYMPATHETIC
RESONANCE
9: SuperiorMono
10: GrandVR Mono
E.PIANO group
Depth
Parameters assigned to
the Knobs
No.: Name
Default
On
Effect name
TREMOLO
PHASER
Description
1: VR E.Piano
2: Stage Phazer
Rate
Rate
Cyclically modulates the volume to add tremolo effect to the sound.
This is a stereo phaser. A phase-shifted sound is added to the original
sound and modulated.
On
3: 70’s E.Piano
4: 60’s E.Piano
5: FM E.Piano
6: S.A.E.P.
On
Off
On
On
MODULATION DELAY
AUTO PAN
Balance
Adds modulation to the delayed sound.
Rate
Cyclically modulates the stereo location of the sound.
Adds modulation to the delayed sound.
MODULATION DELAY
ENHANCERŮCHORUS
Balance
Chorus Balance
This effect connects an enhancer and a chorus in series.
This is a chorus effect with added Tremolo (cyclic modulation of
volume).
7: E.Grand
8: Clav
Off
Off
TREMOLO CHORUS
Depth
Rate
Extremely high settings of the phase difference produce a deep phaser
effect.
MULTI STAGE PHASER
9: WahWah Clav
10: Natural Hps
STRINGS group
On
Off
AUTO WAH
CHORUS
Manual
Depth
Cyclically controls a filter to create cyclic change in timbre.
This is a stereo chorus.
Parameters assigned to
the Knobs
No.: Name
Default
Effect name
Description
Controls the overtone structure of the high frequencies, adding sparkle
and tightness to the sound.
1: VR Strings
Off
ENHANCER
Sens
2: Warm Strings
3: Studio Sect.
Off
Off
EQUALIZER
Low Gain
This is a low frequency stereo equalizer.
This effect provides four delays.
MULTI TAP DELAY
Delay Time
Controls the overtone structure of the high frequencies, adding sparkle
and tightness to the sound.
4: ChmbrStrings
Off
Off
ENHANCER
EQUALIZER
Sens
5: JP Strings
Low Gain
This is a low frequency stereo equalizer.
CHOIR/SCAT group
Parameters assigned to
the Knobs
No.: Name
Default
Effect name
Description
This is an equalizer which cuts the volume greatly, allowing you to add
a special effect to the sound by cutting the volume in high range.
1: Real Choir
Off
ISOLATOR
Boost/Cut High
This applies a 3D effect to the chorus sound. The chorus sound will be
positioned 90 degrees left and 90 degrees right.
2: Jazz Scat
Off
Off
3D CHORUS
LONG DELAY
Depth
3: Aerial Choir
Delay Time
A delay that provides a long delay time.
This is a multiple chorus that applies two-phase modulation in stereo. It
gives no impression of modulation, but produces a transparent chorus
effect.
4: Female Vox
5: Female Aahs
Off
Off
SPACE-D
Depth
MULTI TAP DELAY
Delay Time
This effect provides four delays.
72
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List of Effects for the Ensemble Sounds
BRASS group
No.: Name
Parameters assigned to
the Knobs
Default
Effect name
Description
This is an equalizer which cuts the volume greatly, allowing you to add
a special effect to the sound by cutting the volume in high range.
1: Ac.Brass
Off
ISOLATOR
Boost/Cut High
High Gain
2: R&R Brass
Off
EQUALIZER
This is a high frequency stereo equalizer.
3: Bigband Sax
This is an equalizer which cuts the volume greatly, allowing you to add
a special effect to the sound by cutting the volume in mid range.
4: VoyagerBrass
Off
Off
ISOLATOR
Boost/Cut Mid
Delay Time
5: Jump For KY
LONG DELAY
A delay that provides a long delay time.
SYNTH LEAD group
Parameters assigned to
the Knobs
No.: Name
Default
Effect name
Description
1: Vintage Lead
2: Dual Lead
On
On
On
On
DELAY
Balance
Balance
Low Gain
Rate
This is a stereo delay.
3TAP PAN DELAY
EQUALIZER
STEP PAN
Produces three delay sounds; center, left and right.
This is a low frequency stereo equalizer.
3: Saw Lead
4: SuperSawSlow
This uses a 16-step sequence to vary the panning of the sound.
This applies a 3D effect to the chorus sound. The chorus sound will be
positioned 90 degrees left and 90 degrees right.
5: Jupiter Lead
On
3D CHORUS
Depth
6: Square Lead
7: BrightSquare
On
On
LONG DELAY
SERIAL DELAY
Delay Time
Delay Time
A delay that provides a long delay time.
This delay connects two delay units in series.
This is a chorus effect with added Tremolo (cyclic modulation of
volume).
8: Sine Lead
On
TREMOLO CHORUS
Depth
9: Syn.Calliope
On
On
MULTI TAP DELAY
SERIAL DELAY
Delay Time
Delay Time
This effect provides four delays.
10: Doctor Solo
SYNTH PAD group
This delay connects two delay units in series.
Parameters assigned to
the Knobs
No.: Name
1: Soft Pad
2: Silky Way
Default
On
Effect name
EQUALIZER
ISOLATOR
Description
High Gain
This is a high frequency stereo equalizer.
This is an equalizer which cuts the volume greatly, allowing you to add
a special effect to the sound by cutting the volume in mid range.
On
Boost/Cut Mid
3: Nu Epic Pad
4: Strings Pad
On
On
MODULATION DELAY
AUTO PAN
Balance
Rate
Adds modulation to the delayed sound.
Cyclically modulates the stereo location of the sound.
This applies a 3D effect to the chorus sound. The chorus sound will be
positioned 90 degrees left and 90 degrees right.
5: Glass Organ
GUITAR group
No.: Name
On
3D CHORUS
Depth
Parameters assigned to
the Knobs
Default
Effect name
Description
1: Dyna Nylon
2: Steel Gtr
Off
Off
LONG DELAY
CHORUS
Delay Time
Depth
A delay that provides a long delay time.
This is a stereo chorus.
This applies a 3D effect to the chorus sound. The chorus sound will be
positioned 90 degrees left and 90 degrees right.
3: Jz Gtr Hall
4: JC Strat
Off
On
On
3D CHORUS
Depth
CHORUS➝DELAY
OVERDRIVE
Delay Balance
Level
This effect connects a chorus and a delay in series.
Creates a soft distortion similar to that produced by vacuum tube
amplifiers.
5: Blusey OD
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List of Effects for the Ensemble Sounds
BASS group
The parameter assigned
to the [CONTROL] knob
No.: Name
Default
Off
Effect name
EQUALIZER
3D CHORUS
EQUALIZER
ISOLATOR
Description
1: AcousticBass
2: FingerMaster
3: Pick Bass
Low Gain
Depth
This is a low frequency stereo equalizer.
This applies a 3D effect to the chorus sound. The chorus sound will be
positioned 90 degrees left and 90 degrees right.
Off
On
Low Gain
Boost/Cut Mid
This is a low frequency stereo equalizer.
This is an equalizer which cuts the volume greatly, allowing you to add
a special effect to the sound by cutting the volume in mid range.
4: 101 Bass
Off
Uses a six-phase chorus (six layers of chorused sound) to give richness
and spatial spread to the sound.
5: Punch MG
Off
HEXA-CHORUS
Depth
OTHERS/GM2 group
No.: Name
The parameter assigned
to the [CONTROL] knob
Default
Effect name
Description
1: Piano+Str.
On an acoustic piano, holding down the damper pedal allows other
strings to resonate in sympathy with the notes you play, creating rich
and spacious resonances. This effect simulates these sympathetic
resonances.
SYMPATHETIC
RESONANCE
On
Depth
2: Piano+Pad
3: E.Piano+Str.
This is a stereo phaser. A phase-shifted sound is added to the original
sound and modulated.
On
On
PHASER
Rate
4: E.Piano+Pad
MODULATION DELAY
Balance
Adds modulation to the delayed sound.
5: Bass+RideCym
6–10: (VR Drum Sets)
11–: (GM2 Tones)
Off
EQUALIZER
Low Gain
This is a low frequency stereo equalizer.
74
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List of the Factory Installed Favorites
*
Items appearing in parentheses within the harmonic bar and percussion columns do not provide for the immediate production of
sound after the Favorite has been selected, due to the fact that the [ORGAN ON] button is extinguished, or that Split or Layer is turned
off.
HARMONIC BAR
Upper
ENSEMBLE
VIBRATO/
CHORUS
ROTARY
SOUND
WHEEL
TYPE
SPLIT/
LAYER
No.
PERCUSSION
AMP TYPE
Description
Lower
Pedal
1
2
Bank 1: This is a collection of the most representative organ settings and ensemble sounds; they’ve been set up so they can be accessed simply by pressing a single
button.
88 8800 000
1-1 (83 8000 000)
8 0
THIRD
SOFT
FAST
–
–
–
–
–
–
–
SLOW
SLOW
FAST
SOLID
TYPE 4
–
–
–
–
–
–
–
–
–
Rock organ with overdrive.
88 8000 000
THIRD
SOFT
FAST
Orthodox settings for a percussive
jazz organ.
1-2
83 8000 000
8 0
VINTAGE 2 TYPE 1
VINTAGE 1 TYPE 1
VINTAGE 2 TYPE 1
–
–
SPLIT
88 8000 008
1-3 (83 8000 000)
Funk organ with a piercing metallic
reverberation.
–
–
–
8 0
00 8888 888
Gospel organ with a bright, solemn
tone.
1-4
00 0806 000
8 0
SLOW
SLOW
SLOW
SLOW
–
SPLIT
(88 8800 000)
1-5 (83 8000 000)
(THIRD)
(SOFT)
(FAST)
Grand piano that delivers a full range
of expression—from weak notes to
strong ones.
SOLID
SOLID
SOLID
TYPE 4
TYPE 4
TYPE 4
Superior Grd
VR E.PIANO
Vintage Lead
–
–
–
8 0
(88 8800 000)
1-6 (83 8000 000)
8 0
(THIRD)
(SOFT)
(FAST)
Standard electric piano with tremolo.
(88 8800 000)
1-7 (83 8000 000)
8 0
(THIRD)
(SOFT)
(FAST)
Synth lead sound that is fat and has
lots of presence.
Keyboard divided into two—right-
hand side has organ and pad sounds
layered together, while grand piano
is assigned to the left-hand side.
88 8800 000
00 0000 000
8 0
THIRD
SOFT
FAST
SPLIT
LAYER
TO LOWER
1-8
–
FAST
SOLID
TYPE 4
Superior Grd Silky Way
Bank 2: Settings for a Variety of Organs
88 8000 000
2-1 (83 8000 000)
8 0
SECOND
SOFT
FAST
Progressive rock organ with a
generous amount of overdrive.
–
–
SLOW
FAST
SOLID
SOLID
TYPE 2
TYPE 4
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
88 8080 880
2-2 (83 8000 000)
8 4
Rock organ with enhancement
applied to the overtones of the
harmonic bars.
–
80 0000 888
Jazz organ with settings geared
towards ballads.
2-3
2-4
2-5
2-6
2-7
2-8
83 8000 000
8 0
C-3
C-3
–
–
–
SLOW
FAST
VINTAGE 2 TYPE 1
VINTAGE 2 TYPE 1
VINTAGE 2 TYPE 1
VINTAGE 2 TYPE 1
VINTAGE 2 TYPE 1
VINTAGE 2 TYPE 1
SPLIT
SPLIT
SPLIT
SPLIT
SPLIT
SPLIT
88 8888 888
83 8000 000
8 0
Full drawbar settings for adding
excitement.
80 0800 020
00 0608 022
0 8
SECOND
SOFT
FAST
Light-hearted organ sound suited for
Latin music.
SLOW
SLOW
FAST
86 0000 068
00 0606 000
0 8
An organ evocative of classic pop
songs from the fifties and earlier.
V-1
–
–
–
–
80 0000 008
00 0804 000
8 0
A retro organ that simulates the
sound of the accompaniment to
silent movies.
80 8808 008
00 8808 000
8 0
Settings for simulating the pipe
organ of a church.
–
SLOW
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List of the Factory Installed Favorites
HARMONIC BAR
ENSEMBLE
Upper
Lower
Pedal
VIBRATO/
CHORUS
ROTARY
SOUND
WHEEL
TYPE
SPLIT/
LAYER
No.
PERCUSSION
AMP TYPE
Description
1
2
Bank 3: The settings here focus mainly on ensemble sounds, and allow for different sounds to be played from separate zones, by making use of the Split function.
(88 8800 000)
3-1 (83 8000 000)
8 0
(THIRD)
(SOFT)
(FAST)
Evocative of a piano trio, with a grand
piano and acoustic bass with
cymbals.
Bass+RideCy
m
SPLIT
TO LOWER
–
–
–
–
–
–
–
–
SLOW
SLOW
SLOW
SLOW
SLOW
SLOW
SLOW
SLOW
SOLID
SOLID
SOLID
CLEAN
SOLID
SOLID
SOLID
SOLID
TYPE 4
TYPE 4
TYPE 4
TYPE 1
TYPE 4
TYPE 4
TYPE 4
TYPE 4
Superior Grd
(88 8800 000)
3-2 (83 8000 000)
8 0
(THIRD)
(SOFT)
(FAST)
SPLIT
Simulates plugged jazz, with electric
TO LOWER piano and electric bass.
FingerMaster VR E.Piano
(88 8800 000)
3-3 (83 8000 000)
8 0
(THIRD)
(SOFT)
(FAST)
Strings ensemble that combines
sounds with a fast attack with those
having a slow attack.
SPLIT
TO LOWER
Syn.Strings1 Warm Strings
80 8808 008
3-4 (83 8000 000)
8 0
SPLIT
Settings for a spiritual sound
TO LOWER evocative of a pipe organ and choir.
–
Real Choir
Voice
–
(88 8800 000)
3-5 (83 8000 000)
8 0
(THIRD)
(SOFT)
(FAST)
Evocative of jazz vocals, scat and
SPLIT
Jazz Scat
chorus are combined; they change in
TO LOWER
accord with your playing dynamics.
(88 8800 000)
3-6 (83 8000 000)
8 0
(THIRD)
(SOFT)
(FAST)
Settings suitable for pops or rock
SPLIT
FingerMaster Ac.Brass
combining clean, expressive brass
TO LOWER
sounds with electric bass.
(88 8800 000)
3-7 (83 8000 000)
8 0
(THIRD)
(SOFT)
(FAST)
Combination of lead guitar that has a
SPLIT
Pick Bass
Blusey OD
pleasant overdrive and picking bass
TO LOWER
with well-defined notes.
88 8800 000
3-8 (83 8000 000)
8 0
THIRD
SOFT
FAST
Drum set combined with an organ.
SPLIT
VR Pop Kit
–
Allows you to play drum solos on the
TO LOWER
keyboard.
Bank 4: In this bank, the harmonic bars and percussion remain the same, while changes have been made in the parameter settings for a variety of organs. You may
want to use these settings as templates when creating your own original organ sounds.
88 8800 000
4-1 (83 8000 000)
8 0
THIRD
SOFT
FAST
Rock organ with overdrive applied to
it.
–
–
SLOW
SLOW
SOLID
TYPE 4
–
–
–
–
–
–
Emphasizes the cabinet resonance of
rotary speakers; the wheel type is
VINTAGE 2 and the amp type is type
1.
88 8800 000
4-2 (83 8000 000)
8 0
THIRD
SOFT
FAST
VINTAGE 2 TYPE 1
VINTAGE 1 TYPE 3
88 8800 000
4-3 (83 8000 000)
8 0
THIRD
SOFT
FAST
Emphasizes the overdrive’s
distortion; the wheel type is VINTAGE
1 and the amp type is type 3.
–
–
SLOW
SLOW
–
–
–
–
–
–
88 8800 000
4-4 (83 8000 000)
8 0
THIRD
SOFT
FAST
With a wheel type of CLEAN, these
settings keep leakage noise and click
noise at a minimum.
CLEAN
SOLID
TYPE 1
TYPE 4
With these settings, the rotational
speed of the rotary speakers will
seem even slower when set to SLOW,
and even faster when set to FAST.
88 8800 000
4-5 (83 8000 000)
8 0
THIRD
SOFT
FAST
–
SLOW
–
–
–
88 8800 000
4-6 (83 8000 000)
8 0
THIRD
SOFT
FAST
With these settings, the transition
time between SLOW and FAST with
the rotary effect is made shorter.
–
–
SLOW
SLOW
SOLID
SOLID
TYPE 4
TYPE 4
–
–
–
–
–
–
88 8800 000
4-7 (83 8000 000)
8 0
THIRD
SOFT
FAST
With these settings, the sense of
rotational speed for the rotary effect
will be at its greatest.
These settings place emphasis on the
volume of organ percussion and the
ability to produce rapid, consecutive
notes.
88 8800 000
4-8 (83 8000 000)
8 0
THIRD
SOFT
FAST
–
SLOW
SOLID
TYPE 4
–
–
–
Bank 5: Same settings as the Bank 1
Bank 6: Same settings as the Bank 2
Bank 7: Same settings as the Bank 3
Bank 8: Same settings as the Bank 4
76
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Troubleshooting
If you think there’s a problem, read this first.
Symptom
Cause/Action
Page
Power will not turn on
Is the power cord correctly connected to the VR-700 and to an AC outlet?
p. 18
Could Panel Lock be enabled?
Hold down the HARMONIC BAR [LOWER] button and press the PLAYER [RHYTHM] button to
release Panel Lock.
p. 25
Buttons don’t work
Could the VR-700 be in Demo mode?
Press the [DISPLAY/EXIT] button to exit Demo mode.
p. 23
p. 19
p. 19
p. 21
Is your playback equipment (amp and speaker) powered up?
Could the volume of your playback system (amp and speaker) have been lowered?
Check the volume of your playback system.
Are your amp, speakers, or headphones connected correctly?
Could the VR-700’s volume be lowered?
Check the setting of the [MASTER VOLUME] knob and the [ENSEMBLE VOLUME] bar.
p. 14
p. 23
No sound/Insufficient volume
Could the expression pedal have been used to adjust the volume?
While being careful about the volume depress, step on the pedal.
p. 45
p. 57
p. 38
Could the Local Control setting be off?
Turn the Local Control setting on again, or turn the VR-700’s power off, then on again.
Could all of the harmonic bars be pushed in?
Pull the harmonic bars toward yourself.
Organ sound is not heard
Could the wheel brake key be applied?
p. 43
p. 14
Use the foot switch or D Beam to release the wheel brake.
Pull out the [ENSEMBLE VOLUME] lever to increase the volume of the ensemble sound.
Ensemble sound is inaudible or
not loud enough
by the expression pedal. While being careful about the volume, depress the expression pedal.
p. 54
p. 45
This is not a malfunction.
Noise is heard when you press or
release a key
The VR-700 reproduces the noise that is heard when a key of a tonewheel organ is turned on/
off. You can eliminate this noise by setting the Function mode Key On Click Level and Key Off
Click Level settings to 0.
Could the tuning be incorrect?
The pitch of the organ sounds can be adjusted by the Function mode setting “Organ Fine Tune”
(p. 52), and the pitch of the ensemble sounds can be adjusted by the “Ensemble Fine Tune”
setting (p. 53) The overall pitch is adjusted by “Master Tune” (p. 59). Check these settings.
–
Pitch is incorrect
Could the VR-700 be transposed?
p. 59
p. 43
p. 41
Either disable the transpose setting, or re-specify it.
Could the wheel brake have been left on?
Operate the foot switch or D Beam, to release the wheel brake.
Could percussion be on?
If percussion is on, the 1’ harmonic bar will not sound.
Harmonic bar 1’ is not heard
Is each part’s MIDI channel set correctly?
In the Function mode MIDI group of settings, specify the correct MIDI transmit/receive channel
for each part.
MIDI messages are not
transmitted/received correctly
p. 57
p. 20
p. 54
–
Is the pedal connected correctly?
Check the pedal connections.
Is the pedal polarity set correctly?
Set the Function mode parameters “Damper Pedal Polarity” and “Control Pedal Polarity”
appropriately for the polarity of the pedal you are using.
Pedal doesn’t work, or is stuck
If you connect a pedal while the power is on, the pedal effect may be “stuck.” Make sure that
you connect pedals after you’ve switched off the VR-700’s power.
Have you assigned a function to the pedal?
A variety of functions can be assigned to the pedal connected to the CONTROL PEDAL
connector. Check the Function mode setting “Control Pedal Assign.”
p. 54
Are you using USB memory (sold separately) made by Roland?
We cannot guarantee operation if other USB memory is used.
–
Can’t read/write USB memory
If you’re unable to read or write USB memory, try changing the Function mode setting “USB
Memory Mode.”
p. 59
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Troubleshooting
Symptom
Cause/Action
Page
Could external devices be connected to more than one AC outlet?
If you’ve connected the VR-700 to external equipment, you must connect all equipment to the
same AC power outlet.
A buzzing sound is heard from
external equipment
p. 18
No sound when using the player
to play rhythm or a file
Could the Local Control setting be Off?
Turn the Local Control setting On, or turn the VR-700’s power off, then on again.
p. 57
p. 64
Could V-LINK be turned on?
When V-LINK is on, the bottom octave of keys are assigned to control an external video device;
they will not produce sound.
No sound when you play keys in
the lower region
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Error Messages
Indication
E.02
Situation
Action
An error occurred during writing.
No external media is inserted.
The external media may not yet be initialized.
Insert the external media and try again.
E.10
again.
E.11
E.14
Not enough free space at the save destination.
An error occurred during writing.
The external media may be corrupted.
Insert other external media and try again. Alternatively, you can
initialize the external media.
E.15
E.16
The file is unreadable.
The data format is not compatible with the VR-700.
Data was not called up in time for playback of the song.
You may be able to play the song after waiting a few seconds.
For details on the format of songs that can be played back by the
VR-700, refer to “Specifications” (p. 80).
E.18
E.30
E.40
This audio format is not supported.
The internal memory of the VR-700 is full.
–
The VR-700 cannot deal with the excessive MIDI data sent from
the external MIDI device.
Reduce the amount of MIDI data sent to the VR-700.
E.41
E.43
A MIDI cable has been disconnected.
A MIDI transmission error has occurred.
Connect it properly and securely.
Check the MIDI cable and connected MIDI device.
Repeat the procedure from the beginning. If it is not solved after
you have tried several times, contact the nearest Roland service
center.
E.51
E.65
There may be a problem with the system.
Make sure that there is no problem with the external media, then
turn the power off, then on again.
The USB MEMORY connector was subjected to excessive current.
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Specifications
VR-700: V-Combo
Keyboard
Keyboard
Waterfall 76-keys (with velocity)
Tone Generator
Organ Part
Virtual Tonewheel
PCM
Ensemble Part and Player Section
Part
Organ
Upper, Lower, Pedal
2 parts
Ensemble
Player
Rhythm/SMF playback/Audio playback
Max. Polyphony
Organ Part
Full Polyphony
Ensemble Part and Player Part
Wave Memory
Organ Part
128 voices
128M bytes (in 16-bit linear)
Harmonic Bar
Vibrato/Chorus
Percussion
16’, 5-1/3’, 8’, 4’, 2-2/3’, 2’, 1-3/5’, 1-1/3’, 1’
V-1/V-2/V-3/C-1/C-2/C-3
SECOND/THIRD, SOFT, SLOW
Rotary Sound
Tone Wheel Type
Amplifier Type
Ensemble Part
SLOW/FAST, BRAKE, ROTARY GAIN
VINTAGE 1/VINTAGE 2/SOLID/CLEAN
TYPE 1/TYPE 2/TYPE 3/TYPE 4/TYPE 5
65 tones
5 rhythm sets
256 GM2 tones
Tones
9 GM2 rhythm sets (includes SFX set)
Effect
ON/OFF, CONTROL
Function
Player section
Rhythm
OCTAVE SHIFT, TO LOWER/PEDAL, ENSEMBLE VOLUME
51 patterns
Standard MIDI File format 0, 1
Audio File WAV/AIFF (44.1 kHz, 16-bit linear), MP3
Playable format
Others
Favorite
64 settings
Function
D Beam
SPLIT, LAYER, V-LINK
PITCH/FILTER/VOLUME/WHEEL BRAKE/RING MOD/SPRING SHOCK
ROOM/HALL/CATHEDRAL/SPRING, LEVEL
USB Memory Key
Reverb
External Memory
Display
7 segment with 3 digits
OUTPUT connectors: XLR (L, R), 1/4” Phone type (L/MONO, R)
PHONES connector: Stereo 1/4” Phone type
CONTROL PEDAL connector
EXPRESSION PEDAL connector
DAMPER PEDAL connector
Connectors
MIDI connectors: IN, PEDAL IN, OUT
USB Connectors: MIDI, Memory
AC Inlet
Power Consumption
13 W
1,260 (W) x 395 (D) x 128 (H) mm
49-5/8 (W) x 15-9/16 (D) x 5-1/16 (H) inches
Dimensions (not includes Music Rest)
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Specifications
16.0 kg
35 lbs 5 oz
Weight (not includes Music Rest)
Accessories
Music Rest
Power Cord
Owner’s Manual
Damper Pedal:
Expression Pedal:
Stereo Headphones:
Pedalboard:
DP-10, DP-2, BOSS FS-5U
EV-7, EV-5, BOSS FV-500L
RH-300, RH-A30, RH-D30
PK-25A, PK-7A
Options
Keyboard Stand:
Bench:
USB Memory Key:
KS-G8
BNC-88, BNC-15-DR
M-UF2G
*
In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
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Index
A
AC inlet ............................................................................................. 17
Audio data ...................................................................................... 49
B
Backup
I
USB memory ............................................................................ 62
Key click ........................................................................................... 45
Key Touch ........................................................................................ 59
KS-G8 ................................................................................................. 18
C
Clock Source .................................................................................. 59
Computer ........................................................................................ 67
Layer .................................................................................................. 29
Lower part ....................................................................................... 27
D
D Beam ...................................................................................... 14, 36
Damper pedal ................................................................................ 20
Delete
Device ID ......................................................................................... 57
MASTER VOLUME knob .............................................................. 14
Music rest ........................................................................................ 22
E
EFFECT CONTROL knob ...................................................... 15, 46
EFFECT ON button ................................................................ 15, 46
Equalizer .......................................................................................... 54
OCTAVE SHIFT button .......................................................... 15, 46
ON button ....................................................................................... 43
ORGAN CONTROL button .......................................................... 14
ORGAN ON button ....................................................................... 15
OUTPUT connector ...................................................................... 17
F
Favorite
Save ............................................................................................ 47
FAVORITE button ......................................................................... 16
FAVORITE section ......................................................................... 16
FILE LOAD button ........................................................................ 16
FILE SAVE button .......................................................................... 16
FILTER button ................................................................................ 36
Foot switch ..................................................................................... 20
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P
Pedal part ........................................................................................ 28
Percussion ....................................................................................... 41
Pitch
Tap tempo ....................................................................................... 55
Tempo .............................................................................................. 50
Key ............................................................................................... 59
Tweeter ............................................................................................ 43
PITCH button ................................................................................. 36
Play .................................................................................................... 49
UPPER button ................................................................................ 15
Upper part ....................................................................................... 27
USB Driver ....................................................................................... 59
R
Variation ........................................................................................... 46
Vibrato .............................................................................................. 42
V-LINK ............................................................................................... 64
Volume
Pedal ........................................................................................... 45
VOLUME button ............................................................................ 36
Rewind ............................................................................................. 49
Rhythm pattern ............................................................................ 49
S
Song Transpose ............................................................................ 56
Split ................................................................................................... 34
SPLIT button ................................................................................... 16
Spring Reverb ................................................................................ 37
SPRING SHOCK button ............................................................... 36
Stand ................................................................................................. 18
Stop ................................................................................................... 49
System parameter ........................................................................ 51
Wheel Brake .................................................................................... 37
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For EU Countries
For the USA
This product complies with the requirements of EMCD 2004/108/EC and LVD 2006/95/EC.
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
–
–
–
–
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
(
)
For C.A. US Proposition 65
WARNING
This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.
For the USA
DECLARATION OF CONFORMITY
Compliance Information Statement
Model Name : VR-700
Type of Equipment : Digital Organ
Responsible Party : Roland Corporation U.S.
Address : 5100 S. Eastern Avenue, Los Angeles, CA 90040-2938
Telephone : (323) 890-3700
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For EU Countries
For China
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