Roland Electronic Keyboard HP507 User Guide

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USING THE UNIT SAFELY

About WARNING and CAUTION Notices

About the Symbols

The symbol alerts the user to important instructions or

Used for instructions intended to alert the

user to the risk of death or severe injury

should the unit be used improperly.

warnings.The specific meaning of the symbol is

determined by the design contained within the triangle. In

the case of the symbol at left, it is used for general

cautions, warnings, or alerts to danger.

Used for instructions intended to alert the

user to the risk of injury or material

damage should the unit be used

improperly.

The symbol alerts the user to items that must never be

carried out (are forbidden).The specific thing that must

not be done is indicated by the design contained within

the circle. In the case of the symbol at left, it means that

the unit must never be disassembled.

* Material damage refers to damage or

other adverse effects caused with

respect to the home and all its

furnishings, as well to domestic animals

or pets.

The symbol alerts the user to things that must be

carried out.The specific thing that must be done is

indicated by the design contained within the circle. In the

case of the symbol at left, it means that the power-cord

plug must be unplugged from the outlet.

ALWAYS OBSERVE THE FOLLOWING

WARNING

Do not disassemble or modify by yourself

Avoid extended use at high volume

Do not share an outlet with an unreasonable number

of other devices

Do not open or perform any internal

modiﬁcations on the unit.

This unit, either alone or in combination

with an ampliﬁer and headphones or

speakers, may be capable of producing

sound levels that could cause permanent

hearing loss. Do not operate for a long

period of time at a high volume level, or

at a level that is uncomfortable. If you

experience any hearing loss or ringing

in the ears, you should immediately stop

using the unit, and consult an audiologist.

Do not force the unit’s power-supply cord

to share an outlet with an unreasonable

number of other devices. Be especially

careful when using extension cords—the

total power used by all devices you have

connected to the extension cord’s outlet

must never exceed the power rating

(watts/amperes) for the extension cord.

Excessive loads can cause the insulation

on the cord to heat up and eventually

melt through.

Do not repair or replace parts by yourself

Do not attempt to repair the unit, or

replace parts within it (except when this

manual provides speciﬁc instructions

directing you to do so). Refer all servicing

to your retailer, the nearest Roland

Service Center, or an authorized Roland

distributor, as listed on the “Information”

page.

Don’t allow foreign objects or liquids to enter unit;

never place containers with liquid on unit

Do not use overseas

Do not place containers containing liquid

(e.g., ﬂower vases) on this product. Never

allow foreign objects (e.g., ﬂammable

objects, coins, wires) or liquids (e.g., water

or juice) to enter this product. Doing so

may cause short circuits, faulty operation,

or other malfunctions.

Before using the unit in a foreign country,

consult with your retailer, the nearest

Roland Service Center, or an authorized

Roland distributor, as listed on the

“Information”page.

Do not use or store in the following types of locations

•

Subject to temperature extremes (e.g.,

direct sunlight in an enclosed vehicle,

near a heating duct, on top of heat-

generating equipment); or are

Damp (e.g., baths, washrooms, on wet

ﬂoors); or are

•

Exposed to steam or smoke; or are

Subject to salt exposure; or are

Humid; or are

Exposed to rain; or are

Dusty or sandy; or are

Turn oﬀ the unit if an abnormality or malfunction

occurs

Immediately turn the unit oﬀ, remove the

power cord from the outlet, and request

servicing by your retailer, the nearest

Roland Service Center, or an authorized

Roland distributor, as listed on the

“Information”page when:

Subject to high levels of vibration and

shakiness.

Do not place in an unstable location

•

The power-supply cord or the plug has

been damaged; or

If smoke or unusual odor occurs; or

Objects have fallen into, or liquid has

been spilled onto the unit; or

Make sure you always have the unit

placed so it is level and sure to remain

stable. Never place it on stands that could

wobble, or on inclined surfaces.

•

The unit has been exposed to rain (or

otherwise has become wet); or

The unit does not appear to operate

normally or exhibits a marked change in

performance.

Connect the power cord to an outlet of the correct

voltage

The unit should be connected to a power

supply only of the type described as

marked on the rear side of unit.

Adults must provide supervision in places where

children are present

When using the unit in locations where

children are present, be careful so no

mishandling of the unit can take place. An

adult should always be on hand to provide

supervision and guidance.

Use only the included power cord

Use only the attached power-supply cord.

Also, the included power cord must not be

used with any other device.

Do not bend the power cord or place heavy objects

on it

Do not excessively twist or bend the

power cord, nor place heavy objects on it.

Doing so can damage the cord, producing

severed elements and short circuits.

Do not drop or subject to strong impact

Protect the unit from strong impact.

(Do not drop it!)

Damaged cords are ﬁre and shock hazards!

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USING THE UNIT SAFELY

CAUTION

If there is a possibility of lightning strike, disconnect

the power cord from the outlet

Place in a well ventilated location

The unit should be located so that its

location or position does not interfere

with its proper ventilation.

Whenever you suspect the possibility of

lightning in your area, pull the plug on the

power cord out of the outlet.

Grasp the plug when connecting or disconnecting the

power cord

Always grasp only the plug on the

power-supply cord when plugging into, or

unplugging from, an outlet or this unit.

Take care so as not to get ﬁngers pinched by lid

Be careful when opening/closing the lid

so you do not get your ﬁngers pinched

(p. 16). Adult supervision is recommended

whenever small children use the unit.

Periodically clean the power cord’s plug

Keep small items out of the reach of children

At regular intervals, you should unplug

the power plug and clean it by using

a dry cloth to wipe all dust and other

accumulations away from its prongs.

Also, disconnect the power plug from

the power outlet whenever the unit is to

remain unused for an extended period of

time. Any accumulation of dust between

the power plug and the power outlet can

result in poor insulation and lead to ﬁre.

To prevent accidental ingestion of the

parts listed below, always keep them out

of the reach of small children.

Included Parts / Removable Parts:

•

Stereo 1/4”plug adaptor (p. 15)

Screws for stand assembly (p. 60)

Manage cables for safety

Try to prevent cords and cables from

becoming entangled. Also, all cords and

cables should be placed so they are out of

the reach of children.

Avoid climbing on top of the unit, or placing heavy

objects on it

Never climb on top of, nor place heavy

objects on the unit.

Do not connect or disconnect the power cord with

wet hands

Never handle the power cord or its plugs

with wet hands when plugging into, or

unplugging from, an outlet or this unit.

Cautions when moving this unit

If you need to move the instrument, take

note of the precautions listed below. At

least two persons are required to safely lift

and move the unit. It should be handled

carefully, all the while keeping it level.

Make sure to have a ﬁrm grip, to protect

yourself from injury and the instrument

from damage.

•

Check to make sure the screws securing

the unit to the stand have not become

loose. Fasten them again securely

whenever you notice any loosening.

•

Disconnect the power cord.

Disconnect all cords coming from

external devices.

•

Raise the adjusters on the stand (p. 61).

Close the lid.

Fold down the music stand.

Unplug the power cord from the outlet before

cleaning

Before cleaning the unit, turn it oﬀ and

unplug the power cord from the outlet

(p. 61).

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IMPORTANT NOTES

•

About piano polishing liquid

•

Do not allow objects to remain on top of the

keyboard. This can be the cause of malfunction, such

as keys ceasing to produce sound.

Power Supply

•

Use polishing liquid as directed by the instructions

for the product.

•

Do not connect this unit to same electrical outlet

that is being used by an electrical appliance that

is controlled by an inverter or a motor (such as a

refrigerator, washing machine, microwave oven, or

air conditioner). Depending on the way in which

the electrical appliance is used, power supply noise

may cause this unit to malfunction or may produce

audible noise. If it is not practical to use a separate

electrical outlet, connect a power supply noise ﬁlter

between this unit and the electrical outlet.

•

Use only polishing liquid that is intended for use on

polished-ﬁnish pianos. Using any other polishing

liquid may cause scratches, deformation, or

discoloration. To purchase polishing liquid, contact

your nearby musical instrument dealer.

Do not paste stickers, decals, or the like to this

instrument. Peeling such matter oﬀ the instrument

may damage the exterior ﬁnish.

Do not put anything that contains water on this unit.

Also, avoid the use of insecticides, perfumes, alcohol,

nail polish, spray cans, etc., near the unit. Swiftly

wipe away any liquid that spills on the unit using a

dry, soft cloth.

•

Use the polishing liquid only on the polished

surfaces of the cabinet. Always wipe the surface

with the grain using straight, even strokes. Do

not repeatedly wipe the same places using too

much pressure, since that might result in the loss

of luster.

Be sure to keep the polishing liquid out of the

reach of small children. If the polishing liquid is

accidentally swallowed, ﬁrst get them to vomit,

then take them to a doctor.

•

To prevent malfunction and equipment failure,

always make sure to turn oﬀ the power on all your

equipment before you make any connections.

Maintenance

•

To clean the unit, use a dry, soft cloth; or one that

is slightly dampened. Try to wipe the entire surface

using an equal amount of strength, moving the cloth

along with the grain of the wood. Rubbing too hard

in the same area can damage the ﬁnish.

Although the LCD and LEDs are switched oﬀ when

the unit is turned oﬀ, this does not mean that the

unit has been completely disconnected from the

source of power. If you need to turn oﬀ the power

completely, ﬁrst turn oﬀ the unit’s switch, then

unplug the power cord from the power outlet. For

this reason, the outlet into which you choose to

connect the power cord’s plug should be one that is

within easy reach and readily accessible.

Repairs and Data

•

Never use benzine, thinners, alcohol or solvents of

any kind, to avoid the possibility of discoloration

and/or deformation.

•

Please be aware that all data contained in the

unit’s memory may be lost when the unit is sent for

repairs. Important data should always be backed up

USB ﬂash drives, or written down on paper (when

possible). During repairs, due care is taken to avoid

the loss of data. However, in certain cases (such

as when circuitry related to memory itself is out

of order), we regret that it may not be possible to

restore the data, and Roland assumes no liability

concerning such loss of data.

The pedals of this unit are made of brass.

Brass eventually darkens as the result of the natural

oxidization process. If the brass becomes tarnished,

polish it using commercially available metal polisher.

•

With the factory settings, the HP507 will

automatically be switched oﬀ 30 minutes after you

stop playing or operating the unit. If you don’t want

the unit to turn oﬀ automatically, change the “Auto

Oﬀ”setting to “Oﬀ”as described on “Making the

Power Automatically Turn Oﬀ After a Time (Auto

Oﬀ)”(p. 44).

Since wood will expand and contract depending

on how it is used and the environment in which it is

located, products made of wood may experience a

gradual loosening of the screws over time.

Additional Precautions

NOTE

To ensure that your piano remains in safe, optimal

condition, you should regularly check the tightness of

the screws in the locations shown in the illustration. If

you ﬁnd that any screws are loose, use a screwdriver to

tighten them.

•

Please be aware that the contents of memory can

be irretrievably lost as a result of a malfunction,

or the improper operation of the unit. To protect

yourself against the risk of loosing important data,

we recommend that you periodically save a backup

copy of important data you have stored in the unit’s

memory on a USB ﬂash drive.

The settings you were editing will be lost when the

unit is turned oﬀ. If you want to keep your settings,

you must save your settings before turning the unit

oﬀ.

Placement

•

Unfortunately, it may be impossible to restore

the contents of data that was stored in the unit’s

memory, USB ﬂash drives once it has been lost.

Roland Corporation assumes no liability concerning

such loss of data.

•

Using the unit near power ampliﬁers (or other

equipment containing large power transformers)

may induce hum. To alleviate the problem, change

the orientation of this unit; or move it farther away

from the source of interference.

Use a reasonable amount of care when using the

unit’s buttons, sliders, or other controls; and when

using its jacks and connectors. Rough handling can

lead to malfunctions.

•

This device may interfere with radio and television

reception. Do not use this device in the vicinity of

such receivers.

Noise may be produced if wireless communications

devices, such as cell phones, are operated in the

vicinity of this unit. Such noise could occur when

receiving or initiating a call, or while conversing.

Should you experience such problems, you should

relocate such wireless devices so they are at a greater

distance from this unit, or switch them oﬀ.

•

Never strike or apply strong pressure to the display.

When disconnecting all cables, grasp the connector

itself—never pull on the cable. This way you will

avoid causing shorts, or damage to the cable’s

internal elements.

•

A small amount of heat will radiate from the unit

during normal operation.

•

Do not expose the unit to direct sunlight, place

it near devices that radiate heat, leave it inside

an enclosed vehicle, or otherwise subject it to

temperature extremes. Also, do not allow lighting

devices that normally are used while their light

source is very close to the unit (such as a piano light),

or powerful spotlights to shine upon the same area

of the unit for extended periods of time. Excessive

heat can deform or discolor the unit.

To avoid disturbing others nearby, try to keep the

unit’s volume at reasonable levels. You may prefer

to use headphones, so you do not need to be

concerned about those around you.

Maintenance of polished-ﬁnish pianos

(Only for HP507-PE)

•

Since your piano has a polished ﬁnish that is as

delicate as that found on ﬁnely crafted wooden

furniture, it needs careful, periodic care. A few

important suggestions concerning the proper care

of the unit follow. For dusting, using a soft, clean

cloth and/or piano-use feather duster. Be sure to

wipe gently. Even the tiniest grains of sand or grit

can leave scratches on the surface if too much force

is applied while wiping. Do not use any cleaners or

detergents, since they might deteriorate the surface

of the cabinet, and produce cracks.

•

The sound of keys being struck and vibrations

produced by playing an instrument can be

transmitted through a ﬂoor or wall to an unexpected

extent. Please take care not to cause annoyance to

others nearby.

•

When moved from one location to another where

the temperature and/or humidity is very diﬀerent,

water droplets (condensation) may form inside

the unit. Damage or malfunction may result if you

attempt to use the unit in this condition. Therefore,

before using the unit, you must allow it to stand for

several hours, until the condensation has completely

evaporated.

•

When you need to transport the unit, package it

in the box (including padding) that it came in, if

possible. Otherwise, you will need to use equivalent

packaging materials.

Do not apply undue force to the music stand while

it is in use.

If the cabinet’s surface loses its luster, wipe it

thoroughly with a soft cloth dampened with a little

of the polishing liquid. Do not use any cleaners or

detergents, since they might deteriorate the surface

of the cabinet, and produce cracks. Do not use

dusting cloths that contain chemicals.

Do not allow rubber, vinyl, or similar materials to

remain on this unit for long periods of time. Such

objects can discolor or otherwise harmfully aﬀect

the ﬁnish.

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IMPORTANT NOTES

•

Carefully insert the USB ﬂash drive all the way in—

until it is ﬁrmly in place.

•

It is forbidden by law to make an audio recording,

video recording, copy or revision of a third party’s

copyrighted work (musical work, video work,

broadcast, live performance, or other work), whether

in whole or in part, and distribute, sell, lease,

perform, or broadcast it without the permission of

the copyright owner.

•

Some connection cables contain resistors. Do not

use cables that incorporate resistors for connecting

to this unit. The use of such cables can cause the

sound level to be extremely low, or impossible to

hear. For information on cable speciﬁcations, contact

the manufacturer of the cable.

•

Before opening or closing the keyboard lid, always

make sure that no pets or other small animals are

located on top of the instrument (in particular, they

should be kept away from the keyboard and its

lid). Otherwise, due to the structural design of this

instrument, small pets or other animals could end

up getting trapped inside it. If such a situation is

encountered, you must immediately turn oﬀ the unit

and disconnect the power cord from the outlet. You

should then consult with the retailer from whom the

instrument was purchased, or contact the nearest

Roland Service Center.

•

Do not use this product for purposes that could

infringe on a copyright held by a third party. We

assume no responsibility whatsoever with regard to

any infringements of third-party copyrights arising

through your use of this product.

•

Never touch the terminals of the USB ﬂash drives.

Also, avoid getting the terminals dirty.

The copyright of content in this product (the sound

waveform data, style data, accompaniment patterns,

phrase data, audio loops and image data) is reserved

by Roland Corporation.

•

USB ﬂash drives are constructed using precision

components; handle the USB ﬂash drives carefully,

paying particular note to the following.

•

Purchasers of this product are permitted to utilize

said content for the creating, performing, recording

and distributing original musical works.

•

To prevent damage to the USB ﬂash drives from

static electricity, be sure to discharge any static

electricity from your own body before handling

the USB ﬂash drives.

•

When opening/closing the lid or raising/folding

down the music rest, please be careful not to get

your ﬁngers pinched between the movable part and

the panel. In places where small children are present,

make sure that an adult provides supervision and

guidance.

Purchasers of this product are NOT permitted to

extract said content in original or modiﬁed form, for

the purpose of distributing recorded medium of said

content or making them available on a computer

network.

•

Do not touch or allow metal to come into contact

with the contact portion of the USB ﬂash drives.

Do not bend, drop, or subject USB ﬂash drives to

strong shock or vibration.

Before Using USB Memories

•

MMP (Moore Microprocessor Portfolio) refers to a

patent portfolio concerned with microprocessor

architecture, which was developed by Technology

Properties Limited (TPL). Roland has licensed this

technology from the TPL Group.

Do not keep USB ﬂash drives in direct sunlight, in

closed vehicles, or other such locations.

(Using Optional USB ﬂash drive)

•

Do not connect or disconnect USB ﬂash drive while

it is being read from, or written to (i.e., while the USB

ﬂash drive access indicator will blink).

•

Do not allow USB ﬂash drives to become wet.

Do not disassemble or modify the USB ﬂash drives.

•

XG (

Yamaha Corporation.

) is a registered trademark or a trademark of

XGlite (

) is a registered trademark or a trademark

of Yamaha Corporation.

•

Company names and product names appearing

in this document are registered trademarks or

trademarks of their respective owners.

& &

About the Ivory Feel Keyboard

Features of an ivory feel keyboard

Traditional piano keys are made from the best materials-ivory (for white keys) and ebony (for black keys). The Ivory Feel keyboard uses the latest

in technology to reproduce the touch and feel of these materials.

An Ivory Feel keyboard oﬀers the following features.

• We’re sure you’ll develop a fondness for the distinctive texture of these keys, which feels better the more you play them.

• Surfaces incorporate stripes of moisture-absorbing material for improved touch and playability.

• The keys feature subtle gloss and understated coloring, enhancing the look and elegance.

• The white keys are ﬁnished with a slight yellowish tinge for the look of real ivory.

Handling

• Do not write on the keyboard with any pen or other implement, and do not stamp or place any marking on the instrument. Ink will seep

into the surface lines and become unremovable.

• Do not aﬃx stickers on the keyboard. You may be unable to remove stickers that use strong adhesives, and the adhesive may cause

discoloration.

Care and maintenance

Please note the following points. Failure to do so may result in scratches on the surface ﬁnish, damaged gloss, or other discoloration or

deformation.

• To remove dirt, use a soft cloth.

Using a moistened and tightly wrung-out cloth, gently wipe oﬀ any dirt.

Do not rub the surface vigorously.

• To remove stubborn dirt, use a commercially available keyboard cleaner that does not contain abrasives.

Start by wiping lightly. If the dirt does not come oﬀ, wipe using gradually increasing amounts of pressure while taking care not to scratch

the keys.

• Do not use benzene, paint thinner, or alcohol on the instrument.

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Contents

USING THE UNIT SAFELY 3

IMPORTANT NOTES 5

About the Ivory Feel Keyboard 6

Look What You Can Do! 8

Operation Guide 10

Panel Descriptions 14

Convenient Functions 44

Adjusting the Brightness of the Display (Display Contrast ). . . . . . . . . . . . . .44

Making the Power Automatically Turn Oﬀ After a Time (Auto O ﬀ ). . . . . . .44

Retaining the Settings Even After Power-oﬀ (Memory Backup) . . . . . . . . .44

Restoring the Factory Settings (Factory Reset) . . . . . . . . . . . . . . . . . . . . . . . . .45

Copying a Saved Song (Copy Song). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45

Deleting a Saved Song (Delete Song) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Initializing the Memory (Format Media). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Disabling the Buttons (Panel Lock). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47

Before Y o u Play 16

Setting Up the Music Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Opening/Closing the Lid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Turning the Power On/O ﬀ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

Various Settings (Function Mode ) 48

Adjusting the Dual Play Volume Balance (Dual Balance) . . . . . . . . . . . . . . . . . . .48

Matching the Pitch with Other Instruments (Master Tuning ). . . . . . . . . . . . . . .48

Changing the Tuning Method (Temperament) . . . . . . . . . . . . . . . . . . . . . . . . . . . .48

Specifying a Song’s Tonic (Temperament Key). . . . . . . . . . . . . . . . . . . . . . . . . . . . .48

Adjusting the Volume of an Audio Playback Device (Input Volume) . . . . . . . .48

Playing Back an Audio File with Its Central Sound Minimized (Center

Cancel) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48

Transposing an Audio File (Audio Transpose). . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49

Specifying What the Transpose will Aﬀect (Transpose Mode) . . . . . . . . . . . . . .49

Changing the Pitch of the Tone in Octave Steps (Octave Shift) . . . . . . . . . . . . .49

Selecting the Format for Recording (Recording Mode) . . . . . . . . . . . . . . . . . . . .49

Changing How the Pedal Eﬀects Are Applied (Damper Pedal Part) . . . . . . . . .49

Changing How the Pedals Work (Center Pedal). . . . . . . . . . . . . . . . . . . . . . . . . . . .49

Performing 18

Performing with Various Sounds. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Switching Tones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Performing with Two Layered Tones (Dual Play) . . . . . . . . . . . . . . . . . . . . . . . . . . .19

Playing Diﬀerent Tones with the Right and Left Hands (Split Play). . . . . . . . . .20

Adjusting the Sound to Your Taste . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22

Adding Reverberation to the Sound (Ambience) . . . . . . . . . . . . . . . . . . . . . . . . . .22

Adjusting the Brightness of the Sound (Brilliance). . . . . . . . . . . . . . . . . . . . . . . . .23

Adjusting the Keyboard Response (Key Touch ). . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Dividing the Keyboard for Two-person Performance (Twin Piano). . . . . . .24

Shifting the Pitch (Transpose) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25

Preventing Doubled Notes When Connected to a Sequencer (Local

Control) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

MIDI Transmit Channel Settings (MIDI Transmit Channel) . . . . . . . . . . . . . . . . . .50

Setting the Type of CD to be Played Back (CD/Audio Type) . . . . . . . . . . . . . . . .50

Renaming a Song (Save Song) (p. 41) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Copying a Saved Song (Copy Song) (p. 45) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Deleting a Saved Song (Delete Song) (p. 46) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Initializing the Memory (Format Media) (p. 46) . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Changing the USB Driver Settings (USB Driver). . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Changing the USB ﬂash drive Setting (USB Memory Mode ). . . . . . . . . . . . . . . .51

Controlling Video Equipment (Visual Control Mode) . . . . . . . . . . . . . . . . . . . . . .51

Specifying the Visual Control Channel (Visual Control Channel). . . . . . . . . . . .51

Adjusting the Brightness of the Display (Display Contrast) (p. 44) . . . . . . . . . .51

Changing the Language Displayed in the Screen (Language ). . . . . . . . . . . . . .52

Making the Power Automatically Turn Oﬀ After a Time (Auto O ﬀ ) (p. 44) . . .52

Storing Your Settings (Memory Backup) (p. 44 ). . . . . . . . . . . . . . . . . . . . . . . . . . . .52

Restoring the Factory Settings (Factory Reset) (p. 45). . . . . . . . . . . . . . . . . . . . . .52

Practicing 26

Practicing with the Metronome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

Changing the Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

Changing the Time Signature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

Adjusting the Metronome’s Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27

Adding a Count-in to Synchronize Your Performance. . . . . . . . . . . . . . . . . . . . . .27

Practicing with a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

Selecting and Playing a Song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

Playing Songs Consecutively (All Songs Play) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29

Adjusting the Volume Balance of the Song and the Keyboard

Performance (Song Balance) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29

Adjusting a Song’s Tempo for Easier Practicing . . . . . . . . . . . . . . . . . . . . . . . . . . . .29

Practicing One Hand at a Time (Part Mute) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

Repeatedly Practicing a Portion of a Song (AB Repeat) . . . . . . . . . . . . . . . . . . . .31

Recording the Song You’re Practicing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

SMF Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

Overdubbing a Recorded Song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33

Converting a Song Recorded as an SMF to Audio . . . . . . . . . . . . . . . . . . . . . . . . .36

Audio Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

Transposing a Song for Easier Performance (Audio Transpose ). . . . . . . . . . . . .38

Enjoying Karaoke with an Audio File (Center Cancel) . . . . . . . . . . . . . . . . . . . . . .38

Burning an Audio Recording of a Song (WAV ﬁle) to a CD. . . . . . . . . . . . . . . . . .39

Saving a Song with the Name You Specify . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40

Renaming a Son g . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41

Troubleshooting 54

Tone List 57

Internal Song List 58

Main Speciﬁcations 59

Assembling 60

Index 62

Error Messages 63

Personalizing Y o ur Piano Sound (Piano Designer ) 42

Making Detailed Adjustments to the Piano Sound . . . . . . . . . . . . . . . . . . . . .42

Press one of the enclosed buttons.

How to read the explanatory illustrations

Press two buttons.

Numerals indicate the sequence of steps.

While holding down a button, press another button.

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& &

Look What You Can Do!

& &

Play

the Piano

page 18

e &

Play various sounds

The HP507 contains a wide variety of tones (sounds).

You can freely select and perform using these tones.

page 19

e &

Play two layered tones

You can layer two tones on a single key.

page 20

Play diﬀerent tones with your left and right hands

You can divide the keyboard into left and right zones, and select a diﬀerent tone for each zone.

page 24

Play duets

You can divide the keyboard into left and right halves, playing it as though it were two pianos.

& &

Practice

Songs

page 26

e &

Sound a metronome

You can sound a metronome.

page 28

e &

Practice along with the built-in songs

The HP507 contains numerous built-in songs.

For the song titles, refer to “Internal Song List ”(p. 58).

page 30

e &

Practice each hand separately

You can practice along with a song while listening to only the right-hand or left-hand

part play back.

& &

Record

Songs

page 32

e &

Record your performances

You can record your own playing.

page 39

e &

Use your computer to create a CD of a song you recorded

A song you’ve recorded can be copied to your computer, and written to a CD.

& &

Environmentally Friendly

Energy-Eﬃcient

Design

page 44

e &

The power will turn oﬀ after a speciﬁed time has elapsed

When thirty minutes have elapsed since you last played or operated the HP507, the power will turn oﬀ automatically.

* If you don’t want the power to turn oﬀ automatically, change the “Auto Oﬀ” setting (p. 44).

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& &

Adjust

Your Piano

page 23

e &

Adjust the keyboard touch

You can adjust the touch sensitivity of the keyboard to match your own playing style.

page 22

e &

Add reverberation to the sound

You can add reverberation (ambience) to create the sensation of performing in a

concert hall.

page 23

e &

Adjust the brightness of the sound

You can adjust the tone quality of the sound, ranging from a brilliant timbre to a

mellow tone.

& &

Personalize

Your Piano

(Piano Designer)

page 42

e &

Adjust the openness of the grand piano’s lid

Closing the lid will produce a softer tone, and opening it will produce a brighter tone.

page 43

e &

Adjust the resonance of chords

You can modify the resonance of chords by changing the way in which the piano’s

soundboard vibrates.

page 43

e &

Switch the temperament

You can switch between various temperaments, such as historic temperaments used

during the Baroque era.

& &

Convenient

Functions

page 25

e &

Transpose the pitch of the keyboard or song

The Transpose function lets you shift the pitch of the keyboard or a song so that you

can perform more conveniently.

page 47

e &

Disable the buttons

The Panel Lock function lets you prevent sounds or settings from being changed when

buttons are pressed inadvertently.

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& &

Operation Guide

Adding Reverberation (Ambience)

Adjusting the Brightness of the Sound (Brilliance)

You can add a pleasant reverberation to the sounds,

producing the impression that you are performing in

a concert hall.

You can adjust the brightness of the sound you play

page 22

page 23

from the keyboard or the sounds of a song you play

back.

To turn ambience on

To turn brilliance on

Press the [Ambience] button so it’s lit.

Press the [Brilliance] button so it’s lit.

To adjust the ambience

To adjust the brilliance

While holding down the [Ambience] button, press the [–] [+]

buttons.

While holding down the [Brilliance] button, press the [–] [+]

buttons.

Adjusting the Overall Volume

Adjust the volume.

page 17

Min

Max

Adjusting the Song Volume

Adjusting the Keyboard Touch

Transposing Your Performance

(Song Balance)

(Key Touch)

(Transpose)

By modifying the

You can adjust the way

in which the keyboard

responds to your playing.

Transposes the keyboard

and/or song.

page 29

page 23

page 25

playback volume of the

song, you can adjust the balance

between the song and your keyboard

performance.

To turn transpose on

To turn key touch on

Press the [Transpose] button so it’s lit.

Press the [Key Touch] button so it’s lit.

To turn song balance on

Press the [Song Balance] button so it’s lit.

To adjust the amount of transposition

To adjust the key touch

While holding down the [Transpose]

button, press the [–] [+] buttons.

While holding down the [Key Touch]

button, press the [–] [+] buttons.

To adjust the song balance

While holding down the [Song Balance]

button, press the [–] [+] buttons.

Retaining the settings even after power-oﬀ (memory backup)

The HP507 allows you to adjust numerous settings, but these settings will return to their default values as soon as you turn oﬀ

the power.

page 44

However, by using the Memory Backup feature, you can have the changes you’ve made in settings be retained.

1. While holding down the [Key Touch]

2. Use the [ ] [ ] (Slow/Fast) buttons to select

button, press the [Transpose] button

“Memory Backup ”

3. Press the [Song] button

4. Use the [ ] (Fast) button to select “Yes ”

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Operation Guide

Tone Buttons

To select a single tone

page 18

To layer two tones (dual play)

page 19

Press one of the tone buttons, and then use the [–] [+] buttons.

Press two tone buttons.

Press two

Press one

To change the tones

Tone 1

Tone 2

Press the [–] [+] buttons.

Hold down the right-most of the lit tone button, and then use

the [–] [+] buttons.

Dividing the Keyboard for Two-person Performance (Twin Piano)

Playing Diﬀerent Tones with the Right and Left Hands (Split Play)

This function divides the keyboard into left and right, allowing two

people to play the same range of pitches.

This function divides the keyboard into left and right zones,

allowing you to play a diﬀerent tone in each zone.

page 20

page 24

To turn twin piano on

To turn split on

Press the [Twin Piano] button so it’s lit.

While holding down the [Transpose] button, press the [Twin Piano]

button.

To change how the sounds are heard

While holding down the [Twin Piano] button, press the [–] [+]

buttons.

To change the tones

The sound of the right-hand keyboard zone will

be heard more loudly from the right speaker than

1. Press a tone button.

Right-hand Tone

from the left speaker.

Pair

2. Press the [–] [+] buttons.

The sound of the left-hand keyboard zone will

be heard more loudly from the left speaker than

from the right speaker.

1. While holding down the [Transpose] button and

[Twin Piano] button, press a tone button.

Left-hand Tone

The sound of the right-hand keyboard zone will

be heard only from the right speaker.

2. While holding down the [Transpose] button and

[Twin Piano] button, use the [–] [+] buttons.

Individual

The sound of the left-hand keyboard zone will be

heard only from the left speaker.

Changing the keyboard’s split point

While holding down the [Transpose] button and [Twin Piano]

button, play the key that you want to specify as the split point.

Customizing Your Piano Sound (Piano Designer)

You can adjust various elements of a grand piano’s sound to create your own personalized piano.

page 42

1. While holding down the Piano [Grand] button, press the Piano [Early] button

2. Use the [ ] [ ] (Slow/Fast) buttons to select the item that you want to adjust

3. Use the [–] [+] buttons to adjust the value

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Operation Guide

Using the Metronome

Changing the Tempo or Time Signature

Here’s how to sound the metronome.

You can adjust the tempo of the metronome or

song.

page 26

To turn the metronome on

To change the tempo

Press the [Metronome] button so it’s lit.

Use the [ ] [ ] (Slow/Fast) buttons.

To adjust the metronome’s volume

To change the time signature

While holding down the [Metronome] button, use the [–] [+]

buttons.

While holding down the [Metronome] button, use the [ ] [

(Slow/Fast) buttons.

]

Display

Selecting a Song

The display shows information such as the tone name, song name,

tempo, and time signature.

First, you need to access the song screen; this is where you can

select songs.

page 28

To select a song

1. Press the [Song] button to access the song screen

Category

USB

Explanation

Songs saved on the USB ﬂash drive

FAVORITE

MASTERPIECE

SELECTIONS

CZERNY 100

HANON

Songs saved in Favorite (internal memory)

Song Name

Piano Masterpieces

Various tunes

Czerny

Songs built into the HP507

Tempo

Time signature Measure

Hanon

3. Use the [–] [+] buttons to select a song

MEMO

Use the following operations to select a song from a folder.

• To move to a diﬀerent folder, use the [–] [+] buttons to select that folder, and then press the [

• To select a song within a folder, use the [–] [+] buttons.

] (Play/Stop) button.

• To exit a folder, use the [–] button to select “(Up),”and then press the [

] (Play/Stop) button.

* If one folder contains more than 500 ﬁles or folder, some of the ﬁles or folders might not be displayed.

4. Press the [

] (Play/Stop) button

When the song has played to its end, playback will stop.

To pause the playback, press the [

The next time you press the [

] (Play/Stop) button once again.

] (Play/Stop) button, playback will resume from where you paused.

Button operations

Returns you to the beginning of the song.

[

] (Reset) button

] (Play/Stop) button

] (Rec) button

Plays/stops the song.

Starts/stops recording.

[

Enter recording – standby mode.

Rewinds the song.

[

] (Bwd) button

] (Fwd) button

Fast-forwards the song.

Song formats that can be played by the HP507

The HP507 can play back data in the following formats.

•SMF formats 0/1

•Roland Piano Digital format (i-format)

•Audio ﬁles: WAV format, 44.1 kHz, 16-bit linear

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Practicing

Playing Songs Consecutively (All Songs Play)

You can consecutively play back the built-in songs or the songs saved in Favorite (internal memory) or on the USB (USB ﬂash drive) repetitively.

This function is called “All Songs Play.”

1. While holding down the [Song] button, use the [–] [+] buttons to select the category

2. While holding down the [Song] button, press the [

] (Play/Stop) button

] (Play/Stop) button will blink.

All Songs Play will be selected, and the [

* All Song Play will be cancelled if you stop playback or turn oﬀ the power.

Adjusting the Volume Balance of the Song and the Keyboard Performance (Song Balance)

You can adjust the balance between the song and your keyboard performance by changing the volume of the song.

1. Press the [Song Balance] button

The [Song Balance] button will light.

2. While holding down the [Song Balance] button, press the [–] [+] buttons

The display will show the song balance.

Screen

Value

Explanation

The song’s volume decreases the more you lower this value, and at the same time the keyboard performance

will take on more prominence.

0–9

The song’s volume increases the more you raise this value, and at the same time the keyboard performance

will become less prominent.

(default: 5)

3. To cancel the Song Balance function, press the [Song Balance] button once again

The [Song Balance] button will go out.

Adjusting a Song’s Tempo for Easier Practicing

You can change the tempo at which a song plays back.

When you’re practicing along with a song, this allows you to slow down the tempo of a diﬃcult song in order to play it more comfortably.

1. Press the [ ] [ ] (Slow/Fast) buttons

The tempo will change.

MEMO

If an audio ﬁle is selected, you can adjust the tempo in the range of 75–100–125%.

2. To return the tempo to its original setting, press the [ ] (Slow) and [ ] (Fast) buttons simultaneously

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Practicing

Playing back at a ﬁxed tempo (tempo mute)

With some of the internal songs, the tempo will change during the song. If desired, you can make these songs play back at a ﬁxed, unchanging tempo.

1. While holding down the [

] (Play/Stop) button, use the [ ] [ ] (Slow/Fast) buttons to adjust the tempo

The tempo indication in the screen will be highlighted.

2. To cancel tempo mute, once again hold down the [

] (Play/Stop) button and press the [ ] [ ] (Slow/Fast) buttons

Practicing One Hand at a Time (Part Mute)

Here’s how to have only the selected part play back. This allows you to practice playing the left or right-hand part of a song while listening to the

other hand played automatically.

Part button

Part

Each part is assigned to the part buttons as shown in the

illustration.

Muting

You can “mute”a speciﬁc part so that it will not be heard.

* If you’ve selected a song that does not contain an

accompaniment, the [Accomp] button will not light even if

you press it.

Left-hand

part

Right-hand

part

Accompaniment part

1. Press the part button for the part that you don’t want to be played

The light for the button you pressed will go out, and the selected part will not be heard.

MEMO

• If the accompaniment part is muted, playback will skip the introduction.

• The mute setting will be cancelled when you switch songs.

• Although the Part Mute function cannot be used with respect to the playback of an audio ﬁle, you can reduce the volume during playback of

sounds that are localized at the center of the sound ﬁeld, such as vocals or bass. Refer to “Center Cancel”(p. 38).

2. To un-mute the sound, press the part button once again so it’s lit

Using the sound of a speciﬁc part as a “guide” (mute volume)

If desired, you can specify that the sound of a part will play at a reduced volume rather than going completely silent when you press a part button

and turn oﬀ its indicator.

This setting lets you play a speciﬁc part at a reduced volume and use it as a “guide”for your playing.

1. While holding down the part button, press the [–] [+] buttons

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Practicing

Screen

Value

Explanation

0–10

Higher values make the sound louder.

(default: 0)

Repeatedly Practicing a Portion of a Song (AB Repeat)

Here’s how you can repeatedly play back a speciﬁed portion of the song. You can use this function to repeatedly practice that portion.

Section to repeat

Time

B (Repeat End)

A (Repeat Start)

1. Press the [

] (Play/Stop) button

The song will play back.

2. Press the [AB Repeat] button at the point where you want to start repeating (point A)

The [AB Repeat] button will blink.

3. Press the [AB Repeat] button at the point where you want to stop repeating (point B)

The [AB Repeat] button will light, and playback will begin repeating.

4. To cancel the repeat function, press the [AB Repeat] button once again

The [AB Repeat] button will go out, the repeat points you speciﬁed will be cleared.

MEMO

• The repeat points can be set at the beginning of each measure speciﬁed in measures of beats for an SMF song, or in 1/100th of a second for audio.

• Instead of playing back the song, you can also specify the portion to repeat by using the [

] [

] buttons.

Moving the portion to repeat forward or backward

When AB Repeat is on, you can move the repeated portion forward or backward.

Section to repeat

Time

B (Repeat Start)

A (Repeat Start)

1. While holding down the [AB Repeat] button, press the [–] [+] buttons

The repeated portion will be moved without its length being changed.

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Practicing

Recording the Song You’re Practicing

It’s easy to record your own performances.

You can play back a recorded performance to check your playing, or perform along with a recorded performance.

The HP507 lets you record in the following ways.

Type of recording

SMF recording

Explanation

Parts will be separate.

You can re-record a speciﬁc portion of the song.

You can overdub.

* Normally, you should use SMF recording.

Your performance will be recorded as audio data. The recorded song can be used on your computer.

* In order to use audio recording, you must connect a USB ﬂash drive (sold separately) to the USB memory port (p. 15).

* Thanks to its multiple number of speakers, each of which can be used to play a diﬀerent portion of the overall sound, the HP507 is capable of

producing piano sounds that possess great depth and seem to have three-dimensional presence.

Audio recording

Such eﬀects are produced when you play something on the keyboard, or when you play back a song that's been recorded as an SMF. However,

when you make an audio recording, the song will consist of two channels (stereo), and such eﬀects cannot be reproduced.

* SMFs (Standard MIDI Files) use a standard format for music ﬁle that was formulated so that ﬁles containing music ﬁle could be widely compatible,

regardless of the manufacturer of the listening device. An enormous variety of music is available, whether it be for listening, for practicing musical

instruments, for Karaoke, etc.

SMF Recording

To record a new song, proceed as follows.

This method is convenient when you simply want to record your performance as easily as possible.

Getting ready to record

1. ^{Select the tone that you want to use for performing (p 18)}

2. Press the [ ] (Rec) button

The [ ] (Rec) button will light, the [

recording-standby mode.

] (Play/Stop) button will blink, and the HP507 will enter

If you decide not to record, press the [ ] (Rec) button once again.

3. If desired, sound the metronome (p 26)

MEMO

If you change the metronome’s tempo and time signature, they will be recorded with the song, allowing the metronome to sound correctly during

playback.

Starting/stopping recording

1. ^{Press the [}

] (Play/Stop) button

A two-measure count will be heard (the measure number will be shown as “-2”

then “-1”in the lower right of the display), and then recording will start.

When recording starts, the [ ] (Rec) button and [

will light.

] (Play/Stop) button

MEMO

You can also initiate recording by simply playing the keyboard. If you initiate recording by playing the keyboard, a count will not be sounded.

2. Press the [

] (Play/Stop) button

Recording will stop, and you’ll be presented with a message will ask whether you want to save or erase your

performance.

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Practicing

Saving a performance you’ve recorded

* If you want to save to the USB ﬂash drive (sold separately), connect your USB ﬂash drive to the USB memory port before you continue.

1. Press the [ ] (Fast) button to select “Save ”

Saving will begin.

The recorded performance is saved at the earliest vacant song number.

The song is automatically given a name in this format: “Song nnn,”where “nnn”is the song number.

NOTE

Never turn oﬀ the power while “Executing...”is shown in the display.

Saving to a speciﬁc memory, song number, or song name

If you press the [Song] button instead of the [ ] (Fast) button, you’ll be able to specify the save-destination memory, song number, and song

name used for saving.

For details on the procedure, refer to “Saving a Song with the Name You Specify ”(p. 40).

Erasing a performance you’ve recorded

1. Use the [ ] (Slow) button to select “Erase ”

A message will ask you to conﬁrm that you want to erase the song.

2. Press the [ ] (Fast) button to erase the song

Listening to a performance you’ve recorded

1. Press the [

] (Play/Stop) button

Playback will start from the beginning of the recorded performance.

Overdubbing a Recorded Song

When recording an SMF, you can overdub each part separately. For example, you can record the left-hand and right-hand parts separately, or record

along with a song.

Recording each hand separately

You can separately record your left-hand performance to the [Left] button and your right-hand performance to the [Right] button. You can also

separately re-record each hand afterward.

Getting ready to record

1. ^{Select the tone that you want to use for performing (p 18)}

2. Press the [ ] (Rec) button

The [ ] (Rec) button will light, the [

recording-standby mode.

] (Play/Stop) button will blink, and the HP507 will enter

If you decide not to record, press the [ ] (Rec) button once again.

3. If desired, sound the metronome (p 26)

MEMO

If you change the metronome’s tempo and time signature, they will be recorded with the song, allowing the metronome to sound correctly during

playback.

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Practicing

Recording the left hand

1. ^{Press the [Right] button and the [Accomp] button so}

their illumination is turned oﬀ

The [Left] button alone will start blinking, meaning that the unit

is ready to record to the [Left] button.

* If you don’t specify a part at this time, the recorded performance will be recorded in this order: [Right] button [Left] button [Accomp] button.

* If you’re using Twin Piano or Split Play, the left side or left-hand tone will be recorded to the [Left] button, and the right side or right-hand tone will

be recorded to the [Right] button.

2. Press the [

] (Play/Stop) button

A two-measure count will sound (the measure number in the lower right of the display will indicate “-2,”then “-1”), and then recording will start.

When recording starts, the [ ] (Rec) button and [

] (Play/Stop) button will light.

MEMO

You can also initiate recording by playing the keyboard. In this case, the count will not sound.

3. Press the [

] (Play/Stop) button

Recording will stop, and a conﬁrmation message will ask whether you want to save the recording.

4. Either save the performance or erase it (p 33)

Overdubbing the right hand

1. ^{Press the [}] (Rec) button

The [ ] (Rec) button will light,

and the HP507 will enter recording-

standby mode.

At this time, New Song will be selected.

If you decide not to record, press the [

(Rec) button once again.

]

2. Reselect the song you saved earlier by pressing the [+] button

MEMO

The song’s tempo and time signature will be as they were when you recorded the left hand.

3. Press the [Right] button so it’s blinking

In this state, the right-hand performance will be recorded to the [Right] button. Leave the [Left] button lit.

NOTE

If you select a previously recorded part and then record, your new performance will overwrite that part; the previously recorded performance will

be lost.

4. Press the [

] (Play/Stop) button

A two-measure count will be heard (the measure number will be shown as “-2”then “-1”in the lower right of the display), and then recording will start.

The previously recorded performance for the left hand will be played back, so you can listen to it while you play the right-hand part.

When recording starts, the [ ] (Rec) button and [

] (Play/Stop) button will light.

MEMO

You can also initiate recording by playing the keyboard. In this case, the count will not sound.

5. Press the [

] (Play/Stop) button

Recording will stop, and a conﬁrmation message will ask whether you want to save or erase the recording.

6. Either save the performance or erase it (p 33)

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Practicing

Recording a performance you play along with a song

Here’s how you can record a performance that you play along with a song.

Getting ready to record

1. ^{Select the tone that you want record (p 18)}

2. Select the song to be dubbed (p 28)

3. Press the [ ] (Rec) button

The [ ] (Rec) button will light, and the HP507 will enter recording-standby mode.

At this time, New Song will be selected.

If you decide not to record, press the [ ] (Rec) button once again.

4. Reselect the song selected in step 2 by pressing the [+] button

MEMO

The song’s tempo and time signature will be according to the settings of the song you selected.

5. Press the part button of the part that you want to record, so it’s blinking

Parts whose buttons are lit will play back during recording.

Starting/stopping recording

1. ^{Press the [}

] (Play/Stop) button

A two-measure count will be heard (the measure number will be shown as “-2”

then “-1”in the lower right of the display), and then recording will start.

When recording starts, the [ ] (Rec) button and [

will light.

] (Play/Stop) button

MEMO

You can also initiate recording by simply playing the keyboard. If you initiate recording by playing the keyboard, a count will not be sounded.

2. Press the [

] (Play/Stop) button

Recording will stop, and a conﬁrmation message will ask whether you want to save or erase the recording.

3. Either save the performance or erase it (p 33)

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Practicing

Converting a Song Recorded as an SMF to Audio

By converting a song recorded in the form of an SMF to audio, you’ll be able to listen to it on your computer. You can also use your computer to burn

the song to a music CD, or upload it to the Internet.

page 39

Copying an audio recording of a song to your computer

If you save an audio recording of a song on the

USB ﬂash drive, you'll be able to listen to it on your

computer.

In order for an SMF song recording to be used on your

computer, you’ll need to convert it to audio (WAV ﬁle).

WAV

Audio recordings of songs are saved as WAVE ﬁles

(16-bit, 44.1 kHz).

Use computer software (such as

iTunes) to burn the song to a CD.

A song recorded on the HP507 can be

copied to your computer by means of

a USB ﬂash drive.

You can use your computer to burn them to a music

CD or upload them to the Internet.

1. Connect a USB ﬂash drive (sold separately) to the USB memory

port (p 15)

* Audio data cannot be saved in Favorite (internal memory).

2. Select the song that you want to convert to audio (p 28)

3. While holding down the [ ] (Rec) button, press the [–] [+] buttons

to select “Audio ”

4. Press the [ ] (Rec) button

The [ ] (Rec) button will light, and the [

At this time, New Song will be selected.

] (Play/Stop) button will blink; the HP507 will enter converting-standby mode.

If you decide not to convert, press the [ ] (Rec) button once again.

5. Reselect the song selected in step 2 by pressing the [+] button

6. Press the [

] (Play/Stop) button

The song will play back, and the conversion will begin.

MEMO

If, during conversion, you play the keyboard, input something via the MIDI connector, or input sound via the Input jacks, all sound including those

sounds will be converted. Muted parts will not be converted.

NOTE

• Never turn oﬀ the power or disconnect the USB ﬂash drive during conversion.

• For some SMF recordings, it might not be possible to perfectly convert the recording in its original form.

7. Press the [

] (Play/Stop) button

Song playback will stop, and the section that was played back will be converted. A conﬁrmation message will ask whether you want to save or erase

the ﬁle.

8. Either save the performance or erase it (p 33)

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Practicing

Audio Recording

Here’s how to record what you play on the HP507 as audio data. The recorded song can be used on your computer.

* Thanks to its multiple number of speakers, each of which can be used to play a diﬀerent portion of the overall sound, the HP507 is capable of

producing piano sounds that possess great depth and seem to have three-dimensional presence.

Such eﬀects are produced when you play something on the keyboard, or when you play back a song that’s been recorded as an SMF. However,

when you make an audio recording, the song will consist of two channels (stereo), and such eﬀects cannot be reproduced.

Preparing to record

1. ^{Connect a USB ﬂash drive (sold separately) to the}

USB memory port (p 15)

* Audio data cannot be saved in Favorite (internal

memory).

2. Select the tone that you want perform (p 18)

3. While holding down the [ ] (Rec) button, press the [–] [+] buttons to select “Audio ”

4. Press the [ ] (Rec) button

The [ ] (Rec) button will light, the [

] (Play/Stop) button will blink, and the HP507 will enter recording-standby mode.

If you decide not to record, press the [ ] (Rec) button once again.

5. If desired, sound the metronome (p 26)

Starting/stopping recording

1. ^{Press the [}

] (Play/Stop) button

Recording will start.

When recording starts, the [ ] (Rec) button and [

will light.

] (Play/Stop) button

NOTE

Never turn oﬀ the power or disconnect the USB ﬂash drive during recording.

2. Press the [

] (Play/Stop) button

Recording will stop, and a conﬁrmation message will ask whether you want to save or erase the recording.

3. Either save the performance or erase it (p 33)

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Practicing

Transposing a Song for Easier Performance (Audio Transpose)

An audio recording of a song, or a song from a digital audio player connected to the Input jacks can be transposed to make it play back in a diﬀerent

key. You can play the keyboard while listening to the transposed sound.

1. Press the [Transpose] button

The [Transpose] button will light.

2. While holding down the [Transpose] button, press the [–] [+] buttons

The display will indicate the amount of transposition.

Screen

Value

Explanation

-6–0–5

(semitone units)

Positive (+) values raise the pitch in semitone steps, and negative (-) values lower the pitch in semitone steps.

(default: 1)

MEMO

• With the factory settings, transposition will be applied to the selected audio ﬁle and the sound of the digital audio player connected to the Input

jacks, as well as to the sound of the keyboard. If you want transposition to aﬀect only the keyboard or only the audio ﬁle and the sound from the

Input jacks, make the appropriate setting as described in “Specifying What the Transpose will Aﬀect (Transpose Mode)”(p. 49).

• You can also use the Function mode’s “Audio Transpose”setting to change the amount of transposition (p. 49).

* If you select a diﬀerent song, the audio transposition setting will be canceled.

3. To cancel the transposition, press the [Transpose] button once again

The [Transpose] button will go out.

Enjoying Karaoke with an Audio File (Center Cancel)

When playing back an audio ﬁle, you can minimize the sounds that are heard from the center. For example, this allows you to minimize the melody or

vocal on a music CD, so that you can play or sing that part instead.

MEMO

Center Cancel will apply both to the selected audio ﬁle and to the digital audio player that’s connected to the Input jacks.

* For some songs, it might not be possible to completely eliminate the melody sound.

1. Press the [Right] button

The [Right] button will go out, and the melody sound will be minimized.

MEMO

You can also use the Function mode’s “Center Cancel”setting to turn this oﬀ (p. 48).

* The Center Cancel setting will turn oﬀ if you select a diﬀerent song.

2. When you want the sound to be heard, press the [Right] button once again

The [Right] button will light.

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Practicing

Burning an Audio Recording of a Song (WAV ﬁle) to a CD

After an audio recording of a song has been saved

to the USB ﬂash drive, you can copy it to your

computer and burn it to a CD. If you want to burn

a CD from a song that you recorded as an SMF, you

WAV

must ﬁrst convert it to audio (WAV ﬁle) (p. 36).

In order to burn a CD on your computer, you’ll need

software such as “iTunes.”

Use computer software (such as

iTunes) to burn the song to a CD.

A song recorded on the HP507 can be

copied to your computer by means of

a USB ﬂash drive.

For details, refer to the owner’s manual or the online

help of your software.

Copy the recorded song to your computer

3. Copy the song (WAV ﬁle) that you want to burn to CD to

your computer’s desktop or another location where you

can easily ﬁnd it

1. Connect the USB ﬂash drive

containing the song to your

computer

If you’re using Windows, a

“Removable disk”icon will appear in “Computer.”If you’re using

Mac OS X, a “NO NAME”icon will appear on the desktop.

Copy to desktop

2. Double-click the icon that appeared

The contents of the USB ﬂash drive will be displayed.

The audio recording of the song (WAV ﬁle) will be among the

contents.

Use iTunes to burn the song to CD

The following explanation uses iTunes 10 for Windows. If you’re

using a diﬀerent version or other software, refer to its online help

or owner’s manual.

5. Select the playlist that you created in step 2, and in the

[File] menu, click [Burn playlist to Disc]

1. From the Start menu, click [All Programs] - [iTunes]

2. From the iTunes [File] menu, click [New Playlist] to create

a playlist

Newly created

playlist

6. Make the appropriate settings in the disc creation dialog

box, and then click the [Burn] button

3. From the desktop (or other location) where you copied

it, drag and drop the song (WAV ﬁle) to add it to the

playlist you created in step 2

Drag & drop

4. Insert a blank CD-R into your computer

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Practicing

Saving a Song with the Name You Specify

Immediately after you’ve ﬁnished recording, you can save the song to the memory, song number, and song name that you specify.

* If you want to save to the USB ﬂash drive (sold separately), connect your USB ﬂash drive to the USB memory port before you continue.

1. Make sure that you’ve ﬁnished recording, and that the screen shown at the right is displayed

2. Press the [Song] button

The media select screen will appear.

3. Use the [–] [+] buttons to select the save-destination media

Indication

Favorite

Save-destination media

Internal memory

USB Memory

USB ﬂash drive

* If a USB ﬂash drive (sold separately) is not connected, you won’t be able to select “USB Memory.”

4. Press the [ ] (Fast) button

A screen will appear, allowing you to select the song number of save destination.

5. Use the [–] [+] buttons to select the song number of save destination

No song has been saved in song numbers shown as (Empty) in the song name column.

Choose a song number in which no song has been saved.

If you want to save your song by overwriting an existing song you no longer need, select the song number of that unwanted song.

6. Press the [ ] (Fast) button

A screen will appear, allowing you to specify a name for your song.

7. Edit the name using the buttons shown in the illustration below

Use the [ ] (Fast) button to select the position at which you

want to specify a character.

Use the [–] [+] buttons to change the character.

Change the character

Select the character to change

8. Press the [Song] button to save the song

If you decide not to save the song, press the [Metronome] button.

NOTE

Never turn oﬀ the power or disconnect the USB ﬂash drive while the screen indicates “Executing...”

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Practicing

Renaming a Song

Here’s how to rename a song you’re saved.

1. Select the song that you want to rename (p 28)

2. While holding down the [Key Touch] button, press the [Transpose] button

The [Key Touch] button and [Transpose] button will light, and the HP507 will enter Function mode.

3. Use the [ ] [ ] (Slow/Fast) buttons to select “Save Song ”

4. Press the [Song] button

The media select screen will appear.

If you decide not to rename the song, press the [Metronome] button.

5. Use the [–] [+] buttons to select the save-destination media

6. Press the [ ] (Fast) button

A screen will appear, allowing you to select the song number of save destination.

7. Use the [–] [+] buttons to select the song number of save destination

No song has been saved in song numbers shown as (Empty) in the song name column.

Choose a song number in which no song has been saved.

If you want to save your song by overwriting an existing song you no longer need, select the song number of that unwanted song.

8. Press the [ ] (Fast) button

A screen will appear, allowing you to specify the song name.

9. Edit the song name using the buttons shown in the illustration below

Use the [ ] (Fast) button to select the position at which you

want to specify a character.

Use the [–] [+] buttons to change the character.

Change the character

Select the character to change

10. Press the [Song] button to save the song

If you decide not to rename the song, press the [Metronome] button.

When the song has been renamed, you will return to the screen of step 3.

NOTE

Never turn oﬀ the power or disconnect the USB ﬂash drive while the screen indicates “Executing...”

11. Press the [Key Touch] button or the [Transpose] button to ﬁnish the procedure

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& &

Personalizing Your Piano Sound (Piano Designer)

Hammer

Noise

What is Piano Designer?

String

Resonance

The HP507 allows you to personalize your piano sound by

adjusting various factors that aﬀect the sound, such as the piano’s

strings, the resonance produced using the pedals, and the sound

of the hammers striking the strings.

Temperament

Adjusting the

piano sound to

your taste

This function is called “Piano Designer.”

Making Detailed Adjustments to the Piano Sound

1. While holding down the Piano [Grand] button, press the Piano [Early] button

The Piano Designer screen will appear.

The “ConcertPiano”tone will be selected.

2. Press the [ ] [ ] (Slow/Fast) buttons to select the item that you want to edit

3. Use the [–] [+] buttons to adjust the value

4. Repeat steps 2–3 to adjust the piano sound to your taste

Saving your settings

The HP507’s settings will revert to

the default values when you turn oﬀ

the power, but you can save them as

described in “Retaining the Settings Even

After Power-oﬀ (Memory Backup)”(p. 44).

5. When you’re ﬁnished using Piano Designer, press the Piano [Grand] button or the Piano

[Early] button

Piano designer parameter

Parameter

Value

Description

Adjusts the extent to which the lid of the grand piano is open.

0–6

Lid

The sound will become more mellow as you close the lid of the piano in the screen. The sound will become brighter as you

open the lid of the piano in the screen.

(default: 4)

This adjusts the damper resonance of the acoustic piano sound (the sympathetic vibration produced in strings other than

those actually played when you press the damper pedal).

Oﬀ, 1–10

Damper

Resonance

(default: 5)

Higher settings will make the sympathetic vibration louder.

-2–0–2

This adjusts the sound produced when the hammer of an acoustic piano strikes the string.

Higher settings will produce a louder sound of the hammer striking the string.

Hammer Noise

(default: 0)

Oﬀ, 1–10

This adjusts the time from when you play a key until the piano sound is heard.

Higher settings will produce slower response.

Hammer

Response

(default: 2)

Oﬀ, 1–10

This adjusts the sympathetic vibrations of an acoustic piano’s Duplex Scale.

Higher settings will make the sympathetic vibration louder.

Duplex Scale

(default: 5)

This adjusts the string resonance of the acoustic piano sound (the sympathetic vibrations of strings for previously played

notes that occur when you play another note).

Oﬀ, 1–10

String

Resonance

(default: 5)

Higher settings will make the sympathetic vibration louder.

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Personalizing Your Piano Sound (Piano Designer)

Parameter

Value

Description

This adjusts sympathetic vibrations such as an acoustic piano’s key-oﬀ sound (the subtle sound that occurs when you

release a note).

Oﬀ, 1–10

Key Oﬀ

Resonance

(default: 5)

Higher settings will make the sympathetic vibration louder.

Oﬀ, 1–10

Adjusts the body resonance of the grand piano itself.

Higher values will produce a larger body resonance.

Cabinet

Resonance

(default: 4)

When you play a chord, this setting improves the clarity of the individual notes in the chord, creating a more beautiful

resonance.

Oﬀ, 1–10

Soundboard

Behavior

(default: 5)

Higher settings produce a clearer resonance.

This adjusts the damper noise of the acoustic piano sound (the sound of the damper releasing the strings when you press

the damper pedal).

Oﬀ, 1–10

Damper Noise

Master Tuning

(default: 4)

* No damper noise will be heard if Damper Resonance is set to “Oﬀ.”

This adjusts the HP507’s standard pitch (the pitch of the middle A note).

When playing ensemble with other instruments and in other such instances, you can match the standard pitch to another

instrument.

415 3–440 0–466 2 Hz

(default: 440.0 Hz)

The standard pitch generally refers to the pitch of the note that’s played when you ﬁnger the middle A key. For a cleaner

ensemble sound while performing with one or more other instruments, ensure that each instrument’s standard pitch is in

tune with that of the other instruments. This tuning of all the instruments to a standard pitch is called “master tuning.”

You can play classical styles such as Baroque using historic temperaments (tuning methods).

Equal, Just Major, Just

Minor, Pythagorean,

Kirnberger, Meantone,

Werckmeister, Arabic

Most modern songs are composed for and played in equal temperament, the most common tuning in use today. But at one

time, there were a wide variety of other tuning systems in existence.

Temperament

By playing in the temperament that was in use when a composition was created, you can experience the sonorities of

chords originally intended for that song.

(default: Equal)

For details, refer to “Temperaments.”

When playing with tuning other than equal temperament, you need to specify the temperament key for tuning the song to

be performed (that is, the note that corresponds to C for a major key or to A for a minor key).

C–B

Temperament

Key

(default: C)

If you choose an equal temperament, there’s no need to select a temperament key.

This lets you specify the amount of “stretch tuning,”a tuning method speciﬁcally for pianos, in which the high range is

tuned slightly sharper, and the low range is tuned slightly ﬂatter.

Oﬀ, Preset, User

(User: -50–0–+50)

Stretch Tuning

If you select “Preset,”a standard tuning curve created for the HP507 will be used.

(default: Preset)

If you select “User,”you’ll be able to edit the stretched tuning yourself. Play the key whose pitch you want to adjust, then use

the [–] [+] buttons to adjust its pitch.

For some parameters, you can listen to a demo song.

1. In step 2, choose “Piano Designer Demo ”

2. Press the [Song] button

3. Use the [ ] [ ] (Slow/Fast) buttons to select the type of demo

Piano Designer

Demo

4. Press the [

] (Play/Stop) button

The demo will begin.

Temperaments

Temperament

Equal

Qualities

In this tuning, each octave is divided into twelve equal steps. Every interval produces about the same amount of slight dissonance.

This tuning eliminates ambiguities in the ﬁfths and thirds. It is unsuited to playing melodies and cannot be transposed, but is capable of

beautiful sonorities.

Just Major

Just Minor

The Just tunings diﬀer from major and minor keys. You can get the same eﬀect with the minor scale as with the major scale.

This tuning, devised by the philosopher Pythagoras, eliminates dissonance in fourths and ﬁfths.

Dissonance is produced by third-interval chords, but melodies are euphonious.

Pythagorean

Kirnberger

This is an improvement of the Meantone and Just tunings that provides a high degree of freedom of modulation. Performances are possible

in all keys (III).

Meantone

Werckmeister

Arabic

This scale makes some compromises in just intonation, enabling transposition to other keys.

This temperament combines the Meantone and Pythagorean tunings. Performances are possible in all keys (ﬁrst technique, III).

This tuning is suitable for the music of Arabia.

What is the duplex scale?

The Duplex Scale is a system of sympathetically vibrating strings sometimes included in grand pianos.

These sympathetically vibrating strings are not struck directly with hammers, but sound by vibrating in sympathy with the vibrations of other strings. By resonating with

the overtones, these strings add richness and brilliance to the sound. These sympathetic strings are added only to the high register above approximately C4. Since they do

not have a damper (a mechanism that stops them from sounding), they will continue sounding even after you play a note and then release it to stop the sound of the string

that was actually struck.

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Convenient Functions

4. Press the [Key Touch] button or the [Transpose] button to

ﬁnish the procedure

Adjusting the Brightness of the

NOTE

Display (Display Contrast)

When turning the unit’s power back on after it has been shut

down due to the Auto Oﬀ function, always make sure to allow

at least ﬁve seconds to pass after the power has been shut oﬀ

before you turn the power back on. If you turn it back on too

rapidly, the Auto Oﬀ function will not have had enough time to

reset itself, and you may not be able to turn on the power in the

normal way.

You can adjust the brightness of the HP507’s display.

1. While holding down the [Key Touch] button, press the

[Transpose] button

2. Use the [ ] [ ] (Slow/Fast) buttons to select “Display

Contrast ”

Retaining the Settings Even After

Power-oﬀ (Memory Backup)

3. Use the [–] [+] buttons to change the setting

The settings of the HP507 will return to their factory-set state when

you turn oﬀ the power. However, you can store the settings so that

they will be retained even after the power is turned oﬀ.

Value

This is called the “memory backup”function.

1–10 (default: 5)

* This setting is automatically stored in the HP507.

Parameters Stored in Memory Backup

Piano designer settings

Ambience (on/oﬀ, depth)

Brilliance (on/oﬀ, depth)

Split Point

Page

4. Press the [Key Touch] button or the [Transpose] button to

ﬁnish the procedure

Making the Power Automatically

Turn Oﬀ After a Time (Auto Oﬀ)

Twin Piano mode

Key Touch (on/oﬀ, value)

Dual Balance

Transpose Mode

WARNING

Damper Pedal Part

MIDI Transmit Channel

Visual Control Channel

Language

With the factory settings, the HP507’s power will automatically be

switched oﬀ 30 minutes after you stop playing or operating the

unit.

If you don’t need the power to turn oﬀ automatically, set “Auto Oﬀ”

to the “Oﬀ”setting as described below.

1. While holding down the [Key Touch] button, press the

[Transpose] button

2. Use the [ ] [ ] (Slow/Fast) buttons to select “Memory

2. Use the [ ] [ ] (Slow/Fast) buttons to select “Auto Oﬀ ”

Backup ”

3. Use the [–] [+] buttons to change the setting

3. Press the [Song] button

Value

Oﬀ

Explanation

The Memory Backup screen will appear.

The power will not turn oﬀ automatically.

The power will automatically turn oﬀ if no

operation is performed for 10 minutes.

The power will automatically turn oﬀ if no

operation is performed for 30 minutes.

30 (default)

The power will automatically turn oﬀ if no opera-

tion is performed for 240 minutes (4 hours).

4. Press the [ ] (Fast) button to select “Yes ”

240

Memory backup will begin.

If you decide to cancel without executing, press the [ ] (Slow)

button to select “No.”

* This setting is automatically stored in the HP507.

When the memory backup has been completed, the screen of step

2 will appear.

NOTE

Never turn oﬀ the power while the screen indicates “Executing...”

5. Press the [Key Touch] button or the [Transpose] button to

ﬁnish the procedure

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Convenient Functions

3. Press the [Song] button

Restoring the Factory Settings

(Factory Reset)

The Copy Song screen will appear.

Settings that you’ve stored using the Memory Backup function (p. 44)

can be returned to their factory-set state. This is called the “factory

reset”function.

If you decide not to copy the song, press the [Metronome] button.

NOTE

4. Use the [–] [+] buttons to select the copy-source and copy-

When you execute “Factory Reset,”all stored settings will be

erased and returned to the factory settings.

destination memory locations

5. Press the [ ] (Fast) button

MEMO

This function will not erase the songs from Favorite (internal

memory) or the USB ﬂash drive (sold separately).

If you want to erase Favorite or the USB ﬂash drive, “Initializing

the Memory (Format Media)”(p. 46).

1. While holding down the [Key Touch] button, press the

6. Press the [–] [+] button to select the song that you want

[Transpose] button

to copy

2. Use the [ ] [ ] (Slow/Fast) buttons to select “Factory

MEMO

Reset ”

If you choose “Copy All,”all songs except for audio ﬁles in the

copy-source memory will be copied.

7. Press the [ ] (Fast) button

3. Press the [Song] button

The Factory Reset screen will appear.

8. Use the [–] [+] buttons to select the copy-destination

number

No song has been saved at song numbers for which (Empty) is

shown as the song name.

Select a song number at which no song has been saved.

4. Press the [ ] (Fast) button to select “Yes ”

If you want to delete an unwanted song and replace it with the

song you’re copying, select the unwanted song number.

Factory reset will begin.

If you decide to cancel without executing, press the [ ] (Slow)

button to select “No.”

9. Press the [Song] button to copy the song

When the factory reset has been completed, the screen will indicate

“Power Oﬀ, then On.”

If you decide not to copy, press the [Metronome] button.

Once the song has been copied, you’ll be returned to the screen of

step 2.

NOTE

Never turn oﬀ the power while the screen indicates “Executing...”

NOTE

Never turn oﬀ the power or disconnect the USB ﬂash drive while

the screen indicates “Executing...”

5. Turn the power oﬀ, then on again (p 17)

10. Press the [Key Touch] button or the [Transpose] button to

ﬁnish the procedure

Copying a Saved Song (Copy Song)

Songs that have been saved in Favorite (internal memory) can be

copied to the USB ﬂash drive (sold separately). Alternatively, songs

stored on the USB ﬂash drive can be copied to Favorite.

* Audio ﬁles cannot be copied.

* If a USB ﬂash drive (sold separately) is not connected, you won’t

be able to perform this operation.

1. While holding down the [Key Touch] button, press the

[Transpose] button

2. Press the [ ] [ ] (Slow/Fast) button to choose “Copy

Song ”

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Convenient Functions

Deleting a Saved Song (Delete Song)

Initializing the Memory

(Format Media)

Here’s how to delete a song that you saved on an Favorite (internal

memory) or the USB ﬂash drive (sold separately).

Here’s how you can completely erase all songs that were

saved in Favorite (internal memory) or the USB ﬂash

drive (sold separately).

MEMO

If you want to delete all songs that have been saved to Favorite,

initialize the memory.

NOTE

* If you want to delete a song on the USB ﬂash drive (sold

separately), connect your USB ﬂash drive to the USB memory

port before you continue.

• Once an initialization is performed, all songs that

have been saved in Favorite (internal memory) or the

USB ﬂash drive will be erased. The erased data cannot

be recovered, so we recommend that you check the

contents of memory before you proceed.

1. While holding down the [Key Touch] button, press the

[Transpose] button

• If you’re using new USB ﬂash drive (sold separately) with the

HP507 for the ﬁrst time, you’ll need to initialize (format) the USB

ﬂash drive before using it. The HP507 can’t use USB ﬂash drive

that has not been initialized.

2. Use the [ ] [ ] (Slow/Fast) buttons to select “Delete

Song ”

If you want to format USB ﬂash drive, connect the USB ﬂash drive to

the USB memory port (p. 15).

1. While holding down the [Key Touch] button, press the

3. Press the [Song] button

[Transpose] button

The Delete Song screen will appear.

2. Use the [ ] [ ] (Slow/Fast) buttons to select “Format

Media ”

If you decide not to delete the song, press the [Metronome] button.

4. Use the [–] [+] buttons to select the memory location that

contains the song you want to delete

3. Press the [Song] button

The Format Media screen will appear.

5. Press the [ ] (Fast) button

If you decide not to proceed with the format, press the

[Metronome] button.

6. Use the [–] [+] buttons to select the song that you want to

delete

4. Use the [–] [+] buttons to select the memory that you

want to initialize

7. Press the [Song] button

A conﬁrmation message will appear.

5. Press the [Song] button

A conﬁrmation message will appear.

8. Press the [ ] (Fast) button to select “Yes ”

Deletion of the song will begin.

6. Press the [ ] (Fast) button to select “Yes ”

Formatting of the media will begin.

If you decide not to delete, press the [ ] (Slow) button.

Once the song is deleted, you’ll be returned to the screen you were

in at step 2.

If you decide not to initialize, press the [ ] (Slow) button.

Once the initialization is ﬁnished, you’ll be returned to the screen

you were in at step 2.

NOTE

Never turn oﬀ the power or disconnect the USB ﬂash drive while

the screen indicates “Executing...”

7. Press the [Key Touch] button or the [Transpose] button to

ﬁnish the procedure

9. Press the [Key Touch] button or the [Transpose] button to

ﬁnish the procedure

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Convenient Functions

Disabling the Buttons (Panel Lock)

Caution when initializing the memory

• Never turn oﬀ the power while “Executing...”is shown in the

display.

When you activate Panel Lock, all buttons will be disabled.

This prevents the tones or settings from being changed if you

inadvertently press a button.

• If the screen indicates “Error,”please refer to “Error Messages”

(p. 63).

1. Hold down the [AB Repeat] button until the upper right of

• Initializing the HP507’s Favorite will not initialize settings

other than the contents of Favorite. If you want to return

settings other than the contents of Favorite to their factory-

set condition, execute the Factory Reset operation (p. 45).

the display shows a “ ” symbol

Panel Lock will be activated.

All button operations will be disabled.

• Don’t disconnect the USB ﬂash drive until USB ﬂash drive

initialization has been completed.

2. To cancel Panel Lock, once again hold down the [AB

Repeat] button for a while

Panel Lock will also be cancelled when you turn oﬀ the power.

* If you activate Panel Lock while a song is playing, playback will

stop.

* You can’t active Panel Lock during recording, while in Function

mode (p. 48), or during Tone Demo (p. 18).

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Various Settings (Function Mode)

The same procedure is used for all settings in Function mode.

3. Press the [–] [+] button to edit the value of the setting

1. While holding down the [Key Touch] button, press the

4. Press the [Key Touch] button or the [Transpose] button to

[Transpose] button

exit Function mode

The [Key Touch] button and [Transpose] button will light; the HP507

will be in Function mode.

2. Press the [ ] [ ] (Slow/Fast) buttons to select the

function setting that you want to change

Indication

Value

Explanation

Adjusting the Dual Play Volume Balance (Dual Balance)

When using Dual Play, you can adjust the volume balance between tone 1 and tone 2.

How to save your settings?

Dual Balance

Save your settings as described in “Memory

Backup”(p. 44).

9-1 (tone 1 is louder)–9-9 (same volume)–1-9 (tone 2 is louder)

Matching the Pitch with Other Instruments (Master Tuning)

When playing ensemble with other instruments and in other such instances, you can match

the standard pitch to another instrument.

How to save your settings?

Save your settings as described in “Memory

Backup”(p. 44).

Master Tuning

The standard pitch generally refers to the pitch of the note that’s played when you ﬁnger the

middle A key (A4). For a cleaner ensemble sound while performing with one or more other

instruments, ensure that each instrument’s standard pitch is in tune with that of the other

instruments. This tuning of all the instruments to a standard pitch is called “master tuning.”

415 3 Hz–440 0 Hz–466 2 Hz

Changing the Tuning Method (Temperament)

You can play classical styles such as Baroque using historic temperaments (tuning methods).

How to save your settings?

Save your settings as described in “Memory

Backup”(p. 44).

Most modern songs are composed for and played in equal temperament, the most common

tuning in use today. But at one time, there were a wide variety of other tuning systems in

existence. By playing in the temperament that was in use when a composition was created,

you can experience the sonorities of chords originally intended for that song.

Temperament

For details, refer to “T emperaments ”(p. 43).

Equal, Just Major, Just Minor, Pythagorean, Kirnberger, Meantone, Werckmeister, Arabic

Specifying a Song’s Tonic (Temperament Key)

When playing with tuning other than equal temperament, you need to specify the

temperament key for tuning the song to be performed (that is, the note that corresponds to C

for a major key or to A for a minor key).

How to save your settings?

Save your settings as described in “Memory

Backup”(p. 44).

Temperament Key

If you choose an equal temperament, there’s no need to select a temperament key.

C–B

Adjusting the Volume of an Audio Playback Device (Input Volume)

Input Volume

You can adjust the volume of an audio playback device that’s connected to the Input jacks.

0–10

Playing Back an Audio File with Its Central Sound Minimized

(Center Cancel)

You can minimize the playback of sounds located in the center of the sound ﬁeld (e.g., vocals or melody instruments) of the selected audio ﬁle or

music from a digital audio player connected to the Input jacks.

Center Cancel

* For some songs, sounds located in the center might not disappear completely, or the tone quality of the sound might be aﬀected.

MEMO

You can also turn the Center Cancel function on/oﬀ by pressing the [Right] button.

Oﬀ

Sound at center reduced during playback.

Normal playback.

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Various Settings (Function Mode)

Indication

Value

Explanation

Transposing an Audio File (Audio Transpose)

The selected audio ﬁle and the sound of a digital audio player connected to the Input jacks can both be transposed for playback.

* For some songs, an audio transpose setting other than 0 may aﬀect the tone quality of the sound.

Audio Transpose

MEMO

You can also change this setting by holding down the [Transpose] button and using the [–] [+] buttons.

-6–0–5

(semitone units)

Positive (+) values raise the pitch in semitone steps, and negative (-) values lower the pitch in semitone steps.

Specifying What the Transpose will Aﬀect (Transpose Mode)

This setting speciﬁes what the transpose will aﬀect. You can use the transpose to change the

pitch of both the song and the keyboard, only the pitch of the song, or only the pitch of the

keyboard.

How to save your settings?

Save your settings as described in “Memory

Backup”(p. 44).

Transpose Mode

Keyboard

Song

The sound of the keyboard

The song being played back and the sound being input via the Input jacks

Keyboard &

Song

The sound of the keyboard, the song being played back, and the sound being input via the Input jacks

Changing the Pitch of the Tone in Octave Steps (Octave Shift)

You can change the pitch of the Tone 2 in Dual Play (p. 19) and Lower tone in Split Play (p. 20) an octave at a time.

Octave Shift

Altering the pitch in one-octave units in this way is called “Octave Shift.”

For example, you can raise the pitch of the Lower Tone to the same pitch of the Upper Tone in Split Play.

-2–0–+2 (octave)

Selecting the Format for Recording (Recording Mode)

You can choose whether to record as SMF or as audio.

Recording Mode

MEMO

You can also switch the recording mode by holding down the [

] (Rec) button and using the [–] [+] buttons.

SMF

SMF parts will be recorded separately. This allows you to re-record just a single part, or to overdub diﬀerent parts.

The recording will be made as audio data. The recorded song can be used in your computer.

Audio

Changing How the Pedal Eﬀects Are Applied (Damper Pedal Part)

When you press the damper pedal during Dual play or Split play, the pedal eﬀect is normally

applied to both tones, but you can also select the tone to which the eﬀect is to be applied.

How to save your settings?

Save your settings as described in “Memory

Backup”(p. 44).

Damper Pedal Part

Right & Left

Right

All enabled

Applied only to the Tone 1 (in dual mode)/Right-hand Tone (in split mode)

Applied only to the Tone 2 (in dual mode)/Left-hand Tone (in split mode)

Left

Changing How the Pedals Work (Center Pedal)

When you turn on the power, the center pedal functions as the sostenuto pedal (p. 14).

You can change the function of the pedal to a variety of other operations.

Sostenuto

Play/Stop

Sets function to sostenuto pedal.

Center Pedal

The pedal will have the same function as the [

] (Play/Stop) button.

Pressing the pedal will layer on Tone 2, used for Dual play.

* The Layer function can be applied only when using Dual play.

Pressing the pedal will layer on a sound one octave higher.

Layer

Octave

* The Octave function cannot be applied while using Twin Piano, Dual play, or Split play.

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Various Settings (Function Mode)

Indication

Value

Explanation

Preventing Doubled Notes When Connected to a Sequencer

(Local Control)

Local Control

When you have a MIDI sequencer connected, set this parameter to Local Oﬀ.

MIDI

Sequencer

MIDI

Since most sequencers have their Thru function turned on, notes you play on the

keyboard may be sounded in duplicate, or get dropped. To prevent this, you can

Sound Generator

enable the “Local Oﬀ”setting so that the keyboard and internal sound generator will be

disconnected.

Local Control

MIDI

Out

Local Control is oﬀ.

Oﬀ

The keyboard and composer are disconnected from the internal sound generator. Playing the keyboard will not produce sound.

Local Control is on.

The keyboard and composer are connected to the internal sound generator.

MIDI Transmit Channel Settings (MIDI Transmit Channel)

This setting speciﬁes the MIDI channel on which the HP507 will transmit.

How to save your settings?

Save your settings as described in “Memory

Backup”(p. 44).

MIDI uses sixteen “MIDI channels,”which are numbered 1 through 16. By connecting MIDI

devices and specifying the appropriate MIDI channel for each device, you can play or select

sounds on those devices.

MIDI Transmit Channel

The HP507 will receive all sixteen channels (1–16).

Oﬀ, 1–16

Setting the Type of CD to be Played Back (CD/Audio Type)

The HP507 may be unable to correctly recognize the type of CD being used. In such instances, you can specify the type of CD manually.

When the unit left the factory, this was set to “Stereo.”Normally, there is no need to make this setting.

CD/Audio Type

MEMO

This setting is automatically saved in the HP507.

Auto, Type A, Type B, Stereo

Renaming a Song (Save Song) (p. 41)

Save Song

Here’s how to rename a song you’ve saved.

Copying a Saved Song (Copy Song) (p. 45)

Copy Song

Delete Song

Format Media

A song you’ve saved to Favorite can be copied to the USB ﬂash drive. Alternatively, a song saved to a USB ﬂash drive can be copied to Favorite.

Deleting a Saved Song (Delete Song) (p. 46)

You can delete a saved song from Favorite or the USB ﬂash drive.

Initializing the Memory (Format Media) (p. 46)

You can delete all songs from Favorite or a separately sold USB ﬂash drive.

Changing the USB Driver Settings (USB Driver)

Normally, you don’t need to install a driver in order to connect the HP507 to your computer. However, if some problem occurs,

or if the performance is poor, using the Roland original driver may solve the problem.

In this case, setting “USB Driver”to “Original”on the HP507, install the driver on your personal computer.

After changing this setting, you need to turn oﬀ the HP507, then turn it back on again.

MEMO

USB Driver

This setting is automatically saved in the HP507.

For details on downloading and installing the Roland original driver, refer to the Roland website.

Roland website:

http://www.roland.com/

Generic

Original

Choose this if you want to use the generic USB driver that was included with your computer. Normally, you should use this mode.

Choose this if you want to use a USB driver downloaded from the Roland website.

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Various Settings (Function Mode)

Indication

Value

Explanation

Changing the USB ﬂash drive Setting (USB Memory Mode)

In some cases, when USB ﬂash drive is connected to the USB memory port, it may take longer for data to be loaded, or data may fail to be loaded

successfully. If this occurs, you may be able to solve the problem by changing the USB ﬂash drive setting.

USB Memory Mode

When the unit left the factory, this was set to “Mode 2”Normally, there is no need to make this setting.

MEMO

This setting is automatically saved in the HP507.

Mode 1, Mode 2

Controlling Video Equipment (Visual Control Mode)

Visual Control is a function that lets you control images along with your performance. If you’ve set Visual Control mode to MVC or V-LINK, playing

the keyboard of HP507 will control the images produced by the Visual Control device connected to HP507 using a MIDI cable.

Visual Control Mode

Oﬀ

Visual Control is oﬀ.

MVC

V-LINK

MIDI Visual Control mode is selected.

V-LINK mode is selected.

Specifying the Visual Control Channel (Visual Control Channel)

Here’s how to specify the channel on which messages used to control video will be sent.

(Visual Control Channel).

How to save your settings?

Visual Control Channel

Save your settings as described in “Memory

Backup”(p. 44).

1–16

Speciﬁes the MIDI channel used to transmit MIDI messages to the Visual Control device.

What is MIDI Visual Control?

MIDI Visual Control is an internationally-used recommended practice that was added to the MIDI speciﬁcation so that visual

expression could be linked with musical performance. Video equipment that is compatible with MIDI Visual Control can be

connected to electronic musical instruments via MIDI in order to control video equipment in tandem with a performance.

What is V-LINK?

V-LINK is Roland’s proprietary speciﬁcation that allows visual expression to be linked with musical performance.

Video equipment that is compatible with V-LINK can be connected to electronic musical instruments via their MIDI

ports, making it easy to enjoy a variety of visual eﬀects that are linked with the performance.

Connection examples

Connect a MIDI cable from this unit’s MIDI Out connector (p. 15) to the MIDI In connector of your Visual Control compatible device.

* You’ll need a MIDI cable (sold separately) in order to connect this unit to a device that supports Visual Control.

Visual control function chart

Playing the lowest 12 keys of this unit (A0–G#1) will transmit the following MIDI messages.

Visual Control

function

HP507’s

operation

MIDI Out connector

Transmitted MIDI message

CC 0 (Bank Select): 0–4

Program Change: 1–7

Play black keys

Play white keys

MIDI In connector

Switch images

Visual Control

compatible video

equipment

Adjusting the Brightness of the Display (Display Contrast) (p. 44)

You can adjust the brightness of the HP507’s display.

Display Contrast

MEMO

This setting is automatically saved in the HP507.

1–10

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Various Settings (Function Mode)

Indication

Value

Explanation

Changing the Language Displayed in the Screen (Language)

You can change the language that is displayed in the screen.

How to save your settings?

Language

Save your settings as described in “Memory

Backup”(p. 44).

English, Japanese

Making the Power Automatically Turn Oﬀ After a Time (Auto Oﬀ) (p. 44)

With the factory settings, the unit’s power will automatically be switched oﬀ 30 minutes after you stop playing or operating the unit.

If you don’t want the power to turn oﬀ automatically, change the “Auto Oﬀ”setting to “Oﬀ”as follows.

Auto Oﬀ

MEMO

This setting is automatically saved in the HP507.

Storing Your Settings (Memory Backup) (p. 44)

Memory Backup

Factory Reset

The HP507’s settings will return to their default settings when you turn oﬀ the power, but you can store these settings so that they will retain the

changes you made even after the power is turned oﬀ, then on again.

Restoring the Factory Settings (Factory Reset) (p. 45)

When you execute the “Factory Reset”function, the settings you’ve edited in Function mode will be restored to their factory-set state.

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MEMO

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Troubleshooting

Symptom

Cause/Action

Page

HP507 uses a hammer action keyboard in order to simulate an acoustic piano’s playing touch as realistically as possible. For

this reason, you’ll hear the hammers thump when you play the keyboard, just as you would when playing an acoustic piano.

Since this unit allows you to adjust its volume, you might notice the sound of the hammers in certain situations, but this does

Even though you’re using head-

phones and the sound is muted,

–

a thumping sound is heard when not indicate a malfunction. If vibration transmitted to the ﬂoor or walls is a concern, you may be able to minimize the vibration

you play the keyboard

by moving the piano away from the wall, or by laying down a commercially available anti-vibration mat designed for use with

pianos.

When 30 minutes have elapsed since you last played or operated this unit, the power will turn oﬀ automatically. (This is the

factory setting).

Power turns oﬀ on its own

p. 44

If you don’t need the power to turn oﬀ automatically, turn the “Auto Oﬀ”setting “Oﬀ.”

Is the power cord connected correctly?

p. 61

–

Power does not turn on

Could you have turned the power on again immediately after turning the power oﬀ?

Allow an interval of at least ﬁve seconds before turning the power on again.

Screen display is irregular when

power is turned on/oﬀ

Since the HP507 uses a liquid-crystal display, you may ﬁnd that it is unable to display letters or other things in environments

where temperatures go below 0 degrees Celsius (32 degrees Fahrenheit).

–

Is the pedal connected correctly?

Plug the cable ﬁrmly into the pedal connector.

p. 61

If you disconnect the pedal cord from the HP507 while the power is on, the pedal eﬀect may remain “stuck”in the On condition.

You must power-oﬀ the HP507 before connecting or disconnecting the pedal cord.

Could you have changed how the pedal eﬀect is applied?

p. 49

If the damper pedal part is set to “Right,”the pedal will apply only to the right tone; if it is set to “Left,”the pedal will apply only to

the left tone.

Pedal does not work, or is “stuck”

Could Twin Piano be turned on?

p. 24

p. 49

If Twin Piano is on, the right pedal will aﬀect only the right-hand keyboard zone and the left pedal will aﬀect only the left-hand

keyboard zone.

Could you have changed the function of the pedal?

If you’ve reassigned the function of the center pedal, this pedal will not operate as the sostenuto pedal.

Are you using (optional) Roland USB ﬂash drive?

Reliable performance cannot be guaranteed if you use non-Roland USB ﬂash drive products.

–

p. 51

–

Unable to read from/write to USB

ﬂash drive

If you are unable to read or write USB ﬂash drive successfully, change the USB memory mode.

Are the external devices connected to more than one AC power outlet?

If you connect external devices, be sure to connect them to the same AC outlet.

“Buzz” is heard from external

devices

Could the Input volume be set to “0”?

p. 48

–

The volume level of the instru-

ment connected to Input jacks is

too low

Raise the volume of the connected device.

Could you be using a connection cable that contains a resistor?

Use a connection cable that does not contain a resistor.

–

If turn oﬀ the HP507, or the power is disrupted due to a power failure while you’re connected to a MIDI device, the settings of

that MIDI device may be altered. If this occurs, power-oﬀ the HP507 and your MIDI device. Then power-on the HP507 ﬁrst, and

next power-on your MIDI device..

Connected MIDI device does not

operate correctly

–

No sound

Is the speaker cable connected correctly?

p. 61

p. 17

Could the HP507’s volume or the volume of the connected equipment be turned down?

Could headphones be connected?

Could there be a plug inserted in a headphone jack?

The speakers will not produce sound if headphones or plug are connected to the headphone jacks.

p. 15

p. 50

No sound

Has Local Control been set to “Oﬀ”?

When Local Control is set to “Oﬀ,”no sound is produced by playing the keyboard. Set Local Control to “On.”

Could Twin Piano mode be set to “Individual”?

If headphones are connected when Twin Piano is On and the mode is set to “Individual,”notes played in the left-hand keyboard

zone will not be heard from the headphones connected to the right Phones jack. Similarly, notes played in the right-hand

keyboard zone will not be heard from the headphones connected to the left Phones jack.

p. 24

Has Local Control been set to “Oﬀ”?

When Local Control is set to “Oﬀ,”no sound is produced by playing the song. Set Local Control to “On.”

p. 50

p. 29

No sound when you play back

a song

Could the Song Balance be set to “0”?

Could the Visual Control mode be set to “MVC”or “V-LINK”?

No sound from the left most

notes of the keyboard

p. 51

If the Visual Control mode is set to “MVC”or “V-LINK,”the lowest 12 keys of the keyboard (A0–G#1) are used to control images;

they will not produce sound.

Are all devices powered on?

–

No sound (when a MIDI device is

connected)

Are the MIDI cables connected correctly?

p. 15

p. 50

Do the MIDI channels of the HP507 and the connected device match?

Notes don’t sound right

Sound is not loud enough

Only the high sounds are heard

Is the speaker cable connected correctly?

Could you have made Transpose settings?

p. 61

p. 25

p. 38

Pitch of the keyboard or song is

incorrect

Is the Master Tune setting appropriate?

Is the setting for the Temperament correct?

Is the settings for the Stretch Tuning correct?

p. 43

The maximum simultaneous polyphony is 128 voices. If you are playing along with a song and making heavy use of the damper

pedal, the number of notes the HP507 is attempting to produce may exceed the maximum polyphony, meaning that some of

the notes will drop out.

Not all the notes you play are

sounded

–

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Troubleshooting

Symptom

Cause/Action

Page

Is the HP507 in Dual play?

p. 19

Sounds are heard twice (doubled)

when the keyboard is played

When the HP507 is connected to an external sequencer, set the Local Control to “Oﬀ.”Alternatively, the sequencer could be set so

its Soft Thru feature is Oﬀ.

p. 50

p. 18

Tone buttons [E. Piano] [Strings] [Other] also operate as buttons that select “Recommended Tones.”

The wrong instrument is selected

when you press the [E Piano],

[Strings], or [Other] button

Connecting a commercially-available CD-ROM drive to the USB ﬂash drive connector and selecting a song from a CD-ROM

produced for the VIMA (VIMA TUNES) will automatically cause sounds appropriate for that song to be assigned to the [E. Piano],

[Strings], and [Other] Tone buttons, so that you can select “recommended”sounds by pressing one of these buttons.

When you are using Dual play or Split play, and diﬀerent eﬀects are speciﬁed for the two selected tones, the eﬀect will not be

applied to Tone 2 (when using Dual play) or the left-hand tone (when using Split play).

Eﬀect does not apply

–

The HP507’s piano sound faithfully simulates the depth and resonance of an acoustic piano, and this may give the impression of

reverberation even if you’ve defeated the Ambience eﬀect.

Also, you may be able to eliminate some reverberation by reducing the value set for “Cabinet Resonance.”

Reverberation remains even if You

defeat the Ambience eﬀect

p. 43

On an acoustic piano, the approximately one and a half octaves of notes at the top of the keyboard will continue sounding

regardless of the damper pedal. These notes also have a somewhat diﬀerent tonal character. HP507 faithfully simulate this

characteristic of acoustic pianos. On the HP507, the range that is unaﬀected by the damper pedal will change according to the

key transpose setting.

The sound of the higher notes

suddenly changes from a certain

key

–

Is the speaker cable connected correctly?

p. 61

If you hear this in headphones:

Piano sounds that have a brilliant and crisp character contain substantial high-frequency components that may sound as though

a metallic ringing has been added. This is because the character of an actual piano is being faithfully reproduced, and is not a

malfunction.

This sound can be adjusted by modifying the following settings.

High-pitched ringing is heard

–

•

String Resonance (p. 42)

Ambience (p. 22)

Duplex Scale (p. 42)

If you don’t hear this in headphones:

It is likely that there is some other reason (such as resonances within the unit). Please contact your dealer or a nearby Roland

service center.

If you set the volume to the maximum setting, the sound may be distorted depending on how you perform.

If this occurs, turn down the volume.

–

If you don’t hear this in headphones:

Performing at high volumes may cause the speakers or objects near the HP507 to resonate. Fluorescent lights or glass doors

may also resonate sympathetically. In particular, this is more likely to occur for lower notes and higher volumes. You can take the

following measures to minimize resonances.

Low notes sound wrong, or are

buzzy

•

Locate the speakers 10–15 cm (4–6 inch) away from walls or other surfaces.

Keep the volume down.

Move away from the objects that are resonating.

If you hear this in headphones:

It is likely that there is some other reason. Please contact your dealer or a nearby Roland service center.

Song does not play correctly

Only the sound of a particular

instrument in a song does not

play

Could a part be muted?

p. 30

p. 29

If the button indicator is out, the music on that part is not heard. Press the part button so the indicator is illuminated.

Could the part mute volume be set to other than “0”?

If you set this to “0,”the sound of a muted part will be completely inaudible.

Sound is heard from a muted part

Song volume is low

/ Volume diﬀers between

recording and playback

Could the Song Balance Value be lowered?

Could the Audio ﬁles of the format be played?

Audio ﬁles of the following format can be played back.

p. 28

–

•

File extension “.WAV”

16-bit linear

“44.1 kHz”sampling rate

Can’t play back a song saved in

USB ﬂash drive

Is the ﬁlename extension “MID”?

Files with other ﬁlename extensions cannot be handled as song data.

Song tempo becomes unstable

When playing a song from USB ﬂash drive, the tempo may become unstable if there is an excessive amount of performance data.

The song name will not be shown if the song information in the ﬁle is empty or consists only of spaces.

–

Song name in USB ﬂash drive is

not shown

Is the ﬁlename extension “MID”?

Files with other ﬁlename extensions cannot be handled as song data.

–

Can’t record / play back

Can’t record SMF

Has one of the part buttons for recording been selected?

Is a USB ﬂash drive connected to the USB memory port?

p. 32

–

Can’t record audio

Thanks to its multiple number of speakers, each of which can be used to play a diﬀerent portion of the overall sound, the HP507

is capable of producing piano sounds that possess great depth and seem to have three-dimensional presence.

Such eﬀects are produced when you play something on the keyboard, or when you play back a song that's been recorded as an

SMF. However, when you make an audio recording, the song will consist of two channels (stereo), and such eﬀects cannot be

reproduced.

Tone quality of the piano sound

changes when you record a

performance as audio

–

Your recorded performance will disappear if you switch oﬀ the HP507’s power or select a song.

There is no way to recover the lost performance. Before you turn oﬀ the power, save your recorded performance in Favorite

(internal memory) or USB ﬂash drive.

The recorded performance

disappeared

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Troubleshooting

Limitations regarding audio ﬁles

•

Ambience (p. 22)

Saving to Favorite (internal memory) (p. 33)

Playback (muting) of individual parts (p. 30)

Copy Song (p. 45)

Save Song (p. 41)

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Tone List

Piano–Grand

Tone Name

Explanation

The sound of a splendid concert grand piano. This piano sound has our highest recommendation, and can be used for any style of

music.

ConcertPiano

BalladePiano

Bright Piano

MagicalPiano

Piano + Str.

Piano + Pad

Piano+Choir

Pure Piano

A mellow grand piano sound, recommended for quiet songs.

A brilliant grand piano sound, recommended when you want the piano to stand out in an ensemble.

A charming sound that layers synth bells with ConcertPiano.

Strings layered with ConcertPiano.

A pad layered with ConcertPiano.

A choir layered with ConcertPiano.

A grand piano sound notable for its clarity. When using headphones, this will sound the same as the ConcertPiano.

A robust piano sound, recommended for boogie-woogie playing.

A honky-tonk piano sound, recommended for ragtime playing.

Rock Piano

RagtimePiano

Piano–Early

Tone Name

Explanation

Fortepiano

Mellow Forte

Bright Forte

Dolcechord

Harpsichord

Harpsi 8'+4'

An early type of piano with a distinctive sound that’s somewhat diﬀerent than today’s pianos.

A mellow fortepiano sound.

A brilliant fortepiano sound.

A dream-like sound that can sound like a piano or a harpsichord.

A type of keyboard instrument widely used in Baroque music, producing a delicate sound.

The sound of a harpsichord layered with sound an higher octave.

E. Piano

Strings

Other

Tone Name

Vibraphone

Celesta

Tone Name

Thum Voice

Gospel Spin

Full Stops

Tone Name

SymphonicStr

Epic Strings

Rich Strings

OrchestraStr

Orchestra

ChamberWinds

Harp

Tremolo EP

Pop E.Piano

Vintage EP

FM E.Piano

EP Belle

Jazz Scat

SymphonicCho

Pipe Organ

Nason ﬂt 8'

Combo Jz.Org

Ballad Organ

Soft Pad

Mellow Bars

Light Organ

Lower Organ

'60s Organ

'60s E.Piano

Clav.

Glass Pad

Stage Phaser

'70s E.Piano

E.Grand

Violin

Lunar Strngs

Dcy ChoirPad *

Jazz Guitar

AcousticBass

A.Bass+Cymbl

FingeredBass

BrassSection

Alto Sax

Velo Strings

Flute

Harpvox

Nylon-str.Gt

Steel-str.Gt

Marimba

Cello

OrchestraBrs

PizzicatoStr

DecayStrings *

Mallet Isle

Morning Lite

Ballad Bells

Accordion

* Tones indicated by “*”are suitable for

playing layered with a piano tone.

Tenor Sax

ChurchOrgan1

ChurchOrgan2

Aerial Choir

Angels Choir

Beauty Vox

Female Aahs

Male Aahs

* Tones numbered 43 and higher are

accompaniment-use GM2 tones.

* In the tone group “Other”when you

hold down the [–] [+] buttons to switch

tone in succession, the tones will stop

changing at number 43 and number

52.

* To select the next sound, release the [–]

[+] buttons, then press it again.

Decay Choir *

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Internal Song List

Song Title

Composer

Song Title

Composer

MASTERPIECE

Menuett G dur

Venezianisches Gondellied

Alpenabendröte

Farewell to the Piano

Brautchor

Ludwig van Beethoven

Felix Mendelssohn

Theodor Oesten

Barcarolle

Fryderyk Franciszek Chopin

Mikhail Ivanovich Glinka, Arranged by

Mily Alexeyevich Balakirev

Zhavoronok

Ludwig van Beethoven

Wilhelm Richard Wagner

Heinrich Lichner

Floral Pursuits *

John Maul

Sonate für Klavier Nr.23 1

Sonate für Klavier Nr.23 2

Sonate für Klavier Nr.23 3

Valse, op.34-1

Ludwig van Beethoven

Fryderyk Franciszek Chopin

Forget-Me-Not

Wiener Marsch

Le Coucou

Carl Czerny

Louis Claude Daquin

Johann Sebastian Bach

Albert Ellmenreich

François Joseph Gossec

Gustav Lange

Menuett G dur

Spinnerlied

Polonaise op.53

Nocturne No.20

Gavotte

Franz Peter Schubert, Arranged by

Franz Liszt

Die Forelle

Heidenröslein

Zigeuner Tanz

La Cinquantaine

Csikos Post

Heinrich Lichner

Reﬂets dans l’Eau

La Fille aux Cheveux de Lin

La Campanella

Scherzo No.2

Claude Achille Debussy

Franz Liszt

Gabriel Marie

Hermann Necke

Dolly’s Dreaming Awakening

La Violette

Theodor Oesten

Fryderyk Franciszek Chopin

Wolfgang Amadeus Mozart

Franz Liszt

Louis Streabbog

Étude, op.10-12

Sonate No.15

Fröhlicher Landmann

Sonatine op.36-1

Sonatine op.20-1

Sonatine No.5

Robert Alexander Schumann

Muzio Clementi

Liebesträume 3

Étude, op.10-3

Friedrich Kuhlau

Fryderyk Franciszek Chopin

Erik Satie

Ludwig van Beethoven

Je te veux

CZERNY 100

Valse, op.64-1

Fryderyk Franciszek Chopin

Claude Achille Debussy

Fryderyk Franciszek Chopin

Claude Achille Debussy

Johann Strauss, Sohn

Felix Mendelssohn

1 –100 Czerny 100

HANON

Carl Czerny

Golliwog’s Cakewalk

Fantaisie-Impromptu

Arabesque 1

1 –20 Hanon 1–20

Charles Hanon

An der schönen, blauen Donau

Auf Flügeln des Gesanges

Mazurka No.5

private, personal enjoyment is a violation of applicable laws.

* No data for the music that is played will be output from MIDI Out and USB port.

Fryderyk Franciszek Chopin

Erik Satie

* Songs marked by an asterisk (*) are original songs composed for the Roland

Corporation. The copyrights to these songs are owned by the Roland Corporation.

Gymnopédie 1

Étude, op.25-1

Fryderyk Franciszek Chopin

Claude Achille Debussy

Fryderyk Franciszek Chopin

Claude Achille Debussy

Fryderyk Franciszek Chopin

Tekla Badarzewska

* MASTERPIECE 1–2, 4–15 are piano solos. They have no accompaniment.

Clair de Lune

Étude, op.10-5

Dr. Gradus ad Parnassum

Grande Valse Brillante

La prière d’une Vierge

Course en Troïka

To The Spring

Peter Ilyich Tchaikovsky

Edvard Hagerup Grieg

Fryderyk Franciszek Chopin

Johann Baptist Strauss

Robert Alexander Schumann

Franz Peter Schubert

Fryderyk Franciszek Chopin

Georg Friedrich Händel

Johannes Brahms

Valse, op.64-2

Radetzky Marsch

Träumerei

Moments Musicaux 3

Prélude, op.28-15

Harmonious Blacksmith

Ungarische Tänze 5

Türkischer Marsch

Nocturne No.2

Ludwig van Beethoven

Fryderyk Franciszek Chopin

Felix Mendelssohn

Frühlingslied

Präludium

Johann Sebastian Bach

Felix Mendelssohn

Jägerlied

Passepied

Claude Achille Debussy

Ludwig van Beethoven

Wolfgang Amadeus Mozart

Franz Peter Schubert

Antonín Dvořák

Für Elise

Türkischer Marsch

Ständchen

Humoreske

Blumenlied

Gustav Lange

Alpenglöckchen

Theodor Oesten

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Main Speciﬁcations

Roland HP507: Digital Piano

Keyboard

Internal Memory

Song Save Format

Songs

Keyboard

88 keys (PHA III Ivory Feel Keyboard with Escapement)

Standard MIDI Files (Format 0)

Max. 99 songs

Key Touch: 100 types, Fixed Touch

Hammer Response: Oﬀ, 10 levels

Touch Sensitivity

External Memory

External Storage

Whole

USB Flash Memory

Dual (volume balance adjustable)

Split (split point adjustable)

Twin Piano

Keyboard Modes

Pedals

Standard MIDI Files (Format 0/1)

Roland Original Format (i-Format)

Playable Song Format

Audio File (WAV 44.1 kHz/16-bit linear format)

Audio CDs (CD-DA) (when using optional CD drive)

Damper (Progressive Damper Action Pedal, capable of

continuous detection)

Standard MIDI Files (Format 0)

Audio File (WAV 44.1 kHz/16-bit linear format)

Song Save Format

Other

Pedals

Soft (capable of continuous detection)

Sostenuto (function assignable)

Piano Masterpieces: 75 songs

Selections: 10 songs or greater

Czerny #100: 100 songs

Hanon: 20 songs

Sound Generator

Piano Sound

Internal Songs

SuperNATURAL Piano Sound

Conforms to GM2/GS/XG Lite

128 voices

Sound Generator

Max Polyphony

60 W x 2

10 W x 2

Rated Power Output

Volume Level (SPL)

Grand Piano: 10 tones

Early Piano: 6 tones

E. Piano: 10 tones

Strings: 14 tones

110 dB

* This ﬁgure was measured according to the method that is

based on Roland’s technical standard.

Tones

Other: 307 tones (including 8 drum sets, 1 SFX set)

Cabinet Speakers: 16 cm x 2 (with Speaker box)

Nearﬁeld Speakers: 5 cm x 2

Spatial Speakers: (12 x 8 cm) x 2

Speakers

Temperaments

Stretched Tuning

Master Tuning

Transpose

8 types, selectable temperament key

Preset, User tuning (adjustable in individual notes: -50.0–+50.0

cent), Oﬀ

Display

Graphic monochrome LCD 122 x 32 dots

Language

Control

English

415.3 Hz–466.2 Hz (adjustable in increments of 0.1 Hz)

Volume (Slider)

Key Transpose: -6–+5 (in semitones)

Playback Transpose: -6–+5 (in semitones)

Panel Lock

MIDI Visual Control

Other Functions

Ambience (Oﬀ, 10 levels)

Brilliance (Oﬀ, -10–0–+10)

AC inlet

Pedal connector

Only for Piano Tones (Piano Designer):

Input jacks (L/Mono, R): RCA phono type

Output jacks (L/Mono, R): 1/4-inch phone type

USB COMPUTER port

USB MEMORY port

MIDI connectors (In, Out)

Phones jack (Stereo, with Twin Piano Individual Mode) x 2:

Stereo 1/4-inch phone type

Open/close lid (7 levels)

Soundboard Behavior (Oﬀ, 10 levels)

Cabinet Resonance (Oﬀ, 10 levels)

Hammer Noise (5 levels)

Damper Noise (Oﬀ, 10 levels)

Duplex Scale (Oﬀ, 10 levels)

Damper Resonance (Oﬀ, 10 levels)

String Resonance (Oﬀ, 10 levels)

Key Oﬀ Resonance (Oﬀ, 10 levels)

Connectors

Eﬀects

34 W (31 W to 85 W)

34 W: Average power consumption while piano is played

with volume at center position

Only for Organ Tones:

Power Consumption

31 W: Power consumption immediately after power-up;

nothing being played

Rotary Speaker Eﬀect (Slow/Fast)

Metronome

Tempo

85 W: Rated power consumption

Quarter note = 10 to 500

(With Music Rest)

1,405 (W) x 498 (D) x 1,129 (H) mm

55-3/8 (W) x 19-5/8 (D) x 44-1/2 (H) inches

Beat

2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8

11 levels

Volume

Dimensions

(including piano stand)

SMF Recorder

Tracks

(When folding down the Music Rest)

1,405 (W) x 498 (D) x 956 (H) mm

55-3/8 (W) x 19-5/8 (D) x 37-11/16 (H) inches

3 tracks

Song Save Format

Standard MIDI Files (Format 0)

HP507-RW, HP507-SB: 80.5 kg/177 lbs 8 oz

HP507-PE: 82.5 kg/181 lbs 15 oz

Weight

(including piano stand)

Recorder section: 1 song

Internal Memory: Max. 99 songs

Songs

Owner’s Manual

Roland 60 Classical Piano Masterpieces

Power Cord

Headphone Hook (*1)

*1 Supplied with the stand.

Note Storage

Approx. 30,000 notes

Song Select, Play/Stop, Rec, Rewinding, Fast-forwarding, Previ-

ous song, Next song, Part Mute, Mute Volume, Tempo, Tempo

Mute, All Songs Play, Count-in, Song Balance, AB Repeat

Accessories

Controls

Tempo

Quarter note= 10 to 500

120 ticks per quarter note

USB Flash Memory (*2)

USB CD Drive (CD-01A)

Resolution

Audio/Audio CDs

Options

(sold separately)

*2 Use USB Flash memory sold by Roland. We cannot guarantee

operation if other products are used.

File Format: Audio File (WAV 44.1 kHz/16-bit linear format)

Audio CDs (CD-DA) (when using optional CD drive)

Playback

(with Keyboard, SMF data, Audio from Input jacks)

File Format: Audio File (WAV 44.1 kHz/16-bit linear format)

* In the interest of product improvement, the speciﬁcations and/

or appearance of this unit are subject to change without prior

notice.

Recording

Playback Transpose (with Audio from Input jacks):

-6–+5 (in semitones)

Transpose

Tempo

Audio Playback Speed: 75–125 %

Song Select, Play/Stop, Rec, Rewinding, Fast-forwarding,

Previous song, Next song, Tempo, All Songs Play, Song Balance,

AB Repeat, Center Cancel (with Audio from Input jacks)

Controls

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Assembling

•

To assure that assembly is carried out properly, make sure to read these instructions before you begin the assembly. Please keep these instructions

close at hand, so you can refer to them whenever you need.

•

To move the piano, lift it carefully—all the while keeping it level.

Be careful not to pinch your hands or drop this unit on your foot during assembly or transport.

Make sure to enlist the help of at least one other person when assembling this unit and moving it to a diﬀerent location.

Make sure to keep screws and any other small parts in a safe location that is out of the reach of small children, so such small parts won’t accidentally get swallowed.

All screws should be tightened provisionally ﬁrst, then tightened later. To tighten a screw provisionally, screw it in until about half of its length is no longer visible. Do not use

an electric screwdriver when tightly securing the screws. Otherwise, you risk stripping the threads.

* The screwdriver needed to perform the assembly is not supplied. You’ll need to have ready a Phillips screwdriver that matches the size of the screws.

* After ﬁrmly tightening all the screws, place the unit at a location that is level and sure to remain stable. The unit must never be placed on top of deep-pile carpet. Otherwise, you risk

causing damage to the pedals due to instability and unnecessary movement.

* The surface of the piano unit and the stand are very delicate; handle with care to avoid scratching them.

* Do not place the piano unit directly on the ﬂoor. Doing so will damage the bottom panel case and the connectors and holders on the bottom of the piano.

Parts Check

Side Board (left)

Side Board (right)

Pedal Board

Screw (M6 × 40 mm) x 4

Screw (M5 × 20 mm) x 10

Screw (M4 × 16 mm) x 2

Headphone Hook x 1

Rear Board

Speaker Box

* You will also need to have Phillips screwdrivers (size: #2, #3).

We recommend that you use the #2 Phillips screwdriver for screws

and

, and the #3 Phillips screwdriver for

screws

3. With the help of another person, raise the left and right side

1. Assembly Procedure

boards to an upright position

Take care that the pedal boards are not twisted

At ﬁrst, assemble the entire stand in a temporary fashion, without really

tightening the screws Then, after checking the overall alignment of the

boards (and gently shifting certain parts where necessary), go around and

tightly fasten each of the screws

If necessary, spread out a blanket or similar material to prevent the stand or

ﬂoor from being scratched during assembly

Be careful not to pinch the pedal cord during assembly

1. As shown in the illustration, place the left and right side

boards on the pedal board so that the metal brackets are on

the inside, and fasten them provisionally using screws

(M6 x 40 mm)

As seen from the bottom

4. Loosen the screws attached to the left and right side boards

approximately three turns, so that they protrude about

3 mm, as shown in the illustration

Screw

x 2

Screw

x 2

Space

3 mm

Leave the pedal cord

extended.

2. Firmly tighten the screws

(four locations) that you

tightened provisionally in step 1

Push the pedal board toward the front of the side boards, then assemble them

while making sure you leave no gaps

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5. Hook the metal brackets of the rear board over the screws

3. Connect the speaker cable to the speaker connector on the

bottom of the main unit, connect the Power cord to the AC

In jack, and connect the pedal cord to the Pedal connector

you loosened, as shown in the illustration

6. Use four screws

(M5 x 20 mm) to provisionally fasten the

pedal board

7. Securely tighten the two side board screws and four pedal

board screws

When attaching the rear board, before tightening the screws, adjust things as

necessary at all the points where there are screws so as to assure that the rear

board is aligned in parallel with the pedal board

Rear view

Screws you loosened in step 4

(two screws)

Speaker cable

Pedal

cord

Power

cord

7. ^Screws

x 4

4. As needed, use the plastic-coated clips on the bottom of the

piano to secure the power cord and pedal cord

8. Set the speaker box so that the speaker cable is above it, and

align the holes in the metal parts on the inner side of the

side boards with the holes in the speaker box

9. Attach the speaker box to the metal parts on the inside of

Coated clip

the side boards from underneath using screws

(M5 x 20

mm) Then fasten the rear with screws

(M5 x 20 mm) as

well

Rear view

5. Fasten the headphone hook

using screws

(M4 x

16 mm)

Screws

x 4

2. Install the Piano onto the Stand

Screw

x 2

6. Adjust the Adjuster

1. Align the screws on the bottom of the piano (one each at left

and right) with the metal brackets on the side boards Then,

while lifting the front of the piano one or two centimeters,

pull it toward yourself so that the screws engage the metal

brackets

Turn the adjuster to lower it until the adjuster is in ﬁrm contact with

the ﬂoor. In particular, when you’ve placed the piano on carpet, you

must turn the adjuster until it is pressing ﬁrmly against the ﬂoor.

When handling the piano, ﬁrmly grasp it Be careful, so you do not get your

ﬁngers pinched

Adjuster

2. Fasten the piano to the stand with the screw

(M5×20 mm)

The pedal may be damaged if there is a gap between the adjuster and the

ﬂoor

Pull the piano

toward yourself

while keeping

the front slightly

raised

When Moving the Piano

Screw

When you need to move the unit, you should ﬁrst close the keyboard cover,

detach the Power cord, and raise the adjusters of the stand. When moving the

unit, at least two people should work together and lift the unit carefully, all the

while keeping it level, and being very careful so as not to pinch your hands or

drop the unit on your feet.

Please don’t

get your ﬁngers

pinched

Screw

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Index

AB Repeat . . . . . . . . . . . . . . . . . . . 13, 31

Accompaniment part . . . . . . . . . . . . 30

AC In (AC Inlet). . . . . . . . . . . . . . . . . . . 15

All Songs Play. . . . . . . . . . . . . . . . . . . . 29

Ambience . . . . . . . . . . . . . . . . . . . 10, 22

[Ambience] button. . . . . . . . . . . . . . . 22

Assembling . . . . . . . . . . . . . . . . . . . . . . 60

Audio Recording . . . . . . . . . . . . . . . . . 37

Audio Transpose . . . . . . . . . . . . . 38, 49

Auto Oﬀ . . . . . . . . . . . . . . . . . . . . . . . . . 44

Factory Reset . . . . . . . . . . . . . . . . . . . . 45

Panel Lock . . . . . . . . . . . . . . . . . . . 13, 47

Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Part Mute. . . . . . . . . . . . . . . . . . . . . . . . 30

Pedal connector . . . . . . . . . . . . . . . . . 15

Phones jacks. . . . . . . . . . . . . . . . . . . . . 15

Piano Designer. . . . . . . . . . . . . . . 11, 42

Piano Designer Demo . . . . . . . . . . . . 43

Piano [Early] button . . . . . . . . . . . . . . 18

Piano [Grand] button. . . . . . . . . . . . . 18

Playback. . . . . . . . . . . . . . . . . . . . . . . . . 13

Playing a Song . . . . . . . . . . . . . . . . . . . 28

Temperament. . . . . . . . . . . . . . . . 43, 48

Temperament Key . . . . . . . . . . . 43, 48

Temperaments. . . . . . . . . . . . . . . . . . . 43

Tempo. . . . . . . . . . . . . . . . . . . . 12, 26, 29

Tempo Mute . . . . . . . . . . . . . . . . . . . . . 30

Time Signature. . . . . . . . . . . . . . . 12, 26

Tone Buttons . . . . . . . . . . . . . . . . . . . . 11

Tone Demo . . . . . . . . . . . . . . . . . . . . . . 18

Tone groups . . . . . . . . . . . . . . . . . . . . . 18

Tone List. . . . . . . . . . . . . . . . . . . . . . . . . 57

Transpose . . . . . . . . . . . . . . . . . . . 10, 25

[Transpose] button. . . . . . . . . . . . . . . 25

Transpose Mode . . . . . . . . . . . . . . . . . 49

Twin Piano. . . . . . . . . . . . . . . . . . . 11, 24

[Twin Piano] button . . . . . . . . . . . . . . 24

Twin Piano Mode . . . . . . . . . . . . . . . . 24

[

] (Fast) button . . . . . . . . . . . . . . . . 26

FAVORITE . . . . . . . . . . . . . . . . . . . . . . . . 28

Format Media. . . . . . . . . . . . . . . . . . . . 46

Function Mode . . . . . . . . . . . . . . . . . . 48

[

] (Fwd) button . . . . . . . . . . . . 28

Hammer Noise. . . . . . . . . . . . . . . . . . . 42

Hammer Response. . . . . . . . . . . . . . . 42

HANON. . . . . . . . . . . . . . . . . . . . . . . . . . 28

Headphone hook . . . . . . . . . . . . . . . . 14

[

] (Play/Stop) button . . . . 28

Brilliance . . . . . . . . . . . . . . . . . . . . 10, 23

[Brilliance] button. . . . . . . . . . . . . . . . 23

Power On/Oﬀ . . . . . . . . . . . . . . . . . . . . 17

[Power] switch . . . . . . . . . . . . . . . . . . . 14

Input jacks. . . . . . . . . . . . . . . . . . . . . . . 15

Input Volume . . . . . . . . . . . . . . . . . . . . 48

Internal Song List . . . . . . . . . . . . . . . . 58

[

] (Bwd) button . . . . . . . . . . . . 28

[

] (Rec) button. . . . . . . . . . . . . . . . 28

Cabinet Resonance . . . . . . . . . . . . . . 43

CD/Audio Type. . . . . . . . . . . . . . . . . . . 50

CD Drive. . . . . . . . . . . . . . . . . . . . . . . . . 16

Center Cancel. . . . . . . . . . . . . . . . 38, 48

Center Pedal . . . . . . . . . . . . . . . . . . . . . 49

Converting a Song . . . . . . . . . . . . . . . 36

Copy Song. . . . . . . . . . . . . . . . . . . . . . . 45

Count-in . . . . . . . . . . . . . . . . . . . . . . . . . 27

CZERNY. . . . . . . . . . . . . . . . . . . . . . . . . . 28

Ivory Feel Keyboard . . . . . . . . . . . . . . .

Recording . . . . . . . . . . . . . . . . . . . 13, 32

Recording Mode . . . . . . . . . . . . . . . . . 49

Renaming a Song . . . . . . . . . . . . . . . . 41

USB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

USB Driver . . . . . . . . . . . . . . . . . . . . . . . 50

USB Memory Mode . . . . . . . . . . . . . . 51

USB memory port. . . . . . . . . . . . . . . . 15

USB port. . . . . . . . . . . . . . . . . . . . . . . . . 15

Key Oﬀ Resonance . . . . . . . . . . . . . . . 43

Key Touch . . . . . . . . . . . . . . . . . . . 10, 23

[

] (Reset) button . . . . . . . . . . . . . 28

Right-hand part. . . . . . . . . . . . . . . . . . 30

Rotary eﬀect . . . . . . . . . . . . . . . . . . . . . 18

Language. . . . . . . . . . . . . . . . . . . . . . . . 52

Left-hand part . . . . . . . . . . . . . . . . . . . 30

Lid. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Local Control . . . . . . . . . . . . . . . . . . . . 50

Saving . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Selecting a Song . . . . . . . . . . . . . 12, 28

VIMA TUNES . . . . . . . . . . . . . . . . . . . . . 18

Visual Control Channel . . . . . . . . . . . 51

Visual Control Function Chart . . . . 51

Visual Control Mode. . . . . . . . . . . . . . 51

V-LINK . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

[

] (Slow) button . . . . . . . . . . . . . . . 26

Damper Noise . . . . . . . . . . . . . . . . . . . 43

Damper Pedal . . . . . . . . . . . . . . . . . . . 14

Damper Pedal Part . . . . . . . . . . . . . . . 49

Damper Resonance . . . . . . . . . . . . . . 42

Delete Song . . . . . . . . . . . . . . . . . . . . . 46

Display . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Display Contrast . . . . . . . . . . . . . . . . . 44

Dual Balance. . . . . . . . . . . . . . . . . . . . . 48

Dual Play . . . . . . . . . . . . . . . . . . . . . . . . 19

Duplex Scale. . . . . . . . . . . . . . . . . . . . . 42

SMF Recording. . . . . . . . . . . . . . . . . . . 32

Soft Pedal. . . . . . . . . . . . . . . . . . . . . . . . 14

Song Balance . . . . . . . . . . . . . . . . 10, 29

[Song Balance] button . . . . . . . . . . . 29

[Song] button. . . . . . . . . . . . . . . . . . . . 28

Sostenuto Pedal . . . . . . . . . . . . . . . . . 14

Soundboard Behavior . . . . . . . . . . . . 43

Split Play. . . . . . . . . . . . . . . . . . . . . 11, 20

Split Point . . . . . . . . . . . . . . . . . . . . . . . 21

Stretch Tuning . . . . . . . . . . . . . . . . . . . 43

String Resonance . . . . . . . . . . . . . . . . 42

[Strings] button . . . . . . . . . . . . . . . . . . 18

MASTERPIECE. . . . . . . . . . . . . . . . . . . . 28

Master Tuning . . . . . . . . . . . . . . . 43, 48

Memory Backup . . . . . . . . . . . . . 10, 44

Metronome. . . . . . . . . . . . . . . . . . 12, 26

[Metronome] button . . . . . . . . . . . . . 26

Metronome’s Volume . . . . . . . . . . . . 27

MIDI Out/In connectors . . . . . . . . . . 15

MIDI Transmit Channel . . . . . . . . . . . 50

MIDI Visual Control. . . . . . . . . . . . . . . 51

Mute Volume . . . . . . . . . . . . . . . . . . . . 30

Muting . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Eﬀects . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

[E. Piano] button . . . . . . . . . . . . . . . . . 18

Erasing . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Octave Shift . . . . . . . . . . . . . . . . . . . . . 49

[Other] button . . . . . . . . . . . . . . . . . . . 18

Output jacks . . . . . . . . . . . . . . . . . . . . . 15

Overdubbing . . . . . . . . . . . . . . . . . . . . 33

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& &

Error Messages

Indication

Error 1

Meaning

You can only read the music ﬁle.

It can not be saved.

An error occurred during writing. The external media may be corrupted.

Insert other external media and try again. Alternatively, you can initialize the external media.

The external media’s protect tab may be in the “Protect”(writing prohibited) position may not yet be initialized.

Error 2

No external media is inserted.

Error 10

Error 11

Insert the external media and try again.

There is not suﬃcient free memory in the save destination.

Either insert other external media or delete unneeded ﬁles and try again.

An error occurred during reading. The external media may be corrupted.

Insert other external media and try again. Alternatively, you can initialize the external media.

The ﬁle is unreadable. The data format is not compatible with the HP507.

Data was not called up in time for playback of the song.

Error 14

Error 15

Error 16

After waiting several seconds, you may be able to play back the song by pressing the [

This audio format is not supported.

] (Play/Stop) button again.

Error 18

Error 30

Error 40

Please use 44.1 kHz 16-bit linear WAV format audio ﬁles.

Internal memory capacity of the HP507 is full.

The HP507 cannot deal with the excessive MIDI data sent from the external MIDI device.

Reduce the amount of MIDI data sent to the HP507.

A MIDI cable has been disconnected.

Error 41

Error 43

Error 51

Error 65

Connect it properly and securely.

A MIDI transmission error has occurred.

Check the MIDI cable and connected MIDI device.

There may be a problem with the system.

Repeat the procedure from the beginning. If it is not solved after you have tried several times, contact the Roland service center.

The USB ﬂash drive connector was subjected to excessive current.

Make sure that there is no problem with the external media, then turn the power oﬀ, then on again.

External Media: USB ﬂash drive, CD-ROM, etc.

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MEMO

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For EU Countries

For China

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For EU Countries

For the USA

This product complies with the requirements of EMCD 2004/108/EC and LVD 2006/95/EC.

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the

FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential

installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in

accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee

that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or

television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the

interference by one or more of the following measures:

–

Reorient or relocate the receiving antenna.

Increase the separation between the equipment and receiver.

Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

(1) this device may not cause harmful interference, and

(2) this device must accept any interference received, including interference that may cause undesired operation.

This equipment requires shielded interface cables in order to meet FCC class B limit.

Any unauthorized changes or modifications not expressly approved by the party responsible for compliance could void the user’s

authority to operate the equipment.

For Canada

NOTICE

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

AVIS

Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.

(

)

For C.A. US Proposition 65

WARNING

This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.

For the USA

DECLARATION OF CONFORMITY

Compliance Information Statement

HP507

Model Name :

Type of Equipment :

Responsible Party :

Address :

Digital Piano

Roland Corporation U.S.

5100 S. Eastern Avenue, Los Angeles, CA 90040-2938

(323) 890-3700

Telephone :

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When you need repair service, call your nearest Roland Service Center or authorized Roland

distributor in your country as shown below.

Information

TAIWAN

ECUADOR

RUSSIA

OMAN

AFRICA

ROLAND TAIWAN ENTERPRISE

Mas Musika

Roland Music LLC

TALENTZ CENTRE L.L.C.

Malatan House No.1

Al Noor Street, Ruwi

SULTANATE OF OMAN

TEL: 2478 3443

EUROPE

Rumichaca 822 y Zaruma

Guayaquil - ECUADOR

TEL: (593-4) 2302364

Dorozhnaya ul.3,korp.6

117 545 Moscow, RUSSIA

TEL: (495) 981-4967

CO., LTD.

9F-5, No. 112 Chung Shan

North Road Sec. 2 Taipei 104,

TAIWAN R.O.C.

EGYPT

BELGIUM/FRANCE/

HOLLAND/

Al Fanny Trading Oꢀce

9, EBN Hagar Al Askalany Street,

ARD E1 Golf, Heliopolis,

Cairo 11341, EGYPT

EL SALVADOR

SERBIA

TEL: (02) 2561 3339

QATAR

LUXEMBOURG

OMNI MUSIC

Music AP Ltd.

THAILAND

75 Avenida Norte y Final Alameda

Juan Pablo II,

Edi¥cio No.4010 San Salvador,

EL SALVADOR

Sutjeska br. 5 XS - 24413 Palic,

SERBIA

TEL: (024) 539 395

AL-EMADI TRADING &

Roland Central Europe N.V.

Houtstraat 3, B-2260, Oevel

(Westerlo) BELGIUM

Theera Music Co. , Ltd.

100-108 Soi Verng Nakornkasem,

New Road,Sumpantawong,

Bangkok 10100, THAILAND

TEL: (02) 224-8821

CONTRACTING CO.

P.O. Box 62, Doha, QATAR

TEL: 4423-554

TEL: (022)-417-1828

REUNION

TEL: (014) 575811

SLOVAKIA

TEL: 262-0788

MARCEL FO-YAM Sarl

25 Rue Jules Hermann,

Chaudron - BP79 97 491

Ste Clotilde Cedex,

CROATIA

DAN Acoustic s.r.o.

Povazská 18.

SAUDI ARABIA

GUATEMALA

ART-CENTAR

aDawliah Universal Electronics

VIET NAM

Casa Instrumental

Calzada Roosevelt 34-01,zona 11

Ciudad de Guatemala,

GUATEMALA

SK - 940 01 Nové Zámky,

SLOVAKIA

TEL: (035) 6424 330

Degenova 3.

HR - 10000 Zagreb, CROATIA

TEL: (1) 466 8493

APL

VIET THUONG CORPORATION

386 CACH MANG THANG TAM ST.

DIST.3, HO CHI MINH CITY,

VIET NAM

REUNION ISLAND

TEL: (0262) 218-429

Behind Pizza Inn

Prince Turkey Street

aDawliah Building,

PO BOX 2154,

Alkhobar 31952,

SAUDI ARABIA

TEL: (03) 8643601

SPAIN

CZECH REP.

TEL: (502) 599-2888

SOUTH AFRICA

RolandSystems Group EMEA, S.L.

Paseo García Faria, 33-35

08005 Barcelona, SPAIN

TEL: 93 493 91 00

CZECH REPUBLIC DISTRIBUTOR

TEL: (08) 9316540

T.O.M.S. Sound & Music (Pty)Ltd.

2 ASTRON ROAD DENVER

JOHANNESBURG ZA 2195,

SOUTH AFRICA

HONDURAS

s.r.o

Almacen Pajaro Azul S.A. de C.V.

BO.Paz Barahona

Voctárova 247/16

180 00 Praha 8, CZECH REP.

TEL: (2) 830 20270

3 Ave.11 Calle S.O

San Pedro Sula, HONDURAS

TEL: (504) 553-2029

SYRIA

TEL: (011) 417 3400

OCEANIA

SWEDEN

Technical Light & Sound Center

PO Box 13520 Bldg No.49

Khaled Abn Alwalid St.

Damascus, SYRIA

Roland Scandinavia A/S

DENMARK

Paul Bothner(PTY)Ltd.

Royal Cape Park, Unit 24

Londonderry Road, Ottery 7800

Cape Town, SOUTH AFRICA

TEL: (021) 799 4900

SWEDISH SALES OFFICE

Mårbackagatan 31, 4 tr.

SE-123 43 Farsta, SWEDEN

TEL: (0) 8 683 04 30

Roland Scandinavia A/S

Skagerrakvej 7 Postbox 880

DK-2100 Copenhagen,

DENMARK

AUSTRALIA/

MARTINIQUE

NEW ZEALAND

Musique & Son

TEL: (011) 223-5384

Z.I.Les Mangle

Roland Corporation

97232 Le Lamentin,

MARTINIQUE F.W.I.

TEL: 596 596 426860

TURKEY

Australia Pty.,Ltd.

38 Campbell Avenue

Dee Why West. NSW 2099,

AUSTRALIA

TEL: 3916 6200

SWITZERLAND

ZUHAL DIS TICARET A.S.

Galip Dede Cad. No.33

Beyoglu, Istanbul, TURKEY

TEL: (0212) 249 85 10

FINLAND

Roland (Switzerland) AG

Landstrasse 5, Postfach,

CH-4452 Itingen, SWITZERLAND

TEL: (061) 975-9987

Roland Scandinavia As, Filial

ASIA

Gigamusic SARL

Finland

10 Rte De La Folie

97200 Fort De France

MARTINIQUE F.W.I.

TEL: 596 596 715222

For Australia

Vanha Nurmijarventie 62

01670 Vantaa, FINLAND

TEL: (0) 9 68 24 020

U.A.E.

TEL: (02) 9982 8266

For New Zealand

TEL: (09) 3098 715

CHINA

UKRAINE

Zak Electronics & Musical

Roland Shanghai Electronics

EURHYTHMICS Ltd.

P.O.Box: 37-a.

Instruments Co. L.L.C.

Zabeel Road, Al Sherooq Bldg.,

No. 14, Ground Floor, Dubai,

U.A.E.

Co.,Ltd.

GERMANY/AUSTRIA

MEXICO

5F. No.1500 Pingliang Road

Shanghai 200090, CHINA

TEL: (021) 5580-0800

Nedecey Str. 30

UA - 89600 Mukachevo, UKRAINE

TEL: (03131) 414-40

Roland Elektronische

Casa Veerkamp, s.a. de c.v.

Av. Toluca No. 323, Col. Olivar

de los Padres 01780 Mexico D.F.,

MEXICO

Musikinstrumente HmbH.

Oststrasse 96, 22844 Norderstedt,

GERMANY

CENTRAL/LATIN

AMERICA

TEL: (04) 3360715

UNITED KINGDOM

Roland Shanghai Electronics

TEL: (040) 52 60090

Roland (U.K.) Ltd.

TEL: (55) 5668-6699

Co.,Ltd. (BEIJING OFFICE)

3F, Soluxe Fortune Building

63 West Dawang Road, Chaoyang

District, Beijing, CHINA

Atlantic Close, SWANSEA SA7 9FJ,

UNITED KINGDOM

TEL: (01792) 702701

GREECE/CYPRUS

NORTH AMERICA

NICARAGUA

ARGENTINA

STOLLAS S.A.

Bansbach Instrumentos

Instrumentos Musicales S.A.

Av.Santa Fe 2055

Music Sound Light

155, New National Road

Patras 26442, GREECE

TEL: 2610 435400

Musicales Nicaragua

Altamira D'Este Calle Principal

de la Farmacia 5ta.Avenida

1 Cuadra al Lago.#503

Managua, NICARAGUA

TEL: (505) 277-2557

TEL: (010) 5960-2565

CANADA

(1123) Buenos Aires, ARGENTINA

TEL: (011) 4508-2700

Roland Canada Ltd.

HONG KONG

(Head Oꢀce)

MIDDLE EAST

Tom Lee Music

BARBADOS

5480 Parkwood Way Richmond B.

C., V6V 2M4, CANADA

TEL: (604) 270 6626

11/F Silvercord Tower 1

30 Canton Rd

Tsimshatsui, Kowloon,

HONG KONG

HUNGARY

A&B Music Supplies LTD

12 Webster Industrial Park

Wildey, St.Michael, BARBADOS

TEL: (246) 430-1100

Roland East Europe Ltd.

2045. Törökbálint, FSD Park 3. ép.,

HUNGARY

BAHRAIN

PANAMA

Moon Stores

SUPRO MUNDIAL, S.A.

Boulevard Andrews, Albrook,

Panama City, REP. DE PANAMA

TEL: 315-0101

Roland Canada Ltd.

TEL: 852-2737-7688

TEL: (23) 511011

No.1231&1249 Rumaytha

Building Road 3931,

Manama 339, BAHRAIN

TEL: 17 813 942

(Toronto Oꢀce)

170 Admiral Boulevard

Mississauga On L5T 2N6,

CANADA

BRAZIL

IRELAND

Parsons Music Ltd.

Roland Brasil Ltda.

8th Floor, Railway Plaza, 39

Chatham Road South, T.S.T,

Kowloon, HONG KONG

TEL: 852-2333-1863

Roland Ireland

Rua San Jose, 211

E2 Calmount Park, Calmount

Avenue, Dublin 12,

Republic of IRELAND

TEL: (01) 4294444

PARAGUAY

Parque Industrial San Jose

Cotia - Sao Paulo - SP, BRAZIL

TEL: (011) 4615 5666

TEL: (905) 362 9707

IRAN

Distribuidora De Instrumentos

MOCO INC.

U. S. A.

Musicales

Jadeh Makhsous Karaj (K-9),

Nakhe Zarin Ave.

Jalal Street, Reza Alley No.4

Tehran 1389716791, IRAN

TEL: (021)-44545370-5

INDIA

J.E. Olear y ESQ. Manduvira

Asuncion, PARAGUAY

TEL: (595) 21 492147

Roland Corporation U.S.

5100 S. Eastern Avenue

Los Angeles, CA 90040-2938,

U. S. A.

CHILE

ITALY

Rivera Digitec (India) Pvt. Ltd.

411, Nirman Kendra Mahalaxmi

Flats Compound O¢. Dr. Edwin

Moses Road, Mumbai-400011,

INDIA

Comercial Fancy II S.A.

Rut.: 96.919.420-1

Roland Italy S. p. A.

Viale delle Industrie 8,

20020 Arese, Milano, ITALY

TEL: (02) 937-78300

PERU

Nataniel Cox #739, 4th Floor

Santiago - Centro, CHILE

TEL: (02) 688-9540

TEL: (323) 890 3700

Audionet

ISRAEL

Distribuciones Musicales SAC

Juan Fanning 530

Mira©ores

Lima - PERU

TEL: (511) 4461388

TEL: (022) 2493 9051

Halilit P. Greenspoon & Sons

NORWAY

Ltd.

COLOMBIA

INDONESIA

Roland Scandinavia Avd.

8 Retzif Ha'alia Hashnia St.

Tel-Aviv-Yafo ISRAEL

TEL: (03) 6823666

Centro Musical Ltda.

Cra 43 B No 25 A 41 Bododega 9

Medellin, COLOMBIA

PT. Citra Intirama

Kontor Norge

Ruko Garden Shopping Arcade

Unit 8 CR, Podomoro City

Jl.Letjend. S.Parman Kav.28

Jakarta Barat 11470, INDONESIA

TEL: (021) 5698-5519/5520

Lilleakerveien 2 Postboks 95

Lilleaker N-0216 Oslo,

NORWAY

TRINIDAD

TEL: (574) 3812529

JORDAN

AMR Ltd

TEL: 2273 0074

MUSIC HOUSE CO. LTD.

COSTA RICA

Ground Floor

FREDDY FOR MUSIC

P. O. Box 922846

Amman 11192, JORDAN

TEL: (06) 5692696

JUAN Bansbach Instrumentos

Maritime Plaza

Barataria TRINIDAD W.I.

TEL: (868) 638 6385

POLAND

KOREA

Musicales

ROLAND POLSKA SP. Z O.O.

ul. Kty Grodziskie 16B

Ave.1. Calle 11, Apartado 10237,

San Jose, COSTA RICA

TEL: 258-0211

Cosmos Corporation

1461-9, Seocho-Dong,

Seocho Ku, Seoul, KOREA

TEL: (02) 3486-8855

03-289 Warszawa, POLAND

TEL: (022) 678 9512

URUGUAY

KUWAIT

Todo Musica S.A.

Francisco Acuna de Figueroa

1771

EASA HUSAIN AL-YOUSIFI &

CURACAO

PORTUGAL

SONS CO.

MALAYSIA/

SINGAPORE

Zeelandia Music Center Inc.

Orionweg 30

RolandSystems Group EMEA, S.L.

Al-Yousi¥ Service Center

P.O.Box 126 (Safat) 13002,

KUWAIT

C.P.: 11.800

Montevideo, URUGUAY

TEL: (02) 924-2335

Branch Oꢀce Porto

Edifício Tower Plaza

Rotunda Eng. Edgar Cardoso

23, 9ºG

4400-676 Vila Nova de Gaia,

PORTUGAL

Curacao, Netherland Antilles

TEL: (305) 5926866

Roland Asia Paci‹c Sdn. Bhd.

45-1, Block C2, Jalan PJU 1/39,

Dataran Prima, 47301 Petaling

Jaya, Selangor, MALAYSIA

TEL: (03) 7805-3263

TEL: 00 965 802929

VENEZUELA

DOMINICAN REPUBLIC

LEBANON

Instrumentos Fernando Giraldez

Calle Proyecto Central No.3

Ens.La Esperilla

Instrumentos Musicales

Chahine S.A.L.

Allegro,C.A.

TEL: (+351) 22 608 00 60

George Zeidan St., Chahine Bldg.,

Achra¥eh, P.O.Box: 16-5857

Beirut, LEBANON

Av.las industrias edf.Guitar import

#7 zona Industrial de Turumo

Caracas, VENEZUELA

PHILIPPINES

Santo Domingo,

DOMINICAN REPUBLIC

TEL: (809) 683 0305

ROMANIA

G.A. Yupangco & Co. Inc.

339 Gil J. Puyat Avenue

Makati, Metro Manila 1200,

PHILIPPINES

FBS LINES

TEL: (01) 20-1441

TEL: (212) 244-1122

Piata Libertatii 1,

535500 Gheorgheni, ROMANIA

TEL: (266) 364 609

TEL: (02) 899 9801

As of Feb. 1, 2011 (ROLAND)

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