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™
Contents
Preface__________________________________________________________ 5
Software and Operations Manual Revisions................................5
Safety Notices ____________________________________________________ 6
Safety Terms and Symbols ........................................................6
General Safety Caution.............................................................6
Personal Injury Precautions.......................................................6
Product Registration.................................................................7
Product Improvements and Upgrades ........................................7
Trademarks.............................................................................7
Software Copyrights.................................................................7
Video and Audio Copyright Reminder .......................................7
Introduction _____________________________________________________ 8
Key Features and Benefits
Applications for 360 Systems’ Image Servers
Available Models and Options
12
13
14
Installation______________________________________________________ 17
Unpacking
Rack Mounting
Important Information on Equipment Cooling
Important Information on Power Conditioning
About Image Server Software
17
18
18
19
19
The Image Server Hardware Interface ________________________________ 20
Front Panel Features
20
Power ON/OFF button...........................................................20
Indicators..............................................................................20
Rear Panel Features
22
Video Inputs .........................................................................22
Video Outputs.......................................................................22
Audio I/O .............................................................................22
Analog/Digital Audio Selection ...............................................23
Serial Control Ports ................................................................23
Gigabit Ethernet Ports.............................................................24
GPI Control...........................................................................24
Genlock Sync Reference.........................................................24
LTC Time Code Input.............................................................25
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LTC Time Code Output ..........................................................25
Keyboard..............................................................................25
Mouse ..................................................................................25
Monitor ................................................................................25
Power...................................................................................25
Basic Operations _________________________________________________ 27
The Image Server Desktop
27
Launching the Graphic User Interface ......................................27
Shutting Down Image Server...................................................27
Keyboard Shortcuts................................................................28
On-Screen Main Menu Bar
28
File ......................................................................................29
Transport ..............................................................................29
Configuring the Image Server..................................................29
Window Arrangement............................................................29
About ...................................................................................30
Clip Transport Window
31
Menus..................................................................................31
The Status Bar .......................................................................35
Transport Controls .................................................................36
Keyboard Shortcuts................................................................38
Recording
39
Setting up to Record...............................................................39
Making a Recording ...............................................................40
Playing a Clip
42
Setting up for Playback ...........................................................42
Playing a Clip........................................................................42
Editing a Clip
44
Edit-while-Recording..............................................................44
Embedded Audio (Option)__________________________________________ 47
Introduction ..........................................................................47
Setup....................................................................................47
Configuration ........................................................................49
Audio Sample Rate Conversion ...............................................50
DV Video and Graphics____________________________________________ 51
Importing TARGA Graphics Files.............................................51
Animation Import ..................................................................51
FTP File Transfers ..................................................................52
Key/Fill Mode........................................................................52
Still Frames...........................................................................53
Advanced Playlisting ______________________________________________ 55
Advanced Playlist Features and Benefits...................................55
The As-Run Log .....................................................................62
Editing a Clip ........................................................................66
Automation Control ______________________________________________ 69
Remote Serial Control
69
Controller Priority..................................................................69
Communication Protocol Setup
69
VDCP Options ......................................................................70
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Communication Port Parameters .............................................71
Tested Automation Controllers
Tested Remote Control Panels and Switchers
71
73
System Configuration _____________________________________________ 74
System..................................................................................74
Options ................................................................................74
Date/Time.............................................................................75
Channels ..............................................................................75
System Config Options
75
Timing Tab ...........................................................................75
Channel Configuration
82
Input Configuration................................................................82
Output Configuration.............................................................85
Hard Disk Management____________________________________________ 87
About RAID 5 .......................................................................87
Improved Write Performance ..................................................88
Managing Disk Arrays
88
Error Notification and Repair...................................................88
Log-In to the RAID Utilities.....................................................90
Displaying the Summary Window of the Raid Array ..................91
Determining the Condition of The RAID Array..........................92
Rebuilding a RAID Array ........................................................93
The Maintenance Window – Rebuild Progress..........................94
Replacing Hard Drives...........................................................94
Network File Transfers ____________________________________________ 96
MXF File Transfers .................................................................96
Network Operations
96
Using the Image Server in a Large Network ..............................96
Transfer of Edited Segments....................................................96
File Sizes Reported in Listing...................................................97
FTP File Transfers ..................................................................98
Gigabit Ethernet Hardware
99
Redundant Server Connection.................................................99
Gigabit Ethernet Cable Quality................................................99
Configuring Network Settings
99
Network Settings Tab........................................................... 100
Saving Network Configuration .............................................. 101
Maintenance ___________________________________________________ 102
Fault Diagnostics
102
Front Panel Indicators........................................................... 102
Gigabit Ethernet Indicators.................................................... 103
Access to Components
103
Removing the Front Panel..................................................... 103
Removing the Top Cover...................................................... 103
General Handling Precautions............................................... 104
Installing/Removing I/O Cards............................................... 105
Accessing the Motherboard................................................... 105
Analog/Digital Audio Selection
Audio Level Calibration
106
107
Calibration Procedure .......................................................... 107
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Program Updates via CD-ROM
Replacing a Hard Drive
Factory Repair Policy
109
110
110
111
Regulatory Certifications
Safety................................................................................. 111
Laser Compliance ................................................................ 111
Radio Interference Compliance ............................................. 111
Product Warranty and End-User License Agreement ____________________ 113
Limited Warranty
End User License Agreement
113
115
Appendix A ____________________________________________________ 117
Connector Specifications
117
Audio XLR-3 Connector Pinout ............................................. 117
Serial Control Connector Pinout ............................................ 117
BNC Connectors.................................................................. 118
GPI Connector Pinout .......................................................... 118
System Board Ports .............................................................. 120
Appendix B ____________________________________________________ 121
Serial Command Protocols
121
VDCP Command Table........................................................ 121
P2 Serial Command Table .................................................... 123
Odetics® Protocol ................................................................ 125
Appendix C ____________________________________________________ 128
Technical Specifications
Keyboard Shortcuts
128
130
Appendix D____________________________________________________ 131
Mechanical Drawing
131
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Preface
This manual provides installation, setup and operating instructions for 360 Systems’ Image
Server 2000™ and the Multi-Format Image Server, which includes DV and graphics capability. It is
organized to provide quick access to topics of primary interest. An extensive Table of Contents is
provided at the beginning, and a subject Index at the end, to assist in locating information.
If you have already used hard disk video servers (or VTRs), you may find discussion of the
basic server to be covering familiar topics. However, it is strongly recommended that engineering
managers and staff members operating the Image Server read through this manual. Being familiar
with its operation can prevent operational mistakes, and will make all users aware of important set-
up and maintenance issues.
Software and Operations Manual Revisions
Software revisions are released from time-to-time that introduce new product features, or improve the
performance of the product. When such revisions are shipped in the form of a CD-ROM, printed
operational notes will be included. When revisions are introduced in the course of product
production, an updated Operations Manual will be shipped with new servers.
The title page of an Operations Manual indicates its revision number, which should always match
the software revision of the server with which it is used. Operations Manuals for the latest revision
may be obtained from 360 Systems Customer Service, or from 360 Systems’ web site.
Definitions
For the purposes of this manual, “GPI” is defined as “General Purpose Interface,” with associated
inputs (GPI Inputs) and outputs (GPI Outputs).
Typographical Conventions
The following typographical conventions are used to clarify meaning:
Connector or indicator labeling that appears on the unit is shown in Arial Narrow Bold.
GUI menu items are shown in Arial Bold.
GUI sub-menu paths are shown by the > symbol.
Feedback on this Manual
Your comments are welcome. If anything in this manual seems unclear, please let us know by
sending an email to [email protected].
Safety Notices · 5
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Safety Notices
Safety Terms and Symbols
THE FOLLOWING WARNING SYMBOLS ARE USED IN THIS MANUAL:
ENGLISH
FRANÇAIS
ITALIANO
ESPAÑOL
ATTENTION: REFER TO OWNER’S MANUAL FOR IMPORTANT
INFORMATION.
ATTENTION: VEUILLEZ VOUS RÉFÉRER AU MODE D’EMPLOI
POUR UNE INFORMATION IMPORTANTE.
ATTENZIONE: FATE RIFERIMENTO AL MANUALE PER
INFORMAZIONI IMPORTANTI.
ATENTCION: FAVOR DE REFERIR AL MANUAL DE
OPERACION POR INFORMACION IMPORTANTE.
ENGLISH
FRANÇAIS
ITALIANO
ESPAÑOL
WARNING: ELECTRICAL SHOCK HAZARD.
AVERTISSEMENT: DANGER DE CHOC ÉLECTRIQUE.
AVVERTIMENTO: PERICOLO DI SHOCK ELETTRICO.
ADVERTENSIA: PELIGRO DE CHOQUE ELECTRICO.
General Safety Caution
Heed the following important cautions regarding the Image Server in order to avoid personal
injury or equipment damage.
Only qualified personnel should perform installation and service. Refer to appropriate sections
of this product manual for instruction. Contact 360 Systems Customer Support for further
explanation, or to clarify any uncertainty.
Disconnect the power cord before removing the cover.
Personal Injury Precautions
To avoid electric shock, do not operate this product with covers removed.
To avoid risk of fire, replace the power cord only with same type and rating as specified. Replace
damaged power cords immediately.
This product is grounded through the grounding conductor of the power cord. To avoid electric
shock, do not remove or modify the contacts on the plug.
Prevent the power cord from being walked on, pinched, or abraded.
To reduce the risk of fire or electric shock, do not expose this unit to rain or moisture.
Remove jewelry, such as rings, watches, or necklaces before servicing this equipment.
6 · Safety Notices
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Product Damage Precautions
Image Server recorders contain hard disk drives and other fragile electronic and mechanical
devices. While this product is very reliable, it is still vulnerable to shock. Handle it with care,
and exercise caution not to drop or bump the recorder as damage to internal components may
result. Turn off power before moving the server.
Do not obstruct air vents. Maintain an ambient temperature below 30°C (86°F).
Clean only with a soft cloth dampened with water. Do not spray cleaners or solvents directly on
the product.
CAUTION: Replace only with the same, or equivalent, battery type. BR and CR Lithium batteries
are safe for disposal in municipal waste. Batteries should be fully discharged prior to disposal.
CAUTION: Never use the power supply switch to shutdown the Image Server. Doing so may
cause errors in the hard disk array. Should this happen, the array can be reinitialized without
any data loss; however, the process may take several hours. Shutdown the system only by
momentarily pressing the front panel power button, or through the On-Screen user interface.
Product Registration
Important – As the owner of new capital equipment, you will want to take advantage of the product
information, enhancements, upgrades, or notifications issued by 360 Systems. Send in your
Warranty Card so 360 Systems can remain in contact with you. Mail or fax it to 360 Systems offices
in the USA at the address given below.
Product Improvements and Upgrades
360 Systems reserves the right to make changes and/or improvements to its products without
incurring any obligation to incorporate such changes or improvements in units previously sold.
Certain features mentioned in this document may not be present in all models. Image Servers are
not offered for sale in all countries.
Trademarks
Image Server 2000, Multi-Format Image Server, 360 Systems, 360 Systems Broadcast, Bit-for-Bit, and
Direct Digital Import are trademarks or registered trademarks of 360 Systems in the U.S. and/or
foreign countries. Other trademarks referred to in this document are the property of their respective
owners.
Software Copyrights
Software in this product is based on the work of, or is copyright by, 360 Systems, SuSE® GmbH,
Montavista, Trolltech, and FreeType Team. Copyright 2003-2005 by 360 Systems.
Video and Audio Copyright Reminder
It is illegal to use this product to make copies of copyrighted material without the express permission
of the copyright holder.
Safety Notices · 7
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Introduction
360 Systems’ Image Server 2000™ and Multi-Format Image Server are multi-stream video
recorder/servers designed for television broadcast, production, and Pro-AV applications. Image
Servers can play three independent video streams at once, and store up to 170 hours of MPEG-2
video, with four audio channels per video stream, in just 3½” of rack space. The server’s extensive
feature set makes it an excellent choice for VTR replacement, automation, remote trucks, P-E-G
applications, corporate and entertainment presentations. The Image Server is produced in both
NTSC and PAL models. References in this document to frame counts other than 29.97 or 30
frames should be understood to be a PAL example.
The Transition to a Digital Plant
The Image Server smoothes the transition to digital production and broadcasting by
providing both composite video (VDCP) and serial digital (SDI) interfaces, plus network transfers in
MXF format over Gigabit Ethernet. It’s never necessary to add additional video A/D or D/A
converters, and a full complement of premium-quality MPEG-2 codecs is included as standard
equipment. The server’s dual analog and digital personality—for both video and audio—lets it fit
seamlessly into an existing analog facility, or become part of a new digital build-out. Apart from
serving its intended purposes, the Image Server is also valuable for its ability to convert between
different analog and digital media formats in real-time.
Exceptional Storage Capacity
The Image Server’s program storage is scaleable to suit the needs of both small and large
users. It houses four hard drives within its compact enclosure, providing from 52 to over 170
hours of storage at 12 Mb/s (Megabits per second). Storage time is proportional at other data rates.
The server’s RAID-5 disk array provides a high level of security for stored programs. By spreading
parity information across all drives, the RAID array keeps the server in service, even with a failed
drive. The multi-drive array also generates the high data rates needed for multiple video streams at
up to 50 Mb/s, and enables fast program transfers through the Gigabit Ethernet ports.
Storage Capacity
(4 drives)
Time @ 12 Mb/s
2 audio channels
Time @ 8 Mb/s
2 audio channels
Drive Size
120 GB
250 GB
400 GB
480 GB
1.0 TB
1.6 TB
52 hours
112 hours
170 hours
72 hours
150 hours
250 hours
IMAGE SERVER STORAGE TIMES
The Image Server’s unique ability to play two video streams while recording another, and
at the same time perform network file transfers over Ethernet, makes it far more than just a
replacement for a VTR.
8 = Introduction
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Image Servers Support Traditional VTR Functions
The Image Server is a perfect drop-in replacement for popular VTRs. It saves costs for tape,
machine maintenance, cassette prep, and storage. Its three output channels perform any
combination of tasks, including responding to GUI or automation commands, clip trimming or
browsing.
Unlike a VTR, the Image Server can simultaneously record and play a program. A new
recording can start at any time, even when two simultaneous playbacks are in progress. As a VTR
replacement, the Image Server is controlled through a standard serial interface. Many popular
serial protocols are supported, allowing the Image Server to immediately operate with the
controllers you already own. These include VDCP, Odetics, P2, AMX and Crestron. Six “GPI”
Input and Output control channels are also provided.
Compatibility with Automation Controllers
Image Servers work with automation controllers frommany different manufacturers. They
use established VDCP and Odetics® protocols and provide a 9-pin control input port for each
server channel, for maximum flexibility. 360 Systems’ Automation Partners provide controllers for
applications ranging from affordable systems for P-E-G and Pro-AV, up to large-scale broadcast
solutions. Contact a 360 Systems application engineer for assistance with your requirements.
Remote Controls
Hardware accessories are available from third-party manufacturers to perform transport
control, trimming, clip replay and playlisting (automation). A table of approved controllers is
provided elsewhere in this manual. Contact 360 Systems Sales Support team for assistance with a
specific application.
The Image Server also provides six GPI inputs for remote play, stop, and record capability
from push-button panels or other GPI-controlled equipment. Six outputs are also provided for
command acknowledgement, and may drive LEDs or logic inputs.
Extended Feature Set
The Image Server encodes video in MPEG-2 format, in 4:2:2 Profile with data rates to 50
Mb/s, or in Main Profile from 2 to 15 Mb/s. Both I-frame and long-GOP formats are supported.
MPEG-2 file transfers in MXF-format are compatible with servers from other market leaders.
The DV and Graphics Option (and the Multi-Format Image Server) allows Direct Digital
Import™ of DV and TARGA files over Ethernet. DV-25 files may be edited, playlisted, stored and
played out. TARGA files will be converted into separate MPEG-2 Key-and-Fill files, which can then
be played as a synchronized pair for downstream compositing in a switcher.
As standard equipment, the Image Server includes LTC and VITC time code capabilities,
closed-captioning, VDCP, P2 and Odetics 9-pin control, GPI inputs and outputs, and Gigabit
Ethernet ports. Embedded audio is available as an option.
Introduction = 9
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Full Slate of Audio Features
Image Servers include both analog and digital audio circuits, making it an important tool in
the transition to digital broadcasting. It includes gold XLR connectors for audio inputs and outputs,
and each can be configured for either AES/EBU digital or +4 dBu balanced analog. SDI embedded
audio is also available as an option. In discrete digital format, each video program can have four
channels of audio, whereas analog I/O provides two channels. (An AES/EBU line on a single XLR
connector carries two audio channels, so a given number of XLR connectors make more channels
possible in digital format.)
360 Systems brings over 30 years experience in broadcast and pro-audio to the audio
design of Image Servers. It utilizes a 24-bit word, and delivers a 20 dB improvement in SNR (10
times!) compared with older 16-bit audio systems. An insertable sample-rate converter is included,
plus input circuits with excellent hum and RF rejection, and 20 dB of headroom. 360 Systems’ Bit-
for-Bit® design strategy guarantees that when a Dolby®-E, Dolby AC3, or any other encoded
program is recorded, it will play back correctly.
On-Screen Graphic User Interface
The Image Server’s On-Screen graphic user interface (GUI) gives fast access to all server
functions. It is controlled by a standard keyboard and mouse (supplied) and requires only a VESA-
compliant SVGA display.
The GUI displays a complete control panel for each server channel, which includes
transport control buttons, clip file management and head and tail trimming, allowing the Image
Server to operate as three self-contained VTR equivalents.
System configuration is clear and straightforward with the On-Screen GUI. It provides
access to MPEG-2 encoding parameters, audio channel and time-code settings. Whenever new
server features are installed (using the built-in CD-ROM drive) new set-up parameters and user-
interface features become immediately available.
The GUI can be remotely accessed by a Windows PC through an Ethernet link, or of a
wide-area connection using a high-security remote KVM product. Contact 360 Systems sales for
complete information on these options.
MXF Networking over Gigabit Ethernet
Image Servers move beyond providing just a simple base-band solution for video input and
output. MXF file transfers over Gigabit Ethernet open the door to new IP solutions for transferring
video across the room—or across the country—at exceptionally low cost.
By using economical switches and computer-industry infrastructure, the Image Server’s
Gigabit Ethernet design enables low-cost networking of broadcast operations from ingest to storage,
for editing, play-to-air, and archiving. The Image Server moves programs many times faster than
real time, saving time and streamlining operations.
360 Systems’ MXF implementation uses Operational Patterns 1a and 1b. It has been tested
for compatibility with MXF files from many other manufacturers. 360 Systems can make Image
Server MXF files available for testing and evaluation through our FTP Site. Contact the customer
service department to arrange for access.
10 = Introduction
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Reliability Counts
360 Systems has 34 years experience manufacturing equipment for television broadcast and other
critical industries. We understand quality and reliability, and we’ve paid close attention to design
issues like power, cooling, and protecting stored data. We’ve even included alarms on key server
components.
Self-Mirroring Image Servers
When the very highest level of reliability is required, Image Servers are priced so attractively that it
can even make good business sense to install them in redundant pairs. 360 Systems offers a Dual
Server Controller that allows an automation system to transparently control a redundant pair of
Image Servers in parallel. For more information on redundant servers, visit our web site at
www.360systems.com or contact 360 Systems’ Sales Department.
Introduction = 11
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Key Features and Benefits
The Image Server is designed from the ground up to deliver outstanding performance and value in
a multi-channel MPEG-2 and DV-format server. Three video outputs with analog, digital, and
Gigabit Ethernet interfaces make it an excellent choice for the next-generation plant.
·
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·
·
·
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·
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·
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·
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·
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MPEG-2: Main Profile @ Main Level and 4:2:2 Profile @ Main Level to 50 Mb/s.
Optional import and playout of DV-format video and TARGA graphics files
Drag-and-Drop FTP transfers from popular desktop editing programs
Internal RAID-5 storage configurable to 170 hours
Three simultaneous video outputs, 1 video input
SDI and composite video inputs and outputs
Includes balanced analog and AES/EBU digital audio ports as standard equipment
Four audio channels (2 AES stereo pairs) for each video channel
Embedded audio available as an option
Serial control via VDCP, P2, or Odetics, AMX or Crestron protocol
Compatible with leading broadcast automation systems
Fast FTP network transfers on Gigabit Ethernet
LTC Time code input and output; VITC written and read
Frame-accurate head and tail trimming
Advanced Playlisting: Build, edit, store, playback, and loop multiple lists
Looping
Closed-Captions
Keyboard shortcuts speed editing tasks
Set-up, administration and control via graphic user interface
Remote GUI software for Windows available
32-character file names
Compact 2RU (3½”) [88mm] enclosure, low power consumption
Low cost
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Applications for 360 Systems’ Image Servers
Image Servers add value to a wide variety of applications in broadcasting, cable distribution, video
production, P-E-G, entertainment and sports venues. Many of these tasks are impractical with
videotape because of its nature as a slow-response, single-channel device. In contrast, the video
server provides immediate record and playback of any source, and lends a spontaneous
appearance to broadcasts, presentations and live events.
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·
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News Production – Promos, teasers, intros, news segments, graphics, animation
Graphics Server – Play TARGA files with key-and-fill
Master Control – Program and commercial playout, station IDs, promos, teasers
Program Ingest – Automated capture of satellite, tape, microwave, and fiber feeds
FTP File Delivery – Deliver news, promos, spots over DSL or ATM lines
Play-to-Air Server – Playback under automation control
Program Store-and-Forward – Temporary storage for subsequent delivery
Commercial Insertion – Playout under automation control
Instant Replay – Hot Key playback of sports plays, news clips, stills, and graphics
Sports Shows and Events – Player bios, animations, graphics, promos
Game Shows – Prizes, graphics, animations, promos
Talk and Variety Shows – Promos, teasers, intros, outros, graphics, animations
Award Shows – Nominees, categories, promos, graphics, animations
Theme Parks and Casinos – Playout for show backgrounds, event lists, kiosks
Houses of Worship -- Projection displays, program production, broadcasting
Colleges and Universities – On-campus networks, production, presentations
Digital Signage – drive projectors, flat-panel displays, kiosks
Entertainment Industry – Road show displays, projection
Public Access, City Governments – Long recording times, high quality video
Small & Mid Broadcast Markets – High performance at an attractive price
Introduction = 13
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Available Models and Options
Image Server 2000 Model V2000-120
Provides 1-input, 3 outputs, MPEG-2 encoding to 50 Mb/sec, MXF network
transfers, head and tail trimming, playlisting, (4) 120 GB drives in RAID-5 array
provides 52 hours of storage at 12 Mb/sec.
Image Server 2000 Model V2000-250
As above, with 112 hours of storage at 12 Mb/sec
Image Server 2000 Model V2000-400
As above, with 170 hours of storage at 12 Mb/sec
DV and Graphics Option
Upgrades Image Server 2000 to include direct import of DV-format video and
TARGA graphics files over Ethernet. Plays DV in native format and graphics with
®
®
simultaneous key and fill. Direct FTP file import from Photoshop , After Effects ,
Final Cut Pro®, Xpress DV/Pro™, Liquid Edition, Vegas video. May be added to
an existing Image Server.
Multi-Format Image Server Model V2000-MF-120
This Image Server includes direct import of DV-format video and TARGA graphics
files over Ethernet. Plays DV in native format and graphics with simultaneous key
®
®
and fill. Direct FTP file import from Photoshop , After Effects , Final Cut Pro®,
Xpress DV/Pro™, Liquid Edition, Vegas video.
Multi-Format Image Server Model V2000-MF-250
As above, with 112 hours of storage at 12 Mb/sec
Multi-Format Image Server Model V2000-MF-400
As above, with 170 hours of storage at 12 Mb/sec
Embedded Audio Option
Upgrades Image Server 2000 or Multi-Format Image Server for operation with
SDI embedded audio. Provides 4-channels, 48k sample rate, 20-bit resolution on
input and all outputs. May be added in the field to servers with S/N after 300.
Advanced Playlisting Upgrade
Upgrades earlier Image Servers to provide Advanced Playlisting capability (standard in servers from May
2005).
Storage Upgrades
Upgrades any Image Server having small drives to provide either 112 or 400 hours of storage (at 12
Mb/sec). Field installable.
PAL Models
Add the suffix PAL to model number when ordering. Specify type of mains cord required.
14 = Introduction
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Maintenance Spares
360 Systems’ is committed to keeping your Image Server on air. The server contains hard disk
drives and other fragile electronic devices; and while it is designed to be very reliable, having spare
parts on hand in the event of a fault is a good practice. Hard disk spares are particularly important.
Please consider these important options at the time of your purchase, or shortly after.
·
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120 GB Image Server Hard Drive for 52-hour servers
250 GB Image Server Hard Drive for 112 hour servers
400 GB Image Server Hard Drive for 170 hour servers
Image Server Power Supply, universal line voltage
Introduction = 15
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Installation
Unpacking
Your Image Server has been carefully inspected and calibrated before shipment to allow immediate
operation upon installation. Check all items for signs of visible damage which may have occurred
during shipment. If any item is damaged, contact the carrier to file a claim.
Keep the packing materials in the event that a unit must be shipped by you. If the original
packaging is not available, make sure that the following criteria are met:
·
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Packaging must be able to withstand the product weight.
Product must be held firmly within the package.
There must be at least two inches (50mm) of space between the product and outer container.
The corners of the product must be protected.
Package Contents
Confirm that all items on the packing list have been received. Contact 360 Systems if any item
is missing.
ü
ü
ü
ü
ü
ü
ü
ü
ü
ü
Image Server
Keyboard
2-Button Scroll Mouse.
Software CD-ROM, backup copy
Rack Mount Hardware Kit
Operations Manual
Quick Start Guide
Audio Connector Labels
Power cord
Warranty Card
The Image Server is not shipped with a video monitor. You may select a VESA-compliant CRT
or LCD monitor suitable for your application.
If you own more than one Image Server, it may be appropriate to use a single keyboard,
monitor, and mouse with a KVM switch to select between servers.
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Rack Mounting
Refer to instructions packaged with the Rack Mount Hardware Kit for specific installation
information.
Note: If you plan to use digital audio, be sure to change the configuration of the Analog/Digital
Audio Jumpers inside the unit before mounting the Image Server in a rack. The jumpers are factory
set to the Analog audio position. For more information about changing the jumpers, see
Analog/Digital Audio Selection on page 106.
There are four adhesive-backed rubber feet on the Image Server, which may be removed when
rack mounting the unit.
Generally, the Image Server will be mounted in a 19” rack enclosure having 10-32 tapped holes.
The Image Server can be adapted to rack enclosures having untapped round or square holes by
using the nuts and washers included with the mounting kit.
Cables attached to the rear of the Image Server should be supported by the rack mounting rails.
Do not support substantial cable weight from the Image Server.
Keep the air vent slots on the sides of the Image Server free of obstructions.
Remove the front panel to expose the rack screw slots. Fasten the Image Server into the rack using
10-32 flat-head Phillips screws (provided). Replace the front panel. Tighten the front panel access
screws.
Important Information on Equipment Cooling
When many pieces of equipment are mounted in an equipment rack, a considerable amount of
heat may be produced, which must be removed efficiently. Further, a lower operating temperature
will make equipment operate more reliably, and it will last longer. In the extreme case, excessive
temperatures cause rapid equipment failure, and damage which can be difficult to repair.
Heat in an equipment rackshould be removed by forced air. This is often accomplished by
blowers installed in the top of the rack, venting into the room. An alternative is to draw hot air
from the top of the rack into an air-conditioning return duct, and not vent it into the equipment
room; cold air should be ducted into the bottom of the rack.
The optimum air temperature for cooling electronic equipment is 25° C (72° F). When many
pieces of equipment are contributing to the heat load, a substantial air-flow will be needed, and the
inlet temperature may need to be lower.
Check These Points
·
·
·
·
·
Are all ventilation holes in the Image Server free of obstruction?
Can blowers or HVAC system adequately remove heat from the equipment rack?
Have you measured the actual temperature inside the rack? Do this near the top.
Verify that theHVAC system is not on a timer that can shut off on weekends or holidays.
What procedures are in place to protect the equipment when the HVAC system fails?
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Important Information on Power Conditioning
It is good practice to operate an on-air video server from an Uninterruptible Power Source, or UPS.
All utility power systems experience occasional transient events, including brownouts and
dropouts, which are capable of taking a server off the air. It is the station operator’s job to plan for
and overcome such contingencies.
UPS units suitable for smoothing short-term power line problems come in two varieties:
Change-over UPS Design
This design senses drop-outs and low-line voltage, and switches its output to an internal inverter
operating from a battery. This UPS is low in cost, and is most often used in non-critical
applications such as desk-top computers. A disadvantage is that it may create its own power
transients when switching between utility power and its inverter supply.
Continuous Conversion UPS Design
This improved design continuously converts utility power to DC, stores it in a battery, then
produces isolated AC power from an inverter. It never switches, and is immune to input transients,
brownouts, and blackouts. Models are available with batteries of almost any size, making the
continuous-conversion UPS suitable for transient suppression or long-term operating power the
absence of utility power.
Recommended UPS Models
The following makes of continuous conversion UPS systems are suitable for use with 360 Systems’
Image Server products:
·
Eaton/Powerware Corporation, Model 9125, www.powerware.com
About Image Server Software
The Image Server is shipped with its operating system and application programs already installed.
The first time that it is started, it must be connected to a keyboard, monitor and mouse. The Image
Server will ask you to accept the licensing agreement before it will allow any operation. This
screen will only appear during the initial startup, or until accepted.
THE CD-ROM SUPPLIED IS ONLY FOR USE IN REINSTALLING THESE PROGRAMS. DO NOT
LEAVE IT IN THE CD-ROM DRIVE.
If for any reason it becomes necessary to reinstall any software, refer to the Maintenance chapter
for instructions.
The CD-ROM drive is intended only for installing software. It may not be used to load video or
audio program content.
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The Image Server Hardware Interface
Front Panel Features
Figure 1: Image Server Front Panel
Power ON/OFF button
The blue front panel button initiates start-up and shut-down of the Image Server. Press it
momentarily to start the server. A sequence of start-up screens will appear, ending with the 3-
channel graphic user interface.
When the Image Server is running, pressing the blue button momentarily will cause the system
to begin an orderly shutdown. In the event that the system has stopped responding to
commands and will not shutdown, hold the button in for 4 seconds to force a power down.
Do not use the rear panel switch on the power supply to shut down the Image Server. Abrupt
power loss can cause loss of information stored on the disk array. SeeShutting Down Image
Server on page 27 for details.
Indicators
Five blue LED Status Indicators appear on the front panel. These indicators are illuminated
continuously when the system is functioning normally. See the table Front Panel Indicators on
page 102 for diagnostic meanings.
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CH 1 REC/PLAY
CH 2 PLAY
CH 3 PLAY
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Rear Panel Features
Video Inputs
The Image Server provides a single video input channel. This channel includes separate BNC
inputs for serial digital (“SDI” per SMPTE 259M) and analog video (CVBS) signals. The graphic
user interface allows selection between the two. Encoding to MPEG-2 format is performed
within the server. Video inputs have a fixed 75-ohm termination.
Video Outputs
Video outputs are provided in SDI and Composite (CVBS) formats simultaneously. Digital
video appears in SDI format at 270 Mb/s and conforms to SMPTE 259M. Analog video is in
conventional composite (CVBS) format.
Video Output 1 can superimpose time code over picture as a “window burn” on NTSC models.
This feature is available only on the CVBS video output, and is enabled through the On-Screen
graphic user interface.
Audio I/O
The Image Server can provide audio inputs and outputs in three formats:
·
·
·
Balanced analog audio at the industry-standard reference level of +4 dBu.
Digital audio in AES/EBU format per AES-3-2000.
SDI embedded audio, 4-channels (server option)
These multiple standards facilitate the transition from an analog studio to digital production and
broadcasting, and ensures that the server can operate with virtually any external equipment.
Note that both analog and AES/EBU audio signals are not available at the same time on a given
input or output. Internal jumpers select between analog or digital; however, input and output
can be set up differently, if desired. A set of XLR-3 connectors allows high-quality connections
to be made in either format. Embedded audio, when installed as a server option, appears in the
SDI output at all times.
Analog Audio Capability
When the analog audio input format is selected, each video channel has two audio
channels, recorded together as a stereo pair. Trimmers allow adjustment to unity gain.
Digital Audio Capability
When AES/EBU digital audio is selected, each video channel has four audio channels, which
are recorded as two stereo pairs. Because a single XLR connector carries a stereo pair in
digital format, and only one (mono) channel in analog, the server provides an extra pair of
audio channels when used with digital audio signals.
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Embedded Audio Capability
When SDI embedded audio is selected, four audio channels are available for recording.
Embedded audio is always present in the video outputs. Note that discrete audio (analog or
AES/EBU) is also available on XLR connectors, at the same time embedded audio appears in
the video stream. Embedded audio has a 20-bit resolution.
Audio Word Size and Sample Rate
The Image Server employs 24-bit audio A/D and D/A converters, and records audio into a
24-bit frame, regardless of the word size received. The sample rate is fixed at 48K.
Analog/Digital Audio Selection
The following drawing illustrates jumper positions to select between analog or digital audio.
Note that each output may be individually selected. As described earlier, when analog audio is
selected, only two channels are available, while selection of AES/EBU digital audio provides
two stereo pairs, one on each XLR connector. Both jumpers for each channel (Left & Right, or
Main & Aux) must be set together, either analog or digital. The Image Server must be power
cycled for jumper changes to take effect. For more detail, see Analog/Digital Audio Selection
in the Maintenance chapter.
GAIN ADJUST
JUMPER BLOCK PAIR SHOWN
IN DIGITAL POSITION
DIGITAL
ANALOG
JUMPER BLOCK PAIR SHOWN
IN ANALOG POSITION
Figure 3: Jumper location on audio card for selection of analog or digital audio.
Audio Format Labels
A sheet of labels is supplied with each server for identifying the audio connector
configuration on the rear panel. After the jumpers are set, apply appropriate “Analog” or
“Digital” labels above the corresponding connectors on the rear edge of the top cover.
Serial Control Ports
Each of the Image Server’s three 9-pin “D” connectors permits independent control of any of
the three video channels. They can accept serial commands in VDCP, P2, Odetics, AMX or
Crestron protocol. Its multiple serial ports allow you to simultaneously connect an
automation controller and a desktop controller. See the chapter on Automation Control for
more detail on this subject.
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Most broadcast automation systems, and some remote control panels employ the VDCP
protocol. A detailed list of supported VDCP commands will be found in Appendix B.
Many controllers used for transport, instant replay, and edit control employ P2 or Odetics
protocol. The Image Server P2 protocol emulates BVW-series tape machines. Many Pro-AV
systems employ AMX and Crestron protocol.
Gigabit Ethernet Ports
Two Gigabit Ethernet ports are provided on the Image Server. The NET 1 port is intended for
network transfer of program content between video servers. The server supports MXF file
transfer (MPEG-2, Op 1a and 1b), which allows content interchange between products from
different manufacturers, as well as file import in various formats from desktop editors. The
NET 2 port is reserved for data transfer between two Image Servers, when configured for
redundant operation.
GPI Control
The Image Server provides six GPI inputs for control of machine functions, which appear on
the 25-pin GPI connector. This “General Purpose Interface” can be connected to switch
contacts or an open-collector transistor output. GPI inputs are programmable, and can provide
machine control such as PLAY, STOP, or RECORD through simple external switches.
The Image Server also provides six GPI status outputs which may be used to confirm that a
command has been received, or for other purposes. These functions of these open-collector
outputs are programmable, and may be used to operate an LED, or they can be connected to a
suitable logic input. The pin-out for the GPI connector will be found in Connector
Specifications.
Genlock Sync Reference
A BNC connector is provided on the rear panel to receive a genlock signal. During normal
operation, the Image Server should be referenced to an external genlock reference in the form
of CVBS Black. As with all video systems, this server and equipment connected to it must be
referenced to a common genlock source. TheGENLOCK input provides a fixed 75-ohm
termination.
An internal crystal reference is also provided so that the server can be used as a stand-alone
player, and also for convenience in performing tests in the laboratory. Use particular care
when operating the server with an internal reference, as synchronization with other equipment
is not possible. Additionally, recording is not allowed when using the internal crystal.
Genlock Signal Quality
A genlock signal connected to the Image Server must conform to the RS-170A standard. PLL
circuits used within the server remove residual jitter from the genlock signal. This may
preclude the use of low-cost VTRs that introduce time instability (wow) into their output,
making them inaccurate as a genlock input source.
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LTC Time Code Input
A LTC time code input is provided on the LTC IN BNC connector. This input may be selected
by means of the On-Screen user interface and recorded as a time code reference. The LTC
input provides a >10k ohm termination.
LTC Time Code Output
An LTC time code output is provided on theLTC OUT BNC connector. It may be selected by
means of the On-Screen user interface to output time code from any of the three video
channels during playback. The LTC output has a low source impedance of <5 ohms.
Keyboard
Attach the alphanumeric keyboard to the purple 5-pin KEYBD connector to control the server
and manage clips with the On-Screen graphic user interface. Note that the server will only
recognize the keyboard if it is attached before power up.
Mouse
A two-button scroll mouse is provided with the Image Server. Plug the mouse into the green
5-pin MOUSE port. Note that the server will only recognize the mouse if it is attached before
power up.
Monitor
A VESA-compliant computer monitor may be connected to the 15-pin VGA video port. The
Image Server resolution is fixed at 1024 x 768 pixels, with a refresh rate of 72 Hz. This is
best-viewed on 17-inch or larger monitors. 360 Systems does not provide monitors for the
server. Note: Do not use older monitors that do not state they are VESA compliant.
Serial Port
The system board serial port is not used. Make no connection.
USB Ports
The system board USB ports are not used. Make no connection.
Power
An IEC mains socket is provided on the rear panel for power input. The Image Server will
accept worldwide power sources in the range of 100-240 volts AC, 50-60 Hz. The server is
shipped with a power cord appropriate for the region in which it is sold. Replace the power
cord only with one of the same type and rating.
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DO NOT use the power supply switch to shutdown the Image Server. Shutdown the
system only by momentarily pressing the front panel power button, or through the
SHUTDOWN command on the On-Screen user interface. The rear panel power switch
should only be used if the Image Server fails to shutdown after holding the front panel power
switch for 4 seconds.
The server may also be shut down from the graphic user interface. Click
START>SHUTDOWN>SHUTDOWN. After a few seconds, shutdown will occur.
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Basic Operations
This section introduces the Image Server Graphic user Interface (GUI), its menus and its
operating controls. If you want to skip ahead to learn how to record a clip, go to page 40. Skip to
page 42 to read about playing a clip.
360 Systems has designed the graphic user interface as a convenient way to manage Image
Server operations. With it, you can control basic operations such as recording and playout. You
may also set up video and audio formats, assign remote control channels to video ports, and set up
many other aspects of the machine.
All GUI software is pre-installed on the Image Server. It is also provided on the Image
Server software installation CD-ROM. The GUI is operated with a keyboard, mouse, and monitor
connected to the Image Server rear panel. Attach these devices only when power is turned OFF.
The Image Server Desktop
The Image Server desktop is similar to many computer system graphic interfaces. There is a task
bar and start menu at the bottom of the screen. The Image Server desktop is always running while
the machine is on. Use the Start menu button to launch applications, manage the system, or to
shutdown the server.
Launching the Graphic User Interface
The GUI appears automatically during boot up. If On-Screen has been closed, click Start, then
Image Server GUI to re-launch the GUI. It will then appear and fill the screen. The window
can then be moved, minimized, or closed as desired.
Shutting Down Image Server
Click Start, then Shutdown, then either Shutdown to begin an orderly shutdown, or Full
Restart to do an orderly shutdown and Restart.
Alternatively, momentarily pressing the front panel power button will cause the system to begin
an orderly shutdown. Image Server will acknowledge the button press with an audible beep
and the front panel lights will begin to flash together. Any operation in progress will be halted,
and any unsaved work will be lost.
In the event that the system has stopped responding to commands and will not reset by
pressing the front panel button (no beep is heard), press and hold the button for about 4
seconds to force a power down. Wait 5 seconds, and then the system may be restarted with
another press of this button.
DO NOT use the rear panel power supply switch to shutdown the Image Server. Doing so
may cause loss of unsaved data, and may require the RAID array to re-synchronize – a process
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that could take several hours. Shutdown the system only by momentarily pressing the front
panel power button, or through the GUI.
Keyboard Shortcuts
Most operations the graphic user interface can be performed using keyboard shortcuts. See the
list of keyboard shortcuts in Appendix C.
On-Screen Main Menu Bar
The main menu bar contains the following headings and sub-menus. Each menu choice is
explained in detail in a later section.
File
Transport
Configure
Window
Help
Exit
Channel 1 >
Channel 2 >
Channel 3 >
System…
Cascade
Tile
About
Options…
Date/Time…
Channel 1…
Channel 2…
Channel 3…
Close All
Clip List
Figure 4: Graphic User Interface with Clip Transport Windows
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File
The File menu provides access to the Exit command.
Exit
Exits the GUI.
Transport
Select a video channel from the dropdown menu, then select Clip… or Playlist… to bring up
the GUI control panel for that channel.
Clip
Open this window to play, edit, and perform file operations on individual clips. A full set of
transport controls are available in this mode.
Playlist
Build, edit, manage and play playlists. These operations are described in detail in the
Playlist chapter.
Configuring the Image Server
All user-configurable aspects of the Image Server are grouped below this menu.
System
Open this dialog window to configure general control and sync parameters, such as GPI,
sync, time code, and video standard. SeeSystem Configuration on page 75 for more
information.
Date/Time
Open this dialog window to set the Image Server’s internal system date and time. This
information will be used to time stamp the data files of new recordings.
Channels
Select a video channel from this dropdown menu to configure channel-specific audio, video,
and time code parameters. For more information about changing channel setups, see
Channel Configuration on page 82.
Window Arrangement
Choices in this menu change the way theGUI windows are displayed. Use the CTRL+TAB key
combination to change the active GUI window in rotation, or use the mouse to activate
another window.
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Cascade
Arranges all open windows so that they are overlapping, but offset. This choice is especially
useful with small monitors or low-resolution monitors.
Tile
Arranges all open windows so that each is fully visible at the same time. This choice is
especially useful with larger monitors.
Close All
Closes all open windows. Note: Transport windows must be in the idle state to close.
Clip List
Opens a window containing all available clips on the Image Server. When in Playlist mode,
with the Edit Box checked, files may be dragged and dropped from Clip List window into the
Playlist window.
About
Displays the Image Server software version.
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Clip Transport Window
The graphic user interface is used to control transport operations such as play, stop, record,
and basic head and tail trimming. These functions are found in the Clip Transport window for
each channel. Channel 1 is both a Record and Play channel, while channels 2 and 3 are playout
only. Each transport window has its own file menu, which is used to locate and play existing clips,
or to create new clips. (Refer to Figure 5, below.) The graphical layout is similar for each channel,
except that only Channel 1 also contains Record and E-E buttons.
From the main menu bar, select Transport, then select the channel number to be
controlled. From the dropdown menu, select Clip or Playlist. Up to three Channel Transport
Windows may be opened at once, one per server channel. The Window menu may be used to
arrange the channel windows on the screen. Windows may also be arranged manually by using
the mouse and standard window sizing controls.
The server will establish a connection to control the channel when its channel window is
opened. A message, “Connected to host” should appear in the bottom status bar of the main
window. If the Image Server program has not started because the system is busy, the message
“Connection to Host Refused” will appear. This is usually a temporary condition that will resolve
itself without intervention.
Each Clip Transport window includes a main menu bar, status bar, current clip name, a
large current time code display, and the standard transport controls PLAY, STOP, FAST
FORWARD, REWIND, LOOP, EJECT and a shuttle slider. Channel 1 also provides REC and E-E.
A number of direct-action buttons are also provided: Go To Head Point (|<- ), Go To Tail
Point (->| ), JOG+ and JOG-. An edit region provides Mark In and Mark Out entry buttons, and
time code displays reflecting these positions. Review Clip (|<-->|) and Review Out (->|) buttons
provide a means to audition an entire edited clip, or just its ending.
Figure 5: Channel Transport Window
Menus
The following headings describe each clip window File menu:
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File
The File menu provides six file-management choices. Columns can be sorted in ascending or
descending order by clicking the column header bar to toggle the setting.
New
The recording process begins with naming the new clip. The New menu choice opens
a dialog box in which a new clip may be named (Figure 4). Clip names can include
any alphanumeric ASCII character, up to 32 characters.
Note: File naming is case sensitive. Upper case letters sort before lower case. The
name FILE sorts in the order shown, based on differing capitalization: FILE, File, fiLe,
and file.
The file dialog box includes an advisory message labeled PERCENT DISK FULL. When this
figure becomes high, it is wise to consider deleting unnecessary files from the drive.
Figure 6: File Dialog Box
After entering a clip name, choose Create to create a new clip file. The Image Server
will place itself in Record-Ready mode. If the server was previously in the Play-Ready
mode, a brief pause will occur. The channel status message will report “Ready” and
the REC button will become functional.
Refer to the following main section titled Recording for more information on setting up
and making recordings.
Open
In the Play-Ready mode, the Open command presents a window from which a clip
may be selected (Figure 7). A new selection closes the previously open clip, and the
newly selected clip becomes ready for playout or trimming.
Refer to the following main section titled Playing a Clip for more information on that
subject.
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Column headings in the file dialog box are: Title, Duration, Profile, Mb/s, GOP, and
Tracks. Click on the column heading to sort the list by that column. Click on the
selected heading again to reverse the sort order.
Most headings are self-explanatory. GOP is Group of Pictures length in frames. If the
GOP listing is 1, then the clip has only one frame per GOP (I-frame only). The Tracks
column lists the type of tracks associated with each clip. Clips may have any of the
following track attributes, depending on how they were recorded.
Track Attribute
Recorded Track
V
Video
A 1/2
A 3/4
CC
Audio Tracks 1 & 2
Audio Tracks 3 & 4
Closed Caption
Figure 7: Selecting a Clip to Open
Save
The Save command saves a clip, including any new head trim or tail trim settings
associated with it. Any operation, such as Exit, that would cause new edits to be
discarded will prompt the user to confirm a save of those trims.
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Save As
A region defined by Mark-In and Mark-Out may be saved as a new clip with a unique
name. Use the Save As button for this purpose. A dialog box will appear with a
prompt to enter a clip name. After entering the name, click Save As again to save the
clip with a new name. When using Save As it is a good practice to give new sub-clips
a name related to the original.
A clip consists of audio/video data and related attributes. The attributes include the
current starting and ending points – the In and Out edit points.
When a copy of a clip is made using the Save As feature, only the In and Out edit
points are actually copied to the new clip. The base audio/video data is shared among
all copies. In this way, each copy may have different In/Out Points without using
additional disk space to duplicate the audio/video data. Additionally, the In and Out
Points can be adjusted later to any position within the original recorded material.
Clips created with the Save As feature are noted in the File List as having a duration
equal to their play time, as defined by the In and Out-Marks. The sum of these
durations may far exceed the anticipated recording time available on the disk array.
However, these “virtual files” take no disk space. Refer to the Percent Disk Full and
Time Remaining estimation in the File > New… dialog box, or at the bottom right of
the main application window. The Record Time Remaining estimate is based primarily
on the current record configuration bit rate, the number of audio tracks selected, and
the available disk space.
Another important concept is that there is no parent-child relationship among clips.
The original clip name may be deleted without affecting any clip created by using Save
As. Renaming clips will never cause the Image Server to lose track of its relationship to
the original recorded data. The original recording will remain on the disk as long as
there is at least one clip file pointing to it. The original recording will be automatically
deleted when the last clip associated with it is deleted. Deleting all related clips is the
only way to free disk space.
Rename
Rename is a drop-down selection under File, allowing a new or more useful name to
be applied to an existing clip (Figure 8). Select Rename, and then within the window,
select the file to be renamed. Type a new name in the Rename window, then click the
Rename button. The old file name will be replaced with the new one.
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Figure 8: Renaming a Clip
Delete
One or more files may be deleted at once with the Delete command. There are four
ways to tag files for deletion:
Using the left mouse button highlight a file in the Files window, then press the Delete
key.
Select a file to be deleted using the left mouse button. While holding the mouse button
down, drag the mouse through other sequential files, highlighting all for deletion.
Then press Delete.
Select the first file in a sequential list of files to be deleted. Press and hold the Shift key,
then click on the last file in the list to be deleted. The selected list will appear
highlighted and all may be deleted with a single stroke of the Delete key.
While holding the Control (Ctrl) key down, click to select any number of files (in any
order) to be tagged for deletion, then press Delete.
Note: The Ctrl key is a toggle selector, and may be used to de-select files that were
accidentally highlighted. This is also useful in combination with the Shift key. A
large block may be highlighted using the Shift key, then use the Ctrl key and mouse
to de-select individual files from within the highlighted list. The Ctrl key may also
be used to add additional files to the block created with the Shift selection method.
Exit
Exit will close the current Channel window. On exiting, the user will be prompted to
save a recording if the file or its edits are new. Exit is grayed-out when Record or Edit
operations are currently in progress.
The Status Bar
A status bar appears at the bottom of the window that provides system information to the user
including GENLOCK, INPUT VIDEO DETECTED, and TIME REMAINING—PERCENT FULL. Messages such
as CONNECTED TO HOST or CONNECTION TO HOST REFUSED are also displayed to help diagnose
problems.
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Transport Controls
The clip window button functions are common to both recording and playing a clip. This
section introduces the buttons by function. See Recording on page 40, and Playing a Clip on
page 42 for relevant procedures.
Serial Control
Select the Serial Control check box to control the channel through the serial control ports
(VDCP, P2, or Odetics protocol). The GUI can take control of a channel at any time by de-
selecting the Serial Control check box. Return control to the remote controller by re-
checking Serial Control. If a remote controller is operating on the channel, de-selecting
Serial Control will allow the GUI to assume control of the channel and remote commands
will be ignored. Closing the channel window saves the Serial Control setting in the last-
selected state.
NOTE 1: When the Channel is under Serial Control, the Transport window will continue
to display current activity.
NOTE 2: Some remote controllers may need to be reinitialized to restore proper operation
after Serial Control released then reselected.
Current Time Code Display
A large Time Code display indicates the current position in the active clip, measured from
the Mark In point. When a clip is loaded to play, it will be cued at the Mark In point, which
may also be the SOM if no Mark In point has been set.
If Edit mode is entered, the clip will cue to the SOM. The time code display then shows the
current position, measured from the SOM.
Current Clip Name
This window, below the main Time Code Display, shows the name of the currently loaded
clip.
Channel Status Display
Located next to the clip name window, the Status Display reports the current state of the
transport: Stopped, Playing, Ready, Recording, Variplay, Busy, Cueing, Still, and Idle.
Record Button
The Record function is available only on Channel 1. It is disabled in Play mode. The
Record button becomes active after a new clip has been named under the File>New dialog.
Click on REC to initiate a recording. The button is illuminated red when recording.
A brief pause will occur when Channel 1 is switched between Play-Ready and Record-Ready
modes. The status display will report “Ready” when the new mode is available.
NOTE 1: An external genlock signal must be connected to the server to make recordings.
NOTE 2: The maximum recording time is about 12 hours. The Image Server will stop
recording and save the file at that time.
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Play Button
The Play function becomes available after a clip has been loaded for playback. ThePlay
button initiates playback at 1x speed.
Looping
A LOOP button appears in each channel transport window. This alternate-action button
causes a clip to repeat continuously. Loop is a feature that can be turned ON or OFF at any
time. It can be left ON during off-speed play or editing without any effect. Loop only works
when the button is ON and the clip plays at 1x for at least 10 frames before the Out Point.
Playing a loop must be initiated with the PLAY button.
Disengaging LOOP while a clip is playing will let it play to its end point, then stop. Use the
STOP button to stop the clip immediately.
Loop can be very useful when doing voice-overs, dialog dubbing, creating bugs, or logo
animations. Loops of scenes with similar-looking beginnings and endings can be edited to
appear nearly seamless.
Eject Button
Eject unloads a clip. Playback, recording, or any other transport operation is terminated.
Video will go to black. The clip is cleared from the channel. It is not necessary to eject a
clip before loading another.
Stop Button (Still)
Stop pauses the current clip during Play, Fast-Forward, or Rewind. Video appears as a still
frame. Click Play, FF, Rew, Jog, GoTo, or Shuttle to continue from the current position.
E-E Mode
This button appears only in the Channel 1 Record/Play window. Prior to recording, it is
useful to monitor a signal to be recorded, but from the server’s output. The term “E-E” (E-to-
E) refers to an electrical path through the server, from input to output connector, without
going to disk. E-E Mode toggles automatically as described below, but can also be switched
manually at any time.
When a new clip is created for recording, the E-E input monitor is automatically switched
ON. When a clip is opened for play on Channel 1, E-E monitoring is automatically switched
OFF.
When Channel 1 is switched to playlist mode, the E-E monitor is automatically switched
OFF. E-E mode cannot be toggled while the channel is in playlist mode.
When E-E is ON, the input video signal is routed to the CVBS and SDI outputs of Channel 1.
Manually toggle the E-E mode button OFF to switch the output to the disk, for conventional
playback operation.
Under automation control, Auto E-E behavior is slightly different than under GUI control.
The server will remain in E-E ON mode until a transport control command (Play, Stop, Jog,
etc) is received. After receiving such a command, the server will remain in E-E OFF mode
until the clip is ejected, a new clip is loaded, or record mode is entered. In record mode, E-E
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mode is ON. As with GUI operation, automation controllers may send E-E ON and E-E OFF
commands to override the automatic operation.
Fast Forward / Rewind Buttons
Fast Forward and Rewind buttons move the transport at high speed in the chosen direction.
Four speed choices are available in each direction. Click the button repeatedly for: 4x, 16x,
64x, and 128x. Audio does not play at these speeds.
Shuttle
The Shuttle control is a slider bar where the center detent represents 0 speed, or Still. The
right and left extents of theslider represent ±2x maximums. There are intermediate detents
in each direction, representing a linear scale with 0.1x increments. A display next to the
slider shows the numerical speed value.
This control plays the current clip in varispeed mode from 0 to ±2x (including a detent at
±1x). Because the shuttle control uses varispeed algorithms, even 1x varispeed may appear
to occasionally skip frames.
The Shuttle control slider works in three basic ways: Snap-Back to still, Hold Speed, and
Mouse Wheel.
·
In Snap-Back operation, click and drag the slide control to change speed. Releasing the
slider bar will let it snap back to zero speed, or still.
·
For Hold Speed operation, position the cursor over the slider control scale (not the slider
arrow) and click the left mouse button to increment the speed control. The transport will
run in the selected direction at the selected speed without holding the mouse button
down. The cursor may now be moved over the Stop button to wait for the desired point.
·
When using a scroll mouse, position the cursor over the slider scale and rotate the wheel
to increment speed. Rolling the wheel in opposite directions changes the direction the
arrow slider moves. To stop video, click the Stop button or the arrow slider.
Jog Buttons
The JOG + command will move to the next frame and go to Still. The JOG - command will
move to the previous frame and go to Still.
GoTo Buttons
In Edit mode, click the arrows ( |<, >| ) to go to the next trim point (Mark In or Mark Out) in
the selected direction. An additional click in the selected direction will go to SOM or EOM.
In Play mode, click |< or >| to go to Mark In and Mark Out points within the clip.
Keyboard Shortcuts
Many transport control and edit related functions can be performed by keyboard commands.
A complete list of these appears in Appendix C.
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Recording
Video recordings are made on the Image Server using the Channel 1 section of the graphic user
interface, or an external automation system. Channel 1 can also be used for playback when not
recording.
Setting up to Record
Image Servers were designed for use in genlocked facilities. Both the server and video sources
feeding it must be referenced to a common sync reference. This signal should conform to RS-
170 (composite video, black). When a genlocked source is not available, as in the case of
satellite receivers or non-professional tape machines, a frame synchronizer can be used to
1
create a synchronous source. Alternatively, the video output of a stable source can be
connected to a distribution amplifier and applied both to the server genlock input and to its
video input.
Several steps must be taken before making a recording on the Image Server:
1. A genlock signal must be applied to the rear panel Genlock connector. The server will not
enter record mode if it does not detect the presence of a genlock signal. The genlock input
has a fixed 75-ohm termination. Do not add another termination at any point on the
genlock cable.
2. The external genlock signal must be selected as the sync reference, using the On-Screen
user interface.
A. When working from theSerial Inputs, check the box marked SERIAL CONTROL.
B.
Eject any clip in Channel 1 and verify that the status window displays IDLE.
C. From the main menu bar select CONFIGURE>SYSTEM.
D. Select GENLOCK as the sync source.
E.
Click APPLY followed by OK. The Configure window will close.
F.
Check that the front panel GENLOCK LED is now illuminated.
Note: The INTERNAL sync reference setting (a crystal) can be used for playback, but not
for recording.
3. A genlock signal must also be connected to equipment originating the video signal to be
recorded on the Image Server. (See introductory paragraph of this section if there is no
provision for a genlock signal.)
1 Video frame synchronizers are available from a number of manufacturers from about $800.
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4. The Image Server can accept a video signal at either its composite video input, or its serial
digital (SDI) input. Verify that the input to be used is currently active. This selection is
performed from the Configuration option on the Main Menu bar.
A. Select CONFIGURE > CHANNEL 1… .
B.
On the Configuration screen that appears, select COMPOSITE or SDI.
C. Click on APPLY or OK to confirm the selection and close the window.
5. The Image Server records either two or four audio tracks according to a selection made in
the Channel 1 Configuration window. When a selection is made it will be saved for future
recordings.
A. Select CONFIGURE > CHANNEL 1… .
B.
On the Configuration screen that appears, select AUDIO 1-2, and/or AUDIO 3-4,
or none if you do not wish to include an audio track.
C. Click on APPLY or OK to confirm the selection and close the window.
6. The Channel 1 configuration screen provides a number of other choices you may also wish
to consider before making a recording. These include:
A. Select CONFIGURE > CHANNEL 1… .
B.
On the Configuration screen that appears, select CVBS / Discrete Audio, or SDI /
Discrete Audio, or SDI / Embedded Audio.
C. Click on APPLY or OK to confirm the selection and close the window.
These topics are covered in detail in the System Configuration chapter of this book.
Making a Recording
When the steps outlined in “Setting up for Recording” (above) have been done, you are ready
to record. Channel 1 can be used for recording or playback, but not both at the same time.
Before making a recording, channel 1 must first be placed in the Record Ready mode, which
takes two seconds. Once ready, any number of recordings can be made with no further delays.
Perform the following steps to enter Record Ready and make a recording:
1. When working from the On-Screen user interface, un-check the box marked Serial Control.
When using an automation controller or other RS-422 external controller, check the Serial
Control box.
2. Open the Channel 1 transport window. From the main menu bar, click
TRANSPORT>CHANNEL 1, followed by CLIP. This window contains all controls needed
to make a recording.
3. From the Channel 1 transport window clickFILE>NEW. A dialog box will open
prompting you to name the new recording before making it. In the lower window, enter
the name you wish to give it, using up to 32 characters. Spaces may be used; however,
characters other than upper or lower case letters and numbers (i.e. @#$%&*) may not be
used. A list of existing clips will appear in the large window, and can be used as a name
reference when creating new clip names.
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Figure 9: File Dialog Box
4. After a brief pause, the time code digits will appear and the server is in Record Ready
mode. A recording can be started without further delay.
5. Click the RECORD button. It will turn red while recording.
6. Click STOP when complete.
7. The server will remain in Record Ready mode, and additional recordings can be made
immediately by following steps 3 through 6.
If the server is available for use as an ingest station, two methods are available for auditioning a
new recording:
·
Channel 1 can play the recording immediately after it is made, but not during the recording
process. This approach is valuable if Channels 2 and 3 are in use for another purpose.
·
If Channel 2 or 3 is available, it can be used to play the recording while it is being made. A
short delay is required before a clip being recorded becomes available for playout.
Notes:
The maximum recording time for clips is about 12 hours. The Image Server will stop recording
and save the file at that time.
If an error that would corrupt the clip is detected during recording, the Image Server will
terminate the recording operation. The clip will be saved, and will contain all material up to
the point of corruption.
Do not change the record configuration (bit rate, GOP structure, number of audio channels,
etc) after a new clip is named and ready to record. The configuration changes will NOT be
applied to the cued recording. Set up the record configuration before naming the recording.
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Playing a Clip
Clips can be played on any of the three channels of the Image Server , except that when Channel 1
is used for recording, it is not also available for playback.
Setting up for Playback
The Image Server was designed primarily for use in genlocked broadcast facilities. Both the
server and video equipment following it should be referenced to a common genlock source.
This signal should conform to RS-170 (composite video, black). However, if the server is being
used for playback in a non-genlocked facility, its internal sync reference may be selected.
Perform the following steps before playing clips from the Image Server:
1. If a genlock signal is distributed through the facility, it should also be connected to the
server’s rear panel genlock connector. This input has a fixed 75-ohm termination. Do not
add another termination at any point on the genlock cable.
2. If an external genlock signal is available, it should be selected as the server sync reference,
using the graphic user interface.
A. When working from theGUI, un-check the box marked SERIAL CONTROL.
B. Eject any clip in Channel 1 and verify that the status windows displays IDLE.
C. From the main menu bar select CONFIGURE >SYSTEM.
D. Select GENLOCK as the sync source.
E. Click APPLY followed byOK. The Configure window will close.
F. Check that the front panel GENLOCK LED is now illuminated.
3. If the server is installed in a facility where no genlock signal is available, the Internal Sync
reference setting can be used for playback without genlock. Follow the steps in item #2
above, but select INTERNAL instead of GENLOCK. In this case the front panel GENLOCK
LED will not illuminate. Note that recording is not possible using the internal crystal as a
sync reference.
Playing a Clip
When the steps outlined above in “Setting up for Playback” have been done, you are ready to
play stored video clips.
1. When working from the serial interface or automation controller, check the box marked
SERIAL CONTROL.
2. Open a Channel transport window. From the main menu bar, click
TRANSPORT>CHANNEL 1, followed by CLIP. This window contains all controls needed
to play a clip.
3. From a Channel transport window clickFILE>OPEN. A dialog box will open containing a
list of existing clips. Click on the desired clip name, followed byOPEN.
4. The dialog box will close, and the channel transport window will show the selected clip
name and running time.
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Figure 10: Selecting a Clip to Open
5. Click PLAY to play the clip.
6. Click STOP at any time.
7. Additional clips can be played by following steps 3 through 5.
Additional channel transport windows can be opened, and multiple clips can be played at the
same time.
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Editing a Clip
The edit controls are activated with the Edit check box. This region contains a number of buttons
that define the beginning and end of a selected region, plus their associated time code displays.
Non-destructive Mark In and Mark Out trim points can be set to define a portion of the clip to be
played. These “pointers” do not create a new clip from the original material; they act like virtual
trims, and material outside of the trim points is excluded, but can be retrieved by resetting the
Mark points. After setting the Mark In and Mark Out points, clips will play between these points.
These values are saved with the clip.
Edits may be saved to the current clip by de-selecting the Edit check box, or choosingSave from
the clip window File menu. Save As works to save the edit points to a new clip name, even if the
edits have not been saved in the current clip. This is a great help while conducting an Edit-while-
Recording.
Edit-while-Recording
While clips may be edited after recording is complete, it is often desirable to create sub-clips
while the recording is still in progress. This is the preferred way to get sports highlights, for
example.
To do this, open the recording on either Channel 2 or 3 by selecting the clip name from the
File>Open menu (Note that recordings must be 10 seconds long before they appear in the clip
list).
Use the transport controls to select and mark the In- and Out-Points, as desired.
Without un-checking Edit, select File>Save As, enter a new clip name, and click Enter. A new
clip is created that will play only from the In-Point to the Out Point. This clip can now be
played on the third channel, or assembled into a playlist.
Now use the transport controls to locate the next desired In- and Out-Points and repeat the
Save As command as many times as desired.
As noted above, it is usually easier to leave the edit channel in Edit mode while you plan to
make multiple “Saved As” clips. If you de-select Edit, you will be given a choice to save or
discard the edit points. Remember that you will be saving the edits to the file that is currently
being recorded.
Mark In Button
Sets the current time code value into the Mark In point time display. The Mark In button can
capture a time code value from the clip when it is still, or on-the-fly.
Mark In Display
Displays the time code of the Mark In point. When no Mark In point has been set manually,
this displays the default SOM time code (00:00:00:00). Trim points will be automatically
rounded down to the nearest GOP boundary when edits are saved.
The values in this display window may be set by three methods:
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·
·
Trim Mark In point from the keyboard: Use the mouse or keyboard arrows to move
between fields. When a field is highlighted, enter a numeric value from the keyboard.
Trim Mark In point with up/down arrows: Use the mouse or keyboard arrows to move
between fields. When a field is highlighted, increment the up/down arrows (spin
wheels) to change a numeric value.
·
Whether a clip is still or playing, press the Mark In button to capture a time code value
from the clip.
Mark Out Button
Sets the current time code value into the Mark Out point time display. The Mark Out
button can capture a time code value from the clip when it is still, or on-the-fly.
Mark Out Display
Displays the Mark Out point time code. When no Mark Out point has been set manually,
this displays the default EOM time code (00:00:00:00).
The values in this display window may be set by three methods:
·
Trim Mark Out point from the keyboard: Use the mouse or keyboard arrows to move
between fields. When a field is highlighted, enter a numeric value from the keyboard.
·
Trim Mark Out point with up/down arrows: Use the mouse or keyboard arrows to move
between fields. When a field is highlighted, increment the up/down arrows (spinwheels)
to change a numeric value.
·
Whether or not a clip is still or playing, press Mark Out to capture a time code value
from the clip.
Duration Display
Displays the total running time (TRT) of the current clip. For example, if the first frame of the
clip is 00:00:00:00 and last frame displayed at the end is 00:00:01:15, the reported duration
will be 00:00:01:16. The difference between the time code of the last frame and duration is
accounted for because this calculation is zero-based, and both the first and last frames play,
so both are counted when calculating duration.
With NTSC drop-frame time code, the displayed duration may not be the exact numerical
value of ((Trim Out – Trim In) + 1) due to the discontinuities in the drop-frame time line.
Review Clip Button
The Review Clip button (|<–>|) cues the clip to the Mark In point (or SOM, if no Mark In
point exists) and begins playback. Review Clip will stop at the Mark Out point. The Mark
Out point will be displayed in Still mode.
The Review Clip button may be used to check the Mark In point without playing all the way
through the clip. After Review Clip is pressed and play begins, all of the standard transport
buttons are available for use.
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Review Out Button
The Review Out button ( –>| ) may be used to audition the Mark Out point without playing
all the way through the clip. It will cue the clip to three seconds before the Mark Out point
(or EOM, if no Mark Out Point exists) and then begin playback. Review Out will stop at the
Mark Out Point.
After Review Out commences, all of the standard transport buttons are available for use.
Time Code Display of Edited Clips
The GUI displays absolute time when in edit mode, and elapsed time, relative to the head
point, once the edit has been saved.
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Embedded Audio (Option)
Introduction
The Embedded Audio option for Image Servers is available as a factory-installed option, or
as an update for certain models of Image Server already in service. Embedded audio is based on
SMPTE 272M-A. Key features include:
·
Synchronous 20-bit audio at a 48K sample rate. Non-synchronous audio and other sampling
rates are not supported.
·
While up to 16 channels of audio may be present in an SDI stream (arranged in 4 groups of 4
channels), the Image Server records and plays back only Group 1 audio channels (channels 1-4).
·
·
In E-E mode, all embedded audio will pass through the Image Server unaltered.
The user can select audio to record from either a +4 analog, AES/EBU digital, or embedded
audio source. Mix-and-match among inputs is not supported.
·
Embedded audio is always included in the SDI stream on playback, and audio will
simultaneously appear on the AES/EBU or analog audio outputs, as selected by the audio card
option jumpers. When analog audio is selected, only channels 1 & 2 will be available at the
output.
·
User bits in the SDI embedded audio stream are not supported.
Setup
A software key is required to enable the Embedded Audio option. When purchased as a
factory installed option, the Image Server will ship with the key already entered and the Embedded
Audio option enabled. It will also include a certificate that contains the unique key code used to
enable Embedded Audio. Store this document in a safe location for future use.
If you have purchased Embedded Audio as an add-on to an existing Image Server, or if you
need to re-enter the key code for any reason, use the following instructions to enable Embedded
Audio.
From the main Image Server GUI window, click on Configure > Options…
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The following screen will appear:
Figure 11: Embedded Audio Configuration Window
·
·
·
Type the option key number supplied by 360 Systems into the Enter New Key text box.
Click on ‘OK.’
From the main GUI window, select START -> SHUTDOWN -> FULL RESTART to reset the
Image Server.
Embedded Audio is now enabled.
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Configuration
From the GUI window, click on Configure > Channel 1… . The Channel Configuration
window will appear. Use this window to configure Embedded Audio.
Figure 12: Channel Configuration Window
Input Source
Three buttons select the input source for video and audio. These are:
·
·
·
CVBS/Discrete Audio (composite video with AES/EBU or analog audio inputs)
SDI/Discrete Audio (serial digital video with AES/EBU or analog audio inputs)
SDI/Embedded Audio (serial digital video with embedded audio)
The discrete audio inputs can be either: two stereo pairs (4 channels) of AES/EBU digital
audio, or one stereo pair of +4dBu analog inputs, as determined by jumpers on the audio card.
Regardless of the input selected, audio will always appear in the SDI output stream as
embedded audio, and at the discrete outputs as either AES/EBU (digital) or as +4 dBu balanced
analog audio. The Image Server supports Group 1 embedded audio, which includes audio
channels 1-4, 20-bit, 48 kHz, synchronous audio, as per SMPTE 272A.
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Audio Sample Rate Conversion
Two check-boxes are provided to engage built-in sample rate converters for either (or both)
of audio channels 1 & 2, and 3 & 4. When checked, the incoming AES/EBU audio tracks are
converted to a 48K broadcast standard synchronized with video genlock.
Note: Audio sample rate conversion is not applicable for Embedded Audio and Audio Rate
Conversion boxes will be grayed-out if the SDI/ Embedded audio check-box is selected, or if the
XLR audio inputs are jumpered for analog audio.
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DV Video and Graphics
DV-format video and TARGA Graphics are standard equipment on Multi-Format Image
Servers. DV and Graphics is also available as an optional software accessory to extend the
capabilities of the Image Server. These features supports playout of DV-25 files in native format,
and TARGA graphics files including those with key and fill. DV and Graphics enables direct FTP
import from Photoshop®, After Effects®, Final Cut Pro®, Xpress DV/Pro™, Liquid Edition and Vegas
video.
With DV and Graphics, the Image Servers are able to function as both a graphics still-store
and an animation playout server. Three simultaneous outputs give it the power to combine video,
graphics and animation playback. Channels 2 and 3 can be ganged to provide key-and-fill playout,
while Channel 1 plays background video. The following capabilities are included:
Importing TARGA Graphics Files
The Image Server will recognize and ingest single-frame TARGA files via FTP from most
network-attached graphics workstations. TARGA files have a .tga extension, and may contain
an alpha (or key) channel. During transfer, the Image Server will split the TARGA file into a Fill
frame, and a Key frame if it exists. These will be converted to high-resolution MPEG-2 files,
one frame in length.
For example, if an original file is named Logo.tga, the MPEG-2 files created will be named
Logo.mxf (a fill file) and Logo_.mxf key (note the trailing underscore “_” added to the file name
of the key.) This allows the TARGA file to be used for key and fill applications.
Once a TARGA file is ingested, it exists only as an MXF MPEG-2 file. The processed file may
be transferred to-and-from network-attached storage, another Image Server , or a graphics
workstation, as two separate MXF MPEG-2 files.
The resolution of a TARGA image should be 720x480 for NTSC video or 720 x 576 for PAL. If
the original TARGA image is not of this resolution, the Image Server will re-scale it, possibly
introducing some dimensional distortion.
Animation Import
From the Image Server’s standpoint, an “animation” is a clip with a minimum length of two
seconds. A separate Alpha channel may or may not be present. Any graphics workstation
capable of exporting files supported by the Image Server can make transfers to it via FTP. If an
alpha channel is present, the naming conventions of the Key/Fill Mode apply. Many software
programs have the ability to create content compatible with the Image Server , including Final
Cut Pro® 4, Avid® DV Xpress, DV/Pro, Liquid Edition, Vegas video, and Adobe® After Effects®,
Premiere® and Photoshop®.
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FTP File Transfers
For standard FTP transfers, the Image Server will recognize the following file formats:
TARGA (.tga)
During transfer, the Image Server will split the TARGA file into a Fill frame and a Key (alpha)
frame. These two frames will each be converted to MPEG-2 files, one frame in length.
See “Importing TARGA Graphic Files” (above) and “Key/Fill Mode” (below) for additional
information.
DV Stream (.dv)
These are ‘elementary’ DV files containing a single stream of multiplexed audio and video.
The Image Server will recognize and maintain .dv extensions on DV stream files, allowing
transfer of .dv files between Image Servers and graphics workstations without modification.
Only audio at 48K, 16-bit is supported.
AVI Files (.avi)
An AVI file is a container that encapsulates and describes a type of interleaved audio and
video. The Image Server will import Type 1 .avi files (a single stream of multiplexed audio and
video) containing DV format video and 48K uncompressed audio. During ingest of .avi files,
the server will convert the file into a DV stream (.dv) for storage and future transfer.
MPEG-2 (.mp2, mpg, mpeg, m2v)
The Image Server will ingest valid MPEG-2 program streams or elementary streams. The
server’s ingest application will recognize a program stream that encapsulates a single MPEG-2
video stream, and up to 2 stereo pairs of 16- or 24-bit, 48kHz, uncompressed audio. 16-bit
audio files will be written into a 24-bit space.
MXF - Material Exchange Format (.mxf)
Transfer of MXF files between compatible products will be the preferred method of file
interchange to-and-from an Image Server. 360 Systems supports ingest and playout of MPEG-2
files based on SMPTE 377M, 378M and SMPTE 381M, Operational Patterns 1a and 1b.
Key/Fill Mode
When the “Gang to Ch2” box is selected in the Channel 3 transport control window, then a
pair of key and fill channels will be ganged and played together. Transport operations on
Channel 2 will control both Channel 2 and Channel 3. This allows the server to play locked,
frame-accurate key and fill material (either stills or clips) on Channels 2 and 3. Only a single
channel of an automation controller is needed to play both the key and the fill.
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Proper key and fill operation requires two clips of identical length, using the following naming
convention: (the clip “myfile” is used as an example)
Fill name: myfile
Key name (Alpha): myfile_. Note the underscore at the end of the key clip.
When a clip is opened/cued on Channel 2, Image Server automatically looks for another clip
with the same name, plus a trailing underscore. If the clip is found, it is loaded on Channel 3.
Typically, the Channel 2 clip contains the “fill” material, while the Channel 3 clip has the “key”
(or alpha) file.
An automation system, could, for example, issue a VDCP Cue command to Channel 2 for a
clip called “logo”. Channel 3 would automatically be loaded with clip “logo_”. A Still or Play
command sent to Channel 2 would cause both Channels 2 and 3 to display the fill and key
clips, respectively.
Note that the VDCP checkbox option to “show first frame” for a Cue command is ignored for
channels in ganged mode. The automation system must issue a Still command to Channel 2 to
achieve this effect.
Ingesting a TARGA file via FTP automatically creates a key clip and a fill clip, each a single
frame in length. For example, if file “xyz.tga” is transferred to an Image Server via FTP, then a
pair of single-frame clips is created: “xyz” and “xyz_” containing the fill and key material.
Still Frames
A single-frame clip (a “still”) may be inserted into a playlist. The length of a still will appear as
one frame in the clip list. When a still is encountered, the playlist will pause and hold the still
image until a Play command is issued, at which point the playlist will continue to the next clip
in the list. When using the GUI, the space bar (a keyboard shortcut) will also advance the
playlist. Stills may be placed anywhere in a playlist. In fact, a playlist may be entirely
composed of stills.
Stills are created when TARGA files are ingested. (See Page 51 for a description of TARGA file
ingest.)
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Advanced Playlisting
360 Systems’ new Advanced Playlisting software provides an extensive set of capabilities
for building, editing and playing complex sequences of program content to be played on an Image
Server. Advanced Playlisting appears as on-screen windows, with a clean Graphic User Interface
that makes it easy to run with no extra equipment. It’s invaluable for building commercial breaks,
news rundowns, still-store and clip lists. You can create and store as many playlists as needed,
each with its own unique name. For many users, Advanced Playlisting may be everything you’ll
need to go to air.
Figure 13: Play List and Clip List Windows for Advanced Playlisting
Advanced Playlist Features and Benefits
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Drag-and-drop playlist building and editing on a graphics interface
Edit lists while they’re running
Start at any point in a list
Displays run time for clips, plus segment length and total remaining time
On-the-Fly commands for Pause, Skip, Hold, Next and Jump functions
Six programmable GPI output events embedded in playlist clips
Programmable time-of-day start for a playlist
Generates an As-Run Log
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Figure 14: Screen Shot of Playlist Window
The Playlist Window
Advanced Playlisting appears as an on-screen window, accessed by clicking
Transport>Channel…> Playlist. It presents the following information displays, time displays,
control buttons and check-boxes to the user:
1. Title Column
The title column displays all clips contained in a playlist, with the first-to-play at the top.
Clip names of up 32 characters are supported.
2. Duration Column
The clip length is displayed in hours/minutes/seconds/frames.
3. Time Remaining Column
Time Remaining indicates when a currently playing clip will finish.
4. Status Column
Status refers to what has taken place, is now taking place, or will take place with regard to
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each clip.
BLANK
CUEING
CUED
WHITE
PURPLE
YELLOW
CLIP IS AVAILABLE TO PLAY
CLIP IS TRANSITIONING TO A CUED STATUS. MAX TRANSITION TIME IS 4 SEC.
CLIP IS READY TO PLAY ON COMPLETION OF TH E PRECEDING CLIP, OR WHEN THE
PLAYLIST STARTS, IF NOT PRESENTLY RUNNING.
PLAYING
DONE
GREEN
GRAY
RED
CLIP IS ACTUALLY PLAYING.
CLIP HAS PLAYED COMPLETELY, FROM FIRST FRAME TO LAST FRAME.
CLIP WAS NOT FOUND
MISSING
CLIPPED
PAUSED
GRAY
GREEN
CLIP BEGAN PLAYING, BUT DID NOT COMPLETE
CLIP HAS BEEN PAUSED. FURTHER, WHEN PAUSE IS ASSERTED THE PLAYLIST IS
NOT ADVANCING.
SKIPPED
GRAY
CLIP WAS SKIPPED, EITHER BY A NEXT OR CUE OPERATION , OR BECAUSE THE
SKIP CHECKBOX WAS SELECTED.
5. Item Column
This left-most column displays sequential clip numbers within a playlist, and also a SKIP
checkbox which, when un-checked, will skip over a clip, while leaving it in the playlist.
6. GPO Column
The GPO column shows whether a general-purpose control output, (number 1 through 6) is
programmed to become active during playout of a clip. (An ImageServer provides six GPI
outputs on a rear panel connector, which may be used to control switchers, character
generators or other devices.)
Time Displays, Buttons and Check-Boxes
The following buttons and check-box icons also appear in the Playlisting window:
PLAY / PAUSE (toggle)
When a Playlist is stopped, PLAY will cause the currently cued clip to play from its start. When the
Playlist is in PAUSE mode, PLAY will cause the Playlist to resume playing from the current
location. PAUSE stops the Playlist immediately, on the current frame of a clip.
STOP/SHOW
The Playlist will stop and video will go to black. The current clip will be re-cued from the
beginning. When a clip is cued, the button legend changes to SHOW. Pressing it will display the
first frame of the cued clip.
CUE
When a Playlist is running, CUE immediately prepares a selected clip for playback.
When the current clip is finished playing, the Playlist will play the Cued clip, followed by all
subsequent clips. This allows the user to jump over clips. The user may also re-cue a clip that has
already been played. In this case, the Playlist will restart from the selected clip, and all subsequent
events will be re-played in sequence.
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NEXT
While a Playlist is stopped, NEXT will prepare the next clip in the Playlist for playback. While the
Playlist is running, NEXT will immediately begin playing the next clip in the Playlist. (The next clip
may require several seconds to load and cue for a seamless transition.)
If the next event in the Playlist is a HOLD, the NEXT command will move to the Hold event, and
video will display black.
JUMP
Cues a selected clip for immediate playback. This allows the user to jump over clips, and clips that
have been already played can be re-cued. In this case, the Playlist will restart from the selected
clip, and subsequent events will be re-played in sequence.
H (HOLD)
Inserts a HOLD event in a playlist immediately before the selected clip. The HOLD command is
also available in the Playlist Item Context Menu, accessed by clicking in the playlist item window.
The PLAY or JUMP command will restart a playlist after it has stopped on a HOLD line.
HOME
In the event the user has scrolled a distance up or down in the List to perform some action, and
then wishes to again make the currently-playing clip visible in the List View window, HOME will
do this, and will also maintain the currently-playing clip within the window, if EDIT is off. If no
clip is playing, then the currently-cued clip is selected.
Segment Time Remaining Window
This window displays time remaining from present until the next HOLD command in the list.
Total Time Remaining Window
This window displays the total time of all clips that remain unplayed, including the present one.
Scheduled Start Time Window
This window can display a scheduled (time of day) start time for a playlist. When armed to start or
actually running, the time in this window appears in red. Click on any of the hours, minutes,
seconds or frames fields to edit it. Use the left and right arrow keys to change fields.
Play On Schedule checkbox
If a Scheduled Start Time has been entered, checking this box will arm it to begin at that time. This
box will automatically un-check itself after a scheduled start has commenced.
Loop checkbox
When checked, the Image Server will loop the entire playlist after the last clip completes. Upon
un-checking, the list will play to completion and then playback will stop.
Edit checkbox
Editing operations can only be performed when the Edit box has been checked. This box protects
the playlist content from accidental modification. When EDIT is on, the playlist window does not
automatically track the currently playing clip.
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The Clip List Window
The Clip List window displays all clips that are available on the Image Server, including title,
duration, and video format. The Clip List Window is the source for all clips used to build a playlist
in the adjoining Playlist window.
Figure 15: Clip List Window
Clip List Window
To open the Clip List window, click Window>Clip List on the Main Menu Bar. A clip may be
dragged from the Clip List window to a position on the playlist. The following rules will be helpful
when using drag-and-drop:
·
·
Drag-and-drop only works when a Playlist is in the edit mode (EDIT checkbox is checked).
When a clip is dropped, it will be inserted in the Playlist ABOVE the clip it was dropped
over, and will occupy the event number of that clip.
·
·
Clips can be rearranged within a Playlist using drag-and-drop.
Clips can also be dragged from other Playlist windows. To do this, the target Playlist must
be enabled for editing.
·
Clips cannot be inserted before a clip that is scheduled to begin playing within the next
four seconds (approx).
·
·
·
Drag-and-drop also works while a Playlist is running.
To copy a clip within a Playlist, hold the Ctrl key while selecting and dragging the clip.
Multiple non-consecutive clips can be selected by holding theCtrl key as you click. They
will insert into the list in alphabetical order.
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·
An entire range of clips can be selected by holding the Shift key and clicking two clips.
The following suggestions for advanced users apply to working in the Clip Window when only one
Playlist is enabled for editing:
·
Double-clicking a clip will append it to theend of a Playlist, if the Playlist’s Edit Box is
checked.
·
The Enter keywill append a selected clip to the end of a Playlist if its Edit Box is checked.
Programming GPI Outputs
The Image Server has six General Purpose Interface outputs, referred to as GPO 1 through GPO 6.
Any of these can be programmed to go active at a predetermined time, or Offset, after the
beginning of a Playlist clip. An active Duration can also be set, after which the output again goes
inactive. In all cases, every output will go inactive when a clip ends. By default, a new clip
contains no programmed GPI output commands.
Information on interfacing to GPI outputs will be found in Appendix A of the Image Server
Operations Manual.
Figure 16: GPI Output Editor Window
To configure GPI output events for a Playlist clip:
·
·
Open the Playlist for editing: Click theEdit check-box.
Right click on the clip to which you wish to assign GPI output events. Select the Edit
GPO… command from the Playlist Item Context Menu. The GPO Editor window will
appear. Note that you cannot otherwise edit a Playlist while the GPO Editor window is
open.
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·
·
Enable one or more desired GPI outputs, numbers 1 to 6, by checking its checkbox.
Select the GPO Offset with the mouse or by using the arrow keys on the keyboard (see
GPIO Editor Keyboard Shortcuts below). The Offset is a positive time value that determines
how long after the beginning of a clip its GPI output will become active.
·
·
Select the GPO Duration by using the mouse or the arrow keys.
Repeat the steps above for every output to be configured. Click the Apply button to make
the changes active and close the window.
GPI Output Editor Keyboard Shortcuts
Tab Cycles the keyboard focus through all buttons and numeric windows. On the GUI
each button, or other item that can be controlled by a keyboard command, will
appear surrounded by a dotted line.
Right Arrow Same as Tab, except it will also advance through individual timecode fields.
Left Arrow
Up Arrow
Same as Right Arrow, except it cycles in the opposite direction.
Increments the hours, minutes, seconds or frames field of a timecode window when
it has the keyboard focus.
Down Arrow Decrements the hours, minutes, seconds or frames field of a timecodewindow
when it has the keyboard focus.
Enter
Toggles the enabled/disabled state of a GPI output. This is the equivalent of
checking or un-checking the Enabled checkbox.
Programming GPI Inputs
The Image Server also provides six programmable GPI inputs, which can be used to initiate
playback of playlists, individual clips, and multiple groups of clips. Collectively, the server’s GPI
inputs and outputs present a powerful and universal interface to switchers, character generators
and other equipment.
Instructions for programming GPI inputs will be found in the System Configuration chapter.
Playlist Window Keyboard Shortcuts
Tab
Cycles the keyboard focus through all buttons and numeric fields.
C
CUE
E
Toggle Edit checkbox
HOLD
H
J
JUMP
L
LOOP
N
NEXT
P / Space
S
PLAY
STOP
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T
Toggle Arm Start Time checkbox
HOME
HOME
ENTER / RETURN
Invoke the Playlist Item Context Menu
OPEN PLAYLIST WINDOW ALT 1, ALT 2 or ALT 3
The As-Run Log
The Image Server’s Advanced Playlisting software is able to generate a log of all files played during
the execution of a playlist, within a 24-hour day. This data can be exported via Ethernet to an
external computer. As-Run logs are used in management and billing to document that
commercials or programs were actually played.
Enabling As-Run Logs
To turn on As-Run logs, open a Playlist window, select Options, then click on As-Run Logs.
When turned on, a check mark will appear next to the As-Run log label. Once enabled, any
files played by a playlist will be written to an As-Run log.
As-Run logs are available only through FTP downloads. After logging into an Image Server,
select the ASRUN folder. All logs are stored in this location, and have the extension “.arl”.
Sample As-Run Log
IS-76152 as-run (Ch2:KQRS) Engr Wed Feb 02, 2005 [Wednesday PM]
Pg 1
1 10:54:40 00:00:05:00 KRBE ID - Legal
PLAYED OK
PLAYED OK
PLAYED OK
PLAYED OK
PLAYED OK
PLAYED OK
2 10:54:45 00:00:30:00 Cellular One – Talk Time
3 10:55:15 00:00:30:00 Burger Stop – 2 for 1
4 10:55:45 00:00:15:00 Promo – Friends - Today
5 10:56:00 00:00:30:00 Bank of America – Gold Years
6 10:56:30 00:07:18:05 RICKI WEDNESDAY – SEG 1
As-Run Log Page Header
This section describes the format of the first line (page header):
IS-76152 as-run (Ch2:KQRS) Engr Wed Feb 02, 2005 [Wednesday PM]
Pg 1
IS-76152: IS-XXXXX, where XXXXX is the unique machine ID. This is the same ID that is
used to create keys for optional software.
As-run (Ch2:KQRS): ChX is the channel number and KQRS is the name of the specific
channel, as defined in the Configuration System window.
Engr: The name of the Image Server, as defined in the Configuration System window.
Wed Mar 30, 2005: The base date to which clip times are referenced.
[Wednesday PM]: The name of the playlist
Pg 1: The page number of the printout.
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As-Run Log Body
This section describes the format of the body of an As-Run log:
2 10:54:45 00:00:30:00 Cellular One – Talk Time
PLAYED OK
2: The line number (order) of the clip as it appears in the playlist. The same clip could have
multiple numbers as files are added or deleted.
10:54:45 The time at which the clip was played in HH:MM:SS, on a 24-hour clock.
00:00:30:00 The length of the clip in HH:MM:SS.FF, on a 24-hour clock.
Cellular One – Talk Time: The name of the clip.
PLAYED OK: The status of the played clip. Other possible status conditions are CLIPPED
(meaning less than its full length played); SKIPPED (meaning it was skipped over); and
STOPPED (meaning it was stopped during playout.
Configure System - Names
The name for a particular Image Server, and its three video channels, can be set using the
Configure>System>Names tabs of the main menu bar. Select OK or Apply after entry.
These names will appear on all subsequently generated As-Run logs.
Figure 17: Screen Shot of Name Configuration for Image Server
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FTP Transfer of As-Run Log
The As-Run logging function within Advanced Playlisting can be turned on or off. In the
Playlist window, select Options>As Run. When the playlist is run, all clips played, clipped
or skipped are logged to a text file.
The file is accessed by logging on to the Image Server’s FTP service and opening the folder
AsRun. The As-Run log contained in it can be transferred from an Image Server to another
computer using standard FTP transfer tools. The FTP window can be treated like any other
Windows Explorer window.
Using Microsoft Internet Explorer, FTP into the Image Server. A folder named “asrun” will
be listed in the Directory Contents. To copy the As-Run log to you computer, double click
on the ‘asrun’ folder.
Figure 18: Screen Shot of As-Run Folder in Image Server Directory
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As-Run logs are located in this folder, as shown below. Right-click the file to be transferred, and
choose either “Copy to Folder…” or “Copy” from the drop-down menu. Windows will then prompt
you to select a file folder in which to store the log. Alternative FTP programs will provide similar
transfer means.
Figure 19: Screen Shot of As-Run .arl Files
As-Run Log Naming Convention
Using the file “0225.1_test3.1.arl” as an example, the As-Run naming convention is as
follows:
0225: The month and day (Feb 25) on which the playlist was opened for playout.
1:
test3: The name of the playlist.
1: The instance of the playlist. Each time you open a single playlist more than one time
in a single day, this number will automatically increment to maintain unique filenames.
arl: The file extension designating a 360 Systems Image Server As-Run log file.
Note: “.” and “_” are used as delimiters within the As-Run log file names.
The Image Server channel on which the playlist was played.
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Editing a Clip
Although not a part of Advanced Playlisting, the Image Server provides accurate tools for trimming
the head and tail of a clip. Trimming and playlisting together allow the Image Server to create
accurate and complex rundowns. Trims do need to be performed before inserting a clip into the
playlist.
The edit controls are activated with the Edit check box on each channel’s GUI window. This
region contains a number of buttons that define the beginning and end of a selected region, plus
their associated time code displays.
Non-destructive Mark In and Mark Out trim points can be set to define a portion of the clip to be
played. These “pointers” do not create a new clip from the original material; they act like virtual
trims, and material outside of the trim points is excluded, but can be retrieved by resetting the
Mark points. After setting the Mark In and Mark Out points, clips will play between these points.
These values are saved with the clip.
Edits may be saved to the current clip by de-selecting the Edit check box, or choosingSave from
the clip window File menu. Save As works to save the edit points to a new clip name, even if the
edits have not been saved in the current clip. This is a great help while conducting an Edit-while-
Recording.
Mark In Button
Sets the current time code value into the Mark In point time display. The Mark In button can
capture a time code value from the clip when it is still, or on-the-fly.
Mark In Display
Displays the time code of the Mark In point. When no Mark In point has been set manually,
this displays the default SOM time code (00:00:00:00). Trim points will be automatically
rounded down to the nearest GOP boundary when edits are saved.
The values in this display window may be set by three methods:
·
Trim Mark In point from the keyboard: Use the mouse or keyboard arrows to move
between fields. When a field is highlighted, enter a numeric value from the keyboard.
·
Trim Mark In point with up/down arrows: Use the mouse or keyboard arrows to move
between fields. When a field is highlighted, increment the up/down arrows (spin
wheels) to change a numeric value.
·
Whether a clip is still or playing, press Mark In to capture a time code value from the
clip.
Mark Out Button
Sets the current time code value into the Mark Out point time display. The Mark Out button
can capture a time code value from the clip when it is still, or on-the-fly.
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Mark Out Display
Displays the Mark Out point time code. When no Mark Out point has been set manually,
this displays the default EOM time code (00:00:00:00).
The values in this display window may be set by three methods:
·
Trim Mark Out point from the keyboard: Use the mouse or keyboard arrows to move
between fields. When a field is highlighted, enter a numeric value from the keyboard.
·
Trim Mark Out point with up/down arrows: Use the mouse or keyboard arrows to move
between fields. When a field is highlighted, increment the up/down arrows (spinwheels)
to change a numeric value.
·
Whether or not a clip is still or playing, press Mark Out to capture a time code value
from the clip.
Duration Display
Displays the total running time (TRT) of the current clip. For example, if the first frame of the
clip is 00:00:00:00 and last frame displayed at the end is 00:00:01:15, the reported duration
will be 00:00:01:16. The difference between the time code of the last frame and duration is
accounted for because this calculation is zero-based, and both the first and last frames play,
so both are counted when calculating duration.
With NTSC drop-frame time code, the displayed duration may not be the exact numerical
value of ((Trim Out – Trim In) + 1) due to the discontinuities in the drop-frame time line.
Review Clip Button
The Review Clip button ( |<–>| ) cues the clip to the Mark In point (or SOM, if no Mark In
point exists) and begins playback. Review Clip will stop at the Mark Out point. The Mark
Out point will be displayed in Still mode.
The Review Clip button may be used to check the Mark In point without playing all the way
through the clip. After Review Clip is pressed and play begins, all of the standard transport
buttons are available for use.
Review Out Button
The Review Out button ( –>| ) may be used to audition the Mark Out point without playing
all the way through the clip. It will cue the clip to three seconds before the Mark Out point
(or EOM, if no Mark Out Point exists) and then begin playback. Review Out will stop at the
Mark Out Point.
After Review Out commences, all of the standard transport buttons are available for use.
Time Code Display of Edited Clips
The On-Screen interface displays absolute time when in edit mode, and elapsed time,
relative to the head point, once the edit has been saved.
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Automation Control
Image Servers can be controlled by leading broadcast automation systems, instant replay
panels, video switchers, and many remote control devices. The Image Server accepts VDCP, P2,
and Odetics commands generated by most automation systems, on three 9-pin connectors. To
provide compatibility with simple controllers and push buttons, the server also provides GPI
(contact closure) inputs, and programmable command outputs.
Remote Serial Control
The Image Server’s three 9-pin serial control ports allows independent control of its video
channels. Each port can respond to channel ID numbers that are equal to, or multiples of, its base
number. For example, channel 1 will also respond to 4, 7, 10, etc. This can be helpful when
automation system needs to control many Image Servers at once.
Only one serial controller can control a video channel at a time. For example, the Image
Server’s multiple serial ports allow simultaneous connection of an automation controller and a
desktop editing controller. In this way, one could configure an edit controller on Channel 1 for
record, playout, and editing, while an automation controller on Channel 2 manages play-to-air
operations. Alternatively, a single controller could control the operation of all Image Server
channels.
Controller Priority
When the Serial Control box is checked, the first controller to gain control of a video channel will
have exclusive command. This prevents conflicting instructions from causing unexpected
behavior. However, a local user may take control of a channel by de-selecting the Serial Control
check box in that channel’s dialog window. A GUI window will pop up, indicating that the user
is about to take control from the Serial Port. Select YES to take control. The user may also take
control of the channel by selecting Control > Take Control from the Transport menu.
Many remote control protocols do not provide a method to send a “disconnect” message to the
Image Server, or communication might be lost before a disconnect command is received. This
may make it difficult for more than one controller to share a video channel. If a channel becomes
locked to a controller, you may use theGUI channel control window to break the lock by
deselecting Serial Control mode. Another controller may be connected to the channel by selecting
Serial Control and sending the new connect commands from the remote controller.
Communication Protocol Setup
Image Servers support VDCP, P2 and Odetics command protocols. Set the desired protocol for
each server serial port with the Serial Ports dialog box of theGUI, as shown in the following
illustration. From the main menu, select Configure, then System, then the Control tab.
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Figure 20: Control Protocol Setup Window
VDCP Options
As illustrated in Figure 13, a number of check boxes are provided that control how the Image
Server will respond to certain VDCP commands. Once set, these options remain selected when
the server is turned off, and until changed by the user.
Cue Shows 1st Frame
Upon receiving a Cue With Data or a Play Cue command, the server will cue the clip then jog to
and display the first frame of video.
Cue with Offset (vs. Timestamp)
When checked, the time code for the clip becomes “zero-based” with reference to the head point.
To move to the head point of the clip, the automation controller would send a time code value of
00:00:00:00, regardless of the clip’s original time stamp. When unchecked, the Image Server will
calculate time code position based upon the time stamp from the first frame of the original,
unedited clip.
Vari-Play 1X Equals Play
Image Server will interpret a Vari-play 1x command as a Play command.
Vari-Play 0 Equals Pause
Image Server will interpret a Vari-play 0x command as a Pause command.
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Report Play (vs Still) At End
When the end of the clip is reached, Image Server will report Play to the automation controller,
instead of Still.
Ignore Preroll Commands
The default value for Image Server’s Preroll time is 10 frames. Automation controllers generally
have the ability to set this value in their own configuration menus, negating a need to adjust this
value dynamically. This box should typically be checked.
Auto E-E
Toggles Auto E-E mode.
Communication Port Parameters
The serial data transfer parameters for the Image Server are fixed, and cannot be changed. These
characteristics are common to all automation controllers:
Baud Rate
Start Bits
Data Bits
Parity
38.4 K Baud
1
8
Odd
1
Stop Bits
Tested Automation Controllers
The Image Server has been tested by 360 Systems and manufacturers of equipment listed below,
and found to operate correctly. This list is not comprehensive, and the inclusion or absence of a
product does not indicate a preference for any make or model. Operational variations do exist
between makes and models.
Manufacturer
HARRIS AUTOMATION
SUNDANCE DIGITAL
NVERZION
Controller
Protocol
VDCP
VDCP
VDCP
VDCP
VDCP
VDCP
VDCP
P2
Notes
ADC-100
ALL HARRIS CONTROLLERS SAME
FAST BREAK
EMC-NT
CRISPIN CORP.
FLORICAL
SYSTEM 2000
AIR BOSS
DTG
AIRO
LEIGHTRONIX
TDC/IP
TIGHTROPE MEDIA
HARDATA
CABLECAST
HDX VIDEO
PVTV-PLUS NEWS
ODETICS
VDCP
ARGENTINA / SOUTH AMERICA
ALL CR SERIES
THOMSON-PARKERVISION
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Tested Remote Control Panels and Switchers
The Image Server has been tested by 360 Systems and manufacturers of the remote control devices
and video switchers listed below, and found to operate correctly.
Manufacturer
Controller
SYNERGY® SWITCHERS
4000-CL
Protocol
VDCP
VDCP
P2
Notes
ROSS VIDEO
DNF CONTROLS
DNF CONTROLS
ASH VALE
ALSO USED WITH DNF SHOT BOX
BVW-75, ALSO ODETICS PROTOCOL
SLOW MOTION CONTROLLER
300-SSM
SM-2
P2
BUF
VTC-4000
P2
BVW-75, ALSO ODETICS PROTOCOL
ALSO ODETICS PROTOCOL
BUF
SPOT
VDCP
ODETICS
VDCP
LANCE DESIGNS
HI-TECH SYSTEMS
TDC-100
ACTIV CART BOX
ALL VDCP PRODUCTS SAME
The Image Server can play video with seamless transitions from all three outputs. (Earlier software
versions had 2-channel modes and 3-channel modes; software upgrades now produce gap-free
playback under all conditions.) A 10-frame pre-roll is required to allow the server time to access
video data for playback.
Uses for Extra Server Ports
If a video port on the server is not designated for a purpose, there are several good uses it may be
put to that take only a small amount of extra work and resources, and enhance overall system
capability:
·
·
A fully functional, wired, and running backup channel in the event of a problem on a video
output.
A preview channel for independent browsing/viewing of a clip.
Concurrent Playback
All clips on an Image Server can be accessed concurrently by multiple applications. This means
for example, that a clip can be played on multiple channels; may be played while recording; or
may be transferred to another machine while playing. This can also be done on multiple channels,
allowing a single clip to play concurrently with several different offset times.
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System Configuration
There are many configuration settings available in the Image Server 2000 and the Multi-
format Image Server. The location of each group of settings is associated with its usage. Generally,
there are two types: System and Channel. The Date/Time setting applies to the entire system, but is
accessed directly from the Configure menu. Channel configuration settings are separated into
Input and Output groups.
Setup configuration menus can be accessed from theMain Menu > Configure choice.
System
Open this dialog window to configure general control and sync parameters, such as GPI, sync,
time code, and video standards. See System Configuration Options below for more
information.
Options
Optional features purchased along with Image Servers include a certificate with a unique 16-
digit Key code. Keep this certificate in a safe location. While optional features are generally
installed and activated at the factory, the Key code will be required should you ever need to
perform a fresh software install on your Image Server. If you purchased an optional feature
(such as Embedded Audio or DV and Graphics), separately from your Image Server, a
certificate will be included with your updated software. To enable purchased options, select
Configure > Options… and enter the Key value found on the included certificate.
Figure 21: Configure Options Window
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Date/Time
Open this dialog window to set the Image Server internal system date and time. This
information will be used to time stamp the data files of new recordings. All channels must be
idle to change the Date/Time setting.
Channels
Select a video channel from this dropdown menu to configure channel-specific audio, video,
and time code parameters. For more information about changing channel setups, see Channel
Configuration on page 82.
Many options are presented on a single screen. Some choices logically exclude others. When
making certain selections, other selections may become available, unavailable, or have
different range limits. Options that become unavailable will be grayed out.
To accept changes made to the configuration dialog box, click Apply. Click OK to accept
changes and close the configuration dialog window. ClickCancel to close the window and
discard any changes. Changes will become effective when the channel starts the next (new)
recording.
System Config Options
The Configure System dialog box contains several tabs that organize general machine settings:
Timing Tab
Select the Timing tab to configure the following parameters:
System Parameter
Video Sync
Value
Genlock, Internal
Genlock Timing
Lines: -4 to +12
Pels: -200 to +200
Output Mode
2- or 3-Channel
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Figure 22: System Timing Configuration Window
Video Sync
During normal operation, the Image Server must be referenced to an external genlock
reference in the form of CVBS Black. A BNC connector is provided for this purpose on the
rear panel. An internal crystal reference is also provided when Image Server is used as a
stand-alone player, or for convenience in performing tests in the laboratory.
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The front-panel Genlock indicator provides the following information:
If the external sync reference is good, the Genlock indicator will light.
If the external sync reference is bad, theGenlock indicator will blink.
If the internal reference is selected, theGenlock indicator will not light.
Recording is not possible without an external Genlock reference.
Video Format
The Image Server is delivered in different models for NTSC or PAL. Files can only be played
by the machine model for which they were recorded.
Genlock Timing
Upon selecting the external sync reference, the video timing may be adjusted in terms of
lines (H sync) and pels (pixels) with reference to the external sync.
Color Framing
The Color Framing toggle setting allows all channels to achieve the correct color frame
sequence. Image Server’s video channels are always correctly aligned with respect to each
other; however, after cycling power, color framing could be out of phase with reference to
the external genlock input. Color framing errors may appear as brief horizontal image shift
when switching between separate video sources.
NTSC Models: The Color Framing toggle button advances the phase of all channels by 180
degrees with respect to the external genlock signal.
PAL Models: The Color Framing toggle button advances the phase of all channels in 90
degree increments, with respect to the external genlock signal.
The Color Framing toggle setting is retained during a warm reset (i.e. by selecting “Reboot
Image Server” from the GUI Start menu), but is not restored after a cold shutdown (by either
selecting “Halt Image Server” from the GUI Start menu, or powering down the Image Server
by pressing the front panel power switch). In the case of a cold shutdown, Color Framing
may need to be toggled to properly align with the external genlock input.
The Color Framing toggle setting will have no visible effect when Video Sync is set to
Internal.
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GPI Inputs, Programming
Six GPI inputs are available for remote control of Image Server functions. Each is internally
pulled high to +5 volts, and is active when pulled to ground through a contact closure.
Two drop down menus provide independent selection of control functions and channel
assignments for each GPI input. Assignable functions include Play, Stop, Re-cue, Record,
and Pause. Each may be mapped to Channel 1, Channel 2, Channel 3, Channels 1+2,
Channels 2+3, or Channels 1+2+3.
Figure 23: GPI Input Configuration Window
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GPI Outputs, Programming
Six GPI outputs are available for use as tally or status indicators, driving an LED or logic
input. Outputs are open collector, active low.
Two drop down menus provide independent monitoring for each output. Available status
parameters include Idle, Playing, and Recording. Each of these states may be monitored for
Channel 1, Channel 2, Channel 3, Channels 1+2, Channels 2+3, or Channels 1+2+3.
Figure 24: Output Configuration Window
The GPI connector pinout will be found in Appendix A.
Control
Descriptions of Control features may be found in the Automation Control section starting on
page 69.
Time Code
The Image Server supports only drop frame time code for NTSC operations.
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Figure 25: System Time Code Configuration Window
Names
The Main Image Server GUI window and each of the individual Channel windows may be
assigned unique names. This is especially useful when using either the Remote GUI or
operating multiple Image Servers from a single computer monitor (using a KVM switch).
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Figure 26: Configure SystemNames Window
Network
A complete description of the Network window may be found in the Configuring Network
Settings section beginning on page 99.
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Channel Configuration
Input channel configuration pertains to recording processes, which take place on Channel 1.
Output configuration pertains to playback variables, and can be set individually for each of the
three server channels.
Changes made to recording parameters are recognized by the server the next time a clip is created
(from the GUI, when FILE>NEW>CREATE is invoked). If the bit rate is changed, for example,
after creating the clip name, but before recording, the change will not be applied to this recording.
Do not make changes to a recording’s characteristics after you have initiated it.
Input Configuration
The factory default settings for Input Channel Configuration are presented for reference.
Most of these video encoding options will be suitable for general broadcast operations, but
may not be optimum for contribution content or low bit rate use.
INPUT SOURCE
CVBS
MPEG-2 PROFILE
GOP STRUCTURE
BIT RATE
4:2:2
I-FRAME
25
TRACK ARM
Video
ON
ON
OFF
OFF
Audio 1-2
Audio 3-4
CC
AUDIO Sample Rate
Conversion
Tracks 1-2
Tracks 3-4
OFF
OFF
TIMECODE SOURCE
MANUAL
Start:
00:00:00:00
Table 1: Channel 1 Factory Default Settings
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Figure 27: Channel 1 Input Configuration Dialog Window
Input Source
Select either CVBS (composite analog), or SDI (serial digital) for the input source.
Track Arming
The Image Server records video, audio and closed caption information as separate files that
comprise a clip. Video is always recorded; select the additional sources you wish to record.
For certain video material such as keys or wallpaper no audio is needed. For analog audio
recording, a choice of zero or two audio channels is available. With digital audio, a choice of
zero, two, or four channels may be made. Since the Image Server records 24-bit uncompressed
PCM, a worthwhile savings of disk-space can be achieved by turning off audio tracks when not
needed.
Audio Sample Rate Conversion
The Image Server always records audio at 48 kHz. Select Sample Rate Conversion to convert
off-speed digital audio sources to the Image Server’s 48 kHz internal clock rate.
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Use Sample Rate Conversion with any 48K signal that is not referenced to either the same
source as genlock, or the digital outputs of the Image Server.
Bit-for-Bit® Recording & Playback
The recording, storage, and playback of audio program material such as Dolby®-E, Dolby
Digital (AC-3), or DTS® requires that upon playout the data stream be identical to the original.
Do not use the audio sample rate converters when working with these encoded audio formats.
The Image Server and a Dolby encoder must be supplied with the same genlock signal.
Audio Sync Reference
The audio sample rate is derived from the selected video sync reference. Audio is recorded at a
nominal 48K sample rate, so the 0.1% pull-down for 29.97 NTSC is taken into account when
generating the audio sample rate for color NTSC. There is no drop frame issue for PAL servers.
Time Code Source
This function selects the time code source for newly recorded clips. A time code value is
obtained from the selected input source at the start of a new recording. Choose VITC, LTC, or
Manual input source. For manual, enter the desired time value for the first frame of the
recording in the Starting Time Code entry field.
The selected time code source value can be viewed in the Channel 1 CVBS Time Code burn-in
window when E-E mode is monitoring the input source and no clip is cued. When recording
begins, E-E mode switches the monitor from the input to the disk and the Time Code burn-in
window shows the current time code position.
MPEG-2 Profiles
Select either Main Profile @ Main Level (4:2:0), or 4:2:2 Profile @ Main Level for the
recording.
GOP Structure
GOP structure defines the MPEG Group of Pictures coding as combinations of I, P, and B
frames. The allowable combinations are presented in a drop-down list. I-Frame only encoding
will produce the least compressed picture and requires the most hard disk space. However, I-
frame encoding facilitates frame-accurate editing. For broadcast-quality resolution, I-frame
encoding should be considered at 20 or 25 Mb/sec. When frame-accurate edits are required
for production work, an I-frame GOP structure should be selected. Very low bit rates should
never be employed with I-frame encoding.
Long-GOP video recorded with P and B frames produces superior image quality for a given
data rate, compared to I-frame. Most broadcasters go to air with 10 or 12 Mb content, having
medium-length GOPs.
Encode Mode
Image Servers employ Variable Bit Rate (VBR) MPEG-2 encoding. For almost all broadcast
applications, VBR encoding produces superior results than its alternative, Constant Bit Rate.
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Maximum Bit Rates
The range of available bit rates depends upon the MPEG-2 profile selected. In Main Profile @
Main Level, the record bit rate ranges from 2 Mb/s to 15 Mb/s. When the 4:2:2 Profile is
selected, the range extends from 2Mb/s to 50 Mb/s.
Output Configuration
Select a channel from the dropdown menu. For Channel 1, select theOutput tab.
To accept changes made to the configuration dialog box, click Apply. Click OK to accept
changes and close the configuration dialog window. ClickCancel to close the window and
discard any changes. Changes to the Time Code Burn-in position are effective immediately.
Changes to the Audio Slip will be effective when the clip is reloaded.
Figure 28: Channel Output Configuration Window
Time Code Burn-In
This area of the dialog window sets the Time Code Burn-In ON or OFF. When it is set ON,
choose the display position on the video monitor from the drop-down list.
SC/H Phase
Adjusts the Sub-Carrier/Horizontal phase relationship. Use a vector scope to view the phase
relationship and adjust the setting. Changes to the setting are effective immediately without
clicking Apply or OK. The adjustment range is ±90°.
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Audio Slip
Audio timing relative to picture output can be configured for audio channels 1-2
and 3-4. The value is set in millisecond (ms) increments, ±1,000ms. The setting is applied
to a clip when it is loaded for playback.
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Hard Disk Management
This Image Servers employ an advanced Serial-ATA controller that manages four high-
capacity hard disks operating in a RAID-5 configuration. This design increases system
performance, and by storing parity data, helps prevent data loss should a drive fail.
The Image Server brings a high level of reliability to Serial-ATA RAID through a new,
switched architecture that exceeds the reliability of SCSI shared-bus storage systems. The earlier
shared-bus architecture of SCSI has inherent performance limitations due to arbitration latency,
since only one drive may use the bus at a time. Further, a single drive failure can bring the entire
storage system down.
By contrast, the Image Server uses a non-blocking switched architecture to isolate the drives
from one another. Any drive failure makes that drive unavailable and the rest of the storage system
remains undisturbed. In addition, the Image Server uses Advanced Data Protection features, where
all drive commands are checked to ensure that no command corruption has taken place over the
entire data path.
Some of the Image Server RAID implementation features and benefits include:
·
·
·
·
·
Non-blocking switch technology with RAID 5 parity
On-board processor minimizes host CPU overhead
Easy-to-configure arrays
Dynamic sector repair for robust data protection
Accelerated RAID-5 writes
About RAID 5
A RAID 5 configuration features the data striping of RAID 0 combined with the parity benefits of
RAID 4. Using a simple parity (exclusive OR) function, RAID 5 can tolerate the loss of one drive.
Parity information is distributed across all drives rather than being concentrated on a single disk.
This avoids throughput loss due to contention for the parity drive. Spare drives can be used to
rebuild a failed array.
RAID-5 capacity equals the size of drive times (number of drives -1). In addition, the array’s
storage efficiency increases with the number of disks; from 66.7 % for 3 drives to 75 % for 4
drives: storage efficiency = (number of drives -1) X (number of drives).
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RAID Level 5:
“Independent Access Array with Rotating Parity”
High Data Reliability & Transfer Capacity
DATA
Disk Array
Controller
Array Management Software
Provides Logical to Physical Mapping
1
4
2
5
3
P
6
P
Physical
7
P
P
8
9
10
11
12
Disk 0
Disk 1
Disk 2
Disk 3
Figure 29: RAID 5 Array Schematic
Improved Write Performance
The Image Server uses new designs to improve RAID-5 write performance for both large
sequential and small random transactions. This advanced block caching firmware delivers
extremely high performance for RAID-5 write operations.
Managing Disk Arrays
The Image Server’s Disk Array Configuration Utility provides tools for monitoring and
managing the disk array. Monitoring and troubleshooting programs automatically check the
array, report problems, and provide access to RAID status information and service options.
A single drive fault should not cause data loss, but the drive array is degraded and no longer
has storage redundancy. Hence, another disk failure may cause a complete loss of data and
system failure. After a drive failure it is strongly recommended that at the earliest time
diagnostics be performed, and the server be taken off line while the RAID array is rebuilt.
Error Notification and Repair
The Image Server will notify users in the event of a fault by flashing the front panel DRIVES
light. A flashing DRIVES light can be trigged by a variety of conditions. The first step in
response to a flashing light is to open the RAID CHECK STATUS window from the On-Screen
Start Menu. Click Start > RAID Status to launch the Array Configuration Utility.
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The RAID CHECK STATUS window (Figure 22) displays the current status of the RAID
controller and all disks connected to the RAID system. On inspection, you will find the array
in one of the following states:
·
·
·
·
OK, indicated by "OK" for Array Unit 0 and all Ports (drives);
Initializing, indicated by "Initializing" on the Array Unit 0 status line;
Degraded, indicated by "Degraded" on the Array Unit 0 status line;
Rebuilding, indicated by "Rebuilding x%" on the Array Unit 0 status line.
Initializing is the way that the array controller corrects data parity errors that may have occurred
because of power loss, incorrect shutdown, or some other data error. Upon detection of a
parity error, the controller will automatically start the initialization process as a background
task. This task should not interfere with Image Server’s ability to record or play clips.
Parity errors may occur if the Image Server loses power, or is improperly shut off. No data will
be lost, but the parity reinitialization process may take several hours. NEVER use the rear panel
power supply switch to shutdown the Image Server. Shutdown the system only by
momentarily pressing the front panel power button or selecting Start > Shutdown >
Shutdown from the graphic user interface.
A degraded array with a drive listed as “Not In Service” or “Inaccessible” is usually indicative of
a permanent drive error, typically a single disk or cable failure, but redundant data will allow
normal operations to continue. You may first try to rebuild the array with the existing drive still
installed. If the array continues to indicate a failed drive, replace the drive and then rebuild the
array. A hard disk array must be repaired using exactly the same drive model and capacity as
other drives in the array. Because specific drive model become unavailable as time goes on,
360 Systems recommends that maintenance spares be purchased at the same time as the Image
Server.
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Log-In to the RAID Utilities
Figure 30: Log-In to RAID Utilities
To log in to the RAID utilities, perform the following steps. The above window will appear.
·
·
Open the RAID utilities by selecting START>SYSTEM>RAID STATUS
A Security Alert window will pop up and provide information about a security certificate.
Select Yes to proceed.
·
·
·
·
In the Login window, select ADMINISTRATOR from the drop down menu.
In the Password window, make no entry. (leave it blank)
Click the Login Button to enter the Login Utilities.
The Summary screen will be displayed. A message under theStatus heading may appear.
This can be either a WARNING or an ERROR, depending upon the severity of the problem.
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Displaying the Summary Window of the Raid Array
Figure 31: Checking Status of RAID Array Through the Summary Window
The RAID controller keeps track of any condition that would adversely affect its reliability. In
the event that an error should occur, the Summary Window will be helpful in diagnosing the
problem.
The above drawing will appear.
·
·
·
Make note of any error conditions reported.
Select MANAGEMENT>MAINTENANCE from the screen.
The following screen will provide detailed information about the array status.
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Determining the Condition of The RAID Array
Figure 32: Report of RAID Array Condition
To replace a failed drive in the RAID control utility, perform the following steps.
·
·
·
Select the [Remove Drive] option next to the DEGRADED drive.
The DEGRADED message next to the drive will change to NOT PRESENT.
If you suspect the drive is damaged, or if a previous Rebuild attempt has failed:
1. Power down the system.
2. Replace the failed drive with a drive of identical storage space. Detailed information
about how to replace hard drives is on page 110.
3. Restart the system.
4. Repeat the steps described earlier in this chapter – up to this point – then continue…
·
Click on the Rescan Controller button to identify available drives. The following window
will appear:
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Rebuilding a RAID Array
Figure 33: Rebuilding a RAID Array
To rebuild the RAID drive array, perform the following steps:
·
·
Select the Unit 0 and Port 2 checkboxes.
Select Rebuild Unit. A pop up window will ask for confirmation. Re-select the Port 2
checkbox in the pop up window, then hit OK to begin re-building the array.
·
The rebuild process will begin.
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The Maintenance Window – Rebuild Progress
Figure 34: The Maintenance Window Shows Rebuild Progress
The Maintenance window above will appear.
·
Rebuild progress is tracked in top of the drive status column (REBUILDING 17% in this
example).
·
·
The rebuild progress will automatically update every 5 minutes. Click the refresh button on
your browser window for an immediate update.
When complete, 100% will be shown on the MAINTENANCE menu.
Replacing Hard Drives
The Image Server hard disk drives have been factory tested and configured into a RAID 5 array.
Each drive is numbered (0-3) and must be attached to the matching numbered data cable. Drive
bays are also numbered.
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Please read Removing the Front Panel on page 103 for instructions on accessing the hard drive
bays. Detailed information about how to replace hard drives is on page 110.
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Network File Transfers
Apart from recording and playing program content through composite video and SDI
connections, the Image Server can also act as an FTP server, delivering program material across the
room or across the country. Its Gigabit Ethernet port is standard equipment, and provides reliable
high-speed transfers at much lower cost than Fibre Channel.
The actual network transfer rate depends on the number of video streams also being
played, and their bit rate. To ensure that video recording and playback can always take place, the
Image Server gives network transfers a lower priority than video. In practice, broadcast content
encoded at 12 Mb/sec should transfer at a 5X rate, even while the server is playing video.
MXF File Transfers
The Image Server supports FTP-based import and export of files in MXF format. The applicable
standards are SMPTE 377M, 378M and SMPTE 381M. Operational Patterns 1a and 1b files are
supported.
Network Operations
FTP transfers to and from the Image Server are managed from an FTP client file transfer manager
program running on a Windows® or Macintosh® computer. This approach provides a rapid way to
execute drag-and-drop file transfers; it can also manage many Image Servers at once and does not
tie up the Image Server GUI, which may already be in use. Third party FTP manager programs are
readily available for download through the Internet.
FTP programs may also be used to move recorded or edited material between an Image Server and
network attached storage (NAS) or a DVD-ROM library.
Using the Image Server in a Large Network
From a networking or system integration viewpoint, the Image Server appears as a normal drive
to an FTP server in any size network, with the exception that it may only send, receive, or store
video files that are compatible with the Image Server.
Transfer of Edited Segments
The Image Server sets MARK-IN and MARK-OUT points in a clip as “edit pointers.” For all edit
operations within a given Image Server, these pointers produce “virtual edits” that save disk
space, and the time it would take to re-write the marked region as a new file.
It is clearly impractical to transfer a long file to obtain a 30-second virtual clip marked within it.
Therefore, the Image Server transfers only the region between In/Out points, and not the entire
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file. If you want to transfer the entire recording, be sure that the In/Out markers are set to the
beginning and end of material before the transfer.
To maintain the identity of the transferred clip, the time code references for its Mark-In/Out
points are maintained, as shown in Figure 35: Result of a network file transfer.
Before Transfer (On Source Image Server)
00:00:00;00
01:22:18;04
CLIP_A.mxf
00:30:00;00
00:32:00;00
(IN POINT)
(OUT POINT)
After Transfer (On Target Image Server)
00:32:00;00
00:30:00;00
CLIP_A.mxf
Figure 35: Result of a network file transfer
File Sizes Reported in Listing
The size of a clip reported in the file listing is the amount of video and audio data included
between the In/Out points.
Overwriting Files
It is the responsibility of the client application (Windows Explorer, FlashFXP, etc) to ask the
user if they want to overwrite a file.
Interrupted and Resumed Transfers
If a transfer is interrupted (for example, by a dropped connection) the amount of the file that
has been transferred is kept on the target system. Resumption of a partial transfer is planned for
a future software release.
System Security
The Image Server can share program content on a network with other equipment to. It appears
as an anonymous FTP server, and is accessible to anyone on the network. As with all servers, it
is essential to use it behind a properly configured firewall.
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FTP File Transfers
For standard FTP transfers, the Image Server will recognize the following file formats:
TARGA (.tga)
During transfer, the Image Server will split the TARGA file into a Fill frame and a Key (Alpha)
frame. These two frames will each be converted to MXF MPEG-2 files, one frame in length.
DV Stream (.dv)
These are ‘elementary’ DV files containing a single stream of multiplexed audio and video.
The Image Server will recognize and maintain .dv extensions on DV stream files, allowing
transfer of .dv files between Image Servers and graphics workstations without modification.
MPEG-2 (.mp2, mpg, mpeg, m2v)
The Image Server will ingest valid MPEG-2 program or elementary streams. The server’s ingest
application will recognize a program stream that encapsulates a single MPEG-2 video stream,
and up to 2 stereo pairs of 16- or 24-bit, 48kHz, uncompressed audio.
MXF - Material Exchange Format (.mxf)
Transfer of MXF files between compatible products is the preferred method of file interchange
to-and-from an Image Server. The server supports ingest and playout of MPEG-2 files based on
SMPTE 377M, 378M and SMPTE 381M, Operational Patterns 1a and 1b.
AVI Files (.avi)
An AVI file is a container that encapsulates and describes a type of interleaved audio and
video. The Image Server will import Type 1 .avi files (a single stream of multiplexed audio and
video) containing DV format video and 48K uncompressed audio. During ingest of .avi files,
the server will convert the file into a DV stream (.dv) for storage and future transfer.
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Gigabit Ethernet Hardware
A Gigabit Ethernet (RJ-45) connector labeled NET-1 is located on the rear panel for conventional
network access. No hardware settings are available or needed, as Gigabit Ethernet automatically
negotiates port speed. Connection speed is shown by LEDs on the network connector. The NET-1
port also automatically configures transmit and receive connections, and does not need a
“crossover” cable when connecting directly from one server to another.
Label
Indication
Meaning
The port is connected to a valid link
Green on
ACT/LNK
(Left)
partner
Data activity
Green flashing
Off
Off
No link
10 Mbps
100 Mbps
10=OFF
100=YELLOW
1000=GREEN
(Right)
Yellow flashing
Green
1000 Mbps
Redundant Server Connection
The Gigabit Ethernet port labeled NET-2 on the Image Server is for redundant (mirrored)
operation of two Image Servers. It does not use FTP protocol, and no connection should be
made from it to other equipment.
Gigabit Ethernet Cable Quality
The high data rates generated by Gigabit Ethernet require high-quality cable designed for this
application. Low-quality network cables can result in high error rates and lower transmission
speed. For Gigabit operation, standard “CAT 5” cable should not be used.
New Category 5e (enhanced) cables ensure maximum transfer rates, and should be used as the
minimum standard. Category 6 cable is a more recent product, designed for applications
where longer cable runs are required.
Configuring Network Settings
The Image Server provides a number of user settings that configure it for use as a practical network.
These will be found on the GUI System Network tab shown below.
The NET-1 Ethernet port on the Image Server has a unique IP Address. In this way, each Image
Server can be identified on the network. It also means that there is only one IP Address for a given
volume of data.
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Figure 36: Network Configuration Tab
Network Settings Tab
Use the Image Server graphic user interface to configure network communication settings.
From the Main Menu selection bar at the top of the screen, select
CONFIGURE>SYSTEM>NETWORK.
Each Image Server is shipped with a unique default network Host Name and IP Address.
Qualified network engineers may change these configurations to suit your specific network
environment. Factory defaults for networking are:
·
Network enabled
·
·
Use DHCP
Use automatic DNS
Disable Networking Checkbox
This selection turns the network OFF or ON. The default is ON, but can be turned off to
deny access to/from the network for security purposes.
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Use DHCP Checkbox
Enabling DHCP will configure the network interface automatically.
If the DHCP box is not selected, the user may then manually enter assignments in the
following windows:
·
·
·
Host Name
IP Address
Net Mask
·
Default Router
Host Name may be a fully qualified domain name, such as edit1.mydomain.com. All other
manually configured addresses must be properly formatted IP addresses.
Manual DNS Checkbox
When using DHCP, the DNS name resolution is usually configured automatically. Enabling
Manual DNS configuration requires that a DNS server address be supplied for name
resolution.
Saving Network Configuration
Click on OK, APPLY, or CANCEL to accept or abandon new entries. Changes will not take
effect until the Image Server is powered off and on.
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Maintenance
Fault Diagnostics
Front Panel Indicators
The five LED indicators on the front panel are used to diagnose server fault conditions. The
meaning of each indicator is noted in the following table. During normal operation, all five
indicators will be on.
GENLOCK
OFF indicates that the Genlock setting Check the Genlock setting in the On-
in the System menu is “Internal”
Screen System menu.
FLASHING indicates that Genlock is
selected in the System menu, but
there is no signal, or an invalid signal,
at the GENLOCK input connector.
Check the Genlock cable connections
or signal.
POWER
FANS
FLASHING indicates that there is a
fault in the system power supply.
Shut down the Image Server and
contact 360 Systems Customer Support
for further hardware diagnosis.
FLASHING indicates that there is a
fault of the internal chassis fan.
Check the chassis fan operation.
Replace if necessary. Do not run the
Image Server without a working fan.
DRIVES
SYSTEM
FLASHING indicates that there is a
fault in the system RAID array.
Check the RAID array status using
the utility under
START > RAID STATUS.
FLASHING indicates that the CPU fan Shut down the Image Server and
is running slow, or stopped; or that the contact 360 Systems Customer Support
CPU temperature or voltage is not
within manufacturer’s specification.
for further hardware diagnosis.
Repairs should be performed only by qualified electronics
technicians.
102 = Maintenance
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Gigabit Ethernet Indicators
The Gigabit Server Adapter card has the following indicator lights:
Label
Indication
Meaning
The port is connected to a valid link
Green on
ACT/LNK
(Left)
partner
Data activity
No link
Green flashing
Off
10=OFF
100=YELLOW
1000=GREEN
(Right)
Off
10 Mbps
100 Mbps
Yellow flashing
Green
1000 Mbps
Access to Components
Be certain to shut down the Image Server, turn off the rear panel power
switch and disconnect the power cord before opening the unit for service.
The following sections provide instruction on disassembly and re-assembly for maintenance.
The front panel is removed to access the internal CD-ROM drive (for system program updates), or
to service the hard drives.
The top cover is removed to access the analog/digital audio selection jumpers, or to service an I/O
card, the system board, or power supply.
Removing the Front Panel
The front panel is easily removed for access to the CD-ROM drive, the four disk drives, or for
removing the server from an equipment rack. Using a coin or a flat-blade screwdriver, unscrew
the two large panel fasteners on the left and right sides of the face panel. Hold the panel in
place while undoing the screws. Since the loosened screws are captive, you may use them to
pull the panel away from the chassis.
To re-install the front panel, tuck all wires into the chassis and move the face panel into
position. Screw the front panel fasteners back into the chassis. Tighten the front panel access
screws with a screwdriver.
Removing the Top Cover
Using a No. 2 Philips head screwdriver, unscrew the three 6-32 Philips head screws attaching
the top cover to the rear panel. Slide the cover back until it is clear of the front panel, and then
lift it off.
Maintenance = 103
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To re-install the top cover, set the cover on top of the chassis and slide the cover forward until
its front pins engage the front panel. Secure the cover to the rear of the chassis with the three
6-32 screws.
General Handling Precautions
ESD Precautions
Observe electrostatic discharge (ESD) precautions to avoid
damaging static-sensitive components when handling any
PC card or disk drive.
When the case of your server is open and its internal parts are exposed, do not touch
any internal part without first grounding yourself to the chassis.
Always wear a ground strap or work on an ESD-protective mat.
DO NOT remove components from protective packaging until you are properly
grounded.
Handle printed circuit boards by their edges or by the metal bracket.
Don’t touch any pin, contact, lead or component on the printed circuit boards.
Keep disk drives in their anti-static package until installed in the server.
Mechanical Concerns
Be careful when installing I/O cards into your system. Excessive force can damage the
PC boards, cables, hard drives or the motherboard.
Be sure each board is aligned with its slot in the mating connector before installing. Use
care to not flex any PC boards.
Interface cable connectors must be mated carefully. Use care to not bend any of the
pins. The connectors provided are keyed to prevent upside-down insertion.
Interface cables are fragile and must not be pinched. Ensure that their dress does not
restrict airflow from fans or heat sinks within the enclosure.
Prior to installation, keep disk drives stored in a foam-lined protective carton to protect
them from physical damage.
104 = Maintenance
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Installing/Removing I/O Cards
Follow the preceding instructions to remove the top cover. The I/O cards are accessible from
the top of the chassis. Generally, I/O cards can be extracted or installed with a No. 2 Philips
screwdriver. Each I/O card is held in place by one or two 6-32 X ¼” pan head Phillips screws
on the rear panel of the chassis.
Low Profile PCI Cards
Remove the 6-32 x ¼” pan head Phillips screw holding the I/O card to the rear panel. Pull
the I/O card from its slot. Reverse the procedure to install a card.
Video I/O Card
Remove the 6-32 x ¼” pan head Phillips screw holding the video card to the rear panel.
The video I/O card is also held by a support bracket near the front panel. Remove the 6-32 x
¼” pan head Phillips screw holding the bracket to the inside wall of the chassis.
While supporting the riser card, gently pull the video card from the riser card. When the
video card is clear of the PCI riser connector, move the card toward the front of the Image
Server until the video connectors are clear of the rear panel. Lift the video card from the
chassis. Unplug the 50-pin ribbon cable from the video card. Immediately place the video
card into a conductive storage bag to protect it from electrostatic discharges.
Reverse the procedure to install a card. After all the screws are reinstalled, check that the
riser card, RAID card, and video card are all seated properly in their PCI connectors.
RAID Controller Card
Unplug the four Serial-ATA cables from the RAID card.
Remove the 6-32 x ¼” pan head Phillips screw holding the RAID card to the rear panel.
Gently pull the card from its slot. Immediately place it in a conductive storage bag for
protection from electrostatic discharge that can damage it.
Reverse the procedure to install a card. Be certain to install the Serial ATA cables into the
correct RAID card connectors. The cables are marked with connector numbers to match the
numbers appearing next to each RAID card connector. If these cables are not connected
correctly, the data in the RAID array will be destroyed.
Accessing the Motherboard
There are no user-configurable options to set on the main system board. If you suspect that the
system board is not operating properly, consult with 360 Systems before proceeding. DO NOT
undertake any repairs on the motherboard.
Maintenance = 105
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Audio Level Calibration
The input gain and output gain of the analog audio circuits are factory calibrated to a +4 dBu
standard. Each circuit includes a trim pot with a range of approximately ±2.5 dB. The following
procedures may be used to calibrate these for unity gain. Each trim pot is located above the XLR
connector with which it is associated. Refer to the preceding drawing (Figure 27) for the location
of trim pots and jumper blocks referred to in the calibration procedures.
Calibration Procedure
This procedure assumes that the technician is fully familiar with test procedures employing the
Audio Precision® test equipment, or its equivalent.
1. Position the jumper block J5 and J6 for Channel 1 output to obtain an analog output.
2. Play the test clip titled zTONE present on the Image Server disk. This stereo clip is
recorded at a level equivalent to a +4 dBu output level.
3. While observing the output level of audio Channel 1 Left, adjust trimmer RV4 until a level
of exactly +4.00 dBu is obtained.
4. Repeat this procedure for audio Channel 1 Right, while adjusting trimmer RV3, and also for
each subsequent audio channel using its associated trim pot.
Having established accurate gain settings for all analog audio outputs in steps 1 through 3
above, calibrate the Image Server’s input gain as follows:
5. Using the graphic user interface, place server Channel 1 in the E-E mode, so that an input
signal will appear at its output.
6. While observing the output level of audio Channel 1-L, apply a 1 kHz sine wave from the
audio generator to audio Input 1-L.*
7. Adjust input trimmer RV2 until a level of exactly +4.00 dBu is obtained at the output of
Channel 1L.
8. Repeat this procedure for audio Input 1-R, making the gain adjustment with input trimmer
RV1.
The preceding steps establish a gain of unity through the server.
* In the absence of a generator, use the calibrated outputs of Channel 2 playing zTONE to
feed the inputs.
Maintenance = 107
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Alternate Calibration Procedure
If the calibration test clip titled z1K_TONE is not found on the Image Server’s disk, it is still
possible to accurately calibrate the audio channels.
1. Position the jumper block J5 and J6 for Channel 1 output to obtain a digital output.
2. Using the On-Screen graphic user interface, place server Channel 1 in the E-E
mode, so that an input signal will appear at its output.
3. Use the audio generator to apply a 1 kHz sine wave at a level of +4 dBu to analog
audio Input 1-L.
4. While observing the digital output level of audio Channel 1-L, adjust input gain trim
pot RV2 until a level of –20 dBFs is obtained. (+4 dBu is 20 dB below full scale,
which is +24 dBu; therefore it reads 20 dB below full scale or Fs.)
5. Repeat steps 2 through 4 for analog audio Input 1-R, while adjusting input gain trim
pot RV1.
The server’s input gain is now calibrated. It remains to calibrate each analog output for unity
gain using the following procedure:
6. Position all audio output jumper blocks to obtain analog outputs.
7. Using the graphic user interface, verify that server Channel 1 is in E-E mode, so that
an input signal will appear at its output.
8. Apply a 1 kHz sine wave at a level of +4 dBu to analog audio Input 1-L.
9. While observing the output level of audio Channel 1-L, adjust output gain trim pot
RV4 until a level of +4 dBu is obtained.
10. While observing the output level of audio Channel 1-R, adjust output gain trim pot
RV3 until a level of +4 dBu is obtained.
11. Make a 1-minute clip of the 1 kHz sine wave at a level of +4.00 dBu. Save this clip
for future use in calibrating the server.
12. Play this clip from Channel 2 and repeat steps 9 and 10 to adjust the gain of the left
and right outputs.
13. Play the clip created in step 11 from Channel 3 and repeat steps 9 and 10 to adjust
the gain of the left and right outputs.
The server’s output gains are now calibrated, and the entire sequence of the preceding steps
have established a gain of unity through the server.
Another method is to use digital input with a digital sine wave of –20dBFS to calibrate analog
outputs 1 & 2 and create the reference clip.
108 = Maintenance
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Program Updates via CD-ROM
The Image Server operating system and On-Screen User Interface programs can be updated by the
user via the internal CD-ROM drive. Program updates will be made available by 360 Systems from
time to time. The current software version may be determined by looking in the On-Screen
program About box, or by pressing the F1 key.
To install a program update, follow these instructions. Please read them completely before
beginning.
1. Remove the Image Server front panel. The internal CD-ROM drive will be seen at the
left front of the server.
2. With the Image Server powered on, press the CD eject button on the drive. The drawer
will open a short distance. Gently pull the drawer open and insert the CD-ROM disk,
printed side up. Push the drawer closed until it latches.
3. Press the front panel power switch briefly to shutdown the Image Server.
4. Wait 5 seconds, then press the front panel power switch again to boot from the CD.
5. The Installer menu provides a choice to Update the Image Server operating system,
begin a new complete install, or cancel the install.
·
Choose UPDATE if you want to keep the video and audio clip files that exist on
the Image Server. Use this selection for all normal software updates.
·
Choose NEW only if you want to partition and reformat the drive array, and
install the new operating system.
IMPORTANT! Using the NEW option will destroy all video and audio files on
the Image Server. For normal software upgrades, use the UPDATE option
instead of NEW.
6. The message, “Please wait while Image Server is being installed” will appear with an
activity indicator. When installation is complete, the server will automatically reboot
from its hard disk array, and display the usual copyright notice while it is starting up. It
will also release the CD drawer. Remove the CD. Never leave it in the CD drive.
7. Replace the front panel. Tighten the two large front panel access screws.
If a disk cannot be ejected because the system is not responding or is powered off, the CD-ROM
drawer can be released by inserting a paper clip into the small hole on the front of the drive.
Maintenance = 109
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Replacing a Hard Drive
Generally, the only time that a hard drive should be removed from the disk array is when the drive
array diagnostic software identifies a permanent fault. In this case, the front panel DRIVES LED will
blink. Use the hard disk management tools to verify that a drive is at fault. The application
monitors many things about the array and individual drives, and will clearly indicate whether a
drive has failed.
Each hard drive bay is numbered 0 through 3, as are the drives. If for any reason one or more
drives have been removed, they must be reinstalled in a bay whose number matches the drive.
Installation in the wrong location will damage data stored on all drives.
1. Turn system power OFF with the front panel button. After it has shut down, turn off the AC
power switch and unplug the AC power cord.
2. Remove the front panel as described above.
3. Unscrew the holding plate from the front of the drive sub-chassis.
4. Disconnect the power and Serial ATA data cable from the drive, and remove it from the
drive bay.
5. Replace the drive, fasten the holding plate in place, and reattach drive cables. Note that
the data cables are numbered; re-attach then to the same drive location from which they
were removed.
6. Replace the front panel and tighten the two large screws.
7. Replace the AC power cord and turn on the rear panel AC switch.
8. Turn the system ON using the front panel button and check the RAID array status.
9. Check for correct operation of the server.
NOTE: All drives in the RAID array must be identical.
Factory Repair Policy
A video server being returned under warranty shall be sent to 360 Systems, freight prepaid, in the
original or equivalent packaging. Call 360 Systems for a return authorization number before
returning a product.
Use the following address for shipping and correspondence. 360 Systems’ offices are open
Monday through Friday, from 8:30 AM to 5:00 PM, Pacific Time.
360 Systems
Telephone (818) 991-0360
Customer Service Dept.
31355 Agoura Road
Westlake Village, CA 91361
Fax
E-mail
(818) 991-1360
Website
www.360systems.com
110 = Maintenance
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Regulatory Certifications
Safety
The Image Server was tested by Underwriters Laboratories and found to comply with the
following safety standards:
EN 60950, 3rd Edition, dated December 1, 2000, Standard for Safety of Information
Technology Equipment, Including Electrical Business Equipment.
Laser Compliance
The CD-ROM device used in this product is a Class 1 certified laser product. Operating this
product outside specifications or altering its original design may result in hazardous radiation
exposure, and may be considered an act of modifying or new manufacturing of a laser
product under U.S. regulations contained in 21 CFR Chapter 1, subchapter J or CENELEC
regulations in HD 482 S1. People performing such an act are required by law to re-certify
and re-identify this product in accordance with provisions of 21 CFR subchapter J or
distribution within the USA, and in accordance with CENELEC HD 482 S1 for distribution
within countries using the IEC 825 standard.
Laser Safety
Laser safety in the United States is regulated by the Center for Devices and Radiological
Health (CDRH). The laser safety regulations are published in the “Laser Product
Performance Standard,” Code of Federal Regulation (CFR), Title 21, Subchapter J.
The International Electrotechnical Commission (IEC) Standard 825, “Radiation of Laser
Products, Equipment Classification, Requirements and User’s Guide,” governs laser products
outside the United States. Europe and member nations of the European Free Trade
Association fall under the jurisdiction of the Comité Européen de Normalization
Electrotechnique (CENELEC).
Radio Interference Compliance
Radio Interference (USA)
WARNING: This equipment has been tested and found to comply with the limits for Class A
digital device pursuant to Part 15 of the FCC Rules. These limits are designed to provide
reasonable protection against harmful interference when the equipment is operated in a
commercial environment. This equipment generates, uses, and can radiate radio frequency
energy and, if not installed and used in accordance with the instruction's manual, may cause
interference to radio communications. Operation of this equipment in a residential area is
likely to cause interference in which case the user will be required to correct the interference
at his own expense.
The user is cautioned that changes and modifications made to the equipment without
approval of the manufacturer could void the user's authority to operate this equipment.
Maintenance = 111
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It is suggested that the user use only shielded and grounded cables to ensure compliance
with FCC Rules.
FCC Emission Limits
This device complies with Part 15 of the FCC Rules. Operation is subject to the following
two conditions: (1) This device may not cause harmful interference, and (2) this device must
accept any interference received, including interference that may cause undesirable
operation.
Radio Interference (Canada)
English: This Class A digital apparatus meets all requirements of the Canadian Interference-
Causing Equipment Regulations.
Français: Cet appariel numérique de la classe A respecte toute les exigences du Reglement
sur le matériel brouilleur du Canada
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Product Warranty and
End-User License Agreement
Limited Warranty
This product is warranted to the original purchaser against defects in material and workmanship for
a period of one year from the date of original purchase. This warranty covers parts and labor and is
effective when the product is used without alteration for the purpose intended by 360 Systems.
This warranty excludes products with modified or unauthorized software, that have been subject to
misuse or neglect, that have been modified, repaired improperly or by unauthorized personnel,
damaged by rough handling, abuse, improper operation, excessive temperature, lightning strike,
static electricity, electrical surges or other electrical system malfunctions, improper or inadequate
maintenance or care and that have been subject to use of unauthorized or non-conforming
accessories or attachments. This warranty also excludes normal wear and deterioration occasioned
by the use of the product.
If part of the product is defective, the entire product must be returned along with the original
purchase receipt or other evidence of purchase and a description of the defect to 360 Systems,
31355 Agoura Road, Westlake Village, California 91361. Upon receipt, its condition will be
verified, and if the product qualifies for warranty coverage, 360 Systems will, at its option, repair or
replace the product without charge. In the case of replacement, if the replacement for a defective
product is no longer available, 360 Systems will replace it with a similar product or, if not
available, a product of equal value.
Disclaimer and Limitation of Liability
The liability of 360 Systems under the foregoing warranty is limited solely to the repair or
replacement of defective material or workmanship and does not include any expense related to the
shipment of the product to or from 360 Systems or compensation for any inconvenience or loss of
use of the product while it is being repaired or replaced.
Except as expressly stated herein, 360 Systems makes no representations or warranties, either
express or implied, of any kind with respect to the product. EXCEPT AS EXPRESSLY STATED
HEREIN, 360 SYSTEMS EXPRESSLY DISCLAIMS ALL WARRANTIES, EXPRESS OR IMPLIED, OF
ANY KIND WITH RESPECT TO THE PRODUCT, INCLUDING WITHOUT LIMITATION
WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE.
360 SYSTEMS’ SOLE LIABILITY UNDER THIS LIMITED WARRANTY SHALL BE THE REPAIR OR
REPLACEMENT OF ANY DEFECTIVE PRODUCT OR ITS COMPONENTS DURING THE
WARRANTY PERIOD. IN NO EVENT SHALL 360 SYSTEMS, ITS DIRECTORS, OFFICERS,
EMPLOYEES OR REPRESENTATIVES BE LIABLE FOR DIRECT, CONSEQUENTIAL, PUNITIVE,
SPECIAL OR INDIRECT DAMAGES, LOSS OF PROFITS, INCONVENIENCE OR ANY OTHER
LOSSES DUE TO THE PRODUCT OR ITS OPERATION, DUE TO ITS FAILURE TO OPERATE IN
ACCORDANCE WITH ITS SPECIFICATIONS.
Warranty and EULA = 113
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Some states do not allow the exclusion or limitation of incidental or consequential damages under
certain circumstances, so the above limitations and exclusions may not apply to you. This
warranty gives you specific legal rights, and you may also have other rights which vary from state
to state.
114 = Warranty and EULA
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End User License Agreement
For Image ServerSoftware
IMPORTANT
THIS IS A LEGAL AGREEMENT BETWEEN YOU (“YOU”) AND 360 SYSTEMS® (“COMPANY”).
COMPANY IS WILLING TO LICENSE THE IMAGE SERVER SOFTWARE TO YOU ONLY UPON
THE CONDITION THAT YOU ACCEPT ALL OF THE TERMS CONTAINED IN THIS SOFTWARE
LICENSE AGREEMENT (“AGREEMENT”). PLEASE READ THE TERMS CAREFULLY BEFORE
OPENING THIS PACKAGE, OR IF DOWNLOADED, BEFORE INSTALLING THE SOFTWARE, AS
OPENING THE PACKAGE, OR IN THE CASE OF DOWNLOADED SOFTWARE, INSTALLING IT,
WILL INDICATE YOUR ASSENT TO THEM. IF YOU DO NOT AGREE TO THE LICENSE TERMS,
THEN COMPANY IS UNWILLING TO LICENSE THE SOFTWARE TO YOU, IN WHICH EVENT
YOU MAY RETURN THE UNOPENED SOFTWARE PACKAGE TO THE PLACE FROM WHICH IT
WAS ACQUIRED WITHIN 14 DAYS OF THE DATE OF PURCHASE AND YOUR MONEY WILL
BE REFUNDED. IF YOU ARE VIEWING THIS AGREEMENT ELECTRONICALLY, SELECT THE
“ACCEPT” BUTTON AT THE BOTTOM OF THIS PAGE TO INDICATE YOUR ACCEPTANCE OF
THE TERMS OF THIS AGREEMENT. IF YOU ARE NOT WILLING TO BE BOUND BY ITS TERMS,
SELECT THE “DECLINE” BUTTON AT THE BOTTOM OF THIS PAGE AND THE REGISTRATION
OR INSTALLATION PROCESS WILL NOT CONTINUE.
1. Company grants to You a nonexclusive license to use the Image Server software program (the
“Software”) and any accompanying documentation (“Documentation”) solely for your internal business
needs pursuant the terms and conditions of this Agreement. The license to use the Software is
conditioned upon Your compliance with the terms of this Agreement. You shall be solely responsible
for installation of the Software.
Your use of the Software is limited to the licensing option set forth on your invoice. Each licensing
option is defined as follows:
Single User License. Software provided to You under this option may only be installed on any Image
Server owned or controlled by You, but in no event may it be used on more than one Image Server at
the same time.
Multiple User License. Software provided under this option may be installed on more than one Image
Server owned or controlled by You, the maximum number of which is indicated on the purchase invoice
for this Software.
2. You may not transfer the Software to another entity or person. Any such transfer terminates your license
under this Agreement. You shall not modify, translate, reverse assemble or reverse compile in whole or
in part the Software that is provided in object code. You may not rent, sell, time-share, lease, sublicense,
transfer, publish, disclose, display, or otherwise make available the object code or copies thereof to
others. You may not make copies of the object code except as provided herein. You shall not tamper
with, bypass or alter any security features of the Software or attempt to do so.
3. This license is not a sale. Title, ownership rights, and intellectual property rights in and to the Software
and Documentation shall remain with the Company. You agree to abide by the copyright laws and all
other applicable laws of the United States. You acknowledge that the Software design remains a
confidential trade secret of Company. Failure to comply with the above restrictions will result in
Warranty and EULA = 115
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automatic termination of this license and will make available to Company other legal remedies. You
may not disclose any of Company’s proprietary or trade secret information relating to the Software to any
third party.
4. Company warrants that the Software will perform substantially in accordance with its Documentation.
Your exclusive remedy for breach of this limited warranty and Company’s entire liability shall be, in
Company’s discretion, either return of the price paid to Company by You for the Software, or repair or
replacement of the Software after Software and Documentation are returned to Company with an
applicable receipt. Company’s warranty is void if failure of the Software has resulted from accident,
abuse, modification or misapplication. COMPANY MAKES NO OTHER WARRANTIES, EXPRESS OR
IMPLIED, WITH RESPECT TO THE SOFTWARE AND DOCUMENTATION, AND SPECIFICALLY
DISCLAIMS THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR
PURPOSE. COMPANY DOES NOT WARRANT THAT THE OPERATION OF THE SOFTWARE WILL BE
UNINTERRUPTED OR ERROR FREE.
5. TO THE MAXIMUM EXTENT PERMITTED BY LAW, IN NO EVENT SHALL COMPANY BE LIABLE FOR
ANY SPECIAL, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES WHATSOEVER,
INCLUDING ANY CLAIMS FOR LOST PROFITS, BUSINESS INTERRUPTION, LOST INFORMATION
OR OTHER DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE SOFTWARE. IN ALL
EVENTS, COMPANY’S SOLE OBLIGATION OR LIABILITY UNDER THIS LICENSE IS THE
REPLACEMENT OR REPAIR OF THE SOFTWARE OR A REFUND OF THE PURCHASE PRICE.
6. You may terminate the license granted in Section 1 of this Agreement at any time by destroying or
erasing your copy of the Software. Company may terminate this Agreement immediately and without
notice if you fail to comply with any term or condition of this Agreement. In the event of termination of
this Agreement, all the sections of this Agreement will survive except for Section 1.
7. This Agreement shall be governed by and construed in accordance with the laws of the State of
California, U.S.A., without reference to conflicts of laws provisions or the 1980 U. N. Convention on
Contracts for the International Sale of Goods and, as to matters affecting copyrights, trademarks and
patents, by U.S. federal law. Any dispute with respect to this Agreement shall be brought and heard
either in the California state courts located in Los Angeles County, California, or the federal district court
for the Central District, Western Division, located in Los Angeles, California. In such event, the parties
to this Agreement each consent to the in personam jurisdiction and venue of such courts. The parties
agree that service of process upon them in any such action may be made if delivered in person, by
courier service, by telegram, by facsimile or by first class mail, and shall be deemed effectively given
upon receipt.
8. This Agreement sets forth the entire agreement between You and Company pertaining to the licensing of
the Software, and supersedes in its entirety any and all written or oral agreements previously existing
between the parties with respect to such subject matter. If any provision of this Agreement is held
invalid or unenforceable, such provision shall be revised to the extent necessary to cure the invalidity or
unenforceability, and the remainder of this Agreement shall continue in full force and effect. In the
event of any conflict between any provision of this Agreement and applicable law, the provisions of this
Agreement affected shall be modified to remove such conflict and permit compliance with such law, and
as so modified this Agreement shall continue in full force and effect. This Agreement may not be
assigned without the consent of Company.
116 = Warranty and EULA
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Appendix A
Connector Specifications
Audio XLR-3 Connector Pinout
Signals appearing on the XLR connectors are determined by the setting of the internal
Analog/Digital Audio Selection jumpers.
Pin
BALANCED ANALOG
SHIELD (FRAME GROUND)
" + " OR HOT
AES/EBU DIGITAL
SHIELD (FRAME GROUND)
DIGITAL +
1
2
3
" – " OR COMMON
FRAME GROUND
DIGITAL -
SHELL
FRAME GROUND
Serial Control Connector Pinout
EIA-422, DB9-F
Connector
Pin
1
2
GND
Transmit A (TX–)
Receive B (RX+)
GND
3
4
5
N/C
6
GND
7
Transmit B (TX+)
Receive A (RX-)
GND
8
9
Shell
Frame ground
Connector Specifications = 117
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BNC Connectors
The following note applies to all video, LTC, and Genlock connectors:
·
·
A BNC connector used as an output will have a 75-ohm source impedance.
A BNC connector used as an input will have a fixed 75-ohm termination.
GPI Connector
General purpose control inputs (GPI) may be applied to the GPI port, which is a DB-25-F
connector. These inputs are optically isolated from the Image Server circuitry; individual
floating returns are provided. +5 volts may be sourced from pins 21 or 22, or provided from
an external source. Current limiting devices are provided within the Image Server.
General purpose status outputs also appear on the GPI connector. Open-collector outputs are
provided as status outputs, and may be used to drive an external LED or control input.
Refer to the connector pin-out table and partial schematic, following.
GPI Connector Pinout
Pin
Signal
GPI 1
GPI 2
GPI 3
GPI 4
GPI 5
GPI 6
N/C
Pin
14
Signal
GPI 1 RTN
GPI 2 RTN
GPI 3 RTN
GPI 4 RTN
GPI 5 RTN
GPI 6 RTN
N/C
1
2
15
3
16
4
17
5
6
18
19
7
20
8, 9, 10
11
GND
21, 22
23
+5VSOURCE (200MA MAX)
GPO 1
GPO 2
GPO 4
GPO 6
12
24
GPO 3
13
25
GPO 5
118 = Connector Specifications
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GPI/O (DB25-F)
INTERNAL CIRCUITS
1K
1K
1K
1K
1K
1K
GPI 1
1
GPI 1 RTN 14
GPI 2
2
GPI 2 RTN 15
GPI 3
3
GPI 3 RTN 16
INPUTS
GPI 4
4
GPI 4 RTN 17
GPI 5
5
GPI 5 RTN 18
GPI 6
6
GPI 6 RTN 19
GPO 1
GPO 2
GPO 3
GPO 4
GPO 5
GPO 6
23
11
24
12
25
13
OUTPUTS
21
22
8
+5V, 200mA MAX
SOURCE
SIGNAL GND
9
10
Figure 38: GPI Connection Schematic
Connector Specifications = 119
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System Board Ports
Standard computer I/O ports on the Image Server include video monitor, keyboard, mouse, and
Gigabit Ethernet ports. Pinouts are provided to assist in wiring or trouble-shooting.
Keyboard and Mouse
Keyboard and mouse ports are provided on the rear panel. Both ports are provided with a
resetable fuse protecting the +5V supply to the peripheral.
SVGA Ports
A VESA-compliant VGA or SVGA computer monitor may be connected to the 15-pin video
port. The Image Server is pre-configured to an SVGA screen resolution of 1024 x 768 and
64,000 colors. The refresh rate will auto-negotiate with the attached monitor to achieve the
best available value. This resolution is best viewed on 17-inch or larger monitors. Use only
VESA compliant monitors. 360 Systems does not provide monitors for the server.
SVGA Connector Pinout
Pin
Signal
Pin
Signal
1
2
3
4
5
6
7
8
RED
GREEN
9
10
+5V
GND
BLUE
11
RESERVED*
SDA
RESERVED*
GND
12
13
HSYNC
VSYNC
SCL
RED RTN
GREEN RTN
BLUE RTN
14
15
SHELL
FRAME GROUND
* Pulled high to +5V.
Unused Ports
USB ports and an RS-232 serial port are present on the Image Server. These are not active
and no connection should be made to them.
120 = Connector Specifications
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Appendix B
Serial Command Protocols
VDCP Command Table
The Image Server responds to the following VDCP commands. Shaded areas indicate
commands slated for future implementation.
COMMAND FROM CONTROLLER RETURN FROM CONTROLLED DISK
CMD-1
CMD-2
NAME
CMD-1 CMD-2
NAME
0X / 8X
0X / 8X
15
16
Delete Protect ID
04
04
ACK
ACK
Undelete Protect ID
CMD-1
CMD-2
NAME
CMD-1 CMD-2
NAME
1X
1X
1X
00
01
02
Stop
04
04
04
ACK
ACK
ACK
Play
Record
1X
1X
1X
1X
1X
1X
04
05
06
07
08
0A
Still
04
04
04
04
04
04
ACK
ACK
ACK
ACK
ACK
ACK
Step
Continue
Jog
Varispeed Play
EE Mode
CMD-1
2X / AX
2X
CMD-2
1D
NAME
Rename ID
CMD-1 CMD-2
NAME
ACK
ACK
ACK
ACK
ACK
ACK
ACK
04
04
04
04
04
04
04
1E
Preset Std. Time
New Copy
2X / AX
2X
1F
20
Sort Mode
2X
21
Close Port
2X
22
Select Port
2X / AX
23
Record Initialize
Serial Protocols = 121
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2X / AX
2X / AX
2X / AX
2X / AX
2X
24
25
26
2C
30
Play Cue
04
04
04
04
04
ACK
ACK
ACK
ACK
ACK
Cue with Data
Delete ID
Record Init with Data
Preset
CMD-1
3X
CMD-2
01
NAME
Open Port
CMD-1 CMD-2
NAME
Grant/Denied
List of ID's
3X
3X
3X
3X
3X
3X
3X
3X
3X
3X
3X
81
82
85
86
87
88
90
91
94
96
97
3X / BX
3X
02
Next
05
Port Status Request
Position Request
Active ID Request
Device Type Req.
Syst. Status Request
ID List
State Status
Position
3X
06
3X / BX
3X
07
Active ID
08
Device Type
System Status
List of ID's
3X
10
3X / BX
3X / BX
3X / BX
3X
11
14
ID Size Request
ID Request
ID Size
16
ID Presence
Compression Settings
17
Compression Settings
Request
3X / BX
3X / BX
18
19
ID's Added List
ID's Deleted List
3X
3X
98
99
List ID's Added
List ID's Deleted
AX and BX versions are long-filename variants, not yet implemented.
Macro commands (5X/DX in CMD-1) are not implemented.
The following commands are reserved to maintain manufacturer compatibility with existing
systems: 0X.12, 2X.28, 2X.36, 2X.3B, 2X.3C, 2X.3D, 2X.3E, 2X.3F, 2X.43, 2X.44, 2X.45, 2X.70,
2X.71, 2X.C2, 3X.20, 3X.21, 3X.22, 3X.23, 3X.24, 3X.60, 3X.78, 3X.79, 3X.7A, 3X.7B, 3X.7C,
3X.7D, 3X.7E, 3X.7F, FX.XX (archive commands)
122 = Serial Protocols
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P2 Serial Command Table
The Image Server command set includes most commands used in BVW tape machines.
Commands not implemented include those for DMC operations, audio split and in/out points,
and those specifically related to tape as a medium.
The server will return Device Type response 20.25 for BVW-75 (NTSC); 21.25 for BVW-75
(PAL).
COMMAND
DESCRIPTION
RETURN
COMMENT
00.11
00.1D
00.0C
20.00
20.01
20.02
20.10
2X.11
2X.12
2X.13
20.20
2X.21
2X.22
2X.23
20.30
20.0F
20.05
20.60
20.61
24.31
40.08
40.10
40.11
40.18
40.19
40.1A
40.1B
40.2D
41.36
DEVICE TYPE REQUEST
LOCAL ENABLE
ACK
ACK
LOCAL DISABLE
STOP
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
PLAY
RECORD
FAST FORWARD
JOG FORWARD
VAR FORWARD
SHUTTLE FORWARD
REWIND
JOG REVERSE
VAR REVERSE
SHUTTLE REVERSE
PRE-ROLL
EJECT
STANDBY ON
FULL E-E OFF
FULL E-E ON
CUE UP WITH DATA
TIMER 1 RESET
IN ENTRY
OUT ENTRY
IN SHIFT +
IN SHIFT -
OUT SHIFT +
OUT SHIFT -
LOST LOCK RESET
TIMER MODE SELECT
Serial Protocols = 123
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41.37
44.00
44.04
44.31
41.33
N/A
INPUT CHECK
ACK
ACK
ACK
ACK
ACK
ACK
7X.20
71.2E
ACK
ACK
ACK
TIMER 1 PRESET
TIME CODE PRESET
PRE-ROLL TIME PRESET
SERVO REFERENCE SELECT
TIMER MODE STATUS
STATUS DATA
7X.20
N/A
COMMAND SPEED SENSE
REF VIDEO SELECT ON
REF VIDEO SELECT OFF
CURRENT TIME SENSE
40.48
40.49
6X.0E
ACK= 10.01 NAK=11.12.xx
124 = Serial Protocols
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Odetics® Protocol
Odetics serial protocol is an extension of P2 tape machine control protocol. Among its most
significant features is the selection of a file by name rather than by time-code location, as with
P2. Odetics protocol is used by many table-top controllers, and some automation systems. Its
implementation in the Image Server appears in the following table.
ACK = 0X1001
COMMAND
0X1001
0X000C
0X0011
0X001D
0X2000
0X2001
0X2002
0X2004
0X2005
0X200D
0X200F
0X2010
0X2X11
0X2X12
0X2X13
0X2020
0X2X21
0X2X22
0X2X23
0X2030
0X2X31
0X2X38
0X2X39
0X2052
0X2054
0X2055
0X2X5C
0X2X5D
0X2060
0X2061
DESCRIPTION
RETURN
COMMENT
LOCAL DISABLE
ACK
0X1211
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
DEVICE TYPE
BVW-75
LOCAL ENABLE
STOP
PLAY
RECORD
STAND BY OFF
STAND BY ON
DMC START
COMMAND HAS NO EFFECT
EJECT
FAST FORWARD
JOG FORWARD
VAR FORWARD
SHUTTLE FORWARD
REWIND
JOG REVERSE
VAR REVERSE
SHUTTLE REVERSE
PREROLL
CUE UP
PROG SPEED PLAY PLUS
PROG SPEED PLAY MINUS
TENSION RELEASE
ANTI CLOG TIMER DISABLE
ANTI CLOG TIMER ENABLE
DMC SET FORWARD
DMC SET REVERSE
FULL EE OFF
COMMAND HAS NO EFFECT
COMMAND HAS NO EFFECT
COMMAND HAS NO EFFECT
COMMAND HAS NO EFFECT
COMMAND HAS NO EFFECT
FULL EE ON
Serial Protocols = 125
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0X4X00
0X4X04
0X4008
0X4010
0X4011
0X4X14
0X4X15
0X4018
0X4019
0X401A
0X401B
0X4020
0X4021
0X402D
0X4X30
0X4X31
0X4X32
0X4X33
0X4X34
0X4X35
0X4X36
0X4X37
0X4040
0X4041
0X4046
0X4047
0X4048
0X4049
0X4X70
0X4X91
0X4X92
0X4X93
0X4X98
0X4X99
0X4X9A
0X6X0A
TIMER1 PRESET
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
ACK
TIME CODE PRESET
TIMER1 RESET
IN ENTRY
OUT ENTRY
IN PRESET
OUT PRESET
IN SHIFT PLUS
IN SHIFT MINUS
OUT SHIFT PLUS
OUT SHIFT MINUS
IN RESET
OUT RESET
LOST LOCK RESET
EDIT PRESET
COMMAND HAS NO EFFECT
PRE-ROLL TIME PRESET
TAPE AUTO SELECT
SERVO REFERENCE SELECT
HEAD SELECT
COMMAND HAS NO EFFECT
COMMAND HAS NO EFFECT
COLOR FRAME SELECT
TIMER MODE SELECT
INPUT CHECK
AUTO MODE OFF
AUTO MODE ON
VARIABLE MEMORY OFF
VARIABLE MEMORY ON
VIDEO REFERENCE DISABLE OFF
VIDEO REFERENCE DISABLE ON
VIDEO INPUT SELECT
OUTPUT VIDEO LEVEL
OUTPUT SETUP BLACK LEVEL
OUTPUT CHROMA LEVEL
OUTPUT HPHASE
OUTPUT SC PHASE
OUTPUT VIDEO HUE
TC GEN DATA SENSE
GEN TIME DATA
COMMAND HAS NO EFFECT
COMMAND HAS NO EFFECT
COMMAND HAS NO EFFECT
COMMAND HAS NO EFFECT
COMMAND HAS NO EFFECT
COMMAND HAS NO EFFECT
COMMAND HAS NO EFFECT
COMMAND HAS NO EFFECT
0X7408
0X7409
GEN UB DATA
126 = Serial Protocols
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GEN UBAND TC DATA
CURRENT TIME SENSE
CORRECTED LTC TIME DATA
VITC TIME DATA
0X7809
0X600C
0X7414
0X7406
0X7400
0X7415
0X7416
0X7410
0X7411
NAK
TIMER1 DATA
HOLD USER BITS LTC DATA
HOLD USER BITS VITC DATA
IN DATA
0X6010
0X6011
0X6012
0X6013
0X6020
0X6X23
0X602E
0X602F
0X6X30
0X6031
0x6036
0XA001
0XAX02
0XAX04
0XAX05
0XA006
0XA007
0XAX10
0XA014
0XA015
0XAX18
0XA01C
0XAX20
0XA021
0XCX01
0XCX02
0XCX03
OUT DATA
AIN DATA
AOUT DATA
NAK
STATUS DATA
0X7420
0X7423
0X712E
0X712F
NAK
SIGNAL CONTROL DATA
COMMAND SPEED DATA
VAR MEM SPEED DATA
EDIT PRESET DATA
PREROLL TIME DATA
Timer Mode Status
AUTO SKIP
0X7431
0X7136
ACK
ODETICS COMMAND
ODETICS COMMAND
ODETICS COMMAND
ODETICS COMMAND
ODETICS COMMAND
ODETICS COMMAND
ODETICS COMMAND
ODETICS COMMAND
ODETICS COMMAND
ODETICS COMMAND
ODETICS COMMAND
ODETICS COMMAND
ODETICS COMMAND
ODETICS COMMAND
ODETICS COMMAND
ODETICS COMMAND
CUE UP TO RECORD
PREVIEW IN PRESET
PREVIEW OUT PRESET
PREVIEW IN RESET
PREVIEW OUT RESET
ERASE ID
ACK
ACK
ACK
ACK
ACK
ACK
LIST FIRST ID
0X8814
0X8814
0X8818
0X891C
ACK
LIST NEXT ID
ID STATUS REQUEST
MAXIMUM STORAGE LENGTH
SET DEVICE ID
DEVICE ID REQUEST
JUMP FORWARD X FRAMES
JUMP BACK X FRAMES
GET LOADED ID
0X8821
ACK
ACK
ACK
Serial Protocols = 127
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Appendix C
Technical Specifications
Video
Input Channels (baseband)
Output Channels
One
Three
Analog video I/O
Composite, 75W, BNC
Digital video I/O
SDI, SMPTE 259M, 75W BNC
Video standards
525/60 NTSC; 625/50 PAL (Model dependent)
MPEG recording formats
MPEG-2: 4:2:2 Profile @ Main Level to 50 Mb/s
MPEG-2: Main Profile @ Main Level to 15 Mb/s (4:2:0)
DV playback format
Option: playback of 25 Mb/sec DV files imported via Ethernet.
Graphics playback format
Option: playback of TARGA files with key & fill imported via
Gigabit Ethernet.
Word Size
10 bits dithered to 8
Frame format
I-frame, 6-GOP, 14 GOP
10 frames
Minimum pre-roll
Video sync reference (Genlock)
External black burst or internal crystal
Audio
Digital Inputs/Outputs
Digital audio format
Dynamic range (digital)
Audio format
2 stereo pairs (4 channels) per video input or output
AES/EBU, 110-ohm, XLR-3 connector (AES-3-2000)
144 dB (24-bit word size)
48k sample rate, 24-bit word size, Linear PCM
20-bit, 4-channel. Optional software.
Transparent to Dolby®-E, Dolby AC-3
2 mono channels per video input or output
Balanced, +4 dBu, XLR-3 connector
10 Hz – 20 kHz ±0.1 dB
Embedded audio
Bit-for-Bit® data handling
Analog Inputs/Outputs
Analog audio format
Frequency response
Harmonic distortion
Dynamic range
<0.002% THD+N at full scale –1 dB
112 dB (24-bit word size)
Headroom
20 dB above nominal +4 dBu operating level
Derived from video reference
Audio sync reference
Time Code
LTC In
External time code, > 10k W BNC connector
LTC Out
External time code, Z = 750W, BNC connector
128 = Technical Specifications
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VITC line number, NTSC
VITC line number, PAL
Field 1: Lines 14, 16; Field 2: Lines 277, 279
Field 1: Lines 19, 21; Field 2: Lines 332, 334
Closed Captions
Closed Captions
Records and plays CC data per EIA-608B
Control Inputs
Automation control, RS-422
Other serial control, RS-422
GPI control inputs/outputs
VDCP; 3 ports, 9-pin female “D” connector
P2, Odetics, AMX®, Crestron™
6 optically isolated inputs, 6 open-collector outputs, 25-pin
female “D” connector
Video Networking
File interchange formats
MXF (SMPTE 377M, 378M, 381M ); OP-1a, OP-1b; MPEG-2
program streams (ingest) & elementary streams; DV stream
(.dv or .avi); TARGA graphics import.
Network port
Gigabit Ethernet
FTP
File transfer protocol
Disk Storage
Storage time (max)
Capacity
170 hours max at 12 Mb/s
480 GB to 1.6 TB
Data redundancy
Drive arrangement
CD-ROM drive
Hardware-generated RAID-5 utilizing 4 drives
Located within enclosure, accessible behind front panel
Internal, replaceable from front panel. (For loading operating
system and feature upgrades.)
Miscellaneous
Operating system
Linux®
Front panel indicators
5 LEDs indicate Power-on, Genlock, Fan alarm, Drive alarm,
System alarm
Miscellaneous ports
Cooling/Operating Temperature
Power
Keyboard, mouse, SVGA display
Forced air; Ambient operating temperature 10º to 35º C
100 – 240 VAC, 50/60 Hz, 2.0 amp max. Shut down switch on
front panel; hard AC mains switch on rear panel
Physical
Mechanical
Mounting
3½” x 19” x 18.5” (89 x 483 x 470 mm) H-W-D
Rack mount (2U), optional adjustable rear supports
28 lb. (12.7 Kg)
Weight
Agency approvals
Country of origin
UL, C-UL, FCC Class A, CE
U.S.A.
Index = 129
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Keyboard Shortcuts
Transport Control
Edit Operations
Forward at 4x, 16x, 64x, 128x
L
E
Enter/Exit Edit Mode
Capture Mark In
Capture Mark Out
Review Edit
Pause (Stop)
K
I
Reverse at 4x, 16x, 64x, 128x
Play/Pause (toggle)
Record
J
O
Space Bar
R
Shift+R
Shift+T
Review Tail
GoTo Head point
Home
GoTo Tail point
E/E Toggle
Playlist
Home
Space
K
End
Recue
Shift+E
Shift+L
Shift+C
Shift+J
Loop Toggle
Local Toggle
Eject Clip
Play/Pause
Stop
Jog forward 1 frame
Jog reverse 1 frame
Playlist Edit
Shift+C
Right Arrow
Left Arrow
Clear
<< (Remove clip)
Left Arrow
Right Arrow
File Operations
Ctrl+N
>> (Add clip)
New
Open
Navigating Between Channels
Ctrl+O
Switches to Transport
Ctrl+S
Save
Ctrl+<number>
Alt+<number>
Channel <number>
Switches to Playlist
Channel <number>
Ctrl+A
Ctrl+D
Ctrl+R
Save As
Delete
Rename
Mark In/Mark Out Times (Edit Mode)
Inserts right justified number
<number>
Menu Operations
Removes last digit
DEL
Expands File Menu
Aborts time code entry
Shifts time code left
Alt+F
Alt+T
ESC
Expands Transport Menu
. ; : (any)
Toggles between Mark In
and Mark Out times
Alt+C
Alt+P
Alt+W
Alt+H
Expands Configure Menu
Expands Playlist Menu
Expands Window Menu
Expands Help menu
TAB
130 = Image Server 2000
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Appendix D
Mechanical Drawing
17.00
[432 mm]
19.00
[483 mm]
3.47
[88 mm]
Figure 39: Dimensional Drawing
Index = 131
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360 Systems
Audio Level ............................................ 109
Cascade Windows.........................................30
CD-ROM .................................................... 111
CD-ROM Drive .............................................19
Channel Status Bar.........................................35
Channels Menu....................................... 29, 77
Clip
Exit...........................................................35
Open .......................................................32
Save..............................................33, 34, 35
Save As.....................................................34
Clip Transport Window..................................31
Close Clip............................................. See Exit
Color Framing ...............................................79
Configuration Menu
Cascade....................................................30
Channels ............................................ 29, 77
Date/Time........................................... 29, 77
System................................................ 29, 76
Connector Pinout
Audio XLR-3 ........................................... 119
GPI ........................................................ 120
Serial Control .......................................... 119
SVGA..................................................... 122
Connectors ............................................. 21, 22
BNC....................................................... 120
Specifications.......................................... 119
Constant Bit Rate...........................................86
Control Ports
Customer Service..................................... 112
E-mail..................................................... 112
Fax......................................................... 112
Telephone .............................................. 112
Website.................................................. 112
4:2:0 ............................................................86
4:2:2 ............................................................86
About (Software Version) ................................30
About RAID 5 ...............................................89
Address, 360 Systems................................... 112
AES/EBU....................... 11, 13, 22, 23, 119, 130
Air Vent Slots................................................18
Analog Audio................................................22
Analog Video................................................22
Analog/Digital Audio Selection ..................... 108
Animation Import ..........................................53
Applications..................................................14
Audio Card
A/D Jumper Location..................................23
Audio Delay..................................................88
Audio Format Labels......................................23
Audio I/O .....................................................22
Audio Level Calibration................................ 109
Audio Selection
Analog/Digital...........................................23
Audio SRC....................................................85
Audio Sync Reference ....................................86
Audio Word Size...........................................23
Auto E-E Mode ........................................ 37, 73
Automation Control .......................................71
Automation Protocol ......................................71
Available Models...........................................15
AVI Files................................................54, 100
Bit-for-Bit® ....................................................86
Button
Priority ............................................... 36, 71
Serial.................................................. 23, 71
Current Time Code ........................................36
Customer Service......................................... 112
CVBS .....................................22, 24, 38, 78, 85
Date/Time............................................... 29, 77
Digital Audio .......................................... 22, 23
Disk
|<, >|....................................................38
|<–>|.............................................. 46, 69
–>|................................................... 47, 69
E-E ...........................................................37
Eject.........................................................37
FF 38
Percent Full...............................................32
Disk Array
Managing .................................................90
Repair ......................................................90
Dolby-E ........................................................86
Drawing
Mechanical ............................................. 133
Rear Panel .......................................... 21, 22
Drive Sizes......................................................9
Drives
LED........................................................ 104
Drop Frame ..................................................81
Duration Display ................................46, 47, 69
DV and TARGA File Option ...........................15
DV Stream Files......................................54, 100
Editing
GoTo .......................................................38
Jog - .........................................................38
Jog + .......................................................38
Mark In Point ...................................... 45, 68
Mark Out Point ................................... 46, 68
Play..........................................................37
Record .....................................................36
Review Clip........................................ 46, 69
Review Out Point ................................ 47, 69
Rew .........................................................38
Stop (Still).................................................37
Calibration
Clip.................................................... 45, 68
132 = Image Server 2000
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While Recording .......................................45
E-E Mode......................................................37
Eject Button ..................................................37
Encode Mode ................................................86
Ethernet Cable............................................. 101
Ethernet Ports
Gigabit..............................................24, 101
EULA ......................................................... 117
Exit...............................................................35
Exit Menu .....................................................29
Factory Defaults ............................................84
Fans LED .................................................... 104
Fast Forward / Rewind Buttons ........................38
Fault Diagnostics ......................................... 104
LEDs .................................................20, 104
File
Exit...........................................................35
New.........................................................32
Open .......................................................32
Save..............................................33, 34, 35
Save As.....................................................34
File Menu .....................................................29
Exit ..........................................................29
Front Panel
Removing ............................................... 105
Front Panel Features.......................................20
Front Panel Indicators................................... 104
FTP File Transfer.....................................54, 100
Genlock
LED........................................................ 104
Signal Quality...........................................24
Sync Reference..........................................24
Genlock Timing....................................... 77, 79
Genlock Timing Tab ......................................77
GoTo Buttons................................................38
GPI Input Assignment.....................................80
GPI Output Assignment..................................81
Graphics and Animation.................................53
Halt........................................................ 27, 91
Handling Precautions................................... 106
Hard Drive
Video In ...................................................22
Video Out.................................................22
In Point Display....................................... 45, 68
Indicators......................................................20
Input
Factory Defaults ........................................84
Input Source..................................................85
Inputs
Audio.......................................................22
Video.......................................................22
Installation....................................................17
Installing Hard Disk Drives.............................96
Installing/Removing
I/O Cards................................................ 107
Introduction ....................................................9
Jog Buttons....................................................38
Jumpers
A/D Audio Selection................................ 108
Location on Audio Card .............................23
Key Features..................................................13
Keyboard...............................................25, 122
Keyboard Shortcuts.............132, See Appendix C
KVM Switch..................................................17
LED Indicators............................................. 104
LTC Source ...................................................86
LTC Time Code
Input ........................................................25
Output .....................................................25
Main Menu...................................................28
Main Profile..................................................86
Maintenance ............................................... 104
Maintenance Spares.......................................16
Mark In Point Button................................ 45, 68
Mark Out Point Button ............................. 46, 68
Mechanical Concerns................................... 106
Mechanical Drawing.................................... 133
Menu
Configuration ............................................29
File ..........................................................29
Main ........................................................28
Transport ..................................................29
Window ...................................................29
Monitor ........................................................25
Motherboard............................................... 107
Mounting......................................................18
Mouse ...................................................25, 122
MPEG-2 File Formats ..............................54, 100
MPEG-2 Profile..............................................86
MXF.............................................................98
Network
Replacement ........................................... 112
I/O Card
Accessory ............................................... 107
RAID...................................................... 107
Video..................................................... 107
Image Server
Audio A/D Selection..................................23
Audio I/O .................................................22
Connectors ......................................... 21, 22
Indicators..................................................20
Models.....................................................15
Mounting..................................................18
Rear Panel .......................................... 21, 22
Cable ..................................................... 101
Config Settings........................................ 101
DHCP .................................................... 103
Manual DNS ........................................... 103
Index = 133
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Redundancy............................................ 101
Transfer Marked Segment ...........................98
Transfer Rate.............................................98
Networking...................................................98
Odetics
Serial Control ............................................71
Odetics® Protocol ........................................ 127
On-Screen
Configuration Menu...................................29
File Menu .................................................29
Main Menu...............................................28
Transport Menu.........................................29
Window Menu..........................................29
Operations....................................................27
Out Point Display .................................... 46, 69
Outputs
Record Button ...............................................36
Recording
New.........................................................32
Regulatory Compliance ................................ 113
Repair ........................................................ 112
Replacing a Hard Drive................................ 112
Restart ..........................................................27
Review Clip Button.................................. 46, 69
Review Out Point Button.......................... 47, 69
Sample Rate Conversion.................................85
Save..................................................33, 34, 35
Save As.........................................................34
SC/H Phase ...................................................87
Schematic
GPIO ..................................................... 121
SDI .................................. 9, 13, 22, 38, 85, 130
Serial Control Ports ........................................23
Serial Protocol
Audio.......................................................22
Video.......................................................22
P2
Command Table...................................... 123
Command Table...................................... 125
Serial Control ............................................71
Phase
P2125
VDCP..................................................... 123
Service
Color Framing ...........................................79
Sub-Carrier................................................87
Pinout
GPIO ..................................................... 121
Play Button ...................................................37
Playback
Access.................................................... 105
Front Panel ............................................. 105
Top Cover............................................... 105
Shutdown ............................................... 27, 91
Shuttle..........................................................38
Slider Bar......................................................38
Software License Agreement......................... 117
Software Version ......................................... 111
Specifications
Connectors ............................................. 119
Technical................................................ 130
SRC..............................................................85
Still ...........................................See Stop Button
Still Frames...................................................55
Stop (Still) Button...........................................37
Storage Capacity..............................................9
Sub-Carrier Phase ..........................................87
SVGA Connector Pinout ............................... 122
Symbols
Warning And Information.............................7
Sync Reference
Genlock ...................................................24
System
Timing Tab ...............................................78
System Board Ports ...................................... 122
System LED................................................. 104
System Menu .......................................... 29, 76
TARGA File Ingest .........................................53
TARGA Files..........................................54, 100
Time
Concurrent................................................75
Playing
Clip..........................................................43
Playlists, Seamless .........................................75
Power Connector...........................................25
Power LED.................................................. 104
Power ON/OFF Button...................................20
Power Sources...............................................25
Program Updates
CD-ROM ................................................ 111
Protocol........................................................71
Rack Mounting ..............................................18
Radio Interference Compliance ..................... 113
RAID
Card....................................................... 107
Fault Tolerance..........................................89
Performance..............................................89
Repair ......................................................90
Rear Panel
Drawing ............................................. 21, 22
Features.............................................. 21, 22
Indicators................................................ 105
Reboot .........................................................27
Record
Button ......................................................32
System................................................ 29, 77
Setup........................................................76
Time Code
134 = Image Server 2000
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Burn-In .....................................................87
LTC..........................................................25
Type................................................... 77, 81
VITC ........................................................86
Timing Tab ...................................................78
Top Cover
Removing ............................................... 105
Track Arming ................................................85
Transfer Rate
Ethernet....................................................98
Transport Menu.............................................29
Trouble Shooting ................ See Fault Diagnostics
Variable Bit Rate............................................86
VDCP
Serial Control ............................................71
VDCP Options ..............................................72
Vertical Interval Time Code ............................86
Video Format ................................................79
Video I/O Card............................................ 107
Video Inputs .................................................22
Video Outputs...............................................22
Video Sync ...................................................77
VITC ............................................................86
Warranty .................................................... 115
Window Burn ...............................................87
Window Menu..............................................29
Wiring
GPIO Schematic...................................... 121
Command Table...................................... 123
Controllers.......................................... 73, 75
XLR-3 Connectors..........................................22
Index = 135
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