Roland Electronic Keyboard MP 60 User Guide

Owner’s Manual

Thank you, and congratulations on your choice of the Roland Digital Piano MP-60.

Main Features

Piano Sounds with Rich Resonance and Wide-Ranging Expressiveness

The stereo sampling piano sound generator realistically reproduces even the sound

of the hammers striking the strings, producing the tones of a high-quality concert

grand piano. Maximum polyphony of 64 notes ensures that you can use the pedal

freely without running out of notes.

Pursuing the Playing Feel of a Grand Piano

These instruments feature a hammer action keyboard, which duplicates the touch of

a grand piano, with a heavier touch in the lower register, and a lighter touch in the

upper register.

The pedal is designed for good-feeling response, and allows subtle performance

nuances to be expressed.

A Variety of Practice Features to Help You Develop Your Musicality

In addition to a metronome, the MP-60 features a two-track recorder, which allows

you to experience piano lessons in a way possible only on electronic pianos.

65 Piano Songs Built-In

The internal songs are mainly classical pieces, and include compositions for listening

enjoyment as well as for lessons.

Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY

INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3, 4), and “IMPORTANT NOTES” (p.

5). These sections provide important information concerning the proper operation of the unit.

Additionally, in order to feel assured that you have gained a good grasp of every feature provided

by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and

kept on hand as a convenient reference.

any form without the written permission of ROLAND CORPORATION.

Download from Www.Somanuals.com. All Manuals Search And Download.

USING THE UNIT SAFELY

The

symbol alerts the user to important instructions

Used for instructions intended to alert

the user to the risk of death or severe

injury should the unit be used

improperly.

or warnings.The specific meaning of the symbol is

determined by the design contained within the

triangle. In the case of the symbol at left, it is used for

general cautions, warnings, or alerts to danger.

Used for instructions intended to alert

the user to the risk of injury or material

damage should the unit be used

improperly.

The

symbol alerts the user to items that must never

be carried out (are forbidden). The specific thing that

must not be done is indicated by the design contained

within the circle. In the case of the symbol at left, it

means that the unit must never be disassembled.

* Material damage refers to damage or

other adverse effects caused with

respect to the home and all its

furnishings, as well to domestic

animals or pets.

The ● symbol alerts the user to things that must be

carried out. The specific thing that must be done is

indicated by the design contained within the circle. In

the case of the symbol at left, it means that the power-

cord plug must be unplugged from the outlet.

⁰⁰⁹Do not excessively twist or bend the power cord,

nor place heavy objects on it. Doing so can

damage the cord, producing severed elements and

short circuits. Damaged cords are fire and shock

hazards!

•

⁰⁰¹Before using this unit, make sure to read the

•

instructions below, and the Owner’s Manual.

..........................................................................................................

002a

•

Do not open or perform any internal modifica-

tions on the unit.

..........................................................................................................

•

⁰¹⁰This unit, either alone or in combination with an

..........................................................................................................

⁰⁰³Do not attempt to repair the unit, or replace parts

amplifier and headphones or speakers, may be

capable of producing sound levels that could

cause permanent hearing loss. Do not operate for

a long period of time at a high volume level, or at

a level that is uncomfortable. If you experience

any hearing loss or ringing in the ears, you should

immediately stop using the unit, and consult an

audiologist.

•

within it (except when this manual provides

specific instructions directing you to do so). Refer

all servicing to your retailer, the nearest Roland

Service Center, or an authorized Roland

distributor, as listed on the “Information” page.

..........................................................................................................

⁰⁰⁴Never use or store the unit in places that are:

..........................................................................................................

•

⁰¹¹Do not allow any objects (e.g., flammable material,

• Subject to temperature extremes (e.g., direct

sunlight in an enclosed vehicle, near a heating

duct, on top of heat-generating equipment); or

are

coins, pins); or liquids of any kind (water, soft

drinks, etc.) to penetrate the unit.

• Damp (e.g., baths, washrooms, on wet floors);

or are

..........................................................................................................

012a:

•

Immediately turn the power off, remove the

power cord from the outlet, and request servicing

by your retailer, the nearest Roland Service

Center, or an authorized Roland distributor, as

listed on the “Information” page when:

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

..........................................................................................................

• The power-supply cord, or the plug has been

damaged; or

•

⁰⁰⁷Make sure you always have the unit placed so it is

• If smoke or unusual odor occurs

level and sure to remain stable. Never place it on

stands that could wobble, or on inclined surfaces.

• Objects have fallen into, or liquid has been

spilled onto the unit; or

..........................................................................................................

008a

• The unit has been exposed to rain (or otherwise

has become wet); or

•

The unit should be connected to a power supply

only of the type described in the operating instruc-

tions, or as marked on the bottom of unit.

• The unit does not appear to operate normally or

exhibits a marked change in performance.

..........................................................................................................

008e

•

Use only the attached power-supply cord. Also,

the supplied power cord must not be used with

any other device.

..........................................................................................................

Download from Www.Somanuals.com. All Manuals Search And Download.

107b

•

⁰¹³In households with small children, an adult

Never handle the power cord or its plugs with wet

should provide supervision until the child is

capable of following all the rules essential for the

safe operation of the unit.

hands when plugging into, or unplugging from,

an outlet or this unit.

..........................................................................................................

108d: Selection

..........................................................................................................

⁰¹⁴Protect the unit from strong impact.

•

If you need to move the instrument, take note of

the precautions listed below. At least two persons

are required to safely lift and move the unit. It

should be handled carefully, all the while keeping

it level. Make sure to have a firm grip, to protect

yourself from injury and the instrument from

damage.

•

(Do not drop it!)

..........................................................................................................

⁰¹⁵Do not force the unit’s power-supply cord to share

•

an outlet with an unreasonable number of other

devices. Be especially careful when using

• Check to make sure the screws securing the unit

to the stand have not become loose. Fasten them

again securely whenever you notice any

loosening.

extension cords—the total power used by all

devices you have connected to the extension

cord’s outlet must never exceed the power rating

(watts/amperes) for the extension cord. Excessive

loads can cause the insulation on the cord to heat

up and eventually melt through.

• Disconnect the power cord.

..........................................................................................................

⁰¹⁶Before using the unit in a foreign country, consult

• Disconnect all cords coming from external

devices.

•

with your retailer, the nearest Roland Service

Center, or an authorized Roland distributor, as

listed on the “Information” page.

• Close the lid.

• Remove the music stand.

..........................................................................................................

⁰²⁶Do not put anything that contains water (e.g.,

flower vases) on this unit. Also, avoid the use of

insecticides, perfumes, alcohol, nail polish, spray

cans, etc., near the unit. Swiftly wipe away any

liquid that spills on the unit using a dry, soft cloth.

..........................................................................................................

•

109a

•

Before cleaning the unit, turn off the power and

unplug the power cord from the outlet (p. 8).

..........................................................................................................

110a

•

Whenever you suspect the possibility of lightning

in your area, pull the plug on the power cord out

of the outlet.

..........................................................................................................

•

¹¹⁶Be careful when opening/closing the lid so you do

101a

•

The unit should be located so that its location or

position does not interfere with its proper venti-

lation.

not get your fingers pinched (p. 8). Adult super-

vision is recommended whenever small children

use the unit.

..........................................................................................................

102b

¹¹⁸Should you remove screws, make sure to put them

•

Always grasp only the plug on the power-supply

cord when plugging into, or unplugging from, an

outlet or this unit.

•

in a safe place out of children's reach, so there is

no chance of them being swallowed accidentally.

..........................................................................................................

103a:

•

At regular intervals, you should unplug the power

plug and clean it by using a dry cloth to wipe all

dust and other accumulations away from its

prongs. Also, disconnect the power plug from the

power outlet whenever the unit is to remain

unused for an extended period of time. Any

accumulation of dust between the power plug and

the power outlet can result in poor insulation and

lead to fire.

..........................................................................................................

•

¹⁰⁴Try to prevent cords and cables from becoming

entangled. Also, all cords and cables should be

placed so they are out of the reach of children.

..........................................................................................................

•

¹⁰⁶Never climb on top of, nor place heavy objects on

the unit.

..........................................................................................................

Download from Www.Somanuals.com. All Manuals Search And Download.

IMPORTANT NOTES

²In^91baddition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 3

and 4, please read and observe the following:

• The pedals of this unit are made of brass.

Power Supply

Brass eventually darkens as the result of the natural

301

• Do not connect this unit to same electrical outlet that is being

oxidization process. If the brass becomes tarnished, polish it

used by an electrical appliance that is controlled by an

using commercially available metal polisher.

inverter (such as a refrigerator, washing machine, microwave

oven, or air conditioner), or that contains a motor. Depending

Maintenance

on the way in which the electrical appliance is used, power

⁴•^01bTo clean the unit, use a dry, soft cloth; or one that is slightly

supply noise may cause this unit to malfunction or may

produce audible noise. If it is not practical to use a separate

dampened. Try to wipe the entire surface using an equal

electrical outlet, connect a power supply noise filter between

amount of strength, moving the cloth along with the grain of

this unit and the electrical outlet.

the wood. Rubbing too hard in the same area can damage the

307

• Before connecting this unit to other devices, turn off the

power to all units. This will help prevent malfunctions and/

or damage to speakers or other devices.

finish.

402

• Never use benzine, thinners, alcohol or solvents of any kind,

to avoid the possibility of discoloration and/or deformation.

308

• Although the LCD and LEDs are switched off when the

POWER switch is switched off, this does not mean that the

unit has been completely disconnected from the source of

power. If you need to turn off the power completely, first turn

off the POWER switch, then unplug the power cord from the

power outlet. For this reason, the outlet into which you

choose to connect the power cord's plug should be one that is

within easy reach and readily accessible.

Additional Precautions

552

• Unfortunately, it may be impossible to restore the contents of

data that was stored in the unit’s memory once it has been

lost. Roland Corporation assumes no liability concerning

such loss of data.

553

• Use a reasonable amount of care when using the unit’s

buttons, sliders, or other controls; and when using its jacks

and connectors. Rough handling can lead to malfunctions.

Placement

556

351

• When connecting / disconnecting all cables, grasp the

• Using the unit near power amplifiers (or other equipment

connector itself—never pull on the cable. This way you will

avoid causing shorts, or damage to the cable’s internal

elements.

containing large power transformers) may induce hum. To

alleviate the problem, change the orientation of this unit; or

move it farther away from the source of interference.

557

352a

• A small amount of heat will radiate from the unit during

• This device may interfere with radio and television reception.

normal operation.

Do not use this device in the vicinity of such receivers.

⁵•^58aTo avoid disturbing your neighbors, try to keep the unit’s

volume at reasonable levels. You may prefer to use

headphones, so you do not need to be concerned about those

around you (especially when it is late at night).

352b

• Noise may be produced if wireless communications devices,

such as cell phones, are operated in the vicinity of this unit.

Such noise could occur when receiving or initiating a call, or

while conversing. Should you experience such problems, you

should relocate such wireless devices so they are at a greater

distance from this unit, or switch them off.

⁵•^59bWhen you need to transport the unit, pack it in shock-

absorbent material. Transporting the unit without doing so

can cause it to become scratched or damaged, and could lead

to malfunction.

354b

• Do not expose the unit to direct sunlight, place it near devices

that radiate heat, leave it inside an enclosed vehicle, or

otherwise subject it to temperature extremes. Also, do not

allow lighting devices that normally are used while their light

source is very close to the unit (such as a piano light), or

powerful spotlights to shine upon the same area of the unit

for extended periods of time. Excessive heat can deform or

discolor the unit.

562

• Use a cable from Roland to make the connection. If using

some other make of connection cable, please note the

following precautions.

• Some connection cables contain resistors. Do not use

cables that incorporate resistors for connecting to this

unit. The use of such cables can cause the sound level

to be extremely low, or impossible to hear. For infor-

mation on cable specifications, contact the manufac-

turer of the cable.

355b

• When moved from one location to another where the temper-

ature and/or humidity is very different, water droplets

(condensation) may form inside the unit. Damage or

malfunction may result if you attempt to use the unit in this

condition. Therefore, before using the unit, you must allow it

to stand for several hours, until the condensation has

completely evaporated.

• Before opening or closing the keyboard lid, always make sure

that no pets or other small animals are located on top of the

instrument (in particular, they should be kept away from the

keyboard and its lid). Otherwise, due to the structural design

of this instrument, small pets or other animals could end up

getting trapped inside it. If such a situation is encountered,

you must immediately switch off the power and disconnect

the power cord from the outlet. You should then consult with

the retailer from whom the instrument was purchased, or

contact the nearest Roland Service Center.

356

• Do not allow rubber, vinyl, or similar materials to remain on

the unit for long periods of time. Such objects can discolor or

otherwise harmfully affect the finish.

358

• Do not allow objects to remain on top of the keyboard. This

can be the cause of malfunction, such as keys ceasing to

produce sound.

359

• Do not paste stickers, decals, or the like to this instrument.

Peeling such matter off the instrument may damage the

exterior finish.

Download from Www.Somanuals.com. All Manuals Search And Download.

Contents

USING THE UNIT SAFELY .............................................................3

IMPORTANT NOTES .......................................................................5

Chapter 4.

Recording Your Performance ............................... 21

Notes Regarding Recording ....................................................21

Recording a New Song....................................................................22

Recording Along with a Song ........................................................23

Panel Descriptions....................................................7

Front Panel ..........................................................................................7

Rear Panel............................................................................................7

Selecting and Recording the Track for Each Hand

Separatel y..........................................................................................24

Before You Start Playin g ..........................................8

Erasing Recorded Performance s ....................................................25

Erasing a Performance from the Specified Track .................25

Erasing a Song ...........................................................................25

Connect the Pedal Cable ...................................................................8

Connect the Power Cor d ...................................................................8

Setting Up the Music Stand ..............................................................8

Opening/Closing the Lid .................................................................8

Connecting Headphones...................................................................8

Turning the Power On and Off........................................................9

Adjusting the Sound’s Volume and Brilliance...............................9

About the Pedals ................................................................................9

Chapter 5.

Changing Various Settings ................................... 26

Changing the Damper Pedal’s Resonance....................................26

Making Detailed Settings (Function).............................................26

Tuning to Other Instruments’ Pitches (Master Tuning )......27

Changing the Temperament....................................................27

Setting the Tuning Curve (Stretch Tuning)...........................28

Applying the Damper Pedal to the Left-hand

Chapter 1.

Enjoying the Internal Songs...................................10

Keyboard Area...........................................................................28

Listening to Internal Songs.............................................................10

Playing Back All Songs Continuously (All Song Play)........10

Selecting a Song and Playing It...............................................10

Preventing the Settings from Changing During

Performance ......................................................................................28

Disabling Everything Except Piano Play (Panel Lock )........28

Disabling the Buttons When Using a Tone Other Than

Piano (Tone Lock) .....................................................................28

Chapter 2.

Performance ............................................................11

Chapter 6.

Performing with a Variety of Sounds ...........................................11

Playing Two Tones Together (Dual Play).....................................12

Connecting External Devices ................................ 29

Connecting to Audio Equipment...................................................29

Connecting to a Computer..............................................................29

Adjusting the Volume Balance in Dual Play

(Dual Balance)............................................................................12

Connecting MIDI Device s ...............................................................30

What’s MIDI?.............................................................................30

Playing Different Tones with the Left and Right Hands

(Split Play).........................................................................................13

Making MIDI-related Settings........................................................30

MIDI Send Channel Settings ...................................................31

Switching Local Control on and Off.......................................31

Transmitting a Performance You Recorded ..........................31

Changing the Keyboard’s Split Point.....................................14

Using Metronome ............................................................................14

Sounding the Metronome........................................................14

Changing the Metronome Volume.........................................15

Changing the Metronome Sound ...........................................16

Applying Effects to the Sound .......................................................16

Adding Reverberation to the Sound (Reverb)......................16

Changing the Amount of Effect Applied ..............................16

Transposing the Key of the Keyboard (Transpose).....................17

Adjusting the Keyboard Touch (Key Touch)...............................18

Appendices............................................................. 32

Troubleshooting ...............................................................................32

Error Messages/Other Messages...................................................33

Tone List ............................................................................................34

Internal Song List .............................................................................35

Easy Operation List..........................................................................37

MIDI Implementation Chart...........................................................38

Main Specifications..........................................................................39

Chapter 3.

Playing Along with the Internal Songs..................19

Changing the Tempo .......................................................................19

Adding a Count-in to Match the Timing (Count-In) ...........19

Playing Each Hand Separately.......................................................20

Index........................................................................ 40

MEMO................................................................................................41

Download from Www.Somanuals.com. All Manuals Search And Download.

Panel Descriptions

Front Panel

3 4 5 6

10 11 12 13 14 15 16 17

Power

[Power] switch

Turns the power on/off (p. 9).

11 [BEAT] button

Hold down this button and press the [+] or [-] button to specify

the time signature (beat) (p. 15).

[VOLUME] knob

Adjusts the overall volume level (p. 9).

12 [SONG/TEMPO] Button

Used to select from the internal songs (p. 10, p. 19).

Each time you press this button, the song number and the

tempo will be displayed alternately.

While the song number is displayed, the button indicator will

light in red. While the tempo is displayed, it will light in green.

[BRILLIANCE] button

Adjusts the tone brightness (p. 9).

[TRANSPOSE] button

Transposes the pitch of the keyboard (p. 17).

[SPLIT] button

Divides the keyboard into right-hand and left-hand areas,

allowing you to play a different sound in each area (p. 13).

RECORDER

Plays back or records a performance.

13 [PLAY] button

[REVERB] button

Adds reverberation to the sound (p. 16).

Starts and stops playback of internal songs and recorded

performances (p. 10, p. 19).

Also starts/stops recording of a performance (p. 22–p. 24).

TONE SELECT buttons

They are used to choose the kinds of tones (tone groups) played

by the keyboard (p. 11).

14 [REC] button

Puts the MP-60 in recording-standby mode (p. 21–p. 25).

Display

15 [1] button

Displays information such as the song number, tempo, beat,

and parameter settings values.

Plays back or records a performance separately for each hand.

(p. 20, p. 23–p. 25).

The left-hand performances of the internal songs are assigned to

this button.

This button and the following [2] button are collectively

referred to as the “track buttons.”

[+] [-] buttons

Allow you to select the value of various settings.

Pressing both the [+] and [-] buttons simultaneously returns the

setting of a particular item or function to its original value.

16 [2] button

METRONOME

Plays back or records a performance separately for each hand

(p. 20, p. 23–p. 25).

The right-hand performances of the internal songs are assigned

to this button.

Turns the metronome on/off or makes settings.

10 [ON/OFF] Button

Turns the metronome on/off (p. 14).

By holding down this button and the [BEAT] button, and

pressing other specified button, you can make settings for

various functions (p. 26–p. 28, p. 30–p. 31).

17 [KEY TOUCH] button

Modifies the playing feel of the keyboard (p. 18).

Rear Panel

Input jacks

These jacks can be connected to another sound generating

device or an audio device, so that the sound of that device will

be output from the MP-60’s speakers (p. 29).

Output jacks

MIDI Out/In connectors

Connect to external MIDI devices to exchange performance data

(p. 30).

Allows you to output the piano’s sound to sound reinforcement

equipment to obtain a more powerful sound. These can also be

connected to a tape recorder or other recording device to record

a performance (p. 29).

Pedal connector

Connect the pedal cable of the special stand to this connector

(p. 8).

Download from Www.Somanuals.com. All Manuals Search And Download.

Before You Start Playing

Connect the Pedal Cable

Opening/Closing the Lid

Insert the pedal cable into the Pedal jack on the rear

To open the lid, use both hands to lift it lightly, and

slide it away from yourself.

panel of the MP-60.

fig.00-01

To close the lid, pull it gently toward yourself, and

lower it softly after it has been fully extended.

fig.00-05

NOTE

When opening and closing the lid, be careful not to let your

fingers get caught. If small children will be using the MP-60,

adult supervision should be provided.

Connect the Power Cord

Insert the included power cord into the AC inlet on the

bottom panel of the MP-60, and then plug it into an

electrical outlet.

NOTE

If you need to move the piano, make sure the lid is closed first

to prevent accidents.

NOTE

Be sure to use the supplied power cord.

fig.00-02

Connecting Headphones

The MP-60 has two jacks for plugging in headphones. This

allows two people to listen through headphones

simultaneously, making it very useful for lessons and when

performing piano pieces for four hands. Additionally, this

allows you to play without having to worry about bothering

others around you, even at night.

Plug the headphones into the Phones jack located at the

bottom left of the piano.

Connecting headphones will automatically mute the

sound from the internal speakers.

The headphone volume is adjusted by the [VOLUME]

knob (p. 9) of the MP-60.

fig.00-04.e

Phones plug x 2

Setting Up the Music Stand

Insert the music stand into the two holes as shown in

NOTE

the following diagram.

Use Stereo headphones.

fig.00-03

Some notes on using headphones

•

To prevent damage to the cord, handle the headphones only by

the headset or the plug.

•

Connecting the headphones when the volume of connected

equipment is turned up may result in damage to the

headphones. Lower the volume on the MP-60 before plugging

in the headphones.

•

Listening at excessively high volume levels will not only

damage the headphones, but may also cause hearing loss. Use

the headphones at a moderate volume level.

NOTE

Before moving the piano, be sure to remove the music stand to

prevent accidents.

Download from Www.Somanuals.com. All Manuals Search And Download.

Before You Start Playing

fig.00-07.e

Turning the Power On and Off

NOTE

Turn on power to your various devices in the order specified.

By turning on devices in the wrong order, you risk causing

malfunction and/or damage to speakers and other devices.

About the Pedals

The pedals have the following functions, and are used

To turn the power on, turn the [VOLUME] knob all the

way down, and then press the [Power] switch.

mainly for piano performance.

fig.00-08.e

The power will turn on, and the Power indicator at the

left front of the MP-60 will light.

After a few seconds, you will be able to play the

keyboard to produce sound.

Use the [VOLUME] knob to adjust the volume.

Soft Pedal

Damper Pedal

NOTE

Sostenuto Pedal

This unit is equipped with a protection circuit. A brief interval

(a few seconds) after power up is required before the unit will

Damper pedal (right pedal)

While this pedal is pressed, notes will be sustained even after

operate normally.

you take your fingers off the keys.

fig.00-06.e

On an acoustic piano, holding down the damper pedal will

allow the remaining strings to resonate in sympathy with the

sounds that you played from the keyboard, adding a rich

resonance.

Power

The MP-60 simulates this sympathetic resonance.

You can change the amount of resonance applied with

the damper pedal. Please refer to “Changing the Damper

Pedal’s Resonance” (p. 26).

Power Indicator

To turn the power off, turn the [VOLUME] knob all the

way to the left, and press the [Power] switch.

Sostenuto pedal (center pedal)

This pedal sustains only the sounds of the keys that were

The Power indicator at the left front of the MP-60 will go

dark, and the power will be turned off.

already played when you pressed the pedal.

NOTE

Soft pedal (left pedal)

When you hold down this pedal and play the keyboard, the

If you need to turn off the power completely, first turn off the

POWER switch, then unplug the power cord from the power

outlet. Refer to Power Supply (p. 5).

sound will have a softer tone.

About the adjuster

When you move the MP-60 or if you feel that the pedals are

unstable, adjust the adjuster located below the pedals as

follows.

Adjusting the Sound’s

Volume and Brilliance

Turn the [VOLUME] knob to adjust the overall volume.

❍

Rotate the adjuster to lower it so that it is in firm contact

with the floor. If there is a gap between the pedals and

the floor, the pedals may be damaged. In particular

when placing the instrument on carpet, adjust this so

that the pedals firmly contact the floor.

Press the [BRILLIANCE] button to adjust the

brightness of the sound.

Select one of the three available settings to obtain the

desired brilliance.

fig.00-09.j

[BRILLIANCE]

button’s indicator

Off

Red

Green

Brilliance

Medium

Mellow

Bright

Adjuster

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 1.

Enjoying the Internal Songs

Listening to Internal Songs

The MP-60 comes with 65 piano songs onboard.

“Chapter 3. Playing Along

with the Internal Songs” (p. 19)

■ Playing Back All Songs Continuously (All Song Play)

“Internal Song List” (p. 35)

The internal songs can be played back consecutively.

fig.panel1-1

1 2

Hold down the [SONG/TEMPO] button, and press the [PLAY] button.

When you play back an

internal song, the reverb effect

will automatically be turned

on (the button’s indicator

lights).

The [SONG/TEMPO] button’s indicator will light, the [PLAY] button’s indicator will

blink, and the songs will play back successively, starting with the currently selected song.

The song number appears in the display.

You can press the [+] or [-] button to select the song that you want to play back.

When all songs have been played, playback will return to the first song and resume.

Stopping the playback

When an internal song is

played back, the metronome

sounds the ordinary

Press the [PLAY] button.

Playback will stop.

metronome sound.

■ Selecting a Song and Playing It

fig.panel1-2

1 3, 4

Choosing the song to play back

Press the [SONG/TEMPO] button, getting its indicator to light in red.

About the display for the

internal songs

The song number appears in the display.

fig.disp-USr

USr (user) … The location

where you can record your

performance. (For details on

recording → p. 22)

Press the [+] or [-] button to select a song.

Numbers with a “d.”

… internal songs.

Holding down the button causes the numbers to change continuously.

Playing back

Press the [PLAY] button.

The button’s indicator will light, and the selected song will play.

Stopping the playback

Press the [PLAY] button.

The button’s indicator goes out, and playback stops.

The next time you press the [PLAY] button, the song that was stopped is played from

the beginning.

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 2. Performance

Performing with a Variety of Sounds

The MP-60 contains 15 different internal tones. The tones are organized into five tone

groups, which are assigned to the TONE SELECT buttons.

fig.panel2-1

Selecting a tone group

For more details, refer to

“Tone List” (p. 34).

Press any TONE SELECT button.

The indicator of the button you pressed will light.

When you play the keyboard, you will hear a sound in the selected tone group.

Selecting variation tones

When Dual play (p. 12) or Split

play (p. 13) is used, only sound

number 1 or 2 can be selected.

If you use Dual play or Split

play with a TONE SELECT

button for which tone number

3 is selected, tone number 1

will be selected for that TONE

SELECT button.

Press the [VARIATION] button.

Three different tones (numbered 1–3) are assigned to each TONE SELECT button.

Use the [VARIATION] button to select among them.

Each time you press the [VARIATION] button, the button’s indicator will change

color, and the three sounds will be selected successively.

Tone number

[VARIATION]

button’s indicator

Off

Red

Green

Some of the number 3 tones form pairs, which can be layered and sounded together.

The tone you’ve selected is heard when you finger the keyboard.

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 2. Performance

Playing Two Tones Together

(Dual Play)

When Dual play is used, the

[VARIATION] button’s

Simultaneously playing two tones when one key is pressed is called “Dual play.”

indicator will light to indicate

the selection of the right button

of the two selected tones.

Simultaneously press the two TONE SELECT buttons that you want to

play together.

The indicator of the button you pressed will light.

When you play the keyboard, the tones of the two TONE SELECT buttons you

selected will sound simultaneously.

When Dual play is used, only

sound number 1 or 2 can be

selected.

To cancel Dual play, press any TONE SELECT button.

To change the tone of the right button of the two selected tones

If you use Dual play with a

TONE SELECT button for

which tone number 3 is

selected, tone number 1 will be

selected for that TONE

SELECT button.

Press the [VARIATION] button.

Dual play now features the tone of the left side’s TONE SELECT button along with

the newly selected tone.

To change the tone of the left button of the two selected tones

Cancel the Dual play, and then re-select the tone.

■ Adjusting the Volume Balance in Dual Play

(Dual Balance)

You can change the volume balance between the two layered sounds in Dual play.

fig.panel2-2

Hold down the [TRANSPOSE] button and press the [SPLIT] button.

When the power is turned on,

this will be set to “8-2”

(volume of the left button tone

- volume of the right button

tone).

The indicators of the buttons you pressed will blink.

The current volume balance appears in the display.

Press the [+] or [-] button to change the value.

The volume balance will change.

To return to the original volume balance, press the [+] and [-] buttons simultaneously.

fig.disp-dualbal.e

Volume of the left button tone

Volume of the right button tone

Press the [TRANSPOSE] or [SPLIT] button, and the button’s indicator will return to

the previous state.

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 2. Performance

Playing Different Tones with the Left

and Right Hands (Split Play)

The split point key is included

in the left-hand keyboard area.

Dividing the keyboard into right-hand and left-hand areas, then playing different

sounds in each is called “Split play.” The boundary key is called the “split point.”

When Split play is used, only

tone numbers 1 or 2 can be

selected.

fig.splitpoint.e

Split Point (set to F 3, when the power is turned on.)

If you use Split play with a

TONE SELECT button for

which tone numbers 3 is

selected, tone number 1 will be

selected for that TONE

SELECT button.

…

A0 B0 C1 D1 E1 F1 G1 A1 B1 C2

B7 C8

Left-hand Tone

Right-hand Tone

fig.panel2-3

Press the [SPLIT] button.

The button’s indicator will light.

When using Dual play,

press the [SPLIT] button

The right hand will play the

tone of the left button of Dual

play, and the left hand will

play a suitable match for the

right-hand tone.

The keyboard is divided into right-hand and left-hand areas.

The tone you were playing before you pressed the [SPLIT] button will be selected for

the right-hand area. A tone that is a suitable match for the right-hand tone will be

selected for the left-hand area.

To cancel Split play, press the [SPLIT] button, getting its indicator to go dark.

Changing tone played by the left hand

For information about the

tones that can be selected for

the left hand section, refer to

the “Tone List” (p. 34).

Press the [VARIATION] button.

Each time you press the [VARIATION] button, the button’s indicator will change

color, and the left-hand tone will change.

Some tones assign the tone that had been selected before you pressed the [SPLIT]

button to the left hand area of the keyboard.

The selected left hand tone is

remembered for each TONE

SELECT button. When you

turn off the power, it will

return to the original setting.

Changing tone played by the right hand

Press the TONE SELECT button.

The tone of the right-hand area will change. A tone that is a suitable match for the

right-hand tone will be selected for the left-hand area.

In Split play, the damper pedal

will be applied only to the

right-hand area of the

If you want to change the variation for the right-hand tone, cancel Split play and then

re-select the tone.

keyboard. If you want the

damper pedal to be applied to

the left-hand area, refer to

“Applying the Damper Pedal

to the Left-hand Keyboard

Area” (p. 28).

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 2. Performance

■ Changing the Keyboard’s Split Point

You can change the location where the keyboard is divided (the split point) within

the range of B1 through B6.

The setting is at “F#3” when

the piano is powered up.

While continuing to hold the [SPLIT] button, press the key that you want

to specify as the split point.

The split point key is

displayed as follows.

The key you pressed becomes the split point, and belongs to the left-hand section of

the keyboard.

Display

You can also change the setting by pressing the [+] or [-] button while continuing to

hold down the [SPLIT] button.

Letter

name

Display

If you hold down the [SPLIT] button and simultaneously press the [+] and [-]

Letter

name

buttons, the setting will return to its original value (F#3).

fig.disp-splitpoint

Display

Letter

name

When you continue holding

the [SPLIT] button, the

currently specified split point

will be displayed.

Using Metronome

■ Sounding the Metronome

The MP-60 features a built-in metronome.

While a song plays back, the metronome will sound at the tempo and time signature

(Beat) of that song.

fig.panel2-4

2, 4 1, 5 3

Sounding the metronome

Press the [ON/OFF] button.

The metronome will sound.

The button flashes in red and green in time with the beat selected at that time. The

indicator lights in red on the downbeats, and in green on weak beats.

When the [SONG/TEMPO]

button’s indicator lights in red,

press the [SONG/TEMPO]

button getting its indicator to

light in green, then adjust the

tempo.

Changing the tempo

Press the [+] or [-] button to adjust the tempo.

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 2. Performance

Changing the beat of metronome

Press the [BEAT] button.

The currently selected beat will be displayed.

NOTE

Press the [+] or [-] button.

It is not possible to change the

beat during song playback or

recording.

The beat will change.

If you press the [+] and [-] buttons simultaneously, the beat will go back to what it

was before you changed it.

fig.disp-beat

Display

beat

Display

beat

Correspondence between

beat and tempo display

2.2

0.4

2.4

3.4

4.4

5.4

2/2

6.4

7.4

3.8

6.8

9.8

12.8

6/4

7/4

3/8

6/8

9/8

12/8

Only weak beats

Beat

2/2

Tempo Value

=10–125

2/4

3/4

4/4

5/4

x/4

=20–250

x /8

=40–500

Stopping the metronome

Once again press the [ON/OFF] button, getting its indicator to go dark.

The metronome will stop.

■ Changing the Metronome Volume

The volume of the metronome can be adjusted, with eight volume levels available.

This is set to “4” when the

instrument is turned on.

Hold down the [ON/OFF] button and press the [+] or [-] button.

The metronome will sound, and the currently specified volume will be displayed.

Continue to hold down the [ON/OFF] button, and press the [+] or [-]

button once again.

When you hold down the

[ON/OFF] button, the

The metronome volume will change.

fig.disp-metrovol

currently specified metronome

volume will be displayed.

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 2. Performance

■ Changing the Metronome Sound

This is set to “t. 1” when the

instrument is turned on.

Hold down the [BEAT] button and press the [+] or [-] button.

The metronome will sound, and the currently specified sound number will displayed.

When you hold down the

[BEAT] button, the currently

specified sound number will be

displayed.

Continue to hold down the [BEAT] button, and press the [+] or [-] button

once again.

The metronome sound will change.

When an internal song is

played back, the metronome

sounds the ordinary

Display

beat

metronome sound.

t. 1

t. 2

t. 3

t. 4

Ordinary metronome sound

Dog and cat cries

When a recorded performance

is played back, the metronome

sounds the sound that was

selected when the recording

was made.

A voice counting “1, 2, 3” in English

A voice counting “1, 2, 3” in Japanese

Applying Effects to the Sound

fig.panel2-5

■ Adding Reverberation to the Sound (Reverb)

The reverb effect setting for

each tone is not remembered.

By applying the reverb effect you can produce a pleasant reverberation, making it

sound as though you were performing in a concert hall.

Press the [REVERB] button.

When you play back an

internal song, the reverb effect

will automatically be turned on

(the button’s indicator lights).

The button’s indicator will light, and a reverb effect will be applied to the sound.

To cancel the reverb effect, press the [REVERB] button, getting its indicator to go

dark.

■ Changing the Amount of Effect Applied

When the power is turned on,

reverb is set to “4.”

The depth of the reverb effect can be adjusted over eight steps.

Changing the depth of the reverb effect

When you hold down the

[REVERB] button, the

Hold down the [REVERB] button and press the [+] or [-] button.

The currently specified value will be displayed.

currently specified reverb

depth value will be displayed.

Continue to hold down the [REVERB] button, and press the [+] or [-]

button once again.

The depth of the reverb effect will change. Higher values will produce a deeper

effect.

The depth of the reverb effect

for each tone is not

remembered.

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 2. Performance

Transposing the Key of the Keyboard

(Transpose)

By using the “Transpose function,” you can transpose your performance without

changing the notes you play. For example, even if the song is in a difficult key with

numerous sharps ( ) or flats ( ), you can transpose it to a key that is easier for you

to play.

When accompanying a vocalist, you can easily transpose the pitch to a range that is

comfortable for the singer, while still playing the notes as written (i.e., with the same

fingering positions).

fig.panel2-6

Continue to hold down the [TRANSPOSE] button, and press a note to

indicate the tonic of the key to which you want to transpose.

The button’s indicator will light, and the keyboard will be transposed.

When you hold down the

[TRANSPOSE] button, the

currently specified value will

be displayed.

You can also transpose by holding down the [TRANSPOSE] button and pressing the

[+] or [-] button.

If you hold down the [TRANSPOSE] button and press the [+] and [-] buttons

simultaneously, the setting will return to the original value (0).

This can be set in a range of -6–0–5 (semitone steps).

For example, if you want the E pitch to sound when you play the C key, hold down

the [TRANSPOSE] button and press the E key.

Counting from C as a reference point, one moves up four keys, including the black

keys, to reach E, thus “4” appears in the display.

fig.trans.e

If you play C E G

It will sound E G^#

To cancel the transpose function, press the [TRANSPOSE] button,

extinguishing its indicator.

When you press the [TRANSPOSE] button once again, getting its indicator to light,

the keyboard will be transposed to the note you specified here.

This setting returns to the

original value (0) when you

turn off the power.

When the transpose value is set to “0,” the button’s indicator will remain dark even

if you press the [TRANSPOSE] button.

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 2. Performance

Adjusting the Keyboard Touch

(Key Touch)

You can adjust the touch (playing feel) of the keyboard.

fig.panel2-7

Press the [KEY TOUCH] button.

The button’s indicator will light, and the feel of the keyboard will change.

Each time you press the [KEY TOUCH] button, the button’s indicator will change

color, and the feel of the keyboard will change.

Indicator

Off

Settings

This allows you to play using the most natural touch.

This is the closest to the touch of an acoustic piano.

Medium

Fortissimo (ff) cannot be produced unless you play

more strongly than usual, making the keyboard feel

heavier. Dynamic fingering adds even more feeling to

what you play.

Red

Heavy

Light

Fortissimo (ff) can be produced by playing less strong-

ly than usual, making the keyboard feel lighter. This

setting makes it easy to play, even for children.

Green

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 3.

Playing Along with the Internal Songs

Here’s how you can play along with the internal songs.

You can slow down the playback tempo of the song, or play back each hand separately.

Before you try playing the song, listen to it several times to get a general feel for the

song.

For details on operation, refer to “Selecting a Song and Playing It” (p. 10).

If you turn on the metronome

while the song plays back, the

metronome will sound at the

beat and tempo of the song.

Changing the Tempo

If the song has a rapid tempo, you can slow down the tempo so that you can practice

it more easily. It is effective to gradually raise the tempo as you practice.

fig.panel3-1

Press the [SONG/TEMPO] button, getting its indicator to light in green.

Indication of the tempo

during song playback

While the song is playing, the

initial tempo of the song will

continue to be displayed,

regardless of tempo changes

during the song.

The tempo appears in the display.

Each time you press the [SONG/TEMPO] button, the tempo and the currently

selected song number (prefixed by “d.”) will be displayed alternately.

While the tempo is displayed, the [SONG/TEMPO] button indicator will light in

green. While the song number is displayed, it will light in red.

Press the [+] or [-] button to adjust the tempo.

The tempo can be adjusted in a range of =20–250.

You can also change the tempo during playback.

About the display for the

internal songs

Pressing the [+] button once increases the tempo by one unit. Holding down the

button increases the tempo continuously.

USr (user) … The location

where you can record your

performance. (For details on

recording → p. 22)

Pressing the [-] button once decreases the tempo by one unit. Holding down the

button makes the tempo change (slow down) continuously.

Numbers with a “d.”

… internal songs.

If you press the [+] and [-] buttons simultaneously, you will return to the basic tempo

of the song (the tempo before you modified it).

■ Adding a Count-in to Match the Timing (Count-In)

During the count-in, the count

measure is indicated in the

display as “-2” then “-1.”

When you’re playing along with a song, you can make sure that your playing is in

time with the song by sounding a count before the song starts playing.

Sounding a “count sound” leading up to playback of a song is called “Count-In.”

On the MP-60, if you playback a song while the metronome is sounding, two

measures of lead-in count will be heard at the beginning of the song.

“Sounding the Metronome”

(p. 14)

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 3. Playing Along with the Internal Songs

Playing Each Hand Separately

The internal songs allow you to select the performance part that will be played back.

The left-hand performance of the internal songs is assigned to the [1] button, while

the right-hand performance is assigned to the [2] button. The place where each part

of the performance is held is called a “track,” and the [1] and [2] buttons are called

“track buttons.”

fig.trackbuttons.e

Track buttons

Left-hand Right-hand

Part

Here’s how to practice each hand separately along with the song.

fig.panel3-2

2, 3

First select the song that you want to play back (p. 10).

Selecting the part that you yourself will play

Press the [1] or [2] button.

The indicator of the button you’ve pressed goes out, and the sound of the selected

part will no longer be heard.

For example, if you want to practice the right hand, press button [2] and get its

indicator to go dark.

When you play back the song, the right-hand performance will not sound.

Practice your right-hand performance along with the left-hand playback.

Playing back a song

Press the [PLAY] button.

The song will begin playing back.

The part you selected in step 1 will not sound.

Once again press the button you selected in step 1. The button’s indicator will light,

and the sound will be heard once again.

Even while the song is playing, you can press the track buttons to mute or un-mute

the sound.

Stopping the song

Press the [PLAY] button.

The song will stop.

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 4. Recording Your Performance

You can easily record your performances.

A recorded performance can be played back to hear your own playing, or to add

additional parts.

The following types of recording can be done using the MP-60.

• Recording just your own keyboard performance (→ “Recording a New Song” (p. 22))

• Recording along with an internal song (→ “Recording Along with a Song” (p.

23))

• Recording each hand separately (→ “Selecting and Recording the Track for Each

Hand Separately” (p. 24))

■ Notes Regarding Recording

• Only one song can be recorded.

• Recorded performances are erased when the power is turned off. If you want to

keep your performance, you can either record it on an external audio device, or

use an external MIDI device to save the performance data on a floppy disk. For

details, refer to “Chapter 6. Connecting External Devices” (p. 29).

If you see the following...

If you attempt to record using a different internal song when a performance has

already been recorded, the following will appear, and the [REC] button’s indicator

will blink.

fig.disp-del

If it is OK to erase the performance, press the [REC] button.

If you do not want to erase the performance, press the [PLAY] button.

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 4. Recording Your Performance

Recording a New Song

Record only the keyboard performance without playing along with an internal song.

fig.panel4-1

2 4 1 6, 8 5, 7

Recording settings (select “USr”)

NOTE

Press the [SONG/TEMPO] button, getting its indicator to light in red.

If you layer a newly recorded

performance without erasing

the recorded song, the song

tempo and beat will be stored

with the settings that were

recorded first.

The song number appears in the display.

Press [+] and [-] buttons simultaneously, and “USr” appears in the

display.

Specifying the tone and tempo for recording

Select the tone that you want to play (p. 11).

If necessary, turn on the metronome.

About the “USr” display

When you stop recording, the

Sound the metronome while you set the tempo and beat of the song (p. 14).

“

” display will change

”.

Press the [REC] button.

to “

The [REC] button’s indicator will light, the [PLAY] button’s indicator will blink, and

you will be in recording-standby mode.

The “.” in the lower right of the

display indicates that there is

already a recorded

Start recording

Recording will start when you either press the [PLAY] button or play the

performance.

keyboard.

If you record without

The MP-60 counts down two measures, then recording starts.

Note that recording will also begin as soon as you play anything on the keyboard,

even if you do not press the [PLAY] button. There is no count sound played when

you start in this manner.

specifying the recording track,

the performance will be

recorded to the [1] button.

If you want to record the right

and left hands separately on

separate recording tracks, refer

to “Selecting and Recording

the Track for Each Hand

Separately” (p. 24).

When recording begins, the [PLAY] button and [REC] button indicators will light.

Go ahead and perform on the keyboard.

Stop recording

Press the [PLAY] or [REC] button.

The indicators for the [PLAY] and [REC] buttons will go dark.

Play back the recorded performance

When a recorded performance

is played back, the metronome

sounds the sound that was

selected when the recording

was made.

Press the [PLAY] button.

You will hear the recorded performance.

Once again press the [PLAY] button, and playback will stop.

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 4. Recording Your Performance

Recording Along with a Song

You can record a performance that you play along with an internal song.

Using the [1] or [2] buttons, you can (for example) perform and record just the right-

hand part of a song while listening to the left-hand playback of an internal song.

fig.panel4-3

2 3 1 6, 8 4, 7 5

Selecting the song to record

Press the [SONG/TEMPO] button, getting its indicator to light in red.

The display will indicate the song number.

Use the [+] or [-] button to select the song that you want to play.

As necessary, set the metronome and tempo (p. 14).

Press the [REC] button.

The [REC] button’s indicator will light.

Selecting the track to record

If “dEL” appears in the

display, refer to p. 21.

Press the [1] or [2] button.

When you want to record the left-hand performance, press the [1] button; to record

that of the right hand, press the [2] button.

The indicators of the button you pressed and of the [PLAY] button will blink, and

the MP-60 enters recording-standby mode.

Starting to record

Press the [PLAY] button.

Recording begins after two measures of count sound.

Play along with the song.

Stop recording

Press the [PLAY] or [REC] button.

Recording will stop, and the indicators for the [PLAY] and [REC] buttons will go

dark.

The recorded performance is stored in “USr (User).”

Play back the recorded performance

When a recorded performance

is played back, the metronome

sounds the ordinary

Press the [PLAY] button.

You will hear the recorded performance.

metronome sound.

Once again press the [PLAY] button, and playback will stop.

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 4. Recording Your Performance

Selecting and Recording the Track for Each

Hand Separately

The recorder of the MP-60 has two recording tracks, allowing you to record the right

and left hands separately. Use the [1] button or [2] button to specify the recording

track.

If you want to re-do the recording, you can re-record just a specific track.

fig.panel4-4

4, 6 2, 5 3

As described in steps 1and 2of “Recording a New Song” (p. 22), select “USr” before

NOTE

you continue.

If you go on to record

As necessary, turn on the metronome (p. 14).

additional material without

erasing the recorded song, the

song tempo, beat, and

Press the [REC] button.

metronome settings of the

original recording will be used

for the new material as well.

The [REC] button’s indicator will light.

The button indicators of tracks that are already recorded will light.

The track button for which you will next be recording will be blinking.

Selecting the track to record

Press the [1] or [2] button to select the track that you want to record.

The indicator of the button you pressed will blink, and the MP-60 enters recording-

standby mode.

The track buttons allow you to

record to either the [1] or the

[2] button, one at a time.

Start recording

Press the [PLAY] button.

The MP-60 counts down two measures, then recording starts.

Note that recording will also begin as soon as you play anything on the keyboard,

even if you do not press the [PLAY] button. There is no count sound played when

you start in this manner.

Stop recording

Press the [PLAY] or [REC] button.

Recording will stop, and the indicators for the [PLAY] and [REC] buttons will go

dark.

Your performance has been recorded to the specified track button.

If you want to record on the other track, return to step 2 to record your performance

again. You can record while you listen to the previously recorded performance.

Play back the recorded performance

When a recorded performance

is played back, the metronome

sounds the sound that was

selected when the recording

was made.

Press the [PLAY] button.

You will hear the recorded performance.

Press the [PLAY] button once again, and playback will stop.

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 4. Recording Your Performance

Erasing Recorded Performances

You can erase a recorded performance.

■ Erasing a Performance from the Specified Track

You can select a recorded track and erase it.

Hold down either the [1] or [2] button and press the [REC] button.

The indicator of the button you pressed will go dark, and the performance of the

selected track will be erased.

■ Erasing a Song

You can erase a song you’ve recorded.

Hold down the [SONG/TEMPO] button and press the [REC] button.

The following display will appear, and the [REC] button’s indicator will blink.

fig.disp-del

Once again press the [REC] button.

The recorded performance is erased.

If you decide not to erase the performance, press the [PLAY] or [SONG/TEMPO]

button.

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 5. Changing Various Settings

Changing the Damper

Pedal’s Resonance

Making Detailed Settings

(Function)

On an acoustic piano, depressing the damper pedal makes

the notes you play resonate with other strings, adding rich

reverberations and fatness to the sound. The damper pedal

on the MP-60 recreates this resonance (sympathetic

resonance) when depressed.

You can make performance-related settings such as tuning

and temperament.

How to enter function mode

1. ^{Hold down the [ON/OFF] button, and press the [BEAT]}

button.

You can select from eight levels of depth for the resonant

sound (resonance level).

The indicators of the buttons you pressed will blink, and

you will enter function mode.

This is set to “5” when the instrument is turned on.

The display will indicate the value of the currently

selected function.

This setting is valid only for some piano tones. It cannot be made for

other tones.

Setting the various functions

1. ^{Hold down the [REVERB] button and [SPLIT] button,}

2. ^{Press the button to which the desired function is}

and press the [-] or [+] button.

assigned.

The currently specified value will be displayed.

The indicator of the button you pressed will blink.

Larger values will produce a deeper effect.

fig.disp-reso

Button

Function

Page

p. 27

[PIANO]

[E. PIANO]

Master Tuning

Temperament

[HARPSI-

CHORD]

Stretch Tuning

p. 28

Applying the damper pedal

to the left-hand keyboard

area

[ORGAN]

[STRINGS]

MIDI send channel

Local Control

p. 31

[VARIATION]

Transmitting a recorded

performance

[PLAY]

p. 31

For details on each function, refer to the explanations

below.

3. ^{Press the [+] or [-] button to change the value.}

If you press the [+] and [-] buttons simultaneously, the

value will return to the power-up default setting.

How to exit function mode

4. ^{Press the [ON/OFF] or [BEAT] button.}

The button’s indicator will return to the previous state.

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 5. Changing Various Settings

■ Tuning to Other Instruments’

Dis-

play

Temper-

ament

Qualities

Pitches (Master Tuning)

This tuning, devised by the philoso-

pher Pythagoras, eliminates disso-

nance in fourths and fifths.

Dissonance is produced by third-in-

terval chords, but melodies are eu-

phonious.

In situations such as when playing ensemble with other

instruments, you can tune the MP-60’s reference pitch to the

pitch of another instrument. The standard pitch generally

refers to the pitch of the note that’s played when you finger

the middle A key. This tuning of all the instruments to a

standard pitch is called “tuning.”

Pythagor

ean

This tuning eliminates ambiguities in

the fifths and thirds. It is unsuited to

playing melodies and cannot be

transposed, but is capable of beauti-

ful sonorities.

Just

Major

If you press the [PIANO] button in step 2 of “Making

Detailed Settings (Function)” (p. 26), a display like the

following will appear.

fig.disp-tune

The Just tunings differ from major

and minor keys. You can get the

same effect with the minor scale as

with the major scale.

Just

Minor

This scale makes some compromises

in just intonation, enabling transposi-

tion to other keys.

Mean

Tone

The last three digits are indicated in the display. “440.0 Hz”

is indicated in the figure above.

This temperament combines the

Mean Tone and Pythagorean tun-

ings. Performances are possible in all

keys (first technique, III).

Value

415.3 Hz–440.0 Hz–466.2 Hz

Werck-

meister

Power-up default setting 440.0 Hz

This setting remains in effect until you turn off the power.

This is an improvement of the Mean

Tone and Just tunings that provides a

high degree of freedom of modula-

tion. Performances are possible in all

keys (III).

■ Changing the Temperament

Kirn-

berger

You can play classical styles such as Baroque using historic

temperaments (tuning methods).

Today, compositions are generally created with equal

temperament in mind and are played using equal

temperament. However in past ages of classical music, a

variety of temperaments were used. Playing a composition

with its original tuning lets you enjoy the sonorities of the

chords that the composer originally intended.

Power-up default setting 1 C

Tonic

When playing with tuning other than equal temperament,

you need to specify the keynote for tuning the song to be

performed (that is, the note that corresponds to C for a major

key or to A for a minor key).

If you press the [E. PIANO] button in step 2 of “Making

While hold down the [E. PIANO] button, and press a note

Detailed Settings (Function)” (p. 26), a display like the

to specify the desired tonic key.

following will appear.

fig.disp-temp.j

The tonic note you specify will be displayed as follows.

fig.Chart_note2.j

Display

Letter

name

Temperament Tonic

If you choose an equal temperament, there’s no need to select

a keynote.

You can choose from among the seven temperaments

described below.

If you record with a temperament other than equal temperament

selected, and then want to play back that performance, use this setting

to select the same temperament for playback as the temperament you

used when recording.

Dis-

play

Temper-

ament

Qualities

In this tuning, each octave is divided

into twelve equal steps. Every inter-

val produces about the same amount

of slight dissonance. This setting is in

effect when you turn on the power.

When performing in ensemble with other instruments, be aware that

depending on the key, there may be some shifting of the pitch. Tune the

MP-60 to the fundamental pitch of the other instruments.

Equal

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 5. Changing Various Settings

■ Setting the Tuning Curve

Preventing the Settings from

Changing During Performance

(Stretch Tuning)

A piano is generally tuned to a pitch with a lower bass range

and a higher treble range than equal temperament. This

special tuning method for pianos is called “Stretch Tuning.”

■ Disabling Everything Except

Piano Play (Panel Lock)

The “Panel Lock” function locks the MP-60 in a state where

only piano performance can be used, and all buttons will be

disabled. That way, you won’t get switched to the wrong

settings if you inadvertently press a few buttons while you’re

playing.

If you press the [HARPSICHORD] button in step 2 of

“Making Detailed Settings (Function)” (p. 26), a display like

the following will appear.

fig.disp-On

In the Panel Lock state, only the grand piano sound can be

played.

1. ^{Turn the volume to the minimum, and press the}

Values

[Power] switch to turn off the power.

OFF

This is the standard tuning curve. This is the right

choice when using Dual play (p. 12), or when

playing in ensemble with other instruments.

2. ^{Hold down the [PIANO] button and press the [Power]}

switch to turn on the power.

This tuning curve expands the bass and treble

ends somewhat. It is suitable for performances

such as piano solos. This setting is in effect when

you turn on the power.

Then, continue to hold down these two buttons for a few

seconds.

The following display will appear.

fig.disp—-

Power-up default setting On

→ This effect works only with the piano tones.

All buttons are disabled.

■ Applying the Damper Pedal to

Adjust the volume.

When you play the keyboard, the grand piano sound

will be heard.

the Left-hand Keyboard Area

When you are using Split play (p. 13), you can apply the

damper pedal effect to the sound played by the left-hand

keyboard range.

To defeat the Panel Lock function, turn the volume down

to the minimum, and turn on the power once again.

■ Disabling the Buttons When

Using a Tone Other Than Piano

(Tone Lock)

If you press the [ORGAN] button in step 2 of “Making

Detailed Settings (Function)” (p. 26), a display like the

following will appear.

fig.disp-Off

Even when using Tones other than the Piano, you can set the

instrument so all of its buttons are disabled (the settings in

effect at that time will be maintained).

1. ^{Hold down the [BRILLIANCE] button and press the}

Values

[KEY TOUCH] button.

The damper pedal effect will be applied to the

sound of the left and right hand keyboard area.

The song or the metronome sound that is playing will stop.

The following will appear in the display:

fig.disp—-

OFF

The damper pedal effect will not be applied to the

sound of the left-hand keyboard area.

Power-up default setting OFF

All buttons are disabled while the instrument is set like this.

To cancel the Tone Lock function, once again hold down

the [BRILLIANCE] button while you press the [KEY

TOUCH] button. Alternatively, you can lower the

instrument’s volume all the way and switch its power

off. Then, turn it on again.

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 6. Connecting External Devices

❍ Use the following procedure when turning on the power.

Connecting to Audio Equipment

You can connect audio devices to play the sound of the MP-

1. Turn on the power of the connected device.

60 through the speakers of your audio system, or to record

2. ^{Turn on the power of the MP-60.}

your performance on a tape recorder or other recording

3. ^{Adjust the volume of each device.}

device.

When connecting, please use an audio cable with a standard

phone plug (sold separately).

Turning off the power

1. ^{Set the volume of the MP-60 and of the connected}

Connection Examples

devices to the minimum position.

To prevent malfunction and/or damage to speakers or other devices,

always turn down the volume, and turn off the power on all devices

before making any connections.

2. ^{Turn off the power to the MP-60.}

3. ^{Turn off the connected equipment.}

Playing the sound of the MP-60 through the

speakers of an audio system/Recording the

performance of the MP-60 on a recording device

fig.audio1.e

Connecting to a Computer

Input R/L

(Line In, Aux In)

You can use a USB MIDI interface cable (sold separately) to

connect the MP-60 to your computer.

If the MP-60 is connected to a computer in which sequencer

software such as Roland’s “Visual MT” is installed, a song

you’ve recorded on the MP-60 can be saved on your

computer.

MP-60

Connection Examples

To prevent malfunction and/or damage to speakers or other devices,

always turn down the volume, and turn off the power on all devices

before making any connections.

❍ Use the following procedure when turning on the power.

1. ^{Turn on the power of the MP-60.}

In order to make connections to your computer, you must install

“MIDI driver” software on your computer. For details, refer to the

owner’s manual for your MIDI interface.

2. ^{Turn on the power of the connected device.}

3. ^{Adjust the volume of each device.}

When Recording MP-60 Performances on a Recording

Device

Use a USB MIDI interface cable to connect the USB

connector of your computer to the MIDI connectors of

the MP-60.

4. ^{Start recording with the connected device.}

5. ^{Perform on the MP-60.}

fig.comp.e

USB Connector

of your Computer

6. ^{When the performance ends, stop recording on the}

connected equipment.

UM-1 etc.

MIDI IN

Computer

MP-60

Playing the sound of an audio device through the

speakers of the MP-60

fig.audio2.e

MIDI OUT

Output R/L

(Line Out, Aux Out)

MP-60

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 6. Connecting External Devices

Perform on the MP-60 to play a MIDI sound

generator

fig.midi1.e

Connecting MIDI Devices

By connecting an external MIDI device and exchanging

performance data, you can control the performances on one

device from the other. For instance, you can output sound

from the other instrument or switch tones on the other

instrument.

Sound Module

MIDI

THRU

OUT

MP-60

■ What’s MIDI?

MIDI stands for Musical Instrument Digital Interface, an

international standard which allows performance

information to be communicated among electronic musical

instruments and computers.

The MP-60 provides MIDI connectors, which allow

performance data to be exchanged with external devices.

When these connectors are used to connect the MP-60 to

external devices, an even wider range of possibilities

becomes available.

Making MIDI-related Settings

Here’s how you can set the transmit channel and other MIDI-

related settings.

How to enter function mode

A separate publication titled “MIDI Implementation” is also available.

It provides complete details concerning the way MIDI has been

implemented on this unit. If you should require this publication (such

as when you intend to carry out byte-level programming), please

contact the nearest Roland Service Center or authorized Roland

distributor.

1. Hold down the [ON/OFF] button and press the [BEAT]

button.

The indicators of the buttons you pressed will blink, and

you will enter function mode.

The display will indicate the value of the currently

selected function.

Connection Examples

To prevent malfunction and/or damage to speakers or other devices,

always turn down the volume, and turn off the power on all devices

before making any connections.

Setting various functions

2. ^{Press the button to which the desired function is}

assigned.

Playing the MP-60 from a MIDI sequencer/

Recording an MP-60 performance on a MIDI

sequencer

fig.midi2.e

The indicator of the button you pressed will blink.

For details on the contents of each function, refer to the

explanations that follow.

MT Series

3. ^{Press the [+] or [-] button to change the value.}

* MT-90s has no MIDI Out connector.

If you press the [+] and [-] buttons simultaneously, the

setting will return to the original value.

Out

MIDI

How to exit function mode

MP-60

4. ^{Press either the [ON/OFF] button or the [BEAT] button.}

The button’s indicator will return to the previous state.

Set Local Off if you have connected the MP-60 to a MIDI sequencer.

Refer to “Switching Local Control on and Off” (p. 31). Also set your

MIDI sequencer to MIDI Thru mode (so that messages received at

MIDI IN will be re-transmitted without change from MIDI OUT).

For details, refer to the owner’s manual of your MIDI sequencer.

Download from Www.Somanuals.com. All Manuals Search And Download.

Chapter 6. Connecting External Devices

fig.localoff.e

■ MIDI Send Channel Settings

No sound produced

MIDI features sixteen MIDI channels, numbered 1–16.

Simply connecting a cable is not enough for communication

to take place. The connected devices must be set to use the

same MIDI channels. Otherwise, no sound will be produced,

and no sounds can be selected.

Sound Generator

Local Off

When a Roland MT series instrument is connected, it is not necessary

to make the Local Off setting. MT units transmit Local Off messages

when their power is switched on. If you turn on the power in the order

of the MP-60 → MT series, Local Off will be set automatically.

The MP-60 receives all channels 1–16.

If you are using Dual play (p. 12) or Split play (p. 13) on the MP-60,

only the channel you specify here will be transmitted.

If you press the [STRINGS] button in step 2 of “Making

If you press the [VARIATION] button in step 2 of “Making

MIDI-related Settings” (p. 30), a display like the following

will appear.

fig.disp-1

will appear.

fig.disp-on

Value

1–16

Value

On, OFF

Power-up default setting

Power-up default setting On

■ Switching Local Control on and

■ Transmitting a Performance

Off

You Recorded

When connecting a MIDI sequencer, set Local Control to

“Off.”

If you want to transmit a performance recorded on the MP-60

to an external MIDI device or computer, turn this setting

“On.” If this is “Off,” the data will not be transmitted.

As illustrated, information describing what has been played

on the keyboard is passed to the internal sound generator

over two different routes, (1) and (2). As a result, you hear

overlapping or intermittent sounds. To prevent this from

happening, route (1) must be severed, by setting the unit to

If you press the [PLAY] button in step 2 of “Making MIDI-

related Settings” (p. 30), display like the following will

appear.

fig.disp-Off

what is known as “Local Off.”

fig.localcont.e

Local On

(1)

Sequencer

Memory

MIDI

OUT

MIDI

Value

On, OFF

Sound

Generator

Power-up default setting OFF

MIDI

OUT

MIDI

If you wish to use your MIDI sequence to save the

performance, use the following procedure. In this situation,

your external sequencer is set its MIDI Thru feature to be

OFF. For details, refer to the owner’s manual of your MIDI

sequencer.

(2) Thru function On

Each note played

is sounded twice

Local Control ON: The keyboard and the internal sound

Connect a MIDI sequencer such as the MT series (p. 30).

Record the performance on the MP-60 (p. 21).

Set this setting to “On.”

generator are in a linked state.

fig.localon.e

Sound is emitted

Sound Generator

Local On

Start recording with the connected MIDI device.

Start playback of the recorded song on the MP-60.

When playback ends, stop recording with the connected

MIDI device.

Local Control OFF: The keyboard and the internal sound

generator are in an unlinked state. No sound will be

produced by the keyboard when it is played.

Use a connected MIDI sequencer to save the data on a

floppy disk or other media.

Download from Www.Somanuals.com. All Manuals Search And Download.

Appen

dices

Troubleshooting

If you think there’s a problem, read this first.

Case

Cause/Remedy

Have you set Transpose? (p. 17)

Case

Cause/Remedy

The tuning or pitch

of the keyboard or

song is off

Are the settings for the “Temperament” and

“Stretch Tuning” correct? (p. 27)

The power doesn’t

come on

Is the power cord connected and plugged in

correctly? (p. 8)

Is the setting for the “Master Tuning” correct?

(p. 27)

The button doesn’t

work

Is the panel locked? (p. 28)

Turn the power off, then back on.

Song doesn’t play

back/ Only the

Are the indicator for the Track buttons ([1] and

[2] buttons) extinguished? (p. 20)

Is the volume level of the MP-60 turned all the

way down? (p. 9)

sound of a particu- If the button indicator is out, the music on that

Are headphones plugged in? (p. 8)

Has a plug remained connected to the Phones

jack?

track is not heard. Press the track button so the

indicator is illuminated.

lar instrument in a

song does not play

Has one of the track buttons for recording

been selected? (p. 23–p. 24)

No sound is heard When headphones are connected, the key-

Can’t record

board’s speaker stops playing.

If you select an internal song in which the

tempo changes during the song, and then

record, the tempo will change in the same way

for the performances. The tempo of the

metronome will also change in the same way.

Is Local Off selected?

When Local Control is set to OFF, no sound is

produced by playing the keyboard. Set Local

Control to “ON” (p. 31).

Tempo of recorded

songormetronome

is off

Have all devices been switched on?

No sound is heard

If you record additional material without

erasing the previously recorded song, the

song will be recorded at the first-recorded

tempo. Please erase the previously recorded

song

(when a MIDI in-

strument is con-

nected)

Are the MIDI cables connected correctly?

Does the MIDI channel match the connected

instrument? (p. 31)

Is the MP-60 in Dual play? (p. 12)

before you re-record (p. 25).

Sounds are heard

twice (doubled)

when the keyboard

is played

When the MP-60 is connected to an external

sequencer, set it to the Local OFF mode (p. 31).

Alternatively, the sequencer could be set so its

MIDI Thru feature is OFF.

When an internal song is played back, the met-

ronome sounds the ordinary metronome

sound.

The metronome

sound doesn’t

change

When a recorded performance is played back,

the metronome sounds the sound that was

selected when the recording was made.

If you use Dual play or Split play with a TONE

SELECT button for which tone number 3 is se-

lected, tone number 1 will be selected for that

TONE SELECT button (p. 11).

Any performance that has been recorded is

deleted when the power to the MP-60 is

turned off. A performance cannot be restored

once it’s been deleted.

The tone has

The recorded per-

formance has dis-

appeared

changed in the

Split or Dual play

Some tones assign the tone that had been se-

lected before you pressed the [SPLIT] button

to the left hand area of the keyboard. Please re-

fer to “Tone List” (p. 34).

Depressing a pedal

has no effect, or

the pedal effect

doesn’t stop

Is the pedal connected correctly?

Make sure the pedal cord extending from the

stand is securely connected to the pedal jack

on the rear of the unit (p. 8).

Is the panel locked? (p. 28)

Turn the power off, then back on.

Are the indicators for the [ON/OFF] and

[BEAT] buttons flashing?

Adjust the adjuster underneath the pedal so

that the pedal presses firmly against the floor

surface (p. 9).

Tone doesn’t

change

The pedal rattles

Setting of functions is in progress. Press the

[ON/OFF] or [BEAT] button to exit function

mode (p. 26, p. 30).

Since the MP-60’s piano sounds faithfully re-

produce the sense of spaciousness and rever-

beration of an actual acoustic piano’s sound, a

certain amount of reverberation is still percep-

tible, even with the reverb effect deactivated.

Reverberation still

audible even with

Reverb turned off

The maximum number of notes that the MP-

60 can play simultaneously is 64.

Not all played

Frequent use of the damper pedal when play-

ing along with a song may result in perfor-

mance data with too many notes, causing

some notes to drop out.

notes are sounded

Download from Www.Somanuals.com. All Manuals Search And Download.

Appendices

Case

Cause/Remedy

Case

Cause/Remedy

On an acoustic piano, notes in the upper one

and a half octaves of the keyboard continue to

sound until they decay naturally, regardless of

the damper pedal. There is a difference in the

timbre as well. Roland pianos faithfully

simulate such characteristics of the acoustic

piano. On the MP-60, the range that is unaf-

fected by the damper pedal will change de-

pending on the Key Transpose setting.

When listening through speakers:

Playing at loud volumes may cause in-

struments near the MP-60 to resonate.

Resonation can also occur with fluores-

cent light tubes, glass doors, and other ob-

jects. In particular, this problem occurs

more easily when the bass component is

increased, and when the sound is played

at higher volumes. Use the following mea-

sures to suppress such resonance.

• Place speakers so they are 10–15 cm

from walls and other surfaces.

In the upper range,

the sound changes

abruptly beyond a

certain key

The bass range

sounds odd, or

there is a vibrating

resonance

When listening through headphones:

Some of the more flamboyant and effer-

vescent piano tones feature an ample

high-end component, which may make

the sound appear to have metallic rever-

beration

• Reduce the volume.

• Move the speakers away from any

resonating objects.

When listening through headphones:

Here, a different cause (such as resonance

produced by the MP-60) would be sus-

pect. Consult your Roland dealer or near-

est

added. Since this reverberation becomes

particularly audible when supplemented

by heavy reverb, you may be able to di-

minish the problem by reducing the

amount of reverb applied to the sound.

When listening through speakers:

Here, a different cause (such as resonance

produced by the MP-60) would be sus-

pect. Consult your Roland dealer or near-

est

A High-pitched

whine is produced

Roland Service Center.

The volume level of

the instrument con-

nected to Input

Could you be using a connection cable that

contains a resistor?

Use a connection cable that does not contain a

resistor.

jacks is too low

Roland Service Center.

Error Messages/Other Messages

Display

Meaning

USr

User. Stores recorded performances (p. 22).

The “.” in the display indicates that there is performance material already re-

corded (p. 22).

Usr.

Internal song number (p. 10).

Metronome sound number (p. 16).

This appears when a song with a pickup (a song that does not start on the first

beat) is played back.

dEL

E.32

This appears when you attempt to delete a recorded song (p. 21, p. 25).

The amount of performance information is too large, and further recording is

not possible.

A problem such as a loose MIDI cable occurred. Make sure the MIDI cables

are correctly hooked up.

E.41

Error messages are indicated by an “E.” before the number. Press any button, and you can cancel the error message.

Download from Www.Somanuals.com. All Manuals Search And Download.

Tone List

[SPLIT] Off

[SPLIT] On

[VARIA-

Button name

Tone

[VARIATION] Dark

[VARIATION] Red

[VARIATION] Green

TION]

Grand Piano1

/Acoustic Bass &

Cymbal

Grand Piano1

/Acoustic Bass

Grand Piano1

/Strings

Dark

Grand Piano1

Grand Piano2

/Acoustic Bass &

Cymbal

[PIANO]

Grand Piano2

/Acoustic Bass

Grand Piano2

/Strings

Red

Green

Dark

Piano + Strings

Electric Piano1

/Electric Bass

Electric Piano1

/Acoustic Bass

Electric Piano1

/Strings

Electric Piano2

/Electric Bass

Electric Piano2

/Acoustic Bass

Electric Piano2

/Strings

[E. PIANO]

Red

Electric Piano2

Vibraphone

Green

Dark

Harpsichord

/Strings

Harpsichord

/Organ Flute

Clavi

Harpsichord

/Electric Bass

[HARPSI-

CHORD]

Organ Flute

/Organ Bass

Organ Flute

/Strings

Organ Flute

/Choir

Red

Organ Flute

Clavi

Green

Dark

Church Organ

/Organ Bass

Church Organ

/Strings

Church Organ

/Choir

Church Organ

Rotary Organ

/Lower Organ

Rotary Organ

/Electric Bass

Jazz Organ

[ORGAN]

[STRINGS]

Red

Rotary Organ

Jazz Organ

Strings

/Rotary Organ

Green

Dark

Strings

/Choir

Oboe

/Pizzicato

/Strings

Slow Strings

/Pizzicato

Slow Strings

/Choir

Flute

Red

Slow Strings

Choir

/Slow Strings

Green

A+B: simultaneously playing two tones

You can change the volume balance between the two tones, refer to “Adjusting the Volume Balance in Dual Play (Dual Balance)” (p. 12).

A/B: A, the right-hand tone; and B, the left-hand tone in Split play

Download from Www.Somanuals.com. All Manuals Search And Download.

Internal Song List

Song

Song Name

No.

Composer

d. 1

1ére Arabesque

C. Debussy

F. Chopin/

d. 2

Late Night Chopin

Arranged by John Maul

d. 3

Sonate für Klavier No. 15

Fly Free

W. A. Mozart

J. Maul

d. 4

d. 5

Liebesträume III

Étude, op.10-3

F. Liszt

d. 6

F. Chopin

d. 7

Je te veux

E. Satie

d. 8

Valse, op.64-1

F. Chopin

d. 9

Golliwog’s Cake walk

Fantaisie-Impromptu

An der schönen, blauen Donau

Auf Flügeln des Gesanges

Mazurka No.5

C. Debussy

F. Chopin

d. 10

d. 11

d. 12

d. 13

d. 14

d. 15

d. 16

d. 17

d. 18

d. 19

d. 20

d. 21

d. 22

d. 23

d. 24

d. 25

d. 26

d. 27

d. 28

d. 29

d. 30

d. 31

d. 32

d. 33

d. 34

d. 35

d. 36

d. 37

d. 38

d. 39

d. 40

d. 41

d. 42

d. 43

d. 44

J. Strauss

F. Mendelsshon

F. Chopin

1ère Gymnopédie

Étude, op.25-1

E. Satie

F. Chopin

Clair de Lune

C. Debussy

F. Chopin

Étude, op.10-5

Doctor Gradus ad Parnassum

Grande Valse Brillante

La prière d’une Vierge

Course en Troïka

To The Spring

C. Debussy

F. Chopin

T. Badarzewska

P. Tchaikovsky

E. Grieg

Valse, op.64-2

F. Chopin

Radetzky Marsch

Träumerei

J. Strauss

R. Schumann

F. Schubert

F. Chopin

Moments Musicaux III

Prélude, op.28-15

The harmonious blacksmith

Ungarische Tänze V

Türkischer Marsch (Beethoven)

Nocturne No.2

G. Handel

J. Brahms

L. v. Beethoven

F. Chopin

Frühlingslied

F. Mendelsshon

J. S. Bach

Präludium

Jägerlied

F. Mendelsshon

M. Ravel

Menuet Antique

Für Elise

L. v. Beethoven

W. A. Mozart

F. Schubert

A. Dvorjak

G. Lange

Türkischer Marsch (Mozart)

Ständchen

Humoreske

Blumenlied

Alpenglöckchen

Menuett G dur (Beethoven)

Venezianisches Gondellied

Alpenabendröte

T. Oesten

L. v. Beethoven

F. Mendelsshon

T. Oesten

Download from Www.Somanuals.com. All Manuals Search And Download.

Appendices

Song

No.

Song Name

Composer

d. 45

d. 46

d. 47

d. 48

d. 49

d. 50

d. 51

d. 52

d. 53

d. 54

d. 55

d. 56

d. 57

d. 58

d. 59

d. 60

d. 61

d. 62

Farewell to the Piano

L. v. Beethoven

Brautchor

W. Wagner

W. Anderson

C. Czerny

Battle of Waterloo

Wiener Marsch

Le Coucou

L. C. Daquin

J. S. Bach

Menuett G dur (Bach)

Spinnerlied

A. Ellmenreich

F. Gossec

Gavotte

Heidenröslein

Zigeuner Tanz

La Cinquantaine

Csikos Post

G. Lange

H. Lichner

G. Marie

H. Necke

Dolly’s Dreaming Awakening

La Violette

T. Oesten

L. Streabbog

R. Schumann

M. Clementi

F. Kuhlau

Fröhlicher Landmann

Sonatine op.36-1 (Clementi)

Sonatine op.20-1 (Kuhlau)

Sonatine No.5 (Beethoven)

L. v. Beethoven

Hungarian Rag: Hungarian Dance No. 5 Ragtime Arrangement For

Solo Piano

J. Brahms/

d. 63

d. 64

d. 65

Arranged by John Maul

Paganoogie Variation: Jazz Variation Based on “Caprice No. 24 in A

Minor”

N. Paganini/

Arranged by John Maul

Masashi &

L’éveil del l’amour

Kazuko Hirashita

Download from Www.Somanuals.com. All Manuals Search And Download.

Easy Operation List

No.

You want to

Buttons

Page

Press the [ON/OFF] and [BEAT] buttons simultaneously, and press the [●] button.

[ON/OFF]+ [BEAT] → [PIANO]

p. 27

Master Tuning

Selecting a temperament

Specifying the keynote

[ON/OFF] + [BEAT] → [E. PIANO]

p. 27

p. 28

→ [E. PIANO] + key

[ON/OFF] + [BEAT] → [HARPSICHORD]

Stretch tuning

Applying the damper pedal to the left-hand

keyboard area

[ON/OFF] + [BEAT] → [ORGAN]

[ON/OFF] + [BEAT] → [STRINGS]

[ON/OFF] + [BEAT] → [VARIATION]

[ON/OFF]+ [BEAT] → [PLAY]

p. 31

MIDI send channel settings

Local Control

Transmitting a recorded performance

Press the [ ] button, and press the [-] or [+] button.

[BEAT] → [-] [+]

[TRANSPOSE] + [SPLIT] → [-][+]

p. 15

p. 12

Beat of metronome

Dual Balance

Hold down the [ ] button and press the [-] or [+] button.

[ON/OFF] + [-] [+]

p. 15

p. 16

Metronome volume

Metronome sound

[BEAT] + [-] [+]

[REVERB] + [-] [+]

p. 16

p. 26

Depth of the Reverb effect

[REVERB] + [SPLIT] + [-] [+]

Damper pedal’s resonance level

Hold down the [SPLIT] or [TRANSPOSE] button and press the key.

[SPLIT] + key

p. 14

p. 17

Split Point

[TRANSPOSE] + key

Key Transpose

Download from Www.Somanuals.com. All Manuals Search And Download.

MIDI

Implementation

Chart

Appendices

DIGITAL PIANO

Model MP-60

Date : July. 1, 2003

Version : 1.00

MIDI Implementation Chart

Transmitted

Recognized

Remarks

Function...

Basic

Channel

Default

Changed

1–16

Default

Messages

Altered

Mode 3

Mode

**************

Note

Number :

15–113

**************

0–127

15–113

True Voice

Note ON

Note OFF

Velocity

8n v=64

After

Touch

Key’s

Ch’s

Pitch Bend

6, 38

Data entry

Volume

Expression

Hold 1

Sostenuto

Soft

Effect 1 (Reverb)

Effect 3 (Chorus)

RPN LSB, MSB

Control

Change

100, 101

Prog

Change

O (0...117)

**************

O (0–127)

0...117

: True Number

System Exclusive

: Song Pos

: Song Sel

: Tune

System

Common

System

Real Time

: Clock

: Commands

: All sound off

Reset all controllers

Aux

Message

: Local Control

: All Notes OFF

: Active Sense

: Reset

O (123–127)

Notes

Mode 1 : OMNI ON, POLY

Mode 2 : OMNI ON, MONO

O : Yes

X : No

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO

Download from Www.Somanuals.com. All Manuals Search And Download.

Main Specifications

Keyboard

88 keys Hammer Action Keyboard

Touch Sensitivity

Keyboard Modes

Sound Generator

Max. Polyphony

Tones

Preset 3 levels

Whole, Dual (adjustable dual balance), Split (adjustable split point)

64 voices

15 tones in 5 groups

Temperament

Stretched Tuning

Master Tuning

Transpose

Effects

7 types, selectable tonic

2 types

415.3 Hz–466.2 Hz (adjustable in increments of 0.1 Hz)

Key Transpose (-6–+5 in units of semitone)

Reverb (8 levels), Chorus (for E. Piano only), Sympathetic Resonance (for Piano only, 8 levels)

Metronome

Beat

2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8

8 levels

Volume

Recorder

Tracks

2 tracks

Song

1 song

Note Storage

Tempo

Approx. 5,000 notes

Quarter note = 20–250

Resolution

Control

96 ticks per quarter note

Play/Stop, Rec, Tempo, All Song Play, Track Select

65 songs

Preset Songs

Others

Rated Power Output

Speakers

20 W x 2

12 cm x 2

Display

7-segment, 3-digit LED

Volume, Brilliance (3 levels)

Damper, Soft, Sostenuto

Panel Lock, Tone Lock

Control

Pedals

Other Functions

Output jacks (L/Mono, R), Input jacks (L/Mono, R), Headphones jack x 2 (Stereo),

MIDI In/MIDI Out connectors, Pedal jack

Connectors

Power Supply

AC 117 V/AC 230 V/AC 240 V

Power Consumption

40 W

1,392 (W) x 422 (D) x 818 (H) mm / 54-13/16 (W) x 16-5/8 (D) x 32-1/4 (H) inches

Dimensions

1,392 (W) x 422 (D) x 987 (H) mm / 54-13/16 (W) x 16-5/8 (D) x 38-7/8 (H) inches

(including music stand)

(including piano stand)

Weights

42 kg/92 lbs 10 oz

(including piano stand)

Accessories

Owner’s manual, Power cord, Headphones

In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.

Download from Www.Somanuals.com. All Manuals Search And Download.

Index

AC inlet ............................................................................. 8

Adjuster ............................................................................ 9

All Song Play .................................................................. 10

Audio Equipment .......................................................... 29

Panel Lock ...................................................................... 28

Pedal .................................................................................. 9

Pedal Cable ....................................................................... 8

Pedal jack .......................................................................... 8

Phones jack ....................................................................... 8

Play

All Songs Continuously .......................................... 10

Along with the internal songs ................................ 19

Each Hand ................................................................ 20

Selecting a song ........................................................ 10

Power ................................................................................ 9

Power Cord ...................................................................... 8

[Power] switch ................................................................. 9

Beat .................................................................................. 15

[BRILLIANCE] knob ....................................................... 9

Computer ....................................................................... 29

Count-In .......................................................................... 19

Damper pedal ............................................................ 9, 28

Resonance ................................................................. 26

Dual Balance .................................................................. 12

Dual Play ........................................................................ 12

Record ............................................................................. 21

Along with a Song ................................................... 23

Each Hand ................................................................ 24

Erasing Performances ............................................. 25

New Song .................................................................. 22

Reverb ............................................................................. 16

Depth ......................................................................... 16

Effects (Reverb) .............................................................. 16

Erase ................................................................................ 25

Soft pedal .......................................................................... 9

Sostenuto pedal ............................................................... 9

Split Play ......................................................................... 13

Split Point ....................................................................... 14

Stretch Tuning ................................................................ 28

Sympathetic Resonance .................................................. 9

Function .......................................................................... 26

Headphones ..................................................................... 8

Internal Song .................................................................. 10

Temperament ................................................................. 27

Tempo ....................................................................... 14, 19

Tone Lock ....................................................................... 28

TONE SELECT button .................................................. 11

Track button ............................................................. 20, 24

Transpose ........................................................................ 17

[TRANSPOSE] button ................................................... 17

Tuning Curve ................................................................. 28

Key Touch ...................................................................... 18

Lid ...................................................................................... 8

Local Control ................................................................. 31

Master Tuning ............................................................... 27

Metronome ..................................................................... 14

MIDI ................................................................................ 30

MIDI channel ................................................................. 31

MIDI Devices ................................................................. 30

Music Stand ...................................................................... 8

Variation tone ................................................................ 11

Volume

Metronome ............................................................... 15

[VOLUME] knob ............................................................. 9

Download from Www.Somanuals.com. All Manuals Search And Download.

MEMO

Download from Www.Somanuals.com. All Manuals Search And Download.

Information

When you need repair service, call your nearest Roland Service Center or authorized Roland

distributor in your country as shown below.

PHILIPPINES

COSTA RICA

TRINIDAD

NORWAY

JORDAN

AFRICA

G.A. Yupangco & Co. Inc.

339 Gil J. Puyat Avenue

Makati, Metro Manila 1200,

PHILIPPINES

JUAN Bansbach Instrumentos

AMR Ltd

Roland Scandinavia Avd.

AMMAN Trading Agency

245 Prince Mohammad St.,

Amman 1118, JORDAN

TEL: (06) 464-1200

Ground Floor

Musicales

Kontor Norge

EGYPT

Al Fanny Trading Office

9, EBN Hagar A1 Askalany

Street,

ARD E1 Golf, Heliopolis,

Cairo 11341, EGYPT

TEL: 20-2-417-1828

Maritime Plaza

Barataria Trinidad W.I.

TEL: (868)638 6385

Ave.1. Calle 11, Apartado 10237,

San Jose, COSTA RICA

TEL: 258-0211

Lilleakerveien 2 Postboks 95

Lilleaker N-0216 Oslo

NORWAY

TEL: (02) 899 9801

KUWAIT

EASA HUSAIN AL-YOUSIFI

& SONS CO.

Abdullah Salem Street,

Safat, KUWAIT

TEL: 243-6399

TEL: 2273 0074

SINGAPORE

SWEE LEE MUSIC

COMPANY PTE. LTD.

150 Sims Drive,

SINGAPORE 387381

TEL: 6846-3676

URUGUAY

Todo Musica S.A.

Francisco Acuna de Figueroa

1771

C.P.: 11.800

Montevideo, URUGUAY

TEL: (02) 924-2335

CURACAO

Zeelandia Music Center Inc.

Orionweg 30

Curacao, Netherland Antilles

TEL:(305)5926866

POLAND

MX MUSIC SP.Z.O.O.

UL. Gibraltarska 4.

PL-03664 Warszawa POLAND

TEL: (022) 679 44 19

REUNION

Maison FO - YAM Marcel

25 Rue Jules Hermann,

Chaudron - BP79 97 491

Ste Clotilde Cedex,

LEBANON

Chahine S.A.L.

Gerge Zeidan St., Chahine

Bldg., Achrafieh, P.O.Box: 16-

5857

Beirut, LEBANON

TEL: (01) 20-1441

DOMINICAN REPUBLIC

Instrumentos Fernando Giraldez

Calle Proyecto Central No.3

Ens.La Esperilla

Santo Domingo,

Dominican Republic

TEL:(809) 683 0305

PORTUGAL

Roland Iberia, S.L.

Portugal Office

Cais das Pedras, 8/9-1 Dto

4050-465, Porto, PORTUGAL

TEL: 22 608 00 60

CRISTOFORI MUSIC PTE LTD

Blk 3014, Bedok Industrial Park E,

#02-2148, SINGAPORE 489980

TEL: 6243-9555

VENEZUELA

Instrumentos Musicales

Allegro,C.A.

Av.las industrias edf.Guitar

REUNION ISLAND

TEL: (0262) 218-429

SOUTH AFRICA

That Other Music Shop(PTY)Ltd.

11 Melle St., Braamfontein,

Johannesbourg,

SOUTH AFRICA

TEL: (011) 403 4105

TAIWAN

ROLAND TAIWAN

ENTERPRISE CO., LTD.

Room 5, 9fl. No. 112 Chung

Shan N.Road Sec.2, Taipei,

TAIWAN, R.O.C.

import

#7 zona Industrial de Turumo

Caracas, Venezuela

TEL: (212) 244-1122

OMAN

ROMANIA

FBS LINES

Piata Libertatii 1,

535500 Gheorgheni,

ROMANIA

ECUADOR

Mas Musika

Rumichaca 822 y Zaruma

Guayaquil - Ecuador

TALENTZ CENTRE L.L.C.

P.O. BOX 37, MUSCAT,

POSTAL CODE 113

TEL: 931-3705

FAX: (011) 403 1234

EUROPE

TEL:(593-4)2302364

TEL: (02) 2561 3339

TEL: (266) 364 609

Paul Bothner(PTY)Ltd.

17 Werdmuller Centre,

Main Road, Claremont 7708

SOUTH AFRICA

QATAR

Al Emadi Co. (Badie Studio &

Stores)

P.O. Box 62, Doha, QATAR

EL SALVADOR

OMNI MUSIC

75 Avenida Norte y Final

Alameda Juan Pablo II,

Edificio No.4010 San Salvador,

EL SALVADOR

THAILAND

AUSTRIA

Roland Elektronische

Musikinstrumente HmbH.

RUSSIA

MuTek

3-Bogatyrskaya Str. 1.k.l

107 564 Moscow, RUSSIA

TEL: (095) 169 5043

Theera Music Co. , Ltd.

330 Verng NakornKasem, Soi 2,

Bangkok 10100, THAILAND

TEL: (02) 2248821

TEL: (021) 674 4030

Austrian Office

TEL: 4423-554

Eduard-Bodem-Gasse 8,

A-6020 Innsbruck, AUSTRIA

TEL: (0512) 26 44 260

SAUDI ARABIA

aDawliah Universal

Electronics APL

Corniche Road, Aldossary

Bldg., 1st Floor, Alkhobar,

SAUDI ARABIA

VIETNAM

Saigon Music

Suite DP-8

40 Ba Huyen Thanh Quan Street

Hochiminh City, VIETNAM

TEL: (08) 930-1969

TEL: 262-0788

SPAIN

ASIA

Roland Iberia, S.L.

Paseo García Faria, 33-35

08005 Barcelona SPAIN

TEL: 93 493 91 00

GUATEMALA

BELGIUM/FRANCE/

HOLLAND/

LUXEMBOURG

Roland Central Europe N.V.

Houtstraat 3, B-2260, Oevel

(Westerlo) BELGIUM

CHINA

Roland Shanghai Electronics

Co.,Ltd.

5F. No.1500 Pingliang Road

Shanghai 200090, CHINA

TEL: (021) 5580-0800

Casa Instrumental

Calzada Roosevelt 34-01,zona 11

Ciudad de Guatemala

Guatemala

SWEDEN

Roland Scandinavia A/S

SWEDISH SALES OFFICE

Danvik Center 28, 2 tr.

S-131 30 Nacka SWEDEN

TEL: (0)8 702 00 20

P.O.Box 2154, Alkhobar 31952

SAUDI ARABIA

TEL: (03) 898 2081

TEL:(502) 599-2888

HONDURAS

Almacen Pajaro Azul S.A. de C.V.

BO.Paz Barahona

3 Ave.11 Calle S.O

San Pedro Sula, Honduras

TEL: (504) 553-2029

AUSTRALIA/

NEW ZEALAND

TEL: (014) 575811

Roland Shanghai Electronics

Co.,Ltd.

(BEIJING OFFICE)

10F. No.18 3 Section Anhuaxili

Chaoyang District Beijing

100011 CHINA

SYRIA

Technical Light & Sound

Center

Rawda, Abdul Qader Jazairi St.

Bldg. No. 21, P.O.BOX 13520,

Damascus, SYRIA

CZECH REP.

K-AUDIO

Kardasovska 626.

CZ-198 00 Praha 9,

CZECH REP.

AUSTRALIA/

SWITZERLAND

Roland (Switzerland) AG

Landstrasse 5, Postfach,

CH-4452 Itingen,

SWITZERLAND

TEL: (061) 927-8383

NEW ZEALAND

Roland Corporation

Australia Pty.,Ltd.

38 Campbell Avenue

Dee Why West. NSW 2099

AUSTRALIA

MARTINIQUE

Musique & Son

Z.I.Les Mangle

97232 Le Lamantin

Martinique F.W.I.

TEL: 596 596 426860

TEL: (2) 666 10529

TEL: (010) 6426-5050

TEL: (011) 223-5384

DENMARK

Roland Shanghai Electronics

Co.,Ltd.

(GUANGZHOU OFFICE)

2/F., No.30 Si You Nan Er Jie

Yi Xiang, Wu Yang Xin Cheng,

Guangzhou 510600, CHINA

TEL: (020) 8736-0428

TURKEY

Ant Muzik Aletleri Ithalat Ve

Ihracat Ltd Sti

Siraselviler Caddesi

Siraselviler Pasaji No:74/20

Taksim - Istanbul, TURKEY

TEL: (0212) 2449624

Roland Scandinavia A/S

Nordhavnsvej 7, Postbox 880,

DK-2100 Copenhagen

DENMARK

UKRAINE

TIC-TAC

Mira Str. 19/108

P.O. Box 180

295400 Munkachevo,

UKRAINE

TEL: (03131) 414-40

For Australia

Tel: (02) 9982 8266

For New Zealand

Tel: (09) 3098 715

Gigamusic SARL

10 Rte De La Folie

97200 Fort De France

Martinique F.W.I.

TEL: 596 596 715222

TEL: 3916 6200

FINLAND

Roland Scandinavia As, Filial

Finland

Elannontie 5

FIN-01510 Vantaa, FINLAND

TEL: (0)9 68 24 020

HONG KONG

Tom Lee Music Co., Ltd.

Service Division

22-32 Pun Shan Street, Tsuen

Wan, New Territories,

HONG KONG

U.A.E.

Zak Electronics & Musical

Instruments Co. L.L.C.

Zabeel Road, Al Sherooq Bldg.,

No. 14, Grand Floor, Dubai,

U.A.E.

CENTRAL/LATIN

AMERICA

UNITED KINGDOM

MEXICO

Roland (U.K.) Ltd.

Atlantic Close, Swansea

Enterprise Park, SWANSEA

SA7 9FJ,

Casa Veerkamp, s.a. de c.v.

Av. Toluca No. 323, Col. Olivar

de los Padres 01780 Mexico

D.F. MEXICO

ARGENTINA

Instrumentos Musicales S.A.

Av.Santa Fe 2055

(1123) Buenos Aires

ARGENTINA

TEL: (011) 4508-2700

GERMANY

Roland Elektronische

Musikinstrumente HmbH.

Oststrasse 96, 22844

Norderstedt, GERMANY

TEL: (040) 52 60090

TEL: 2415 0911

TEL: (04) 3360715

UNITED KINGDOM

TEL: (01792) 702701

TEL: (55) 5668-6699

Parsons Music Ltd.

NICARAGUA

Bansbach Instrumentos

Musicales Nicaragua

Altamira D'Este Calle Principal

de la Farmacia 5ta.Avenida

1 Cuadra al Lago.#503

Managua, Nicaragua

8th Floor, Railway Plaza, 39

Chatham Road South, T.S.T,

Kowloon, HONG KONG

TEL: 2333 1863

NORTH AMERICA

MIDDLE EAST

BARBADOS

GREECE

STOLLAS S.A.

Music Sound Light

155, New National Road

Patras 26442, GREECE

TEL: 2610 435400

CANADA

Roland Canada Music Ltd.

(Head Office)

5480 Parkwood Way

Richmond B. C., V6V 2M4

CANADA

A&B Music Supplies LTD

12 Webster Industrial Park

Wildey, St.Michael, Barbados

TEL: (246)430-1100

INDIA

Rivera Digitec (India) Pvt. Ltd.

409, Nirman Kendra

Mahalaxmi Flats Compound

Off. Dr. Edwin Moses Road,

Mumbai-400011, INDIA

TEL: (022) 2493 9051

BAHRAIN

Moon Stores

No.16, Bab Al Bahrain Avenue,

P.O.Box 247, Manama 304,

State of BAHRAIN

TEL: (505)277-2557

BRAZIL

Roland Brasil Ltda.

Rua San Jose, 780 Sala B

Parque Industrial San Jose

Cotia - Sao Paulo - SP, BRAZIL

TEL: (011) 4615 5666

PANAMA

TEL: (604) 270 6626

SUPRO MUNDIAL, S.A.

Boulevard Andrews, Albrook,

Panama City, REP. DE

PANAMA

TEL: 17 211 005

HUNGARY

Roland East Europe Ltd.

Warehouse Area ‘DEPO’ Pf.83

H-2046 Torokbalint,

HUNGARY

CYPRUS

Radex Sound Equipment Ltd.

17, Diagorou Street, Nicosia,

CYPRUS

Roland Canada Music Ltd.

(Toronto Office)

170 Admiral Boulevard

Mississauga On L5T 2N6

CANADA

INDONESIA

PT Citra IntiRama

J1. Cideng Timur No. 15J-150

Jakarta Pusat

INDONESIA

TEL: (021) 6324170

TEL: 315-0101

TEL: (23) 511011

CHILE

Comercial Fancy II S.A.

Rut.: 96.919.420-1

Nataniel Cox #739, 4th Floor

Santiago - Centro, CHILE

TEL: (02) 688-9540

PARAGUAY

Distribuidora De

Instrumentos Musicales

J.E. Olear y ESQ. Manduvira

Asuncion PARAGUAY

TEL: (595) 21 492147

TEL: (022) 66-9426

TEL: (905) 362 9707

IRELAND

Roland Ireland

G2 Calmount Park, Calmount

Avenue, Dublin 12

Republic of IRELAND

TEL: (01) 4294444

IRAN

MOCO INC.

No.41 Nike St., Dr.Shariyati Ave.,

Roberoye Cerahe Mirdamad

Tehran, IRAN

U. S. A.

KOREA

Roland Corporation U.S.

5100 S. Eastern Avenue

Los Angeles, CA 90040-2938,

U. S. A.

Cosmos Corporation

1461-9, Seocho-Dong,

Seocho Ku, Seoul, KOREA

TEL: (02) 3486-8855

COLOMBIA

Centro Musical Ltda.

Cra 43 B No 25 A 41 Bododega 9

Medellin, Colombia

PERU

Audionet

Distribuciones Musicales SAC

Juan Fanning 530

Miraflores

TEL: (021) 285-4169

TEL: (323) 890 3700

ITALY

Roland Italy S. p. A.

Viale delle Industrie 8,

20020 Arese, Milano, ITALY

TEL: (02) 937-78300

ISRAEL

Halilit P. Greenspoon & Sons

Ltd.

8 Retzif Ha'aliya Hashnya St.

Tel-Aviv-Yafo ISRAEL

TEL: (03) 6823666

MALAYSIA

Roland Asia Pacific Sdn. Bhd.

45-1, Block C2, Jalan PJU 1/39,

Dataran Prima, 47301 Petaling

Jaya, Selangor, MALAYSIA

TEL: (03) 7805-3263

TEL: (574)3812529

Lima - Peru

TEL: (511) 4461388

As of January 15, 2005 (ROLAND)

Download from Www.Somanuals.com. All Manuals Search And Download.

For EU Countries

This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.

For the USA

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the

FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential

installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in

accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee

that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or

television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the

interference by one or more of the following measures:

–

Reorient or relocate the receiving antenna.

Increase the separation between the equipment and receiver.

Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

(1) This device may not cause harmful interference, and

(2) This device must accept any interference received, including interference that may cause undesired operation.

Unauthorized changes or modification to this system can void the users authority to operate this equipment.

This equipment requires shielded interface cables in order to meet FCC class B Limit.

For Canada

NOTICE

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

AVIS

Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.

Download from Www.Somanuals.com. All Manuals Search And Download.

Contents

Name

No.

Qty.

Instrument

Music Stand

Manual Set

Power Cord Set

This owner’s manual is printed on recycled paper.

03344767

’05-4-6N

Download from Www.Somanuals.com. All Manuals Search And Download.

Q Logic TV Video Accessories 59238 02 A User Guide
Raymarine GPS Receiver ST7001 User Guide
Razor Mobility Scooter 13114501 User Guide
RCA TV DVD Combo BLD548 User Guide
RCA Universal Remote RCR612 User Guide
Samsung CD Player SW 208 User Guide
Samsung Printer ML 2251NP User Guide
Samsung Tablet GH88 41012A User Guide
Sanyo Flat Panel Television CE22LD90DV B User Guide
Sennheiser Headphones HDI 91 PI User Guide