Black plate (1,1)
Operation Manual
(ªꢀø
Multi-CD control High power CD/MP3/WMA player
with FM/AM tuner
6FM/AM¿çh„ꢀGꢀCD§6ØŸ‡CD/MP3/WMA->
_
DEH-P4850MPH
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Black plate (3,1)
Contents
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Black plate (4,1)
Section
01
Before You Start
MP3 file playback
About this unit
You can play back MP3 files recorded on CD-
ROM/CD-R/CD-RW (ISO9660 Level 1/Level 2
standard recordings).
CAUTION
!
Do not allow this unit to come into contact
with liquids. Electrical shock could result.
Also, this unit damage, smoke, and overheat
could result from contact with liquids.
Keep this manual handy as a reference for op-
erating procedures and precautions.
Always keep the volume low enough so that
you can hear sounds from outside the vehicle.
Protect this unit from moisture.
!
Supply of this product only conveys a li-
cense for private, non-commercial use and
does not convey a license nor imply any
right to use this product in any commercial
(i.e. revenue-generating) real time broad-
casting (terrestrial, satellite, cable and/or
any other media), broadcasting/streaming
via internet, intranets and/or other net-
works or in other electronic content distri-
bution systems, such as pay-audio or
audio-on-demand applications. An inde-
pendent license for such use is required.
For details, please visit
!
!
!
!
If the battery is disconnected or discharged,
the preset memory will be erased and must be
reprogrammed.
!
If this unit does not operate properly, contact
your dealer or nearest authorized Pioneer Ser-
vice Station.
http://www.mp3licensing.com.
WMA file playback
You can play back WMA files recorded on CD-
ROM/CD-R/CD-RW (ISO9660 Level 1/Level 2
standard recordings).
About this manual
This unit features a number of sophisticated
functions ensuring superior reception and op-
eration. All the functions have been designed
for the easiest possible use, but many are not
self-explanatory. This operation manual will
help you benefit fully from this unitꢁs potential
and to maximize your listening enjoyment.
We recommend that you familiarize yourself
with the functions and their operation by read-
ing through the manual before you begin
using this unit. It is especially important that
you read and observe WARNINGs and CAU-
TIONs in this manual.
WAV file playback
You can play back WAV files recorded on CD-
ROM/CD-R/CD-RW (ISO9660 Level 1/Level 2
standard recordings).
About WMA
The Windows Media" logo printed on the box
indicates that this unit can play back WMA
data.
Features
CD playback
Music CD/CD-R/CD-RW playback is possible.
4
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Section
Before You Start
01
WMA is short for Windows Media" Audio
and refers to an audio compression technol-
ogy that is developed by Microsoft Corpora-
tion. WMA data can be encoded by using
Windows Media Player version 7 or later.
Windows Media and the Windows logo are tra-
demarks or registered trademarks of Microsoft
Corporation in the United States and/or other
countries.
CAUTION
!
!
Use only one CR2025 (3 V) lithium battery.
Remove the battery if the remote control is not
used for a month or longer.
Do not recharge, disassemble, heat or dispose
of the battery in fire.
Do not handle the battery with metallic tools.
Do not store the battery with metallic materi-
als.
!
!
!
!
!
In the event of battery leakage, wipe the re-
mote control completely clean and install a
new battery.
When disposing of used batteries, please
comply with governmental regulations or en-
vironmental public institutionsꢁ rules that
apply in your country/area.
Notes
!
!
This unit may not operate correctly depending
on the application used to encode WMA files.
Depending on the version of Windows Media
Player used to encode WMA files, album
names and other text information may not be
correctly displayed.
!
There may be a slight delay when starting
playback of WMA files encoded with image
data.
Using the remote control
Point the remote control in the direction of the
front panel to operate.
Important
Use andcare of the remote
control
Installing the battery
Slide the tray out on the back of the remote
control and insert the battery with the plus (+)
and minus (ꢀ) poles pointing in the proper di-
rection.
!
!
!
Do not store the remote control in high tem-
peratures or direct sunlight.
The remote control may not function properly
in direct sunlight.
Do not let the remote control fall onto the
floor, where it may become jammed under the
brake or accelerator pedal.
Protecting your unit from
theft
The front panel can be detached from the
head unit and stored in the provided protective
case to prevent theft.
WARNING
!
If the front panel is not detached from the
head unit within five seconds of turning off
the ignition, a warning tone will sound.
Keep the battery out of the reach of children.
Should the battery be swallowed, immediately
consult a doctor.
5
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Black plate (6,1)
Section
01
Before You Start
!
!
You can turn off the warning tone. See
Attaching the front panel
%
Replace the front panel by holding it
upright to the unit and clipping it securely
into the mounting hooks.
Important
Never use force or grip the display and the
buttons too tightly when removing or attach-
ing.
!
!
Avoid subjecting the front panel to excessive
shocks.
Keep the front panel out of direct sunlight and
high temperatures.
Removing the front panel
1
Press OPEN to open the front panel.
2
Grip the left side of the front panel and
pull it gently outward.
Take care not to grip it too tightly or to drop
the front panel and protect it from contact
with water or other fluids to prevent perma-
nent damage.
3
Put the front panel into provided pro-
tective case for safe keeping.
6
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Section
Whatꢀs What
02
8 BAND button
Headunit
1 AUDIO button
Press to select various sound quality con-
trols.
Press to select among three FM bands and
one AM band and to cancel the control
mode of functions.
9 DISPLAY button
Press to select different displays.
2 FUNCTION button
Press to select functions.
a CLOCK button
Press to change to the clock display.
3 SW button
Press to select the subwoofer setting menu.
Press and hold to select the bass boost set-
ting menu.
b a/b/c/d buttons
Press to perform manual seek tuning, fast
forward, reverse and track search controls.
Also used for controlling functions.
4 SOURCE button, VOLUME
This unit is turned on by selecting a source.
Press to cycle through all the available
sources.
Rotate it to increase or decrease the vo-
lume.
Remote control
Operation is the same as when using the but-
tons on the head unit. See the explanation of
the head unit about the operation of each but-
ton with the exception of ATT and PAUSE,
which is explained below.
5 EQ button
Press to select various equalizer curves.
6 OPEN button
Press to open the front panel.
c VOLUME button
Press to increase or decrease the volume.
7 1ꢀ6 buttons
Press for preset tuning and disc number
search when using a multi-CD player.
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Black plate (8,1)
Section
02
Whatꢀs What
c
f
8
b
2
d
1
9
e
d SOURCE button
This unit is turned on by selecting a source.
Press to cycle through all the available
sources.
e PAUSE button
Press to turn pause on or off.
f ATT button
Press to quickly lower the volume level, by
about 90%. Press once more to return to the
original volume level.
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Section
Power ON/OFF
03
Turning the unit on
Turning the unit off
%
Press SOURCE to turn the unit on.
%
Press SOURCE and hold until the unit
When you select a source, the unit is turned
turns off.
on.
Selecting a source
You can select a source you want to listen to.
To switch to the built-in CD player, load a disc
in the unit (refer to page 13).
%
Press SOURCE to select a source.
Press SOURCE repeatedly to switch between
the following sources:
TunerꢂTelevisionꢂBuilt-in CD playerꢂ
Multi-CD playerꢂExternal unit 1ꢂExter-
nal unit 2ꢂAUX
Notes
!
In the following cases, the sound source will
not change:
ꢂ When there is no unit corresponding to the
selected source connected to this unit.
ꢂ When there is no disc in the unit.
ꢂ When there is no magazine in the multi-
CD player.
ꢂ When the AUX (auxiliary input) is set to off
(refer to page 36).
!
!
External unit refers to a Pioneer product (such
as one available in the future) that, although
incompatible as a source, enables control of
basic functions by this unit. Two external units
can be controlled by this unit. When two exter-
nal units are connected, the allocation of
them to external unit 1 or external unit 2 is
automatically set by this unit.
When this unitꢁs blue/white lead is connected
to the vehicleꢁs auto-antenna relay control
terminal, the vehicleꢁs antenna extends when
this unitꢁs source is turned on. To retract the
antenna, turn the source off.
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Section
04
Tuner
4
To perform manual tuning, briefly press
Listening to the radio
c or d.
The frequencies move up or down step by
step.
1
2
5
To perform seek tuning, press and hold
c or d for about one second and release.
The tuner will scan the frequencies until a
broadcast strong enough for good reception is
found.
4
3
#
You can cancel seek tuning by briefly pressing
c or d.
These are the basic steps necessary to operate
the radio. More advanced tuner operation is
explained starting on the next page.
#
If you press and hold c or d you can skip sta-
tions. Seek tuning starts as soon as you release
the button.
1 Band indicator
Shows which band the radio is tuned to, AM
or FM.
Note
When the frequency selected is being broadcast
in stereo the stereo (5) indicator will light.
2 Frequency indicator
Shows the frequency to which the tuner is
tuned.
3 Preset number indicator
Shows which preset has been selected.
4 Stereo (5) indicator
Shows when the selected frequency is
being broadcast in stereo.
1
Press SOURCE to select the tuner.
Press SOURCE until you see TUNER dis-
played.
2
Use VOLUME to adjust the sound level.
Rotate it to increase or decrease the volume.
3
Press BAND to select a band.
Press BAND until the desired band (FM1,
FM2, FM3 for FM or AM) is displayed.
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Section
Tuner
04
%
When you find a frequency that you
Introduction of advanced
tuner operation
want to store in memory, press one of pre-
set tuning buttons 1ꢀ6 and hold until the
preset number stops flashing.
The number you have pressed will flash in the
preset number indicator and then remain lit.
The selected radio station frequency has been
stored in memory.
1
The next time you press the same preset tun-
ing button the radio station frequency is re-
called from memory.
3
2
1 Function display
Notes
Shows the function status.
!
!
Up to 18 FM stations, six for each of the three
FM bands, and six AM stations can be stored
in memory.
You can also use a and b to recall radio sta-
tion frequencies assigned to preset tuning
buttons 1ꢀ6.
2 Preset number indicator
Shows which preset has been selected.
3 LOC indicator
Shows when local seek tuning is on.
%
Press FUNCTION to display the function
names.
Tuning in strong signals
Local seek tuning lets you tune in only those
radio stations with sufficiently strong signals
for good reception.
Press FUNCTION repeatedly to switch be-
tween the following functions:
BSM (best stations memory)ꢂLOCAL (local
seek tuning)
#
To return to the frequency display, press
BAND.
1
Press FUNCTION to select LOCAL.
Press FUNCTION until LOCAL appears in the
display.
Note
If you do not operate the function within about 30
seconds, the display is automatically returned to
the frequency display.
2
Press a to turn local seek tuning on.
Local seek sensitivity (e.g., LOCAL 2) appears
in the display.
3
Press c or d to set the sensitivity.
There are four levels of sensitivity for FM and
two levels for AM:
FM: LOCAL 1ꢂLOCAL 2ꢂLOCAL 3ꢂ
LOCAL 4
Storing andrecalling
broadcast frequencies
If you press any of the preset tuning buttons
1ꢀ6 you can easily store up to six broadcast
frequencies for later recall with the touch of a
button.
AM: LOCAL 1ꢂLOCAL 2
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Section
04
Tuner
The LOCAL 4 setting allows reception of only
the strongest stations, while lower settings let
you receive progressively weaker stations.
4
When you want to return to normal
seek tuning, press b to turn local seek tun-
ing off.
LOCAL:OFF appears in the display.
Storing the strongest
broadcast frequencies
BSM (best stations memory) lets you automa-
tically store the six strongest broadcast fre-
quencies under preset tuning buttons 1ꢀ6.
Once stored you can tune in to those frequen-
cies with the touch of button.
1
Press FUNCTION to select BSM.
Press FUNCTION until BSM appears in the
display.
2
Press a to turn BSM on.
BSM begins to flash. While BSM is flashing
the six strongest broadcast frequencies will be
stored under preset tuning buttons 1ꢀ6 in the
order of their signal strength. When finished,
BSM stops flashing.
#
To cancel the storage process, press b.
Note
Storing broadcast frequencies with BSM may re-
place broadcast frequencies you have saved
using buttons 1ꢀ6.
12
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Black plate (13,1)
Section
Built-in CD Player
05
#
To avoid a malfunction, make sure that no
Playing a CD
metal object comes into contact with the term-
inals when the front panel is open.
1
2
3
4
Close the front panel.
Use VOLUME to adjust the sound level.
Rotate it to increase or decrease the volume.
3
5
To perform fast forward or reverse,
press and hold c or d.
If you select ROUGH, pressing and holding c
These are the basic steps necessary to play a
CD with your built-in CD player. More ad-
vanced CD operation is explained starting on
#
or d enables you to search every 10 tracks in the
current disc. (Refer to Selecting the search meth-
1 EQ indicator
6
To skip back or forward to another
Shows which equalizer curve is selected.
track, press c or d.
Pressing d skips to the start of the next track.
Pressing c once skips to the start of the cur-
rent track. Pressing again will skip to the pre-
vious track.
2 Play time indicator
Shows the elapsed playing time of the cur-
rent track.
3 Track number indicator
Shows the track currently playing.
Notes
!
The built-in CD player plays one standard, 12-
cm or 8-cm CD at a time. Do not use an adap-
ter when playing 8-cm CDs.
Do not insert anything other than a CD into
the CD loading slot.
If you cannot insert a disc completely or if
after you insert a disc the disc does not play,
check that the label side of the disc is up.
Press EJECT to eject the disc, and check the
disc for damage before inserting it again.
If an error message such as ERROR-11 is dis-
played, refer to Understanding built-in CD
1
Press OPEN to open the front panel.
CD loading slot appears.
After a CD has been inserted, press SOURCE
to select the built-in CD player.
!
!
#
2
Insert a CD into the CD loading slot.
Playback will automatically start.
CD loading slot
!
!
When a CD TEXT disc is inserted, the disc and
track titles begin to scroll to the left auto-
matically.
EJECT button
You can eject a CD by pressing EJECT.
#
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Black plate (14,1)
Section
05
Built-in CD Player
2
Press c or d to select the repeat range.
Introduction of advanced
built-in CD player operation
This switches you to the selected setting.
!
!
DSC ꢀ Repeat the current disc
TRK ꢀ Repeat just the current track
1
Note
If you perform track search or fast forward/re-
verse during TRK, the repeat play range changes
to DSC.
2
1 Function display
Shows the function status.
Playing tracks in random order
Random play lets you play back tracks on the
CD in a random order.
2 RPT indicator
Shows when repeat range is selected to cur-
rent track.
1
Press FUNCTION to select RDM.
Press FUNCTION until RDM appears in the
display.
%
Press FUNCTION to display the function
names.
Press FUNCTION repeatedly to switch be-
tween the following functions:
RPT (repeat play)ꢂRDM (random play)
ꢂSCAN (scan play)ꢂPAUSE (pause)ꢂCOMP
(compression and BMX)ꢂFF/REV (search
method)
2
Press a to turn random play on.
RDM :ON appears in the display. Tracks will
play in a random order.
3
Press b to turn random play off.
RDM :OFF appears in the display. Tracks will
continue to play in order.
#
To return to the playback display, press BAND.
Note
If you do not operate the function within about 30
seconds, the display is automatically returned to
the playback display.
Scanning tracks of a CD
Scan play lets you hear the first 10 seconds of
each track on the CD.
1
Press FUNCTION to select SCAN.
Press FUNCTION until SCAN appears in the
display.
Repeating play
Repeat play lets you hear the same track or
disc over again.
2
Press a to turn scan play on.
SCAN :ON appears in the display. The first 10
seconds of each track is played.
1
Press FUNCTION to select RPT.
Press FUNCTION until RPT appears in the dis-
play.
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Black plate (15,1)
Section
Built-in CD Player
05
3
When you find the desired track press
enhances the playback of the track or CD that
you are listening to.
b to turn scan play off.
SCAN :OFF appears in the display. The track
will continue to play.
1
Press FUNCTION to select COMP.
#
If the display has automatically returned to
Press FUNCTION until COMP appears in the
the playback display, select SCAN again by press-
display.
ing FUNCTION.
2
Press a or b to select your favorite set-
ting.
Note
Press a or b repeatedly to switch between the
following settings:
COMP OFFꢂCOMP 1ꢂCOMP 2ꢂ
COMP OFFꢂBMX 1ꢂBMX 2
After scanning of a CD is finished, normal play-
back of the tracks will begin again.
Pausing CD playback
Pause lets you temporarily stop playback of
the CD.
Selecting the search method
You can switch the search method between
fast forward/reverse and searching every 10
tracks.
1
Press FUNCTION to select PAUSE.
Press FUNCTION until PAUSE appears in the
display.
1
Press FUNCTION to select FF/REV.
Press FUNCTION until FF/REV appears in the
display.
2
Press a to turn pause on.
PAUSE:ON appears in the display. Play of the
current track pauses.
#
If the search method ROUGH has been pre-
viously selected, ROUGH will be displayed.
3
Press b to turn pause off.
2
od.
Press c or d to select the search meth-
PAUSE:OFF appears in the display. Play will re-
sume at the same point that you turned pause
on.
Press c or d until the desired search method
appears in the display.
!
!
FF/REV ꢀ Fast forward and reverse
ROUGH ꢀ Searching every 10 tracks
Using compression andBMX
Using the COMP (compression) and BMX
functions let you adjust the sound playback
quality of this player. Each of the functions has
a two-step adjustment. The COMP function
balances the output of louder and softer
sounds at higher volumes. BMX controls
sound reverberations to give playback a fuller
sound. Listen to each of the effects as you se-
lect through them and use the one that best
15
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Section
05
Built-in CD Player
2
Press FUNCTION and hold until TITLE IN
Searching every 10 tracks in
the current disc
appears in the display.
When playing a CD TEXT disc, you cannot
#
If a disc contains over 10 tracks, you can
search every 10 tracks. When a disc contains
many tracks, you can roughly search for the
track you want to play.
switch to TITLE IN. The disc title will have already
been recorded on a CD TEXT disc.
3
Press a or b to select a letter of the al-
phabet.
1
Select the search method ROUGH.
Each press of a will display a letter of the al-
phabet in A B C ... X Y Z, numbers and sym-
bols in 1 2 3 ... > [ ] order. Each press of b will
display a letter in the reverse order, such as Z
Y X ... C B A order.
2
Press and hold c or d to search every
10 tracks on a disc.
If a disc contains less than 10 tracks, pressing
#
and holding d recalls the last track of the disc.
Also, if the remaining number of tracks after
searching every 10 tracks is less than 10, press-
ing and holding d recalls the last track of the
disc.
4
Press d to move the cursor to the next
character position.
#
If a disc contains less than 10 tracks, pressing
When the letter you want is displayed, press d
to move the cursor to the next position and
then select the next letter. Press c to move
backwards in the display.
and holding c recalls the first track of the disc.
Also, if the remaining number of tracks after
searching every 10 tracks is less than 10, press-
ing and holding c recalls the first track of the
disc.
5
Move the cursor to the last position by
pressing d after entering the title.
When you press d one more time, the entered
title is stored in memory.
Using disc title functions
6
Press BAND to return to the playback
You can input CD titles and display the title.
The next time you insert a CD for which you
have entered a title, the title of that CD will be
displayed.
display.
Notes
!
!
!
Titles remain in memory, even after the disc
has been removed from the unit, and are re-
called when the disc is reinserted.
After data for 48 discs has been stored in
memory, data for a new disc will overwrite the
oldest one.
Entering disc titles
Use the disc title input feature to store up to
48 CD titles in the unit. Each title can be up to
8 characters long.
If you connect a multi-CD player, you can
input disc titles for up to 100 discs.
1
Play the CD that you want to enter a
title for.
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Section
Built-in CD Player
Displaying disc titles
05
Scrolling text information in
the display
This unit can display the first 16 letters only of
DISC TITLE, DISC ARTIST, TRACK TITLE and
TRACK ARTIST. When the recorded informa-
tion is longer than 16 letters, you can scroll
the text to the left so that the rest of the title
can be seen.
You can display the text information of any
disc that has had a disc title entered.
%
Press DISPLAY.
Press DISPLAY repeatedly to switch between
the following settings:
Play timeꢂDISC TITLE (disc title)
When you select DISC TITLE, the title of the
currently playing disc is shown in the display.
%
Press DISPLAY and hold until the title
#
If no title has been entered for the currently
begins to scroll to the left.
The rest of the title will appear in the dis-
play.
playing disc, NO DISC TITLE is displayed.
Using CD TEXT functions
Some discs have certain information encoded
on the disc during manufacture. These discs
may contain such information as the CD title,
track title, artistꢁs name and playback time
and are called CD TEXT discs. Only these spe-
cially encoded CD TEXT discs support the
functions listed below.
Displaying text information on
CD TEXT discs
%
Press DISPLAY.
Press DISPLAY repeatedly to switch between
the following settings:
Play timeꢂDISC TITLE (disc title)
ꢂDISC ARTIST (disc artist name)
ꢂTRACK TITLE (track title)ꢂTRACK ARTIST
(track artist name)
#
If specific information has not been recorded
on a CD TEXT disc, NO XXXX will be displayed
(e.g., NO TRACK TITLE).
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Section
06
MP3/WMA/WAV Player
Playing MP3/WMA/WAV
CD loading slot
1
2
3
EJECT button
6 5
4
#
#
You can eject a CD-ROM by pressing EJECT.
To avoid a malfunction, make sure that no
These are the basic steps necessary to play an
MP3/WMA/WAV with your built-in CD player.
More advanced MP3/WMA/WAV operation is
explained starting on page 20.
metal object comes into contact with the term-
inals when the front panel is open.
3
4
Close the front panel.
1 EQ indicator
Shows which equalizer curve is selected.
Use VOLUME to adjust the sound level.
Rotate it to increase or decrease the volume.
2 Folder number indicator
Shows the number of folder currently play-
ing.
5
Press a or b to select a folder.
#
You cannot select a folder that does not have
an MP3/WMA/WAV file recorded in it.
To return to folder 01 (ROOT), press and hold
BAND. However, if folder 01 (ROOT) contains no
3 Play time indicator
Shows the elapsed playing time of the cur-
rent track (file).
#
files, playback commences with folder 02.
4 Track number indicator
Shows the track (file) currently playing.
6
To perform fast forward or reverse,
press and hold c or d.
This is fast forward and reverse operation only
for the file being played.
If you select ROUGH, pressing and holding c
#
5 WMA indicator
Shows when a WMA file is playing.
#
or d enables you to search every 10 tracks in the
6 MP3 indicator
Shows when an MP3 file is playing.
1
Press OPEN to open the front panel.
CD loading slot appears.
After a CD-ROM has been inserted, press
SOURCE to select the built-in CD player.
7
To skip back or forward to another
track, press c or d.
#
Pressing d skips to the start of the next track.
Pressing c once skips to the start of the cur-
rent track. Pressing again will skip to the pre-
vious track.
2
slot.
Insert a CD-ROM into the CD loading
Playback will automatically start.
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Section
MP3/WMA/WAV Player
06
!
When an MP3/WMA/WAV disc is inserted,
folder name and file name begin to scroll to
the left automatically.
Notes
!
When playing discs with MP3/WMA/WAV files
and audio data (CD-DA) such as CD-EXTRA
and MIXED-MODE CDs, both types can be
played only by switching mode between MP3/
WMA/WAV and CD-DA with BAND.
!
!
If you have switched between playback of
MP3/WMA/WAV files and audio data (CD-DA),
playback starts at the first track on the disc.
The built-in CD player can play back an MP3/
WMA/WAV file recorded on CD-ROM. (Refer
Do not insert anything other than a CD into
the CD loading slot.
There is sometimes a delay between starting
up CD playback and the sound being issued.
When being read, FORMAT READ is dis-
played.
!
!
!
If you cannot insert a disc completely or if
after you insert a disc the disc does not play,
check that the label side of the disc is up.
Press EJECT to eject the disc, and check the
disc for damage before inserting it again.
Playback is carried out in order of file number.
Folders are skipped if they contain no files. (If
folder 01 (ROOT) contains no files, playback
commences with folder 02.)
When playing back files recorded as VBR
(variable bit rate) files, the play time will not be
correctly displayed if fast forward or reverse
operations are used.
!
!
!
!
If the inserted disc contains no files that can
be played back, NO AUDIO is displayed.
If the inserted disc contains WMA files that
are protected by digital rights management
(DRM) , SKIPPED is displayed while the pro-
tected file is skipped.
!
If all the files on the inserted disc are secured
by DRM, PROTECT is displayed.
!
!
There is no sound on fast forward or reverse.
If an error message such as ERROR-11 is dis-
played, refer to Understanding built-in CD
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06
MP3/WMA/WAV Player
1
Press FUNCTION to select RPT.
Introduction of advanced
built-in CD player (MP3/
WMA/WAV) operation
Press FUNCTION until RPT appears in the dis-
play.
2
Press c or d to select the repeat range.
Press c or d until the desired repeat range ap-
pears in the display.
1
!
!
!
FLD ꢀ Repeat the current folder
TRK ꢀ Repeat just the current track
DSC ꢀ Repeat all tracks
Notes
2
!
!
If you select another folder during repeat play,
the repeat play range changes to DSC.
If you perform track search or fast forward/re-
verse during TRK, the repeat play range
changes to FLD.
1 Function display
Shows the function status.
2 RPT indicator
Shows when repeat range is selected to cur-
rent track (file).
!
!
When FLD is selected, it is not possible to play
back a subfolder of that folder.
When you select FLD for the repeating range
and return to the playback display, FRPT is dis-
played.
%
Press FUNCTION to display the function
names.
Press FUNCTION repeatedly to switch be-
tween the following functions:
RPT (repeat play)ꢂRDM (random play)
ꢂSCAN (scan play)ꢂPAUSE (pause)ꢂCOMP
(compression and BMX)ꢂFF/REV (search
method)
Playing tracks in random order
Random play lets you play back tracks in a
random order within the repeat range, FLD
and DSC.
#
To return to the playback display, press BAND.
Note
1
Select the repeat range.
If you do not operate the function within about 30
seconds, the display is automatically returned to
the playback display.
2
Press FUNCTION to select RDM.
Press FUNCTION until RDM appears in the
display.
3
Press a to turn random play on.
Repeating play
For MP3/WMA/WAV playback, there are three
repeat play ranges: FLD (folder repeat), TRK
(one-track repeat) and DSC (repeat all tracks).
RDM :ON appears in the display. Tracks will
play in a random order within the previously
selected FLD or DSC ranges.
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Section
MP3/WMA/WAV Player
06
!
If you turn scan play on during FLD and then
return to the playback display, FSCN appears
in the display.
4
Press b to turn random play off.
RDM :OFF appears in the display. Tracks will
continue to play in order.
Note
If you turn random play on during FLD and then
return to the playback display, FRDM appears in
the display.
Pausing MP3/WMA/WAV
playback
Pause lets you temporarily stop playback of
the MP3/WMA/WAV.
1
Press FUNCTION to select PAUSE.
Scanning folders and tracks
Press FUNCTION until PAUSE appears in the
display.
While you are using FLD, the beginning of
each track in the selected folder plays for
about 10 seconds. When you are using DSC,
the beginning of the first track of each folder
is played for about 10 seconds.
2
Press a to turn pause on.
PAUSE:ON appears in the display. Play of the
current track pauses.
1
Select the repeat range.
3
Press b to turn pause off.
PAUSE:OFF appears in the display. Play will re-
sume at the same point that you turned pause
on.
2
Press FUNCTION to select SCAN.
Press FUNCTION until SCAN appears in the
display.
3
Press a to turn scan play on.
Using compression andBMX
SCAN :ON appears in the display. The first 10
seconds of each track of the current folder (or
the first track of each folder) is played.
Using the COMP (compression) and BMX
functions let you adjust the sound playback
quality of this player. Each of the functions has
a two-step adjustment. The COMP function
balances the output of louder and softer
sounds at higher volumes. BMX controls
sound reverberations to give playback a fuller
sound. Listen to each of the effects as you se-
lect through them and use the one that best
enhances the playback of the track or CD that
you are listening to.
4
When you find the desired track (or
folder) press b to turn scan play off.
SCAN :OFF appears in the display. The track
(or disc) will continue to play.
#
If the display has automatically returned to
the playback display, select SCAN again by press-
ing FUNCTION.
Notes
1
Press FUNCTION to select COMP.
!
After track or folder scanning is finished, nor-
mal playback of the tracks will begin again.
Press FUNCTION until COMP appears in the
display.
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Section
06
MP3/WMA/WAV Player
2
Press a or b to select your favorite set-
2
Press and hold c or d to search every
ting.
10 tracks in the current folder.
If the current folder contains less than 10
Press a or b repeatedly to switch between the
following settings:
COMP OFFꢂCOMP 1ꢂCOMP 2ꢂ
COMP OFFꢂBMX 1ꢂBMX 2
#
tracks, pressing and holding d recalls the last
track of the folder. Also, if the remaining number
of tracks after searching every 10 tracks is less
than 10, pressing and holding d recalls the last
track of the folder.
#
If the current folder contains less than 10
tracks, pressing and holding c recalls the first
track of the folder. Also, if the remaining number
of tracks after searching every 10 tracks is less
than 10, pressing and holding c recalls the first
track of the folder.
Selecting the search method
You can switch the search method between
fast forward/reverse and searching every 10
tracks.
1
Press FUNCTION to select FF/REV.
Press FUNCTION until FF/REV appears in the
display.
Displaying text information
on MP3/WMA/WAV disc
#
If the search method ROUGH has been pre-
viously selected, ROUGH will be displayed.
Text information recorded on an MP3/WMA/
WAV disc can be displayed.
2
od.
Press c or d to select the search meth-
Press c or d until the desired search method
appears in the display.
When playing back an MP3/
WMA disc
!
!
FF/REV ꢀ Fast forward and reverse
ROUGH ꢀ Searching every 10 tracks
%
Press DISPLAY.
Press DISPLAY repeatedly to switch between
the following settings:
Play timeꢂFOLDER (folder name)ꢂFILE (file
name)ꢂTRACK TITLE (track title)ꢂARTIST
(artist name)ꢂALBUM (album title)
ꢂCOMMENT (comment)ꢂBit rate
Searching every 10 tracks in
the current folder
If the current folder contains over 10 tracks,
you can search every 10 tracks. When one
folder contains a lot of tracks, you can roughly
search for the track you want to play.
#
When playing back MP3 files recorded as VBR
(variable bit rate) files, the bit rate value is not dis-
played even after switching to bit rate.
#
When playing back WMA files recorded as
1
Select the search method ROUGH.
VBR (variable bit rate) files, the average bit rate
value is displayed.
#
If specific information has not been recorded
on an MP3/WMA disc, NO XXXX will be dis-
played (e.g., NO NAME).
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Section
MP3/WMA/WAV Player
06
#
Depending on the version of iTunes® used to
Note
write MP3 files onto a disc, comment information
Unlike MP3 and WMA file format, WAV files dis-
play only FOLDER and FILE.
may not be correctly displayed.
#
iTunes® is a trademark of Apple Computer,
Inc., registered in the U.S. and other countries.
#
Depending on the version of Windows Media
Player used to encode WMA files, album names
and other text information may not be correctly
displayed.
When playing back a WAV disc
%
Press DISPLAY.
Press DISPLAY repeatedly to switch between
the following settings:
Play timeꢂFOLDER (folder name)ꢂFILE (file
name)ꢂSampling frequency
#
If specific information has not been recorded
on a WAV disc, NO XXXX will be displayed (e.g.,
NO NAME).
#
You can only play back WAV files in the fre-
quencies 16, 22.05, 24, 32, 44.1 and 48 kHz
(LPCM), or 22.05 and 44.1 kHz (MS ADPCM). The
sampling frequency shown in the display may be
rounded.
Scrolling text information
in the display
This unit can display the first 16 letters only of
FOLDER, FILE, TRACK TITLE, ARTIST, ALBUM
and COMMENT. When the recorded informa-
tion is longer than 16 letters, you can scroll
the text to the left so that the rest of the text in-
formation can be seen.
%
Press DISPLAY and hold until the text
information begins to scroll to the left.
The rest of the text information will appear in
the display.
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Section
07
Multi-CD Player
Playing a CD
For discs 7 to 12, press and hold the corre-
sponding numbers, such as 1 for disc 7, until
the disc number appears in the display.
1
2
3
#
You can also sequentially select a disc by
pressing a/b.
4
To perform fast forward or reverse,
press and hold c or d.
4
5
To skip back or forward to another
track, press c or d.
You can use this unit to control a multi-CD
player, which is sold separately.
These are the basic steps necessary to play a
CD with your multi-CD player. More advanced
CD operation is explained starting on the next
Pressing d skips to the start of the next track.
Pressing c once skips to the start of the cur-
rent track. Pressing again will skip to the pre-
vious track.
Notes
1 EQ indicator
Shows which equalizer curve is selected.
!
!
When the multi-CD player performs the pre-
paratory operations, READY is displayed.
If an error message such as ERROR-11 is dis-
played, refer to the multi-CD player ownerꢁs
manual.
2 Disc number indicator
Shows the disc currently playing.
!
!
If there are no discs in the multi-CD player ma-
gazine, NO DISC is displayed.
When you select a CD TEXT disc on a CD TEXT
compatible multi-CD player, the disc and track
titles begin to scroll to the left auto-
matically.
3 Play time indicator
Shows the elapsed playing time of the cur-
rent track.
4 Track number indicator
Shows the track currently playing.
1
Press SOURCE to select the multi-CD
player.
50-disc multi-CD player
Press SOURCE until you see MULTI CD dis-
Only those functions described in this manual
played.
are supported by 50-disc multi-CD players.
2
Use VOLUME to adjust the sound level.
Rotate it to increase or decrease the volume.
3
Select a disc you want to listen to with
the 1ꢀ6 buttons.
For discs 1 to 6, press the corresponding but-
ton number.
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Section
Multi-CD Player
07
2
Press c or d to select the repeat range.
Introduction of advanced
multi-CD player operation
Press c or d until the desired repeat range ap-
pears in the display.
!
MCD ꢀ Repeat all discs in the multi-CD
player magazine
TRK ꢀ Repeat just the current track
DSC ꢀ Repeat the current disc
1
!
!
Notes
!
!
If you select other discs during repeat play,
the repeat play range changes to MCD.
If you perform track search or fast forward/re-
verse during TRK, the repeat play range
changes to DSC.
2
1 Function display
Shows the function status.
!
When you select DSC for the repeating range
and return to the playback display, DRPT is
displayed.
2 RPT indicator
Shows when repeat range is selected to cur-
rent track.
%
Press FUNCTION to display the function
names.
Playing tracks in random order
Random play lets you play back tracks in ran-
dom order within the repeat range, MCD and
DSC.
Press FUNCTION repeatedly to switch be-
tween the following functions:
RPT (repeat play)ꢂRDM (random play)
ꢂSCAN (scan play)ꢂITS-P (ITS play)ꢂPAUSE
(pause)ꢂCOMP (compression and DBE)
1
Select the repeat range.
#
To return to the playback display, press BAND.
Note
2
Press FUNCTION to select RDM.
Press FUNCTION until RDM appears in the
display.
If you do not operate the function within about 30
seconds, the display is automatically returned to
the playback display.
3
Press a to turn random play on.
RDM :ON appears in the display. Tracks will
play in a random order within the previously
selected MCD or DSC ranges.
Repeating play
There are three repeat play ranges for the
multi-CD player: MCD (multi-CD player re-
peat), TRK (one-track repeat) and DSC (disc re-
peat).
4
Press b to turn random play off.
RDM :OFF appears in the display. Tracks will
continue to play in order.
1
Press FUNCTION to select RPT.
Press FUNCTION until RPT appears in the dis-
play.
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Section
07
Multi-CD Player
Pausing CD playback
Note
Pause lets you temporarily stop playback of
the CD.
If you turn random play on during DSC and then
return to the playback display, DRDM appears in
the display.
1
Press FUNCTION to select PAUSE.
Press FUNCTION until PAUSE appears in the
display.
Scanning CDs andtracks
2
Press a to turn pause on.
While you are using DSC, the beginning of
each track on the selected disc plays for about
10 seconds. When you are using MCD, the be-
ginning of the first track of each disc is played
for about 10 seconds.
PAUSE:ON appears in the display. Play of the
current track pauses.
3
Press b to turn pause off.
PAUSE:OFF appears in the display. Play will re-
sume at the same point that you turned pause
on.
1
Select the repeat range.
2
Press FUNCTION to select SCAN.
Press FUNCTION until SCAN appears in the
display.
Using ITS playlists
ITS (instant track selection) lets you make a
playlist of favorite tracks from those in the
multi-CD player magazine. After you have
added your favorite tracks to the playlist you
can turn on ITS play and play just those selec-
tions.
3
Press a to turn scan play on.
SCAN :ON appears in the display. The first 10
seconds of each track of the current disc (or
the first track of each disc) is played.
4
When you find the desired track (or
disc) press b to turn scan play off.
SCAN :OFF appears in the display. The track
(or disc) will continue to play.
Creating a playlist with ITS
programming
You can use ITS to enter and play back up to
99 tracks per disc from up to 100 discs (with
the disc titles). (With multi-CD players sold be-
fore the CDX-P1250 and CDX-P650, up to 24
tracks can be stored in the playlist.)
#
If the display has automatically returned to
the playback display, select SCAN again by press-
ing FUNCTION.
Notes
!
!
After track or disc scanning is finished, nor-
mal playback of the tracks will begin again.
If you turn scan play on during DSC and then
return to the playback display, DSCN appears
in the display.
1
Play a CD that you want to program.
Press a or b to select the CD.
2
Press FUNCTION and hold until TITLE IN
appears in the display, then press
FUNCTION to select ITS.
After TITLE IN is displayed, press FUNCTION
repeatedly, the following functions appear in
the display:
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Section
Multi-CD Player
07
TITLE IN (disc title input)ꢂITS (ITS program-
ming)
Erasing a track from your ITS
playlist
You can delete a track from your ITS playlist if
ITS play is on.
If ITS play is already on, skip to step 2. If ITS
play is not already on, press FUNCTION.
3
Select the desired track by pressing c
or d.
4
Press a to store the currently playing
track in the playlist.
1
Play the CD with the track you want to
ITS IN is displayed briefly and the currently
playing selection is added to your playlist. The
display then shows ITS again.
delete from your ITS playlist, and turn ITS
play on.
5
Press BAND to return to the playback
display.
2
Press FUNCTION and hold until TITLE IN
appears in the display, then press
FUNCTION to select ITS.
After TITLE IN is displayed, press FUNCTION
until ITS appears in the display.
Note
After data for 100 discs has been stored in mem-
ory, data for a new disc will overwrite the oldest
one.
3
Select the desired track by pressing c
or d.
Playback from your ITS playlist
4
Press b to erase the track from your ITS
ITS play lets you listen to the tracks that you
have entered into your ITS playlist. When you
turn on ITS play, tracks from your ITS playlist
in the multi-CD player will begin to play.
playlist.
The currently playing selection is erased from
your ITS playlist and playback of the next track
from your ITS playlist begins.
1
Select the repeat range.
#
If there are no tracks from your playlist in the
current range, EMPTY is displayed and normal
play resumes.
2
Press FUNCTION to select ITS-P.
Press FUNCTION until ITS-P appears in the
5
Press BAND to return to the playback
display.
display.
3
Press a to turn ITS play on.
Erasing a CD from your ITS playlist
You can delete all tracks of a CD from your ITS
playlist if ITS play is off.
ITS-P:ON appears in the display. Playback be-
gins of those tracks from your playlist within
the previously selected MCD or DSC ranges.
#
If no tracks in the current range are pro-
grammed for ITS play, then EMPTY is displayed.
1
Play the CD that you want to delete.
Press a or b to select the CD.
4
Press b to turn ITS play off.
ITS-P:OFF appears in the display. Playback will
continue in normal order from the currently
playing track and CD.
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Section
07
Multi-CD Player
2
Press FUNCTION and hold until TITLE IN
3
Press a or b to select a letter of the al-
appears in the display, then press
FUNCTION to select ITS.
After TITLE IN is displayed, press FUNCTION
until ITS appears in the display.
phabet.
Each press of a will display a letter of the al-
phabet in A B C ... X Y Z, numbers and sym-
bols in 1 2 3 ... > [ ] order. Each press of b will
display a letter in the reverse order, such as Z
Y X ... C B A order.
3
Press b to erase all tracks on the cur-
rently playing CD from your ITS playlist.
All tracks on the currently playing CD are
erased from your playlist and ITS CLR is dis-
played.
4
Press BAND to return to the playback
4
Press d to move the cursor to the next
display.
character position.
When the letter you want is displayed, press d
to move the cursor to the next position and
then select the next letter. Press c to move
backwards in the display.
Using disc title functions
You can input CD titles and display the titles.
Then you can easily search for and play a de-
sired disc.
5
Move the cursor to the last position by
pressing d after entering the title.
When you press d one more time, the entered
title is stored in memory.
Entering disc titles
Use the disc title input feature to store up to
100 CD titles (with ITS playlist) into the multi-
CD player. Each title can be up to 8 characters
long.
6
Press BAND to return to the playback
display.
Notes
!
!
Titles remain in memory, even after the disc
has been removed from the magazine, and
are recalled when the disc is reinserted.
After data for 100 discs has been stored in
memory, data for a new disc will overwrite the
oldest one.
1
Play the CD that you want to enter a
title for.
Press a or b to select the CD.
2
Press FUNCTION and hold until TITLE IN
appears in the display.
After TITLE IN is displayed, press FUNCTION
repeatedly, the following functions appear in
the display:
TITLE IN (disc title input)ꢂITS (ITS program-
ming)
Displaying disc titles
You can display the text information of any
disc that has had a disc title entered.
#
When playing a CD TEXT disc on a CD TEXT
%
Press DISPLAY.
compatible multi-CD player, you cannot switch to
TITLE IN. The disc title has already been recorded
on a CD TEXT disc.
Press DISPLAY repeatedly to switch between
the following settings:
Play timeꢂDISC TITLE (disc title)
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Section
Multi-CD Player
07
When you select DISC TITLE, the title of the
%
Press DISPLAY and hold until the title
currently playing disc is shown in the display.
begins to scroll to the left.
The rest of the title will appear in the dis-
play.
#
If no title has been entered for the currently
playing disc, NO DISC TITLE is displayed.
Using CD TEXT functions
You can use these functions only with a CD
TEXT compatible multi-CD player.
Using compression and
bass emphasis
You can use these functions only with a multi-
Some discs have certain information encoded
on the disc during manufacture. These discs
may contain such information as the CD title,
track title, artistꢁs name and playback time
and are called CD TEXT discs. Only these spe-
cially encoded CD TEXT discs support the
functions listed below.
CD player that supports them.
Using COMP (compression) and DBE (dy-
namic bass emphasis) functions lets you ad-
just the sound playback quality of the multi-
CD player. Each of the functions has a two-
step adjustment. The COMP function balances
the output of louder and softer sounds at high-
er volumes. DBE boosts bass levels to give
playback a fuller sound. Listen to each of the
effects as you select them and use the one
that best enhances the playback of the track
or CD that you are listening to.
Displaying text information on
CD TEXT discs
%
Press DISPLAY.
Press DISPLAY repeatedly to switch between
the following settings:
Play timeꢂDISC TITLE (disc title)
ꢂDISC ARTIST (disc artist name)
ꢂTRACK TITLE (track title)ꢂTRACK ARTIST
(track artist name)
1
Press FUNCTION to select COMP.
Press FUNCTION until COMP appears in the
display.
#
COMP/DBE, NO COMP is displayed when you at-
tempt to select it.
If the multi-CD player does not support
#
If specific information has not been recorded
on a CD TEXT disc, NO XXXX will be displayed
(e.g., NO TRACK TITLE).
2
ting.
Press a or b to select your favorite set-
Press a or b repeatedly to switch between the
following settings:
COMP OFFꢂCOMP 1ꢂCOMP 2ꢂ
COMP OFFꢂDBE 1ꢂDBE 2
Scrolling text information in
the display
This unit can display the first 16 letters only of
DISC TITLE, DISC ARTIST, TRACK TITLE and
TRACK ARTIST. When the recorded informa-
tion is longer than 16 letters, you can scroll
the text to the left so that the rest of the title
can be seen.
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Section
08
Audio Adjustments
#
You can select the 80: 0 only when subwoofer
Introduction of audio
adjustments
output is turned on in SUB W.
When selecting the FM tuner as the source,
you cannot switch to SLA.
To return to the display of each source, press
BAND.
#
#
1
Note
If you do not operate the audio function within
about 30 seconds, the display is automatically re-
turned to the source display.
5
4 3 2
1 Audio display
Shows the audio adjustment status.
Using balance adjustment
You can select a fader/balance setting that
provides an ideal listening environment in all
occupied seats.
2 CUSTOM indicator
Shows when custom equalizer curve is cur-
rently selected.
3 FIE indicator
Shows when the front image enhancer is
turned on.
1
Press AUDIO to select FAD.
Press AUDIO until FAD appears in the display.
If the balance setting has been previously ad-
justed, BAL will be displayed.
#
4 SW indicator
Shows when the subwoofer output is turned
on.
2
Press a or b to adjust front/rear speak-
er balance.
Each press of a or b moves the front/rear
speaker balance towards the front or the rear.
FAD :F15 ꢀ FAD :R15 is displayed as the front/
rear speaker balance moves from front to rear.
5 Loudness indicator
Appears in the display when loudness is
turned on.
#
FAD : 0 is the proper setting when only two
speakers are used.
When the rear output setting is R-SP :S/W,
%
Press AUDIO to display the audio func-
tion names.
Press AUDIO repeatedly to switch between
the following audio functions:
FAD (balance adjustment)ꢂEQ (equalizer
curve adjustment)ꢂLOUD (loudness)
ꢂSUB W (subwoofer on/off setting)ꢂ80: 0
(subwoofer setting)ꢂHPF (high pass filter)
ꢂBASS (bass boost)ꢂFIE (front image enhan-
cer)ꢂSLA (source level adjustment)
#
you cannot adjust front/rear speaker balance.
3
Press c or d to adjust left/right speaker
balance.
When you press c or d, BAL : 0 is displayed.
Each press of c or d moves the left/right
speaker balance towards the left or the right.
BAL : L15 ꢀ BAL : R15 is displayed as the left/
right speaker balance moves from left to
right.
#
When the subwoofer controller setting is
P/O :FUL, you cannot switch to SUB W. (Refer to
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Section
Audio Adjustments
Using the equalizer
The equalizer lets you adjust the equalization
to match car interior acoustic characteristics
as desired.
08
2
Press c or d to select the equalizer
band to adjust.
Each press of c or d selects equalizer bands
in the following order:
EQ-L (low)ꢂEQ-M (mid)ꢂEQ-H (high)
3
Press a or b to adjust the level of the
Recalling equalizer curves
equalizer band.
There are six stored equalizer curves which
you can easily recall at any time. Here is a list
of the equalizer curves:
Each press of a or b increases or decreases
the level of the equalization band.
+6 ꢀ ꢀ6 is displayed as the level is increased
or decreased.
Display
Equalizer curve
#
You can then select another band and adjust
SUPER BASS Super bass
the level.
POWERFUL
NATURAL
VOCAL
Powerful
Natural
Vocal
Note
If you make adjustments, CUSTOM curve is up-
dated.
CUSTOM
EQ FLAT
Custom
Flat
Fine-adjusting equalizer curve
You can adjust the center frequency and the Q
factor (curve characteristics) of each currently
selected curve band (EQ-L/EQ-M/EQ-H).
!
CUSTOM is an adjusted equalizer curve
that you create. If you make adjustments to
an equalizer curve, the equalizer curve set-
ting will be memorized in CUSTOM.
!
When EQ FLAT is selected no supplement
or correction is made to the sound. This is
useful to check the effect of the equalizer
curves by switching alternatively between
EQ FLAT and a set equalizer curve.
Level (dB)
Q=2W
Q=2N
Center frequency
Frequency (Hz)
%
Press EQ to select the equalizer.
Press EQ repeatedly to switch between the fol-
lowing equalizers:
SUPER BASSꢂPOWERFULꢂNATURALꢂ
VOCALꢂCUSTOMꢂEQ FLAT
1
Press AUDIO and hold until frequency
and the Q factor (e.g., F- 80:Q1W) appears
in the display.
2
Press AUDIO to select the band for ad-
justment from among low, mid and high.
Press AUDIO repeatedly to switch between
the following functions:
Adjusting equalizer curves
You can adjust the currently selected equalizer
curve setting as desired. Adjusted equalizer
curve settings are memorized in CUSTOM.
LowꢂMidꢂHigh
1
Press AUDIO to select EQ.
Press AUDIO until EQ appears in the display.
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Section
08
Audio Adjustments
3
Press c or d to select the desired fre-
1
Press SW to select SUB W.
SUB W appears in the display.
You can also select the subwoofer setting
menu by pressing AUDIO on the unit.
When the subwoofer controller setting is
P/O :FUL, you cannot select SUB W.
quency.
Press c or d until the desired frequency ap-
pears in the display.
Low: 40ꢂ80ꢂ100ꢂ160 (Hz)
Mid: 200ꢂ500ꢂ1kꢂ2k (Hz)
High: 3kꢂ8kꢂ10kꢂ12k (Hz)
#
#
2
Press a to turn subwoofer output on.
4
Press a or b to select the desired Q fac-
SUB W:NOR appears in the display. Subwoo-
tor.
fer output is now on.
Press a or b until the desired Q factor ap-
pears in the display.
#
If the subwoofer output phase has been set to
the reverse, SUB W:REV will be displayed.
2Nꢂ1Nꢂ1Wꢂ2W
#
To turn subwoofer output off, press b.
3
Press c or d to select the phase of sub-
Note
woofer output.
If you make adjustments, CUSTOM curve is up-
dated.
Press c to select reverse phase and REV ap-
pears in the display. Press d to select normal
phase and NOR appears in the display.
Adjusting loudness
Loudness compensates for deficiencies in the
low- and high-sound ranges at low volume.
Adjusting subwoofer settings
When the subwoofer output is on, you can ad-
just the cut-off frequency and the output level
of the subwoofer.
1
Press AUDIO to select LOUD.
Press AUDIO until LOUD appears in the dis-
play.
1
Press SW to select 80: 0.
Press SW until 80: 0 appears in the display.
You can also select the subwoofer setting
menu by pressing AUDIO on the unit.
When the subwoofer output is on, you can se-
lect 80: 0.
#
2
Press a to turn loudness on.
Loudness level (e.g., LOUD :MID) appears in
the display.
#
#
If the subwoofer setting has been previously
3
Press c or d to select a desired level.
adjusted, the frequency of that previously se-
lected will be displayed instead of 80.
Each press of c or d selects level in the fol-
lowing order:
LOW (low)ꢂMID (mid)ꢂHI (high)
2
Press c or d to select cut-off frequency.
Each press of c or d selects cut-off frequen-
cies in the following order:
50ꢂ63ꢂ80ꢂ100ꢂ125 (Hz)
Only frequencies lower than those in the se-
lected range are outputted from the subwoo-
fer.
4
Press b to turn loudness off.
LOUD :OFF appears in the display.
Using subwoofer output
This unit is equipped with a subwoofer output
which can be turned on or off.
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Black plate (33,1)
Section
Audio Adjustments
08
3
Press a or b to adjust the output level
subwoofer, the sound under the cut-off fre-
quency is boosted.
of the subwoofer.
Each press of a or b increases or decreases
the level of the subwoofer. +6 ꢀ ꢀ24 is dis-
played as the level is increased or
decreased.
1
Press AUDIO to select BASS.
Press AUDIO until BASS appears in the dis-
play.
#
You can also select the bass boost setting by
pressing and holding SW.
Using the high pass filter
2
Press a or b to select a desired level.
0 ꢀ 6 is displayed as the level is increased or
decreased.
When you do not want low sounds from the
subwoofer output frequency range to play
from the front or rear speakers, turn on the
HPF (high pass filter). Only frequencies higher
than those in the selected range are outputted
from the front or rear speakers.
Front image enhancer (F.I.E.)
The F.I.E. (Front Image Enhancer) function is a
simple method of enhancing front imaging by
cutting mid- and high-range frequency output
from the rear speakers, limiting their output to
low-range frequencies. You can select the fre-
quency you want to cut.
1
Press AUDIO to select HPF.
Press AUDIO until HPF appears in the display.
2
Press a to turn high pass filter on.
HPF : 80 appears in the display. High pass fil-
ter is now on.
#
If the high pass filter has been previously ad-
Precaution
justed, the frequency of that previously selected
When the F.I.E. function is deactivated, the rear
speakers output sound of all frequencies, not just
bass sounds. Reduce the volume before disenga-
ging F.I.E. to prevent a sudden increase in vo-
lume.
will be displayed instead of HPF : 80.
#
To turn high pass filter off, press b.
3
Press c or d to select cut-off frequency.
Each press of c or d selects cut-off frequen-
cies in the following order:
50ꢂ63ꢂ80ꢂ100ꢂ125 (Hz)
Only frequencies higher than those in the se-
lected range are outputted from the front or
rear speakers.
1
Press AUDIO to select FIE.
Press AUDIO until FIE appears in the display.
When the rear output setting is R-SP :S/W,
you cannnot select F.I.E. function.
#
2
Press a to turn F.I.E. on.
#
To turn F.I.E. off, press b.
Boosting the bass
3
Press c or d to select a desired fre-
Bass boost function boosts the bass level of
sound lower than 100 Hz. The more the bass
level is increased, the more the bass sound is
emphasized and the entire sound becomes
powerful. When using this function with the
quency.
Each press of c or d selects frequency in the
following order:
100ꢂ160ꢂ250 (Hz)
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Section
08
Audio Adjustments
Notes
!
!
After turning the F.I.E. function on, use the bal-
front and rear speaker volume levels until they
are balanced.
Turn the F.I.E. function off when using a 2-
speaker system.
Adjusting source levels
SLA (source level adjustment) lets you adjust
the volume level of each source to prevent ra-
dical changes in volume when switching be-
tween sources.
!
Settings are based on the FM tuner volume
level, which remains unchanged.
1
Compare the FM tuner volume level
with the level of the source you wish to ad-
just.
2
Press AUDIO to select SLA.
Press AUDIO until SLA appears in the display.
3
Press a or b to adjust the source vo-
lume.
Each press of a or b increases or decreases
the source volume.
SLA : +4 ꢀ SLA : ꢀ4 is displayed as the source
volume is increased or decreased.
Notes
!
Since the FM tuner volume is the control, it is
not possible to apply source level adjustments
to the FM tuner.
!
!
The AM tuner volume level can also be ad-
justed with source level adjustments.
The built-in CD player and the multi-CD player
are set to the same source level adjustment
volume automatically.
!
External unit 1 and external unit 2 are set to
the same source level adjustment volume
automatically.
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Black plate (35,1)
Section
Initial Settings
09
2
Press c or d to select the segment of
Adjusting initial settings
the clock display you wish to set.
Pressing c or d will select one segment of the
clock display:
1
HourꢂMinute
As you select segments of the clock display
the segment selected will blink.
Using the initial settings, you can customize
various system settings to achieve optimal per-
formance from this unit.
3
Press a or b to set the clock.
Pressing a will increase the selected hour or
minute. Pressing b will decrease the selected
hour or minute.
1 Function display
Shows the function status.
1
Press SOURCE and hold until the unit
turns off.
2
Press SOURCE and hold again until the
Setting the FM tuning step
The FM tuning step employed by seek tuning
can be switched between 100 kHz, the preset
step, and 50 kHz.
clock appears in the display.
3
Press FUNCTION to select one of the in-
itial settings.
Press FUNCTION repeatedly to switch be-
tween the following settings:
ClockꢂFM (FM tuning step)ꢂAM (AM tuning
step)ꢂWARN (warning tone)ꢂAUX (auxiliary
input)ꢂR-SP (rear output and subwoofer con-
troller)
1
Press FUNCTION to select FM.
Press FUNCTION repeatedly until FM appears
in the display.
2
Press c or d to select the FM tuning
step.
Use the following instructions to operate each
particular setting.
Pressing c or d will switch the FM tuning
step between 100 kHz and 50 kHz. The se-
lected FM tuning step will appear in the dis-
play.
#
#
To cancel initial settings, press BAND.
You can also cancel initial settings by holding
down SOURCE until the unit turns off.
Note
If seek tuning is performed in 50 kHz steps, sta-
tions may be tuned in imprecisely. Tune in the sta-
tions with manual tuning or use seek tuning
again.
Setting the clock
Use these instructions to set the clock.
1
Press FUNCTION to select clock.
Press FUNCTION repeatedly until clock ap-
pears in the display.
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Black plate (36,1)
Section
09
Initial Settings
1
Press FUNCTION to select AUX.
Setting the AM tuning step
Press FUNCTION repeatedly until AUX ap-
pears in the display.
The AM tuning step can be switched between
9 kHz, the preset step, and 10 kHz. When
using the tuner in North, Central or South
America, reset the tuning step from 9 kHz (531
ꢀ 1 602 kHz allowable) to 10 kHz (530 ꢀ 1 640
kHz allowable).
2
Press a or b to turn AUX on or off.
Pressing a or b will turn AUX on or off and
that status will be displayed (e.g.,
AUX :ON).
1
Press FUNCTION to select AM.
Press FUNCTION repeatedly until AM appears
in the display.
Setting the rear output and
subwoofer controller
2
Press c or d to select the AM tuning
step.
This unitꢁs rear output (rear speaker leads out-
put and RCA rear output) can be used for full-
range speaker (R-SP :FUL) or subwoofer
(R-SP :S/W) connection. If you switch the rear
output setting to R-SP :S/W, you can connect
a rear speaker lead directly to a subwoofer
without using an auxiliary amp.
Pressing c or d will switch the AM tuning
step between 9 kHz and 10 kHz. The selected
AM tuning step will appear in the display.
Switching the warning tone
Initially, the unit is set for rear full-range speak-
er connection (R-SP :FUL). When rear output is
connected to full range speakers (when
R-SP :FUL is selected), you can connect other
full range speakers (P/O :FUL) or a subwoofer
(P/O :S/W) to the RCA rear output.
If the front panel is not detached from the
head unit within five seconds of turning off the
ignition, a warning tone will sound. You can
turn off the warning tone.
1
Press FUNCTION to select WARN.
1
Press FUNCTION to select R-SP.
Press FUNCTION repeatedly until WARN ap-
pears in the display.
Press FUNCTION repeatedly until R-SP ap-
pears in the display.
2
Press a or b to turn WARN on or off.
2
Press a or b to switch the rear output
Pressing a or b will turn WARN on or off and
that status will be displayed (e.g.,
WARN :ON).
setting.
Pressing a or b will switch between
R-SP :FUL (full-range speaker) and R-SP :S/W
(subwoofer) and that status will be displayed.
#
When no subwoofer is connected to the rear
output, select R-SP :FUL.
When a subwoofer is connected to the rear
output, set for subwoofer R-SP :S/W.
When the rear output setting is R-SP :S/W,
you cannot change the subwoofer controller.
Switching the auxiliary setting
#
It is possible to use auxiliary equipment with
this unit. Activate the auxiliary setting when
using auxiliary equipment connected to this
unit.
#
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Section
Initial Settings
09
3
Press c or d to switch the subwoofer
output or rear output.
Pressing c or d will switch between P/O :S/W
and P/O :FUL and that status will be displayed.
Notes
!
Even if you change this setting, there is no
output unless you turn the subwoofer output
!
!
If you change this setting, subwoofer output
in the audio menu return to the factory set-
tings.
Both rear speaker leads outputs and RCA rear
output are switched simultaneously in this
setting.
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Section
10
Other Functions
1
After you have selected AUX as the
Turning the clock display
on or off
source, press FUNCTION and hold until
TITLE IN appears in the display.
You can turn the clock display on or off.
2
Press a or b to select a letter of the al-
%
Press CLOCK to turn the clock display
phabet.
on or off.
Each press of a will display a letter of the al-
phabet in A B C ... X Y Z, numbers and sym-
bols in 1 2 3 ... > [ ] order. Each press of b will
display a letter in the reverse order, such as Z
Y X ... C B A order.
Each press of CLOCK turns the clock display
on or off.
#
The clock display disappears temporarily
when you perform other operations, but the clock
display appears again after 25 seconds.
Note
Even when the sources are off, the clock display
appears on the display. Pressing CLOCK turns
the clock display on or off.
3
Press d to move the cursor to the next
character position.
When the letter you want is displayed, press d
to move the cursor to the next position and
then select the next letter. Press c to move
backwards in the display.
Using the AUX source
An IP-BUS-RCA Interconnector such as the
CD-RB20/CD-RB10 (sold separately) lets you
connect this unit to auxiliary equipment fea-
turing RCA output. For more details, refer to
the IP-BUS-RCA Interconnector ownerꢁs man-
ual.
4
Move the cursor to the last position by
pressing d after entering the title.
When you press d one more time, the entered
title is stored in memory.
5
Press BAND to return to the playback
display.
Selecting AUX as the source
%
Press SOURCE to select AUX as the
source.
Press SOURCE until AUX appears in the dis-
play.
#
If the auxiliary setting is not turned on, AUX
cannot be selected. For more details, see Switch-
Setting the AUX title
The title displayed for the AUX source can be
changed.
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Appendix
Additional Information
Understanding built-in CD
player error messages
When you contact your dealer or your nearest
Pioneer Service Center, be sure to record the
error message.
CD player andcare
!
Use only CDs that have either of the two
Compact Disc Digital Audio marks as
shown below.
Message
Cause
Action
ERROR-11, 12, Dirty disc
Clean disc.
17, 30
ERROR-11, 12, Scratched disc
Replace disc.
17, 30
ERROR-15
The inserted disc Replace disc.
does not contain
any data
!
Use only normal, round CDs. If you insert ir-
regular, non-round, shaped CDs they may
jam in the CD player or not play properly.
ERROR-10, 11, Electrical or me- Turn the ignition
12, 15, 17, 30, chanical
A0
ON and OFF, or
switch to a differ-
ent source, then
back to the CD
player.
ERROR-22, 23 The CD format
cannot be played
back
Replace disc.
!
!
Check all CDs for cracks, scratches or
warping before playing. CDs that have
cracks, scratches or are warped may not
play properly. Do not use such discs.
Avoid touching the recorded (non-printed)
surface when handling the disc.
Store discs in their cases when not in use.
Keep discs out of direct sunlight and do
not expose the discs to high temperatures.
Do not attach labels, write on or apply che-
micals to the surface of the discs.
NO AUDIO
The inserted disc Replace disc.
does not contain
any files that can
be played back
SKIPPED
The inserted disc Replace disc.
contains WMA
!
!
files that are pro-
tected by DRM
!
!
PROTECT
All the files on
the inserted disc
are secured by
DRM
Replace disc.
To clean a CD, wipe the disc with a soft
cloth outward from the center.
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Appendix
Additional Information
!
If the heater is used in cold weather, moist-
ure may form on components inside the
CD player. Condensation may cause the CD
player to malfunction. If you think that con-
densation is a problem turn off the CD
player for an hour or so to allow it to dry
out and wipe any damp discs with a soft
cloth to remove the moisture.
MP3, WMA andWAV files
!
MP3 is short for MPEG Audio Layer 3 and
refers to an audio compression technology
standard.
!
WMA is short for Windows Media" Audio
and refers to an audio compression tech-
nology that is developed by Microsoft Cor-
poration. WMA data can be encoded by
using Windows Media Player version 7 or
later.
!
Road shocks may interrupt CD playback.
!
!
WAV is short for waveform. It is a standard
CD-R/CD-RW discs
audio file format for Windows®.
This unit may not operate correctly depend-
ing on the application used to encode
WMA files.
!
When CD-R/CD-RW discs are used, play-
back is possible only for discs which have
been finalized.
!
Depending on the version of Windows
Media Player used to encode WMA files,
album names and other text information
may not be correctly displayed.
There may be a slight delay when starting
playback of WMA files encoded with image
data.
This unit allows playback of MP3/WMA/
WAV files on CD-ROM, CD-R and CD-RW
discs. Disc recordings compatible with
level 1 and level 2 of ISO9660 and with the
Romeo and Joliet file system can be played
back.
It is possible to play back multi-session
compatible recorded discs.
MP3/WMA/WAV files are not compatible
with packet write data transfer.
The maximum number of characters which
can be displayed for a file name, including
the extension (.mp3, .wma or .wav), is 64,
from the first character.
The maximum number of characters which
can be displayed for a folder name is 64.
In case of files recorded according to the
Romeo file system, only the first 64 charac-
ters can be displayed.
!
It may not be possible to play back CD-R/
CD-RW discs recorded on a music CD re-
corder or a personal computer because of
disc characteristics, scratches or dirt on
the disc, or dirt, condensation, etc., on the
lens of this unit.
Playback of discs recorded on a personal
computer may not be possible, depending
on the application settings and the environ-
ment. Please record with the correct for-
mat. (For details, contact the manufacturer
of the application.)
Playback of CD-R/CD-RW discs may be-
come impossible in case of direct exposure
to sunlight, high temperatures, or the sto-
rage conditions in the vehicle.
Titles and other text information recorded
on a CD-R/CD-RW disc may not be dis-
played by this unit (in the case of audio
data (CD-DA)).
!
!
!
!
!
!
!
!
!
!
If you insert a CD-RW disc into this unit,
time to playback will be longer than when
you insert a conventional CD or CD-R disc.
Read the precautions with CD-R/CD-RW
discs before using them.
!
!
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Appendix
Additional Information
!
!
When playing discs with MP3/WMA/WAV
files and audio data (CD-DA) such as CD-
EXTRA and MIXED-MODE CDs, both types
can be played only by switching mode be-
tween MP3/WMA/WAV and CD-DA.
The folder selection sequence for playback
and other operations becomes the writing
sequence used by the writing software. For
this reason, the expected sequence at the
time of playback may not coincide with the
actual playback sequence. However, there
also is some writing software which per-
mits setting of the playback order.
44.1, 48 kHz sampling frequencies can be
played back.)
There is no m3u playlist compatibility.
There is no compatibility with the MP3i
(MP3 interactive) or mp3 PRO formats.
The sound quality of MP3 files generally be-
comes better with an increased bit rate.
This unit can play recordings with bit rates
from 8 kbps to 320 kbps, but in order to be
able to enjoy sound of a certain quality, we
recommend using only discs recorded with
a bit rate of at least 128 kbps.
!
!
!
!
Some audio CDs contain tracks that merge
into one another without a pause. When
these discs are converted to MP3/WMA/
WAV files and burned to a CD-R/CD-RW/
CD-ROM, the files will be played back on
this player with a short pause between
each one, regardless of the length of the
pause between tracks on the original audio
CD.
WMA additional information
!
This unit plays back WMA files encoded by
Windows Media Player version 7, 7.1, 8, 9
and 10.
!
!
You can only play back WMA files in the fre-
quencies 32, 44.1 and 48 kHz.
The sound quality of WMA files generally
becomes better with an increased bit rate.
This unit can play recordings with bit rates
from 48 kbps to 320 kbps (CBR) or from 48
kbps to 384 kbps (VBR), but in order to be
able to enjoy sound of a certain quality, we
recommend using discs recorded with a
higher bit rate.
Important
!
!
When naming an MP3/WMA/WAV file, add
the corresponding filename extension (.mp3,
.wma or.wav).
This unit plays back files with the filename ex-
tension (.mp3, .wma or .wav) as an MP3/
WMA/WAV file. To prevent noise and malfunc-
tions, do not use these extensions for files
other than MP3/WMA/WAV files.
!
This unit doesnꢁt support the following for-
mats.
ꢂ Windows Media Audio 9 Professional
(5.1ch)
ꢂ Windows Media Audio 9 Lossless
ꢂ Windows Media Audio 9 Voice
MP3 additional information
!
Files are compatible with the ID3 Tag Ver.
1.0, 1.1, 2.2, 2.3 and 2.4 formats for display
of album (disc title), track (track title), artist
(track artist) and comments. Ver. 2.x of ID3
Tag is given priority when both Ver. 1.x and
Ver. 2.x exist.
The emphasis function is valid only when
MP3 files of 32, 44.1 and 48 kHz frequen-
cies are played back. (16, 22.05, 24, 32,
WAV additional information
!
This unit plays back WAV files encoded in
Linear PCM (LPCM) format or MS ADPCM
format.
!
You can only play back WAV files in the fre-
quencies 16, 22.05, 24, 32, 44.1 and 48 kHz
(LPCM), or 22.05 and 44.1 kHz (MS
ADPCM). The sampling frequency shown
in the display may be rounded.
!
41
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Appendix
Additional Information
!
The sound quality of WAV files generally be-
comes better with a larger number of quan-
tization bits. This unit can play recordings
with 8 and 16 (LPCM) or 4 (MS ADPCM)
quantization bits, but in order to be able to
enjoy sound of a certain quality, we recom-
mend using discs recorded with the larger
number of quantization bits.
3 Third level
Notes
!
!
This unit assigns folder numbers. The user
cannot assign folder numbers.
It is not possible to check folders that do not
include MP3/WMA/WAV files. (These folders
will be skipped without displaying the folder
number.)
!
!
MP3/WMA/WAV files in up to 8 tiers of folders
can be played back. However, there is a delay
in the start of playback on discs with numer-
ous tiers. For this reason we recommend
creating discs with no more than 2 tiers.
It is possible to play back up to 99 folders on
one disc.
About folders and MP3/
WMA/WAV files
!
An outline of a CD-ROM with MP3/WMA/
WAV files on it is shown below. Subfolders
are shown as folders in the folder currently
selected.
1 First level
2 Second level
42
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Appendix
Additional Information
Terms
Linear PCM (LPCM)/Pulse code
modulation
This stands for linear pulse code modulation,
which is the signal recording system used for
music CDs and DVDs.
Bit rate
This expresses data volume per second, or bps
(bits per second) units. The higher the rate,
the more information is available to reproduce
the sound. Using the same encoding method
(such as MP3), the higher the rate, the better
the sound.
m3u
Playlists created using the ꢃWINAMPꢄ soft-
ware have a playlist file extension (.m3u).
ID3 tag
MP3
This is a method of embedding track-related
information in an MP3 file. This embedded in-
formation can include the track title, the ar-
tistꢁs name, the album title, the music genre,
the year of production, comments and other
data. The contents can be freely edited using
software with ID3 Tag editing functions.
Although the tags are restricted as to the num-
ber of characters, the information can be
viewed when the track is played back.
MP3 is short for MPEG Audio Layer 3. It is an
audio compression standard set by a working
group (MPEG) of the ISO (International Stan-
dards Organization). MP3 is able to compress
audio data to about 1/10th the level of a con-
ventional disc.
MS ADPCM
This stands for Microsoft adaptive differential
pulse code modulation, which is the signal re-
cording system used for the multimedia soft-
ware of Microsoft Corporation.
ISO9660 format
This is the international standard for the for-
mat logic of CD-ROM folders and files. For the
ISO9660 format, there are regulations for the
following two levels.
Multi-session
Multi-session is a recording method that al-
lows additional data to be recorded later.
When recording data on a CD-ROM, CD-R or
CD-RW, etc., all data from beginning to end is
treated as a single unit or session. Multi-ses-
sion is a method of recording more than 2 ses-
sions on one disc.
Level 1:
The file name is in 8.3 format (the name con-
sists of up to 8 characters, half-byte English
capital letters and half-byte numerals and the
ꢃ_ꢄ sign, with a file-extension of three charac-
ters).
Level 2:
Number of quantization bits
The file name can have up to 31 characters (in-
cluding the separation mark ꢃ.ꢄ and a file ex-
tension). Each folder contains less than 8
hierarchies.
Extended formats
Joliet:
The number of quantization bits is one factor
in the overall sound quality; the higher the
ꢃbit-depthꢄ, the better the sound quality. How-
ever, increasing the bit-depth also increases
the amount of data and therefore storage
space required.
File names can have up to 64 characters.
Romeo:
File names can have up to 128 characters.
43
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Appendix
Additional Information
Packet write
This is a general term for a method of writing
on CD-R, etc., at the time required for a file,
just as is done with files on floppy or hard
discs.
VBR
VBR is short for variable bit rate. Generally
speaking CBR (constant bit rate) is more
widely used. But by flexibly adjusting the bit
rate according to the needs of audio compres-
sion, it is possible to achieve compression-
priority sound quality.
WAV
WAV is short for waveform. It is a standard
audio file format for Windows®.
WMA
WMA is short for Windows Media" Audio
and refers to an audio compression technol-
ogy that is developed by Microsoft Corpora-
tion. WMA data can be encoded by using
Windows Media Player version 7 or later.
Windows Media and the Windows logo are tra-
demarks or registered trademarks of Microsoft
Corporation in the United States and/or other
countries.
44
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Appendix
Additional Information
Specifications
Slope .................................... ꢀ12 dB/oct
Subwoofer:
Frequency .......................... 50/63/80/100/125 Hz
Slope .................................... ꢀ18 dB/oct
Gain ...................................... +6 ꢀ ꢀ24 dB
Phase .................................. Normal/Reverse
General
Rated power source ............... 14.4 V DC
(allowable voltage range:
12.0 ꢀ 14.4 V DC)
Bass boost:
Gain ...................................... +12 ꢀ 0 dB
Grounding system ................... Negative type
Max. current consumption
..................................................... 10.0 A
Dimensions (W × H× D):
DIN
CD player
System .......................................... Compact disc audio system
Usable discs .............................. Compact disc
Signal format:
Chassis ..................... 178 × 50 × 157 mm
Nose ........................... 188 × 58 × 19 mm
D
Sampling frequency ..... 44.1 kHz
Number of quantization bits
........................................... 16; linear
Chassis ..................... 178 × 50 × 162 mm
Nose ........................... 170 × 46 × 14 mm
Weight .......................................... 1.4 kg
Frequency characteristics ... 5 ꢀ 20 000 Hz (±1 dB)
Signal-to-noise ratio ............... 94 dB (1 kHz) (IHF-A net-
work)
Dynamic range ......................... 92 dB (1 kHz)
Number of channels .............. 2 (stereo)
MP3 decoding format ........... MPEG-1 & 2 Audio Layer 3
WMA decoding format ......... Ver. 7, 7.1, 8, 9, 10 (2ch
audio)
Audio
Continuous power output is 22 W per channel minimum
into 4 ohms, both channels driven 50 to 15 000 Hz with
no more than 5% THD.
Maximum power output ....... 50 W × 4
50 W × 2/4 W + 70 W × 1/2
W (for subwoofer)
(Windows Media Player)
WAV signal format .................. Linear PCM & MS ADPCM
Load impedance ...................... 4 ꢀ 8 W × 4
4 ꢀ 8 W × 2 + 2 W × 1
FM tuner
Preout max output level/output impedance
..................................................... 2.2 V/1 kW
Equalizer (3-Band Parametric Equalizer):
Low
Frequency range ...................... 87.5 ꢀ 108.0 MHz
Usable sensitivity ..................... 8 dBf (0.7 µV/75 W, mono,
S/N: 30 dB)
50 dB quieting sensitivity ..... 10 dBf (0.9 µV/75 W, mono)
Signal-to-noise ratio ............... 75 dB (IHF-A network)
Distortion ..................................... 0.3 % (at 65 dBf, 1 kHz,
stereo)
Frequency ................ 40/80/100/160 Hz
Q Factor .................... 0.35/0.59/0.95/1.15 (+6 dB
when boosted)
Gain ............................ ±12dB
Mid
0.1 % (at 65 dBf, 1 kHz,
mono)
Frequency ................ 200/500/1k/2k Hz
Q Factor .................... 0.35/0.59/0.95/1.15 (+6 dB
when boosted)
Frequency response ............... 30 ꢀ 15 000 Hz (±3 dB)
Stereo separation .................... 45 dB (at 65 dBf, 1 kHz)
Gain ............................ ±12dB
High
AM tuner
Frequency range ...................... 531 ꢀ 1 602 kHz (9 kHz)
530 ꢀ 1 640 kHz (10 kHz)
Frequency ................ 3.15k/8k/10k/12.5k Hz
Q Factor .................... 0.35/0.59/0.95/1.15 (+6 dB
when boosted)
Usable sensitivity ..................... 18 µV (S/N: 20 dB)
Signal-to-noise ratio ............... 65 dB (IHF-A network)
Gain ............................ ±12dB
Loudness contour:
Infrared remote control
Wavelength ................................. 940 nm ±50 nm
Output ........................................... typ; 12 mw/sr per Infrared
LED
Low ....................................... +3.5 dB (100 Hz), +3 dB (10
kHz)
Mid ....................................... +10 dB (100 Hz), +6.5 dB
(10 kHz)
High ..................................... +11 dB (100 Hz), +11 dB
(10 kHz)
Note
(volume: ꢀ30 dB)
Specifications and the design are subject to pos-
sible modifications without notice due to im-
provements.
HPF:
Frequency .......................... 50/63/80/100/125 Hz
45
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©eðd¼ „ ∞® q³O&¹œ ≥´
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Æ5&ײë ÷«džô —UFý« ÊËbÐ dOOG²Kà W{dŽ rOLB²Ã«Ë UHo«u*«
©eðd¼ „ ∞® q³O&¹œ
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”dNHë
WO U{≈ UÄuKFÄ
WAV
WOðuo UHKÄ ÂUE½ u¼Ë ÆWOłu*« WN³'« wMF¹ WAV —UB²šô«
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Æ “ËbM¹uë ÂUEMÐ WoUš WOÝUOÁ
WMA
œuFð w¼Ë “ËbM¹uKà WOðuo U¹bOÄ `KDB* —UB²š≈ w¼ WMA WLKÂ
ÆXꢀuÝËdJOÄ WÂdý q³Á sÄ —uÞ w²Ã«Ë uBë jG{ WOMIð vë
Wi&½ “ËbM¹Ë U¹bOÄ qGAÄ Â«bi²ÝUÐ WMA U½UOÐ dOHAð sJ1
ÆÀbŠô«Ë ∑
Ë√ W¹—U& UÄöŽ w¼ “ËbM¹ËË ¨“ËbM¹Ë U¹bOÄ ¨XꢀuÝËdJOÄ “uÄdë
‰Ëœ Ë√ØË …bײ*« U¹ôuë wꢀ XꢀuÝËdJOÄ WÂdAà WK−&Ä UÄöŽ
ÆÈdš√
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WO U{≈ UÄuKFÄ
U×KDBÄ
m3u
“WINAMP” ZÄU½dР«bi²ÝUÐ UNzUA½« - w²Ã« ŸUL²Ýô« WLzUÁ
Æ(.m3u) ŸUL²Ýô« WLzUÁ nKÄ rÝ« …b¹b9 UNà ÊuJ¹
XO³Ã« ‰bFÄ
bps «bŠË Ë√ ¨WO½U¦Ã« wꢀ U½UO³Ã« WÂdŠ r−Š ‰bF*« «c¼ `{u¹
UÄuKFÄ „UM¼ błuOÝ ¨vKŽ« ‰bF*« ÊU ULK ƩWO½U¦Ã« wꢀ XOЮ
dOHA²Ã« WI¹dÞ fH½ «bi²Ý« Æ uBë ÃU²½« …œUŽô …dꢀu²Ä d¦Â«
ÆqCꢀ« uBë ÊU ¨vKŽ« ‰bF*« ÊU ULK ¨©MP3 q¦Ä®
MP3
ZO³Ä WI³Þ® MPEG Audio Layer 3 —UB²š« u¼ MP3 WLKÂ
WŽuL−Ä q³Á sÄ l{Ë uBë jGCKà wÝUOÁ ÂUE½ w¼Ë Æ©≥ WOðuBë
ÂUEMKà sJ1 Æ(ISO) fO¹UILKà WOÃËbë WOFL−Kà WFÐUð (MPEG) qLŽ
ÆW¹bOKI²Ã« U½«uDÝô« Èu²&Ä Ø ∞ wëu( uBë jG{ MP3
ID3 WÁUDÐ
WOKLŽ ÆMP3 nKÄ wꢀ WOMžôUÐ oKF²ð UÄuKFÄ ZÄbà WI¹dÞ Ác¼
Ê«uMŽ ¨wMG*« rÝ« ¨WOMžô« Ê«uMŽ vKŽ qL²Að Ác¼ UÄuKF*« ZÄœ
Æ U½UO³Ã« sÄ U¼dOžË UIOKFð ¨ÃU²½ô« WMÝ ¨vIOÝu*« Ÿu½ ¨Âu³Kë
vKŽ qL²A¹ ZÄU½dР«bi²Ý« WDÝ«uÐ WÃuN&Ð U¹u²;« dOOGð sJ1
ÆID3 WÁUDÐ d¹d% WHOþË
MS ADPCM ÂU?E½
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sÄ U¹bOÄ w²K*« ZÄ«dÐ wꢀ Âbi²&*« qO−&²Ã« …—Uý« ÂUE½ u¼ ÍcëË
Æ5A¹—uЗu XꢀuÝËdJOÄ WÂdý q³Á
…b¼UAÄ sJ1 ¨·dŠô« œbFÐ …bOIÄ WÁUD³Ã« Ê« sÄ rždë vKŽË
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…œbF²Ä «—Ëœ
wꢀU{« qO−&²Ð `L&¹ qO−&ð ÂUE½ u¼ …œbF²*« «—Ëbë ÂUE½
W½«uDÝ« vKŽ U½UOÐ qO−&ð bMŽ ÆWIŠô WKŠdÄ wꢀ U½UO³KÃ
q lÄ qÄUF²Ã« r²¹ ¨U¼dOžË ¨CD-RW Ë√ CD-R ¨CD-ROM
…œbF²*« «—Ëbë Æ…œdHMÄ …—Ëœ Ë√ …bŠË WÐU¦0 UN²¹UN½ v²Š U½UO³Ã«
Æ…bŠ«Ë W½«uDÝ« vKŽ 5ð—Ëœ sÄ d¦Â√ qO−&²Ã WI¹dÞ w¼
ISO9660 ÂUE½
UHK*«Ë UEꢀU(UÐ ’U)« pOłuKë ÂUEMà wÃËbë ”UOI*« u¼ «c¼
„UM¼ ¨ISO9660 WLE½ô ÆCD-ROM U½«uDÝ« vKŽ …bł«u²*«
Æ5OÃU²Ã« 5¹u²&*UÐ WoUš WLE½«
∫ Èu²&*«
·dŠ« ∏ sÄ rÝô« ÊuJ²¹ YOŠ® ∏\≥ ÂUEMÃUÐ nK*« rÝ« ÊuJ¹
XOÐ nB½Ë XOÐ nB½ ÊuJð UOKFë W¹eOK$ô« ·dŠô« ¨vBÁ« b×Â
©Æ·dŠ« ÀöŁ sÄ nKÄ rÝ« b¹b9 lÄ ¨“_” eÄdÃ«Ë œbFë
∫≤ Èu²&*«
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ULKJꢀ ª uBKà WOKJë …œu'« wꢀ bŠ«Ë qÄUŽ u¼ XO³Ã« œbŽ —«bIÄ
vKŽË ÆqCꢀ« uBë …œuł X½U ULK ¨d³Â√ “XO³Ã« oLŽ” ÊUÂ
…œU¹“ vKŽ UC¹« qLFOÝ XO³Ã« oLŽ …œU¹“ ÊUꢀ ¨pÖ sÄ rždë
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“.” o¹dH²Ã« WÄöŽ vKŽ qL²A¹® ·dŠ ≥ v²ŠË nK*« rÝ« ÊuJ²¹
©ÆqÝöÝ ∏ vKŽ Íu²% WEꢀUŠ q ƩnKÄ rÝ« b¹b9 Ë
b¹bL²Ã« WLE½«
wÄ“— VðUÂ
¨U¼dOžË CD-R W½«uDÝ« vKŽ WÐU²Jë WI¹dDà ÂUŽ `KDBÄ «c¼
q−&ð w²Ã« UHKLKà r²¹ UL ¨nKÄ qO−&²Ã WÄ“öë …b*« fHMÐ
ÆjIꢀ XÐU¦Ã« dðuO³LJë ’dÁ Ë√ ’«dÁô« vKŽ
∫XOÃuł
Æ·dŠ ∂¥ v²ŠË nK*« rÝ« ÊuJ²¹
∫uOÄË—
Æ·dŠ ≤∏ v²ŠË nK*« rÝ« ÊuJ²¹
VBR
—UB²šô« UÄuLŽ ÆdOG²*« XO³Ã« ‰bF* —UB²š« w¼ VBR WLKÂ
sJÃË Æ«bi²Ýô« wꢀ UŽuOý d¦Âô« u¼ ©dI²&Ä XOÐ ‰bFÄ® CBR
sJL*« sÄ ÊUꢀ ¨ uBë jG{ WłU( UIꢀË W½—u0 XO³Ã« ‰bFÄ j³CÃ
Æ uBë …œu' jG{ W¹uÃË« vKŽ ‰uB(«
w?D)« (LPCM) PCM ÂUE½
ÂUE½ u¼ ÍcÃ«Ë ¨wD)« wC³Më dOHA²Ã« q¹bFð ÂUE½ wMF¹ «c¼
U½«uDÝ«Ë W−Äb*« U½«uDÝô« wꢀ Âbi²&*« qO−&²Ã« …—Uý«
ÆWOIOÝu*« WOLÁdë u¹bOHë
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”dNHë
WO U{« UÄuKFÄ
WAV/WMA/ U?HKÄË UE U(« ‰uŠ
UEŠöÄ
MP3
Âb?i?²?&?LKÃ sJ1 ô ULMOÐ ÆWEꢀU(« rÁ— “U?N'« «c¼ œb×¹ •
ÆW?E?ꢀU?(« rÁ— b?¹b?%
UHKÄ vKŽ Íu²% ô w²Ã« UEꢀU(« h×ꢀ sJL*« sÄ fOà •
UEꢀU(« pKð wDið r²OÝ® ÆUNOꢀ WAV/WMA/MP3
©ÆW?E?ꢀU?(« rÁ— ÷d?Ž ÊËb?Ð
W¹u²×Ä CD-ROM W½«uDÝô ÁU½œ« w×O{u²Ã« qJAë 5³¹ •
UEꢀU(« `O{uð - ÆUNOꢀ WAV/WMA/MP3 UHKÄ vKŽ
Æ«dšRÄ U¼—UO²š« - w²Ã« WEꢀU(« wꢀ UEꢀUŠ WÐU¦0 WOŽdHë
Íu²% WAV/WMA/MP3 UHK* ŸUL²Ýô« …œUŽ« sJ1 •
dOšQð „UM¼ ¨pÖ sÄ rždë vKŽË Æ UEꢀUŠ «—UÞ« ∏ v²ŠË
Æ…œbF²Ä «—UÞ« vKŽ Íu²% w²Ã« U½«uDÝô« qOGAð ¡bÐ wꢀ
sÄ d¦Â√ vKŽ Íu²% ô U½«uDÝ« ¡UA½UÐ `BM½ V³&ë «cNÃ
Æs¹—UÞ«
W½«uDÝô« vKŽ WEꢀUŠ ππ v²ŠË ŸUL²Ýô« …œUŽ« pMJLOÝ •
Æ…bŠ«uë
1
2
3
‰Ëô« Èu²=*« 1
w½U¦Ã« Èu²=*« 2
YÃU¦Ã« Èu²=*« 3
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”dNHë
WO U{« UÄuKFÄ
W−ÄbMÄ w½Už« vKŽ WOðuBë W−Äb*« U½«uDÝô« iFÐ Íu²%
pKð q¹u% bMŽ ÆUNMOÐ ⁄«dꢀ œułË ÊËbÐ iF³Ã« UNCFÐ lÄ
vKŽ UNOK−&ðË WAV/WMA/MP3 UHKÄ vë U½«uDÝô«
¨CD-ROM/CD-RW/CD-R Ÿ«u½ô« sÄ W−ÄbÄ U½«uDÝ«
nÁuð …d?²ꢀ œułu?Ð “UN'« «c¼ WDÝ«u?Ð U?H?KLKà ŸUL²Ýô« r²OÝ
5?Ð nÁu?²?ë ‰u?Þ s?Ž d?E?Më iFÐ ¨…bŠ«Ë q? 5Ð …d?O?BÁ
ÆWOKoô« WOðuBë W−Äb*« W½«uDÝô« vKŽ w½Užô«
•
WMA U?HK* WO U{« U½UOÐ
«bi²ÝUÐ …dHA*« WMA UHK* ŸUL²Ýô« “UN'« «c¼ bOF¹ •
9 ¨ 8 ¨ 7.1 ¨ 7 Wi&Më sÄ Windows Media Player
Æ10 Ë
¨ ≥≤ «œœd²Ð WMA UHK* ŸUL²Ýô« …œUŽ« pMJLOÝ •
ÆjIꢀ eðd¼uKOÂ ¥∏ Ë ¥¥\
¥∏ sÄ XOÐ ôbF0 öO−&²Ã ŸUL²Ýô« “UN'« «cNà sJ1 •
Ë√ ©CBR ÂUE½® WO½U¦Ã«ØXOÐuKO ≥≤∞ Ë WO½U¦Ã«ØXOÐuKOÂ
ÂUE½® WO½U¦Ã«ØXOÐuKO ≥∏¥ Ë WO½U¦Ã«ØXOÐuKO ¥∏ sÄ
¨WMOFÄ uo …œu−Ð ŸU²L²Ýô« pMJ1 wJà sJÃË ¨©VBR
ÆvKŽ« XOÐ ‰bF0 WK−&Ä U½«uDÝ« «bi²ÝUÐ `BM¹
ÆWOÃU²Ã« WLE½ô« qOGAð lÄ oꢀ«u²¹ ô “UN'« «c¼ •
(5.1 ch) ‰UMOAOꢀËdÐ π Wi&½ “ËbM¹uKà WOðuBë U¹bO*« ZÄU½dÐ fl
W¾OD³Ã« π Wi&½ “ËbM¹uKà WOðuBë U¹bO*« ZÄU½dÐ fl
WOFL&ë π Wi&½ “ËbM¹uKà WOðuBë U¹bO*« ZÄU½dÐ fl
rNÄ
rÝ« …b¹b9 n{« ¨WAV/WMA/MP3 UHKÄ WOL&ð bMŽ •
ÆUNà (.wav Ë√ .wma ¨.mp3) WIꢀ«u*« nK*«
nK*« rÝ« …b¹b9 lÄ UHK* ŸUL²Ýô« “UN'« «c¼ bOF¹ •
WMA ¨MP3¨ UHKÄ WÐU¦0 (.wav Ë√ .wma ¨.mp3)
«bi²Ý« ÂbŽ V−¹ ¨‰UDŽ«Ë ¡U{u{ ÀËbŠ VM−²Ã ÆWAV Ë√
Ë√ WMA ¨MP3 UHKÄ dOž Èdš« UHKÄ lÄ …b¹bL²Ã« Ác¼
ÆWAV
WAV U?HK* WO U{« U½UOÐ
PCM ÂUEMÐ …dHA*« WAV UHK* ŸUL²Ýô« “UN'« «c¼ bOF¹ •
ÆMS ADPCM ÂUE½ Ë√ (LPCM) wD)«
¨ ∂ «œœd²Ð WAV U?HK* ŸUL²Ýô« …œUŽ« pMJLOÝ •
ÂUE½® eðd¼uKOÂ ¥∏ Ë ¥¥\ ¨ ≥≤ ¨ ≤¥ ¨ ≤≤\∞µ
MS ÂUE½® eðd¼uKO ¥¥\ Ë ≤≤\∞µ Ë√ ©LPCM
W{—UFë wꢀ W{ËdF*« WMOFë «œœdð ÊuJð ÆjIꢀ ©ADPCM
ÆW?×?O?×?o ÂUÁ—U?Ð
XOÐ œbŽ lÄ qCꢀ« WAV UHKÄ uo …œuł `³Bð …œUFë wꢀ •
UÄ XOÐ —«bI0 öO−&²Ã ŸUL²Ýô« sÄ “UN'« «c¼ pMJ1 Æd³Â√
¨©MS ADPCM ÂUE½® ¥ Ë√ ©LPCM ÂUE½® ∂ Ë ∏ 5Ð
`BM¹ ¨WMOFÄ uo …œu−Ð ŸU²L²Ýô« pMJ1 wJà sJÃË
Æd³Â√ XOÐ œbFÐ WK−&Ä U½«uDÝ« «bi²ÝUÐ
MP3 U?HK* WO U{« U½UOÐ
¨ \∞ Wi&M?ë sÄ ID3 WÁU?DÐ ÂUE?½ lÄ WIꢀ«u?²*« UH?K*« •
¨©W½«uDÝô« Ê«uMŽ® Âu³Kë ÷dFà ≤\¥ Ë ≤\≥ ¨ ≤\≤ ¨ \
Æ UEŠö*«Ë ©WOMžô« wMGÄ® wMG*« ¨©WOMžô« Ê«uMŽ® WOMžô«
UNMÄ ÀbŠô« «—«boô«Ë ≤ Wi&MKà qOGA²Ã« W¹uÃË« vDFð
«—«boô«Ë ≤ Ë a?&?Më bł«u?²ð UÄbMŽ ID3 W?ÁU?DÐ ÂUEMÃ
ÆUNMÄ ÀbŠô«
MP3 UHK* ŸUL²Ýô« …œUŽ« bMŽ WÃUFꢀ e¹eF²Ã« WHOþË ÊuJ²Ý
…œUŽ« pMJLOÝ® ÆjIꢀ eðd¼uKO ¥∏ Ë ¥¥\ ¨ ≥≤ «œœd²Ð
¨ ≥≤ ¨ ≤¥ ¨ ≤≤\∞µ ¨ ∂ «œœd²Ã« UMOŽ vë ŸUL²Ýô«
©Æeðd¼uKOÂ ¥∏ ¨ ¥¥\
•
Æm3u ÂU?E?M?Ð ŸU?L²Ýô« WLzUÁ lÄ oꢀ«u?ð błu¹ ô •
ÂUE½ Ë√ ©qŽUH²*« MP3® MP3i ÂUEMë lÄ oꢀ«uð błu¹ ô •
Æmp3 PRO
‰bFÄ …œU¹“ lÄ qCꢀ« MP3 UHKÄ uo …œuł `³Bð …œUFë wꢀ •
sÄ XOÐ ôbF0 öO−&²Ã ŸUL²Ýô« “UN'« «cNà sJ1 ÆXO³Ã«
wJà sJÃË ¨WO½U¦Ã«ØXOÐ uKO ≥≤∞ vë WO½U¦Ã«ØXOÐ uKO ∏
U½«uDÝ« «bi²ÝUÐ `BM¹ ¨WMOFÄ uo …œu−Ð ŸU²L²Ýô« pMJ1
ÆjI?ꢀ WO½U¦Ã«ØX?OÐ uKO? ≤∏ qÁô« vKŽ XO?Ð ‰bF0 WK?−&Ä
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”dNHë
WO U{« UÄuKFÄ
WOðuo UHKÄ ÂUE½ u¼Ë ÆWOłu*« WN³'« wMF¹ WAV —UB²šô« •
.®“ËbM¹uë ÂUEMÐ WoUš WOÝUOÁ
CD-R/CD-RW U½«uDÝ√
…œUŽ« pMJLOÝ ¨CD-R/CD-RW U½«uDÝ« «bi²Ý« bMŽ •
ÆUÄU9 U¼“U$« - w²Ã« U½«uDÝöà jIꢀ ŸUL²Ýô«
CD-R/CD-RW U½«u?D?Ýô ŸU?L?²?Ýô« …œUŽ« sJ1 ô bÁ •
W−Äb*« U½«uDÝ« q−&Ä WDÝ«uÐ WK−&*« v²Š ¨WOIOÝu*«
U?N?Oë ŸUL²Ýô« r²¹ ô bÁ ¨dðu?O³LJë …e?N?ł« Ë√ WOIOÝuÄ
pÃ–Ë «c¼ W−Äb*« U½«uDÝô« qGAÄ vKŽ W×O×o …—uBÐ
vKŽ —U³ž Ë√ ‘Ëbš œułË Ë√ U½«uDÝô« pKð hzUBš V³&Ð
«c¼ WÝbŽ vKŽ W½uJ²*« ÈbMÃ«Ë —U³Gë Ê« UL ¨ U½«uDÝô«
ÆU?C?¹« ŸU?L?²?Ýô« lM9 bÁ “UN'«
U½«uDÝô “UN'« «c¼ WDÝ«uÐ ŸUL²Ýô« …œUŽ« sJ1 ô •
W¾OÐ Ë√ j³{ ŸU{Ë√ V³&Ð pÃ–Ë wBiý dðuO³LJÐ XK−Ý
q;« dA²Ý≈® ÆW×O×o WI¹dDÐ qO−&²Ã« sÄ bÂQð ÆZÄ«d³Ã«
sŽ qOoUH²Ã« sÄ b¹eÄ vKŽ ‰uB×Kà “UN'« tMÄ X¹d²ý« Ícë
©ÆZÄ«d³Ã«
wIO³D²Ã« ZÄU½d³Kà UF³ð `O×o qJAÐ “UN'« «c¼ qLF¹ ô bÁ •
ÆWMA UHKÄ dOHAð wꢀ Âbi²&*«
UHKÄ dOHAð wꢀ Âbi²&*« “ËbM¹uë U¹bOÄ qGAÄ Wi&Mà UIꢀË •
U½UOÐË WOIOÝu*« UÄu³Kë ¡ULÝ« ÷dŽ r²¹ ô bIꢀ ¨WMA
ÆWýUAë vKŽ W×O×o …—uBÐ Èdšô« ’uBMë
UHKÄ …b¼UAÄ …œUŽ« ¡bÐ bMŽ jO&Ð dOšQð „UM¼ ÊuJ¹ bÁ •
ÆW¹—uo U½UOÐ WDÝ«uÐ …dHA*« WMA
WAV/WMA/ UHK* ŸUL²Ýô« …œUŽUÐ “UN'« «c¼ `L&¹ •
CD- Ë CD-R ¨CD-ROM U½«uDÝ« vKŽ WK−&Ä MP3
UNKO−&ð oꢀ«u²¹ Ícë U½«uDÝöà ŸUL²Ýô« …œUŽ« sJ1 ÆRW
ÂUE½ lÄË ISO9660 ÂUE½ sÄ ≤ Èu²&*«Ë Èu²&*« lÄ
ÆXOÃułË uOÄË— UHKÄ
ÂUE½ qO−&ð lÄ oꢀ«u²ð U½«uDÝô ŸUL²Ýô« …œUŽ« sJ1 •
Æ…œbF²*« «—Ëbë
‰u×Ä lÄ WIꢀ«u²Ä WAV/WMA/MP3 UHKÄ ÊuJð ô •
ÆwÄ“dë U½UO³Ã« VðUÂ
¨n?K*« rÝô UN{d?Ž s?J1 w²Ã« ·d?Šô« œb?Fà vBÁô« b(« •
u¼ ¨(.wav Ë√ .wma ¨.mp3) …b¹bL²Ã« vKŽ qL²Að w²Ã«Ë
ƉËô« ·d(« sÄ ·dŠ ∂¥
CD-R/CD-RW U½«u?D?Ýô ŸU?L?²?Ýô« …œUŽ« sJ1 ô bÁ
WOÃUFë …—«d(« Uł—œ ¨…dýU³*« fLAë WFý_ UN{dFð WÃUŠ wꢀ
Æ…—UO&ë wꢀ s¹ei²Ã« ·Ëdþ Ë√
•
U½«uDÝ« vKŽ WK−&*« Èdš_« ’uBMë UÄuKFÄË s¹ËUMFë •
“UN'« «c¼ ‰ULF²ÝUÐ UN{dŽ r²¹ ô√ sJ1 CD-R/CD-RW
Æ©(CD-DA) WOðuBë U½UO³Ã« WÃUŠ wꢀ®
U½«uDÝô w½Užô« wDið WHOþË lÄ “UN'« «c¼ oꢀ«u²¹ •
wDið UÄuKFÄ vKŽ Íu²% w²Ã« w½Užô« ÆCD-R/CD-RW
U½UO³Ã« WÃUŠ wꢀ® WOJOðUÄuðË« …—uBÐ UNODið r²OÝ WOMžô«
Æ©(CD-DA) WOðuBë
W?EꢀU(« rÝô UN{d?Ž s?J1 w²Ã« ·d?Šô« œb?Fà vBÁô« b(« •
Æ·dŠ ∂¥ u¼
¨XOÃułË uOÄË— UHKÄ ÂUEMà UIꢀË WK−&*« UHK*« WÃUŠ wꢀ •
ÆjIꢀ rÝô« sÄ ·dŠ ∂¥ ‰Ë« ÷dŽ sJLOÝ
UHKÄ vKŽ Íu²% U½«uDÝ« vë ŸUL²Ýô« bMŽ •
q¦Ä (CD-DA) WOðuo U½UOÐË WAV/WMA/MP3
sJ1 ¨MIXED-MODE Ë CD-EXTRA U½«uDÝ«
wF{Ë 5Ð q¹uײÃUÐ jIꢀ U½«uDÝô« wŽu½ öJà ŸUL²Ýô«
ÆCD-DA Ë WAV/WMA/MP3
UOKLŽË ŸUL²Ýô« …œUŽöà WEꢀU(« —UO²š« VOðdð `³B¹ •
ÆWÐU²Jë ZÄU½dÐ WDÝ«uÐ »u²J*« VOðd²Kà UIꢀË Èdšô« qOGA²Ã«
…œU?Ž« XÁË w?ꢀ l?Áu?²?*« V?O?ðd?²?ë o?H?²?¹ ô b?Á ¨V?³?&?ë «cNÃ
vKŽË Æw?K?F?Hë ŸUL²Ýô« …œUŽ« XÁË VOðd?ð l?Ä ŸUL²Ýô«
VOðdð j³CÐ `L&ð WÐU²Â ZÄ«dÐ UC¹« „UM¼ ¨pÖ sÄ rždë
ÆŸUL²Ýô« …œUŽ«
XÁË Êu?J?O?Ý ¨“UN'« «c¼ vë CD-RW W½«u?D?Ý« XKšœ« «–« •
Ë√ W¹œUO²Ž« W−ÄbÄ W½«uDÝ« ‰Ušœ« bMŽ tMÄ ‰uÞ« ŸUL²Ýô«
ÆCD-R W½«uDÝ«
CD-R/CD-RW U½«u?D?Ý« lÄ WIꢀd?*« «d?¹c?ײë √dÁ« •
ÆU?N?Ä«b?i?²?Ý« q³Á
WAV Ë WMA ¨MP3 U?HKÄ
MPEG Audio Layer 3 ULKJKà —UB²š« u¼ MP3 WLK •
jG{ UOłuÃuMJ²Ã« vë «c¼ lłd¹Ë ©≥ WOðuBë ZO³Ä WI³Þ®
ÆWOÝUOIë uBë
™“ËbM¹uKà WOðuo U¹bOÄ `KDB* —UB²š« w¼ WMA WLKÂ
WÂd?ý q³Á sÄ —u?Þ w²Ã« u?B?ë jG{ WOMIð vë œu?Fð w¼Ë
qGAÄ Â«bi²ÝUÐ WMA U½UOÐ dOHAð sJ1 ÆXꢀuÝËdJOÄ
ÆUNMÄ ÀbŠô«Ë ∑ Wi&½ “ËbM¹Ë U¹bOÄ
•
Ar
¥∞
<YRD5041-A/N> 89
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”dNHë
WO U{« UÄuKFÄ
ÆjIꢀ …d¹b²&*« W¹œUFë W−Äb*« U½«uDÝô« ÈuÝ qLF²&ð ô •
dOžË WLE²MÄ dOž ‰UJý« «– W−ÄbÄ U½«uDÝ« XKšœ« «–«
ô Ë« W−Äb*« U½«uDÝô« qGAÄ wꢀ qÁdF²ð bIꢀ …d¹b²&Ä
ÆW×O×o …—uBÐ qLFð
q?GA0 WꢀU)« QD)« qzUÝ— rN
w?Kš«bë W−Äb*« U½«uDÝô«
¨dO½u¹UÐ W½UOo UÄbš eÂdÄ »dÁ√ Ë√ wK;« pKOÂuÐ ‰UBðô« bMŽ
ÆWýUAë vKŽ dNþ w²Ã« QD)« WÃUÝdÐ r¼—U³š« sÄ bÂQð
ÃöFë
V³=ë
WÃUÝdë
ÆWHOE½ W½«uDÝ«
Wi&²Ä W½«uDÝ« ERROR-11, 12, 17, 30
ÆW½«uDÝô« ‰b³²Ý«
ÆW½«uDÝô« ‰b³²Ý«
WýËbiÄ W½«uDÝ« ERROR-11, 12, 17, 30
ô WKšb*« W½«uDÝô«
U½UOÐ Í√ vKŽ Íu²%
ERROR-15
sŽ U¦×Ð ¨UNOë ŸUL²Ýô« q³Á W−Äb*« U½«uDÝô« q h×ꢀ« •
U½«uDÝô« qLFð ô bÁ ÆW¹u²K*« U½«uDÝô« Ë√ ‘Ëbš ¨‚uIý
…—uBÐ W¹u²K*« Ë√ ‘Ëbš ¨‚uIý UNÐ błu¹ w²Ã« W−Äb*«
Æ U½«uDÝô« pKð q¦Ä «bi²Ý« ÂbŽ V−¹ ÆW×O×o
bMŽ ©tOKŽ Ÿu³D*« dOž tłuë® q−&*« tłuë `DÝ f* VM& •
ÆW½«uDÝô« lÄ qÄUF²Ã«
ÆUNÄ«bi²Ý« ÂbŽ bMŽ UN³KŽ wꢀ U½«uDÝô« Êeš •
fLAë WFýô W{dF*« sÂUÄô« sŽ «bOFÐ U½«uDÝô« kHŠ« •
ÆWOÃUŽ …—«dŠ Uł—bà ÷dF²Ã«Ë …dýU³*«
œ«uÄ Í√ «bi²Ý« Ë√ vKŽ WÐU²Jë Ë√ ‚«—Ë√ ‚UBë ÂbŽ V−¹ •
Æ U½«uDÝô« vKŽ W¹ËULOÂ
WFDÁ WDÝ«uÐ U½«uDÝô« `&Ä« ¨Wi&²*« U½«uDÝô« nOEM²Ã •
ÆW½«uDÝô« nB²MÄ sÄ Ã—U)« ÁU&UÐ WLŽU½ ‘ULÁ
5Ð ‰UFýô« ÕU²HÄ ‰uŠ wJO½UJOÄ Ë√ wzUÐdN qKš ERROR-10, 11, 12, 15,
ON qOGA²Ã« wF{Ë
‰uŠ Ë√ ¨OFF ·UI¹ô«Ë
czbFÐ rŁ ¨nK²iÄ —bBÄ vë
qGAÄ vë lł—«
17, 30, A0
ÆW−Äb*« U½«uDÝô«
ÆW½«uDÝô« ‰b³²Ý«
ŸUL²Ýô« …œUŽ« sJ1 ô
ERROR-22, 23
NO AUDIO
ÆW−Äb*« W½«uDÝô« ÂUEMÃ
- w²Ã« W½«uDÝô«
vKŽ Íu²% ô UNÃUšœ«
sJ1 UHKÄ Í«
UNOë ŸUL²Ýô«
- w²Ã« W½«uDÝô«
vKŽ Íu²% UNÃUšœ«
WOL;«Ë WMA UHKÄ
DRM WDÝ«uÐ
UHK*« lOLł W¹ULŠ -
- w²Ã« W½«uDÝô« wꢀ
DRM WDÝ«uÐ UNÃUšœ«
.W½«uDÝô« ‰b³²Ý«
.W½«uDÝô« ‰b³²Ý«
SKIPPED
PROTECT
ÆW½«uDÝô« ‰b³²Ý«
vKŽ ÈbMë ÊuJ²¹ bÁ ¨œ—U³Ã« fIDë wꢀ …Qꢀb*« «bi²Ý« bMŽ
qLŽ ÂbŽ wꢀ n¦J²Ã« V³&²¹ bÁ ÆqGA*« qš«œ wꢀ ¡«eł«
ÊUÐ bI²Ž« «–« ÆW×O×o …—uBÐ W−Äb*« U½«uDÝô« qGAÄ
`&Ä«Ë U³¹dIð WŽUÝ …b* “UN'« qOGAð nÁË« WKJAÄ n¦J²Ã«
ÆWLŽU½ ‘ULÁ WFDIÐ U½«uDÝô« sŽ WÐuÞdë
•
t?Ð W¹UMFÃ«Ë W−Äb*« U½«uDÝô« qGAÄ
WÄöŽ qL% w²Ã« W−Äb*« U½«uDÝô« wŽu½ sÄ U¹√ Âbi²Ý« •
ÆÁU½œ« 5³Ä u¼ UL WOðuBë WOLÁdë W−Äb*« U½«uDÝô«
ŸUL²Ýô« oO²Fð bÁ ‚dDë vKŽ …œUOIë sŽ W&UMë «“«e²¼ô« •
ÆW−Äb*« U½«uDÝöÃ
≥π
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r=Ië
Èdšô« nzUþuë
∞
—bBL AUX w U{« l{Ë —UO²š« bFÐ
v²Š FUNCTION —eë jG{ X³ŁË jG{«¨qOGA²KÃ
ÆWýUAë vKŽ TITLE IN ÷dFë dNE¹
q?OGA²Ã« wF{Ë 5Ð WŽU=ë ÷dŽ q¹u%
·UI¹ô« Ë√
ÆWŽU&ë ÷dŽ qOGAð ·UI¹«Ë qOGAð pMJ1
Íb−Ðô« ·d(« —UO²šô ∞ Ë√ 5 —eë jG{≈ ≤
Æ»užd*«
©W¹eOK$ô« WGKÃUЮ Íb−Ы ·dŠ ÷dŽ vKŽ qLF²Ý 5 —eKà tDG{ qÂ
VOðd²ÃUÐ œ«bŽô«Ë ¨A B C ... X Y Z VOðd²Ã« «cNÐ
·Ëd(« ÷dŽ vKŽ qLF²Ý ∞ —eKà tDG{ q Æ1 2 3 ... > [ ]
ÆZ Y X ... C B A VOðd²Ã« «c¼ q¦Ä ¨w&JŽ VOðd²Ð
5Ð WŽU=ë ÷dŽ q¹uײà CLOCK —eë jG{« ꢀ
Æ·UI¹ô« Ë√ qOGA²Ã« wF{Ë
UÄ WŽU&ë ÷dŽ q¹u% vKŽ qLF²Ý CLOCK —eKà WDG{ qÂ
Æ·UI¹ô« Ë√ qOGA²Ã« wF{Ë 5Ð
UOKLŽ ¡«dł« bMŽ W²ÁRÄ …—uBÐ WŽU&ë ÷dŽ wH²iOÝ ꢁ
ÆWO½UŁ ≤µ bFÐ Èdš« …dÄ —uNEKà ÷dFë œuFOÝË ¨Èdšô« qOGA²Ã«
WEŠöÄ
vKŽ WŽU&ë ÷dŽ dNEOÝ ¨·UI¹ô« l{Ë vKŽ —bB*« œułuÐ v²Š
WŽU&ë ÷dŽ q¹u% vKŽ qLFOÝ CLOCK —eë jG{ ÆWýUAë
Æ·UI¹ô« Ë√ qOGA²Ã« wF{Ë 5Ð UÄ
·d(« lÁuÄ vë …dOA*« p¹dײà 3 —eë jG{≈ ≥
ÆwÃU²Ã«
…dOA*« „dײà 3 —eë jG{≈ ¨U{ËdFÄ »užd*« ·d(« ÊuJ¹ ULMOÐ
„dײKà 2 —eë jG{≈ ÆwÃU²Ã« ·d(« d²š« rŁ wÃU²Ã« lÁu*« vë
ÆWýUAë vKŽ nK)« ÁU&UÐ
AUX w? U{« —bBÄ Â«bP²Ý≈
ö¹œu*« q¦Ä IP-BUS-RCA “«dÞ wMO³Ã« qou*« pà `L&¹
qOou²Ð ©WKBHMÄ …—uBÐ ŸU³¹ Ícë® CD-RB20/CD-RB10
‰uB×KÃË ÆRCA Ãdš WײHÐ “U²9 WOꢀU{« …eNł√ vë “UN'« «c¼
wMO³Ã« qou*« qOGAð qOÃœ vë lł—≈ ¨qOoUH²Ã« sÄ b¹eÄ vKŽ
ÆIP-BUS-RCA “«dÞ
—eë vKŽ jGCÃUÐ dOšô« lÁu*« vë …dOA*« „dŠ ¥
ÆÊ«uMFë ‰Ušœ« bFÐ 3
wꢀ qšb*« Ê«uMFë s¹eið r²OÝ ¨Èdš« …dÄ 3 —eë jG{ bMŽ
ƅd«cë
÷dŽ l{Ë vë …œuFKà BAND —eë jG{≈ µ
ÆŸUL²Ýô«
qOGA²Kà —bBL AUX w? U{« l{Ë —UO²š«
AUX w U{« l{Ë —UO²šô SOURCE —eë jG{≈ ꢀ
ÆqOGA²KÃ —bBLÂ
ÆWýUAë vKŽ AUX ÷dFë dNE¹ v²Š SOURCE —eë jG{≈
sJ1 sà ¨WOꢀU{ô« …eNłô« j³{ ŸU{Ë√ qOGAð r²¹ rà «–≈ ꢁ
dOOGð r&Á vë lł—≈ ¨qOoUH²Ã« sÄ b¹e* ÆAUX l{uë —UO²š«
Æ≥∂ W×Ho wꢀ WOꢀU{ô« …eNłô« j³{ ŸU{Ë√
AUX w? U{ô« Ê«uMŽ j³{
ÆAUX WOꢀU{ô« …eNłô« —œUBÄ Ê«uMŽ ÷dŽ dOOGð sJ1
Ar
≥∏
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r=Ië
wÃËô« j³Cë
∞π
uꢀ WŽULÝ Ãdš vë q¹uײKà 3 Ë√ 2 —eë jG{« ≥
RCA Ãdš®wýö²Ä dOž uꢀ Ãdš Ë√ WOŽd iHPMÄ
Æ©Èb*« qÄUÂ
Ë P/O :S/W wF{Ë 5Ð ‰u×OÝ 3 Ë√ 2 —eë jG{
ÆWýUAë vKŽ WÃU(« pKð ÷dŽ r²OÝË P/O :FULL
UEŠöÄ
rà UÄ Ãdš „UM¼ ÊuJ¹ sà ¨W¾ON²Ã« Ác¼ dOOGð WÃUŠ wꢀ v²Š •
Ãdš «bi²Ý« lł«—® WCOH)« «œœd²Ã« —UN−Ä Ãdš qOGAð r²¹
Æ©≥≤ W×HBÐ WCOH)« «œœ«d²Ã« —UN−Ä
«œœd²Ã« —UN−Ä Ãdš œuF¹ ·uÝ ¨W¾ON²Ã« Ác¼ dOOGð WÃUŠ wꢀ •
ÆlMB*« W¾ONð vÃ≈ uBë WLzUIÐ WCOH)«
≥
Ar
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r=Ië
wÃËô« j³Cë
∞π
·UI¹« Ë√ qOGAð —UO²šô ∞ Ë√ 5 —eë jG{« ≤
ÆAUX WO U{« …eNłô« qOGAð
5Ð AUX WOꢀU{« …eNł« l{Ë ‰u×OÝ ∞ Ë√ 5 —eë jG{
WýUAë vKŽ t²ÃUŠ ÷dŽ r²OÝ UL qOGA²Ã« ·UI¹« Ë√ qOGA²Ã«
Æ©AUX :ON WOꢀU{ô« …eNłô« qOGAð ö¦Ä®
AM « t?¹« W?łuÄ WHëuÄ Wł—œ j³{
π 5Ð u¹œ«dKà « t¹« WłuÄ wꢀ WÄbi²&*« j³Cë Wł—œ dOOGð sJ1
«bi²Ý« bMŽ Æeðd¼uKO ∞Ë ¨UND³{ o³&*« Wł—bë ¨eðd¼uKOÂ
Wł—œ j³{ bŽ« ¨WOÐuM'« Ë√ vDÝuë Ë√ WOÃULAë UJ¹dÄ« wꢀ u¹œ«dë
vë ©UNÐ ÕuL&*« eðd¼uKO ∂∞≤ ≠ µ≥ ® eðd¼uKO π 5Ð WHëu*«
Æ©UNÐ ÕuL&*« eðd¼uKOÂ ∂¥∞ ≠ µ≥∞® eðd¼uKOÂ ∞
r?JײÄË WOHK)« WŽUL=ë Ãdš j³{
t¹« Wł—œ l{Ë —UO²šô FUNCTION —eë jG{«
ÆAM «
÷dFë dNE¹ v²Š …—dJ²Ä …—uBÐ FUNCTION —eë jG{«
ÆWýUAë vKŽ AM
W?OŽdHë iOH)« uBë WŽULÝ
Ãd)«Ë WOHK)« WŽUL&ë „öÝ« Ãdš® wHK)« Ãd)« «bi²Ý« sJ1
Èb*« WKÄU WŽULÝ qOou²Ã “UN'« «cNà ©RCA wHK)«
WOŽdHë iOH)« uBë WŽULÝ Ë√ ©R–SP :FUL®
l{uë vë wHK)« Ãd)« j³{ XÃuŠ «–« Æ©R–SP :S/W®
…dýU³Ä WOHK)« WŽUL&ë pKÝ qOouð pMJLOÝ ¨R–SP :S/W
d¹UHOK³Ä« Í√ «bi²Ý« ÊËbÐ WOŽdꢀ iOHš uo WŽULÝ vë
ÆwꢀU{« © uo riCÄ®
WHëuÄ Wł—œ l{Ë —UO²šô 3 Ë√ 2 —eë jG{« ≤
Æ« t¹« WłuÄ
« t¹« WłuÄ WHëuÄ Wł—œ q¹u% vKŽ qLFOÝ 3 Ë√ 2 —eë jG{
« t¹« WłuÄ WHëuÄ Wł—œ dNE²Ý Æeðd¼uKO ∞Ë eðd¼uKO π 5Ð UÄ
ÆWýUAë vKŽ …—U²<«
UŽUL&ë sÄ WKÄU WŽuL−Ä öOou²Ð “UN'« j³{ r²¹ ¨UOzb³Ä
wHK)« Ãd)« qOouð r²¹ UÄbMŽ Æ©R-SP :FUL® WOHK)«
¨©R-SP :FUL —UO²š« bMŽ® UŽUL&ë sÄ WKÄUJë WŽuL:UÐ
UŽUL&ë sÄ Èdš√ WKÄU WŽuL−Ä qOouð pMJ1
©P/O :S/W® WCOH)« «œœd²Ã« —UN−Ä Ë√ ©P/O :FUL®
ÆwHK)« RCA ÃdiÐ
d?¹cײë ”dł WLG½ q¹u%
fLš ‰öš WO&Ozdë …bŠuë sÄ WOÄUÄô« WŠuKë qBꢀ r²¹ rà «–«
Æd¹c% ”dł uo —bBOÝ ¨‰UFýô« ÕU²HÄ qOGAð ·UI¹« sÄ Ê«uŁ
Æ”d'« «c¼ —Ëbo ·UI¹« sJ1
d¹cײë ”dł —UO²šô FUNCTION —eë jG{≈
ÈbÄ l{Ë —UO²šô FUNCTION —eë jG{«
ÆR–SP WŽUL=ë
÷dFë dNE¹ v²Š …—dJ²Ä …—uBÐ FUNCTION —eë jG{«
ÆWýUAë vKŽ R–SP
ÆWARN
WARN ÷dFë dNE¹ v²Š FUNCTION —eë jGCÐ dL²Ý«
ÆWýUAë vKŽ
·UI¹« Ë√ qOGAð —UO²šô ∞ Ë√ 5 —eë jG{« ≤
ÆWARN d¹cײë ”dł qOGAð
5Ð WARN d¹cײë ”dł l{Ë ‰u×OÝ ∞ Ë√ 5 —eë jG{
vKŽ t²ÃUŠ ÷dŽ r²OÝ UL qOGA²Ã« ·UI¹« Ë√ qOGA²Ã« wF{Ë
Æ©WARN :ON d¹cײë ”dł qOGAð ö¦Ä® WýUAë
ÆwHK)« Ãd)« j³{ l{Ë q¹uײà ∞ Ë√ 5 —eë jG{« ≤
l{uë 5Ð UÄ q¹uײë vKŽ qLFOÝ ∞ Ë√ 5 —eë jG{
l{uÃ«Ë ©Èb*« WKÄU WŽULÝ® R–SP :FUL
÷dŽ r²OÝË ©WOŽdHë iHiM*« uBë WŽULÝ® R–SP :S/W
ÆWýUAë vKŽ WÃU(« pKð
Wײꢀ vë WKB²Ä WOŽdꢀ iOHš uo WŽULÝ œułË ÂbŽ bMŽ ꢁ
ÆR–SP :FUL l{uë —UO²šUÐ rÁ ¨WOHK)« Ãd)«
Ãd)« Wײꢀ vë WOŽdꢀ iOHš uo WŽULÝ qOouð bMŽ ꢁ
l{uë vKŽ WOŽdHë iOH)« uBë WŽULÝ j³{« ¨WOHK)«
ÆR–SP :S/W
W?O U{ô« …eNłô« j³{ ŸU{Ë« q¹u%
j³{ ŸU{Ë« qGý Æ“UN'« «c¼ lÄ WOꢀU{« …eNł« ‰ULF²Ý« pMJ1
Æ“UN'« «c¼ lÄ WKB²Ä WOꢀU{« …eNł« «bi²Ý« bMŽ WOꢀU{ô« …eNłô«
u¼ WOHK)« Ãd)« WײHà j³Cë l{Ë ÊuJ¹ UÄbMŽ ꢁ
WŽULÝ rJ×²Ä l{Ë vë dOOG²Ã« pMJ1 sà ¨R–SP :S/W
ÆWOŽdHë iOH)« uBë
…eNł« l{Ë —UO²šô FUNCTION —eë jG{≈
ÆAUX WO U{«
÷dFë dNE¹ v²Š …—dJ²Ä …—uBÐ FUNCTION —eë jG{≈
ÆWýUAë vKŽ AUX
Ar
≥∂
7</2Y9/R05D, 1520:5451-A/N> 93
YRD5041A_(35-45)Ara
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r=Ië
wÃËô« j³Cë
∞π
w Vždð Ícë ¡e'« —UO²šô 3 Ë√ 2 —eë jG{« ≤
ÆWŽU=ë ÷dŽ sÄ tD³{
∫WŽU&ë ÷dŽ sÄ ¡eł —UO²š« vKŽ qLFOÝ 3 Ë√ 2 —eë jG{
o?zU?Áb?ë— U?ŽU?&ë
ÆiÄu²ÃUÐ ¡e'« «c¼ √b³OÝ WŽU&ë ÷dŽ sÄ ¡eł —U²ið UÄbMŽ
w?ÃËô« j³Cë ŸU{Ë« j³{
1
ŸU{Ë_« hOBið pMJ1 ¨WOzb³*« j³Cë UOKLŽ «bi²ÝUÐ
Æ“UN'« «cNà wł–u/ ¡«œ_ ôuoË ÂUEMKà WHK²<«
ÆWŽU=ë j³Cà ∞ Ë√ 5 —eë jG{« ≥
jG{ Æ…—U?²?<« o?zUÁbë Ë√ UŽU&ë œbŽ b¹eOÝ 5 —e?ë jG{
Æ…—U?²?<« o?zU?Ábë Ë√ UŽU&ë œbŽ iHiOÝ ∞ —eë
nzUþuë ÷dŽ 1
ÆWHOþuë WÃUŠ 5³¹
r²¹ v²Š SOURCE —eë jG{ X³ŁË jG{«
Æ“UN'« qOGAð ·UI¹«
v²Š Èdš« …dÄ SOURCE —eë jG{ X³ŁË jG{« ≤
FM « ·« W?łu?Ä WHëuÄ Wł—œ j³{
ÆWýUAë vKŽ WŽU=ë ÷dŽ dNE¹
l{uà Y׳ÃUÐ j³Cë WHOþË wꢀ WÄbi²&*« j³{ Wł—œ dOOGð sJ1
µ∞Ë ¨UND³{ o³&*« Wł—bë ¨eðd¼uKO ∞∞ 5Ð UÄ Â« ·«
Æeðd¼uKOÂ
ŸU{Ë« bŠ« —UO²šô FUNCTION —eë jG{« ≥
ÆwÃËô« j³Cë
ŸU{Ë« 5Ð qIM²Kà …—dJ²Ä …—uBÐ FUNCTION —eë jG{«
∫WOÃU²Ã« j³Cë
Wł—œ® AM—©Â« ·« WHëuÄ Wł—œ® FM—©WŽU&ë® Clock
qšœ® AUX—©d¹cײë ”dł® WARN—©Â« t¹« WHëuÄ
uBë WŽULÝ rJײÄË wHK)« Ãd)«® R–SP—©wꢀU{«
©WOŽdHë iOH<«
Æ5FÄ j³{ l{Ë q qOGA²Ã WOÃU²Ã« «œUý—ô« Âbi²Ý«
ÆBAND —eë jG{« ¨wÃËô« j³Cë l{Ë ¡UGÃô ꢁ
—eë jG{ XO³¦²Ð wÃËô« j³Cë l{Ë ¡UGë UC¹« pMJ1 ꢁ
Æ“UN'« qOGAð ·UI¹« r²¹ v²Š SOURCE
·« Wł—œ l{Ë —UO²šô FUNCTION —eë jG{«
ÆFM «
÷dFë dNE¹ v²Š …—dJ²Ä …—uBÐ FUNCTION —eë jG{«
ÆWýUAë vKŽ FM
WHëuÄ Wł—œ l{Ë —UO²šô 3 Ë√ 2 —eë jG{« ≤
Æ« ·« WłuÄ
« ·« WłuÄ WHëuÄ Wł—œ q¹u% vKŽ qLFOÝ 3 Ë√ 2 —eë jG{
·« WłuÄ WHëuÄ Wł—œ dNE²Ý Æeðd¼uKO µ∞Ë eðd¼uKO ∞∞ 5Ð UÄ
ÆWýUAë vKŽ …—U²<« «
WEŠöÄ
WŽU=ë j³{
ÆWŽU&ë j³Cà «œUý—ô« Ác¼ Âbi²Ý«
¨eðd¼uKO µ∞ Wł—œ l{Ë wꢀ Y׳ÃUÐ j³Cë WOKLŽ ¡«dł« - «–«
…—u?B?Ð UD;« j³{« ÆWIOÁœ …—u?B?Ð U?D;« j³{ r²¹ ô bIꢀ
ÆÈdš« …dÄ Y׳ÃUÐ j³Cë WHOþË Â«bi²Ý« bŽ« Ë√ W¹Ëb¹
ÆWŽU=ë l{Ë —UO²šô FUNCTION —eë jG{«
WŽU&ë dNEð v²Š …—dJ²Ä …—uBÐ FUNCTION —eë jG{«
ÆWýUAë vKŽ
≥µ
Ar
<YRD5041-A/N> 94
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rꢀIë
uBë j³{
∞∏
—b?B*« U¹u²ꢀÄ j³{
(F.I.E.) w?ÄUÄô« uBë “«dЫ “eFÄ
e¹eF²Ã WDOꢀÐ WI¹dÞ w¼ (F.I.E.) wÄUÄô« uBë “«dЫ “eFÄ WHOþË
WDÝu²*« UÐcÐcë Ãdš lDÁ WDÝ«uÐ WOÄUÄô« WŽULꢀë uꢁ “«dЫ
UÐcÐcKà UNłdš b¹b%Ë ¨WOHK)« UŽULꢀë sÄ Èb*« WOÃUFëË
ÆUNFDÁ w7 Vždð w²Ã« WÐcÐcë —UO²š« pMJ1 ÆjI7 Èb*« WCH9M*«
r−Š Èu²ꢀÄ j³CÐ (SLA) —bB*« Èu²ꢀÄ j³{ WHOþË pà `Lꢀð
bMŽ uBë Èu²ꢀÄ w7 W¹—c'« «dOG²Ã« lM* —bBÄ qJà uBë
Æ—œUB*« 5Ð dOOG²Ã«
¨Â« ·« YÐ nëuÄ uꢁ Èu²ꢀÄ vKŽ WOM³Ä j³Cë ŸU{Ë« •
ÆdOOGð ÊËbÐ vI³¹ ÍcëË
◊UO²Š«
Èu²ꢀÄ lÄ Â« ·« YÐ nëuÄ u8 Èu²ꢀÄ Ê—UÁ
ÆtD³{ w= Vždð Ícë —bB*«
¨(F.I.E.) wÄUÄô« uBë “«dЫ “eFÄ WHOþË qOGAð …œUŽ« bMŽ
fOà ¨WOHK)« UŽULꢀë UÐcЖ qJà uBë Ãdš Èu²ꢀÄ qIOÝ
qOGAð q³Á uBë r−Š Èu²ꢀÄ qKÁ pÃcà ÆjI7 dON'« uBKÃ
uBë r−Š …œU¹“ lM* (F.I.E.) wÄUÄô« uBë “«dЫ “eFÄ WHOþË
ÆW¾łUHÄ …—uBÐ
Èu²ꢀÄ j³{ l{Ë —UO²šô AUDIO —eë jG{« ≤
Æ(SLA) —bB*«
ÆWýUAë vKŽ SLA ÷dFë dNE¹ v²Š AUDIO —eë jG{«
Æ—bB*« u8 Èu²ꢀÄ j³Cà ∞ Ë√ 5 —eë jG{« ≥
Æ—bB*« uꢁ Èu²ꢀÄ iH9ð Ë√ l7d²Ý ∞ Ë√ 5 —eKà WDG{ qÂ
ULMOÐ WýUAë vKŽ SLA : –4 – SLA : +4 ÷dFë dNEOÝ
Æ—bB*« uꢁ Èu²ꢀÄ iH9M¹ Ë√ lHðd¹
“«dЫ “eFÄ l{Ë —UO²šô AUDIO —eë jG{«
Æ(FIE) wÄUÄô« uBë
ÆWýUAë vKŽ FIE ÷dFë dNE¹ v²Š AUDIO —eë jG{«
l{uë w7 WOHK)« WŽULꢀë "U½ ÊuJ¹ UÄbMŽ ꢀ
.F.I.E. WHOþuë —UO²š« pMJ1 ¨R-SP :S/W
UEŠöÄ
uBë “«dЫ “eFÄ WHOþË qOGA²Ã 5 —eë jG{« ≤
Æ(F.I.E.) wÄUÄô«
¨(F.I.E.) wÄUÄô« uBë “«dЫ “eFÄ WHOþË qOGAð ·UI¹ô ꢀ
Æ∞ —eë jG{«
¨rJײë ”UOIÄ u¼ « ·« YÐ nëuÄ uꢁ Èu²ꢀÄ Ê« YOŠ •
—bB*« Èu²ꢀÄ j³{ WHOþË Â«b9²Ý« sJL*« dOž sÄ ÊU7
Æ« ·« YÐ nëuÄ j³CÃ
‰ULF²ÝUР« t¹« YÐ nëuÄ uꢁ Èu²ꢀÄ j³{ UC¹« pMJ1 •
Æ—bB*« Èu²ꢀÄ j³{ WHOþË
qGAÄ sÄ qJà uBë Èu²ꢀÄ WLOÁ fH½ j³{ r²OÝ •
W−Äb*« U½«uDÝô« qGAÄË wKš«bë W−Äb*« U½«uDÝô«
ÆWOJOðUÄuðË« …—uBÐ …œbF²*«
…bŠuë sÄ qJà uBë Èu²ꢀÄ WLOÁ fH½ j³{ r²OÝ •
ÆWOJOðUÄuðË« …—uBÐ ≤ WOł—U)« …bŠuÃ«Ë WOł—U)«
ÆWÐužd*« WÐcÐcë —UO²šô 3 Ë√ 2 —eë jG{« ≥
VOðd²ÃUÐ WÐcÐcë —UO²š« vKŽ qLF²Ý 3 Ë√ 2 —eKà WDG{ qÂ
∫wÃU²Ã«
©eðd¼® 250—160—100
UEŠöÄ
¨(F.I.E.) wÄUÄô« uBë “«dЫ “eFÄ WHOþË qOGAð bFÐ •
j³CÐ rÁ ©≥∞ W×Hꢁ lł«—® uBë Ê“«uð WHOþË Â«b9²ÝUÐ
r²¹ v²Š WOHK)«Ë WOÄUÄô« UŽULꢀKà uBë r−Š U¹u²ꢀÄ
ÆUN½“«uð
l{Ë vKŽ (F.I.E.) wÄUÄô« uBë “«dЫ “eFÄ WHOþË j³{« •
Æ5²ŽULꢀÐ ÂUE½ «b9²Ý« bMŽ ·UI¹ô«
Ar
≥¥
<YRD5041-A/N> 95
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rꢀIë
uBë j³{
∞∏
—Ëd*« `ýdÄ l{Ë —UO²šô AUDIO —eë jG{≈
Æ(HPF) ÍuKFë
ÆWýUAë vKŽ HPF ÷dFë dNE¹ v²Š AUDIO —eë jG{≈
—UN−Ä Ãdš —uÞ —UO²šô 3 Ë√ 2 —eë jG{«
≥
.WCOH)« «œœd²Ã«
ÆWýUAë vKŽ REV dNEðË lOłd²Ã« —uÞ —UO²šô 2 —eë jG{«
ÆWýUAë vKŽ NOR dNEðË ÍœUFë —uDë —UO²šô 3 —eë jG{«
—Ëd*« `ýdÄ WHOþË qOGA²Ã 5 —eë jG{« ≤
ÆÍuKFë
W?COH)« «œœd²Ã« —UN−Ä U¾ONð j³{
œœdð j³{ pMJ1 ¨WCOH)« «œœd²Ã« —UN−Ä Ãdš qOGAð bMŽ
ÆWCOH)« «œœd²Ã« —UN−Ä Ãdš Èu²ꢀÄË lDIë
`ýdÄ WHOþË ÊuJðË ÆWýUAë vKŽ HPF : 80 ÷dFë dNEOÝ
ÆqOGA²Ã« l{Ë vKŽ Êô« ÍuKFë —Ëd*«
Ícë œœd²Ã« ÊS7 ¨UI³ꢀÄ uBKà WOÃUFë WOIM²Ã« j³{ - «–≈ ꢀ
Æ80 sÄ ôbÐ WýUAë vKŽ dNEOÝ Á—UO²š« o³Ý
Æ∞ —eë jG{« ¨ÍuKFë —Ëd*« `ýdÄ WHOþË qOGAð ·UI¹ô ꢀ
Æ80: 0 —UO²šô SW jG{«
ÆWýUAë vKŽ 80: 0 dNEð v²Š SW jG{«
ÆWÐcÐcë lDÁ l{Ë —UO²šô 3 Ë√ 2 —eë jG{≈ ≥
lDIë WÐcЖ —UO²š« vKŽ qLF²Ý 3 Ë√ 2 —eKà WDG{ qÂ
∫wÃU²Ã« VOðd²ÃUÐ
©eðd¼® 125—100—80—63—50
UŽULꢀë sÄ —U²<« ‚UDMë sÄ jI7 vKŽô« UÐcÐcë ëdš« r²OÝ
ÆWOHK)« Ë√ WOÄUÄô«
WCOH)« «œœd²Ã« —UN−Ä W¾ONð WLzUÁ —UO²š« UC¹√ pMJ1 ULÂ
ꢀ
Æ“UN'UÐ AUDIO vKŽ jGCÃUÐ
Æ80: 0 —UO²š« pMJ1 ¨WCOH)« «œœd²Ã« —UN−Ä Ãdš qOGAð bMŽ ꢀ
¨UI³ꢀÄ Á—UO²š« - bÁ WCOH)« «œœd²Ã« —UN−Ä l{Ë ÊU «–≈ ꢀ
Æ80 sÄ ôbÐ WýUAë vKŽ UI³ꢀÄ Á—UO²š« - Ícë œœd²Ã« dNEOÝ
.lDIë œœdð —UO²šô 3 Ë√ 2 —eë jG{«
≤
VꢀŠ lDIë œœdð —UO²šô ÍœRð 3 Ë√ 2 —eë vKŽ WDG{ qÂ
∫wÃU²Ã« VOðd²Ã«
©eðd¼® 125—100—80—63—50
d?ON'« uBë e¹eFð
w²Ã« w¼ jI7 —U²<« ‚UDMÃUÐ …œułu*« pKð sÄ qÁ_« «œœd²Ã« Ê≈
.WCOH)« «œœd²Ã« —UN−Ä sÄ UNł«dš≈ r²¹
∞∞ sÄ qÁ_« dON'« Èu²ꢀÄ “eFð dON'« uBë e¹eFð WHOþË
d¦Â√ uBë ÊU ULK ¨dON'« uBë Èu²ꢀÄ œ«“ ULKÂË Æeðd¼
lÄ WHOþuë Ác¼ «b9²Ý« bMŽ ÆÂUŽ qJAÐ …uIÃUÐ uBë eO9Ë UðU³Ł
ÆlDIë œœdð sŽ "UMë uBë e¹eFð r²¹ WCOH)« «œœd²Ã« —UN−Ä
—UN−Ä Ãdš Èu²ꢀÄ j³Cà ∞ Ë√ 5 —eë jG{«
≥
.WCOH)« «œœd²Ã«
Èu²ꢀÄ sÄ qKIð Ë√ b¹eð ·uÝ ∞ Ë√ 5 —eë vKŽ WDG{ q Ê≈
ULK WýUAë vKŽ +6 – –24 dNEOÝË ÆWCOH)« «œœd²Ã« —UN−Ä
ÆiH9½≈ Ë√ Èu²ꢀ*« œ«“
ÆBASS —UO²šô AUDIO jG{«
ÆWýUAë vKŽ BASS dNEð v²Š AUDIO jG{«
—«dL²Ýô«Ë jGCÃUÐ dON'« uBë e¹eFð l{Ë —UO²š« sJ1 UL ꢀ
ÆSW vKŽ jGCÃUÐ
Èu²ꢀ*« —UO²šô ∞ Ë√ 5 —eë vKŽ jG{«
≤
Íu?KFë —Ëd*« `ýdÄ Â«bL²Ý«
.»užd*«
Ãdš UÐcЖ ‚UD½ sŽ WCH9M*« «uꢁöà ŸUL²Ýô« b¹dð ô UÄbMŽ
¨WOHK)« Ë√ WOÄUÄô« UŽULꢀë sÄ WOŽdHë iOH)« uBë WŽULÝ
UÐcÐcë ëdš« r²OÝ Æ(HPF) ÍuKFë —Ëd*« `ýdÄ WHOþË qGý
ÆWOHK)« Ë√ WOÄUÄô« UŽULꢀë sÄ —U²<« ‚UDMë sÄ jI7 vKŽô«
ÆiH9½≈ Ë√ uBë Èu²ꢀÄ lHð—« ULK WýUAë vKŽ 0 – 6 dNEð
≥≥
Ar
<YRD5041-A/N> 96
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rꢀIë
uBë j³{
∞∏
w?½UO³Ã« Ê“«u*« UOM×M* oOÁbë j³Cë
qJà ©vM×M*« hzUBš® Q qÄUFÃ«Ë W¹eÂd*« WÐcÐcë j³{ pMJ1
Æ©EQ-HØEQ-MØEQ-L ŸU{Ëô«® Êü« …—U²9Ä WłuÄ vM×MÄ
u?Bë uKŽ j³{
WCH9M*« uBë U¹bÄ w7 e−Fë sŽ uBë uKŽ WHOþË ÷uFð
ÆWCH9MÄ uꢁ U¹u²ꢀÄ bMŽ WOÃUFëË
uBë uKŽ l{Ë —UO²šô AUDIO —eë jG{«
ÆLOUD
ÆWýUAë vKŽ LOUD ÷dFë dNE¹ v²Š AUDIO —eë jG{«
©q³ꢀ¹œ® Èu²ꢀ*«
Q=2W
Q=2N
Æ uBë uKŽ l{Ë qOGA²Ã 5 —eë jG{« ≤
vKŽ ©LOUD :MID ö¦Ä® uBë uKŽ Èu²ꢀÄ ÷dŽ dNEOÝ
ÆWýUAë
W¹eÂd*« WÐcÐcë
©eðd¼® œœd²Ã«
Èu²ꢀ*« l{Ë —UO²šô 3 Ë√ 2 —eë jG{« ≥
Æ»užd*«
÷dŽ dNE¹ v²Š AUDIO —eë jG{ X³ŁË jG{«
ÆWýUAë vKŽ ©F- 80:Q1W ö¦Ä® Q qÄUFÃ«Ë WÐcÐcë
VOðd²ÃUÐ Èu²ꢀ*« —UO²š« vKŽ qLF²Ý 3 Ë√ 2 —eKà WDG{ qÂ
∫wÃU²Ã«
5Ð sÄ j³CKà ‚UDMë —UO²šô AUDIO jG{« ≤
ÆwÃUFë Ë jÝu²*« ¨iHLM*« U¹u²ꢀ*«
∫WOÃU²Ã« nzUþuë 5Ð ‰uײKà —dJ²Ä qJAÐ AUDIO jG{«
WOÃUŽ—WDÝu²Ä—WCH9MÄ
©wÃUŽ® HI—©jÝu²Ä® MID—©iH9MÄ® LOW
Æ uBë uKŽ l{Ë qOGAð ·UI¹ô ∞ —eë jG{« ¥
ÆWýUAë vKŽ LOUD :OFF ÷dFë dNEOÝ
WÐcÐcë —UO²šô 3 Ë√ 2 —eë vKŽ jG{≈ ≥
ÆWÐužd*«
vKŽ WÐužd*« WÐcÐcë —uNþ r²¹ v²Š 3 Ë√ 2 —eë vKŽ jG{≈
ÆWýUAë
W?COH)« «œœ«d²Ã« —UN−Ä Ãdš «bL²Ý«
sJ1 ÍcÃ«Ë WCOH)« «œœd²Ã« —UN−Ä Ãd9Ð eN−Ä “UN'« «c¼ Ê≈
Æt7UI¹≈ Ë√ tKOGAð
©eðd¼® 160—100—80—40 ∫iH9MÄ
©eðd¼® 2k—1k—500—200 ∫WDÝu²Ä
©eðd¼® 12k—10k—8k—3k ∫wÃUŽ
ÆSUB W —UO²šô SW jG{«
ÆWýUAë vKŽ SUB W dNE¹
Q qÄUFë l{Ë —UO²šô ∞ Ë√ 5 —eë jG{≈ ¥
WCOH)« «œœd²Ã« —UN−Ä W¾ONð WLzUÁ —UO²š« UC¹√ pMJ1 UL ꢀ
Æ“UN'UÐ AUDIO vKŽ jGCÃUÐ
Æ»užd*«
»užd*« Q qÄUFë ÷dŽ —uNþ r²¹ v²Š ∞ Ë√ 5 —eë vKŽ jG{≈
∫WýUAë vKŽ
vKŽ WCOH)« «œœd²Ã« —UN−Ä w7 rJײë l{Ë ÊuJ¹ UÄbMŽ ꢀ
ÆSUB W —UO²š« pMJ1 ô ¨P/O :FUL
2W—1W—1N—2N
«œœd²Ã« —UN−Ä Ãdš qOGA²Ã 5 —eë jG{«
≤
.WCOH)«
—UN−Ä Ãdš Êô« qG²A¹ .WýUAë vKŽ SUB W:NOR dNE¹
.WCOH)« «œœd²Ã«
WEŠöÄ
ÆCUSTOM vM×M*« Y¹b% r²¹ ¨j³Cë UOKLŽ ¡«dł≈ bMŽ
l{Ë vKŽ WCOH)« «œœd²Ã« —UN−Ä Ãdš —uÞ j³{ - «–≈ ꢀ
ÆWýUAë vKŽ SUB W:REV dNEOÝ ¨lOłd²Ã«
Æ∞ —eë jG{« ¨WCOH)« «œœd²Ã« —UN−Ä Ãdš ·UI¹ù ꢀ
Ar
≥≤
<YRD5041-A/N> 97
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rꢀIë
uBë j³{
∞∏
vM×M*« j³{ l{Ë —UO²šô AUDIO —eë jG{«
ÆEQ w½UO³Ã«
ÆWýUAë vKŽ EQ ÷dFë dNE¹ v²Š AUDIO —eë jG{«
w?½UO³Ã« Ê“«u*« «bL²Ý«
UI7Ë uBë W½“«uÄ j³{ WO½UJÄ« w½UO³Ã« Ê“«u*« WHOþË pà `Lꢀð
ÆW³ždë VꢀŠ …—UOꢀë …—uBI* WOðuBë hzUB9KÃ
œ«d*« w½UO³Ã« vM×M*« —UO²šô 3 Ë√ 2 —eë jG{« ≤
ÆtD³{
w?½UO³Ã« Ê“«u*« UOM×MÄ ¡UŽb²Ý«
UNzUŽb²Ý« pMJ1 W½e9Ä w½UOÐ Ê“«uÄ UOM×MÄ XÝ „UM¼ błu½
∫w½UO³Ã« Ê“«u*« UOM×M0 WLzUÁ w¼ Ác¼ Æ¡UAð XÁË Í√ w7 WÃuNꢀÐ
Ê“«u*« UłuÄ —UO²š« vKŽ qLF²Ý 3 Ë√ 2 —eKà WDG{ qÂ
∫wÃU²Ã« VOðd²ÃUÐ w½UO³Ã«
©wÃUŽ® EQ-H—©jÝu²Ä® EQ-M—©iH9MÄ® EQ-L
w½UO³Ã« Ê“«u*« vM×MÄ
÷dFë
Ê“«u*« WłuÄ Èu²ꢀÄ j³Cà ∞ Ë√ 5 —eë jG{« ≥
Æw½UO³Ã«
“U²2 dONł uꢁ SUPER BASS
ÍuÁ
wFO³Þ
w½Užô«
ÊuÐeë
POWERFUL
NATURAL
VOCAL
Włu*« Èu²ꢀÄ iHš Ë√ l7— vKŽ qLF²Ý ∞ Ë√ 5 —eKà WDG{ qÂ
ÆUN²½“«uÄ œ«d*«
iH9M¹ Ë√ lHðd¹ ULMOÐ WýUAë vKŽ –6 ≠ +6 ÷dFë dNEOÝ
ÆÈu²ꢀ*«
CUSTOM
EQ FLAT
Èu²ꢀÄ
ÆU¼«u²ꢀÄ j³CÐ ÂUOIÃ«Ë Èdš« WłuÄ —UO²š« pMJ1 ꢀ
X½√ ÂuIð Ê“«uÄ j³{ vM×MÄ u¼ CUSTOM l{uë
U¾ONð kHŠ r²Oꢀ7 j³{ UOKLFÐ XLÁ «–≈ ÆtzUA½SÐ
ÆCUSTOM l{uë w7 …d«cë w7 Ê“«u*« UOM×MÄ
Ë√ W7U{« Í√ Àb×¹ sà EQ FLAT vM×M*« —UO²š« bMŽ
«dOŁQð sÄ oIײKà …bOHÄ WHOþuë Ác¼ Æ uBKà `O×Bð
vM×M*« 5Ð q¹uײë WDÝ«uÐ w½UO³Ã« Ê“«u*« UOM×MÄ
w½UO³Ã« Ê“«u*« UOM×MÄ sÄ —U²<« vM×M*«Ë EQ FLAT
Æ»ËUM²ÃUÐ
•
WEŠöÄ
ÆCUSTOM vM×M*« Y¹b% r²¹ ¨j³Cë UOKLŽ ¡«dł≈ bMŽ
•
Æw½UO³Ã« Ê“«u*« —UO²šô EQ —eë jG{« ꢁ
Ê“«u*« UOM×MÄ 5Ð q¹uײKà …—dJ²Ä …—uBÐ EQ —eë jG{«
∫WOÃU²Ã« w½UO³Ã«
—NATURAL—POWERFUL—SUPER BASS
EQ FLAT—CUSTOM—VOCAL
w?½UO³Ã« Ê“«u*« UOM×MÄ j³{
Æp²³ž— VꢀŠ UOÃUŠ —U²<« w½UO³Ã« Ê“«u*« vM×MÄ j³{ pMJ1
vM×M*« w7 w½UO³Ã« vM×MÄ j³{ ŸU{Ë« vKŽ ö¹bF²Ã« Êeš r²OÝ
ÆCUSTOM
≥
Ar
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rꢀIë
uBë j³{
∞∏
u?Bë j³{ UOKLFÐ n¹dF²Ã«
WEŠöÄ
¨WO½UŁ ≥∞ ÊuCž w7 uBë WHOþË qOGAð WOKLŽ ÍQÐ ÂuIð rà «–«
1
ÆWOJOðUÄuðË« …—uBÐ —bB*« WýUý vë ÷dFë œuFOÝ
u?Bë Ê“«uð j³{ «bL²Ý«
uBë Ê“«uðØ UHš« j³{ ŸU{Ë« —UO²šUÐ WHOþuë Ác¼ pà `Lꢀð
ÆWÃuGA*« bŽUI*« qJà ŸUL²Ý« ·Ëdþ qC7« wDFð w²Ã«
5
4 3 2
uBë Ê“«uð l{Ë —UO²šô AUDIO —eë jG{«
ÆFAD
ÆWýUAë vKŽ FAD ÷dFë dNE¹ v²Š AUDIO —eë jG{«
¨W?I³ꢀÄ …—u?BÐ u?Bë Ê“«uð l{Ë j?³?{ - bÁ ÊU «–« ꢀ
ÆWýUAë vKŽ BAL ÷dFë dNEOÝ
uBë ÷dŽ 1
Æ uBë j³{ UOKLŽ WÃUŠ 5³¹
CUSTOM ÊuÐeë ÷dŽ 2
ÆUOÃUŠ ÊuÐeë vM×MÄ —UO²š« - v²Ä 5³¹
(FIE) wÄUÄô« uBë “«dЫ “eFÄ dýRÄ 3
ÆwÄUÄô« uBë “«dЫ “eFÄ qOGAð —UO²š« - v²Ä 5³¹
UŽULꢀë u8 Ê“«uð j³Cà ∞ Ë√ 5 —eë jG{« ≤
ÆWOHK)«ØWOÄUÄô«
ØWOÄUÄô« UŽULꢀë uꢁ Ê“«uð „d×²Ý ∞ Ë√ 5 —eKà WDG{ qÂ
ÆnK)« Ë√ ÂUÄô« ÁU&UÐ WOHK)«
ULMOÐ WýUAë vKŽ FAD :F15 – FAD :R15 ÷dFë dNEOÝ
vë ÂUÄô« sÄ WOHK)«ØWOÄUÄô« UŽULꢀë uꢁ Ê“«uð qI²M¹
ÆnK)«
«b9²Ý« r²¹ UÄbMŽ `O×Bë j³Cë l{Ë u¼ FAD : 0 l{Ë ꢀ
ÆjI7 5²ŽULÝ
l{uë w7 WOHK)« WŽULꢀë "U½ ÊuJ¹ UÄbMŽ ꢀ
ØWOÄUÄ_« UŽULꢀë Ê“«uð j³{ pMJ1 sà ¨R-SP :S/W
uBë WŽULÝ rJײÄË WOHK)« WŽULꢀë Ãdš j³{ lł«— ÆWOHK)«
.≥∂ W×HBÐ WOŽdHë iOH)«
SW dýR*« 4
.WCOH)« «œœd²Ã« —UN−Ä Ãdš qOGAð bMŽ dNE¹
Loudness uBë uKŽ dýRÄ 5
Æ uBë uKŽ WHOþË qOGAð bMŽ WýUAë vKŽ dNE¹
Æ uBë nzUþË ¡ULÝ« ÷dFà AUDIO —eë jG{« ꢁ
uBë nzUþË 5Ð q¹uײKà …—dJ²Ä …—uBÐ AUDIO —eë jG{«
∫WOÃU²Ã«
Ê“«uÄ vM×MÄ j³{® EQ—© uBë Ê“«uð j³{® FAD
/qOGAð j³{® SUB W—© uBë uKŽ® LOUD—© uBë
«œœd²Ã« —UN−Ä j³{® 80: 0—©WCOH)« «œœd²Ã« —UN−Ä ·UI¹≈
e¹eFð® BASS—©wÃUFë uBë WOIMð® HPF—©WCOH)«
j³{® SLA—©WOÄUÄ_« …—uBë “eFÄ® FIE—©dON'« uBë
©—bB*« Èu²ꢀÄ
sÄ uBë Ê“«uð j³Cà 3 Ë√ 2 —eë jG{« ≥
ÆvMLOëØÈdꢀOë WŽULꢀë
vKŽ BAL : 0 ÷dFë dNEOÝ ¨3 Ë√ 2 —eë jG{ bMŽ
UŽULꢀë uꢁ Ê“«uð „d×²Ý 3 Ë√ 2 —eKà WDG{ q ÆWýUAë
÷dFë dNEOÝ Æ5LOë Ë√ —UꢀOë ÁU&UÐ vMLOëØÈdꢀOë
sÄ uBë Ê“«uð qI²M¹ ULMOÐ BAL : L15 – BAL : R15
Æ5LOë vë —UꢀOë sÄ vMLOëØÈdꢀOë WŽULꢀë
iOH)« uBë WŽULÝ w7 rJײ*« j³{ l{Ë ÊuJ¹ UÄbMŽ ꢀ
vë q¹uײë pMJ1 sà ¨jI7 P/O :FUL l{uë vKŽ WOŽdHë
©Æ¥ W×HBë lł«—® ÆSUB W l{uë
WŽULÝ Ãdš qOGAð bMŽ jI7 80: 0 l{uë —UO²š« pMJ1 ꢀ
ÆSUB W l{uë w7 WOŽdHë iOH)« uBë
q¹uײë pMJ1 sà ¨—bBL FM « ·« YÐ nëuÄ —UO²š« bMŽ ꢀ
ÆSLA l{uë vë
ÆBAND —eë jG{« ¨—bBÄ q ÷dŽ WýUý vë …œuFKà ꢀ
Ar
≥∞
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rꢀIë
…œbF²*« W−?Äb*« U½«uDÝô« qGAÄ
∞∑
u?Bë …—UNłË jG{ e¹eFð «bL²Ý«
W?−Äb*« U½«uDÝô« nzUþË Â«bL²Ý«
CD TEXT ’u?B½ vKŽ W¹u²;«
W−ÄbÄ U½«uDÝ« qGAÄ WDÝ«uÐ nzUþuë Ác¼ «b9²Ý« pMJ1
ÆjI7 UNKOGAð lÄ o7«u²¹ …œbF²Ä
…œbF²Ä W−ÄbÄ U½«uDÝ« qGAÄ lÄ nzUþuë pKð «b9²Ý« pMJ1
’uB½ vKŽ W¹u²;« W−Äb*« U½«uDÝô« qOGAð lÄ o7«u²¹
ÆjI7 CD TEXT
U½«uDÝô« vKŽ XK−Ý WMOFÄ UÄuKFÄ UNà U½«uDÝô« iFÐ
q¦Ä UÄu?K?FÄ vKŽ U½«u?DÝô« pKð Íu?²?% bÁ ÆUN²ŽUMꢁ ¡UMŁ√
…œUŽ« XÁËË w?M?G*« rÝ« ¨w½Užô« s¹ËU?MŽ ¨ U½«u?DÝô« s¹ËU?MŽ
’uB½ vKŽ W¹u²×Ä W−ÄbÄ U½«uDÝ« vŽbð w¼Ë ŸUL²Ýô«
WꢁUš …dHý vKŽ W¹u²;« U½«uDÝô« ÊuJð ÆCD TEXT
w²Ã« w¼ CD TEXT ’uB½ vKŽ W¹u²;« W−Äb*« U½«uDÝôUÐ
ÆjI7 ÁU½œ« …—uÂcÄ w²Ã« nzUþuÃUÐ qLFð
e¹eFðË (COMP) uBë jG{ nzUþË Â«b9²Ý« pà `Lꢀ¹
…œUŽ« uꢁ …œuł j³{ sÄ (DBE) wJOÄUM¹bë dON'« uBë
sÄ …bŠ«Ë q ƅœbF²*« W−Äb*« U½«uDÝô« qGA* ŸUL²Ýô«
uBë jG{ WHOþË Ê“«uð Æj³{ wðuDš UNà 5²HOþuë
ÆWOÃUFë U¹u²ꢀ*« w7 WCH9M*«Ë WOÃUFë «uꢁô« Ãdš (COMP)
ŸUL²Ý« …œUŽ« ¡UDŽô dON'« uBë Èu²ꢀÄ w7 DBE WHOþË “eFð
Âb9²Ý«Ë U¼bŠ√ —U²9ð ULMOÐ «dOŁQ²Ã« öJà lL²Ý« ÆTK²2 uBÐ
Ë√ WOMžöà ŸUL²Ýô« …œUŽ« uꢁ sÄ “eF¹ Ícë qC7ô« dOŁQ²Ã«
ÆUNOë lL²ꢀð w²Ã« W−Äb*« W½«uDÝô«
jG{ l{Ë —UO²šô FUNCTION —eë jG{≈
Æ(COMP) uBë
vKŽ COMP ÷dFë dNE¹ v²Š FUNCTION —eë jG{≈
ÆWýUAë
w²HOþË lÄ …œbF²*« W−Äb*« U½«uDÝô« qGAÄ o7«u²¹ rà «–« ꢀ
wJOÄUM¹bë dON'« uBë e¹eFðØ(COMP) uBë jG{
WÃËU×Ä bMŽ WýUAë vKŽ NO COMP ÷dFë dNEOÝ ¨(DBE)
ÆÁ—UO²š«
’«d?Á√ vKŽ …œułu*« ’uBMë UÄuKFÄ ÷dŽ
CD TEXT W?½«uDÝô« ’uB½
ÆDISPLAY —eë jG{≈ ꢁ
ŸU{Ë« 5Ð q¹uײKà …—dJ²Ä …—uBÐ DISPLAY —eë jG{≈
∫WOÃU²Ã« j³Cë
©W½«uDÝô« Ê«uMŽ® DISC TITLE—ŸUL²Ýô« XÁË
©W½«uDÝô« wMGÄ rÝ«® DISC ARTIST—
©WOMžô« rÝ«® TRACK TITLE—
WKCH*« j³Cë ŸU{Ë« —UO²šô ∞ Ë√ 5 —eë jG{≈ ≤
Æp¹bÃ
j³Cë ŸU{Ë« 5Ð q¹uײKà …—dJ²Ä …—uBÐ ∞ Ë√ 5 —eë jG{≈
∫WOÃU²Ã«
COMP 1—© uBë jG{ qOGAð ·UI¹«® COMP OFF
—©≤ uBë jG{® COMP 2—© uBë jG{®
DBE 1—© uBë jG{ qOGAð ·UI¹«® COMP OFF
uBë e¹eFð® DBE 2—© wJOÄUM¹bë dON'« uBë e¹eFð®
©≤ wJOÄUM¹bë dON'«
©WOMžô« wMGÄ rÝ«® TRACK ARTIST—
W−Äb*« U½«uDÝô« vKŽ WMOFÄ U½UOÐ qO−ꢀð r²¹ rà «–« ꢀ
÷dFë dNEOÝ ¨CD TEXT ’uB½ vKŽ W¹u²;«
W½«uDÝ« Ê«uMŽ błu¹ ô ö¦Ä® WýUAë vKŽ NO XXXX
Æ©NO TRACK TITLE
W?ýUAë vKŽ ’uBMë U½UOÐ 5Ð qIM²Ã«
W½«uDÝô« Ê«uMŽ sÄ jI7 ·dŠ√ ∏ ‰Ë√ ÷dŽ “UN'« «cNà sJ1
rÝ√ ¨DISC ARTIST W½«uDÝô« wMGÄ ¨DISC TITLE
WOMžô« wMGÄË TRACK TITLE WOMžô«
sÄ ‰uÞ√ WK−ꢀ*« U½UO³Ã« ÊuJð UÄbMŽ ÆTRACK ARTIST
sJ1 YO×Ð —UꢀOë vKŽ œułu*« hMë 5Ð qIM²Ã« pMJ1 ¨·dŠ√ ∏
ÆÊ«uMFë WOIÐ W¹ƒ—
√b³¹ v²Š DISPLAY —eë jG{ X³ŁË jG{≈ ꢁ
Æ—UꢀOë vë WÂd(UÐ Ê«uMFë
ÆWýUAë vKŽ WOÁU³Ã« Ê«uMFë ·dŠ√ dNE²Ý
≤π
Ar
<YRD5041-A/N> 100
7/29/05, 12:54
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rꢀIë
…œbF²*« W−?Äb*« U½«uDÝô« qGAÄ
∞∑
Íb−Ðô« ·d(« —UO²šô ∞ Ë√ 5 —eë jG{≈ ≥
Æ»užd*«
©W¹eOK$ô« WGKÃUЮ Íb−Ы ·dŠ ÷dŽ vKŽ qLF²Ý 5 —eKà tDG{ qÂ
VOðd²ÃUÐ œ«bŽô«Ë ¨A B C ... X Y Z VOðd²Ã« «cNÐ
·Ëd(« ÷dŽ vKŽ qLF²Ý ∞ —eKà tDG{ q Æ1 2 3 ... > [ ]
ÆZ Y X ... C B A VOðd²Ã« «c¼ q¦Ä ¨wꢀJŽ VOðd²Ð
dNE¹ v²Š FUNCTION —eë jG{ X³ŁË jG{≈ ≤
—eë jG{« rŁ ¨WýUAë vKŽ TITLE IN ÷dFë
ÆITS l{uë —UO²šô FUNCTION
—eë jG{≈ ¨WýUAë vKŽ TITLE IN ÷dFë —uNþ bFÐ
ÆWýUAë vKŽ ITS ÷dFë dNE¹ v²Š FUNCTION
W−Äb*« W½«uDÝô« w½Už« q ·c( ∞ —eë jG{≈ ≥
l{uÐ pŽUL²Ý« WLzUÁ sÄ UNOë ŸUL²Ýô« r²¹ w²Ã«
ÆITS WOMžöà ͗uHë —UO²šô«
Êü« UNOë ŸUL²Ýô« r²¹ w²Ã« W−Äb*« W½«uDÝô« w½Už« q ·cŠ -
dNEOÝË ITS W?OMžöà ͗u?Hë —UO²šô« l{u?Ð p?ŽUL²Ý« WLzUÁ sÄ
ÆWýUAë vKŽ ITS CLR ÷dFë
·d(« lÁuÄ vë …dOA*« p¹dײà 3 —eë jG{≈ ¥
ÆwÃU²Ã«
ÆŸUL²Ýô« ÷dŽ l{Ë vë …œuFKà BAND —eë jG{≈ ¥
…dOA*« „dײà 3 —eë jG{≈ ¨U{ËdFÄ »užd*« ·d(« ÊuJ¹ ULMOÐ
„dײKà 2 —e?ë j?G{≈ ÆwÃU²Ã« ·d?(« d?²š« rŁ wÃU²Ã« lÁu*« vë
ÆWýUAë vKŽ nK)« ÁU&UÐ
U?½«uDÝô« s¹ËUMŽ nzUþË Â«bL²Ý«
vKŽ s¹ËUMFë pKð ÷dŽË W−Äb*« U½«uDÝöà s¹ËUMŽ ‰Ušœ« pMJ1
W½«uDÝô« —UO²š«Ë sŽ Y׳ë WÃuNꢀÐ pMJLOÝ czbFÐ rŁ ÆWýUAë
ÆUNŽULÝ »užd*«
—eë vKŽ jGCÃUÐ dOšô« lÁu*« vë …dOA*« „dŠ µ
ÆÊ«uMFë ‰Ušœ« bFÐ 3
w7 qšb*« Ê«uMFë s¹e9ð r²OÝ ¨Èdš« …dÄ 3 —eë jG{ bMŽ
ƅd«cë
U?½«uDÝô« s¹ËUMŽ ‰Ušœ«
∞∞ v²ŠË s¹e9²Ã U½«uDÝô« s¹ËUMŽ ‰Ušœ« WHOþË Âb9²Ý«
Í—u?H?ë —U?O?²šôUÐ ŸUL²Ýô« WLzUÁ WDÝ«uЮ W½«u?DÝ« Ê«uMŽ
Ê«uMŽ qJà sJ1 Æ…œbF²*« W−Äb*« U½«uDÝ« qGAÄ w7 ©WOMžöÃ
Æ·dŠ√ ∞ ‰uDÐ v²ŠË ÊuJ¹ Ê«
÷dŽ l{Ë vë …œuFKà BAND —eë jG{≈ ∂
ÆŸUL²Ýô«
UEŠöÄ
ëdš« bFÐ v²Š ¨…d«cë w7 WþuH×Ä w7 s¹ËUMFë Ác¼ vI³ð •
‰Ušœ« …œUŽ« r²¹ UÄbMŽ UNzUŽb²Ý« r²OÝË ¨Êe<« sÄ W½«uDÝô«
Æ“UN'« w7 W½«uDÝô«
w= Vždð w²Ã« W−Äb*« W½«uDÝöà ŸUL²ÝôUÐ rÁ
ÆUN½«uMŽ ‰Ušœ«
ÆW−Äb*« W½«uDÝô« —UO²šô ∞ Ë√ 5 —eë jG{≈
ÊU7 ¨…d«cë w7 W½«uDÝ« ∞∞ U½UOÐ s¹e9ð ¡UN²½≈ bFÐ •
Æ U?½U?O?³Ã« ÂbÁ√ q×Ä q×²Ý …b¹b'« U½«u?D?Ýô« U½UOÐ
dNE¹ v²Š FUNCTION —eë jG{ X³ŁË jG{≈ ≤
ÆWýUAë vKŽ TITLE IN Ê«uMFë qšœ l{Ë ÷dŽ
—eë jG{≈ ¨WýUAë vKŽ TITLE IN ÷dFë —uNþ bFÐ
vKŽ WOÃU²Ã« nzUþuë —uNþ r²OÝ ¨…—dJ²Ä …—uBÐ FUNCTION
∫WýUAë
U?½«uDÝô« s¹ËUMŽ ÷dŽ
ÆUI³ꢀÄ UN½«uMŽ XKšœ« W½«uDÝô Ê«uMŽ Í√ ÷dŽ pMJ1
Y׳ë W−ÄdЮ ITS—©W½«uDÝô« Ê«uMŽ qšœ® TITLE IN
©WOMžô« sŽ Í—uHë
ÆDISPLAY —eë jG{≈ ꢁ
ŸU{Ë« 5Ð q¹uײKà …—dJ²Ä …—uBÐ DISPLAY —eë jG{≈
∫WOÃU²Ã« j³Cë
©W½«uDÝô« Ê«uMŽ® DISC TITLE—ŸUL²Ýô« …œUŽ« XÁË
Ê«uMŽ ÷dŽ dNEOÝ ¨DISC TITLE l{uë —UO²š« bMŽ
ÆWýUAë vKŽ UOÃUŠ UNOë ŸUL²Ýô« r²¹ w²Ã« W½«uDÝô«
UNOë ŸUL²Ýô« r²¹ w²Ã« W½«uDÝöà ʫuMŽ ‰Ušœ« r²¹ rà «–« ꢀ
ÆNO DISC TITLE Ê«uMŽ błu¹ ô ÷dFë dNEOÝ ¨UOÃUŠ
’uB½ vKŽ W¹u²×Ä W−ÄbÄ W½«uDÝô ŸUL²Ýô« bMŽ ꢀ
lÄ o7«u²Ä …œbF²*« W−Äb*« U½«uDÝô« qGAÄ WDÝ«uÐ CD TEXT
sà ¨CD TEXT ’uB½ vKŽ W¹u²;« W−Äb*« U½«uDÝô« qOGAð
bÁ W½«uDÝô« Ê«uMŽ Êô ÆTITLE IN l{uë vë q¹uײë pMJ1
’uB½ vKŽ W¹u²;« W−Äb*« W½«uDÝô« vKŽ tKO−ꢀð -
ÆUI³ꢀÄ CD TEXT
Ar
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rꢀIë
…œbF²*« W−?Äb*« U½«uDÝô« qGAÄ
∞∑
Æ3 Ë√ 2 —eë jGCÐ WÐužd*« WOMžô« —UO²šUÐ rÁ ≥
—U?O²šôUÐ pŽUL²Ý« WLzUÁ sÄ WOMž« `ꢀÄ
ITS W?OMžöà ͗uHë
Í—u?H?ë —U?O?²šôUÐ pŽUL²Ý« WLzUÁ sÄ WOMž« ·cŠ b¹d?ð UÄbMŽ
—UO²šôUÐ ŸUL²Ýô« l{Ë ÊU «–≈ pÖ qLŽ pMJ1 ¨(ITS) WOMžöÃ
ÆqOGA²Ã« l{Ë vKŽ (ITS) WOMžöà ͗uHë
l{Ë vKŽ (ITS) WOMžöà ͗uHë —UO²šôUÐ ŸUL²Ýô« l{Ë ÊU «–«
ŸUL²Ýô« l{Ë qOGAð r²¹ rà «–«Ë Æ≤ …uD)« vë vD9ð ¨qOGA²Ã«
ÆFUNCTION —eë jG{≈ ¨Êü« v²Š (ITS) WOMžöà ͗uHë —UO²šôUÐ
UNŽULÝ r²¹ w²Ã« WOMžô« s¹eL²Ã 5 —eë jG{≈ ¥
ÆŸUL²Ýô« WLzUÁ w= UOÃUŠ
W7U{« r²OÝË …eOłË …d²Hà WýUAë vKŽ ITS IN ÷dFë dNEOÝ
W?L?zU?Á v?ë UOÃUŠ UNOë ŸUL²Ýô« r²¹ w²Ã« …—U?²<« WOMžô«
ÆÈdš« …dÄ ITS ÷dFë WýUAë 5³²Ý ÆpŽUL²Ý«
ÆŸUL²Ýô« ÷dŽ l{Ë vë …œuFKà BAND —eë jG{≈ µ
UNMÄ WOMž« ·cŠ b¹dð w²Ã« W½«uDÝô« vë lL²Ý«
(ITS) WOMžöà ͗uHë —UO²šöà ŸUL²Ýô« WLzUÁ w=
WOMžöà ͗uHë —UO²šôUÐ ŸUL²Ýô« l{Ë qGý rŁ
Æ(ITS)
WEŠöÄ
U½UOÐ ÊU7 ¨…d«cë w7 W½«uDÝ« ∞∞ U½UOÐ s¹e9ð ¡UN²½« bFÐ
Æ U?½U?O?Ð Âb?Á√ q×Ä q×²Ý …b¹b'« U½«u?DÝô«
Í—u?H?ë —U?O?²šôUÐ ŸUL²Ýô« WLzUÁ sÄ ŸUL²Ýô« r?ꢀÁ vë lł—≈
ÆW×HBë Ác¼ w7 (ITS) WOMžöÃ
Í—u?Hë —UO²šôUÐ ŸUL²Ýô« WLzUÁ sÄ ŸUL²Ýô«
ITS WOMžöÃ
dNE¹ v²Š FUNCTION —eë jG{ X³ŁË jG{≈ ≤
—eë jG{« rŁ ¨WýUAë vKŽ TITLE IN ÷dFë
ÆITS l{uë —UO²šô FUNCTION
(ITS) WOMžöà ͗uHë —UO²šôUÐ ŸUL²Ýô« WHOþË pà `Lꢀð
—U?O?²?šôU?Ð ŸU?L²Ýô« WLzUÁ vë UN²Kšœ« w²Ã« w½Užöà ŸUL²ÝôUÐ
—UO²šôUÐ ŸUL²Ýô« WHOþË qOGAð bMŽ Æ(ITS) WOMžöà ͗uHë
W?L?zU?Á sÄ w½Užöà ŸUL²Ýô« √b³OÝ ¨ITS W?OMžöà ͗u?Hë
W−Äb*« U½«uDÝ« qGA* (ITS) WOMžöà ͗uHë —UO²šôUÐ ŸUL²Ýô«
Æ…œbF²*«
—eë jG{≈ ¨WýUAë vKŽ TITLE IN ÷dFë —uNþ bFÐ
ÆWýUAë vKŽ ITS ÷dFë dNE¹ v²Š FUNCTION
Æ3 Ë√ 2 —eë jGCÐ WÐužd*« WOMžô« —UO²šUÐ rÁ ≥
pŽUL²Ý« WLzUÁ sÄ WOMžô« ·c( ∞ —eë jG{≈ ¥
ÆITS WOMžöà ͗uHë —UO²šô« l{uÐ
sÄ Êü« UNOë ŸUL²Ýô« r²¹ w²Ã« …—U²<« WOMžô« ·cŠ r²OÝ
…œU?Ž« √b³²ÝË ITS W?OMžöà ͗u?Hë —UO²šô« l{u?Ð p?ŽUL²Ý« WLzUÁ
—U?O²šô« l{u?Ð p?ŽU?L?²Ý« WLzUÁ sÄ WOÃU²Ã« WOMžöà ŸUL²Ýô«
ÆITS WOMžöà ͗uHë
l{uÐ ŸUL²Ýöà Èb*« «c¼ w7 WOMž« Í√ W−ÄdÐ r²¹ rà «–« ꢀ
vKŽ EMPTY ÷dFë dNEOÝ (ITS-P) WOMžöà ͗uHë —UO²šô«
ÆW¹œUFë ŸUL²Ýô« WOKLŽ n½Q²ꢀðË WýUAë
Æ—«dJ²Ã« ÈbÄ —UO²šUÐ rÁ
Æ≤µ W×Hꢁ w7 —d?J²*« ŸUL²Ýô« rꢀÁ vë lł—≈
ŸUL²Ýô« l{Ë —UO²šô FUNCTION —eë jG{« ≤
Æ(ITS-P) WOMžöà ͗uHë —UO²šôUÐ
vKŽ ITS-P ÷dFë dNE¹ v²Š FUNCTION —eë jG{≈
ÆWýUAë
—UO²šôUÐ ŸUL²Ýô« l{Ë qOGA²Ã 5 —eë jG{≈ ≥
Æ(ITS-P) WOMžöà ͗uHë
÷dŽ l{Ë vë …œuFKà BAND —eë jG{≈ µ
ŸUL²Ýô« …œUŽ« √b³²Ý ÆWýUAë vKŽ ITS-P:ON ÷dFë dNEOÝ
—U²<« Èb*« sL{ pŽUL²Ý« WLzUÁ w7 …œułu*« w½Užô« pK²Ã
Ë√ ©…œbF²*« Íœ wꢀë U½«uDÝ« qGAÄ —«dJð® MCD UÄ≈ UI³ꢀÄ
Æ©W½«uDÝô« —«dJð® DSC
ÆŸUL²Ýô«
p?ŽUL²Ý« WLzUÁ sÄ W−Äb*« W½«uDÝ« `ꢀÄ
ITS W?OMžöà ͗uHë —UO²šôUÐ
pŽUL²?Ý« WLzUÁ sÄ W?−ÄbÄ W½«u?DÝ« w½Už« q? ·cŠ b¹dð U?ÄbMŽ
l{Ë ÊU «–≈ pÖ qLŽ pMJ1 ¨(ITS) WOMžöà ͗uHë —UO²šôUÐ
ÆqOGA²Ã« ·UI¹« l{Ë vKŽ (ITS) WOMžöà ͗uHë —UO²šôUÐ ŸUL²Ýô«
—UO²šôUÐ ŸUL²Ýöà Èb*« «c¼ w7 WOMž« Í√ W−ÄdÐ r²¹ rà «–« ꢀ
ÆWýUAë vKŽ EMPTY ÷dFë dNEOÝ (ITS) WOMžöà ͗uHë
ŸUL²Ýô« l{Ë qOGAð ·UI¹ô ∞ —eë jG{≈ ¥
Æ(ITS) WOMžöà ͗uHë —UO²šôUÐ
WOKLŽ dL²ꢀ²ÝË ÆWýUAë vKŽ ITS-P:OFF ÷dFë dNEOÝ
w²Ã« W½«uDÝô«Ë WOMžô« sÄ ÍœUO²Žô« VOðd²ÃUÐ w½Užöà ŸUL²Ýô«
ÆÊü« UNOë ŸUL²Ýô« r²¹
ÆUN=cŠ b¹dð w²Ã« W−Äb*« W½«uDÝ« vë lL²Ý«
ÆW½«uDÝô« —UO²šô ∞ Ë√ 5 —eë jG{≈
≤ꢀ
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rꢀIë
…œbF²*« W−?Äb*« U½«uDÝô« qGAÄ
w?½Užô«Ë U½«uDÝô« `ꢀÄ
ŸUL²Ýô« r²OÝ ¨©W½«uDÝ« —«dJð® DSC l{uë ‰ULF²Ý« r²¹ ULMOÐ
bMŽ ÆÊ«uŁ ∞ wëuŠ …b* …—U²<« W½«uDÝô« vKŽ WOMž√ q W¹«b³Ã
W−Äb*« U½«uDÝ« qGAÄ —«dJð® MCD l{uë ‰ULF²Ý«
r²¹ W½«uDÝ« q vKŽ WOMž√ ‰Ë√ W¹«b³Ã ŸUL²Ýô« r²OÝ ¨©…œbF²*«
ÆÊ«uŁ ∞ wëuŠ …b* UNà ŸUL²Ýô«
∞∑
·UI¹ô« l{Ë —UO²šô FUNCTION —eë jG{«
Æ(PAUSE) XÁR*«
vKŽ PAUSE ÷dFë dNE¹ v²Š FUNCTION —eë jG{≈
ÆWýUAë
ÆXÁR*« ·UI¹ô« WHOþË qOGA²Ã 5 —eë jG{« ≤
U²ÁRÄ nÁu²OÝË ÆWýUAë vKŽ PAUSE:ON ÷dFë dNEOÝ
ÆWOÃU(« WOMžöà ŸUL²Ýô«
Æ—«dJ²Ã« ÈbÄ —UO²šUÐ rÁ
·UI¹ô« WHOþË qOGAð ·UI¹ô ∞ —eë jG{« ≥
ÆXÁR*«
·UM¾²Ý« r²OÝ ÆWýUAë vKŽ PAUSE:OFF ÷dFë dNEOÝ
WHOþË qOGA²Ð U¼bMŽ XLÁ w²Ã« WDIMë fH½ bMŽ ŸUL²Ýô«
ÆXÁR*« ·UI¹ô«
ÆWIÐUꢀë W×HBë vKŽ œułu*« —dJ²*« ŸUL²Ýô« rꢀÁ vë lł—≈
`ꢀ*« l{Ë —UO²šô FUNCTION —eë jG{≈ ≤
ÆSCAN
vKŽ SCAN ÷dFë dNE¹ v²Š FUNCTION —eë jG{≈
ÆWýUAë
Æ`ꢀ*UÐ ŸUL²Ýô« l{Ë qOGA²Ã 5 —eë jG{≈ ≥
ŸUL²Ýô« r²OÝË ÆWýUAë vKŽ SCAN :ON ÷dFë dNEOÝ
q vKŽ WOMž√ ‰Ë√ W¹«b³Ã® WOÃU(« W½«uDÝô« vKŽ WOMž√ q W¹«b³Ã
ÆÊ«uŁ ∞ wëuŠ …b* ©W½«uDÝ«
W?HOþuà ŸUL²Ýô« WLzUÁ «bL²Ý«
ITS W?OMžöà ͗uHë —UO²šô«
WLzUÁ qLFÐ (ITS) WOMžöà ͗uHë —UO²šô« WHOþË pà `Lꢀð
qGAÄ W½«eš w7 …œułu*« pKð sÄ UNŽULÝ w7 Vždð w²Ã« w½UžöÃ
vë WKCH*« pO½Už« W7U{« bFÐË Æ…œbF²*« W−Äb*« U½«uDÝ«
W?OMžöà ͗u?H?ë —U?O?²šôUÐ ŸUL²Ýô« qOGAð pMJ1 ŸUL²Ýô« WLzUÁ
ÆjI7 …—U²<« w½UžöÃ (ITS)
¨WÐužd*« ©W½«uDÝô« Ë√® WOMžô« œU−¹≈ bMŽ ¥
ŸUL²Ýô« WHOþË qOGAð ·UI¹ô ∞ —eë jG{«
Æ`ꢀ*UÐ
ŸUL²Ýô« dL²ꢀOÝ ÆWýUAë vKŽ SCAN :OFF ÷dFë dNEOÝ
Æ©W½«uDÝô« Ë√® WOMžöÃ
¨ŸUL²Ýô« ÷dŽ l{Ë vë WOJOðUÄuðË« …—uBÐ ÷dFë œUŽ «–« ꢀ
j?GCÐ Èdš« …dÄ SCAN Y?×?³?ÃUÐ ŸUL²Ýô« l{Ë —U?O²šUÐ rÁ
ÆFUNCTION —eë
—U?O²šô« W−ÄdÐ WDÝ«uÐ ŸUL²Ýô« WLzUÁ qLŽ
ITS W?OMžöà ͗uHë
…œUŽ«Ë (ITS) WOMžöà ͗uHë —UO²šô« WHOþË Â«b9²Ý« pMJ1
W½«uDÝ« ∞∞ v²ŠË ¨…bŠ«uë W½«uDÝöà WOMž√ ππ v²ŠË ŸUL²Ýô«
W−Äb*« U½«uDÝô« öGAÄ lÄ UÄ«Ë® Æ©W½«uDÝô« Ê«uMŽ lÄ®
¨CDX- P650 Ë CDX- P1250 ö?¹œu?*« q?³?Á W?ŽU³*« …œbF²*«
©ÆŸU?L?²Ýô« WLzUÁ w7 UNM¹e?9?ð p?MJ1 WOMž√ ≤¥ v²ŠË
UEŠöÄ
WOKLŽ √b³²Ý ¨W½«uDÝô« Ë√ WOMžô« `ꢀÄ l{Ë sÄ ¡UN²½ù« bFÐ
ÆÈdš√ …dÄ WOMžöà W¹œUFë ŸUL²Ýô«
bŽ rŁ DSC l{Ë ¡UMŁ√ `ꢀ*UÐ ŸUL²Ýô« WHOþË XKGý «–«
vKŽ DSCN ÷dFë dNEOÝ ¨ŸUL²Ýô« …œUŽ« ÷dŽ l{Ë vë
.WýUAë
•
•
ÆUN²−ÄdÐ w= Vždð w²Ã« W½«uDÝöà lL²Ý«
ÆW½«uDÝ« —UO²šô ∞ Ë√ 5 —eë jG{≈
dNE¹ v²Š FUNCTION —eë jG{ X³ŁË jG{≈ ≤
—eë jG{« rŁ ¨WýUAë vKŽ TITLE IN ÷dFë
ÆITS l{uë —UO²šô FUNCTION
—eë jG{≈ ¨WýUAë vKŽ TITLE IN ÷dFë —uNþ bFÐ
vKŽ WOÃU²Ã« nzUþuë —uNþ r²OÝ ¨…—dJ²Ä …—uBÐ FUNCTION
∫WýUAë
W?−ÄbÄ W½«uDÝô ŸUL²Ýô« ·UI¹«
U²ÁRÄ
W½«uDÝô ŸUL²Ýô« ·UI¹« WO½UJÄ« XÁR*« ·UI¹ô« WHOþË pà `Lꢀð
ÆW²ÁRÄ …—uBÐ W−ÄbÄ
Y׳ë W−ÄdЮ ITS—©W½«uDÝô« Ê«uMŽ qšœ® TITLE IN
©WOMžô« sŽ Í—uHë
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rꢀIë
…œbF²*« W−?Äb*« U½«uDÝô« qGAÄ
∞∑
Æ»užd*« —«dJ²Ã« ÈbÄ —UO²šô 3 Ë√ 2 —eë jG{« ≤
ÆWýUAë vKŽ »užd*« ŸUL²Ýô« ÈbÄ dNE¹ v²Š 3 Ë√ 2 —eë jG{«
q?GAÄ qOGAð UOKLFÐ n¹dFð
…œb?F²*« W−Äb*« U½«uDÝô«
WÄbI²*«
…œułu*« U½«uDÝô« qJà ŸUL²Ýô« —«dJð r²OÝ – MCD
Æ…œbF²*« W−Äb*« U½«uDÝ« qGAÄ w7
ŸUL²Ýô« r²¹ w²Ã« WOMžöà ŸUL²Ýô« —«dJð r²OÝ – TRK
ÆUOÃUŠ UNOë
•
•
•
1
r²¹ w²Ã« W½«uDÝöà ŸUL²Ýô« —«dJð r²OÝ – DSC
ÆUOÃUŠ UNOë ŸUL²Ýô«
UEŠöÄ
2
¨—d?J?²*« ŸUL²Ýô« ¡UMŁ√ Èd?š√ U½«u?D?Ý« —UO²šUÐ XLÁ «–≈
•
•
ÆMCD l{Ë vë —dJ²*« ŸUL²Ýô« ÈbÄ dOG²OÝ
Øl¹dꢀë .bI²Ã« Ë√ WOMž√ sŽ Y׳ë ¡«dłUÐ ÂuIð XM «–≈
vë —dJ²*« ŸUL²Ýô« ÈbÄ dOG²OÝ ¨TRK l{Ë ¡UMŁ√ lOłd²Ã«
ÆDSC l{Ë
nzUþuë ÷dŽ 1
ÆWHOþuë WÃUŠ 5³¹
RPT —dJ²*« ŸUL²Ýô« dýRÄ 2
Æ—dJ²*« ŸUL²Ýô« l{Ë qOGAð - v²Ä 5³¹
vë …œuFÃ«Ë —«dJ²Ã« ‚UDMà DSC —bÃuHë —UO²šUÐ ÂuIð UÄbMŽ
ÆWýUAë vKŽ DRPT ÷dŽ r²¹ ¨÷dFë WýUý
•
ÆnzUþuë ¡ULÝ√ ÷dFà FUNCTION —eë jG{≈ ꢁ
nzUþuë 5Ð q¹uײKà …—dJ²Ä …—uBÐ FUNCTION —eë jG{≈
∫WOÃU²Ã«
w?z«uAŽ VOðd²Ð w½Užúà ŸUL²Ýô«
…œułu*« UOMžúà ŸUL²Ýô« WO½UJÄ≈ wz«uAFë ŸUL²Ýô« pà `Lꢀ¹
UÄ≈ ¨—«dJ²Ã« ÈbÄ sL{ wz«uAŽ VOðd²Ð W−Äb*« W½«uDÝ« vKŽ
ÆDSC l{uë Ë√ MCD l{uë
©wz«uAFë ŸUL²Ýô«® RDM—©—dJ²*« ŸUL²Ýô«® RPT
Y׳ÃUÐ ŸUL²Ýô«® ITS-P—©`ꢀ*UÐ ŸUL²Ýô«® SCAN —
·UI¹ô«® PAUSE—©WOMžô« sŽ Í—uHë
u?Bë e¹e?FðË u?B?ë jGCÐ ŸUL²Ýô«® COMP— ©X?ÁR*«
©wJOÄUM¹bë dON'«
Æ—«dJ²Ã« ÈbÄ —UO²šUÐ rÁ
ÆW×HBë Ác¼ vKŽ œułu*« —dJ²*« ŸUL²Ýô« rꢀÁ vë lł—≈
ÆBAND —eë jG{≈ ¨ŸUL²Ýô« ÷dFà …œuFKà ꢀ
ŸUL²Ýô« l{Ë —UO²šô FUNCTION —eë jG{≈ ≤
ÆRDM wz«uAFë
ÆWýUAë vKŽ RDM ÷dFë dNE¹ v²Š FUNCTION —eë jG{«
WEŠöÄ
…—uBÐ ÷dFë œuFOÝ ¨WO½UŁ ≥∞ ‰öš WHOþuë qOGAð r²¹ rà «–«
ÆŸUL²Ýô« ÷dŽ vë WOJOðUÄuðË«
Æwz«uAFë ŸUL²Ýô« qOGA²Ã 5 jG{≈ ≥
ŸUL²Ýô« r²OÝË ÆWýUAë vKŽ RDM :ON ÷dFë dNEOÝ
ÆDSC Ë√ MAG …—U²<« U¹b*« sL{ wz«uAŽ VOðd²Ð w½UžöÃ
—dJ²*« ŸUL²Ýô«
ŸUL²Ýô« WHOþË qOGAð ·UI¹ô ∞ —eë jG{« ¥
Æwz«uAFë
ŸUL²Ýô« dL²ꢀOÝ ÆWýUAë vKŽ RDM :OFF ÷dFë dNEOÝ
ÆVOðd²ÃUÐ w½UžöÃ
U½«uDÝ« öGA* —dJ²*« ŸUL²Ýöà U¹bÄ ÀöŁ „UM¼ błu¹
W−Äb*« U½«uDÝ« qGAÄ —«dJð® MCD ∫…œbF²*« W−Äb*«
—«dJð® DSC Ë ¨©…bŠ«Ë WOMžô —«dJð® TRK ¨©…œbF²*«
Æ©W½«uDÝô«
WEŠöÄ
ŸUL²Ýô« l{Ë —UO²šô FUNCTION —eë jG{«
Æ(RPT) —dJ²*«
vKŽ RPT ÷dFë dNE¹ v²Š FUNCTION —eë jG{≈
ÆWýUAë
bŽ rŁ DSC l{Ë ¡UMŁ√ wz«uAFë ŸUL²Ýô« WHOþË XKGý «–«
vKŽ DRDM ÷dFë dNEOÝ ¨ŸUL²Ýô« …œUŽ« ÷dŽ l{Ë vë
ÆWýUAë
≤µ
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rꢀIë
…œbF²*« W−?Äb*« U½«uDÝô« qGAÄ
∞∑
jG{« ¨lOłd²Ã« Ë√ l¹dꢀë .bI²Ã« WOKLŽ ¡«dłô ¥
W?−ÄbÄ W½«uDÝô ŸUL²Ýô«
Æ3 Ë√ 2 —eë
¨Èdš« WOMž« vë ÂUÄô« Ë√ nK)« vë wDL²Kà µ
Æ3 Ë√ 2 —eë jG{«
1
2
3
UL ÆWOÃU²Ã« WOMžô« vë wD9²Ã« vKŽ qLFOÝ 3 —eë jG{
WOMžô« W¹«b³Ã wD9²Ã« vKŽ …bŠ«Ë …dÄ 2 —eë jG{ qLFOÝ
ÆWIÐUꢀë WOMžô« vë wD9²Ã« vKŽ qLFOÝ Èdš« …dÄ tDG{ ÆWOÃU(«
4
UEŠöÄ
W−Äb*« U½«uDÝô« qGAÄ w7 rJײKà “UN'« «c¼ «b9²Ý« pMJ1
ÆWKBHMÄ …—uBÐ ŸU³¹ Ícë ¨…œbF²*«
WDÝ«uÐ W−ÄbÄ U½«uDÝô ŸUL²Ýöà W¹—Ëd{ WOÝUÝ« «uDš Ác¼
UOKLŽ Õdý √b³OÝ UL ƅœbF²*« W−Äb*« U½«uDÝô« qGAÄ
ÆWOÃU²Ã« W×HBë w7 WÄbI²*« W−Äb*« U½«uDÝô« qOGAð
cOHM²Ð …œbF²*« W−Äb*« U½«uDÝô« qGAÄ ÂuI¹ UÄbMŽ
vKŽ READY ÷dFë dNEOÝ ¨W¹dOCײë UOKLFë
ÆWýUAë
•
lł—≈ ¨WýUAë vKŽ ERROR-11 q¦Ä QDš WÃUÝ— dNþ «–«
Æ…œbF²*« W−Äb*« U½«uDÝô« qGA0 ’U)« pÃU*« qOÃœ vë
U½«uDÝô« qGAÄ U½«uDÝ« W½eš w7 U½«uDÝ≈ błuð rà «–≈
W½«uDÝ« błuð ô ÷dFë dNEOÝ ¨…œbF²*« W−Äb*«
ÆWýUAë vKŽ NO DISC
•
•
EQ dýR*« 1
ÆU¼—UO²š« - w²Ã« W½“«u*« UOM×MÄ sÄ Í√ dNE¹
W½«uDÝô« rÁ— dýRÄ 2
CD TEXT ’uB½ vKŽ W¹u²×Ä W−ÄbÄ W½«uDÝ« —UO²š« bMŽ •
qOGAð lÄ o7«u²*« …œbF²*« W−Äb*« U½«uDÝô« qGAÄ WDÝ«uÐ
√b³²Ý ¨CD TEXT ’uB½ vKŽ W¹u²;« W−Äb*« U½«uDÝô«
w½Užô«Ë W½«uDÝô« s¹ËUMŽ sÄ dꢀ¹ô« V½U'« vë qIM²Ã« WOKLŽ
ÆWOJOðUÄuðË« …—uBÐ
ÆUOÃUŠ UNOë ŸUL²Ýô« r²¹ w²Ã« W½«uDÝô« 5³¹
ŸUL²Ýô« XÁË dýRÄ 3
ÆUOÃUŠ UNOë ŸUL²Ýô« r²¹ WOMžöà WOCIM*« ŸUL²Ýô« …bÄ 5³¹
WOMžô« rÁ— dýRÄ 4
ÆUOÃUŠ UNOë ŸUL²Ýô« r²¹ w²Ã« WOMžô« 5³¹
U½«uDÝô« qGAÄ —UO²šô SOURCE —eë jG{«
Æ…œbF²*« W−Äb*«
vKŽ MULTI CD ÷dFë dNE¹ v²Š SOURCE —eë jG{«
ÆWýUAë
…œb?F²*« W−Äb*« U½«uDÝô« qGAÄ
W?½«uDÝ« µ∞ Ë–
qOGA²Ã UNÄ«b9²Ý« sJ1 w²Ã« w¼ qOÃbë «c¼ w7 W×{u*« nzUþuë
ÆjI7 W½«uDÝ« µ∞ Ë– …œbF²*« W−Äb*« U½«uDÝ« öGAÄ
Æ uBë Èu²ꢀÄ j³Cà VOLUME —eë ÂbL²Ý« ≤
Æ uBë Èu²ꢀÄ iHš Ë√ l7dà Á—Ëœ
ŸUL²Ýô« w= Vždð w²Ã« W½«uDÝ« —UO²šUÐ rÁ ≥
Æ∂≠ —«—“ô« WDÝ«uÐ UNOë
—eë rÁ— jG{≈ ¨∂ vë —«—“ô« vKŽ UI³ꢀÄ WÞu³C*« U½«uDÝöÃ
ÆUNÃ o7«u*«
—«—“ô« vKŽ WÞu³C*« U½«uDÝöà ŸUL²Ýô« w7 Vždð XM «–≈Ë
—eKà —e?ë ö?¦Ä UNà o7«u?*« —eë rÁ— j?G{ X³ŁË jG{≈ ¨ ≤≠∑
ÆW?ýU?Aë vKŽ W½«u?DÝô« rÁ— d?N?E¹ v²Š ¨∑
bŠ√ vKŽ jGCÃUÐ W½«uDÝöà lÐU²²*« —UO²šô« UC¹√ pMJ1 ꢀ
Æ5Ø∞ s¹—eë
Ar
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rꢀIë
WAV/WMA/MP3 UHKÄ U?½«uDÝ« qG?AÄ
∞∂
∞∂
WAV W?½«uDÝô ŸUL²Ýô« …œUŽ« bMŽ
ÆDISPLAY —eë jG{«
ꢀ
ŸU{Ë« 5Ð q¹uײKà …—dJ²Ä …—uBÐ DISPLAY —eë jG{«
∫WOÃU²Ã« j³Cë
FILE—©W?E?&U(« rÝ«® FOLDER—ŸU?L?²Ýô« XÁË
WMOFë œœdð—©nK*« rÝ«®
¨WAV U½«uDÝ« vKŽ WMOFÄ U½UOÐ qO−6ð r²¹ rà «–« ꢁ
rÝ« błu¹ ô ö¦Ä® WýUAë vKŽ NO XXXX ÷dFë dNEOÝ
Æ©NO NAME WE&U(«
¨ ∂ «œœd²Ð WAV U?HK* ŸUL²Ýô« …œUŽ« pMJLOÝ ꢁ
Ë√ ©LPCM ÂUE½® eðd¼uKO ¥∏ Ë ¥¥\ ¨ ≥≤ ¨ ≤¥ ¨ ≤≤\∞µ
ÊuJð ÆjI& ©MS ADPCM ÂUE½® eðd¼uKOÂ ¥¥\ Ë ≤≤\∞µ
ÆW×O×T ÂUÁ—UÐ W{—UFë w& W{ËdF*« WMOFë «œœdð
W?ýUAë vKŽ ’uBMë U½UOÐ 5Ð qIM²Ã«
WE&U(« ¡ULÝ« sÄ jI& ·dŠ√ ∂ ‰Ë√ ÷dŽ “UN'« «cNà sJ1
TRACK TITLE WOMžô« Ê«uMŽ ¨FILE nK*« ¨FOLDER
ALBUM wIOÝu*« Âu³Kë Ê«uMŽ ¨ARTIST WOMžô« wMGÄË
‰uÞ√ WK−6*« U½UO³Ã« ÊuJð UÄbMŽ ÆCOMMENT oOKF²Ã«Ë
—U6Oë vKŽ œułu*« hMë 5Ð qIM²Ã« pMJLOÝ ¨·dŠ√ ∂ sÄ
Æ’uBMë U½UOÐ WOIÐ W¹ƒ— sJ1 YO×Ð
√b³ð v²Š DISPLAY —eë jG{ X³ŁË jG{≈
ꢀ
Æ—UꢀOë vë WÂd(UÐ ’uBMë U½UOÐ
ÆWýUAë vKŽ WOI³²*« ’uBMë U½UOÐ dNE²Ý
WEŠöÄ
WAV UHKÄ ÊS& ¨WMA Ë MP3 UHKÄ qJý sÄ fJFë vKŽ
ÆjI& FILE nKÄ Ë FOLDER bK−Ä dNEð
≤≥
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rꢀIë
WAV/WMA/MP3 UHKÄ U?½«uDÝ« qG?AÄ
∞∂
∞∂
v?KŽ …œułu*« ’uBMë U½UOÐ ÷dŽ
Y?׳ë WI¹dÞ —UO²š«
WMA/MP3 W½«uDÝ«
lOłd²Ã«Øl¹d6ë .bI²Ã« ŸU{Ë« 5Ð UÄ Y׳ë WI¹dÞ q¹u% pMJ1
Æw½Už« dAŽ qJà Y׳ëË
U½«uDÝ« vKŽ WK−6*« ’uBMë U½UOÐ ÷dŽ sJ1
ÆWMA/MP3
.bI²Ã« l{Ë —UO²šô FUNCTION —eë jG{«
ÆFF/REV lOłd²Ã«Øl¹dꢀë
WMA/MP3 W?½«uDÝô ŸUL²Ýô« …œUŽ« bMŽ
vKŽ FF/REV ÷dFë dNE¹ v²Š FUNCTION —eë jG{«
ÆWýUAë
ÆDISPLAY —eë jG{≈
ꢀ
ŸU{Ë« 5Ð q¹uײKà …—dJ²Ä …—uBÐ DISPLAY —eë jG{≈
Á—UO²š« - bÁ ROUGH Y׳ë WI¹dÞ l{Ë ÊU «–« ꢁ
ÆWýUAë vKŽ ROUGH ÷dFë dNEOÝ ¨UI³6Ä
∫WOÃU²Ã« j³Cë
rÝ«® FILE—©WE&U(« rÝ«® FOLDER—ŸUL²Ýô« XÁË
ARTIST—©WOMžô« Ê«uMŽ® TRACK TITLE—©nK*«
©wIOÝu*« Âu³Kë Ê«uMŽ® ALBUM—©wMG*« rÝ«®
XO³Ã« ‰bFÄ—©oOKFð® COMMENT—
ÆY׳ë WI¹dÞ —UO²šô 3 Ë√ 2 —eë jG{« ≤
vKŽ »užd*« Y׳ë WI¹dÞ ÷dŽ dNE¹ v²Š 3 Ë√ 2 —eë jG{«
ÆWýUAë
lOłd²Ã«Ë l¹d6ë .bI²Ã« ≠ FF/REV
w½Už« dAŽ qJà Y׳ë ≠ ROUGH
•
•
VBR ÂUEMÐ WK−6Ä MP3 UHKÄ vë ŸUL²Ýô« …œUŽ« bMŽ ꢁ
UN{d?Ž r²¹ sà XO?³?ë ‰b?FÄ WLOÁ ÊU& ¨©dOG²*« XO?³Ã« ‰bFÄ®
ÆXO³Ã« ‰bFÄ l{Ë vë q¹uײë bFÐ v²Š
¨VBR UHKL XK−Ý WMA UHKÄ vë ŸUL²Ýô« …œUŽ« bMŽ ꢁ
ÆW{—UFë vKŽ XO³Ã« ‰bFÄ jÝu²Ä ÷dŽ r²OÝ
U½«uDÝ« vKŽ WMOFÄ U½UOÐ qO−6ð r²¹ rà «–« ꢁ
ö¦Ä® WýUAë vKŽ NO XXXX ÷dFë dNEOÝ ¨WMA/MP3
Æ©NO NAME wMG*« rÝ« błu¹ ô
W?EDU(« vKŽ w½Už« dAŽ qJà Y׳ë
WOÃU(«
pMJLOÝ ¨w½Už√ ∞ sÄ d¦Â√ vKŽ Íu²% WOÃU(« WE&U(« X½U «–«
w½Už« vKŽ Íu²% WE&U(« ÊuJð UÄbMŽ Æw½Už« dAŽ qJà Y׳ë
w& Vždð w²Ã« WOMžô« sŽ Y׳ë VFBë sÄ ÊuJOÝ ¨…dO¦Â
ÆUNOë ŸUL²Ýô«
UHKÄ a6½ w& WÄbw²6*« iTunes® «—«bT≈ iF³Ã UI³Þ ꢁ
vKŽ W×O×T oOKF²Ã« U½UOÐ dNEð ô bÁ ¨W½«uDÝô« vKŽ MP3
ÆWýUAë
dðuO³LJë …eNł_ qÐ√ WÂdAà W¹—U& WÄöŽ w¼ iTunes®
ꢁ
ÆROUGH l{uë vKŽ Y׳ë WI¹dÞ d²š«
ÆW×HBë Ác¼ w& œułu*« Y׳ë WI¹dÞ —UO²š« r6Á vë lł—≈
.Èdš_« ‰ËbÃ«Ë …bײ*« U¹ôuÃUÐ WK−6*«
UHKÄ dOHAð w& Âbw²6*« “ËbM¹uë U¹bOÄ qGAÄ Ww6Mà UI&Ë ꢁ
U½UOÐË WOIOÝu*« UÄu³Kë ¡ULÝ« ÷dŽ r²¹ ô bI& ¨WMA
ÆWýUAë vKŽ W×O×T …—uBÐ Èdšô« ’uBMë
Y׳ë l{Ë —UO²šô 3 Ë√ 2 —eë jG{ X³ŁË jG{« ≤
ÆWOÃU(« WEDU(« vKŽ w½Už« dAŽ qJÃ
¨w?½U?ž√ ∞ sÄ qÁ√ vKŽ Íu?²?% W?OÃU(« WE&U(« X½U «–« ꢁ
vKŽ WOMž« dš« wŽb²6OÝ 3 —eë jG{ XO³¦ðË jG{ ÊU&
dAŽ qJà Y׳ë bFÐ WOI³²*« w½Užô« œbŽ ÊU «–« ¨pÃc ÆWE&U(«
wŽb²6OÝ 3 —eë jG{ XO³¦ðË jG{ ÊU& ¨ ∞ sÄ qÁ« w½Už«
ÆWE&U(« vKŽ WOMž« dš«
¨w?½U?ž√ ∞ sÄ qÁ√ vKŽ Íu?²?% W?OÃU(« WE&U(« X½U «–« ꢁ
vKŽ WOMž« ‰Ë« wŽb²6OÝ 2 —eë jG{ XO³¦ðË jG{ ÊU&
dAŽ qJà Y׳ë bFÐ WOI³²*« w½Užô« œbŽ ÊU «–« ¨pÃc ÆWE&U(«
w?Žb²6OÝ 2 —e?ë j?G{ XO³¦ðË j?G?{ ÊU& ¨ ∞ sÄ qÁ« w½Už«
ÆWE&U(« vKŽ WOMž« ‰Ë«
Ar
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rꢀIë
WAV/WMA/MP3 UHKÄ U?½«uDÝ« qG?AÄ
∞∂
WAV/WMA/ U?HK* ŸUL²Ýô« ·UI¹«
WEŠöÄ
U²ÁRÄ MP3
rŁ FLD l{Ë ¡UMŁ√ wz«uAFë ŸUL²Ýô« WHOþË qOGA²Ð XLÁ «–≈
vKŽ FRDM ÷dFë dNEOÝ ¨ŸUL²Ýô« …œUŽ« ÷dŽ l{Ë bŽ
ÆWýUAë
UHK* ŸUL²Ýô« ·UI¹« WO½UJÄ« XÁR*« ·UI¹ô« WHOþË pà `L6ð
ÆW²ÁRÄ …—uBÐ WAV/WMA/MP3
·UI¹ô« l{Ë —UO²šô FUNCTION —eë jG{«
ÆPAUSE XÁR*«
ÆWýUAë vKŽ PAUSE ÷dFë dNE¹ v²Š FUNCTION —eë jG{≈
w?½Užô«Ë UEDU(« `ꢀÄ
ÆXÁR*« ·UI¹ô« WHOþË qOGA²Ã 5 —eë jG{« ≤
nÁu?²OÝË ÆW?ýU?Aë vKŽ PAUSE:ON ÷d?F?ë dNEOÝ
ÆW?O?ÃU?(« W?O?Mžöà ŸUL²Ýô« U²ÁRÄ
WOMž√ q W¹«b³Ã ŸUL²Ýô« r²OÝ ¨FLD l{uë ‰ULF²Ý« r²¹ ULMOÐ
l{uë ‰ULF²Ý« bMŽ ÆÊ«uŁ ∞ wëuŠ …b* …—U²<« WE&U(« vKŽ
r²¹ WE&UŠ q vKŽ WOMž√ ‰Ë√ W¹«b³Ã ŸUL²Ýô« r²OÝ ¨DSC
ÆÊ«uŁ ∞ wëuŠ …b* UNà ŸUL²Ýô«
·UI¹ô« WHOþË qOGAð ·UI¹ô ∞ —eë jG{« ≥
ÆXÁR*«
·UM¾²Ý« r²OÝ ÆWýUAë vKŽ PAUSE:OFF ÷dFë dNEOÝ
WHOþË qOGA²Ð U¼bMŽ XLÁ w²Ã« WDIMë fH½ bMŽ ŸUL²Ýô«
ÆXÁR*« ·UI¹ô«
Æ—«dJ²Ã« ÈbÄ —UO²šUÐ rÁ
ÆW?I?ÐU6ë W×HBë w& œułu?*« —d?J²*« ŸUL²Ýô« r?6Á vë lł—≈
`ꢀ*« l{Ë —UO²šô FUNCTION —eë jG{≈ ≤
ÆSCAN
vKŽ SCAN ÷dFë dNE¹ v²Š FUNCTION —eë jG{≈
ÆWýUAë
BMX Ë u?Bë jG{ «bW²Ý«
Æ`ꢀ*UÐ ŸUL²Ýô« l{Ë qOGA²Ã 5 —eë jG{≈ ≥
ŸUL²Ýô« r²OÝË ÆWýUAë vKŽ SCAN :ON ÷dFë dNEOÝ
q vKŽ WOMž√ ‰Ë√ W¹«b³Ã Ë√® WOÃU(« WE&U(« vKŽ WOMž√ q W¹«b³Ã
ÆÊ«uŁ ∞ wëuŠ …b* ©WE&UŠ
BMX Ë (COMP) uBë jG{ nzUþË Â«bw²Ý« pà `L6¹
sÄ …bŠ«Ë q ÆqGA*« «cNà ŸUL²Ýô« …œUŽ« uT …œuł j³CÐ
(COMP) uBë jG{ WHOþË Ê“«uð Æj³{ wðuDš UNà nzUþuë
rJײð ÆWOÃUFë U¹u²6*« w& WCHwM*«Ë WOÃUFë «uTô« Ãdš
ŸUL²Ý« …œUŽ« ¡UDŽô uBë ÈbT Èu²6Ä w& BMX WHOþË
U¼bŠ√ —U²wð ULMOÐ «dOŁQ²Ã« sÄ qJà lL²Ý≈ ÆTK²2 uBÐ
ŸUL²Ýô« …œUŽ« uT sÄ “eF¹ Ícë qC&ô« dOŁQ²Ã« Âbw²Ý«Ë
ÆUNOë lL²6ð w²Ã« W−Äb*« W½«uDÝô« Ë√ WOMžöÃ
jG{« ¨WÐužd*« ©WEDU(« Ë√® WOMžô« œU−¹≈ bMŽ ¥
Æ`ꢀ*UÐ ŸUL²Ýô« WHOþË qOGAð ·UI¹ô ∞ —eë
ŸUL²Ýô« dL²6OÝ ÆWýUAë vKŽ SCAN :OFF ÷dFë dNEOÝ
Æ©WE&U(« Ë√® WOMžöÃ
…œUŽ« ÷dŽ l{Ë vë WOJOðUÄuðË« …—uBÐ ÷dFë œUŽ «–« ꢁ
Èdš« …d?Ä SCAN Y?×?³ÃUÐ ŸUL²Ýô« l{Ë —U?O?²šUÐ rÁ ¨ŸUL²Ýô«
ÆFUNCTION —eë jGCÐ
jG{ l{Ë —UO²šô FUNCTION —eë jG{≈
Æ(COMP) uBë
ÆWýUAë vKŽ COMP ÷dFë dNE¹ v²Š FUNCTION —eë jG{≈
WKCH*« j³Cë ŸU{Ë« —UO²šô ∞ Ë√ 5 —eë jG{≈ ≤
Æp¹bÃ
WEŠöÄ
j³Cë ŸU{Ë« 5Ð q¹uײKà …—dJ²Ä …—uBÐ ∞ Ë√ 5 —eë jG{≈
∫WOÃU²Ã«
COMP 1—© uBë jG{ qOGAð ·UI¹«® COMP OFF
—©≤ uBë jG{® COMP 2—© uBë jG{®
BMX 1—© uBë jG{ qOGAð ·UI¹«® COMP OFF
BMX 2—
WOKLŽ √b³²Ý ¨WE&U(« Ë√ WOMžô« `6Ä WOKLŽ sÄ ¡UN²½ù« bFÐ
ÆÈdš√ …dÄ WOMžöà W¹œUFë ŸUL²Ýô« …œUŽ«
bŽ rŁ FLD l{Ë ¡UMŁ√ `6*UÐ ŸUL²Ýô« WHOþË XKGý «–«
FSCN ÷dFë dNEOÝ ¨ŸUL²Ýô« …œUŽ« ÷dŽ l{Ë vë
ÆWýUAë vKŽ
•
•
≤
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rꢀIë
WAV/WMA/MP3 UHKÄ U?½«uDÝ« qG?AÄ
∞∂
Æ»užd*« —«dJ²Ã« ÈbÄ —UO²šô 3 Ë√ 2 —eë jG{« ≤
»užd*« —dJ²*« ŸUL²Ýô« ÈbÄ dNE¹ v²Š 3 Ë√ 2 —eë jG{«
ÆWýUAë vKŽ
q?GAÄ qOGAð UOKLFÐ n¹dFð
w?Kš«bë W−Äb*« U½«uDÝô«
WÄbI²*« (WAV/WMA/MP3)
r²¹ w²Ã« WE&U×Kà ŸUL²Ýô« —«dJð r²OÝ ≠ FLD
ÆUOÃUŠ UNOë ŸUL²Ýô«
•
•
•
1
r²¹ w²Ã« WOMžöà ŸUL²Ýô« —«dJð r²OÝ ≠ TRK
ÆUOÃUŠ UNOë ŸUL²Ýô«
Æw½Užô« qJà ŸUL²Ýô« —«dJð r²OÝ ≠ DSC
UEŠöÄ
2
¨—d?J?²*« ŸUL²Ýô« ¡UMŁ√ Èd?š√ W?E?&UŠ —UO²šUÐ XLÁ «–≈ •
ÆDSC l{Ë vë —dJ²*« ŸUL²Ýô« ÈbÄ dOG²OÝ
Øl¹d6ë .bI²Ã« Ë√ WOMž√ sŽ Y׳ë ¡«dłUÐ ÂuIð XM «–≈ •
vë —dJ²*« ŸUL²Ýô« ÈbÄ dOG²OÝ ¨TRK l{Ë ¡UMŁ√ lOłd²Ã«
ÆFLD l{Ë
nzUþuë ÷dŽ 1
ÆWHOþuë WÃUŠ 5³¹
RPT —dJ²*« ŸUL²Ýô« dýRÄ 2
©nK*«® WOMžöà —dJ²*« ŸUL²Ýô« ÈbÄ —UO²š« - v²Ä 5³¹
Æ©wÃU(«® WOÃU(«
sÄ WOŽd& WE&U( ŸUL²Ýô« sJ1 sà ¨FLD l{Ë —UO²š« bMŽ •
ÆWE&U(« pKð w& œułu*«
vë …œuFÃ«Ë —«dJ²Ã« ‚UDMà FLD —bÃuHë —UO²šUÐ ÂuIð UÄbMŽ •
ÆWýUAë vKŽ FRPT ÷dŽ r²¹ ¨÷dFë WýUý
ÆnzUþuë ¡ULÝ√ ÷dFà FUNCTION —eë jG{≈ ꢀ
nzUþuë 5Ð q¹uײKà …—dJ²Ä …—uBÐ FUNCTION —eë jG{≈
∫WOÃU²Ã«
—©wz«uAFë ŸUL²Ýô«® RDM—©—dJ²*« ŸUL²Ýô«® RPT
—©XÁR?*« ·UI¹ô«® PAUSE—©`?6?*U?Ð ŸUL²Ýô«® SCAN
©Y׳ë WI¹dÞ® FF/REV—©BMX Ë uBë jG{® COMP
ÆBAND —eë jG{≈ ¨ŸUL²Ýô« …œUŽ« ÷dFà …œuFKà ꢁ
w?z«uAŽ VOðd²Ð w½Užúà ŸUL²Ýô«
UOMžúà ŸUL²Ýô« …œUŽ« WO½UJÄ≈ wz«uAFë ŸUL²Ýô« pà `L6¹
¨—«dJ²Ã« ÈbÄ sL{ wz«uAŽ VOðd²Ð W−Äb*« W½«uDÝ« vKŽ …œułu*«
ÆDSC Ë√ FLD
WEŠöÄ
Æ—«dJ²Ã« ÈbÄ —UO²šUÐ rÁ
ÆW?×?HBë Ác¼ w& œułu*« —d?J?²*« ŸUL²Ýô« r?6Á vë lł—≈
÷dFë œuFOÝ ¨WO½UŁ ≥∞ vëuŠ ‰öš WHOþË Í√ qGAð rà «–«
ÆŸUL²Ýô« …œUŽ« ÷dŽ vë WOJOðUÄuðË« …—uBÐ
ŸUL²Ýô« l{Ë —UO²šô FUNCTION —eë jG{≈ ≤
ÆRDM wz«uAFë
vKŽ RDM ÷dFë dNE¹ v²Š FUNCTION —eë jG{«
ÆWýUAë
—dJ²*« ŸUL²Ýô«
U¹bÄ ÀöŁ „UM¼ ¨WAV/WMA/MP3 ŸUL²Ýô« …œUŽ« l{uÃ
WOMžô —«dJð® TRK ¨©WE&UŠ —«dJð® FLD ∫—dJ²*« ŸUL²ÝöÃ
Æ©w½Užô« q —«dJð® DSC Ë ¨©…bŠ«Ë
Æwz«uAFë ŸUL²Ýô« qOGA²Ã 5 —eë jG{≈ ≥
ŸUL²Ýô« r²OÝË ÆWýUAë vKŽ RDM :ON ÷dFë dNEOÝ
ÆDSC Ë√ FLD …—U²<« U¹b*« sL{ wz«uAŽ VOðd²Ð w½UžöÃ
ŸUL²Ýô« l{Ë —UO²šô FUNCTION —eë jG{«
Æ(RPT) —dJ²*«
vKŽ RPT ÷dFë dNE¹ v²Š FUNCTION —eë jG{≈
ÆWýUAë
ŸUL²Ýô« WHOþË qOGAð ·UI¹ô ∞ —eë jG{« ¥
Æwz«uAFë
ŸUL²Ýô« dL²6OÝË ÆWýUAë vKŽ RDM :OFF ÷dFë dNEOÝ
ÆVOðd²ÃUÐ w½UžöÃ
Ar
≤∞
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rꢀIë
WAV/WMA/MP3 UHKÄ U?½«uDÝ« qG?AÄ
∞∂
ÆlOłd²Ã« Ë√ l¹d6ë .bI²Ã« wF{Ë w& uT Í√ —ËbT r²¹ sÃ
lł—« ¨WýUAë vKŽ ERROR-11 ö¦Ä QDš WÃUÝ— dNþ «–«
W−Äb*« U½«uDÝô« qGA0 WTU)« QD)« qzUÝ— rN& r6Á vë
Æ¥∞ W×HT w& wKš«bë
WAV/WMA/ UHKÄ ÂUEMÐ WK−6Ä W½«uDÝ« ‰Ušœ« bMŽ
vë ‰UI²½ôUÐ nK*« rÝ√Ë WE&U(« rÝ√ sÄ ö √b³OÝ ¨MP3
ÆWOJOðUÄuðË« …—uBÐ d6¹ô« V½U'«
•
•
UEŠöÄ
WAV/WMA/ UHKÄ vKŽ Íu²% U½«uDÝ« vë ŸUL²Ýô« bMŽ
CD-EXTRA U½«uDÝ« q¦Ä (CD-DA) WOðuT U½UOÐË MP3
wŽu½ öJà ŸUL²Ýô« sJLOÝ ¨MIXED-MODE U½«uDÝ«Ë
WAV/WMA/MP3 wF{Ë 5Ð l{uë q¹uײÃUÐ U½«uDÝô«
ÆBAND —eë WDÝ«uÐ jI& CD-DA U½«uDÝ«Ë
WAV/WMA/ U?H?K?* ŸUL²Ýô« 5Ð UÄ XÃu?Š b?Á XM «–«
…œUŽ« WOKLŽ √b³²Ý ¨(CD-DA) WOðuT U½UOÐË MP3
ÆW½«uDÝô« vKŽ vÃËô« WOMžô« sÄ ŸUL²Ýô«
vë wKš«bë W−Äb*« U½«uDÝô« qGAÄ WDÝ«uÐ ŸUL²Ýô« sJ1
W−ÄbÄ W½«uDÝ« vKŽ WK−6Ä WAV/WMA/MP3 UHKÄ
UHK*« Ÿ«u½« vKŽ ·dF²Kà ≥∏ W×HT vë lł—≈® ÆCD-ROM
©ÆUNOë ŸUL²Ýô« sJ1 w²Ã«
vë W−Äb*« U½«uDÝô« dOž dš« ¡wý Í√ ‰Ušœ« ÂbŽ V−¹
ÆW−Äb*« U½«uDÝô« qOL% Wײ&
…œU?Ž« ¡b?Ð w?& d?OšQð UNO& Àb×¹ Ícë UÁËô« i?FÐ „UM¼
…œUŽ« WÃUŠ w& «c¼ Àb×¹ UTuBš Æ uBë —ËbTË ŸUL²Ýô«
UÄbMŽ Æ…b¹bFë UE&U(«Ë …œbF²*« «—Ëbë ÂUE½ vë ŸUL²Ýô«
v?KŽ FRMTREAD ÷d?F?ë d?NEOÝ ¨UNð¡«d?Á r²¹
ÆWýUAë
•
•
•
•
•
•
oHš« Ë√ WÄUð …—uBÐ W½«uDÝô« ‰Ušœ« VFBë sÄ ÊU «–«
vë UN−²Ä tOKŽ Ÿu³D*« tłuë œułË sÄ bÂQð ¨UNOë ŸUL²Ýô«
sÄ bÂQðË ¨W½«uDÝô« ëdšô EJECT —“ jG{« ÆvKŽô«
ÆÈdš« …d?Ä U?N?ÃUšœ« …œUŽ« q³Á W½«u?D?Ýô« nKð ÂbŽ
r?²OÝ Æ UHK*« rÁ— VOðd?²?Ð ŸU?L?²Ýô« …œUŽ« WOKLŽ cOHMð r²OÝ
rà «–«® Æ UHKÄ Í√ vKŽ Íu²% ô w²Ã« UE&U(« wDwð
√b?³?²?Ý nKÄ Í√ vKŽ (ROOT) 01 rÁ— W?E&U(« Íu?²%
©Æ02 rÁ— W?E?&U?(« s?Ä ŸU?L²Ýô« WOKLŽ
‰bFÄ® VBR UHKÄ ÂUEMÐ WK−6Ä UHKÄ vë ŸUL²Ýô« bMŽ
W?I?OÁœ …—u?B?Ð ŸU?L²Ýô« XÁË ÷d?Ž r?²?¹ s?à ¨©d?O?G²*« XO³Ã«
ÆlOłd²Ã« Ë√ l¹d6ë .bI²Ã« WHOþË Â«bw²Ý« - «–«
sJ1 UHKÄ Í√ vKŽ Íu²% ô WKšb*« W½«uDÝô« X½U «–«
vKŽ NO AUDIO ÷dFë —uNþ r²OÝ ¨UNOë ŸUL²Ýô«
ÆWýUAë
•
•
•
•
WMA UHKÄ vKŽ Íu²% WKšb*« U½«uDÝô« X½U «–« •
¨(DRM) W?OLÁd?ë d?AMë ‚uIŠ W¹ULŠ …—«œ« ÂU?E?MÐ WOL×Ä
wDwð r²¹ ULMOÐ W{—UFë vKŽ SKIPPED ÷dŽ r²OÝ
ÆÁdA½ ‚uIŠ wL;« nK*«
vKŽ Íu²% WKšb*« W½«uDÝô« w& …œułu*« UHK*« q X½U «–« •
PROTECT ÷dŽ r²OÝ ¨DRM ÂUEMÐ WOL×Ä UHKÄ
ÆW{—UFë vKŽ
π
Ar
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rꢀIë
WAV/WMA/MP3 UHKÄ U?½«uDÝ« qG?AÄ
∞∂
W−Äb*« U½«uDÝô« qOL% Wײ&
WAV/WMA/MP3 U?HK* ŸUL²Ýô«
1
2
3
ëdšô« —“
EJECT
6 5
4
—eë jGCÐ CD-ROM W−Äb*« W½«uDÝô« ëdš« pMJ1 ꢁ
ÆEJECT
WAV/WMA/MP3 UHK* ŸUL²Ýöà WOÝUÝô« «uD)« w¼ Ác¼
UOKLŽ `O{uð r²OÝ ÆwKš«bë W−Äb*« U½«uDÝô« qGAÄ WDÝ«uÐ
Æ≤∞ W×HBë sÄ ¡«b²Ð« WÄbI²*« WAV/WMA/MP3 qOGAð
Í√ W?6?Äö?Ä Âb?Ž sÄ bÂQð ¨qOGA²Ã« w& ‰UDŽ« ŸuÁË V?M−²Ã ꢁ
ÆWŠu²HÄ WOÄUÄô« WŠuKë ÊuJð UÄbMŽ ·«dÞöà w½bFÄ r6ł
EQ dýR*« 1
ÆU¼—UO²š« - w²Ã« W½“«u*« UOM×MÄ sÄ Í√ dNE¹
ÆWOÄUÄô« WŠuKë oKž« ≥
Æ uBë Èu²ꢀÄ j³Cà VOLUME —eë ÂbW²Ý« ¥
WEDU(« rÁ— dýRÄ 2
ÆUOÃUŠ UNOë ŸUL²Ýô« r²¹ w²Ã« WE&U(« rÁ— 5³¹
Æ uBë Èu²6Ä iHš Ë√ l&dà Á—Ëœ
ÆWEDUŠ —UO²šô ∞ Ë√ 5 —eë jG{« µ
ÂUEMÐ q−6Ä nKÄ vKŽ Íu²% ô WE&UŠ —UO²š« pMJ1 sà ꢁ
ÆUNO& WAV/WMA/MP3
j?G{ X³ŁË j?G{« ¨(ROOT) 01 rÁ— W?E?&U(« vë …œu?FKà ꢁ
01 rÁ— W?E?&U?(« X½U «–« ¨pÖ sÄ ržd?ë v?KŽË ÆBAND —eë
…œUŽ« WOKLŽ √b³²Ý ¨UNO& UHKÄ vKŽ Íu²% ô (ROOT)
Æ02 rÁ— W?E?&U?(« s?Ä ŸU?L²Ýô«
ŸUL²Ýô« XÁË dýRÄ 3
Æ©wÃU(«® WOÃU(« ©nK*«® WOMžöà wCIM*« ŸUL²Ýô« XÁË 5³¹
WOMžô« rÁ— dýRÄ 4
ÆUOÃUŠ ©tOë® UNOë ŸUL²Ýô« r²¹ w²Ã« ©nK*«® WOMžô« 5³¹
WMA dýRÄ 5
ÆWMA nK* ŸUL²Ýô« r²¹ v²Ä 5³¹
jG{« ¨lOłd²Ã« Ë√ l¹dꢀë .bI²Ã« WOKLŽ ¡«dłô ∂
Æ3 Ë√ 2 —eë jG{ X³ŁË
nKLKà jI& lOłd²Ã«Ë l¹d6ë .bI²Ã« WHOþË Â«bw²Ý« ÊuJ¹ ꢁ
‰uTuë bMŽ WOKLFë Ác¼ ¡UGë r²OÝ ÆÊü« tOë ŸUL²Ýô« r²¹ Ícë
ÆwÃU²Ã« Ë√ oÐU6ë nK*« vë
pà `L6OÝ ¨ROUGH l{uÃUÐ Y׳ë WI¹dÞ d²š« «–« ꢁ
w& w½Už« dAŽ qJà Y׳ÃUÐ 3 Ë√ 2 —eë jG{ XO³¦ðË jG{
W×HT w& Y׳ë WI¹dÞ —UO²š« r6Á vë lł—≈® ÆWOÃU(« WE&U(«
©Æ≤≤
MP3 dýRÄ 6
ÆMP3 nK* ŸUL²Ýô« r²¹ v²Ä 5³¹
ÆWOÄUÄô« WŠuKë `²Hà OPEN —eë jG{«
ÆW−Äb*« U½«uDÝô« qOL% Wײ& dNE²Ý
—eë jG{« ¨CD-ROM W−Äb*« W½«uDÝô« ‰Ušœ« bFÐ ꢁ
ÆwKš«bë W−Äb*« U½«uDÝô« qGAÄ l{Ë —UO²šô SOURCE
qOL% WײD wD W−ÄbÄ W½«uDÝ« qšœ« ≤
ÆCD-ROM W−Äb*« U½«uDÝô«
ÆUOJOðUÄuðË« ŸUL²Ýô« √b³OÝ
¨Èdš« WOMž« vë U1bIð Ë√ UŽuł— WOMž« wDW²Ã ∑
Æ3 Ë√ 2 —eë jG{«
UL ÆWOÃU²Ã« WOMžô« vë wDw²Ã« vKŽ qLFOÝ 3 —eë jG{
WOMžô« W¹«b³Ã wDw²Ã« vKŽ …bŠ«Ë …dÄ 2 —eë jG{ qLFOÝ
WOMžô« vë wDw²Ã« vKŽ qLFOÝ Èdš« …dÄ tDG{ ÆWOÃU(«
ÆWIÐU6ë
Ar
∏
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rꢀIë
wKš«bë W−?Äb*« U½«uDÝô« qGAÄ
∞µ
W?ýUAë vKŽ ’uBMë U½UOÐ 5Ð qIM²Ã«
W½«uDÝô« Ê«uMŽ sÄ jI& ·dŠ√ ∂ ‰Ë√ ÷dŽ “UN'« «cNà sJ1
rÝ√ ¨DISC ARTIST W½«uDÝô« wMGÄ ¨DISC TITLE
WOMžô« wMGÄË TRACK TITLE WOMžô«
sÄ ‰uÞ√ WK−6*« U½UO³Ã« ÊuJð UÄbMŽ ÆTRACK ARTIST
sJ1 YO×Ð —U6Oë vKŽ œułu*« hMë 5Ð qIM²Ã« pMJ1 ¨·dŠ√ ∂
ÆÊ«uMFë WOIÐ W¹ƒ—
U?½«uDÝô« s¹ËUMŽ ÷dŽ
ÆUI³6Ä UN½«uMŽ XKšœ« W½«uDÝô Ê«uMŽ Í√ ÷dŽ pMJ1
ÆDISPLAY —eë jG{≈ ꢀ
ŸU{Ë« 5Ð q¹uײKà …—dJ²Ä …—uBÐ DISPLAY —eë jG{≈
∫WOÃU²Ã« j³Cë
©W½«uDÝô« Ê«uMŽ® DISC TITLE—ŸUL²Ýô« …œUŽ« XÁË
Ê«uMŽ ÷dŽ dNEOÝ ¨DISC TITLE l{uë —UO²š« bMŽ
ÆWýUAë vKŽ UOÃUŠ UNOë ŸUL²Ýô« r²¹ w²Ã« W½«uDÝô«
UNOë ŸUL²Ýô« r²¹ w²Ã« W½«uDÝöà ʫuMŽ ‰Ušœ« r²¹ rà «–« ꢁ
ÆNO DISC TITLE Ê«uMŽ błu¹ ô ÷dFë dNEOÝ ¨UOÃUŠ
√b³¹ v²Š DISPLAY —eë jG{ X³ŁË jG{≈ ꢀ
Æ—UꢀOë vë WÂd(UÐ Ê«uMFë
ÆW?ýU?A?ë vKŽ WOÁU³Ã« Ê«u?MFë ·d?Š√ dNE²Ý
W?−Äb*« U½«uDÝô« nzUþË Â«bW²Ý«
CD TEXT ’u?B½ vKŽ W¹u²;«
U½«uDÝô« vKŽ XK−Ý WMOFÄ UÄuKFÄ UNà U½«uDÝô« iFÐ
q¦Ä UÄu?K?FÄ vKŽ U½«u?DÝô« pKð Íu?²?% bÁ ÆUN²ŽUMT ¡UMŁ√
…œUŽ« XÁËË w?M?G*« rÝ« ¨w½Užô« s¹ËU?MŽ ¨ U½«u?DÝô« s¹ËU?MŽ
CD ’uB½ vKŽ W¹u²×Ä W−ÄbÄ U½«uDÝ« vŽbð w¼Ë ŸUL²Ýô«
U½«uDÝôUÐ WTUš …dHý vKŽ W¹u²;« U½«uDÝô« ÊuJð ÆTEXT
nzUþuÃUÐ qLFð w²Ã« w¼ CD TEXT ’uB½ vKŽ W¹u²;« W−Äb*«
ÆjI& ÁU½œ« …—uÂcÄ w²Ã«
’«d?Á√ vKŽ …œułu*« ’uBMë UÄuKFÄ ÷dŽ
CD TEXT W?½«uDÝô« ’uB½
ÆDISPLAY —eë jG{≈ ꢀ
ŸU{Ë« 5Ð q¹uײKà …—dJ²Ä …—uBÐ DISPLAY —eë jG{≈
∫WOÃU²Ã« j³Cë
©W½«uDÝô« Ê«uMŽ® DISC TITLE—ŸUL²Ýô« XÁË
©W½«uDÝô« wMGÄ rÝ«® DISC ARTIST—
©WOMžô« rÝ«® TRACK TITLE—
©WOMžô« wMGÄ rÝ«® TRACK ARTIST—
W−Äb*« U½«uDÝô« vKŽ WMOFÄ U½UOÐ qO−6ð r²¹ rà «–« ꢁ
÷dFë dNEOÝ ¨CD TEXT ’uB½ vKŽ W¹u²;«
W½«uDÝ« Ê«uMŽ błu¹ ô ö¦Ä® WýUAë vKŽ NO XXXX
Æ©NO TRACK TITLE
ꢀ
Ar
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rꢀIë
wKš«bë W−?Äb*« U½«uDÝô« qGAÄ
∞µ
CD ’uB½ vKŽ W¹u²×Ä W−ÄbÄ W½«uDÝô ŸUL²Ýô« bMŽ ꢁ
sà pÃ–Ë ÆTITTLE IN l{Ë vë q¹uײë pMJ1 sà ¨TEXT
W½«uDÝô« vKŽ WI³6Ä …—uBÐ tKO−6ð - bÁ W½«uDÝô« Ê«uMŽ
ÆCD TEXT ’uBMë vKŽ W¹u²;« W−Äb*«
W?½«uDÝô« vKŽ w½Už« dAŽ qJà Y׳ë
WOÃU(«
pMJLOÝ ¨w½Už√ ∞ sÄ d¦Â√ vKŽ Íu²% W½«uDÝô« X½U «–«
w½Už« vKŽ Íu²% W½«uDÝô« ÊuJð UÄbMŽ Æw½Už« dAŽ qJà Y׳ë
w& Vždð w²Ã« WOMžô« sŽ Y׳ë VFBë sÄ ÊuJOÝ ¨…dO¦Â
ÆUNOë ŸUL²Ýô«
Íb−Ðô« ·d(« —UO²šô ∞ Ë√ 5 —eë jG{≈ ≥
Æ»užd*«
©W¹eOK$ô« WGKÃUЮ Íb−Ы ·dŠ ÷dŽ vKŽ qLF²Ý 5 —eKà tDG{ qÂ
VOðd²ÃUÐ œ«bŽô«Ë ¨A B C ... X Y Z VOðd²Ã« «cNÐ
·Ëd(« ÷dŽ vKŽ qLF²Ý ∞ —eKà tDG{ q Æ1 2 3 ... > [ ]
ÆZ Y X ... C B A VOðd²Ã« «c¼ q¦Ä ¨w6JŽ VOðd²Ð
ÆROUGH Y׳ë WI¹dÞ d²š«
ÆWIÐU6ë W×HBë w& œułu*« Y׳ë WI¹dÞ —UO²š« r6Á vë lł—≈
Y׳ë l{Ë —UO²šô 3 Ë√ 2 —eë jG{ X³ŁË jG{« ≤
ÆW½«uDÝ« vKŽ w½Už« dAŽ qJÃ
jG{ ÊU& ¨w½Už√ ∞ sÄ qÁ√ vKŽ Íu²% W½«uDÝô« X½U «–« ꢁ
¨pÃc ÆW½«uDÝô« vKŽ WOMž« dš« wŽb²6OÝ 3 —eë jG{ XO³¦ðË
sÄ qÁ« w½Už« dAŽ qJà Y׳ë bFÐ WOI³²*« w½Užô« œbŽ ÊU «–«
vKŽ WOMž« dš« wŽb²6OÝ 3 —eë jG{ XO³¦ðË jG{ ÊU& ¨ ∞
ÆW½«uDÝô«
·d(« lÁuÄ vë …dOA*« p¹dײà 3 —eë jG{≈ ¥
ÆwÃU²Ã«
jG{ ÊU& ¨w½Už√ ∞ sÄ qÁ√ vKŽ Íu²% W½«uDÝô« X½U «–« ꢁ
¨pÃc ÆW½«uDÝô« vKŽ WOMž« ‰Ë« wŽb²6OÝ 2 —eë jG{ XO³¦ðË
sÄ qÁ« w½Už« dAŽ qJà Y׳ë bFÐ WOI³²*« w½Užô« œbŽ ÊU «–«
vKŽ WOMž« ‰Ë« wŽb²6OÝ 2 —eë jG{ XO³¦ðË jG{ ÊU& ¨ ∞
ÆW½«uDÝô«
…dOA*« „dײà 3 —eë jG{≈ ¨U{ËdFÄ »užd*« ·d(« ÊuJ¹ ULMOÐ
„dײKà 2 —eë jG{≈ ÆwÃU²Ã« ·d(« d²š« rŁ wÃU²Ã« lÁu*« vë
ÆWýUAë vKŽ nK)« ÁU&UÐ
—eë vKŽ jGCÃUÐ dOšô« lÁu*« vë …dOA*« „dŠ µ
ÆÊ«uMFë ‰Ušœ« bFÐ 3
w& qšb*« Ê«uMFë s¹ewð r²OÝ ¨Èdš« …dÄ 3 —eë jG{ bMŽ
ƅd«cë
U?½«uDÝô« s¹ËUMŽ nzUþË Â«bW²Ý«
÷dŽ l{Ë vë …œuFKà BAND —eë jG{≈ ∂
vKŽ s¹ËUMFë pKð ÷dŽË W−Äb*« U½«uDÝöà s¹ËUMŽ ‰Ušœ« pMJ1
w²Ã« W−Äb*« W½«uDÝöà pÃUšœ« bMŽ WÄœUIë …d*« w&Ë ÆWýUAë
vKŽ pKð W−Äb*« W½«uDÝô« Ê«uMŽ ÷dŽ r²OÝ ¨Ê«uMŽ UNà XKšœ«
ÆWýUAë
ÆŸUL²Ýô«
UEŠöÄ
sÄ W½«uDÝô« ëdš« bFÐ v²Š ¨…d«cë w& s¹ËUMFë vI³ð •
UÄbMŽ UNzUŽb²Ý« r²¹Ë ¨ wKš«bë W−Äb*« U½«uDÝô« qGAÄ
Æ“UN'« w& W½«uDÝô« ‰Ušœ« …œUŽ« r²¹
ÊU& ¨…d«cë w& W½«uDÝ« ¥∏ U½UOÐ s¹ewð sÄ ¡UN²½ù« bFÐ •
Æ U½UO³Ã« ÂbÁ√ q×Ä q×²Ý …b¹b'« U½«uDÝô« U½UOÐ
‰Ušœ« pMJLOÝ ¨…œbF²Ä W−ÄbÄ U½«uDÝ« qGAÄ XKTË «–« •
ÆW½«uDÝ« ∞∞ v²ŠË U½«uDÝ« s¹ËUMŽ
U?½«uDÝô« s¹ËUMŽ ‰Ušœ«
Ê«uMŽ ¥∏ v²ŠË s¹ew²Ð U½«uDÝô« s¹ËUMŽ ‰Ušœ« WHOþË Âbw²Ý«
ÊuJ¹ Ê« sJ1 W½«uDÝ« Ê«uMŽ q ƓUN'« «c¼ …d«– w& W½«uDÝ«
Æ·dŠ« ∏ v²ŠË ‰uDÐ
wD Vždð w²Ã« W−Äb*« W½«uDÝöà ŸUL²ÝôUÐ rÁ
ÆUN½«uMŽ ‰Ušœ«
dNE¹ v²Š FUNCTION —eë jG{ X³ŁË jG{≈ ≤
ÆWýUAë vKŽ TITLE IN Ê«uMFë qšœ l{Ë ÷dŽ
Ar
∂
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rꢀIë
wKš«bë W−?Äb*« U½«uDÝô« qGAÄ
∞µ
Æ`ꢀ*UÐ ŸUL²Ýô« l{Ë qOGA²Ã 5 —eë jG{≈ ≤
ŸUL²Ýô« r²OÝË ÆWýUAë vKŽ SCAN :ON ÷dFë dNEOÝ
ÆWOMž√ q sÄ Ê«uŁ ∞ ‰Ë_
BMX Ë u?Bë jG{ «bW²Ý«
BMXË (COMP) uBë jG{ nzUþË Â«bw²Ý« pà `L6¹
sÄ …bŠ«Ë q ÆqGA*« «cNà ŸUL²Ýô« …œUŽ« uT …œuł j³CÐ
(COMP) uBë jG{ WHOþË Ê“«uð Æj³{ wðuDš UNà nzUþuë
rJײð ÆWOÃUFë U¹u²6*« w& WCHwM*«Ë WOÃUFë «uTô« Ãdš
ŸUL²Ý« …œUŽ« ¡UDŽô uBë ÈbT Èu²6Ä w& BMX WHOþË
U¼bŠ√ —U²wð ULMOÐ «dOŁQ²Ã« sÄ qJà lL²Ý≈ ÆTK²2 uBÐ
ŸUL²Ýô« …œUŽ« uT sÄ “eF¹ Ícë qC&ô« dOŁQ²Ã« Âbw²Ý«Ë
ÆUNOë lL²6ð w²Ã« W−Äb*« W½«uDÝô« Ë√ WOMžöÃ
·UI¹ô ∞ —eë jG{≈ WÐužd*« WOMžô« œU−¹« bMŽ ≥
Æ`ꢀ*UÐ ŸUL²Ýô« l{Ë qOGAð
WOKLŽ dL²6²ÝË ÆWýUAë vKŽ SCAN :OFF ÷dFë dNEOÝ
ÆWOMžöà ŸUL²Ýô«
rÁ ¨ŸUL²Ýô« ÷dŽ vë WOJOðUÄuðË« …—uBÐ ÷dFë œUŽ «–« ꢁ
—eë jGCÐ Èdš« …dÄ (SCAN) `6*UÐ ŸUL²Ýô« l{Ë —UO²šUÐ
ÆFUNCTION
jG{ l{Ë —UO²šô FUNCTION —eë jG{≈
Æ(COMP) uBë
vKŽ COMP ÷dFë dNE¹ v²Š FUNCTION —eë jG{≈
ÆWýUAë
WEŠöÄ
W¹œUŽ ŸUL²Ý« WOKLŽ ¡b³²Ý ¨W−ÄbÄ W½«uDÝ« `6Ä sÄ ¡UN²½ô« bFÐ
ÆÈdš« …dÄ w½UžöÃ
WKCH*« j³Cë ŸU{Ë« —UO²šô ∞ Ë√ 5 —eë jG{≈ ≤
Æp¹bÃ
∫WOÃU²Ã« j³Cë ŸU{Ë« 5Ð q¹uײKà …—dJ²Ä …—uBÐ ∞ Ë√ 5 —eë jG{≈
COMP 1—© uBë jG{ qOGAð ·UI¹«® COMP OFF
—©≤ uBë jG{® COMP 2—© uBë jG{®
BMX 1—© uBë jG{ qOGAð ·UI¹«® COMP OFF
BMX 2—
W?−ÄbÄ W½«uDÝô ŸUL²Ýô« ·UI¹«
U²ÁRÄ
W½«uDÝô ŸUL²Ýô« ·UI¹« WO½UJÄ« XÁR*« ·UI¹ô« WHOþË pà `L6ð
ÆW²ÁRÄ …—uBÐ W−ÄbÄ
·UI¹ô« l{Ë —UO²šô FUNCTION —eë jG{«
Æ(PAUSE) XÁR*«
vKŽ PAUSE ÷dFë dNE¹ v²Š FUNCTION —eë jG{≈
ÆWýUAë
Y?׳ë WI¹dÞ —UO²š«
lOłd²Ã«Øl¹d6ë .bI²Ã« ŸU{Ë« 5Ð UÄ Y׳ë WI¹dÞ q¹u% pMJ1
Æw½Už« dAŽ qJà Y׳ëË
.bI²Ã« l{Ë —UO²šô FUNCTION —eë jG{«
ÆFF/REV lOłd²Ã«Øl¹dꢀë
ÆXÁR*« ·UI¹ô« WHOþË qOGA²Ã 5 —eë jG{« ≤
U²ÁRÄ nÁu²OÝË ÆWýUAë vKŽ PAUSE:ON ÷dFë dNEOÝ
ÆWOÃU(« WOMžöà ŸUL²Ýô«
vKŽ FF/REV ÷dFë dNE¹ v²Š FUNCTION —eë jG{«
ÆWýUAë
·UI¹ô« WHOþË qOGAð ·UI¹ô ∞ —eë jG{« ≥
ÆXÁR*«
·UM¾²Ý« r²OÝ ÆWýUAë vKŽ PAUSE:OFF ÷dFë dNEOÝ
WHOþË qOGA²Ð U¼bMŽ XLÁ w²Ã« WDIMë fH½ bMŽ ŸUL²Ýô«
ÆXÁR*« ·UI¹ô«
…—uBÐ Y׳ë WI¹dDà ROUGH l{Ë —UO²š« - «–« ꢁ
ÆWýUAë vKŽ ROUGH ÷dFë dNEOÝ ¨WI³6Ä
ÆY׳ë WI¹dÞ —UO²šô 3 Ë√ 2 —eë jG{« ≤
vKŽ »užd*« Y׳ë WI¹dÞ ÷dŽ dNE¹ v²Š 3 Ë√ 2 —eë jG{«
ÆWýUAë
lOłd²Ã«Ë l¹d6ë .bI²Ã« ≠ FF/REV
w½Už« dAŽ qJà Y׳ë ≠ ROUGH
•
•
µ
Ar
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rꢀIë
wKš«bë W−?Äb*« U½«uDÝô« qGAÄ
∞µ
Æ—«dJ²Ã« ÈbÄ —UO²šô 3 Ë√ 2 —eë jG{« ≤
q?GAÄ qOGAð UOKLFÐ n¹dFð
W?ÄbI²*« wKš«bë W−Äb*« U½«uDÝô«
Æ—U²<« j³Cë l{uà pÃu×¹ qLFë «c¼
ÆWOÃU(« W½«uDÝöà ŸUL²Ýô« —dJ¹ ≠ RPT :DSC
ÆWOÃU(« WOMžöà ŸUL²Ýô« —dJ¹ ≠ RPT :TRK
•
•
1
WEŠöÄ
lOłd²Ã«Øl¹d6ë .bI²Ã« Ë√ WOMž√ sŽ Y׳ë ¡«dłUÐ ÂuIð XM «–≈
l{Ë vë —dJ²*« ŸUL²Ýô« ÈbÄ dOG²OÝ ¨TRK l{Ë ¡UMŁ√
ÆDSC
2
nzUþuë ÷dŽ 1
ÆWHOþuë WÃUŠ 5³¹
w?z«uAŽ VOðd²Ð w½Užöà ŸUL²Ýô«
w½Užô ŸUL²Ýô« WO½UJÄ« wz«uAFë ŸUL²Ýô« WHOþË pà `L6ð
Æwz«uAŽ VOðd²Ð W−Äb*« W½«uDÝô«
RPT —dJ²*« ŸUL²Ýô« dýRÄ 2
Æ—dJ²*« ŸUL²Ýô« l{Ë qOGAð - v²Ä 5³¹
ŸUL²Ýô« l{Ë —UO²šô FUNCTION —eë jG{«
Æ(RDM) wz«uAFë
vKŽ RDM ÷dFë dNE¹ v²Š FUNCTION —eë jG{≈
ÆWýUAë
ÆnzUþuë ¡ULÝ√ ÷dFà FUNCTION —eë jG{≈ ꢀ
nzUþuë 5Ð q¹uײKà …—dJ²Ä …—uBÐ FUNCTION —eë jG{≈
∫WOÃU²Ã«
—©wz«uAFë ŸUL²Ýô«® RDM—©—dJ²*« ŸUL²Ýô«® RPT
—©XÁR*« ·UI¹ô«® PAUSE—©`6*UÐ ŸUL²Ýô«® SCAN
©Y׳ë WI¹dÞ® FF/REV—©BMX Ë uBë jG{® COMP
ÆBAND —eë jG{≈ ¨ŸUL²Ýô« ÷dFà …œuFKà ꢁ
Æwz«uAFë ŸUL²Ýô« WHOþË qOGA²Ã 5 —eë jG{« ≤
ŸUL²Ýô« r²OÝË ÆWýUAë vKŽ RDM :ON ÷dFë dNEOÝ
Æwz«uAŽ VOðd²Ð w½UžöÃ
ŸUL²Ýô« WHOþË qOGAð ·UI¹ô ∞ —eë jG{« ≥
Æwz«uAFë
WEŠöÄ
ŸUL²Ýô« dL²6OÝ ÆWýUAë vKŽ RDM :OFF ÷dFë dNEOÝ
ÆVOðd²ÃUÐ w½UžöÃ
…—uBÐ ÷dFë œuFOÝ ¨WO½UŁ ≥∞ ‰öš WHOþË qOGAð r²¹ rà «–«
ÆWÐcÐcë ÷dŽ vë WOJOðUÄuðË«
W?−ÄbÄ W½«uDÝ« w½Už« `ꢀÄ
q sÄ Ê«uŁ ∞ ‰Ëô ŸUL²ÝôUÐ `6*UÐ ŸUL²Ýô« WHOþË `L6ð
ÆW−Äb*« W½«uDÝô« vKŽ …œułuÄ WOMž√
—dJ²*« ŸUL²Ýô«
Ë√ WOMžô« fHMà ŸUL²ÝôUÐ —dJ²*« ŸUL²Ýô« WHOþË pà `L6ð
Æ…b¹bŽ «dÄ W½«uDÝô«
ŸUL²Ýô« l{Ë —UO²šô FUNCTION —eë jG{«
Æ(SCAN) `ꢀ*UÐ
vKŽ SCAN ÷dFë dNE¹ v²Š FUNCTION —eë jG{≈
ÆWýUAë
ŸUL²Ýô« l{Ë —UO²šô FUNCTION —eë jG{«
Æ(RPT) —dJ²*«
vKŽ RPT ÷dFë dNE¹ v²Š FUNCTION —eë jG{≈
ÆWýUAë
Ar
¥
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rꢀIë
wKš«bë W−?Äb*« U½«uDÝô« qGAÄ
W?−ÄbÄ W½«uDÝô ŸUL²Ýô«
∞µ
ÆWOÄUÄô« WŠuKë oKž« ≥
Æ uBë Èu²ꢀÄ j³Cà VOLUME —eë ÂbW²Ý« ¥
1
2
Æ uBë Èu²6Ä iHš Ë√ l&dà Á—Ëœ
jG{« ¨lOłd²Ã« Ë√ l¹dꢀë .bI²Ã« WOKLŽ ¡«dłô µ
Æ3 Ë√ 2 —eë
—eë jG{ XO³¦ðË jG{ ÊU& ¨ROUGH l{uë d²š« «–« ꢁ
W½«uDÝô« w& w½Už« ∞ qJà Y׳ÃUÐ pà `L6OÝ 3 Ë√ 2
©Æ µ W×HT w& Y?׳ë WI¹dÞ —UO²š« r6Á vë lł—≈® ÆWOÃU(«
3
¨Èdš« WOMž« vë ÂUÄô« Ë√ nK)« vë wDW²Kà ∂
Æ3 Ë√ 2 —eë jG{«
UL ÆWOÃU²Ã« WOMžô« vë wDw²Ã« vKŽ qLFOÝ 3 —eë jG{
WOMžô« W¹«b³Ã wDw²Ã« vKŽ …bŠ«Ë …dÄ 2 —eë jG{ qLFOÝ
WOMžô« vë wDw²Ã« vKŽ qLFOÝ Èdš« …dÄ tDG{ ÆWOÃU(«
ÆWIÐU6ë
WDÝ«uÐ W−ÄbÄ U½«uDÝô ŸUL²Ýöà W¹—Ëd{ WOÝUÝ« «uDš Ác¼
UOKLŽ Õdý √b³OÝ UL ÆwKš«bë W−Äb*« U½«uDÝô« qGAÄ
ÆWOÃU²Ã« W×HBë w& WÄbI²*« W−Äb*« U½«uDÝô« qOGAð
EQ dýR*« 1
ÆU¼—UO²š« - w²Ã« W½“«u*« UOM×MÄ sÄ Í√ dNE¹
ŸUL²Ýô« XÁË dýRÄ 2
ÆUOÃUŠ UNOë ŸUL²Ýô« r²¹ WOMžöà WOCIM*« ŸUL²Ýô« …bÄ 5³¹
UEŠöÄ
vë wKš«bë W−Äb*« U½«uDÝô« qGAÄ WDÝ«uÐ ŸUL²Ýô« r²¹ •
∏ Ë√ rÝ ≤ r−Š ©…œdHÄ® …bŠ«Ë WOÝUOÁ W−ÄbÄ U½«uDÝ«
vë ŸUL²Ýô« bMŽ T¹UNÄ Â«bw²Ý« ÂbŽ V−¹ Æ…dÄ q w& rÝ
ÆrÝ ∏ r−Š W−ÄbÄ W½«uDÝ«
WOMžô« rÁ— dýRÄ 3
ÆUOÃUŠ UNOë ŸUL²Ýô« r²¹ w²Ã« WOMžô« 5³¹
ÆWOÄUÄô« WŠuKë `²Hà OPEN —eë jG{«
ÆW−Äb*« U½«uDÝô« qOL% Wײ& dNE²Ý
SOURCE —eë jG{« ¨W−Äb*« W½«uDÝô« ‰Ušœ« bFÐ ꢁ
ÆwKš«bë W−Äb*« U½«uDÝô« qGAÄ l{Ë —UO²šô
vë W−Äb*« U½«uDÝô« dOž dš« ¡wý Í√ ‰Ušœ« ÂbŽ V−¹ •
ÆW−Äb*« U½«uDÝô« qOL% Wײ&
oHš« Ë√ WÄUð …—uBÐ W½«uDÝô« ‰Ušœ« VFBë sÄ ÊU «–« •
vë UN−²Ä tOKŽ Ÿu³D*« tłuë œułË sÄ bÂQð ¨UNOë ŸUL²Ýô«
sÄ bÂQðË ¨W½«uDÝô« ëdšô EJECT —eë jG{« ÆvKŽô«
ÆUNÃUšœ« …œUŽ« q³Á W½«uDÝô« nKð ÂbŽ
qOL% WײD wD W−ÄbÄ W½«uDÝ« qšœ« ≤
ÆW−Äb*« U½«uDÝô«
ÆUOJOðUÄuðË« ŸUL²Ýô« √b³OÝ
lł—« ¨WýUAë vKŽ ERROR-11 ö¦Ä QDš WÃUÝ— dNþ «–«
W−Äb*« U½«uDÝô« qGA0 WTU)« QD)« qzUÝ— rN& r6Á vë
Æ¥∞ W×HT w& wKš«bë
sÄ q √b³OÝ ¨CD TEXT W−ÄbÄ ’uB½ W½«uDÝ« ‰Ušœ« bMŽ
…—uBÐ d6¹ô« V½U'« vë ‰UI²½ôUÐ WOMžô«Ë W½«uDÝô« s¹ËUMŽ
ÆWOJOðUÄuðË«
•
W−Äb*« U½«uDÝô« qOL% Wײ&
•
EJECT ëdšô« —“
ÆEJECT —eë jGCÐ W−Äb*« W½«uDÝô« ëdš« pMJ1 ꢁ
w½bFÄ r6ł Í√ W6ÄöÄ ÂbŽ sÄ bÂQ𠨉UDŽ« ŸuÁË VM−²Ã ꢁ
ÆWŠu²HÄ WOÄUÄô« WŠuKë ÊuJð UÄbMŽ ·«dÞöÃ
≥
Ar
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rꢀIë
u¹œ«dë
∞¥
¨jI& W¹uIë UD;« ‰U³I²ÝUÐ LOCAL 4 j³Cë l{Ë `L6¹
nF{ô« UD;« ‰U³I²ÝUÐ pà qÁô« j³Cë ŸU{Ë« `L6ð ULMOÐ
ÆW³ÁUF²Ä …—uBÐ
Y׳ÃUÐ WHëu*« l{Ë vë …œuFë wD Vždð UÄbMŽ ¥
Y׳ë WHëuÄ qOGAð ·UI¹ô ∞ —eë jG{≈ ¨W¹œUFë
ÆwK;«
ÆWýUAë vKŽ LOCAL:OFF ÷dFë dNEOÝ
W?¹uIë UD;« UÐcЖ s¹eWð
XÝ ÈuÁ« s¹ew²Ð (BSM) UD;« qC&« …d«– WHOþË pà `L6ð
o³6*« WHëu*« —«—“« vKŽ WOJOðUÄuðË« …—uBÐ UD×Ä UÐcЖ
pKð vKŽ WHëu*« pMJLOÝ „UM¼ UNM¹ewð œd−0Ë ∂≠ UND³{
ÆbŠ«Ë —“ WDGCÐ UD;«
…d«– l{Ë —UO²šô FUNCTION —eë jG{«
Æ(BSM) UD;« qCD«
vKŽ BSM ÷dFë dNE¹ v²Š FUNCTION —eë jG{≈
ÆWýUAë
UD;« qCD« …d«– l{Ë qOGA²Ã 5 —eë jG{≈ ≤
Æ(BSM)
¡UMŁ√ ÆiÄu²ÃUÐ (BSM) UD;« qC&« …d«– ÷dŽ √b³OÝ
s¹ewð sJLOÝ (BSM® UD;« qC&« …d«– ÷dFë iÄuð
∂≠ UND³{ o³6*« WHëu*« —«—“« vKŽ UD×Ä UÐcЖ XÝ ÈuÁ«
iÄuð nÁu²OÝ ¨WOKLFë ¡UN²½« bMŽ ÆUNð«—Uý« …uÁ V6Š VOðd²ÃUÐË
Æ(BSM) UD;« qC&« …d«– ÷dŽ
Æ∞ —eë jG{« ¨s¹ew²Ã« WOKLŽ ¡UGÃô ꢁ
WEŠöÄ
UD;« qC&« …d«– WHOþË WDÝ«uÐ UD×Ä UÐcЖ s¹ewð
«bw²ÝUÐ UN²½eš w²Ã« UD;« UÐcЖ ‰b³²6ð Ê« sJ1 BSM
Æ∂≠ —«—“ô«
Ar
≤
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rꢀIë
u¹œ«dë
∞¥
wD UNM¹eWð b¹dð WÐcЖ vKŽ —u¦Fë bMŽ ꢀ
UND³{ o³ꢀ*« WHëu*« —«—“« sÄ —“ jG{« …d«cë
rÁ— —“ iÄuð nÁu²¹ v²Š tDG{ X³Ł rŁ ∂≠
ÆUND³{ o³ꢀ*« WHëu*«
UND³{ o³6*« WHëu*« rÁ— dýRÄ w& t²DG{ Ícë rÁdë iÄuOÝ
u¹œ«dë WD×Ä WÐcЖ s¹ewð - bÁ ÊuJ¹ pÃcÐ ÆU¾OCÄ vI³OÝË
Æ…d«cë w& …—U²<«
UND³{ o³6*« WHëu*« —“ fH½ UNO& jGCð w²Ã« WOÃU²Ã« …d*« w&
Æ…d«cë sÄ u¹œ«dë WD×Ä WÐcЖ ¡UŽb²Ý« r²OÝ
u?¹œ«dë qOGAð UOKLFÐ n¹dFð
WÄbI²*«
1
3
2
UEŠöÄ
qJà UD×Ä XÝ ¨FM « ·« WD×Ä ∏ v²ŠË Êeš pMJ1 •
« t¹« UD×Ä XÝ Ë Àö¦Ã« FM « ·ô« UD×Ä sÄ WD×Ä
ƅd«cë w& AM
nzUþuë ÷dŽ 1
ÆWHOþuë WÃUŠ 5³¹
tD³{ o³ꢀ*« rÁdë dýRÄ 2
ÆÁ—UO²š« - Ícë o³6*« j³Cë rÁ— 5³¹
UÐcЖ ¡UŽb²Ýô ∞ Ë 5 —«—“ô« «bw²Ý« UC¹« pMJ1 •
Æ∂≠ —«—“ô« vKŽ W½e<« u¹œ«dë UD×Ä
LOC wK×Ä dýRÄ 3
ÆqOGA²Ã« l{Ë vKŽ wK;« `6*« l{Ë ÊuJ¹ v²Ä 5³¹
W?¹uIë UD;« WHëuÄ
«– u¹œ«dë UD×Ä WHëu0 wK;« Y׳ë WHëuÄ WHOþË pà `L6ð
ÆjI& bOł ‰U³I²Ýô WO&U …—uBÐ W¹uIë «—Uýô«
ÆnzUþuë ¡ULÝ√ ÷dFà FUNCTION —eë jG{≈ ꢀ
nzUþuë 5Ð q¹uײKà …—dJ²Ä …—uBÐ FUNCTION —eë jG{≈
∫WOÃU²Ã«
Y׳ë WHëuÄ® LOCAL—© UD;« qC&« …d«–® BSM
©wK;«
wK×Ä l{Ë —UO²šô FUNCTION —eë jG{«
ÆBAND —eë jG{≈ ¨WÐcÐcë ÷dFà …œuFKà ꢁ
Æ(LOCAL)
vKŽ LOCAL ÷dFë dNE¹ v²Š FUNCTION —eë jG{≈
ÆWýUAë
WEŠöÄ
…—uBÐ ÷dFë œuFOÝ ¨WO½UŁ ≥∞ ‰öš WHOþË qOGAð r²¹ rà «–«
ÆWÐcÐcë ÷dŽ vë WOJOðUÄuðË«
ÆwK;« Y׳ë WHëuÄ l{Ë qOGA²Ã 5 —eë jG{≈ ≤
vKŽ ©LOCAL 2 ö¦Ä® wK;« Y׳ë WOÝU6Š ÷dŽ dNEOÝ
ÆWýUAë
ÆWOÝUꢀ(« j³Cà 3 Ë√ 2 —eë jG{≈ ≥
∫AM Włu* 5¹u²6ÄË FM WłuLKà WOÝU6Š U¹u²6Ä lЗ√ „UM¼
—LOCAL 2 ≤ wK×Ä—LOCAL 1 wK×Ä ∫FM
LOCAL 4 ¥ wK×Ä—LOCAL 3 ≥ wK×Ä
Y?³Ã« UD×Ä UÐcЖ ¡UŽb²Ý«Ë s¹eWð
¨∂≠ UND³{ o³6*« WHëu*« —«—“« sÄ U¹√ jGCÐ XLÁ «–«
ULO& UNzUŽb²Ýô YÐ UÐcЖ XÝ v²ŠË s¹ewð WÃuN6Ð pMJLOÝ
ÆbŠ«Ë —“ WDGCÐ bFÐ
LOCAL 2 ≤ wK×Ä—LOCAL 1 wK×Ä ∫AM
Ar
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rꢀIë
u¹œ«dë
∞¥
WDG{ 3 Ë√ 2 —eë jG{« ¨W¹Ëb¹ WHëuÄ ¡«dłô ¥
ÆWF¹dÝ
u¹œ«dKà ŸUL²Ýô«
1
2
ÆWł—œ Wł—œ qHÝô« Ë√ vKŽ« vë WÐcÐcë …¡«dÁ „dײ²Ý
—eë jG{ X³ŁË jG{« ¨Y׳ÃUÐ WHëuÄ ¡«dłô µ
ÆÁ—dŠ rŁ …bŠ«Ë WO½UŁ …b* 3 Ë√ 2
…—uBÐ ÍuÁ YÐ vKŽ —u¦Fë r²¹ v²Š UÐcÐcë `60 u¹œ«dë ÂuIOÝ
ÆbOł ‰U³I²Ý« vKŽ ‰uB×Kà WO&UÂ
4
3
WOK;« UD;« sŽ Y׳ÃUÐ WHëu*« qOGAð l{Ë ¡UGë pMJ1 ꢁ
ÆWF¹dÝ WDG{ 3 Ë√ 2 —eë vKŽ jGCÃUÐ
Õdý √b³OÝ UL Æu¹œ«dë qOGA²Ã W¹—ËdCë WOÝUÝô« «uD)« Ác¼
wDwð pMJLOÝ 3 Ë√ 2 —eë jG{ X³ŁË XDG{ «–« ꢁ
Æ—eë d¹d% œd−0 Y׳ÃUÐ WHëu*« √b³²Ý ÆYÐ UD×Ä
ÆWOÃU²Ã« W×HBë w& WÄbI²*« u¹œ«dë qOGAð UOKLŽ
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WEŠöÄ
Ë√ vDÝuë Ë√ WOÃULAë UJ¹dÄ« w& u¹œ«dë «c¼ «bw²Ý« bMŽ
Wł—œ j³{ r6Á lł«—® « t¹« WłuÄ Wł—œ j³{ bŽ« ¨WOÐuM'«
Æ©≥µ W×HT vKŽ AM « t¹« WłuÄ WHëuÄ
dýRÄ ¡wCOÝ ¨u¹d²Ý uBÐ UN¦Ð r²¹ …—U²<« WÐcÐcë X½U «–«
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« ·« Ë√ AM « t¹« ¨UNOKŽ u¹œ«dë WHëuÄ - w²Ã« Włu*« 5³¹
ÆFM
WÐcÐcë dýRÄ 2
ÆUNOKŽ u¹œ«dë WHëuÄ - w²Ã« WÐcÐcë 5³¹
o³ꢀ*« j³Cë rÁ— dýRÄ 3
ÆÁ—UO²š« - Ícë o³6*« j³Cë rÁ— 5³¹
() u¹d²ꢀë uv dýRÄ 4
Æu¹d²Ý uBÐ UN¦Ð r²¹ …—U²<« WÐcÐcë ÊUÐ 5³¹
Æu¹œ«dë l{Ë —UO²šô SOURCE —eë jG{«
—bBL u¹œ«dë —UO²š« r²¹ v²Š SOURCE —eë jG{«
ÆqOGA²KÃ
Æ uBë Èu²ꢀÄ j³Cà VOLUME —eë qLF²Ý« ≤
Æ uBë Èu²6Ä iHš Ë√ l&dà Á—Ëœ
ÆWłu*« —UO²šô BAND —eë jG{« ≥
¨FM2 ¨FM1® WÐužd*« Włu*« dNEð v²Š BAND —eë jG{«
Æ©AM « t¹√ Ë√ FM « ·« Włu* ¨FM3
Ar
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WÁUDë OFF ·U?I¹«ØON qOGAð
∞≥
“U?N'« WÁUÞ qOGAð ·UI¹«
“U?N'« WÁUÞ qOGAð
r²¹ v²Š SOURCE —eë jG{ X³ŁË jG{« ꢀ
Æ“UN'« qOGA²Ã SOURCE —eë jG{«
ꢀ
Æ“UN'« qOGAð ·UI¹«
Æ“UN'« qOGAð r²OÝ ¨—bBÄ —UO²š« bMŽ
—bB*« —UO²š«
qGAÄ qOGA²Ã ÆtOë ŸUL²Ýô« b¹dð Ícë —bB*« —UO²š« pMJ1
lł«—® “UN'« w1 W½«uDÝ« qOLײРrÁ ¨wKš«bë W−Äb*« U½«uDÝô«
Æ© ≥ W×H8
Æ—bB*« —UO²šô SOURCE —eë jG{« ꢀ
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∫WOÃU²Ã«
wKš«œ CD U½«uDÝ« qGAÄ—Êu¹eHK²Ã«—nëu*«
WOł—Uš …bŠË—œbF²Ä CD U½«uDÝ« qGAÄ—
AUX—≤ WOł—Uš …bŠË—
UEŠöÄ
∫ uBë —bBÄ dOG²¹ sà ¨WOÃU²Ã« ôU(« w1 •
«c¼ vë qOGAð —bBÄ qJà dþUMÄ “UNł qO8uð ÂbŽ bMŽ –
Æ“UN'«
Æ“UN'« «c¼ w1 W½«uDÝ« l{Ë ÂbŽ bMŽ –
U½«uDÝô« qGAÄ w1 U½«uDÝ« ÊeHÄ l{Ë ÂbŽ bMŽ –
Æ…œbF²*« W−Äb*«
·UI¹ù« l{Ë vKŽ ©w1U{ô« qšbë® AUX j³{ bMŽ –
Æ©≥∂ W×H8 lł«—®
w²Ã« pKð q¦Ä® dO½u¹UÐ U−²MÄ vë wł—Uš “UNł rÝ« dOA¹ •
—bBL WI1«u²Ä dOž X½U Ê≈Ë w²Ã«Ë ¨©q³I²P*« w1 d1u²²Ý
nzUþuë w1 rJײë WO½UJÄ≈ `O²²Ý UN½« ô≈ ¨qOGAð
s¹“UNł w1 rJײë sJ1 Æ“UN'« «c¼ ‰ULF²ÝUÐ WOÝUÝ_«
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wł—Uš “UN− UL¼bŠ√ hOBH²Ð UOJOðUÄuðË√ “UN'« «c¼ ÂuI¹
Æ≤ wł—Uš “UN− dšô«Ë
qO8uð ·dDÐ iOÐ_«Ø‚—“_« “UN'« «c¼ pKÝ qO8uð bMŽ •
wz«u¼ œbL²OÝ ¨wJOðUÄuðË_« …—UOPë wz«u¼ qŠdÄ w1 rJײë
V×Pà ƓUN'« «c¼ —bBÄ qOGAð bMŽ wJOðUÄuðË_« …—UOPë
Æ—bB*« qOGAð nÁË√ ¨qš«bë vë wz«uNë
π
Ar
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rꢀIë
¡«ełôUÐ n¹dF²Ã«
∞≤
c
f
8
2
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1
9
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SOURCE —bB*« —“ #
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PAUSE XÁR*« ·UI¹ô« —“ $
WHOþË qOGAð ·UI¹« Ë√ qOGAð wF{Ë 5Ð q¹uײKà tDG{«
ÆXÁR*« ·UI¹ô«
ATT uBë XBUš —“ %
sÄ •π∞ wëu( ¨WŽdPÐ uBë Èu²PÄ iOHH²Ã tDG{«
uBë r−Š Èu²PÄ vë …œuFKà Èdš√ …dÄ tDG{« Æt²LOÁ
ÆwK8ô«
Ar
∏
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rꢀIë
¡«ełôUÐ n¹dF²Ã«
∞≤
BAND Włu*« —“ 8
« t¹« …bŠ«ËË FM « ·« UłuÄ ÀöŁ 5Ð sÄ —UO²šöà tDG{«
ÆnzUþuë w1 rJײë l{Ë ¡UGÃôË AM
WOꢀOzdë …bŠuë
AUDIO uBë —“ 1
ÆWHK²<« uBë …œuł j³{ ŸU{Ë« —UO²šô tDG{«
DISPLAY ÷dFë —“ 9
FUNCTION nzUþuë —“ 2
ÆWHK²<« nzUþuë —UO²šô tDG{«
ÆWHK²<« j³Cë ŸU{Ë« ÷ËdŽ —UO²šô tDG{«
CLOCK WŽUꢀë —“ 0
SW WCOH)« «œœd²Ã« —UN−Ä —“
.WCOH)« «œœd²Ã« —UN−Ä U¾ONð WLzUÁ sÄ —UO²šöà tDG{«
e¹eFð U¾ONð WLzUÁ sÄ —UO²šô jGCë w1 dL²Ý«Ë jG{≈
.dON'«
3
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3/2/∞/5 —«—“« !
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UC¹« ÂbH²Pð ÆU¹Ëb¹ w½Užô« sŽ Y×³Ã«Ë lOłd²Ã« ¨l¹dPë
ÆWHK²<« nzUþuë w1 rJײKÃ
SOURCE —bB*« —“ 4
VOLUME uBë Èu²ꢀÄË
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Ë√ l1dà Á—Ëœ ÆÈdš√ …dÄ tDG{≈ t½UJÄ vë VOLUME
Æ uBë Èu²PÄ iHš
b?FÐ sŽ rJײë …bŠË
vKŽ …œułu*« —«—“ô« «bH²Ý« bMŽ UNPH½ w¼ qOGA²Ã« UOKLŽ
WOPOzdë …bŠuë «bH²Ý« U×O{uð vë lł—≈ ÆWOPOzdë …bŠuë
X1Uš —“ «bŽ ULO1 —«—“ô« sÄ —“ q qOGAð WI¹dÞ vKŽ ·dF²KÃ
ÆÁU½œ« tŠdý r²OÝ Ícë ¨PAUSE Ë ATT uBë
EQ w½UO³Ã« Ê“«u*« —“ 5
ÆWHK²<« w½UO³Ã« Ê“«u*« UOM×MÄ —UO²šô tDG{«
VOLUME uBë Èu²ꢀÄ —“ @
OPEN `²Hë —“ 6
Æ uBë Èu²PÄ iHš Ë√ l1dà tDG{«
ÆWOÄUÄô« WŠuKë `²Hà tDG{«
(1–6) ∂≠ —«—“« 7
rÁ— sŽ Y×³Ã«Ë j³Cë WI³PÄ WHëuÄ ¡«dłô UNDG{«
Æ…œbF²*« W−Äb*« U½«uDÝô« qGAÄ Â«bH²Ý« bMŽ W½«uDÝô«
ꢀ
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“U?N'« «c¼ «bT²Ý« q³Á
∞
W?OÄUÄô« WŠuKë qBB
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ÆWOÄUÄô« WŠuKë `²Hà OPEN —eë jG{«
Wł—bÐ “U²9 WIDMÄ w1 bFÐ sŽ rJײë …bŠË s¹eHð ÂbŽ V−¹ •
Æ…dýU³*« fLAë WFýô W{dFÄ Ë√ WOÃUŽ …—«dŠ
UN³×Ý«Ë WOÄUÄô« WŠuKà dꢀ¹ô« V½U'« pꢀÄ« ≤
Æ×UTKà nDKÐ
sÄ UN²¹ULŠ V−¹ UL WOÄUÄô« WŠuKë ◊UIÝ« Ë√ …uIÐ „UPÄô« —cŠ«
Ærz«œ qDFÐ UN²ÐU8« VM−²Ã UNOKŽ Èdš« qz«uÝ Í√ Ë√ ¡U*« ŸuÁË
W{dFÄ X½U «–« W×O×8 …—uBÐ rJײë …bŠË qLFð ô bÁ •
Æ…dýU³*« fLAë WFýô
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W?Ádꢀë b{ „“UNł W¹UL(
W³KŽ w1 UNM¹eHðË WOPOzdë …bŠuë sŽ WOÄUÄô« WŠuKë qB1 sJ1
ÆUN²ÁdÝ lM* WI1dÄ WOÁ«Ë
‰öš WOPOzdë …bŠuë sŽ WOÄUÄô« WŠuKë qB1 r²¹ rà «–« •
ÆtO³Mð ”dł u8 —bBOÝ ¨„d;« qOGAð ·UI¹ô Ê«uŁ fLš
WLG½ q¹u% rPÁ vë lł—≈ ÆtO³M²Ã« ”dł qOGAð ·UI¹« sJ1 •
Æ≥∂ W×H8 w1 d¹cײë ”dł
WIBd*« W¹UL(« W³KŽ wB WOÄUÄô« WŠuKë l{ ≥
ÆWLOKÝ UNOKŽ ÿUH×KÃ
W?OÄUÄô« WŠuKë VOÂdð …œUŽ«
vKŽ WLzUÁ …—uBÐ UNÂUꢀÄUÐ WOÄUÄô« WŠuKë V— ꢀ
ÂU¼
ÆXO³¦²Ã« UBUDš vKŽ ÂUJŠUÐ UN²³ŁË “UN'« «c¼
bMŽ —«—“ô«Ë W{—UFë vKŽ …uIÐ jGCë Ë√ „UPÄô« ÂbŽ V−¹ •
ÆUN³OÂdð Ë√ UNKB1
Æ…b¹bý «“«e²¼ô WOÄUÄô« WŠuKë i¹dFð VM& •
…dýU³*« fLAë WFýô WOÄUÄô« WŠuKë i¹dFð ÂbŽ vKŽ k1UŠ •
ÆWOÃUŽ …—«dŠ Uł—œ Ë√
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rꢀIë
“U?N'« «c¼ «bT²Ý« q³Á
∞
WMA n?KÄ ‰uŠ
b?FÐ sŽ rJײë …bŠË «bT²Ý«
UNÐ W¹UMFëË
W¹—UD³Ã« VOÂdð
×U)« vë bFÐ sŽ rJײë …bŠË nKš œułu*« WOMOBë oOÃe²Ð rÁ
WN−²Ä ©≠® W³ÃUPÃ«Ë ©´® W³łu*« UNÐUDÁ« œułuÐ W¹—UD³Ã« V—Ë
ÆW×O×8 …—uBÐ
W−²M*« Ác¼ ÊUÐ ‚ËbMBë vKŽ Ÿu³D*« ™“ËbM¹Ë U¹bOÄ eÄ— `{u¹
ÆWMA “ËbM¹uKà WOðu8 U¹bOÄ U½UO³Ã ŸUL²Ýô« …œUŽ« UNMJ1
w¼Ë ™“ËbM¹uKà WOðu8 U¹bOÄ `KDB* —UB²š≈ w¼ WMA WLKÂ
WÂdý q³Á sÄ —uÞ w²Ã«Ë uBë jG{ WOMIð vë œuFð
U¹bOÄ qGAÄ Â«bH²ÝUÐ WMA U½UOÐ dOHAð sJ1 ÆX1uÝËdJOÄ
ÆÀbŠô«Ë ∑ WHP½ “ËbM¹Ë
Ë√ W¹—U& UÄöŽ w¼ “ËbM¹ËË ¨“ËbM¹Ë U¹bOÄ ¨X1uÝËdJOÄ “uÄdë
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UIO³D²Ã« iFÐ lÄ W×O×8 …—uBÐ “UN'« «c¼ qLF¹ ô bÁ
ÆWMA UHKÄ dOHA²Ã WÄbH²P*«
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UHKÄ dOHAð w1 ÂbH²P*« “ËbM¹uë U¹bOÄ qGAÄ WHPMà UI1Ë
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UHKÄ …b¼UAÄ …œUŽ« ¡bÐ bMŽ jOPÐ dOšQð „UM¼ ÊuJ¹ bÁ
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Æd¦Â« Ë√ dNý …b* bFÐ
W¹—UD³Ã« sÄ hKH²Ã« Ë√ 5HPð ¨p1 ¨s×ý …œUŽ« ÂbŽ V−¹ •
Æ—UMë w1 UNzUIÃUÐ
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ÆWO½bFÄ œ«uÄ lÄ ÂuO¦OKë W¹—UDÐ s¹eHð ÂbŽ V−¹ •
bFÐ sŽ rJײë …bŠË `PÄ« ¨W¹—UD³Ã« sÄ »dPð ŸuÁË WÃUŠ w1 •
Æ…b¹bł W¹—UDÐ VÂ—Ë UNHOEM²Ã UÄU9
5½«uIë ŸU³ð« vłd¹ ¨WÄbH²P*« U¹—UD³Ã« sÄ hKH²Ã« bMŽ •
r²¹ w²Ã« WÄUFë W¾O³Ã« W¹ULŠ U¾O¼ 5½«uÁ Ë√ WOÄuJ(«
ÆUNO1 gOFð w²Ã« WIDM*«ØWÃËbë w1 UNIO³Dð
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b?FÐ sŽ rJײë …bŠË «bT²Ý«
Æ“UN'« qOGA²Ã WOÄUÄô« WŠuKë ÁU&« w1 bFÐ sŽ rJײë …bŠË tłË
µ
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“U?N'« «c¼ «bT²Ý« q³Á
∞
U¹«e*«
“U?N'« «c¼ ‰uŠ
W?−ÄbÄ W½«uDÝô ŸUL²Ýô« …œUŽ«
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d¹c%
bÁ YOŠ Æ“UN'« «c¼ vKŽ qz«uPë »UJP½UÐ ÕULPë ÂbŽ V−¹
sŽ Z²M¹ bÁ UL ÆWOzUÐdN WÄbBÐ WÐU8ô« vë «c¼ ÍœR¹
Wł—œ ŸUHð—«Ë ÊUšœ ÀUF³½« ¨“UN'« qDFð qz«uPë »UJP½«
Æ…bz«“ …—uBÐ tð—«dŠ
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Èu²P*« sÄ WOÝUOÁ ö−Pð® CD-ROM/CD-R/CD-RW
Æ©ISO9660 ÂUEMÃ ≤ Èu²P*«Ø
UOKLFà UFłdÄ ÊuJ¹ wJà „b¹ ‰ËUM²Ä w1 qOÃbë «cNÐ kH²Š«
Æ UÞUO²Šô«Ë qOGA²Ã«
•
•
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…d«– `PÄ r²OÝ ¨…—UOPë W¹—UDÐ XM×ý Xžd1 Ë√ XKB1 «–«
ÆUN²−ÄdÐ …œUŽ« V−¹Ë o³P*« j³Cë
wK;« pKOÂuÐ qBð« ¨W×O×8 …—uBÐ “UN'« «c¼ qLF¹ rà «–«
ÆdO½u¹U³Ã …bL²FÄ W½UO8 UÄbš WD×Ä »dÁ« Ë√
•
ÆXO½d²½ô« vKŽ http://www.mp3licensing.com
q?OÃbë «c¼ ‰uŠ
sLCð w²Ã«Ë …—uD²*« nzUþuë sÄ œbŽ vKŽ “UN'« «c¼ sLC²¹
qNÝô nzUþuë Ác¼ lOLł XLL8 Æ5Fz«— ôU³I²Ý«Ë öOGAð
qOÃœ ·bN¹ «cà ÆtPHMÐ tKLŽ `{u¹ ô U¼d¦Â« sJÃË ¨sJ2 ÂbH²Ý«
“UN'« UO½UJÄ« lOLł sÄ …œUH²Ýöà pðbŽUPÄ vë «c¼ qOGA²Ã«
p×BM½ ÆŸUL²Ýô« WF²Ä Uł—œ vBÁ« vKŽ qB% wJà qÄUJÃUÐ
«c¼ …¡«dIÐ UNKOGAð ‚dÞË nzUþuë «bH²Ý« vKŽ pPH½ œuFð ÊUÐ
W8Uš …—uBÐ rN*« sÄ Æ“UN'« «c¼ «bH²ÝUÐ ¡b³Ã« q³Á UÄU9 qOÃbë
ÆqOÃbë «c¼ w1 …œułu*« «d¹c×²Ã«Ë UNO³M²Ã« ŸU³ð«Ë …¡«dÁ
WMA n?K* ŸUL²Ýô« …œUŽ«
CD- U½«uDÝ« vKŽ WK−PÄ WMA UHK* ŸUL²Ýô« …œUŽ« sJ1
Ø Èu²P*« sÄ WOÝUOÁ ö−Pð® ROM/CD-R/CD-RW
Æ©ISO9660 ÂUEMÃ ≤ Èu²P*«
WAV U?HK* ŸUL²Ýô« …œUŽ«
CD- U½«uDÝ« vKŽ WK−PÄ WAV UHK* ŸUL²Ýô« …œUŽ« pMJ1
Ø(LPCM) WODš PCM öO−Pð® ROM/CD-R/CD-RW
Æ©MS ADPCM
Ar
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U¹u²;«
wÃËô« j³Cë ∞π
≥µ wÃËô« j³Cë ŸU{Ë« j³{
Í—uHë —UO²šô« WHOþuà ŸUL²Ýô« WLzUÁ «bH²Ý«
≤∂ ITS WOMžöÃ
≥µ WŽUPë j³{
Í—uHë —UO²šô« W−ÄdÐ WDÝ«uÐ ŸUL²Ýô« WLzUÁ qLŽ ≠
≤∂ ITS WOMžöÃ
≥µ FM « ·« WłuÄ WHëuÄ Wł—œ j³{
≥∂ AM « t¹« WłuÄ WHëuÄ Wł—œ j³{
≥∂ d¹cײë ”dł WLG½ q¹u%
WOMžöà ͗uHë —UO²šôUÐ ŸUL²Ýô« WLzUÁ sÄ ŸUL²Ýô« ≠
≤∑ ITS
≥∂ WO1U{ô« …eNłô« j³{ ŸU{Ë« q¹u%
iOH)« uBë WŽULÝ rJײÄË WOHK)« WŽULPë Ãdš j³{
≥∂ WOŽdHë
Í—uHë —UO²šôUÐ pŽUL²Ý« WLzUÁ sÄ WOMž« `PÄ ≠
≤∑ ITS WOMžöÃ
—UO²šôUÐ pŽUL²Ý« WLzUÁ sÄ W−Äb*« W½«uDÝ« `PÄ ≠
≤∑ ITS WOMžöà ͗uHë
Èdšô« nzUþuë
≥∏ ·UI¹ô« Ë√ qOGA²Ã« wF{Ë 5Ð WŽUPë ÷dŽ q¹u%
≥∏ AUX w1U{« —bBÄ Â«bH²Ý≈
≥∏ qOGA²Kà —bBL AUX w1U{« l{Ë —UO²š« ≠
≥∏ AUX w1U{ô« Ê«uMŽ j³{ ≠
∞
≤∏ U½«uDÝô« s¹ËUMŽ nzUþË Â«bH²Ý«
≤∏ U½«uDÝô« s¹ËUMŽ ‰Ušœ« ≠
≤∏ U½«uDÝô« s¹ËUMŽ ÷dŽ ≠
’uB½ vKŽ W¹u²;« W−Äb*« U½«uDÝô« nzUþË Â«bH²Ý«
≤π CD TEXT
’uB½ ’«dÁ√ vKŽ …œułu*« ’uBMë UÄuKFÄ ÷dŽ ≠
≤π CD TEXT W½«uDÝô«
WOBU{« UÄuKFÄ
W−Äb*« U½«uDÝô« qGA0 W8U)« QD)« qzUÝ— rN1
≥π wKš«bë
≤π WýUAë vKŽ ’uBMë U½UOÐ 5Ð qIM²Ã« ≠
≤π uBë …—UNłË jG{ e¹eFð «bH²Ý«
≥π tÐ W¹UMFÃ«Ë W−Äb*« U½«uDÝô« qGAÄ
¥∞ CD-R/CD-RW U½«uDÝ«
uBë j³{ ∞∏
≥∞ uBë j³{ UOKLFÐ n¹dF²Ã«
≥∞ uBë Ê“«uð j³{ «bH²Ý«
¥∞ WAV Ë WMA ¨MP3 UHKÄ
¥
MP3 UHK* WO1U{« U½UOÐ ≠
WMA UHK* WO1U{« U½UOÐ ≠
WAV UHK* WO1U{« U½UOÐ ≠
¥
≥
w½UO³Ã« Ê“«u*« «bH²Ý«
¥
≥
w½UO³Ã« Ê“«u*« UOM×MÄ ¡UŽb²Ý« ≠
w½UO³Ã« Ê“«u*« UOM×MÄ j³{ ≠
¥≤ WAV/WMA/MP3 UHKÄË UE1U(« ‰uŠ
¥≥ U×KDBÄ
≥
≥≤ w½UO³Ã« Ê“«u*« UOM×M* oOÁbë j³Cë ≠
≥≤ uBë uKŽ j³{
¥µ UH8«u*«
≥≤ WCOH)« «œœ«d²Ã« —UN−Ä Ãdš «bH²Ý«
≥≥ WCOH)« «œœd²Ã« —UN−Ä U¾ONð j³{ ≠
≥≥ ÍuKFë —Ëd*« `ýdÄ Â«bH²Ý«
≥≥ dON'« uBë e¹eFð
≥¥ (F.I.E.) wÄUÄô« uBë “«dЫ “eFÄ
≥¥ —bB*« U¹u²PÄ j³{
≥
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U¹u²;«
ÆdO½u¹UÐ sÄ “UN'« «cNÃ pz«dý vKŽ „dJA½
Ác¼ …¡«dÁ sÄ ¡UN²½ô« bFÐ ÆW×O×8 …—uBÐ „“UNł qOGAð WOHO vKŽ ·dF²Kà Ác¼ qOGA²Ã« ULOKFð …¡«dÁ vłd¹
Æq³I²P*« w1 UNOë ŸułdKà sÄ« ÊUJÄ w1 «bOFÐ UNF{ ¨ ULOKF²Ã«
∂ WOÃU(« W½«uDÝô« vKŽ w½Už« dAŽ qJà Y׳ë
“UN'« «c¼ «bT²Ý« q³Á ∞
¥ “UN'« «c¼ ‰uŠ
∂
U½«uDÝô« s¹ËUMŽ nzUþË Â«bH²Ý«
U½«uDÝô« s¹ËUMŽ ‰Ušœ« ≠
U½«uDÝô« s¹ËUMŽ ÷dŽ ≠
∂
∑
¥ qOÃbë «c¼ ‰uŠ
¥ U¹«e*«
µ WMA nKÄ ‰uŠ
µ UNÐ W¹UMFÃ«Ë bFÐ sŽ rJײë …bŠË «bH²Ý«
µ W¹—UD³Ã« VOÂdð ≠
’uB½ vKŽ W¹u²;« W−Äb*« U½«uDÝô« nzUþË Â«bH²Ý«
∑ CD TEXT
’uB½ ’«dÁ√ vKŽ …œułu*« ’uBMë UÄuKFÄ ÷dŽ ≠
∑ CD TEXT W½«uDÝô«
µ bFÐ sŽ rJײë …bŠË «bH²Ý« ≠
∂ WÁdPë b{ „“UNł W¹UL(
∂ WOÄUÄô« WŠuKë qB1 ≠
∂ WOÄUÄô« WŠuKë VOÂdð …œUŽ« ≠
∑ WýUAë vKŽ ’uBMë U½UOÐ 5Ð qIM²Ã« ≠
WAV/WMA/MP3 UHKÄ U½«uDÝ« qGAÄ ∞∂
∏ WAV/WMA/MP3 UHK* ŸUL²Ýô«
wKš«bë W−Äb*« U½«uDÝô« qGAÄ qOGAð UOKLFÐ n¹dFð
≤∞ WÄbI²*« (WAV/WMA/MP3)
¡«ełôUÐ n¹dF²Ã« ∞≤
∑ WOPOzdë …bŠuë
∏ bFÐ sŽ rJײë …bŠË
≤∞ —dJ²*« ŸUL²Ýô«
≤∞ wz«uAŽ VOðd²Ð w½Užúà ŸUL²Ýô«
WÁUDë OFF ·UI¹«ØON qOGAð ∞≥
π “UN'« WÁUÞ qOGAð
≤
w½Užô«Ë UE1U(« `PÄ
≤
U²ÁRÄ WAV/WMA/MP3 UHK* ŸUL²Ýô« ·UI¹«
π —bB*« —UO²š«
π “UN'« WÁUÞ qOGAð ·UI¹«
≤
BMX Ë uBë jG{ «bH²Ý«
≤≤ Y׳ë WI¹dÞ —UO²š«
≤≤ WOÃU(« WE1U(« vKŽ w½Už« dAŽ qJà Y׳ë
W½«uDÝ« vKŽ …œułu*« ’uBMë UMOÐ ÷dŽ
≤≤ WMA/MP3
u¹œ«dë ∞¥
∞ u¹œ«dKà ŸUL²Ýô«
WÄbI²*« u¹œ«dë qOGAð UOKLFÐ n¹dFð
Y³Ã« UD×Ä UÐcЖ ¡UŽb²Ý«Ë s¹eHð
W¹uIë UD;« WHëuÄ
W½«uDÝô ŸUL²Ýô« …œUŽ« bMŽ ≠
≤≤ WMA/MP3
≤≥ WAV W½«uDÝô ŸUL²Ýô« …œUŽ« bMŽ ≠
≤≥ WýUAë vKŽ ’uBMë UMOÐ 5Ð qIM²Ã«
≤ W¹uIë UD;« UÐcЖ s¹eHð
wKš«bë W−Äb*« U½«uDÝô« qGAÄ ∞µ
≥ W−ÄbÄ W½«uDÝô ŸUL²Ýô«
wKš«bë W−Äb*« U½«uDÝô« qGAÄ qOGAð UOKLFÐ n¹dFð
¥ WÄbI²*«
…œbF²*« W−Äb*« U½«uDÝô« qGAÄ ∞∑
≤¥ W−ÄbÄ W½«uDÝô ŸUL²Ýô«
≤¥ W½«uDÝ« µ∞ Ë– …œbF²*« W−Äb*« U½«uDÝô« qGAÄ
…œbF²*« W−Äb*« U½«uDÝô« qGAÄ qOGAð UOKLFÐ n¹dFð
≤µ WÄbI²*«
¥ —dJ²*« ŸUL²Ýô«
¥ wz«uAŽ VOðd²Ð w½Užöà ŸUL²Ýô«
¥ W−ÄbÄ W½«uDÝ« w½Už« `PÄ
≤µ —dJ²*« ŸUL²Ýô«
≤µ wz«uAŽ VOðd²Ð w½Užöà ŸUL²Ýô«
≤µ w½Užô«Ë U½«uDÝô« `PÄ
µ U²ÁRÄ W−ÄbÄ W½«uDÝô ŸUL²Ýô« ·UI¹«
µ BMX Ë uBë jG{ «bH²Ý«
µ Y׳ë WI¹dÞ —UO²š«
≤∂ U²ÁRÄ W−ÄbÄ W½«uDÝô ŸUL²Ýô« ·UI¹«
Ar
≤
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Black plate (84,1)
PIONEER CORPORATION
4-1, MEGURO 1-CHOME, MEGURO-KU, TOKYO 153-8654, JAPAN
PIONEERELECTRONICS (USA) INC.
P.O. Box 1540, Long Beach, California 90801-1540, U.S.A.
TEL: (800) 421-1404
PIONEEREUROPE NV
Haven 1087, Keetberglaan 1, B-9120 Melsele, Belgium
TEL: (0) 3/570.05.11
PIONEER ELECTRONICS ASIACENTRE PTE. LTD.
253 Alexandra Road, #04-01, Singapore 159936
TEL: 65-6472-7555
PIONEER ELECTRONICS AUSTRALIA PTY. LTD.
178-184 Boundary Road, Braeside, Victoria 3195, Australia
TEL: (03) 9586-6300
PIONEERELECTRONICS OF CANADA, INC.
300 Allstate Parkway, Markham, Ontario L3R OP2, Canada
TEL: 1-877-283-5901
PIONEERELECTRONICS DE MEXICO, S.A. de C.V.
Blvd.Manuel Avila Camacho 138 10 piso
Col.Lomas de Chapultepec, Mexico, D.F. 11000
TEL: 55-9178-4270
HÒ¡ýÉPlø
=lø : ðꢀÂ-qꢀ44_13ꢀ
ûq : (02) 2521-3588
Published by Pioneer Corporation.
Copyright © 2005 by Pioneer Corporation.
All rights reserved.
HÒûPÈ™/ÉÉPlø
™/]ꢀ™€w/ÎꢀLFm-Ã
9ꢀ901-6¤
HÒløúHÂHÒlø © 2005 HꢀÂ
Hꢀ@ÉÂ
ûq : (0852) 2848-6488
Printed in Thailand
ðꢀp7
<KNNZX> <05G00000>
<YRD5041-A/N> GS
<YRD5041-A/N>
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