Pioneer Car Stereo System KEH P6910R User Manual

Multi-CD control High power cassette player with

RDS tuner

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Operation Manual

KEH-P6910R

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Disc Title ........................................................ 31

Other Functions ........................................ 46

Disc Title Input (TITLE IN)

Selecting Discs by Disc Title List

Using the PGM Button (PGM-FUNC) ............ 46

Setting the PGM Button

Using the PGM Button

(TITLE LIST)

Displaying Disc Title

Using the AUX Source .................................... 48

Compression and DBE (COMP/DBE) ............ 33

Selecting the AUX Source

AUX Title Input

COMP/DBE ON/OFF Switching

CD TEXT Function (for CD TEXT

Cellular Telephone Muting ............................ 48

compatible type) ...................................... 34

Title Display Switching

Title Scroll

Cassette Player and Care ...................... 49

Precaution ........................................................ 49

Playing Discs on a 50-Disc Type

About the Cassette Player

About Cassette Tapes

Multi-CD Player ...................................... 35

Cleaning the Head .......................................... 49

Audio Adjustment ......................................36

Selecting the Equalizer Curve ........................ 36

Entering the Audio Menu ................................ 36

Audio Menu Functions .................................... 37

Specifications .......................................... 50

Balance Adjustment (FADER)

Equalizer Curve Adjustment

(EQ-LOW/MID/HIGH)

Equalizer Curve Fine Adjustment

Loudness Adjustment (LOUD)

Front Image Enhancer Function (FIE)

Source Level Adjustment (SLA)

Detaching and Replacing the

Front Panel .......................................... 41

Theft Protection .............................................. 41

Detaching the Front Panel

Replacing the Front Panel

Warning Tone

Initial Setting ............................................ 43

Entering the Initial Setting Menu .................... 43

Initial Setting Menu Functions ........................ 44

Switching the Auto PI Seek (A-PI)

Setting the Warning Tone (WARN)

Switching the AUX Mode (AUX)

Setting the Dimmer (DIMMER)

Selecting the Illumination Color (ILL.CLR)

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Key Finder

Head Unit

BAND/ESC button

DISPLAY button

VOLUME

FUNCTION button

5/∞/2/3 buttons

OPEN button

selector

TA button

Buttons 1–6

AUDIO button

PGM button

PTY button

SOURCE/OFF button

Steering Remote Controller (CD-SR77)

The steering remote controller (CD-SR77) enabling remote control of the head unit is sold

separately. Operation is the same as when using buttons on the head unit.

ATT button

This lets you quickly

lower volume level

(by about 90%). Press

once more to return to

the original volume

level.

BAND button

SOURCE/OFF button

2/3 buttons

5/∞ buttons

+/– button

Raise or

lower the

volume.

FUNCTION button

AUDIO button

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Before Using This Product

About This Product

The tuner frequencies on this product are allocated for use in Europe, Asia, the Middle

East, Africa and Oceania. Use in other areas may result in improper reception. The RDS

function operates only in areas with FM stations broadcasting RDS signals.

About This Manual

This product features a number of sophisticated functions ensuring superior reception and

operation. All are designed for the easiest possible use, but many are not self-explanatory.

This operation manual is intended to help you benefit fully from their potential and to

maximize your listening enjoyment.

We recommend that you familiarize yourself with the functions and their operation by

reading through the manual before you begin using this product. It is especially important

that you read and observe the “Precaution” on the next page and in other sections.

This manual explains head unit operation. You can perform the same operations with the

steering remote controller (CD-SR77). The steering remote controller offers the conve-

nience of ATT, a function not provided on the head unit.

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Before Using This Product

Precaution

• Keep this manual handy as a reference for operating procedures and precautions.

• Always keep the volume low enough for outside sounds to be audible.

• Protect this product from moisture.

• If the battery is disconnected, the preset memory will be erased and must be repro-

grammed.

In Case of Trouble

Should this product fail to operate properly, contact your dealer or nearest authorized

Pioneer Service Station.

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Basic Operation

To Listen to Music

The following explains the initial operations required before you can listen to music.

Note:

•

Loading a cassette in this product. (Refer to page 9.)

1. Select the desired source. (e.g. Tuner)

Each press changes the Source ...

Each press of the SOURCE/OFF button selects the desired source in the following order:

Tuner = Tape = Multi-CD player = External Unit = AUX

Note:

•

External Unit refers to a Pioneer product (such as one available in the future) that, although incom-

patible as a source, enables control of basic functions by this product. Only one External Unit can

be controlled by this product.

•

In the following cases, the sound source will not change:

* When a product corresponding to each source is not connected to this product.

* When no tape is set in this product.

* When no magazine is set in the Multi-CD player.

* When the AUX (external input) is set to OFF. (Refer to page 44.)

When this product’s blue/white lead is connected to the car’s Auto-antenna relay control terminal,

the car’s Auto-antenna extends when this product’s source is switched ON. To retract the antenna,

switch the source OFF.

•

2. Extend the VOLUME forward.

When you press the VOLUME, it extends forward so that it becomes easier to roll. To

retract the VOLUME, press it again.

Continued overleaf.

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Basic Operation

3. Raise or lower the volume.

Rolling the VOLUME changes the volume level.

Note:

•

Roll clockwise to raise the volume level.

Roll counterclockwise to lower the volume level.

4. Turn the source OFF.

Hold for 1 second

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Basic Operation of Tuner

This product’s AF function can be switched ON and OFF. AF should be switched OFF for

normal tuning operations. (Refer to page 18.)

Manual and Seek Tuning

• You can select the tuning method by changing the length of

time you press the 2/3 button.

Manual Tuning (step by step)

Seek Tuning

0.5 seconds or less

0.5 seconds or more

Note:

•

If you continue pressing the button for longer than 0.5 seconds, you can skip

broadcasting stations. Seek Tuning starts as soon as you release the button.

•

Stereo indicator “” lights when a stereo station is selected.

Band Indicator

Frequency Indicator

Preset Number Indicator

Band

Preset Tuning

F1 (FM1) = F2 (FM2)

= F3 (FM3) = MW/LW

• You can memorize broadcast stations in buttons

1 through 6 for easy, one-touch station recall.

Note:

Preset station recall

2 seconds or less

2 seconds or more

•

The FM bands cover

different frequency

ranges as below;

F1 (FM1):

Broadcast station preset memory

65 — 74 MHz

F2 (FM2) , F3 (FM3):

87.5 — 108 MHz

Note:

•

Up to 18 FM stations (6 in F1 (FM1), F2 (FM2) and F3

(FM3)) and 6 MW/LW stations can be stored in memory.

You can also use the 5 or ∞ buttons to recall broadcast sta-

tions memorized in buttons 1 through 6.

•

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Basic Operation

Basic Operation of Cassette Player

Note:

•

Be sure to close the front panel after loading or ejecting a cassette.

Open

Note:

•

Use to open the front panel when loading or ejecting a cassette.

(The illustration on the right shows the front panel open.)

Direction Indicator

Direction Change

Play Time Indicator

Note:

•

The continuous playback time count starts at 00’00” at

the following times.

* When a tape is inserted.

* When the tape direction is changed.

* When you rewind the tape side currently playing

back to the beginning.

•

The continuous playback time count is halted when

fast-forwarding/rewinding and while the Music Search

function is operating.

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Fast Forward/Rewind and Music Search

• Each press of the 3 button selects Fast Forward or Forward-

Music Search.

FF (Fast Forward) = F-MS (Forward-Music Search) = Normal Playback

• Each press of the 2 button selects Rewind or Rewind-Music

Search.

REW (Rewind) = R-MS (Rewind-Music Search) = Normal Playback

Note:

•

Fast Forward/Rewind and Music Search can be canceled by pressing the BAND but-

ton.

Cassette Loading Slot

Note:

•

“METAL” appears on the display for 4 seconds when a

metal or chrome tape is inserted. Nothing is displayed for a

normal tape.

Eject

Note:

•

The Tape function can be

turned ON/OFF with the cas-

sette tape remaining in this

product. (Refer to page 6.)

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Basic Operation

Basic Operation of Multi-CD Player

This product can control a Multi-CD player (sold separately).

Track Search and Fast Forward/Reverse

• You can select between Track Search or Fast

Forward/Reverse by pressing the 2/3 button

for a different length of time.

Track Search

0.5 seconds or less

Continue pressing

Fast Forward/Reverse

Disc Number Indicator

Play Time Indicator

Track Number Indicator Disc Search

Disc Number Search (for 6-Disc, 12-Disc types)

• You can select discs directly with the 1 to 6 buttons. Just press the num-

ber corresponding to the disc you want to listen to.

Note:

•

When a 12-Disc Multi-CD Player is connected and you want to select disc 7 to 12, press the

1 to 6 buttons for 2 seconds or longer.

Note:

•

The Multi-CD player may perform a preparatory operation, such as verifying the presence of

a disc or reading disc information, when the power is turned ON or a new disc is selected for

playback. “READY” is displayed.

•

If the Multi-CD player cannot operate properly, an error message such as “ERROR-14” is

displayed. Refer to the Multi-CD player owner’s manual.

If there are no discs in the Multi-CD player magazine, “NO DISC” is displayed.

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Corresponding Display Indications and Buttons

This product’s display features Key Guidance Indicators. These light to indicate which of

the 5/∞/2/3, FUNCTION and AUDIO buttons you can use. When you’re in the

Function Menu (refer to next section), Detailed Setting Menu (refer to page 14), Initial

Setting Menu (refer to page 43) or Audio Menu (refer to page 36), they also make it easy

to see which 5/∞/2/3 buttons you can use to switch functions ON/OFF, switch repeat

selections and perform other operations.

Indicator and corresponding buttons are shown below.

7 Head Unit

7 Steering Remote

Controller

7 Display

When 1 is lit in the display, perform appropriate operations with the z buttons.

When 2 is lit in the display, it indicates that you are in the Function Menu, Detailed

Setting Menu or Initial Setting Menu. You can switch between each of these menus and

between different modes in the menus using button x on the head unit or steering remote

controller.

When 3 is lit in the display, it indicates you are in the Audio Menu. You can switch

between modes in the Audio Menu using button c on the head unit or steering remote

controller.

Entering the Function Menu

The Function Menu lets you operate simple functions for each source.

Note:

•

After entering the Function Menu, if you do not perform an operation within about 30 seconds, the

Function Menu is automatically canceled.

1. Select the desired mode in the Function Menu. (Refer to next section,

“Function Menu Functions”.)

Each press changes the Mode ...

Continued overleaf.

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Basic Operation

2. Operate a mode. (e.g. Repeat Play)

The button used and the operation it performs are

indicated by the key guidance indicator. Press the

5 button to switch the key guidance indicator ON,

and the ∞ button to switch it OFF.

3. Cancel the Function Menu.

Function Menu Functions

The following chart shows functions for each source in the Function Menu. The chart also

shows indications for each function, operations and buttons used to perform operations.

For more details, or when you want to know about an operation, refer to the page number

indicated in the chart.

7 Tuner

Function name (Display)

Button: Operation

Page

Best Stations Memory (BSM)

5: ON

∞: OFF

Regional (REG)

5: ON

∞: OFF

Local Seek Tuning (LOCAL)

1 5: ON

3 ∞: OFF

2 2 or 3: Select (Sensitivity)

TA Function (TA)

5: ON

∞: OFF

News Program Interruption Setting

(NEWS)

5: ON

∞: OFF

AF Function (AF)

5: ON

∞: OFF

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7 Cassette Player

Function name (Display)

Repeat Play (REPEAT)

Button: Operation

Page

5: ON

∞: OFF

Blank Skip (B-SKIP)

Radio Intercept (RI)

Dolby B NR (B NR)

5: ON

∞: OFF

3: ON

2: OFF

3: ON

2: OFF

7 Multi-CD Player

Function name (Display)

Repeat Play (REPEAT)

Button: Operation

Page

2 or 3: Select (Play range)

Selecting Discs by Disc Title List

(TITLE LIST)

1 2 or 3: Select (Disc Title)

2 5: Play

Random Play (RANDOM)

Scan Play (SCAN)

ITS Play (ITS-P)

5: ON

∞: OFF

5: ON

∞: OFF

5: ON

∞: OFF

Pause (PAUSE)

5: ON

∞: OFF

Compression and DBE

(COMP/DBE)

5 or ∞: Select

(Sound Quality Function)

Entering the Detailed Setting Menu

In the Detailed Setting Menu, you can operate convenient, complex functions for each

source.

1. Enter the Detailed Setting Menu.

Hold for 2 seconds

Continued overleaf.

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Basic Operation

2. Select the desired mode. (Refer to next section, “Detailed Setting Menu

Functions”.)

Each press changes the Mode ...

3. Operate a mode.

4. Cancel the Detailed Setting Menu.

Note:

•

You can cancel the Detailed Setting Menu by pressing the FUNCTION button again for 2 seconds.

Detailed Setting Menu Functions

The following chart shows functions for each source in the Detailed Setting Menu. The

chart also shows indications for each function, operations and buttons used to perform

operations. For more details, or when you want to know about an operation, refer to the

page number indicated in the chart.

7 Tuner

Function name (Display)

Button: Operation

Page

Program Function (PGM-FUNC)

1 2 or 3: Select (Function)

2 5: Memory

7 Cassette Player

Function name (Display)

Program Function (PGM-FUNC)

Button: Operation

Page

1 2 or 3: Select (Function)

2 5: Memory

7 Multi-CD Player

Function name (Display)

Disc Title Input (TITLE IN)

Button: Operation

Page

1 5 or ∞: Select (Letter)

2 2 or 3: Select (Position)

3 3: Memory

ITS Programming (ITS)

5: Memory

Program Function (PGM-FUNC)

1 2 or 3: Select (Function)

2 5: Memory

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Tuner Operation

Local Seek Tuning (LOCAL)

When Local is ON, you can only select broadcast stations providing strong reception.

1. Press the FUNCTION button and select the Local mode (LOCAL) in the

Function Menu.

2. Switch the Local ON/OFF

with the 5/∞ buttons.

3. Select the desired Local Seek

sensitivity with the 2/3 but-

tons.

: LOCAL 1 Ô LOCAL 2 Ô LOCAL 3 Ô LOCAL 4

MW/LW : LOCAL 1 Ô LOCAL 2

Note:

•

The LOCAL 4 setting allows reception of only the strongest stations, while lower settings let you

receive progressively weaker stations.

Best Stations Memory (BSM)

The BSM function stores stations in memory automatically.

1. Press the FUNCTION button and select the BSM mode (BSM) in the

Function Menu.

2. Switch the BSM ON with the

5 button.

The stations with the strongest sig-

nals will be stored under buttons

1–6 and in order of their signal

strength.

• To cancel the process, press

the ∞ button in the Function

Menu before memorization is

complete.

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Using RDS Functions

What is RDS?

RDS (Radio Data System) is a system for transmitting data on the FM2 and FM3 bands.

This data, which is inaudible, provides a variety of features such as: program service name,

program type display, traffic announcement standby, automatic tuning and program type

tuning, intended to aid radio listeners in tuning to a desired station.

Note:

•

RDS service may not be provided by all stations.

RDS functions, like AF (Alternative frequencies search) and TA (Traffic Announcement standby),

are only active when your radio is tuned to RDS stations.

Program Service Name Display

With this function, the names of networks/stations providing RDS services replace the fre-

quency on the display a few seconds after they are tuned in.

• When you want to know PTY Information or the frequency of the current

station, change the display.

Each press changes the Display ...

Each press of the DISPLAY button selects the display in the following order:

Program Service Name = PTY Information = Frequency

Note:

•

After switching displays, if you do not perform an operation within 8 seconds, the Program Service

Name is automatically displayed.

7 PTY Information

PTY (Program Type ID code) information for the currently tuned station appears on the

display for 8 seconds. The information is correlated with the list in the section “PTY List”

on page 24.

Note:

•

If a PTY code of zero is received from a station, “NONE” will be displayed. This indicates that the

station has not defined its program contents.

•

If the signal is too weak for this product to pick up the PTY code, “NO PTY” will be displayed.

7 Frequency

The frequency of the current station appears on the display.

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AF Function (AF)

The AF (Alternative Frequencies search) function is used to search for other frequencies in

the same network as the currently tuned station. It automatically retunes the receiver to

another frequency in the network which is broadcasting a stronger signal when there are

problems with reception of the currently tuned station or better reception is possible on

a different frequency.

Note:

•

AF tunes the receiver only to RDS stations when you use Seek tuning or BSM Auto Memory with

the “AF ” indicator ON.

•

When you recall a preset station, the tuner may update the preset station with a new frequency from

the station’s AF list. (This is only available when using presets on the FM2 and FM3 bands.) No

preset number appears on the display if the RDS data for the station received differs from that for

the originally stored station.

•

Sound may be temporarily interrupted by another program during an AF frequency search.

When the tuner is tuned to a non-RDS station, the “AF ” indicator flashes.

AF can be switched ON or OFF independently for each FM band.

Activating/Deactivating the AF Function

AF is set to ON by default.

1. Press the FUNCTION button and select the AF mode (AF) in the Function

Menu.

2. Activate or deactivate AF while in an FM band.

“AF ” disappears

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Using RDS Functions

PI Seek Function

The tuner searches for another frequency broadcasting the same programming. “PI SEEK”

appears on the display and the radio volume is muted during a PI Seek. The muting is discon-

tinued after completion of the PI Seek, whether or not the PI seek has succeeded. If the PI

Seek is unsuccessful, the tuner returns to the previous frequency.

PI Seek

If the tuner fails to locate a suitable alternative frequency or if the broadcasting signal is

too weak for proper reception, the PI Seek will automatically start.

Auto PI Seek (for preset station)

When preset stations cannot be recalled, as when traveling long distances, this product can

be set to perform PI Seek also during preset recall.

The default setting for Auto PI Seek is OFF.

Note:

•

Refer to “Initial Setting” for details on how to switch Auto PI Seek ON/OFF.

Regional Function (REG)

When AF is used to retune the tuner automatically, REG (regional) limits the selection to

stations broadcasting regional programs.

Note:

•

Regional programming and regional networks are organized differently depending on the country

(i.e., they may change according to the hour, state or broadcast area).

The preset number may disappear on the display if the tuner tunes in a regional station which dif-

fers from the originally set station.

REG can be switched ON or OFF independently for each FM band.

Activating/Deactivating the REG Function

The REG function is set to ON by default.

1. Press the FUNCTION button and select the REG mode (REG) in the

Function Menu.

2. Activate or deactivate REG while in an FM band.

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TA Function (TA)

The TA (Traffic Announcement standby) function lets you receive traffic announcements

automatically, no matter what source you are listening to. The TA function can be activat-

ed for either a TP station (a station that broadcasts traffic information) or an EON TP sta-

tion (a station carrying information which cross-references TP stations).

Activating/Deactivating the TA Function

1. Tune in a TP or EON TP station.

The TP indicator (“

tion.

”) lights when the tuner is tuned to a TP station or an EON TP sta-

2. Activate the TA function.

“

”

The TA indicator (“ ”) lights, indicating that the tuner is waiting for traffic announce-

ments.

Repeat the preceding operation when no traffic announcement is being received to deacti-

vate the TA function.

Note:

•

You can also switch the TA Function ON/OFF in the Function Menu.

The system switches back to the original source following traffic announcement reception.

The TA function can be activated from sources other than tuner if the tuner was last set to the FM

band but not if it was last set to the MW/LW band.

•

If the tuner was last set to FM, turning on the TA function lets you operate other tuning functions

while listening to sources other than tuner.

Only TP or EON TP stations are tuned in during the Seek Tuning mode when the TA indicator

(“ ”) is ON.

Only TP or EON TP stations are stored by BSM when the TA indicator (“ ”) is ON.

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Using RDS Functions

Canceling Traffic Announcements

• Press the TA button while a traffic announcement is being received to cancel

the announcement and return to the original source.

The announcement is canceled but the tuner remains in the TA mode until the TA button is

pressed again.

Adjusting the TA Volume

When a traffic announcement begins, the volume adjusts automatically to a preset level to

enable you to hear the announcement clearly.

• Set the volume by adjusting it during reception of a traffic announcement.

The newly set volume is stored in memory and recalled for subsequent traffic announce-

ments.

TP Alarm Function

About 30 seconds after the TP indicator (“

”) is extinguished due to a weak signal, a 5

second beep sounds to remind you to select another TP or EON TP station.

• If you are listening to the tuner, tune in another TP station or EON TP sta-

tion.

In sources other than tuner, the tuner automatically seeks out the TP station with the

strongest signal in the current area 10 (or 30)* seconds after the TP indicator (“

appears from the display.

”) dis-

* Time taken before Seek begins.

TA function ON

10 seconds

30 seconds

TA, AF functions ON

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PTY Function

With Wide and Narrow classification of program type, the PTY function provides two

ways to select stations by the type of program being broadcast (PTY Search). It also pro-

vides automatic tuning to emergency broadcasts (PTY Alarm).

Note:

•

There’s no need to perform PTY Search settings again if they have previously been set. After

switching to the PTY Search Setting mode in Step 1, just perform PTY Search in Step 4.

Searching the PTY

1. Select the PTY Search Setting mode.

2. Select the PTY Search method (Wide, Narrow).

3. Select one from among the PTY.

4. Start PTY Search.

The tuner searches for a station broadcasting the desired PTY.

To cancel the PTY Search Setting mode, hold down the PTY button for 2 seconds or more.

Note:

•

The program of some stations may differ from that indicated by the transmitted PTY.

If no station broadcasting the selected programming type is found, “NOT FOUND” is displayed for

about 2 seconds, and the tuner returns to the original station.

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Using RDS Functions

News Program Interruption Setting

You can switch automatic reception of PTY code news programs ON/OFF. When a

received news program ends, reception of the previous program resumes.

• Set interruption to ON or OFF.

Hold for 2 seconds

“

”

PTY Alarm

PTY Alarm is a special PTY code for announcements regarding emergencies such as nat-

ural disasters. When the tuner receives the radio alarm code, “ALARM” appears on the

display and the volume adjusts to the TA volume. When the station stops broadcasting the

emergency announcement, the system returns to the previous source.

Note:

•

The system switches back to the original source following emergency announcement reception.

Canceling Emergency Announcements

• Press the TA button during emergency announcement reception to cancel

the announcement and return to the previous source.

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PTY List

Wide

Narrow

NEWS

Details

NEWS/INF

News.

AFFAIRS

INFO

Current affairs.

General information and advice.

Sports programs.

SPORT

WEATHER

FINANCE

POP MUS

ROCK MUS

EASY MUS

OTH MUS

Weather reports/Meteorological information.

Stock market reports, commerce, trading etc.

Popular music.

POPULAR

Contemporary modern music.

Easy listening music.

Other types of music, which can’t be

categorized.

JAZZ

Jazz music based programs.

Country music based programs.

National music based programs.

Oldies music, “Golden age” based programs.

Folk music based programs.

Light classical music.

COUNTRY

NAT MUS

OLDIES

FOLK MUS

L. CLASS

CLASSIC

EDUCATE

DRAMA

CLASSICS

OTHERS

Serious classical music.

Educational programs.

All radio plays and serials.

CULTURE

Programs concerned with any aspect of national

or regional culture.

SCIENCE

VARIED

Programs about nature, science and technology.

Light entertainment programs.

Children’s programs.

CHILDREN

SOCIAL

Social affairs programs.

RELIGION

PHONE IN

TOURING

Religion affairs programs or services.

Phone in based programs.

Travel programs, not for announcements about

traffic problem.

LEISURE

Programs about hobbies and recreational

activities.

DOCUMENT

Documentary programs.

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Using the Cassette Player

Repeat Play (REPEAT)

The repeat play lets you hear the same song over again.

1. Press the FUNCTION button and select the Repeat mode (REPEAT) in the

Function Menu.

2. Switch the Repeat Play

ON/OFF with the 5/∞ but-

tons.

Blank Skip (B-SKIP)

This function fast-forwards to the next song automatically if there is a long period of

silence (12 seconds or longer) between songs.

1. Press the FUNCTION button and select the Blank Skip mode (B-SKIP) in

the Function Menu.

2. Switch the Blank Skip

ON/OFF with the 5/∞ but-

tons.

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Radio Intercept (RI)

This function allows you to listen to the radio during tape fast-forwarding/rewinding.

Note:

•

The radio intercept function does not work during a Music Search operation.

1. Press the FUNCTION button and select the Radio Intercept mode (RI) in the

Function Menu.

2. Switch the Radio Intercept

ON/OFF with the 2/3 but-

tons.

Dolby B NR (B NR)

Switch to the Dolby B NR on when listening to a cassette recorded with Dolby B NR.

1. Press the FUNCTION button and select the Dolby B NR mode (B NR) in the

Function Menu.

2. Switch the Dolby B NR

ON/OFF with the 2/3 but-

tons.

“∂ B”

Note:

•

Dolby noise reduction manufactured under license from Dolby Laboratories Licensing Corporation.

“DOLBY” and the double-D symbol are trademarks of Dolby Laboratories Licensing Corporation.

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Using Multi-CD Players

Repeat Play (REPEAT)

There are three repeat play ranges: One-track Repeat, Disc Repeat and Multi-CD player

Repeat. Default repeat play range is Multi-CD player Repeat.

1. Press the FUNCTION button and select the Repeat Selecting mode

(REPEAT) in the Function Menu.

2. Select the desired repeat play

range with the 2/3 buttons.

Multi-CD player Repeat = One-

track Repeat = Disc Repeat

Play range

Display

MCD

TRK

Multi-CD player Repeat

One-track Repeat

Disc Repeat

DSC

Note:

•

If you select other discs during the repeat play, the repeat play range changes to Multi-CD player

Repeat.

•

If you perform Track Search or Fast Forward/Reverse during One-track Repeat, the repeat play

range changes to Disc Repeat.

Random Play (RANDOM)

Tracks are played at random within the selected repeat play range as explained in “Repeat

Play” above.

1. Press the FUNCTION button and select the Random mode (RANDOM) in

the Function Menu.

2. Switch the Random Play

ON/OFF with the 5/∞ but-

tons.

After selecting the desired repeat

play range from those referred to in

“Repeat Play” above, switch Multi-

CD Player Random Play ON.

Display

D-RDM

M-RDM

Play range

Disc Repeat

Multi-CD player Repeat

Note:

•

One-track Repeat changes to the Disc Repeat when you switch the Random Play ON.

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Scan Play (SCAN)

In the Disc Repeat, the beginning of each track on the selected disc is scanned for about 10

seconds. In the Multi-CD player Repeat, the beginning of the first track on each disc is

scanned for about 10 seconds.

1. Press the FUNCTION button and select the Scan mode (SCAN) in the

Function Menu.

2. Switch the Scan Play ON with the

5 button.

After selecting the desired repeat

play range from those referred to in

“Repeat Play” on page 27, switch

Multi-CD Player Scan Play ON.

3. When you find the desired

track (or disc), cancel the Scan

Play with the ∞ button.

If the Function Menu has been can-

celed automatically, select the Scan

mode in the Function Menu again.

Display

T-SCAN

D-SCAN

Play range

Disc Repeat

Multi-CD player Repeat

Note:

•

Scan Play is canceled automatically after all the tracks or discs have been scanned.

One-track Repeat changes to the Disc Repeat when you switch the Scan Play ON.

Pause (PAUSE)

Pause pauses the currently playing track.

1. Press the FUNCTION button and select the Pause mode (PAUSE) in the

Function Menu.

2. Switch the Pause ON/OFF

with the 5/∞ buttons.

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Using Multi-CD Players

ITS (Instant Track Selection)

The ITS function allows you to search for the track you wish to play when one or more

Multi-CD players are installed. You can use ITS to program automatic playback of up to

24 tracks per disc from up to 100 discs. (You can store ITS program and Disc Title data for

up to 100 discs in memory.)

ITS Programming (ITS)

Programmed tracks are played within the selected repeat play range in the “Repeat Play”

on page 27.

1. Play the track you wish to program.

2. Select the ITS Programming mode (ITS) in the Detailed Setting Menu.

(Refer to page 14.)

3. Program the desired track

with the 5 button.

Note:

•

After 100 discs have been programmed, data for a new disc will overwrite the data for the disc that

has not been played back for the longest time.

ITS Play (ITS-P)

ITS play of tracks is performed within the play range explained in the “Repeat Play” sec-

tion.

1. Press the FUNCTION button and select the ITS Play mode (ITS-P) in the

Function Menu.

2. Switch the ITS Play ON/OFF

with the 5/∞ buttons.

After selecting the desired repeat

play range from those referred to in

“Repeat Play” on page 27, switch

ITS Play ON.

Note:

•

If no track in the current range is programmed for ITS Play, “ITS EMPTY” is displayed.

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Erase a Track Program

1. Select the track you wish to erase, during ITS Play.

2. Select the ITS Programming mode (ITS) in the Detailed Setting Menu.

(Refer to page 14.)

3. Erase the track program with

the ∞ button.

ITS is canceled and playback of the

next ITS-programmed track begins.

If there are no more programmed

tracks in the current range, “ITS

EMPTY” is displayed and normal

play resumes.

Erase a Disc Program

1. Select the disc you wish to erase, while the disc is playing.

2. Select the ITS Programming mode (ITS) in the Detailed Setting Menu.

(Refer to page 14.)

3. Erase the disc program with

the ∞ button.

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Using Multi-CD Players

Disc Title

Disc Title Input (TITLE IN)

You can input Titles up to 10 letters long for up to 100 discs. Using this function lets you

easily search for and select a desired disc for play. (You can store ITS program and Disc

Title data for up to 100 discs in memory.)

1. Play the disc you wish to input the disc title.

2. Select the Disc Title Input mode (TITLE IN) in the Detailed Setting Menu.

(Refer to page 14.)

Note:

•

When playing a CD TEXT disc on a CD TEXT compatible Multi-CD player, you cannot switch to

this mode.

•

A CD TEXT disc is a CD featuring recorded text information such as Disc Title, Artist Name and

Track Title.

3. Select letters, numbers and

symbols with the 5/∞ buttons.

To insert a space, select the flashing

cursor “_”.

4. Move the box left and right

with the 2/3 buttons.

5. When you have completed title

input, make the 10th letter

flash, then memorize by press-

ing the 3 button.

Note:

•

Titles remain in memory, even after the disc has been removed from the magazine, and are recalled

when the disc is reinserted.

After the titles for 100 discs have been entered, data for a new disc will overwrite the data for the

disc that has not been played back for the longest time.

You can display the disc title of the disc currently playing. For details, refer to “Displaying Disc

Title” on page 32.

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Selecting Discs by Disc Title List (TITLE LIST)

Follow the procedures below to play a disc for which you have input the title in a Multi-

CD player or a CD TEXT disc on a CD TEXT compatible Multi-CD player.

1. Press the FUNCTION button and select the Disc Title List mode (TITLE LIST)

in the Function Menu.

2. Select the desired disc title

with the 2/3 buttons.

Nothing is displayed for disc whose

titles have not been input.

3. Play the selected disc with

the 5 button.

Displaying Disc Title

You can display the currently playing Disc Title.

Note:

•

You can also display the currently playing Disc Title when playing a CD TEXT disc on a CD

TEXT compatible Multi-CD player.

• Switch the Disc Title

Display with the DISPLAY

button.

Each press of the DISPLAY button

changes the display in the following

order:

Playback mode (Play Time)

= Disc Title

Note:

•

If you switch displays when disc titles have not been input, “NO TITLE” is displayed.

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Using Multi-CD Players

Compression and DBE (COMP/DBE)

Using the COMP (Compression) and DBE (Dynamic Bass Emphasis) functions enables

Multi-CD player sound quality adjustment. Each of the functions enables two-step adjust-

ment.

7 COMP

The COMP (Compression) function adjusts imbalances between loud and subdued sounds

at higher volumes.

7 DBE

DBE (Dynamic Bass Emphasis) boosts bass levels to give a fuller sound.

COMP/DBE ON/OFF Switching

1. Press the FUNCTION button and select the COMP/DBE switching mode

(COMP/DBE) in the Function Menu.

2. Select the desired mode with

the 5/∞ buttons.

COMP OFF = COMP 1 = COMP 2

= COMP OFF = DBE 1 = DBE 2

Note:

•

You can use these functions with a Multi-CD player that has them. If the player does not feature the

COMP/DBE functions, “NO COMP” is displayed if you try to use them.

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CD TEXT Function (for CD TEXT compatible type)

You can use these functions when playing a CD TEXT disc on a CD TEXT compatible

Multi-CD player.

Title Display Switching

• Select the desired title display

with the DISPLAY button.

Each press of the DISPLAY button

changes the display in the following

order:

Playback mode (Play Time)

= Disc Title = Disc Artist Name

= Track Title = Track Artist Name

Note:

•

If certain text information is not recorded on a CD TEXT disc, “NO ~” (e.g. “NO T-TITLE”) is

displayed.

Title Scroll

This product displays the first 10 letters only of Disc Title, Artist Name and Track Title.

With text longer than 10 letters, you can see the rest of the text by scrolling.

• Scroll the title display by

pressing the DISPLAY button

for 2 seconds.

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Using Multi-CD Players

Playing Discs on a 50-Disc Type Multi-CD Player

When a magazine is loaded into a 50-Disc type Multi-CD Player, information on all the

discs in the magazine is read.

If you start playing a disc on a 50-Disc type Multi-CD Player before reading of informa-

tion on all discs has been completed, reading of information stops part way through. This

will prevent you from using the ITS function. (If you try and use this function, “NOT

READY” is displayed.)

If this happens, reading of information begins again when you switch to a component other

than the 50-Disc type Multi-CD Player.

Note:

•

“LOAD” will be displayed in the following cases:

* If the disc in the extra tray is selected.

* If the disc is moved from the extra tray to the magazine.

(Refer to the 50-Disc type Multi-CD player owner’s manual.)

You cannot use the “Ejecting a Single Disc”, “Frequency Play”, “Music Group Play” or “ABC Disc

Title Search” functions with this product.

•

7 Disc Number Rough Search

This handy function lets you select discs loaded in a 50-Disc Multi-CD Player using the 1

to 5 buttons. The 50 discs are divided into five blocks, with each of the 1 to 5 buttons

assigned to a block.

• Select the desired block with the 1 to 5 buttons.

Note:

•

After completing a rough search, use the 5 and ∞ buttons to select a desired disc.

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Audio Adjustment

Selecting the Equalizer Curve

You can switch between Equalizer curves.

• Rotate the EQ selector up or down to select the desired Equalizer curve.

Equalizer curve

POWERFUL Ô NATURAL Ô VOCAL Ô CUSTOM Ô EQ FLAT Ô SUPER BASS

Note:

•

“CUSTOM” stores an equalizer curve you have made adjustments to. (Refer to “Equalizer Curve

Adjustment” on page 37 and “Equalizer Curve Fine Adjustment” on page 38.)

You can create different “CUSTOM” curves for different sources.

•

Entering the Audio Menu

With this Menu, you can adjust the sound quality.

Note:

•

After entering the Audio Menu, if you do not perform an operation within about 30 seconds, the

Audio Menu is automatically canceled.

1. Select the desired mode in the Audio Menu.

Each press changes the Mode ...

2. Operate a mode.

3. Cancel the Audio Menu.

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Audio Adjustment

Audio Menu Functions

The Audio Menu features the following functions.

Balance Adjustment (FADER)

This function allows you to select a Fader/Balance setting that provides ideal listening con-

ditions in all occupied seats.

1. Press the AUDIO button and select the Fader/Balance mode (FADER) in the

Audio Menu.

2. Adjust front/rear speaker bal-

ance with the 5/∞ buttons.

“FADER :F15” – “FADER :R15” is

displayed as it moves from front to

rear.

3. Adjust left/right speaker bal-

ance with the 2/3 buttons.

“BAL :L 9” – “BAL :R 9” is dis-

played as it moves from left to right.

Note:

•

“FADER : 0” is the proper setting when 2 speakers are in use.

Equalizer Curve Adjustment (EQ-LOW/MID/HIGH)

You can adjust the currently selected equalizer curve settings as desired. Adjusted equaliz-

er curve settings are memorized in “CUSTOM”.

1. Press the AUDIO button and select the Equalizer mode

(EQ-LOW/MID/HIGH) in the Audio Menu.

2. Select the band you want to

adjust with the 2/3 buttons.

EQ-LOW Ô EQ-MID Ô EQ-HIGH

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3. Boost or attenuate the selected

band with the 5/∞ buttons.

The display shows “+6” – “–6”.

“CUSTOM”

Note:

•

If you make adjustments when a curve other than “CUSTOM” is selected, the newly adjusted curve

will replace the previous adjusted curve. Then a new curve with “CUSTOM” appears on the display

while selecting the equalizer curve. (Refer to page 36.)

Equalizer Curve Fine Adjustment

You can adjust the center frequency and the Q factor (curve characteristics) of each cur-

rently selected curve band (EQ-LOW/MID/HIGH). Adjusted equalizer curve settings are

memorized in “CUSTOM”.

Level (dB)

Q=2W

Frequency (Hz)

Q=2N

Center frequency

1. Press the AUDIO button for 2 seconds to select Equalizer Curve Fine

Adjustment.

2. Press the AUDIO button to

select the desired band for

adjustment.

3. Select the desired frequency

with the 2/3 buttons.

LOW: 40 += 80 += 100 += 160 (Hz)

MID: 200 += 500 += 1K += 2K (Hz)

HIGH: 3K += 8K += 10K += 12K (Hz)

Continued overleaf.

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Audio Adjustment

4. Select the desired Q factor

with the 5/∞ buttons.

2N += 1N += 1W += 2W

Note:

•

If you make adjustments when a curve other than “CUSTOM” is selected, the newly adjusted curve

will replace the previous adjusted curve. Then a new curve with “CUSTOM” appears on the display

while selecting the equalizer curve. (Refer to page 36.)

Loudness Adjustment (LOUD)

The Loudness function compensates for deficiencies in the low and high sound ranges at

low volume. You can select a desired Loudness level.

1. Press the AUDIO button and select the Loudness mode (LOUD) in the Audio

Menu.

2. Switch the Loudness function

ON/OFF with the 5/∞ but-

tons.

“

”

3. Select the desired level with

the 2/3 buttons.

LOW += MID += HI

Front Image Enhancer Function (FIE)

The F.I.E. (Front Image Enhancer) function is a simple method of enhancing front imaging

by cutting mid- and high-range frequency output from the rear speakers, limiting their out-

put to low-range frequencies. You can select the frequency you want to cut.

Precaution:

•

When the F.I.E. function is deactivated, the rear speakers output sound of all frequencies, not

just bass sounds. Reduce the volume before disengaging F.I.E. to prevent a sudden increase in

volume.

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1. Press the AUDIO button and select the F.I.E. mode (FIE) in the Audio

Menu.

2. Switch the F.I.E. function

ON/OFF with the 5/∞ but-

tons.

“

”

3. Select the desired frequency

with the 2/3 buttons.

100 += 160 += 250 (Hz)

Note:

•

After switching the F.I.E. function ON, select the Fader/Balance mode in the Audio Menu, and

adjust front and rear speaker volume levels until they are balanced.

•

Switch the F.I.E. function OFF when using a 2-speaker system.

Source Level Adjustment (SLA)

The SLA (Source Level Adjustment) function prevents radical leaps in volume level when

switching between sources. Settings are based on the FM volume level, which remains

unchanged.

1. Compare the FM volume with the volume of the other source.

(e.g. Cassette player.)

2. Press the AUDIO button and select the SLA mode (SLA) in the Audio Menu.

3. Increase or decrease the level

with the 5/∞ buttons.

The display shows “+4” – “–4”.

Note:

•

Since the FM volume is the control, SLA is not possible in the FM modes.

The MW/LW volume level, which is different from the FM base setting volume level, can also be

adjusted similar to sources other than tuner.

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Detaching and Replacing the Front Panel

Theft Protection

The front panel of the head unit is detachable to discourage theft.

• Keep the front panel closed while driving.

Detaching the Front Panel

1. Open the front panel.

2. Grip and pull the front

panel gently outward.

Take care not to grip it tightly or

drop it.

3. Use the protective case pro-

vided to store/carry the

detached front panel.

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Replacing the Front Panel

• Replace the front panel by

holding it upright to this

product and clipping it

securely into the mounting

hooks.

Precaution:

•

Never use force or grip the display tightly when removing or replacing the front panel.

Avoid subjecting the front panel to excessive shocks.

Keep the front panel out of direct sunlight and high temperatures.

Warning Tone

If the front panel is not detached within 5 seconds after the ignition is turned off, a warning

tone will sound.

Note:

•

You can cancel the warning tone function. (Refer to page 44.)

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Initial Setting

Entering the Initial Setting Menu

With this menu, you can perform initial settings for this product.

1. Turn the source OFF.

2. Enter the Initial Setting Menu.

Hold for 2 seconds

3. Select a desired mode.

Each press changes the Mode ...

4. Operate a mode.

5. Cancel the Initial Setting Menu.

Note:

•

Holding down the FUNCTION button for 2 seconds also cancels the Initial Setting Menu.

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Initial Setting Menu Functions

The Initial Setting Menu features the following functions.

Switching the Auto PI Seek (A-PI)

During Preset Station PI Seek operation, you can switch the Auto PI Seek function

ON/OFF. (Refer to “PI Seek Function” on page 19.)

1. Press the FUNCTION button and select the Auto PI Seek mode (A-PI) in the

Initial Setting Menu.

2. Switch the Auto PI Seek

ON/OFF with the 5/∞ but-

tons.

Setting the Warning Tone (WARN)

You can switch the Warning Tone function ON/OFF. (Refer to “Warning Tone” on page

42.)

1. Press the FUNCTION button and select the Warning Tone mode (WARN) in

the Initial Setting Menu.

2. Switch the Warning Tone

ON/OFF with the 5/∞ but-

tons.

Switching the AUX Mode (AUX)

It is possible to use auxiliary (AUX) equipment with this product.

Activate the AUX mode when using external equipment with this product.

1. Press the FUNCTION button and select the AUX Setting mode (AUX) in the

Initial Setting Menu.

2. Switch the AUX ON/OFF with

the 5/∞ buttons.

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Initial Setting

Setting the Dimmer (DIMMER)

To enable this product’s display from being too bright at night, when the vehicle’s head

lights are turned ON the display is dimmed.

You can switch this function ON/OFF.

1. Press the FUNCTION button and select the Dimmer mode (DIMMER) in

the Initial Setting Menu.

2. Switch the Dimmer ON/OFF

with the 5/∞ buttons.

Selecting the Illumination Color (ILL.CLR)

This product is equipped with two illumination colors, green and red. You can select the

desired illumination color.

1. Press the FUNCTION button and select the Illumination Color mode

(ILL.CLR) in the Initial Setting Menu.

2. Select the desired illumination

color with the 2/3 buttons.

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Other Functions

Using the PGM Button (PGM-FUNC)

The PGM button can memorize one of the functions in the Function Menu.

It is possible to memorize a different function for each source.

Setting the PGM Button

1. Select the PGM button’s setting mode (PGM-FUNC) in the Detailed Setting

Menu. (Refer to page 14.)

Hold for 2 seconds

2. Select the function you want to memorize in the PGM button.

3. Memorize the function in the PGM button.

Pressing the BAND button cancels the Detailed Setting Menu.

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Other Functions

Using the PGM Button

The PGM button operates in a different way depending on the function programmed

(memorized).

• Use the PGM button.

7 Tuner

Function name (Display)

Best Stations Memory (BSM)

Local Seek Tuning (LOCAL)

Press

OFF

Hold for 2 seconds

ON/OFF

Entering the Local Seek

Sensitivity mode

7 Tape

Function name (Display)

Dolby B NR (NR)

Press

Hold for 2 seconds

ON/OFF

Blank Skip (B-SKIP)

Repeat Play (REPEAT)

Radio Intercept (RI)

7 Multi-CD Player

Function name (Display)

Pause (PAUSE)

Press

Hold for 2 seconds

ON/OFF

Repeat Play (REPEAT)

Random Play (RANDOM)

Disc Title List (LIST)

ITS (ITS)

Selecting the play range

ON/OFF

Enter the LIST mode

ITS Programming

ITS Play ON/OFF

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Using the AUX Source

It is possible to use auxiliary (AUX) equipment with this product.

To listen to auxiliary equipment, switch the AUX mode in the Initial Setting Menu ON,

and then select the desired source.

Selecting the AUX Source

• Select AUX. (Refer to page 6.)

Each press changes the Source ...

AUX Title Input

The display title for AUX source can be changed.

1. Select the AUX Title Input mode (TITLE IN) in the Detailed Setting Menu.

Hold for 2 seconds

2. Input the AUX Title.

Refer to “Disc Title Input” on page 31, and perform procedures 3 to 5 in the same way.

Cellular Telephone Muting

Sound from this system is muted automatically when a call is made or received using a

cellular telephone connected to this product.

• The sound is turned off, “MUTE” is displayed and no audio adjustment is possible.

Operation returns to normal when the phone connection is ended.

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Cassette Player and Care

Precaution

About the Cassette Player

• A loose or warped label on a cassette tape may interfere with the eject mechanism of the

unit or cause the cassette to become jammed in the unit. Avoid using such tapes or

remove such labels from the cassette before attempting use.

• The music search and repeat functions may not work properly with the following kinds

of recorded tapes because the gap between songs cannot be found correctly.

* A tape with a gap of 4 seconds or less between songs.

* A tape containing dialog, etc., with pauses lasting for 4 seconds or longer.

* A tape with an extremely quiet passage in the music lasting for 4 seconds or longer.

About Cassette Tapes

• Do not use tapes longer than C-90 type (90 min.) cassettes. Longer tapes can interfere

with tape transport.

• Storing cassettes in areas directly exposed to sunlight or high temperatures can distort

them and subsequently interfere with tape transport.

NOT RECOMMENDED

• Store unused tapes in a tape case where there is no danger of them becoming loose or

being exposed to dust.

Cleaning the Head

If the head becomes dirty, the sound quality will deteriorate and there will be sound

dropouts and other imperfections in performance. In this case, the head must be cleaned.

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Specifications

General

FM tuner

Power source .......... 14.4 V DC (10.8 – 15.1 V allowable)

Grounding system ........................................ Negative type

Max. current consumption ...................................... 10.0 A

Dimensions

Frequency range ............................................ 65 – 74 MHz

87.5 – 108 MHz

Usable sensitivity ....................................................11 dBf

(1.0 µV/75 Ω, mono, S/N: 30 dB)

(mounting size) ...... 178 (W) × 50 (H) × 155 (D) mm

(front face) .............. 188 (W) × 58 (H) × 19 (D) mm

Weight ...................................................................... 1.3 kg

50 dB quieting sensitivity ........................................ 16 dBf

(1.7 µV/75 Ω, mono)

Signal-to-noise ratio ...................... 70 dB (IEC-A network)

Distortion .......................... 0.3% (at 65 dBf, 1 kHz, stereo)

Frequency response ...................... 30 – 15,000 Hz ( 3 dB)

Stereo separation .......................... 40 dB (at 65 dBf, 1 kHz)

Amplifier

Maximum power output ...................................... 45 W × 4

Continuous power output .................................... 27 W × 4

(DIN45324, +B = 14.4 V)

MW tuner

Load impedance .......................... 4 Ω (4 – 8 Ω allowable)

Preout maximum output level/

output impedance .................................... 2.2 V/1 kΩ

Equalizer (3-Band Parametric Equalizer)

(Low) .......................... Frequency: 40/80/100/160 Hz

Q Factor: 0.35/0.59/0.95/1.15

Frequency range ........................ 531 – 1,602 kHz (9 kHz)

Usable sensitivity .............................. 18 µV (S/N: 20 dB)

Selectivity .................................................. 50 dB ( 9 kHz)

LW tuner

Frequency range ........................................ 153 – 281 kHz

Usable sensitivity .............................. 30 µV (S/N: 20 dB)

Selectivity .................................................. 50 dB ( 9 kHz)

(+6 dB when boosted)

Level: 12 dB

(Mid) .......................... Frequency: 200/500/1k/2k Hz

Q Factor: 0.35/0.59/0.95/1.15

(+6 dB when boosted)

Level: 12 dB

(High) ................ Frequency: 3.15k/8k/10k/12.5k Hz

Q Factor: 0.35/0.59/0.95/1.15

(+6 dB when boosted)

Level: 12 dB

Loudness contour

(Low) ..................+3.5 dB (100 Hz), +3 dB (10 kHz)

(Mid) ..................+10 dB (100 Hz), +6.5 dB (10 kHz)

(High) ..................+11 dB (100 Hz), +11 dB (10 kHz)

(volume: –30 dB)

Cassette player

Tape ........................ Compact cassette tape (C-30 – C-90)

Tape speed ........................................................ 4.8 cm/sec.

Fast forward/rewinding time .... Approx. 100 sec. for C-60

Wow & flutter .......................................... 0.09% (WRMS)

Frequency response .......... Metal: 30 – 19,000 Hz ( 3 dB)

Stereo separation ...................................................... 45 dB

Signal-to-noise ratio

...... Metal: Dolby B NR IN: 67 dB (IEC-A network)

Dolby NR OUT: 61 dB (IEC-A network)

Note:

•

Specifications and the design are subject to possi-

ble modification without notice due to improve-

ments.

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ꢀꢁꢂꢃꢄꢅꢆ ꢇꢃ

ꢀꢁꢂꢃꢂꢄꢅꢆ ꢁꢇꢈꢉꢈꢁ ...................... 3

ꢎꢉꢈꢆ ꢃꢈꢏꢂꢇꢍꢅ !"ꢇꢁ#ꢍ$ RDS ...... 17

ꢀꢁꢂꢃꢄꢅꢆ ꢁꢇꢈ

ꢉꢊꢁꢋꢌ ꢍꢎꢏꢌꢂꢄꢐꢎꢇꢄꢄꢇꢑꢇ ꢊꢒꢓꢂꢃꢁꢔꢄꢎꢕ

#ꢌꢇ ꢌꢂꢈꢇꢔ RDS ? .......................................... 1 7

)ꢎꢏꢒꢁꢔꢆ <ꢂꢘꢃꢂꢄꢎꢔ .ꢁꢊꢚ ꢅ ꢉꢓꢇꢑꢓꢂꢗꢗꢅ .... 17

6ꢊꢄꢈꢐꢎꢎ AF .................................................. 18

(CD-SR77)

=ꢈꢌꢎꢃꢎꢘꢂꢐꢎꢕ/)ꢎꢂꢈꢌꢎꢃꢎꢘꢂꢐꢎꢕ

>ꢊꢄꢈꢐꢎꢎ AF

6ꢊꢄꢈꢐꢎꢕ ꢒꢇꢎꢏꢈꢂ PI ...................................... 19

ꢊꢅꢋꢅꢌ ꢍꢎꢉꢈꢆ ꢃꢈꢏꢂꢇꢍꢅꢐ

ꢌꢂꢇꢇꢈꢑꢈ ꢍꢃꢌꢅꢆꢍꢒ .................... 4

ꢉꢇꢎꢏꢈ PI

=ꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢎꢆ ꢉꢇꢎꢏꢈ PI ꢍꢁꢕ

ꢘꢂꢒꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇꢃꢂꢄꢄꢇꢆ ꢏꢌꢂꢄꢐꢎꢎꢎ

ꢖ ꢍꢂꢄꢄꢇꢗ ꢎꢘꢍꢔꢁꢎꢎ .......................................... 4

ꢖ ꢍꢂꢄꢄꢇꢆ ꢎꢄꢏꢌꢓꢊꢈꢐꢎꢎ .................................. 4

ꢙꢔꢓꢅ ꢒꢓꢔꢍꢇꢏꢌꢇꢓꢇꢚꢄꢇꢏꢌꢎ ............................ 5

! ꢏꢁꢊ"ꢂꢔ ꢄꢔꢎꢏꢒꢓꢂꢃꢄꢇꢏꢌꢎ .............................. 5

(ꢔꢑꢎꢇꢄꢂꢁꢋꢄꢅꢔ >ꢊꢄꢈꢐꢎꢎ (REG) .................. 19

=ꢈꢌꢎꢃꢎꢘꢂꢐꢎꢕ/ꢍꢎꢘꢂꢈꢌꢎꢃꢎꢘꢂꢐꢎꢕ

>ꢊꢄꢈꢐꢎꢎ REG

6ꢊꢄꢈꢐꢎꢕ TA (TA) ........................................ 20

ꢓꢎꢇꢈꢏꢇꢔꢅ ꢉꢋꢍꢕꢐꢔ ꢋꢂꢖꢈꢄꢔ ........ 6

#ꢌꢇ ꢅ ꢏꢁꢊ$ꢂꢌꢋ ꢗꢊꢘꢅꢈꢊ .............................. 6

ꢖꢏꢄꢇꢃꢄꢅꢔ ꢒꢓꢎ&ꢗꢅ ꢓꢂ ꢇꢌꢅ ꢏ

=ꢈꢌꢎꢃꢎꢘꢂꢐꢎꢕ/ꢔꢎꢘꢂꢈꢌꢎꢃꢎꢘꢂꢐꢎꢕ

>ꢊꢄꢈꢐꢎꢎ TA

ꢖꢌꢗꢔꢄꢂ >ꢊꢄꢈꢐꢎꢎ ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢎ ꢇ

ꢏꢎꢌꢊꢂꢐꢎꢎ ꢄꢂ ꢍꢇꢓꢇꢑꢂ4

(ꢔꢑꢊꢁꢎꢓꢇꢃꢈꢂ ꢑꢓꢇꢗꢈꢇꢏꢌꢎ TA

6ꢊꢄꢈꢐꢎꢕ .ꢎꢑꢄꢂꢁꢂ TP

ꢒꢓꢎ&ꢗꢄꢎꢈꢇꢗ ............................................ 8

(ꢊ"ꢄꢂꢕ ꢄꢂꢏꢌꢓꢇꢆꢈꢂ ꢎ ꢒꢇꢎꢏꢈ

ꢉꢓꢔꢍꢃꢂꢓꢎꢌꢔꢁꢋꢄꢂꢕ ꢄꢂꢏꢌꢓꢇꢆꢈꢂ

)ꢎꢂꢒꢂꢘꢇꢄ

ꢖꢏꢄꢇꢃꢄꢅꢔ ꢒꢓꢎ&ꢗꢅ ꢓꢂ ꢇꢌꢅ ꢏ

6ꢊꢄꢈꢐꢎꢕ PTY ................................................ 22

ꢈꢂꢏꢏꢔꢌꢄꢅꢗ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢔꢗ ................ 9

ꢖꢌꢈꢓꢅꢌꢋ

+ꢘꢗꢔꢄꢔꢄꢎꢔ ꢄꢂꢒꢓꢂꢃꢁꢔꢄꢎꢕ

,ꢅꢏꢌꢓꢂꢕ ꢒꢔꢓꢔꢗꢇꢌꢈꢂ ꢃꢒꢔꢓ&ꢍ/ꢄꢂꢘꢂꢍ

ꢉꢇꢎꢏꢈ PTY

@ꢏꢌꢂꢄꢇꢃꢈꢂ ꢉꢓꢔꢓꢅꢃꢂꢄꢎꢕ

ꢉꢓꢇꢑꢓꢂꢗꢗꢇꢆ <ꢇꢃꢇꢏꢌꢔꢆ

.ꢎꢑꢄꢂꢁ PTY

ꢖꢌꢗꢔꢄꢂ ꢇ Aꢕꢃꢁꢔꢄꢎꢆ ꢇ

"ꢓꢔꢘꢃꢅ"ꢂꢆꢄꢅ4 ꢏꢁꢊ"ꢂꢕ4

.ꢒꢎꢏꢇꢈ PTY

ꢎ ꢒꢇꢎꢏꢈ ꢗꢊꢘꢅꢈꢂꢁꢋꢄꢇꢆ ꢘꢂꢒꢎꢏꢎ

.ꢁꢇꢌ ꢘꢂꢑꢓꢊꢘꢈꢎ ꢈꢂꢏꢏꢔꢌꢅ

!ꢅ ꢓꢇꢏ

ꢖꢏꢄꢇꢃꢄꢅꢔ ꢒꢓꢎ&ꢗꢅ ꢓꢂ ꢇꢌꢅ

ꢏ ꢗꢄꢇꢑꢇꢍꢎꢏꢈꢇꢃꢅꢗ

ꢊꢈꢆ ꢃꢈꢏꢂꢇꢍꢅ ꢁꢂꢎꢎꢅꢄꢇꢔꢐ

ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢔꢗ /) ............................ 11

ꢉꢇꢎꢏꢈ ꢌꢓꢔꢈꢇꢃ ꢎ ꢊꢏꢈꢇꢓꢔꢄꢄꢇꢔ

ꢉꢋꢈꢍꢑꢋꢔꢏꢂꢄꢅꢆꢅꢐ .................. 25

ꢉꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ (REPEAT)

ꢉꢓꢇꢒꢊꢏꢈ ꢒꢊꢏꢌꢅ4 ꢗꢔꢏꢌ (B-SKIP)

ꢉꢔꢓꢔ4ꢃꢂꢌ ꢒꢓꢎ&ꢗꢄꢎꢈꢇꢗ (RI)

ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢃꢒꢔꢓ&ꢍ/ꢄꢂꢘꢂꢍ

ꢉꢇꢎꢏꢈ ꢍꢎꢏꢈꢂ

ꢉꢇꢎꢏꢈ ꢄꢇꢗꢔꢓꢂ ꢍꢎꢏꢈꢂ (ꢍꢁꢕ 6- ꢎ

Dolby B NR (B NR)

12-ꢍꢎꢏꢈꢇꢃꢅ4 /)-ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢔꢆ)

.ꢇꢇꢌꢃꢔꢌꢏꢌꢃꢎꢔ ꢗꢔꢚꢍꢊ ꢒꢇꢈꢂꢘꢂꢄꢎꢕꢗꢎ

ꢊꢈꢆ ꢃꢈꢏꢂꢇꢍꢅ ꢐꢇꢈꢑꢈꢌꢍꢎꢁꢈꢏꢔꢐꢍ

()-ꢉꢋꢈꢍꢑꢋꢔꢏꢂꢄꢅꢆꢒꢐꢍ ........ 27

ꢍꢎꢏꢒꢁꢔꢕ ꢎ ꢈꢄꢇꢒꢈꢂꢗꢎ ............................ 12

!4ꢇꢍ ꢃ 6ꢊꢄꢈꢐꢎꢇꢄꢂꢁꢋꢄꢇꢔ ꢗꢔꢄ7 ................ 12

6 ꢊꢄꢈꢐꢎꢎ 6 ꢊꢄꢈꢐꢎꢇꢄꢂꢁꢋꢄꢇꢑꢇ ꢗꢔꢄ7 .......... 13

!4 ꢇꢍ ꢃ ꢙꢔꢄ7 ꢍꢔꢌꢂꢁꢋꢄꢇꢆ ꢄꢂꢏꢌꢓꢇꢆꢈꢎ ........ 14

6 ꢊꢄꢈꢐꢎꢎ ꢙꢔꢄ7 ꢍꢔꢌꢂꢁꢋꢄꢇꢆ ꢄꢂꢏꢌꢓꢇꢆꢈꢎ .... 15

ꢉꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ (REPEAT)

ꢉꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢃ ꢏꢁꢊ"ꢂꢆꢄꢇꢆ

ꢒꢇꢏꢁꢔꢍꢇꢃꢂꢌꢔꢁꢋꢄꢇꢏꢌꢎ (RANDOM)

.ꢈꢂꢄꢎꢓꢊ7Bꢔꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ (SCAN)

ꢓꢎꢇꢈꢏꢇꢔꢅ ꢋꢅꢗꢍꢐꢔ ꢋꢂꢖꢈꢄꢔ

ꢉꢂꢊꢘꢂ (PAUSE)

ITS (ꢙꢑꢄꢇꢃꢔꢄꢄꢅꢆ ꢃꢅ ꢇꢓ ꢌꢓꢔꢈꢂ) .............. 29

ꢉꢋꢍꢕꢐꢇꢍꢁꢂ ............................ 16

ꢉꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇꢃꢂꢄꢎꢔ ITS (ITS)

ꢉꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ITS (ITS-P)

@ꢍꢂꢁꢔꢄꢎꢔ ꢌꢓꢔꢈꢂ ꢎꢘ ꢒꢓꢇꢑꢓꢂꢗꢗꢅ

@ꢍꢂꢁꢔꢄꢎꢔ ꢒꢓꢇꢑꢓꢂꢗꢗꢅ ꢃꢏꢔꢑꢇ ꢍꢎꢏꢈꢂ

ꢉꢇꢎꢏꢈꢇꢃꢂꢕ ꢄꢂꢏꢌꢓꢇꢆꢈꢂ ꢄꢂ

ꢗꢔꢏꢌꢄꢅꢔ ꢏꢌꢂꢄꢐꢎꢎ (LOCAL)

BSM (9ꢂꢒꢇꢗꢎꢄꢂꢄꢎꢔ ꢁꢊ"$ꢎ4 ꢏꢌꢂꢄꢐꢎꢆ)

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<ꢂꢘꢃꢂꢄꢎꢔ ꢍꢎꢏꢈꢂ ............................................ 31

ꢊꢋꢈ,ꢍꢅ !"ꢇꢁ#ꢍꢍ ........................ 46

+ꢏꢒꢇꢁꢋꢘꢇꢃꢂꢄꢎꢔ ꢈꢄꢇꢒꢈꢎ (PGM-FUNC) ...... 46

!ꢃꢇꢍ ꢄꢂꢘꢃꢂꢄꢎꢆ ꢍꢎꢏꢈꢇꢃ (TITLE IN)

!ꢅ ꢇꢓ ꢍꢎꢏꢈꢇꢃ ꢒꢓꢎ ꢒꢇꢗꢇBꢎ ꢏꢒꢎꢏꢈꢂ

9ꢂꢍꢂꢄꢎꢔ ꢊꢏꢌꢂꢄꢇꢃꢇꢈ ꢈꢄꢇꢒꢈꢎ PGM

+ꢏꢒꢇꢁꢋꢘꢇꢃꢂꢄꢎꢔ ꢈꢄꢇꢒꢈꢎ PGM

ꢄꢂꢘꢃꢂꢄꢎꢆ ꢍꢎꢏꢈꢇꢃ (TITLE LIST)

!ꢅꢏꢃꢔ"ꢎꢃꢂꢄꢎꢔ ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ

+ꢏꢒꢇꢁꢋꢘꢇꢃꢂꢄꢎꢔ ꢍꢇꢒꢇꢁꢄꢎꢌꢔꢁꢋꢄꢇꢑꢇ

ꢄꢂꢘꢃꢂꢄꢎꢕ ꢍꢎꢏꢈꢂ

(AUX) ꢎꢏꢌꢇ"ꢄꢎꢈꢂ ꢘꢃꢊꢈꢂ ...................... 48

!ꢅ ꢇꢓ ꢎꢏꢌꢇ"ꢄꢎꢈꢂ AUX

!ꢃꢇꢍ ꢄꢂꢘꢃꢂꢄꢎꢆ ꢍꢇꢒꢇꢁꢄꢎꢌꢔꢁꢋꢄꢇꢑꢇ

/ꢇꢗꢒꢓꢔꢏꢏꢎꢕ ꢎ DBE (COMP/DBE) .............. 33

!ꢈꢁ7"ꢔꢄꢎꢔ/!ꢅꢈꢁ7"ꢔꢄꢎꢔ

COMP ꢎ DBE

6ꢊꢄꢈꢐꢎꢕ /) CD/.C (ꢍꢁꢕ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢔꢆ,

ꢏꢇꢃꢗꢔꢏꢌꢎꢗꢅ4 ꢏ ꢌꢎꢒꢇꢗ /) CD/.C) ...... 34

ꢇ ꢇꢓꢊꢍꢇꢃꢂꢄꢎꢕ (AUX)

ꢖꢌꢈꢁ7"ꢔꢄꢎꢔ ꢘꢃꢊꢈꢂ ꢒꢓꢎ ꢓꢂ ꢇꢌꢔ

ꢏꢇꢌꢇꢃꢇꢑꢇ ꢌꢔꢁꢔ>ꢇꢄꢂ .............................. 48

ꢉꢔꢓꢔꢈꢁ7"ꢔꢄꢎꢔ ꢄꢂꢘꢃꢂꢄꢎꢕ

ꢉꢓꢇꢏꢗꢇꢌꢓ ꢄꢂꢘꢃꢂꢄꢎꢆ

(ꢂꢎꢎꢅꢄꢇꢔ$ ꢉꢋꢈꢍꢑꢋꢔꢏꢂꢄꢅꢆ

ꢍ ".ꢈꢌ ꢃꢂ ꢇꢍꢐ ........................ 49

ꢙꢔꢓꢅ ꢒꢓꢔꢍꢇꢏꢌꢇꢓꢇꢚꢄꢇꢏꢌꢎ .......................... 49

ꢉꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢍꢎꢏꢈꢇꢃ ꢄꢂ ꢗꢊꢁꢋꢌꢎꢍꢎꢏꢈꢇꢃꢇꢗ

ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢔ 50-ꢍꢎꢏꢈꢇꢃꢇꢑꢇ ꢌꢎꢒꢂ .... 35

ꢖ ꢍꢂꢄꢄꢇꢗ ꢈꢂꢏꢏꢔꢌꢄꢇꢗ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢔ

+ꢂꢎꢄꢋꢈ$ꢁꢂ ꢃꢏ",ꢂꢇꢍꢒ ................ 36

!ꢅ ꢇꢓ ꢈꢓꢎꢃꢇꢆ Fꢈꢃꢂꢁꢂꢆꢘꢔꢓꢂ ...................... 36

!4ꢇꢍ ꢃ =ꢊꢍꢎꢇ ꢗꢔꢄ7 .................................... 36

6ꢊꢄꢈꢐꢎꢎ =ꢊꢍꢎꢇ ꢗꢔꢄ7 ................................ 37

ꢖ

ꢂꢊꢍꢎꢇꢈꢂꢏꢏꢔꢌꢂ4

#ꢎꢏꢌꢈꢂ ꢑꢇꢁꢇꢃꢈꢎ ............................................ 49

-ꢉꢅ#ꢍ!ꢍꢁꢂ#ꢍꢍ .......................... 50

(ꢔꢑꢊꢁꢎꢓꢇꢃꢈꢂ ꢂꢁꢂꢄꢏꢂ (FADER)

ꢉꢇꢍꢏꢌꢓꢇꢆꢈꢂ ꢈꢓꢎꢃꢅ 4 Fꢈꢃꢂꢁꢂꢆꢘꢔꢓꢂ

(EQ-LOW/MID/HIGH)

Cꢇ"ꢄꢂꢕ ꢒꢇꢍꢏꢌꢓꢇꢆꢈꢂ ꢈꢓꢎꢃꢅ4

Fꢈꢃꢂꢁꢂꢆꢘꢔꢓꢂ

(ꢔꢑꢊꢁꢎꢓꢇꢃꢈꢂ ꢑꢓꢇꢗꢈꢇꢏꢌꢎ (LOUD)

6 ꢊꢄꢈꢐꢎꢕ =ꢈꢐꢔꢄꢌꢎꢓꢇꢃꢂꢄꢎꢕ

>ꢓꢇꢄꢌꢂꢁꢋꢄꢇꢑꢇ ꢘꢃꢊ"ꢂꢄꢎꢕ (FIE)

(ꢔꢑꢊꢁꢎꢓꢇꢃꢈꢂ ꢊꢓꢇꢃꢄꢕ ꢎꢏꢌꢇ"ꢄꢎꢈꢂ (SLA)

-ꢇꢒꢄꢍꢅ ꢍ "ꢎꢄꢂꢇꢈꢏꢁꢂ

ꢉꢅꢋꢅꢌꢇꢅ$ ꢉꢂꢇꢅꢆꢍ ................ 41

.ꢒꢇꢏꢇ ꢒꢓꢔꢍꢊꢒꢓꢔꢚꢍꢔꢄꢎꢕ ꢈꢓꢂꢚꢎ .............. 41

.ꢄꢕꢌꢎꢔ ꢒꢔꢓꢔꢍꢄꢔꢆ ꢒꢂꢄꢔꢁꢎ

@ꢏꢌꢂꢄꢇꢃꢈꢂ ꢒꢔꢓꢔꢍꢄꢔꢆ ꢒꢂꢄꢔꢁꢎ

ꢉꢓꢔꢍꢊꢒꢓꢔꢚꢍꢂ7Bꢎꢆ ꢏꢎꢑꢄꢂꢁ

+ꢂ,ꢂꢆ ꢇꢔꢅ "ꢎꢄꢂꢇꢈꢏꢍ ................ 43

!4ꢇꢍ ꢃ ꢙꢔꢄ7 ꢄꢂ"ꢂꢁꢋꢄꢅ4 ꢊꢏꢌꢂꢄꢇꢃꢇꢈ ........ 43

6ꢊꢄꢈꢐꢎꢎ ꢙꢔꢄ7 ꢄꢂ"ꢂꢁꢋꢄꢅ4 ꢊꢏꢌꢂꢄꢇꢃꢇꢈ .... 44

!ꢈꢁ7"ꢔꢄꢎꢔ =ꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢇꢑꢇ

ꢒꢇꢎꢏꢈꢂ PI (A-PI)

@ꢏꢌꢂꢄꢇꢃꢈꢂ ꢒꢓꢔꢍꢊꢒꢓꢔꢚꢍꢂ7Bꢔꢑꢇ

ꢏꢎꢑꢄꢂꢁꢂ (WARN)

ꢉꢔꢓꢔꢈꢁ7"ꢔꢄꢎꢔ ꢓꢔꢚꢎꢗꢂ

ꢍꢇꢒꢇꢁꢄꢎꢌꢔꢁꢋꢄꢇꢑꢇ ꢇ ꢇꢓꢊꢍꢇꢃꢂꢄꢎꢕ (AUX)

@ꢏꢌꢂꢄꢇꢃꢈꢎ ꢓꢔꢑꢊꢁꢕꢌꢇꢓꢂ

ꢇꢏꢃꢔB&ꢄꢄꢇꢏꢌꢎ (DIMMER)

!ꢅ ꢇꢓ ꢐꢃꢔꢌꢂ ꢒꢇꢍꢏꢃꢔꢌꢈꢎ (ILL.CLR)

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ꢈꢉꢆꢊꢆꢋꢃꢌꢍ ꢉ ꢁꢎꢁꢉ

3ꢆꢂꢏꢇꢔ$ ꢖꢆꢈꢁ

/ꢄꢇꢒꢈꢂ BAND/ESC

/ꢄꢇꢒꢈꢂ DISPLAY

/ꢄꢇꢒꢈꢂ FUNCTION

/ꢄꢇꢒꢈꢎ 5/∞/2/3

VOLUME

/ꢄꢇꢒꢈꢂ OPEN

.ꢔꢁꢔꢈꢌꢇꢓ EQ

/ꢄꢇꢒꢈꢎ TA

/ꢄꢇꢒꢈꢎ 1–6

/ꢄꢇꢒꢈꢂ AUDIO

/ꢄꢇꢒꢈꢂ PGM

/ꢄꢇꢒꢈꢂ PTY

/ꢄꢇꢒꢈꢂ SOURCE/OFF

ꢊ"ꢆ ꢄ ꢌꢍꢎꢄꢂꢇ#ꢍꢈꢇꢇꢈꢑꢈ "ꢉꢋꢂꢏꢆꢅꢇꢍꢒ (CD-SR77)

)ꢎꢏꢌꢂꢄꢐꢎꢇꢄꢄꢇꢔ ꢊꢏꢌꢓꢇꢆꢏꢌꢃꢇ ꢓꢊꢁꢔꢃꢇꢑꢇ ꢊꢒꢓꢂꢃꢁꢔꢄꢎꢕ (CD-SR77), ꢒꢇꢘꢃꢇꢁꢕ7Bꢔꢔ

ꢍꢎꢏꢌꢂꢄꢐꢎꢇꢄꢄꢇ ꢊꢒꢓꢂꢃꢁꢕꢌꢋ ꢏꢎꢁꢇꢃꢇꢆ ꢑꢇꢁꢇꢃꢈꢇꢆ, ꢒꢓꢇꢍꢂꢔꢌꢏꢕ ꢇꢌꢍꢔꢁꢋꢄꢇ. ꢖ ꢓꢂBꢔꢄꢎꢔ ꢏ

ꢍꢎꢏꢌꢂꢄꢐꢎꢇꢄꢄꢅꢗ ꢊꢏꢌꢓꢇꢆꢏꢌꢃꢇꢗ ꢇꢏꢊBꢔꢏꢌꢃꢁꢕꢔꢌꢏꢕ ꢌꢂꢈ ꢚꢔ, ꢈꢂꢈ ꢏ ꢈꢄꢇꢒꢈꢂꢗꢎ ꢄꢂ

ꢏꢎꢁꢇꢃꢇꢆ ꢑꢇꢁꢇꢃꢈꢔ.

/ꢄꢇꢒꢈꢂ ATT

ꢉꢇꢘꢃꢇꢁꢕꢔꢌ ꢅꢏꢌꢓꢇ

ꢊꢗꢔꢄꢋ$ꢎꢌꢋ ꢊꢓꢇꢃꢔꢄꢋ

ꢑꢓꢇꢗꢈꢇꢏꢌꢎ (ꢄꢂ 90%). #ꢌꢇ ꢅ

ꢃꢔꢓꢄꢊꢌꢋꢏꢕ ꢈ ꢎꢏ4ꢇꢍꢄꢇꢗꢊ

ꢊꢓꢇꢃꢄ7 ꢑꢓꢇꢗꢈꢇꢏꢌꢎ, ꢄꢂꢚꢗꢎꢌꢔ

ꢔ& ꢔB& ꢓꢂꢘ.

/ꢄꢇꢒꢈꢂ BAND

/ꢄꢇꢒꢈꢎ 5/∞

/ꢄꢇꢒꢈꢂ SOURCE/OFF

/ꢄꢇꢒꢈꢎ 2/3

/ꢄꢇꢒꢈꢂ +/–

@ꢃꢔꢁꢎ"ꢋꢌꢔ

ꢎꢁꢎ

/ꢄꢇꢒꢈꢂ FUNCTION

/ꢄꢇꢒꢈꢂ AUDIO

ꢊꢗꢔꢄꢋ$ꢎꢌꢔ

ꢊꢓꢇꢃꢔꢄꢋ

ꢑꢓꢇꢗꢈꢇꢏꢌꢎ.

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ꢏꢃꢄꢃꢂ ꢇꢐꢎꢁꢌꢍꢊꢁꢑꢆ ꢇꢃꢒ ꢂꢆ ꢁꢓꢁ ꢇꢊꢂꢃꢌꢇꢔ

ꢓ ꢌꢂꢇꢇꢈꢐ ꢍꢃꢌꢅꢆꢍꢍ

)ꢎꢂꢒꢂꢘꢇꢄ ꢒꢓꢎꢄꢎꢗꢂꢔꢗꢅ4 "ꢂꢏꢌꢇꢌ ꢓꢂꢍꢎꢇꢒꢓꢎ&ꢗꢄꢎꢈꢂ ꢏꢇꢇꢌꢃꢔꢌꢏꢌꢃꢊꢔꢌ "ꢂꢏꢌꢇꢌꢂꢗ,

ꢎꢏꢒꢇꢁꢋꢘꢊꢔꢗꢅꢗ ꢃ Dꢃꢓꢇꢒꢔ, =ꢘꢎꢎ, ꢄꢂ ,ꢁꢎꢚꢄꢔꢗ !ꢇꢏꢌꢇꢈꢔ, ꢃ =>ꢓꢎꢈꢔ ꢎ ꢖꢈꢔꢂꢄꢎꢎ.

ꢉꢓꢎ ꢎꢏꢒꢇꢁꢋꢘꢇꢃꢂꢄꢎꢎ ꢃ ꢍꢓꢊꢑꢎ4 ꢓꢂꢆꢇꢄꢂ4 ꢒꢓꢎ&ꢗꢄꢎꢈ ꢗꢇꢚꢔꢌ ꢄꢔ ꢇ ꢔꢏꢒꢔ"ꢎꢃꢂꢌꢋ

ꢄꢂꢍꢁꢔꢚꢂBꢎꢆ ꢒꢓꢎ&ꢗ. 6ꢊꢄꢈꢐꢎꢎ RDS ꢓꢂ ꢇꢌꢂ7ꢌ ꢌꢇꢁꢋꢈꢇ ꢃ ꢌꢔ4 ꢓꢔꢑꢎꢇꢄꢂ4, ꢑꢍꢔ

ꢏꢌꢂꢄꢐꢎꢎ FM ꢒꢔꢓꢔꢍꢂ7ꢌ ꢏꢎꢑꢄꢂꢁꢅ RDS.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

• ꢃ ꢏꢇꢇꢌꢃꢔꢌꢏꢌꢃꢎꢎ ꢏꢇ ꢏꢌꢂꢌꢋ&ꢆ 9ꢂꢈꢇꢄꢂ (ꢇꢏꢏꢎꢆꢏꢈꢇꢆ 6ꢔꢍꢔꢓꢂꢐꢎꢎ “ꢖ ꢘꢂBꢎꢌꢔ ꢒꢓꢂꢃ ꢒꢇꢌꢓꢔ

ꢎꢌꢔꢁꢔꢆ” ꢎ ꢉꢇꢏꢌꢂꢄꢇꢃꢁꢔꢄꢎꢔꢗ ꢉꢓꢂꢃꢎꢌꢔꢁꢋꢏꢌꢃꢂ (ꢇꢏꢏꢎꢆꢏꢈꢇꢆ 6ꢔꢍꢔꢓꢂꢐꢎꢎ H 720 ꢇꢌ 16 ꢎ7ꢄꢕ

1997 ꢑꢇꢍꢂ Pioneer Electronic (Europe) N.V. ꢇꢑꢇꢃꢂꢓꢎꢃꢂꢔꢌ ꢏꢁꢔꢍꢊ7Bꢎꢔ ꢏꢓꢇꢈꢎ ꢓꢂ ꢇꢌꢅ ꢍꢁꢕ

ꢒꢓꢇꢍꢊꢈꢐꢎꢎ, ꢒꢇꢏꢌꢂꢃꢁꢕꢔꢗꢇꢆ ꢄꢂ ꢓꢇꢏꢏꢎꢆꢏꢈꢎꢆ ꢓꢅꢄꢇꢈ.

(ꢂꢍꢎꢇFꢁꢔꢈꢌꢓꢇꢄꢄꢂꢕ ꢂꢒꢒꢂꢓꢂꢌꢊꢓꢂ ꢍꢁꢕ ꢂꢃꢌꢇꢗꢇ ꢎꢁꢔꢆ

)ꢓꢊꢑꢇꢔ (ꢄꢂꢊ$ꢄꢎꢈꢎ, ꢗꢎꢈꢓꢇ>ꢇꢄꢅ ꢎ ꢌ. ꢒ.)

: 6 ꢁꢔꢌ

: 5 ꢁꢔꢌ

ꢓ ꢌꢂꢇꢇꢈ$ ꢍꢇꢎꢄꢋ"ꢁ#ꢍꢍ

)ꢂꢄꢄꢇꢔ ꢎꢘꢍꢔꢁꢎꢔ ꢇꢌꢁꢎ"ꢂꢔꢌꢏꢕ ꢓꢕꢍꢇꢗ ꢏꢁꢇꢚꢄꢅ4 >ꢊꢄꢈꢐꢎꢆ, ꢇ ꢔꢏꢒꢔ"ꢎꢃꢂ7Bꢎ4

ꢃꢅꢏꢇꢈꢇꢈꢂ"ꢔꢏꢌꢃꢔꢄꢄꢅꢆ ꢒꢓꢎ&ꢗ ꢎ ꢓꢂ ꢇꢌꢊ ꢊꢏꢌꢓꢇꢆꢏꢌꢃꢂ. !ꢏꢕ ꢈꢇꢄꢏꢌꢓꢊꢈꢐꢎꢕ ꢓꢂꢘꢓꢂ-

ꢂꢌꢅꢃꢂꢁꢂꢏꢋ ꢈꢂꢈ ꢗꢇꢚꢄꢇ ꢇꢁꢔꢔ ꢒꢓꢇꢏꢌꢇꢆ ꢃ Fꢈꢏꢒꢁꢊꢂꢌꢂꢐꢎꢎ, ꢄꢇ ꢌꢔꢗ ꢄꢔ ꢗꢔꢄꢔꢔ,

ꢄꢔꢈꢇꢌꢇꢓꢅꢔ >ꢊꢄꢈꢐꢎꢎ ꢌꢓꢔ ꢊ7ꢌ ꢒꢇꢕꢏꢄꢔꢄꢎꢆ. <ꢂꢏꢌꢇꢕBꢂꢕ ꢎꢄꢏꢌꢓꢊꢈꢐꢎꢕ ꢒꢇ

Fꢈꢏꢒꢁꢊꢂꢌꢂꢐꢎꢎ ꢒꢓꢔꢍꢄꢂꢘꢄꢂ"ꢔꢄꢂ ꢍꢁꢕ ꢌꢇꢑꢇ, "ꢌꢇ ꢅ ꢒꢇꢗꢇ"ꢋ !ꢂꢗ ꢄꢂꢎ ꢇꢁꢔꢔ ꢒꢇꢁꢄꢇ

ꢎꢏꢒꢇꢁꢋꢘꢇꢃꢂꢌꢋ ꢃꢇꢘꢗꢇꢚꢄꢇꢏꢌꢎ ꢍꢂꢄꢄꢇꢑꢇ ꢎꢘꢍꢔꢁꢎꢕ ꢎ ꢒꢇꢁꢊ"ꢎꢌꢋ ꢏ ꢔꢑꢇ ꢒꢇꢗꢇBꢋ7

ꢗꢂꢈꢏꢎꢗꢊꢗ ꢊꢍꢇꢃꢇꢁꢋꢏꢌꢃꢎꢕ.

ꢙꢅ ꢓꢔꢈꢇꢗꢔꢄꢍꢊꢔꢗ !ꢂꢗ ꢒꢇꢁꢄꢇꢏꢌꢋ7 ꢒꢓꢇ"ꢔꢏꢌꢋ ꢎꢄꢏꢌꢓꢊꢈꢐꢎ7 ꢎ ꢇꢘꢄꢂꢈꢇꢗꢎꢌꢋꢏꢕ ꢏ

>ꢊꢄꢈꢐꢎꢕꢗꢎ ꢎ ꢎ4 ꢍꢔꢆꢏꢌꢃꢎꢔꢗ ꢍꢇ ꢌꢇꢑꢇ, ꢈꢂꢈ !ꢅ ꢄꢂ"ꢄ&ꢌꢔ ꢒꢇꢁꢋꢘꢇꢃꢂꢌꢋꢏꢕ ꢎꢘꢍꢔꢁꢎꢔꢗ.

ꢖꢏꢇ ꢔꢄꢄꢇ ꢃꢂꢚꢄꢇ ꢒꢓꢇ"ꢔꢏꢌꢋ ꢎ ꢏꢇ ꢁ7ꢍꢂꢌꢋ “ꢙꢔꢓꢅ ꢒꢓꢔꢍꢇꢏꢌꢇꢓꢇꢚꢄꢇꢏꢌꢎ”, ꢇꢒꢎꢏꢂꢄꢄꢅꢔ

ꢄꢂ ꢏꢁꢔꢍꢊ7Bꢔꢆ ꢏꢌꢓꢂꢄꢎꢐꢔ ꢎ ꢃ ꢍꢓꢊꢑꢎ4 ꢓꢂꢘꢍꢔꢁꢂ4.

! ꢄꢂꢏꢌꢇꢕBꢔꢆ +ꢄꢏꢌꢓꢊꢈꢐꢎꢎ ꢒꢇ Fꢈꢏꢒꢁꢊꢂꢌꢂꢐꢎꢎ ꢇꢒꢎꢏꢅꢃꢂꢔꢌꢏꢕ ꢓꢂ ꢇꢌꢂ ꢑꢁꢂꢃꢄꢇꢑꢇ

ꢁꢇꢈꢂ. Cꢂꢈꢎꢔ ꢚꢔ ꢇꢒꢔꢓꢂꢐꢎꢎ ꢗꢇꢚꢄꢇ ꢃꢅꢒꢇꢁꢄꢕꢌꢋ ꢎ ꢒꢓꢎ ꢒꢇꢗꢇBꢎ ꢒꢊꢁꢋꢌꢂ

ꢍꢎꢏꢌꢂꢄꢐꢎꢇꢄꢄꢇꢑꢇ ꢊꢒꢓꢂꢃꢁꢔꢄꢎꢕ (CD-SR77). ꢉꢊꢁꢋꢌ ꢍꢎꢏꢌꢂꢄꢐꢎꢇꢄꢄꢇꢑꢇ ꢊꢒꢓꢂꢃꢁꢔꢄꢎꢕ

ꢒꢇꢘꢃꢇꢁꢕꢔꢌ ꢒꢇꢁꢋꢘꢇꢃꢂꢌꢋꢏꢕ ꢌꢂꢈꢇꢆ ꢊꢍꢇ ꢄꢇꢆ >ꢊꢄꢈꢐꢎꢔꢆ ꢈꢂꢈ =CC, ꢈꢇꢌꢇꢓꢂꢕ

ꢇꢌꢏꢊꢌꢏꢌꢃꢊꢔꢌ ꢄꢂ ꢑꢁꢂꢃꢄꢇꢗ ꢁꢇꢈꢔ.

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ꢏꢃꢄꢃꢂ ꢇꢐꢎꢁꢌꢍꢊꢁꢑꢆ ꢇꢃꢒ ꢂꢆ ꢁꢓꢁ ꢇꢊꢂꢃꢌꢇꢔ

6ꢅꢋꢔ ꢉꢋꢅꢌꢈꢎꢄꢈꢋꢈꢗꢇꢈꢎꢄꢍ

• )ꢔꢓꢚꢎꢌꢔ ꢄꢂꢏꢌꢇꢕBꢊ7 ꢎꢄꢏꢌꢓꢊꢈꢐꢎ7 ꢒꢇꢍ ꢓꢊꢈꢂꢗꢎ ꢃ ꢈꢂ"ꢔꢏꢌꢃꢔ ꢏꢒꢓꢂꢃꢇ"ꢄꢎꢈꢂ ꢒꢇ

ꢒꢓꢂꢃꢎꢁꢂꢗ Fꢈꢏꢒꢁꢊꢂꢌꢂꢐꢎꢎ ꢎ ꢄꢔꢇ 4ꢇꢍꢎꢗꢅꢗ ꢗꢔꢓꢂꢗ ꢒꢓꢔꢍꢇꢏꢌꢇꢓꢇꢚꢄꢇꢏꢌꢎ.

• <ꢎꢈꢇꢑꢍꢂ ꢄꢔ ꢍꢔꢁꢂꢆꢌꢔ ꢘꢃꢊꢈ ꢏꢁꢎ$ꢈꢇꢗ ꢑꢓꢇꢗꢈꢇ, "ꢌꢇ ꢅ ꢅꢁꢎ ꢏꢁꢅ$ꢄꢅ ꢃꢄꢔ$ꢄꢎꢔ

ꢘꢃꢊꢈꢎ.

• ꢉꢓꢔꢍꢇ4ꢓꢂꢄꢕꢆꢌꢔ ꢎꢘꢍꢔꢁꢎꢔ ꢇꢌ ꢃꢁꢂꢑꢎ.

• ꢉꢓꢎ ꢇꢌꢏꢇꢔꢍꢎꢄꢔꢄꢎꢎ ꢂꢌꢂꢓꢔꢎ ꢃꢏꢔ ꢊꢏꢌꢂꢄꢇꢃꢈꢎ ꢃ ꢒꢂꢗꢕꢌꢎ ꢏꢌꢎꢓꢂ7ꢌꢏꢕ, ꢎ ꢎ4 ꢄꢊꢚꢄꢇ

ꢒꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇꢃꢂꢌꢋ ꢘꢂꢄꢇꢃꢇ.

7 ꢎꢆ",ꢂꢅ ꢇꢅꢍꢎꢉꢋꢂꢏꢇꢈꢎꢄꢍ

Dꢏꢁꢎ ꢄꢂꢏꢌꢇꢕBꢔꢔ ꢎꢘꢍꢔꢁꢎꢔ ꢄꢔ ꢊꢍꢔꢌ ꢓꢂ ꢇꢌꢂꢌꢋ ꢄꢂꢍꢁꢔꢚꢂBꢎꢗ ꢇ ꢓꢂꢘꢇꢗ, ꢏꢃꢕꢚꢎꢌꢔꢏꢋ

ꢏꢇ ꢏꢃꢇꢎꢗ ꢍꢎꢁꢔꢓꢇꢗ ꢎꢁꢎ ꢁꢎꢚꢂꢆ$ꢔꢆ ꢗꢂꢏꢌꢔꢓꢏꢈꢇꢆ, ꢊꢒꢇꢁꢄꢇꢗꢇ"ꢔꢄꢄꢇꢆ ꢇ ꢏꢁꢊꢚꢎꢃꢂꢌꢋ

ꢒꢓꢇꢍꢊꢈꢐꢎ7 ꢈꢇꢗꢒꢂꢄꢎꢎ ꢉꢎꢇꢄꢔꢓ.

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ꢕꢐ ꢁꢑ ꢖꢃ ꢎꢄꢇꢗꢒꢖ ꢄꢆꢘꢁꢋꢖ

8ꢄꢈꢖꢔ ꢎꢆ"9ꢂꢄ ꢐ"ꢃꢔꢁ"

<ꢎꢚꢔ ꢇ Aꢕꢏꢄꢕ7ꢌꢏꢕ ꢄꢂ"ꢂꢁꢋꢄꢅꢔ ꢍꢔꢆꢏꢌꢃꢎꢕ, ꢄꢔꢇ 4ꢇꢍꢎꢗꢅꢔ ꢍꢁꢕ ꢌꢇꢑꢇ, "ꢌꢇ ꢅ

ꢒꢇꢏꢁꢊ$ꢂꢌꢋ ꢗꢊꢘꢅꢈꢊ.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

9ꢂꢑꢓꢊꢘꢈꢂ ꢈꢂꢏꢏꢔꢌꢅ ꢃ ꢎꢘꢍꢔꢁꢎꢔ. (.ꢗ. ꢏꢌꢓ. 9.)

1. ꢇꢈꢉꢄꢁꢂꢊꢄ ꢋꢄꢌꢆꢄꢃꢈꢍ ꢂꢎꢊꢏꢅ ꢂꢐ ( ꢆꢑꢁꢂꢃꢄꢁ, ꢑꢁꢂꢒꢃ ꢂꢐ).

ꢉꢓꢎ ꢈꢂꢚꢍꢇꢗ ꢄꢂꢚꢂꢌꢎꢎ ꢄꢂ ꢈꢄꢇꢒꢈꢊ

SOURCE ꢎꢏꢌꢇ"ꢄꢎꢈ ꢗꢔꢄꢕꢔꢌꢏꢕ ...

ꢉꢓꢎ ꢈꢂꢚꢍꢇꢗ ꢄꢂꢚꢂꢌꢎꢎ ꢄꢂ ꢈꢄꢇꢒꢈꢊ SOURCE/OFF ꢚꢔꢁꢂꢔꢗꢅꢆ ꢎꢏꢌꢇ"ꢄꢎꢈ ꢃꢅ ꢎꢓꢂꢔꢌꢏꢕ

ꢃ ꢏꢁꢔꢍꢊ7Bꢔꢗ ꢒꢇꢓꢕꢍꢈꢔ:

ꢉꢓꢎ&ꢗꢄꢎꢈ = ꢉꢁ&ꢄꢈꢂ = ꢙꢄꢇꢑꢇꢍꢎꢏꢈꢇꢃꢅꢆ ꢒꢓꢎꢑꢓꢅꢃꢂꢌꢔꢁꢋ /) = !ꢄꢔ$ꢄꢎꢆ ꢂꢒꢒꢂꢓꢂꢌ

= AUX

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

!ꢄꢔ$ꢄꢎꢆ ꢂꢒꢒꢂꢓꢂꢌ ꢇꢌꢄꢇꢏꢎꢌꢏꢕ ꢈ ꢎꢘꢍꢔꢁꢎꢕꢗ >ꢎꢓꢗꢅ Pioneer (ꢌꢔꢗ, ꢈꢇꢌꢇꢓꢅꢔ ꢊꢍꢊꢌ ꢍꢇꢏꢌꢊꢒꢄꢅ

ꢃ

ꢊꢍꢊBꢔꢗ), ꢈꢇꢌꢇꢓꢅꢔ, 4ꢇꢌꢕ ꢎ ꢄꢔꢏꢇꢃꢗꢔꢏꢌꢎꢗꢅ ꢃ ꢈꢂ"ꢔꢏꢌꢃꢔ ꢎꢏꢌꢇ"ꢄꢎꢈꢂ, ꢄꢇ ꢒꢇꢘꢃꢇꢁꢕ7ꢌ

ꢊꢒꢓꢂꢃꢁꢕꢌꢋ ꢇꢏꢄꢇꢃꢄꢅꢗꢎ >ꢊꢄꢈꢐꢎꢕꢗꢎ ꢒꢓꢎ ꢒꢇꢗꢇBꢎ Fꢌꢇꢑꢇ ꢂꢒꢒꢂꢓꢂꢌꢂ.

! ꢏꢁꢔꢍꢊ7Bꢎ4 ꢏꢁꢊ"ꢂꢕ4 ꢎꢏꢌꢇ"ꢄꢎꢈ ꢘꢃꢊꢈꢂ ꢄꢔ ꢎꢘꢗꢔꢄꢎꢌꢏꢕ:

•

* /ꢇꢑꢍꢂ ꢂꢒꢒꢂꢓꢂꢌ, ꢏꢇꢇꢌꢃꢔꢌꢏꢌꢃꢊ7Bꢎꢆ ꢈꢂꢚꢍꢇꢗꢊ ꢎꢏꢌꢇ"ꢄꢎꢈꢊ, ꢄꢔ ꢒꢇꢍꢏꢇꢔꢍꢎꢄ&ꢄ ꢈ ꢍꢂꢄꢄꢇꢗꢊ

ꢂꢒꢒꢂꢓꢂꢌꢊ.

* Dꢏꢁꢎ ꢃ ꢎꢘꢍꢔꢁꢎꢔ ꢄꢔ ꢃꢏꢌꢂꢃꢁꢔꢄꢂ ꢈꢂꢏꢏꢔꢌꢂ.

* Dꢏꢁꢎ ꢃ ꢗꢄꢇꢑꢇꢍꢎꢏꢈꢇꢃꢅꢆ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢋ /) ꢄꢔ ꢃꢏꢌꢂꢃꢁꢔꢄ ꢗꢂꢑꢂꢘꢎꢄ.

* Dꢏꢁꢎ AUX (ꢃꢄꢔ$ꢄꢎꢆ ꢃ4ꢇꢍ) ꢊꢏꢌꢂꢄꢇꢃꢁꢔꢄ ꢃ ꢒꢇꢁꢇꢚꢔꢄꢎꢔ OFF. (.ꢗ. ꢏꢌꢓ. 44.)

Dꢏꢁꢎ ꢏꢎꢄꢔ- ꢔꢁꢅꢆ ꢒꢓꢇꢃꢇꢍ ꢎꢘꢍꢔꢁꢎꢕ ꢒꢇꢍꢈꢁ7"ꢔꢄ ꢈ ꢌꢔꢓꢗꢎꢄꢂꢁꢊ ꢓꢔꢁꢔꢆꢄꢇꢑꢇ ꢊꢒꢓꢂꢃꢁꢔꢄꢎꢕ

ꢂꢃꢌꢇꢗꢇ ꢎꢁꢋꢄꢇꢆ ꢂꢄꢌꢔꢄꢄꢇꢆ, ꢌꢇ ꢒꢓꢎ ꢒꢔꢓꢔꢈꢁ7"ꢔꢄꢎꢎ ꢎꢏꢌꢇ"ꢄꢎꢈꢂ ꢎꢘꢍꢔꢁꢎꢕ ꢄꢂ ON,

ꢂꢃꢌꢇꢗꢇ ꢎꢁꢋꢄꢂꢕ ꢂꢄꢌꢔꢄꢄꢂ ꢃꢅꢍꢃꢎꢑꢂꢔꢌꢏꢕ. #ꢌꢇ ꢅ ꢊ ꢓꢂꢌꢋ ꢂꢄꢌꢔꢄꢄꢊ, ꢒꢔꢓꢔꢈꢁ7"ꢎꢌꢔ ꢎꢏꢌꢇ"ꢄꢎꢈ

ꢘꢃꢊꢈꢂ ꢄꢂ OFF.

•

2. ꢓꢔꢄꢌꢂꢅꢄ ꢂꢄ VOLUME ꢔꢑꢄꢁꢒꢕ.

ꢉꢓꢎ ꢄꢂꢚꢂꢌꢎꢎ ꢈꢄꢇꢒꢈꢎ VOLUME, ꢇ ꢁꢔꢑ"ꢂꢔꢌꢏꢕ ꢃꢓꢂBꢔꢄꢎꢔ ꢓꢊ"ꢈꢎ ꢓꢔꢑꢊꢁꢕꢌꢇꢓꢂ ꢎ

ꢗꢇꢚꢄꢇ ꢊꢑꢔꢁꢎ"ꢎꢌꢋ ꢊꢓꢇꢃꢔꢄꢋ ꢑꢓꢇꢗꢈꢇꢏꢌꢎ. )ꢁꢕ ꢏꢄꢎꢚꢔꢄꢎꢕ ꢊꢓꢇꢃꢕ ꢑꢓꢇꢗꢈꢇꢏꢌꢎ ꢄꢂꢚꢗꢎꢌꢔ

ꢈꢄꢇꢒꢈꢊ VOLUME ꢔB& ꢓꢂꢘ.

ꢀꢁꢏꢕꢏꢌꢋꢄ ꢂꢄ ꢆ ꢏꢉꢏꢁꢏꢊꢄ.

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ꢕꢐ ꢁꢑ ꢖꢃ ꢎꢄꢇꢗꢒꢖ ꢄꢆꢘꢁꢋꢖ

3. ꢓꢔꢄꢌꢂꢅ!ꢊꢄ ꢂꢌꢂ "ꢃꢄ !#ꢂꢊꢄ "ꢁꢏꢔꢄ ! $ꢁꢏꢃꢐꢏꢎꢊꢂ.

ꢉꢇꢃꢇꢓꢂ"ꢎꢃꢂꢄꢎꢔ ꢓꢔꢑꢊꢁꢕꢌꢇꢓꢂ VOLUME ꢎꢘꢗꢔꢄꢕꢔꢌ ꢊꢓꢇꢃꢔꢄꢋ ꢑꢓꢇꢗꢈꢇꢏꢌꢎ.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

ꢉꢇꢃꢇꢓꢂ"ꢎꢃꢂꢄꢎꢔ ꢓꢔꢑꢊꢁꢕꢌꢇꢓꢂ ꢒꢇ "ꢂꢏꢇꢑꢇꢆ ꢏꢌꢓꢔꢁꢈꢔ ꢊꢃꢔꢁꢎ"ꢎꢃꢂꢔꢌ ꢊꢓꢇꢃꢔꢄꢋ ꢑꢓꢇꢗꢈꢇꢏꢌꢎ.

ꢉꢇꢃꢇꢓꢂ"ꢎꢃꢂꢄꢎꢔ ꢓꢔꢑꢊꢁꢕꢌꢇꢓꢂ ꢒꢓꢇꢌꢎꢃ "ꢂꢏꢇꢃꢇꢆ ꢏꢌꢓꢔꢁꢈꢔ ꢊꢗꢔꢄꢋ$ꢂꢔꢌ ꢊꢓꢇꢃꢔꢄꢋ ꢑꢓꢇꢗꢈꢇꢏꢌꢎ.

4. ꢇꢈꢐꢌ&ꢅꢂꢊꢄ ꢂꢎꢊꢏꢅ ꢂꢐ (OFF).

)ꢔꢓꢚꢂꢌꢋ ꢄꢂꢚꢂꢌꢇꢆ 1 ꢏꢔꢈꢊꢄꢍꢊ

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ꢓꢎꢇꢈꢏꢇꢔꢅ ꢉꢋꢍꢕꢐꢔ ꢋꢂꢖꢈꢄꢔ ꢎ ꢉꢋꢍꢕꢐꢇꢍꢁꢈꢐ

6ꢊꢄꢈꢐꢎꢕ AF ꢍꢂꢄꢄꢇꢑꢇ ꢂꢒꢒꢂꢓꢂꢌꢂ ꢗꢇꢚꢄꢇ ꢃꢈꢁ7"ꢎꢌꢋ ꢎ ꢃꢅꢈꢁ7"ꢎꢌꢋ. 6ꢊꢄꢈꢐꢎꢕ AF

ꢍꢇꢁꢚꢄꢂ ꢅꢌꢋ ꢃꢅꢈꢁ7"ꢔꢄꢂ ꢃꢇ ꢃꢓꢔꢗꢕ ꢇ ꢅ"ꢄꢇꢆ ꢇꢒꢔꢓꢂꢐꢎꢎ ꢄꢂꢏꢌꢓꢇꢆꢈꢎ. (.ꢗ. ꢏꢌꢓ. 18).

1",ꢇꢂꢒ ꢇꢂꢎꢄꢋꢈ$ꢁꢂ ꢍ ꢉꢈꢍꢎꢁ

• ꢇꢈ ꢃꢏꢋꢄꢊꢄ ꢔꢈꢉꢁꢆꢊ! ꢎꢑꢏꢎꢏꢉ ꢆꢎꢊꢁꢏꢍꢐꢂ, ꢂ'ꢃꢄ (( ꢔꢁꢄꢃ(

ꢆꢋꢆꢊꢂ( ꢆ ꢐ ꢏꢑꢐ" 2/3.

(ꢊ"ꢄꢂꢕ ꢄꢂꢏꢌꢓꢇꢆꢈꢂ (ꢒꢇ$ꢂꢑꢇꢃꢂꢕ)

0,5 ꢏꢔꢈꢊꢄꢍꢅ ꢎꢁꢎ ꢗꢔꢄꢔꢔ

ꢉꢇꢎꢏꢈꢇꢃꢂꢕ ꢄꢂꢏꢌꢓꢇꢆꢈꢂ

0,5 ꢏꢔꢈꢊꢄꢍꢅ ꢎꢁꢎ ꢇꢁꢔꢔ

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

Dꢏꢁꢎ !ꢅ ꢊꢍꢔꢌꢔ ꢒꢓꢇꢍꢇꢁꢚꢂꢌꢋ ꢄꢂꢚꢎꢗꢂꢌꢋ ꢄꢂ ꢈꢄꢇꢒꢈꢊ ꢇꢁꢔꢔ 0,5 ꢏꢔꢈꢊꢄꢍꢅ,

ꢌꢇ !ꢅ ꢗꢇꢚꢔꢌꢔ ꢒꢓꢇꢒꢊꢏꢌꢎꢌꢋ ꢓꢂꢍꢎꢇꢃꢔBꢂꢌꢔꢁꢋꢄꢅꢔ ꢏꢌꢂꢄꢐꢎꢎ. ꢉꢇꢎꢏꢈꢇꢃꢂꢕ

ꢄꢂꢏꢌꢓꢇꢆꢈꢂ ꢄꢂ"ꢄ&ꢌꢏꢕ ꢏꢓꢂꢘꢊ ꢚꢔ, ꢈꢂꢈ ꢌꢇꢁꢋꢈꢇ !ꢅ ꢇꢌꢒꢊꢏꢌꢎꢌꢔ ꢈꢄꢇꢒꢈꢊ.

ꢉꢓꢎ ꢄꢂꢏꢌꢓꢇꢆꢈꢔ ꢄꢂ ꢏꢌꢔꢓꢔꢇꢏꢌꢂꢄꢐꢎ7 ꢘꢂꢑꢇꢓꢂꢔꢌꢏꢕ ꢎꢄꢍꢎꢈꢂꢌꢇꢓ ꢏꢌꢔꢓꢔꢇꢘꢃꢊꢈꢂ

“”.

•

ꢀꢁꢂꢃꢂꢄꢅꢆ ,ꢂꢎꢄꢈꢄꢔ

ꢀꢁꢂꢃꢂꢄꢅꢆ ꢌꢍꢂꢉꢂꢃꢈꢇꢂ

ꢀꢁꢂꢃꢂꢄꢅꢆ ꢇꢈꢐꢅꢋꢂ

ꢉꢋꢅꢌꢏꢂꢋꢍꢄꢅꢆ ꢇꢈ$ ꢇꢂꢎꢄꢋꢈ$ꢁꢍ

ꢊꢋꢅꢌꢏꢂꢋꢍꢄꢅꢆ ꢇꢂꢒ ꢇꢂꢎꢄꢋꢈ$ꢁꢂ )ꢍꢂꢉꢂꢃꢈꢇ

F1 (FM1) = F2 (FM2)

= F3 (FM3) = MW/LW

• ꢇꢈ ꢃꢏꢋꢄꢊꢄ 'ꢆ ꢄꢎꢊꢂ ꢁꢆꢕꢂꢏꢔꢄ)ꢆꢊꢄꢌ! ꢈꢄ

ꢎꢊꢆ *ꢂꢂ ꢔ ꢑꢆꢃ(ꢊ! ꢕꢌ( ꢐ ꢏꢑꢏꢐ ꢎ ꢏꢃꢄꢁꢆꢃꢂ

ꢏꢊ 1 ꢕꢏ 6, ꢅꢊꢏꢉꢈ ꢉꢈꢎꢊꢁꢏ ꢔꢈ'ꢈꢔꢆꢊ! ,ꢊꢂ

ꢎꢊꢆ *ꢂꢂ ꢏꢕ ꢂꢃ ꢆꢋꢆꢊꢂꢄꢃ ꢆ ꢐ ꢏꢑꢐ".

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

FM ꢍꢎꢂꢒꢂꢘꢇꢄꢅ

ꢇ4ꢃꢂꢌꢅꢃꢂ7ꢌ ꢓꢂꢘꢁꢎ"ꢄꢅꢔ

ꢒꢇꢁꢇꢏꢅ "ꢂꢏꢌꢇꢌ, ꢈꢂꢈ

ꢒꢇꢈꢂꢘꢂꢄꢇ ꢄꢎꢚꢔ:

F1 (FM1):

!ꢅꢘꢇꢃ ꢒꢓꢔꢍꢃꢂꢓꢎꢌꢔꢁꢋꢄꢇ

ꢄꢂꢏꢌꢓꢇꢔꢄꢄꢇꢆ ꢏꢌꢂꢄꢐꢎꢎ

2 ꢏꢔꢈꢊꢄꢍꢅ ꢎꢁꢎ ꢗꢔꢄꢔꢔ

9ꢂꢒꢇꢗꢎꢄꢂꢄꢎꢔ ꢒꢓꢔꢍꢃꢂꢓꢎꢌꢔꢁꢋꢄꢇꢆ 2 ꢏꢔꢈꢊꢄꢍꢅ ꢎꢁꢎ ꢇꢁꢔꢔ

65 — 74 MHz

F2 (FM2), F3 (FM3):

87,5 — 108 MHz

ꢄꢂꢏꢌꢓꢇꢔꢄꢄꢇꢆ ꢏꢌꢂꢄꢐꢎꢎ

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

! ꢒꢂꢗꢕꢌꢋ ꢗꢇꢚꢄꢇ ꢘꢂꢄꢔꢏꢌꢎ ꢍꢇ 18 ꢏꢌꢂꢄꢐꢎꢆ FM

ꢍꢎꢂꢒꢂꢘꢇꢄꢂ (ꢒꢇ 6 ꢃ ꢍꢎꢂꢒꢂꢘꢇꢄꢂ4 F1 (FM1), F2 (FM2) ꢎ

F3 (FM3)) ꢎ 6 ꢏꢌꢂꢄꢐꢎꢆ MW/LW ꢍꢎꢂꢒꢂꢘꢇꢄꢂ.

)ꢁꢕ ꢃꢅꢘꢇꢃꢂ ꢏꢌꢂꢄꢐꢎꢆ, ꢘꢂꢄꢔꢏ&ꢄꢄꢅ4 ꢃ ꢒꢂꢗꢕꢌꢋ ꢒꢇꢍ

ꢄꢇꢗꢔꢓꢂꢗꢎ 1 – 6, ꢗꢇꢚꢄꢇ ꢌꢂꢈꢚꢔ ꢒꢇꢁꢋꢘꢇꢃꢂꢌꢋꢏꢕ

ꢈꢄꢇꢒꢈꢂꢗꢎ 5 ꢎ ∞.

•

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ꢕꢐ ꢁꢑ ꢖꢃ ꢎꢄꢇꢗꢒꢖ ꢄꢆꢘꢁꢋꢖ

ꢓꢎꢇꢈꢏꢇꢔꢅ ꢉꢋꢍꢕꢐꢔ ꢋꢂꢖꢈꢄꢔ ꢎ ꢁꢂꢎꢎꢅꢄꢇꢔꢐ ꢉꢋꢈꢍꢑꢋꢔꢏꢂꢄꢅꢆꢅꢐ

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

ꢉꢇꢏꢁꢔ ꢘꢂꢑꢓꢊꢘꢈꢎ ꢎꢁꢎ ꢃꢅ ꢓꢇꢏꢂ ꢈꢂꢏꢏꢔꢌꢅ ꢇ ꢕꢘꢂꢌꢔꢁꢋꢄꢇ ꢘꢂꢈꢓꢇꢆꢌꢔ

ꢒꢔꢓꢔꢍꢄ77 ꢒꢂꢄꢔꢁꢋ.

ꢓꢄꢁꢋꢔꢄ

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

+ꢏꢒꢇꢁꢋꢘꢊꢔꢌꢏꢕ ꢍꢁꢕ ꢇꢌꢈꢓꢅꢃꢂꢄꢎꢕ ꢒꢔꢓꢔꢍꢄꢔꢆ ꢒꢂꢄꢔꢁꢎ ꢒꢓꢎ

ꢘꢂꢑꢓꢊꢘꢈꢔ ꢎꢁꢎ ꢃꢅ ꢓꢇꢏꢔ ꢈꢂꢏꢏꢔꢌꢅ. (<ꢂ ꢓꢎꢏꢊꢄꢈꢔ ꢏꢒꢓꢂꢃꢂ

ꢒꢇꢈꢂꢘꢂꢄꢂ ꢒꢔꢓꢔꢍꢄꢕꢕ ꢒꢂꢄꢔꢁꢋ ꢃ ꢇꢌꢈꢓꢅꢌꢇꢗ ꢏꢇꢏꢌꢇꢕꢄꢎꢎ.)

ꢀꢁꢂꢃꢂꢄꢅꢆ ꢇꢂꢉꢋꢂꢏꢆꢅꢇꢍꢒ

ꢃꢐꢅꢇꢅꢇꢍꢅ

ꢇꢂꢉꢋꢂꢏꢆꢅꢇꢍꢒ

ꢇꢌꢍꢁꢂꢄꢈꢋ ꢏꢋꢅꢐꢅꢇꢍ ꢉꢋꢈꢍꢑꢋꢔꢏꢂꢇꢍꢒ

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

ꢖꢌꢏ"&ꢌ ꢃꢓꢔꢗꢔꢄꢎ ꢄꢔꢒꢓꢔꢓꢅꢃꢄꢇꢑꢇ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ

ꢄꢂ"ꢎꢄꢂꢔꢌꢏꢕ ꢏ 00’00” ꢃ ꢏꢁꢔꢍꢊ7Bꢎ4 ꢏꢁꢊ"ꢂꢕ4:

* ꢉꢇꢏꢁꢔ ꢌꢇꢑꢇ ꢈꢂꢈ ꢈꢂꢏꢏꢔꢌꢂ ꢃꢏꢌꢂꢃꢁꢔꢄꢂ.

* ꢉꢇꢏꢁꢔ ꢎꢘꢗꢔꢄꢔꢄꢎꢕ ꢄꢂꢒꢓꢂꢃꢁꢔꢄꢎꢕ ꢍꢃꢎꢚꢔꢄꢎꢕ

ꢒꢁ&ꢄꢈꢎ.

* ꢉꢇꢏꢁꢔ ꢇ ꢓꢂꢌꢄꢇꢆ ꢒꢔꢓꢔꢗꢇꢌꢈꢎ ꢃ ꢏꢂꢗꢇꢔ ꢄꢂ"ꢂꢁꢇ

ꢃꢇꢏꢒꢓꢇꢎꢘꢃꢇꢍꢎꢗꢇꢆ ꢃ ꢍꢂꢄꢄꢅꢆ ꢗꢇꢗꢔꢄꢌ

ꢈꢂꢏꢏꢔꢌꢅ.

ꢖꢌꢏ"&ꢌ ꢃꢓꢔꢗꢔꢄꢎ ꢄꢔꢒꢓꢔꢓꢅꢃꢄꢇꢑꢇ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ

ꢇꢏꢌꢂꢄꢂꢃꢁꢎꢃꢂꢔꢌꢏꢕ ꢒꢓꢎ ꢅꢏꢌꢓꢇꢆ ꢒꢔꢓꢔꢗꢇꢌꢈꢔ

ꢃꢒꢔꢓ&ꢍ/ꢄꢂꢘꢂꢍ ꢎ ꢃꢇ ꢃꢓꢔꢗꢕ ꢍꢔꢆꢏꢌꢃꢎꢕ >ꢊꢄꢈꢐꢎꢎ

ꢉꢇꢎꢏꢈ ꢗꢊꢘꢅꢈꢂꢁꢋꢄꢇꢆ ꢘꢂꢒꢎꢏꢎ.

•

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:ꢔꢎꢄꢋꢂꢒ ꢉꢅꢋꢅꢐꢈꢄꢁꢂ ꢏꢉꢅꢋꢕꢌ/ꢇꢂꢃꢂꢌ ꢍ ꢉꢈꢍꢎꢁ ꢐ"ꢃꢔꢁꢂꢆ ꢇꢈ$ ꢃꢂꢉꢍꢎꢍ

• ꢀꢁꢂ ꢐꢆꢋꢕꢏꢃ ꢆꢋꢆꢊꢂꢂ ꢆ ꢐ ꢏꢑꢐ" 3 ꢔꢈꢉꢂꢁꢆꢄꢊꢎ( ꢑꢄꢁꢄꢃꢏꢊꢐꢆ

ꢑꢌꢒ ꢐꢂ ꢔꢑꢄꢁꢒꢕ ꢂꢌꢂ ꢑꢏꢂꢎꢐ ꢃ"'ꢈꢐꢆꢌ! ꢏꢍ 'ꢆꢑꢂꢎꢂ ꢑꢁꢂ ꢑꢄꢁꢄꢃꢏꢊꢐꢄ

ꢔꢑꢄꢁꢒꢕ.

FF (ꢒꢔꢓꢔꢗꢇꢌꢈꢂ ꢃꢒꢔꢓ&ꢍ) = F-MS (ꢒꢔꢓꢔꢗꢇꢌꢈꢂ ꢃꢒꢔꢓ&ꢍ-ꢒꢇꢎꢏꢈ ꢗꢊꢘꢅꢈꢂꢁꢋꢄꢇꢆ

ꢘꢂꢒꢎꢏꢎ) = ꢖ ꢅ"ꢄꢇꢔ ꢃꢇꢏꢒꢓꢇꢎꢘꢃꢔꢍꢔꢄꢎꢔ

• ꢀꢁꢂ ꢐꢆꢋꢕꢏꢃ ꢆꢋꢆꢊꢂꢂ ꢆ ꢐ ꢏꢑꢐ" 2 ꢔꢈꢉꢂꢁꢆꢄꢊꢎ( ꢑꢄꢁꢄꢃꢏꢊꢐꢆ

ꢑꢌꢒ ꢐꢂ ꢆ'ꢆꢕ ꢂꢌꢂ ꢑꢏꢂꢎꢐ ꢃ"'ꢈꢐꢆꢌ! ꢏꢍ 'ꢆꢑꢂꢎꢂ ꢑꢁꢂ ꢑꢄꢁꢄꢃꢏꢊꢐꢄ

ꢆ'ꢆꢕ.

REW (ꢒꢔꢓꢔꢗꢇꢌꢈꢂ ꢄꢂꢘꢂꢍ) = R-MS (ꢒꢔꢓꢔꢗꢇꢌꢈꢂ ꢄꢂꢘꢂꢍ-ꢒꢇꢎꢏꢈ ꢗꢊꢘꢅꢈꢂꢁꢋꢄꢇꢆ

ꢘꢂꢒꢎꢏꢎ) = ꢖ ꢅ"ꢄꢇꢔ ꢃꢇꢏꢒꢓꢇꢎꢘꢃꢔꢍꢔꢄꢎꢔ

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

,ꢅꢏꢌꢓꢊ7 ꢒꢔꢓꢔꢗꢇꢌꢈꢊ ꢃꢒꢔꢓ&ꢍ/ꢄꢂꢘꢂꢍ ꢎ ꢒꢇꢎꢏꢈ ꢗꢊꢘꢅꢈꢂꢁꢋꢄꢇꢆ ꢘꢂꢒꢎꢏꢎ ꢗꢇꢚꢄꢇ

ꢇꢌꢗꢔꢄꢎꢌꢋ, ꢄꢂꢚꢂꢃ ꢄꢂ ꢈꢄꢇꢒꢈꢊ BAND.

-ꢆꢈꢄ ꢃꢂꢑꢋ"ꢃꢁꢍ ꢁꢂꢎꢎꢅꢄꢔ

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

Dꢏꢁꢎ ꢃꢏꢌꢂꢃꢁꢔꢄꢂ ꢈꢂꢏꢏꢔꢌꢂ ꢏ ꢒꢁ&ꢄꢈꢇꢆ ꢌꢎꢒꢂ ꢗꢔꢌꢌꢂꢁꢁ ꢎꢁꢎ 4ꢓꢇꢗ, ꢄꢂ

ꢍꢎꢏꢒꢁꢔꢔ ꢄꢂ 4 ꢏꢔꢈꢊꢄꢍꢅ ꢂꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢎ ꢒꢇꢕꢃꢁꢕꢔꢌꢏꢕ ꢏꢇꢇ Bꢔꢄꢎꢔ

“METAL”. Dꢏꢁꢎ ꢒꢁ&ꢄꢈꢂ ꢄꢇꢓꢗꢂꢁꢋꢄꢇꢑꢇ ꢌꢎꢒꢂ, ꢏꢇꢇ Bꢔꢄꢎꢕ ꢄꢂ

ꢍꢎꢏꢒꢁꢔꢔ ꢄꢔ ꢊꢍꢔꢌ.

7ꢔꢖꢋꢈꢎ

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

6ꢊꢄꢈꢐꢎ7 ꢉꢁ&ꢄꢈꢂ ꢗꢇꢚꢄꢇ

ꢃꢈꢁ7"ꢎꢌꢋ ꢎꢁꢎ ꢃꢅꢈꢁ7"ꢎꢌꢋ

(ON/OFF), ꢔꢏꢁꢎ ꢈꢂꢏꢏꢔꢌꢂ

ꢇꢏꢌꢂ&ꢌꢏꢕ ꢃ ꢗꢂꢑꢄꢎꢌꢇ>ꢇꢄꢔ.

(.ꢗ. ꢏꢌꢓ. 6.)

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ꢕꢐ ꢁꢑ ꢖꢃ ꢎꢄꢇꢗꢒꢖ ꢄꢆꢘꢁꢋꢖ

ꢓꢎꢇꢈꢏꢇꢔꢅ ꢉꢋꢍꢕꢐꢔ ꢋꢂꢖꢈꢄꢔ ꢎ ꢐꢇꢈꢑꢈꢌꢍꢎꢁꢈꢏꢔꢐ ꢉꢋꢈꢍꢑꢋꢔꢏꢂꢄꢅꢆꢅꢐ ()

)ꢂꢄꢄꢅꢆ ꢂꢒꢒꢂꢓꢂꢌ ꢗꢇꢚꢔꢌ ꢊꢒꢓꢂꢃꢁꢕꢌꢋ ꢗꢊꢁꢋꢌꢎ ꢈꢇꢗꢒꢂꢈꢌ ꢍꢎꢏꢈ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢔꢗ

(ꢒꢓꢇꢍꢂ&ꢌꢏꢕ ꢇꢌꢍꢔꢁꢋꢄꢇ).

ꢊꢈꢍꢎꢁ ꢄꢋꢅꢁꢈꢏ ꢍ "ꢎꢁꢈꢋꢅꢇꢇꢈꢅ ꢉꢋꢈꢍꢑꢋꢔꢏꢂꢇꢍꢅ ꢏꢉꢅꢋꢕꢌ/ꢇꢂꢃꢂꢌ

• -'ꢃꢄ (( ꢕꢌꢂꢊꢄꢌ! ꢏꢎꢊ! ꢆꢋꢆꢊꢂ( ꢆ ꢐ ꢏꢑꢐ" 2/3, ꢃꢏꢋ ꢏ

ꢔꢈꢉꢁꢆꢊ! ꢌꢂꢉꢏ ꢑꢏꢂꢎꢐ ꢊꢁꢄꢐꢆ ꢌꢂꢉꢏ "ꢎꢐꢏꢁꢄ ꢏꢄ ꢑꢁꢏꢂ$ꢁꢈꢔꢆ ꢂꢄ

ꢔꢑꢄꢁꢒꢕ/ ꢆ'ꢆꢕ.

ꢉꢇꢎꢏꢈ ꢌꢓꢔꢈꢂ

0,5 ꢏꢔꢈꢊꢄꢍꢅ ꢎꢁꢎ ꢗꢔꢄꢔꢔ

@ꢏꢈꢇꢓꢔꢄꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢃꢒꢔꢓꢔꢍ/ꢄꢂꢘꢂꢍ

)ꢁꢎꢌꢔꢁꢋꢄꢇꢔ ꢄꢂꢚꢂꢌꢎꢔ

ꢇꢌꢍꢁꢂꢄꢈꢋ

ꢇꢌꢍꢁꢂꢄꢈꢋ ꢏꢋꢅꢐꢅꢇꢍ

ꢇꢈꢐꢅꢋꢂ ꢌꢍꢎꢁꢂ ꢉꢋꢈꢍꢑꢋꢔꢏꢂꢇꢍꢒ

ꢇꢌꢍꢁꢂꢄꢈꢋ ꢇꢈꢐꢅꢋꢂ ꢄꢋꢅꢁꢂ

ꢊꢈꢍꢎꢁ ꢌꢍꢎꢁꢂ

ꢊꢈꢍꢎꢁ ꢇꢈꢐꢅꢋꢂ ꢌꢍꢎꢁꢂ (ꢌꢆꢒ 6- ꢍ 12-ꢌꢍꢎꢁꢈꢏꢔ. ()-ꢉꢋꢈꢍꢑꢋꢔꢏꢂꢄꢅꢆꢅ$)

•

ꢇꢈ ꢃꢏꢋꢄꢊꢄ ꢔꢈꢉꢂꢁꢆꢊ! ꢕꢂꢎꢐꢂ ꢄꢑꢏꢎꢁꢄꢕꢎꢊꢔꢄ ꢏ ꢎ ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢏꢐ 1–6. ꢀꢁꢏꢎꢊꢏ

ꢆꢋꢃꢂꢊꢄ ꢏꢃꢄꢁ, ꢎꢏꢏꢊꢔꢄꢊꢎꢊꢔ"&)ꢂꢍ ꢕꢂꢎꢐ", ꢐꢏꢊꢏꢁꢈꢍ ꢇꢈ /ꢏꢊꢂꢊꢄ ꢑꢁꢏꢎꢌ"#ꢆꢊ!.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

Dꢏꢁꢎ ꢒꢇꢍꢏꢇꢔꢍꢎꢄ&ꢄ 12-ꢍꢎꢏꢈꢇꢃꢅꢆ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢋ ꢈꢇꢗꢒꢂꢈꢌ-ꢍꢎꢏꢈꢇꢃ, ꢎ !ꢅ 4ꢇꢌꢎꢌꢔ ꢃꢅ ꢓꢂꢌꢋ

ꢍꢎꢏꢈꢎ ꢏ ꢄꢇꢗꢔꢓꢂꢗꢎ ꢇꢌ 7 ꢍꢇ 12, ꢄꢂꢚꢎꢗꢂꢆꢌꢔ ꢍꢁꢕ Fꢌꢇꢑꢇ ꢈꢄꢇꢒꢈꢎ ꢇꢌ 1 ꢍꢇ 6 ꢃ ꢌꢔ"ꢔꢄꢎꢔ 2 ꢎ

ꢇꢁꢔꢔ ꢏꢔꢈꢊꢄꢍ.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

ꢙꢄꢇꢑꢇꢍꢎꢏꢈꢇꢃꢅꢆ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢋ ꢗꢇꢚꢔꢌ ꢃꢅꢒꢇꢁꢄꢕꢌꢋ ꢌꢂꢈꢎꢔ ꢒꢓꢔꢍꢃꢂꢓꢎꢌꢔꢁꢋꢄꢅꢔ ꢇꢒꢔꢓꢂꢐꢎꢎ,

ꢈꢂꢈ ꢒꢓꢇꢃꢔꢓꢈꢂ ꢄꢂꢁꢎ"ꢎꢕ ꢍꢎꢏꢈꢂ ꢎꢁꢎ ꢏ"ꢎꢌꢅꢃꢂꢄꢎꢔ ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢎ ꢇ ꢍꢎꢏꢈꢔ, ꢒꢓꢎ ꢃꢈꢁ7"ꢔꢄꢎꢎ

ꢒꢎꢌꢂꢄꢎꢕ ꢎꢁꢎ ꢚꢔ ꢈꢇꢑꢍꢂ ꢍꢁꢕ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ ꢃꢅ ꢓꢂꢔꢌꢏꢕ ꢄꢇꢃꢅꢆ ꢍꢎꢏꢈ. <ꢂ ꢍꢎꢏꢒꢁꢔꢔ

ꢒꢇꢕꢃꢁꢕꢔꢌꢏꢕ ꢏꢇꢇ Bꢔꢄꢎꢔ “READY”.

•

Dꢏꢁꢎ ꢗꢄꢇꢑꢇꢍꢎꢏꢈꢇꢃꢅꢆ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢋ ꢄꢔ ꢗꢇꢚꢔꢌ ꢓꢂ ꢇꢌꢂꢌꢋ ꢄꢂꢍꢁꢔꢚꢂBꢎꢗ ꢇ ꢓꢂꢘꢇꢗ, ꢄꢂ

ꢍꢎꢏꢒꢁꢔꢔ ꢒꢇꢕꢃꢁꢕꢔꢌꢏꢕ ꢏꢇꢇ Bꢔꢄꢎꢔ ꢇ ꢇ$ꢎ ꢈꢔ, ꢄꢂꢒꢓꢎꢗꢔꢓ, “ERROR-14”. ! Fꢌꢇꢗ ꢏꢁꢊ"ꢂꢔ

ꢇ ꢓꢂꢌꢎꢌꢔꢏꢋ ꢈ ꢎꢄꢏꢌꢓꢊꢈꢐꢎꢎ ꢒꢇ Fꢈꢏꢒꢁꢊꢂꢌꢂꢐꢎꢎ ꢏꢂꢗꢇꢑꢇ ꢗꢄꢇꢑꢇꢍꢎꢏꢈꢇꢃꢇꢑꢇ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢕ.

Dꢏꢁꢎ ꢈꢇꢗꢒꢂꢈꢌ-ꢍꢎꢏꢈꢇꢃ ꢃ ꢗꢂꢑꢂꢘꢎꢄꢔ ꢗꢄꢇꢑꢇꢍꢎꢏꢈꢇꢃꢇꢑꢇ /)-ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢕ ꢄꢔꢌ, ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ

ꢒꢇꢕꢃꢎꢌꢏꢕ “NO DISC”.

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-ꢈꢈꢄꢏꢅꢄꢎꢄꢏꢍꢅ ꢐꢅꢗꢌ" ꢉꢈꢁꢂꢃꢂꢇꢍꢒꢐꢍ ꢌꢍꢎꢉꢆꢅꢒ ꢍ ꢁꢇꢈꢉꢁꢂꢐꢍ

)ꢎꢏꢒꢁꢔꢆ ꢍꢂꢄꢄꢇꢑꢇ ꢎꢘꢍꢔꢁꢎꢕ ꢇ ꢇꢓꢊꢍꢇꢃꢂꢄ +ꢄꢍꢎꢈꢂꢌꢇꢓꢂꢗꢎ ꢎꢏꢒꢇꢁꢋꢘꢇꢃꢂꢄꢎꢕ ꢈꢄꢇꢒꢇꢈ. Kꢌꢇ

ꢒꢇꢗꢇꢑꢂꢔꢌ ꢇꢒꢓꢔꢍꢔꢁꢎꢌꢋ, ꢈꢂꢈꢇꢆ ꢎꢘ ꢈꢄꢇꢒꢇꢈ 5/∞/2/3, FUNCTION ꢎꢁꢎ AUDIO ꢗꢇꢚꢄꢇ

ꢒꢇꢁꢋꢘꢇꢃꢂꢌꢋꢏꢕ, ꢄꢂ4ꢇꢍꢕꢏꢋ ꢃ 6ꢊꢄꢈꢐꢎꢇꢄꢂꢁꢋꢄꢇꢗ ꢗꢔꢄ7 (ꢏꢗ. ꢏꢁꢔꢍꢊ7Bꢎꢆ ꢓꢂꢘꢍꢔꢁ), ꢙꢔꢄ7

ꢍꢔꢌꢂꢁꢋꢄꢇꢆ ꢄꢂꢏꢌꢓꢇꢆꢈꢎ (ꢏꢗ. ꢏꢌꢓ. 14), ꢙꢔꢄ7 ꢄꢂ"ꢂꢁꢋꢄꢅ4 ꢊꢏꢌꢂꢄꢇꢃꢇꢈ (ꢏꢗ. ꢏꢌꢓ. 43) ꢎꢁꢎ

=ꢊꢍꢎꢇ ꢗꢔꢄ7 (ꢏꢗ. ꢏꢌꢓ. 36). Kꢌꢎ ꢎꢄꢍꢎꢈꢂꢌꢇꢓꢅ ꢌꢂꢈꢚꢔ ꢒꢇꢗꢇꢑꢂ7ꢌ ꢇꢒꢓꢔꢍꢔꢁꢎꢌꢋ, ꢈꢂꢈꢎꢔ ꢎꢘ

ꢈꢄꢇꢒꢇꢈ 5/∞/2/3 ꢎꢏꢒꢇꢁꢋꢘꢇꢃꢂꢌꢋ ꢍꢁꢕ ꢃꢈꢁ7"ꢔꢄꢎꢕ ꢎ ꢃꢅꢈꢁ7"ꢔꢄꢎꢕ (ON/OFF) >ꢊꢄꢈꢐꢎꢆ,

ꢒꢔꢓꢔꢈꢁ7"ꢔꢄꢎꢕ ꢃꢅ ꢇꢓꢈꢎ ꢍꢁꢕ ꢒꢇꢃꢌꢇꢓꢂ ꢎ ꢃꢅꢒꢇꢁꢄꢔꢄꢎꢕ ꢍꢓꢊꢑꢎ4 ꢇꢒꢔꢓꢂꢐꢎꢆ.

<ꢎꢚꢔ ꢒꢇꢈꢂꢘꢂꢄꢅ ꢎꢄꢍꢎꢈꢂꢌꢇꢓ ꢎ ꢏꢇꢇꢌꢃꢔꢌꢏꢌꢃꢊ7Bꢎꢔ ꢈꢄꢇꢒꢈꢎ.

3ꢆꢂꢏꢇꢔ$ ꢖꢆꢈꢁ

)ꢍꢎꢄꢂꢇ#ꢍꢈꢇꢇꢔ$ ꢉ"ꢆ ꢄ "ꢉꢋꢂꢑꢆꢅꢇꢍꢒ

)ꢍꢎꢉꢆꢅ$

/ꢇꢑꢍꢂ ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢑꢇꢓꢎꢌ 1, ꢃꢅꢒꢇꢁꢄꢕꢆꢌꢔ ꢏꢇꢇꢌꢃꢔꢌꢏꢌꢃꢊ7Bꢎꢔ ꢇꢒꢔꢓꢂꢐꢎꢎ ꢏ ꢈꢄꢇꢒꢈꢇꢆ z.

/ꢇꢑꢍꢂ ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢘꢂꢑꢇꢓꢂꢔꢌꢏꢕ 2, Fꢌꢇ ꢇꢘꢄꢂ"ꢂꢔꢌ, "ꢌꢇ !ꢅ ꢄꢂ4ꢇꢍꢎꢌꢔꢏꢋ ꢃ ꢓꢔꢚꢎꢗꢔ

6ꢊꢄꢈꢐꢎꢇꢄꢂꢁꢋꢄꢇꢑꢇ ꢙꢔꢄ7, ꢙꢔꢄ7 )ꢔꢌꢂꢁꢋꢄꢇꢆ @ꢏꢌꢂꢄꢇꢃꢈꢎ ꢎꢁꢎ ꢙꢔꢄ7 <ꢂ"ꢂꢁꢋꢄꢇꢆ

@ꢏꢌꢂꢄꢇꢃꢈꢎ. !ꢅ ꢗꢇꢚꢔꢌꢔ ꢒꢔꢓꢔꢈꢁ7"ꢎꢌꢋꢏꢕ ꢏ ꢗꢔꢄ7 ꢄꢂ ꢗꢔꢄ7 ꢂ ꢌꢂꢈꢚꢔ ꢃꢅ ꢓꢂꢌꢋ ꢄꢊꢚꢄꢅꢆ

!ꢂꢗ ꢓꢔꢚꢎꢗ ꢇꢍꢄꢇꢑꢇ ꢎꢘ ꢗꢔꢄ7 ꢒꢓꢎ ꢒꢇꢗꢇBꢎ ꢈꢄꢇꢒꢈꢎ x, ꢄꢂ4ꢇꢍꢕBꢔꢆꢏꢕ ꢄꢂ ꢇꢏꢄꢇꢃꢄꢇꢗ

ꢂꢒꢒꢂꢓꢂꢌꢔ ꢎꢁꢎ ꢄꢂ ꢍꢎꢏꢌꢂꢄꢐꢎꢇꢄꢄꢇꢗ ꢒꢊꢁꢋꢌꢔ ꢊꢒꢓꢂꢃꢁꢔꢄꢎꢕ.

/ꢇꢑꢍꢂ ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢘꢂꢑꢇꢓꢂꢔꢌꢏꢕ 3, Fꢌꢇ ꢇꢘꢄꢂ"ꢂꢔꢌ, "ꢌꢇ !ꢅ ꢄꢂ4ꢇꢍꢎꢌꢔꢏꢋ ꢃ ꢓꢔꢚꢎꢗꢔ =ꢊꢍꢎꢇ

ꢙꢔꢄ7. !ꢅ ꢗꢇꢚꢔꢌꢔ ꢃꢅ ꢓꢂꢌꢋ ꢄꢊꢚꢄꢅꢆ !ꢂꢗ ꢓꢔꢚꢎꢗ =ꢊꢍꢎꢇ ꢙꢔꢄ7 ꢒꢓꢎ ꢒꢇꢗꢇBꢎ ꢈꢄꢇꢒꢈꢎ

c, ꢄꢂ4ꢇꢍꢕBꢔꢆꢏꢕ ꢄꢂ ꢇꢏꢄꢇꢃꢄꢇꢗ ꢂꢒꢒꢂꢓꢂꢌꢔ ꢎꢁꢎ ꢄꢂ ꢍꢎꢏꢌꢂꢄꢐꢎꢇꢄꢄꢇꢗ ꢒꢊꢁꢋꢌꢔ ꢊꢒꢓꢂꢃꢁꢔꢄꢎꢕ.

7.ꢈꢌ ꢏ <"ꢇꢁ#ꢍꢈꢇꢂꢆ ꢇꢈꢅ ꢐꢅꢇ=

6ꢊꢄꢈꢐꢎꢇꢄꢂꢁꢋꢄꢇꢔ ꢗꢔꢄ7 ꢒꢇꢘꢃꢇꢁꢕꢔꢌ ꢊꢒꢓꢂꢃꢁꢕꢌꢋ ꢒꢓꢇꢏꢌꢅꢗꢎ >ꢊꢄꢈꢐꢎꢕꢗꢎ ꢍꢁꢕ

ꢈꢂꢚꢍꢇꢑꢇ ꢎꢏꢌꢇ"ꢄꢎꢈꢂ.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

Dꢏꢁꢎ ꢒꢇꢏꢁꢔ ꢃ4ꢇꢍꢂ ꢃ 6ꢊꢄꢈꢐꢎꢇꢄꢂꢁꢋꢄꢇꢔ ꢗꢔꢄ7 !ꢅ ꢃ ꢌꢔ"ꢔꢄꢎꢎ ꢒꢓꢎꢗꢔꢓꢄꢇ 30 ꢏꢔꢈ ꢄꢔ

ꢒꢓꢔꢍꢒꢓꢎꢗꢔꢌꢔ ꢄꢎꢈꢂꢈꢎ4 ꢍꢔꢆꢏꢌꢃꢎꢆ, 6ꢊꢄꢈꢐꢎꢇꢄꢂꢁꢋꢄꢇꢔ ꢗꢔꢄ7 ꢂꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢎ ꢇꢌꢈꢁ7"ꢎꢌꢏꢕ.

1. ꢇꢈꢉꢂꢁꢂꢊꢄ ꢄꢏꢉ/ꢏꢕꢂꢃꢈꢍ ꢇꢆꢃ ꢁꢄꢋꢂꢃ 0" ꢐ*ꢂꢏ ꢆꢌ! ꢏ$ꢏ ꢃꢄ &.

(1ꢃ. ꢎꢌꢄꢕ"&)ꢂꢍ ꢁꢆ'ꢕꢄꢌ “0" ꢐ*ꢂꢂ 0" ꢐ*ꢂꢏ ꢆꢌ! ꢏ$ꢏ 2ꢄ &”).

ꢉꢓꢎ ꢈꢂꢚꢍꢇꢗ ꢄꢂꢚꢂꢌꢎꢎ ꢓꢔꢚꢎꢗꢅ ꢗꢔꢄꢕ7ꢌꢏꢕ ...

ꢀꢁꢏꢕꢏꢌꢋꢄ ꢂꢄ ꢆ ꢏꢉꢏꢁꢏꢊꢄ.

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ꢕꢐ ꢁꢑ ꢖꢃ ꢎꢄꢇꢗꢒꢖ ꢄꢆꢘꢁꢋꢖ

2. ꢀꢁꢂꢔꢄꢕꢂꢊꢄ ꢔ ꢕꢄꢍꢎꢊꢔꢂꢄ ꢁꢄꢋꢂꢃ ( ꢆꢑꢁꢃꢄꢁ, ꢀꢏꢔꢊꢏꢁ ꢏꢄ ꢑꢁꢏꢂ$ꢁꢈꢔꢆ ꢂꢄ).

+ꢄꢍꢎꢈꢂꢌꢇꢓ ꢎꢏꢒꢇꢁꢋꢘꢇꢃꢂꢄꢎꢕ ꢈꢄꢇꢒꢇꢈ ꢒꢇꢈꢂꢘꢅ-

ꢃꢂꢔꢌ ꢎꢏꢒꢇꢁꢋꢘꢊꢔꢗꢊ7 ꢈꢄꢇꢒꢈꢊ ꢎ ꢃꢅꢒꢇꢁꢄꢕꢔꢗꢊ7

ꢇꢒꢔꢓꢂꢐꢎ7. <ꢂꢚꢗꢎꢌꢔ ꢈꢄꢇꢒꢈꢊ 5, "ꢌꢇ ꢅ

ꢃꢈꢁ7"ꢎꢌꢋ (ON) ꢎꢄꢍꢎꢈꢂꢌꢇꢓ ꢎꢏꢒꢇꢁꢋꢘꢇꢃꢂꢄꢎꢕ

ꢈꢄꢇꢒꢇꢈ, ꢎꢁꢎ ꢈꢄꢇꢒꢈꢊ ∞, "ꢌꢇ ꢅ ꢔꢑꢇ ꢃꢅꢈꢁ7"ꢎꢌꢋ

(OFF).

3. ꢇꢈꢍꢕꢂꢊꢄ ꢂ' 0" ꢐ*ꢂꢏ ꢆꢌ! ꢏ$ꢏ ꢃꢄ &.

<"ꢇꢁ#ꢍꢍ <"ꢇꢁ#ꢍꢈꢇꢂꢆ ꢇꢈꢑꢈ ꢐꢅꢇ=

! ꢌꢂ ꢁꢎꢐꢔ ꢄꢎꢚꢔ ꢒꢓꢎꢃꢇꢍꢕꢌꢏꢕ >ꢊꢄꢈꢐꢎꢎ, ꢓꢔꢂꢁꢎꢘꢊꢔꢗꢅꢔ ꢍꢁꢕ ꢈꢂꢚꢍꢇꢑꢇ ꢎꢏꢌꢇ"ꢄꢎꢈꢂ

6ꢊꢄꢈꢐꢎꢇꢄꢂꢁꢋꢄꢇꢑꢇ ꢗꢔꢄ7. ! ꢌꢂ ꢁꢎꢐꢔ ꢌꢂꢈꢚꢔ ꢍꢂ7ꢌꢏꢕ ꢒꢇꢈꢂꢘꢂꢄꢎꢕ ꢍꢎꢏꢒꢁꢔꢕ ꢍꢁꢕ

ꢈꢂꢚꢍꢇꢆ >ꢊꢄꢈꢐꢎꢎ, ꢇꢒꢔꢓꢂꢐꢎꢎ ꢎ ꢈꢄꢇꢒꢈꢎ, ꢎꢏꢒꢇꢁꢋꢘꢊꢔꢗꢅꢔ ꢍꢁꢕ ꢃꢅꢒꢇꢁꢄꢔꢄꢎꢕ

ꢇꢒꢔꢓꢂꢐꢎꢆ. ,ꢇꢁꢔꢔ ꢒꢇꢍꢓꢇ ꢄꢊ7 ꢎꢄ>ꢇꢓꢗꢂꢐꢎ7 ꢇ Fꢌꢎ4 ꢇꢒꢔꢓꢂꢐꢎꢕ4 ꢗꢇꢚꢄꢇ ꢄꢂꢆꢌꢎ ꢄꢂ

ꢊꢈꢂꢘꢂꢄꢄꢅ4 ꢃ ꢌꢂ ꢁꢎꢐꢔ ꢏꢌꢓꢂꢄꢎꢐꢂ4.

7 ꢀꢁꢂꢒꢃ ꢂꢐ

0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢄ ꢃꢄ & (3ꢂꢎꢑꢌꢄꢍ) 4 ꢏꢑꢐꢆ: ꢏꢑꢄꢁꢆ*ꢂ(

1ꢊꢁꢆ ꢂ*ꢆ

9ꢂꢒꢇꢗꢎꢄꢂꢄꢎꢔ ꢁꢊ"$ꢎ4 ꢏꢌꢂꢄꢐꢎꢆ (BSM)

5: !/L

∞: !M/L

(ꢔꢑꢎꢇꢄꢂꢁꢋꢄꢅꢆ (REG)

5: !/L

∞: !M/L

ꢉꢇꢎꢏꢈꢇꢃꢂꢕ ꢄꢂꢏꢌꢓꢇꢆꢈꢂ ꢄꢂ ꢗꢔꢏꢌꢄꢅꢔ

1 5: !/L

ꢏꢌꢂꢄꢐꢎꢎ (LOCAL)

3 ∞: !M/L

2 2 ꢎꢁꢎ 3: !ꢅ ꢓꢂꢌꢋ ("ꢊꢃꢏꢌꢃꢎꢌꢔꢁꢋꢄꢇꢏꢌꢋ)

6ꢊꢄꢈꢐꢎꢕ TA (TA)

5: !/L

∞: !M/L

@ꢏꢌꢂꢄꢇꢃꢈꢂ ꢉꢓꢔꢓꢅꢃꢂꢄꢎꢕ ꢉꢓꢇꢑꢓꢂꢗꢗꢇꢆ 5: !/L

<ꢇꢃꢇꢏꢌꢔꢆ (NEWS)

∞: !M/L

6ꢊꢄꢈꢐꢎꢎ AF (AF)

5: !/L

∞: !M/L

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7 4ꢆꢎꢎꢄꢊ ꢈꢍ ꢑꢁꢏꢂ$ꢁꢈꢔꢆꢊꢄꢌ!

0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢄ ꢃꢄ & (3ꢂꢎꢑꢌꢄꢍ) 4 ꢏꢑꢐꢆ: ꢏꢑꢄꢁꢆ*ꢂ(

1ꢊꢁꢆ ꢂ*ꢆ

ꢉꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ (REPEAT)

ꢉꢓꢇꢒꢊꢏꢈ ꢒꢊꢏꢌꢅ4 ꢗꢔꢏꢌ (B-SKIP)

ꢉꢔꢓꢔ4ꢃꢂꢌ ꢒꢓꢎ&ꢗꢄꢎꢈꢇꢗ (RI)

Dolby B NR (B NR)

5: !/L

∞: !M/L

5: !/L

∞: !M/L

3: !/L

2: !M/L

3: !/L

2: !M/L

7 2 ꢏ$ꢏꢕꢂꢎꢐꢏꢔꢈꢍ 43-ꢑꢁꢏꢂ$ꢁꢈꢔꢆꢊꢄꢌ!

0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢄ ꢃꢄ & (3ꢂꢎꢑꢌꢄꢍ) 4 ꢏꢑꢐꢆ: ꢏꢑꢄꢁꢆ*ꢂ(

1ꢊꢁꢆ ꢂ*ꢆ

ꢉꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ (REPEAT)

2 ꢎꢁꢎ 3: !ꢅ ꢓꢂꢌꢋ

(ꢇ A&ꢗ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ)

!ꢅ ꢇꢓ ꢍꢎꢏꢈꢇꢃ ꢒꢓꢎ ꢒꢇꢗꢇBꢎ ꢏꢒꢎꢏꢈꢂ

1 2 ꢎꢁꢎ 3: !ꢅ ꢓꢂꢌꢋ (ꢄꢂꢘꢃꢂꢄꢎꢔ ꢍꢎꢏꢈꢂ) 32

ꢄꢂꢘꢃꢂꢄꢎꢆ ꢍꢎꢏꢈꢇꢃ (TITLE LIST)

2 5: ꢉꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ

ꢉꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢃ ꢏꢁꢊ"ꢂꢆꢄꢇꢆ

ꢒꢇꢏꢁꢔꢍꢇꢃꢂꢌꢔꢁꢋꢄꢇꢏꢌꢎ (RANDOM)

5: !/L

∞: !M/L

.ꢈꢂꢄꢎꢓꢊ7Bꢔꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ (SCAN) 5: !/L

∞: !M/L

ꢉꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ITS (ITS-P)

ꢉꢂꢊꢘꢂ (PAUSE)

5: !/L

∞: !M/L

5: !/L

∞: !M/L

/ꢇꢗꢒꢓꢔꢏꢏꢎꢕ ꢎ DBE (COMP/DBE)

5 ꢎꢁꢎ ∞: !ꢅ ꢓꢂꢌꢋ

(6ꢊꢄꢈꢐꢎꢕ /ꢂ"ꢔꢏꢌꢃꢂ 9ꢃꢊꢈꢂ)

7.ꢈꢌ ꢏ 6ꢅꢇ= ꢌꢅꢄꢂꢆ ꢇꢈ$ ꢇꢂꢎꢄꢋꢈ$ꢁꢍ

ꢙꢔꢄ7 ꢍꢔꢌꢂꢁꢋꢄꢇꢆ ꢄꢂꢏꢌꢓꢇꢆꢈꢎ ꢒꢇꢘꢃꢇꢁꢕꢔꢌ ꢊꢒꢓꢂꢃꢁꢕꢌꢋ ꢊꢍꢇ ꢄꢅꢗꢎ ꢏꢁꢇꢚꢄꢅꢗꢎ

>ꢊꢄꢈꢐꢎꢕꢗꢎ ꢍꢁꢕ ꢈꢂꢚꢍꢇꢑꢇ ꢎꢏꢌꢇ"ꢄꢎꢈꢂ.

1. ꢇꢏꢍꢕꢂꢊꢄ ꢔ 2ꢄ & ꢕꢄꢊꢆꢌ! ꢏꢍ ꢆꢎꢊꢁꢏꢍꢐꢂ.

<ꢂꢚꢎꢗꢂꢆꢌꢔ 2 ꢏꢔꢈꢊꢄꢍꢅ

ꢀꢁꢏꢕꢏꢌꢋꢄ ꢂꢄ ꢆ ꢏꢉꢏꢁꢏꢊꢄ.

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ꢕꢐ ꢁꢑ ꢖꢃ ꢎꢄꢇꢗꢒꢖ ꢄꢆꢘꢁꢋꢖ

2. ꢇꢈꢉꢂꢁꢂꢊꢄ "ꢋ ꢈꢍ ꢇꢆꢃ ꢁꢄꢋꢂꢃ. (1ꢃ. ꢎꢌꢄꢕ"&)ꢂꢍ ꢁꢆ'ꢕꢄꢌ “0" ꢐ*ꢂꢂ

2ꢄ & 3ꢄꢊꢆꢌ! ꢏꢍ ꢆꢎꢊꢁꢏꢍꢐꢂ”).

ꢉꢓꢎ ꢈꢂꢚꢍꢇꢗ ꢄꢂꢚꢂꢌꢎꢎ ꢓꢔꢚꢎꢗꢅ ꢗꢔꢄꢕ7ꢌꢏꢕ ...

3. ꢀꢁꢂꢔꢄꢕꢂꢊꢄ ꢔ ꢕꢄꢍꢎꢊꢔꢂꢄ ꢁꢄꢋꢂꢃ.

4. ꢇꢈꢍꢕꢂꢊꢄ ꢂ' 2ꢄ & ꢕꢄꢊꢆꢌ! ꢏꢍ ꢆꢎꢊꢁꢏꢍꢐꢂ.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

!ꢅ ꢗꢇꢚꢔꢌꢔ ꢇꢌꢗꢔꢄꢎꢌꢋ ꢙꢔꢄ7 )ꢔꢌꢂꢁꢋꢄꢇꢆ @ꢏꢌꢂꢄꢇꢃꢈꢎ ꢒꢇꢃꢌꢇꢓꢄꢅꢗ ꢄꢂꢚꢂꢌꢎꢔꢗ ꢈꢄꢇꢒꢈꢎ

FUNCTION ꢄꢂ 2 ꢏꢔꢈꢊꢄꢍꢅ.

<"ꢇꢁ#ꢍꢍ 6ꢅꢇ= ꢌꢅꢄꢂꢆ ꢇꢈ$ ꢇꢂꢎꢄꢋꢈ$ꢁꢍ

! ꢌꢂ ꢁꢎꢐꢔ ꢄꢎꢚꢔ ꢒꢓꢎꢃꢇꢍꢕꢌꢏꢕ >ꢊꢄꢈꢐꢎꢎ, ꢓꢔꢂꢁꢎꢘꢊꢔꢗꢅꢔ ꢍꢁꢕ ꢈꢂꢚꢍꢇꢑꢇ ꢎꢏꢌꢇ"ꢄꢎꢈꢂ ꢃ

ꢙꢔꢄ7 ꢍꢔꢌꢂꢁꢋꢄꢇꢆ ꢄꢂꢏꢌꢓꢇꢆꢈꢎ. ! ꢌꢂ ꢁꢎꢐꢔ ꢌꢂꢈꢚꢔ ꢍꢂ7ꢌꢏꢕ ꢒꢇꢈꢂꢘꢂꢄꢎꢕ ꢍꢎꢏꢒꢁꢔꢕ ꢍꢁꢕ

ꢈꢂꢚꢍꢇꢆ >ꢊꢄꢈꢐꢎꢎ, ꢇꢒꢔꢓꢂꢐꢎꢎ ꢎ ꢈꢄꢇꢒꢈꢎ, ꢎꢏꢒꢇꢁꢋꢘꢊꢔꢗꢅꢔ ꢍꢁꢕ ꢃꢅꢒꢇꢁꢄꢔꢄꢎꢕ

ꢇꢒꢔꢓꢂꢐꢎꢆ. ,ꢇꢁꢔꢔ ꢒꢇꢍꢓꢇ ꢄꢊ7 ꢎꢄ>ꢇꢓꢗꢂꢐꢎ7 ꢇ Fꢌꢎ4 ꢇꢒꢔꢓꢂꢐꢎꢕ4 ꢗꢇꢚꢄꢇ ꢄꢂꢆꢌꢎ ꢄꢂ

ꢊꢈꢂꢘꢂꢄꢄꢅ4 ꢃ ꢌꢂ ꢁꢎꢐꢔ ꢏꢌꢓꢂꢄꢎꢐꢂ4.

7 ꢀꢁꢂꢒꢃ ꢂꢐ

0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢄ ꢃꢄ & (3ꢂꢎꢑꢌꢄꢍ) 4 ꢏꢑꢐꢆ: ꢏꢑꢄꢁꢆ*ꢂ(

1ꢊꢁꢆ ꢂ*ꢆ

ꢉꢓꢇꢑꢓꢂꢗꢗꢎꢓꢊꢔꢗꢂꢕ >ꢊꢄꢈꢐꢎꢕ

(PGM-FUNC)

1 2 ꢎꢁꢎ 3: !ꢅ ꢓꢂꢌꢋ (>ꢊꢄꢈꢐꢎ7) 46

2 5: ꢉꢂꢗꢕꢌꢋ

7 4ꢆꢎꢎꢄꢊ ꢈꢍ ꢑꢁꢏꢂ$ꢁꢈꢔꢆꢊꢄꢌ!

0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢄ ꢃꢄ & (3ꢂꢎꢑꢌꢄꢍ) 4 ꢏꢑꢐꢆ: ꢏꢑꢄꢁꢆ*ꢂ(

1ꢊꢁꢆ ꢂ*ꢆ

ꢉꢓꢇꢑꢓꢂꢗꢗꢎꢓꢊꢔꢗꢂꢕ >ꢊꢄꢈꢐꢎꢕ

(PGM-FUNC)

1 2 ꢎꢁꢎ 3: !ꢅ ꢓꢂꢌꢋ (>ꢊꢄꢈꢐꢎ7) 46

2 5: ꢉꢂꢗꢕꢌꢋ

7 2 ꢏ$ꢏꢕꢂꢎꢐꢏꢔꢈꢍ 43-ꢑꢁꢏꢂ$ꢁꢈꢔꢆꢊꢄꢌ!

0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢄ ꢃꢄ & (3ꢂꢎꢑꢌꢄꢍ) 4 ꢏꢑꢐꢆ: ꢏꢑꢄꢁꢆ*ꢂ(

1ꢊꢁꢆ ꢂ*ꢆ

!ꢃꢇꢍ ꢄꢂꢘꢃꢂꢄꢎꢆ ꢍꢎꢏꢈꢇꢃ (TITLE IN)

1 5 ꢎꢁꢎ ∞: !ꢅ ꢓꢂꢌꢋ (,ꢊꢈꢃꢊ)

2 2 ꢎꢁꢎ 3: !ꢅ ꢓꢂꢌꢋ (ꢉꢇꢘꢎꢐꢎ7)

3 3: ꢉꢂꢗꢕꢌꢋ

ꢉꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ITS (ITS)

5: ꢉꢂꢗꢕꢌꢋ

ꢉꢓꢇꢑꢓꢂꢗꢗꢎꢓꢊꢔꢗꢂꢕ >ꢊꢄꢈꢐꢎꢕ

1 2 ꢎꢁꢎ 3: !ꢅ ꢓꢂꢌꢋ (>ꢊꢄꢈꢐꢎ7) 46

(PGM-FUNC)

2 5: ꢉꢂꢗꢕꢌꢋ

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ꢕꢐ ꢁꢑ ꢖꢃ ꢄꢃꢅꢇꢒꢖ ꢄꢆꢘꢁꢋꢖ ꢎꢄꢇꢗꢒ ꢇꢉꢆ

ꢊꢈꢍꢎꢁꢈꢏꢂꢒ ꢇꢂꢎꢄꢋꢈ$ꢁꢂ ꢇꢂ ꢐꢅꢎꢄꢇꢔꢅ ꢎꢄꢂꢇ#ꢍꢍ (LOCAL)

ꢉꢓꢎ ꢃꢈꢁ7"&ꢄꢄꢇꢗ (ON) ꢓꢔꢚꢎꢗꢔ ꢄꢂꢏꢌꢓꢇꢆꢈꢎ ꢄꢂ ꢗꢔꢏꢌꢄꢅꢔ ꢏꢌꢂꢄꢐꢎꢎ ꢗꢇꢚꢄꢇ

ꢒꢓꢇꢎꢘꢃꢇꢍꢎꢌꢋ ꢄꢂꢏꢌꢓꢇꢆꢈꢊ ꢌꢇꢁꢋꢈꢇ ꢄꢂ ꢏꢌꢂꢄꢐꢎꢎ ꢏ ꢇ"ꢔꢄꢋ ꢏꢎꢁꢋꢄꢅꢗ ꢏꢎꢑꢄꢂꢁꢇꢗ.

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" FUNCTION ꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢔ 0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢃ ꢃꢄ &

ꢁꢄꢋꢂꢃ ꢆꢎꢊꢁꢏꢍꢐꢂ ꢆ ꢃꢄꢎꢊ ꢈꢄ ꢎꢊꢆ *ꢂꢂ (LOCAL).

2. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢏꢐ 5/∞

ꢔꢐꢌ&ꢅꢂꢊꢄ ꢂꢌꢂ ꢔꢈꢐꢌ&ꢅꢂꢊꢄ

(ON/OFF) ꢁꢄꢋꢂꢃ ꢆꢎꢊꢁꢏꢍꢐꢂ

ꢆ ꢃꢄꢎꢊ ꢈꢄ ꢎꢊꢆ *ꢂꢂ.

3. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢏꢐ2/3ꢔꢈꢉ

ꢄꢁꢂꢊꢄ ꢋꢄꢌꢆꢄꢃ"&

ꢅ"ꢔꢎꢊꢔꢂꢊꢄꢌ! ꢏꢎꢊ! ꢑꢏꢂꢎꢐꢏꢔꢏꢍ

ꢆꢎꢊꢁꢏꢍꢐꢂ ꢆ ꢃꢄꢎꢊ ꢈꢄ ꢎꢊꢆ *ꢂꢂ.

: LOCAL 1 Ô LOCAL 2 Ô LOCAL 3 Ô LOCAL 4

MW/LW : LOCAL 1 Ô LOCAL 2

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

@ꢏꢌꢂꢄꢇꢃꢈꢂ LOCAL 4 ꢒꢇꢘꢃꢇꢁꢕꢔꢌ ꢒꢓꢎꢄꢎꢗꢂꢌꢋ ꢏꢌꢂꢄꢐꢎꢎ ꢌꢇꢁꢋꢈꢇ ꢏ ꢏꢂꢗꢅꢗꢎ ꢗꢇBꢄꢅꢗꢎ

ꢏꢎꢑꢄꢂꢁꢂꢗꢎ, ꢌꢇꢑꢍꢂ ꢈꢂꢈ ꢊꢏꢌꢂꢄꢇꢃꢈꢎ ꢏ ꢇꢁꢔꢔ ꢄꢎꢘꢈꢎꢗꢎ ꢄꢇꢗꢔꢓꢂꢗꢎ ꢒꢇꢘꢃꢇꢁꢕ7ꢌ ꢒꢓꢎꢄꢎꢗꢂꢌꢋ

ꢏꢌꢂꢄꢐꢎꢎ ꢏ ꢏꢇꢇꢌꢃꢔꢌꢏꢌꢃꢔꢄꢄꢇ ꢇꢁꢔꢔ ꢏꢁꢂ ꢅꢗꢎ ꢏꢎꢑꢄꢂꢁꢂꢗꢎ.

BSM (>ꢂꢉꢈꢐꢍꢇꢂꢇꢍꢅ ꢆ",9ꢍ. ꢎꢄꢂꢇ#ꢍ$)

6ꢊꢄꢈꢐꢎꢕ BSM ꢘꢂꢒꢇꢗꢎꢄꢂꢔꢌ ꢏꢌꢂꢄꢐꢎꢎ ꢂꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢎ.

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" FUNCTION ꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢔ 0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢃ ꢃꢄ &

ꢁꢄꢋꢂꢃ BSM (BSM).

2. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢐꢂ 5

ꢔꢌ&ꢅꢂꢊꢄ (ON) ꢁꢄꢋꢂꢃ BSM

(BSM).

(ꢂꢍꢎꢇꢏꢌꢂꢄꢐꢎꢎ ꢏ ꢄꢂꢎ ꢇꢁꢔꢔ

ꢗꢇBꢄꢅꢗꢎ ꢏꢎꢑꢄꢂꢁꢂꢗꢎ ꢃꢔBꢂꢄꢎꢕ

ꢊꢍꢊꢌ ꢘꢂꢄꢔꢏꢔꢄꢅ ꢃ ꢒꢂꢗꢕꢌꢋ ꢒꢇꢍ

ꢄꢇꢗꢔꢓꢂꢗꢎ 1–6 ꢃ ꢒꢇꢓꢕꢍꢈꢔ

ꢏꢄꢎꢚꢔꢄꢎꢕ ꢗꢇBꢄꢇꢏꢌꢎ ꢏꢎꢑꢄꢂꢁꢂ.

• 7ꢊꢏꢉꢈ ꢑꢁꢄꢁꢔꢆꢊ! ꢑꢁꢏ*ꢄꢎꢎ

'ꢆꢑꢏꢃꢂ ꢆ ꢂ( ꢕꢏ ꢄ$ꢏ

ꢏꢐꢏ ꢅꢆ ꢂ(, ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ"

∞ ꢔ 0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢃ ꢃꢄ &.

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ꢙꢐꢎꢁꢌꢍꢊꢁꢑꢆ ꢇꢃ ꢚꢛ ꢉꢜꢇ RDS

8ꢄꢈ ꢄꢂꢁꢈꢅ RDS?

.ꢎꢏꢌꢔꢗꢂ ꢓꢂꢍꢎꢇꢒꢔꢓꢔꢍꢂ"ꢎ ꢍꢂꢄꢄꢅ4 (RDS) ꢕꢃꢁꢕꢔꢌꢏꢕ ꢏꢎꢏꢌꢔꢗꢇꢆ, ꢒꢔꢓꢔꢍꢂ7Bꢔꢆ ꢍꢂꢄꢄꢅꢔ

ꢒꢇ ꢃꢇꢁꢄꢂꢗ FM2 ꢎ FM3. Kꢌꢂ ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢕ, 4ꢇꢌꢕ ꢎ ꢕꢃꢁꢕꢔꢌꢏꢕ ꢄꢔꢏꢁꢅ$ꢎꢗꢇꢆ,

ꢒꢓꢔꢍꢇꢏꢌꢂꢃꢁꢕꢔꢌ ꢗꢄꢇꢚꢔꢏꢌꢃꢇ 4ꢂꢓꢂꢈꢌꢔꢓꢎꢏꢌꢎꢈ, ꢌꢂꢈꢎ4 ꢈꢂꢈ: ꢄꢂꢘꢃꢂꢄꢎꢔ ꢒꢓꢇꢑꢓꢂꢗꢗꢅ,

ꢍꢎꢏꢒꢁꢔꢆ ꢌꢎꢒꢂ ꢒꢓꢇꢑꢓꢂꢗꢗꢅ, ꢇꢌꢈꢁ7"ꢔꢄꢎꢔ ꢄꢂ ꢃꢓꢔꢗꢕ ꢒꢔꢓꢔꢍꢂ"ꢎ ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢎ ꢇ

ꢏꢎꢌꢊꢂꢐꢎꢎ ꢄꢂ ꢍꢇꢓꢇꢑꢂ4, ꢂꢑꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢂꢕ ꢒꢇꢍꢏꢌꢓꢇꢆꢈꢂ ꢎ ꢒꢇꢍꢏꢌꢓꢇꢆꢈꢂ ꢌꢎꢒꢂ

ꢒꢓꢇꢑꢓꢂꢗꢗꢅ, "ꢌꢇ ꢒꢇꢗꢇꢑꢂꢔꢌ ꢓꢂꢍꢎꢇ ꢏꢁꢊ$ꢂꢌꢔꢁ7 ꢄꢂꢏꢌꢓꢇꢎꢌꢋꢏꢕ ꢄꢂ ꢚꢔꢁꢂꢔꢗꢊ7

ꢏꢌꢂꢄꢐꢎ7.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

.ꢁꢊꢚ ꢂ RDS ꢗꢇꢚꢔꢌ ꢒꢓꢔꢍꢁꢂꢑꢂꢌꢋꢏꢕ ꢄꢔ ꢃꢏꢔꢗꢎ ꢓꢂꢍꢎꢇꢏꢌꢂꢄꢐꢎꢕꢗꢎ.

6ꢊꢄꢈꢐꢎꢎ RDS, ꢌꢂꢈꢎꢔ ꢈꢂꢈ: AF (ꢒꢇꢎꢏꢈ ꢂꢁꢋꢌꢔꢓꢄꢂꢌꢎꢃꢄꢅ4 "ꢂꢏꢌꢇꢌ) ꢎ TA (ꢖꢌꢈꢁ7"ꢔꢄꢎꢔ ꢍꢁꢕ

ꢒꢓꢇꢏꢁꢊ$ꢎꢃꢂꢄꢎꢕ ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢎ ꢇ ꢏꢎꢌꢊꢂꢐꢎꢎ ꢄꢂ ꢍꢇꢓꢇꢑꢂ4), ꢗꢇꢑꢊꢌ ꢅꢌꢋ ꢂꢈꢌꢎꢃꢄꢅ ꢌꢇꢁꢋꢈꢇ ꢃ

ꢌꢇꢗ ꢏꢁꢊ"ꢂꢔ, ꢈꢇꢑꢍꢂ !ꢂ$ꢔ ꢓꢂꢍꢎꢇ ꢄꢂꢏꢌꢓꢇꢔꢄꢇ ꢄꢂ ꢏꢌꢂꢄꢐꢎ7, ꢎꢗꢔ7Bꢊ7 RDS.

)ꢍꢎꢉꢆꢅ$ +ꢂꢃꢏꢂꢇꢍꢅ -ꢆ"ꢗꢖꢔ ꢊꢋꢈꢑꢋꢂꢐꢐꢔ

ꢉꢓꢎ ꢒꢇꢗꢇBꢎ Fꢌꢇꢆ >ꢊꢄꢈꢐꢎꢎ ꢄꢂꢘꢃꢂꢄꢎꢕ ꢏꢔꢌꢔꢆ/ꢏꢌꢂꢄꢐꢎꢆ, ꢎꢗꢔ7Bꢎ4 ꢏꢔꢓꢃꢎꢏ RDS,

ꢒꢇꢕꢑꢁꢕ7ꢌꢏꢕ ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢄꢂ 2 ꢏꢔꢈꢊꢄꢍꢅ ꢃꢗꢔꢏꢌꢇ "ꢂꢏꢌꢇꢌꢅ, ꢒꢇꢏꢁꢔ ꢌꢇꢑꢇ, ꢈꢂꢈ ꢒꢓꢎ&ꢗꢄꢎꢈ

ꢄꢂꢏꢌꢓꢂꢎꢃꢂꢔꢌꢏꢕ ꢄꢂ Fꢌꢎ ꢏꢌꢂꢄꢐꢎꢎ.

• 8ꢎꢌꢂ ꢇꢈ /ꢏꢊꢂꢊꢄ ꢑꢏꢌ"ꢅꢂꢊ! ꢂ 9ꢏꢁꢃꢆ*ꢂ& PTY ꢂꢌꢂ ꢅꢆꢎꢊꢏꢊ" ꢑꢁꢂ ꢂꢃꢆꢄꢃꢏꢍ

ꢎꢊꢆ *ꢂꢂ, ꢂ'ꢃꢄ ꢂꢊꢄ ꢕꢂꢎꢑꢌꢄꢍ.

/ꢂꢚꢍꢇꢔ ꢄꢂꢚꢂꢌꢎꢔ ꢈꢄꢇꢒꢈꢎ ꢎꢘꢗꢔꢄꢕꢔꢌ ꢍꢎꢏꢒꢁꢔꢆ ...

/ꢂꢚꢔꢇꢔ ꢄꢂꢚꢂꢌꢎꢔ ꢈꢄꢇꢒꢈꢎ DISPLAY ꢎꢘꢗꢔꢄꢕꢔꢌ ꢒꢇꢈꢂꢘꢂꢄꢎꢕ ꢍꢎꢏꢒꢁꢔꢕ ꢃ ꢏꢁꢔꢍꢊ7Bꢔꢗ

ꢒꢇꢓꢕꢍꢈꢔ: <ꢂꢘꢃꢂꢄꢎꢔ ꢏꢁꢊꢚ ꢅ ꢒꢓꢇꢑꢓꢂꢗꢗꢅ = +ꢄ>ꢇꢓꢗꢂꢐꢎꢕ PTY = #ꢂꢏꢌꢇꢌꢂ

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

ꢉꢇꢏꢁꢔ ꢒꢔꢓꢔꢈꢁ7"ꢔꢄꢎꢕ ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢎ ꢍꢎꢏꢒꢁꢔꢕ, ꢔꢏꢁꢎ !ꢅ ꢃ ꢌꢔ"ꢔꢄꢎꢔ 8 ꢏꢔꢈꢊꢄꢍ ꢄꢔ

ꢒꢓꢇꢎꢘꢃꢔꢍ&ꢌꢔ ꢒꢇꢏꢁꢔꢍꢊ7Bꢊ7 ꢇꢒꢔꢓꢂꢐꢎ7, ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢂꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢎ ꢃꢅꢏꢃꢔꢌꢎꢌꢏꢕ

<ꢂꢘꢃꢂꢄꢎꢔ .ꢁꢊꢚ ꢅ ꢉꢓꢇꢑꢓꢂꢗꢗꢅ.

7 ꢇ!ꢈꢋꢐꢂ#ꢍꢒ PTY

+ꢄ>ꢇꢓꢗꢂꢐꢎꢕ PTY (+ꢍꢔꢄꢌꢎ>ꢎꢈꢂꢐꢎꢆꢄꢅꢆ ꢈꢇꢍ ꢌꢎꢒꢂ ꢒꢓꢇꢑꢓꢂꢗꢗꢅ) ꢍꢁꢕ ꢔꢌꢇꢆ

ꢏꢌꢂꢄꢐꢎꢎ, ꢄꢂ ꢈꢇꢌꢇꢓꢊ7 ꢃ ꢍꢂꢄꢄꢅꢆ ꢗꢇꢗꢔꢄꢌ ꢄꢂꢏꢌꢓꢇꢔꢄ ꢒꢓꢎ&ꢗꢄꢎꢈ, ꢒꢇꢕꢃꢁꢕꢔꢌꢏꢕ ꢄꢂ

ꢍꢎꢏꢒꢁꢔꢔ ꢄꢂ 8 ꢏꢔꢈꢊꢄꢍ. Kꢌꢂ ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢕ ꢏꢇꢇꢌꢄꢇꢏꢎꢌꢏꢕ ꢏꢇ ꢏꢒꢎꢏꢈꢇꢗ ꢃ ꢓꢂꢘꢍꢔꢁꢔ

“.ꢒꢎꢏꢇꢈ PTY” ꢄꢂ ꢏꢌꢓꢂꢄꢎꢐꢔ 24.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

Dꢏꢁꢎ ꢇꢌ ꢈꢂꢈꢇꢆ-ꢁꢎ ꢇ ꢏꢌꢂꢄꢐꢎꢎ ꢒꢇꢁꢊ"ꢔꢄ ꢄꢊꢁꢔꢃꢇꢆ ꢈꢇꢍ PTY, ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢒꢇꢕꢃꢎꢌꢏꢕ “NONE”.

Kꢌꢇ ꢇꢘꢄꢂ"ꢂꢔꢌ, "ꢌꢇ ꢍꢂꢄꢄꢂꢕ ꢏꢌꢂꢄꢐꢎꢕ ꢄꢔ ꢇꢒꢓꢔꢍꢔꢁꢎꢁꢂ ꢏꢇꢍꢔꢓꢚꢂꢄꢎꢔ ꢏꢃꢇꢔꢆ ꢒꢓꢇꢑꢓꢂꢗꢗꢅ.

Dꢏꢁꢎ ꢏꢎꢑꢄꢂꢁ ꢏꢁꢎ$ꢈꢇꢗ ꢏꢁꢂ ꢅꢆ, "ꢌꢇ ꢅ ꢒꢇꢘꢃꢇꢁꢎꢌꢋ ꢍꢂꢄꢄꢇꢗꢊ ꢂꢒꢒꢂꢓꢂꢌꢊ ꢒꢓꢎꢄꢕꢌꢋ ꢈꢇꢍ PTY,

ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢒꢇꢕꢃꢎꢌꢏꢕ “NO PTY”.

•

7 8ꢂꢎꢄꢈꢄꢂ

#ꢂꢏꢌꢇꢌꢂ ꢏꢌꢂꢄꢐꢎꢎ, ꢄꢂ ꢈꢇꢌꢇꢓꢊ7 ꢃ ꢍꢂꢄꢄꢅꢆ ꢗꢇꢗꢔꢄꢌ ꢄꢂꢏꢌꢓꢇꢔꢄ ꢒꢓꢎ&ꢗꢄꢎꢈ, ꢒꢇꢕꢃꢎꢌꢏꢕ

ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ.

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<"ꢇꢁ#ꢍꢍ AF

6ꢊꢄꢈꢐꢎꢕ AF (ꢉꢇꢎꢏꢈ ꢂꢁꢋꢌꢔꢓꢄꢂꢌꢎꢃꢄꢅ4 "ꢂꢏꢌꢇꢌ) ꢎꢏꢒꢇꢁꢋꢘꢊꢔꢌꢏꢕ ꢍꢁꢕ ꢌꢇꢑꢇ, "ꢌꢇ ꢅ

ꢎꢏꢈꢂꢌꢋ ꢍꢓꢊꢑꢎꢔ "ꢂꢏꢌꢇꢌꢅ ꢃ ꢌꢇꢆ ꢚꢔ ꢏꢂꢗꢇꢆ ꢏꢔꢌꢎ, "ꢌꢇ ꢎ ꢏꢌꢂꢄꢐꢎꢕ, ꢄꢂ ꢈꢇꢌꢇꢓꢊ7

ꢄꢂꢏꢌꢓꢇꢔꢄ ꢒꢓꢎ&ꢗꢄꢎꢈ ꢃ ꢍꢂꢄꢄꢅꢆ ꢗꢇꢗꢔꢄꢌ. Kꢌꢂ >ꢊꢄꢈꢐꢎꢕ ꢂꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢎ ꢃꢇꢘꢃꢓꢂBꢂꢔꢌ

ꢒꢓꢎ&ꢗꢄꢎꢈ ꢄꢂ ꢍꢓꢊꢑꢊ7 "ꢂꢏꢌꢇꢌꢊ ꢏꢔꢌꢎ, ꢈꢇꢌꢇꢓꢂꢕ ꢒꢔꢓꢔꢍꢂ&ꢌ ꢇꢁꢔꢔ ꢏꢎꢁꢋꢄꢅꢆ ꢏꢎꢑꢄꢂꢁ ꢃ

ꢌꢇꢗ ꢏꢁꢊ"ꢂꢔ, ꢔꢏꢁꢎ ꢒꢓꢎ&ꢗ ꢏꢌꢂꢄꢐꢎꢎ, ꢄꢂ ꢈꢇꢌꢇꢓꢊ7 ꢃ ꢍꢂꢄꢄꢅꢆ ꢗꢇꢗꢔꢄꢌ ꢄꢂꢏꢌꢓꢇꢔꢄ

ꢒꢓꢎ&ꢗꢄꢎꢈ, ꢇꢏꢁꢇꢚꢄ&ꢄ ꢎꢁꢎ ꢄꢂ ꢍꢓꢊꢑꢇꢆ "ꢂꢏꢌꢇꢌꢔ ꢒꢓꢎ&ꢗ ꢊꢍꢔꢌ ꢁꢊ"$ꢔ, "ꢔꢗ ꢄꢂ ꢍꢂꢄꢄꢇꢆ.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

6ꢊꢄꢈꢐꢎꢕ AF ꢄꢂꢏꢌꢓꢂꢎꢃꢂꢔꢌ ꢒꢓꢎ&ꢗꢄꢎꢈ ꢌꢇꢁꢋꢈꢇ ꢄꢂ ꢏꢌꢂꢄꢐꢎꢎ ꢏ RDS, ꢔꢏꢁꢎ !ꢅ ꢎꢏꢒꢇꢁꢋꢘꢊꢔꢌꢔ

ꢉꢇꢎꢏꢈꢇꢃꢊ7 ꢄꢂꢏꢌꢓꢇꢆꢈꢊ ꢎꢁꢎ =ꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢊ7 ꢉꢂꢗꢕꢌꢋ BSM ꢒꢓꢎ ꢃꢈꢁ7"ꢔꢄꢄꢇꢗ

ꢎꢄꢍꢎꢈꢂꢌꢇꢓꢔ “AF”.

•

Dꢏꢁꢎ !ꢅ ꢃꢅꢘꢅꢃꢂꢔꢌꢔ ꢘꢂꢓꢂꢄꢔꢔ ꢘꢂꢒꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇꢃꢂꢄꢄꢊ7 ꢏꢌꢂꢄꢐꢎ7, ꢒꢓꢎ&ꢗꢄꢎꢈ ꢗꢇꢚꢔꢌ

ꢒꢇꢍꢏꢌꢓꢇꢎꢌꢋ ꢘꢂꢒꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇꢃꢂꢄꢄꢊ7 ꢏꢌꢂꢄꢐꢎ7 ꢄꢂ ꢄꢇꢃꢊ7 "ꢂꢏꢌꢇꢌꢊ, ꢈꢇꢌꢇꢓꢂꢕ ꢄꢂ4ꢇꢍꢎꢌꢋꢏꢕ ꢃ

ꢏꢒꢎꢏꢈꢔ AF Fꢌꢇꢆ ꢏꢌꢂꢄꢐꢎꢎ. (Kꢌꢇ ꢃꢇꢘꢗꢇꢚꢄꢇ ꢌꢇꢁꢋꢈꢇ ꢒꢓꢎ ꢎꢏꢒꢇꢁꢋꢘꢇꢃꢂꢄꢎꢎ ꢒꢓꢔꢍꢃꢂꢓꢎꢌꢔꢁꢋꢄꢇꢑꢇ

ꢒꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇꢃꢂꢄꢎꢕ ꢏꢌꢂꢄꢐꢎꢆ ꢃ ꢍꢎꢂꢒꢂꢘꢇꢄꢔ FM2 ꢎ FM3). <ꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢄꢔ ꢒꢇꢕꢃꢁꢕꢔꢌꢏꢕ

ꢒꢓꢔꢍꢃꢂꢓꢎꢌꢔꢁꢋꢄꢇ ꢘꢂꢒꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇꢃꢂꢄꢄꢇꢔ "ꢎꢏꢁꢇ, ꢔꢏꢁꢎ ꢒꢇꢁꢊ"ꢂꢔꢗꢂꢕ ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢕ RDS ꢍꢁꢕ

ꢒꢓꢎꢄꢎꢗꢂꢔꢗꢇꢆ ꢏꢌꢂꢄꢐꢎꢎ ꢇꢌꢁꢎ"ꢂꢔꢌꢏꢕ ꢇꢌ ꢌꢇꢆ, ꢈꢇꢌꢇꢓꢂꢕ ꢅꢁꢂ ꢒꢓꢔꢍꢃꢂꢓꢎꢌꢔꢁꢋꢄꢇ

ꢘꢂꢒꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇꢃꢂꢄꢂ.

•

9ꢃꢊꢈ ꢗꢇꢚꢔꢌ ꢃꢓꢔꢗꢔꢄꢄꢇ ꢒꢓꢔꢓꢅꢃꢂꢌꢋꢏꢕ ꢍꢓꢊꢑꢇꢆ ꢒꢓꢇꢑꢓꢂꢗꢗꢇꢆ ꢃꢇ ꢃꢓꢔꢗꢕ ꢒꢇꢎꢏꢈꢂ "ꢂꢏꢌꢇꢌꢅ AF.

/ꢇꢑꢍꢂ ꢒꢓꢎ&ꢗꢄꢎꢈ ꢄꢂꢏꢌꢓꢇꢔꢄ ꢄꢂ ꢏꢌꢂꢄꢐꢎ7, ꢄꢔ ꢎꢗꢔ7Bꢊ7 RDS, ꢗꢎꢑꢂꢔꢌ ꢎꢄꢍꢎꢈꢂꢌꢇꢓ “AF”.

6ꢊꢄꢈꢐꢎꢕ AF ꢗꢇꢚꢔꢌ ꢅꢌꢋ ꢃꢈꢁ7"ꢔꢄꢂ ꢎ ꢃꢅꢈꢁ7"ꢔꢄꢂ ꢄꢔꢘꢂꢃꢎꢏꢎꢗꢇ ꢍꢁꢕ ꢈꢂꢚꢍꢇꢑꢇ ꢎꢘ

ꢍꢎꢂꢒꢂꢘꢇꢄꢇꢃ FM.

?ꢁꢄꢍꢏꢍꢃꢂ#ꢍꢒ/)ꢍꢂꢁꢄꢍꢏꢍꢃꢂ#ꢍꢒ !"ꢇꢁ#ꢍꢍ AF

6ꢊꢄꢈꢐꢎꢕ AF ꢃꢈꢁ7"ꢔꢄꢂ ꢒꢇ ꢇ$ꢎ ꢈꢔ.

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" FUNCTION ꢂ ꢔꢈꢉꢂꢁꢂꢊꢄ ꢁꢄꢋꢂꢃ AF ꢔ 0" *ꢂꢏ ꢆꢌ! ꢏꢃ

2ꢄ &.

2. :ꢐꢊꢂꢔꢂ'ꢂꢁ"ꢍꢊꢄ ꢂꢌꢂ ꢕꢂꢆꢐꢊꢂꢔꢂ'ꢂꢁ"ꢍꢊꢄ 9" ꢐ*ꢂ& AF ꢑꢏꢐꢆ ꢇꢈ ꢆ/ꢏꢕꢂꢊꢄꢎ!

ꢔ ꢕꢂꢆꢑꢆ'ꢏ ꢄ FM.

“AF” ꢎꢏ"ꢔꢘꢂꢔꢌ

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ꢙꢐꢎꢁꢌꢍꢊꢁꢑꢆ ꢇꢃ ꢚꢛ ꢉꢜꢇ RDS

<"ꢇꢁ#ꢍꢒ ꢉꢈꢍꢎꢁꢂ PI

ꢉꢓꢎ&ꢗꢄꢎꢈ ꢎBꢔꢌ ꢍꢓꢊꢑꢊ7 "ꢂꢏꢌꢇꢌꢊ, ꢈꢇꢌꢇꢓꢂꢕ ꢒꢔꢓꢔꢍꢂ&ꢌ ꢌꢊ ꢚꢔ ꢏꢂꢗꢊ7 ꢒꢓꢇꢑꢓꢂꢗꢗꢊ. <ꢂ

ꢍꢎꢏꢒꢁꢔꢔ ꢒꢇꢕꢃꢁꢕꢔꢌꢏꢕ “PI SEEK” ꢎ ꢑꢓꢇꢗꢈꢇꢏꢌꢋ ꢓꢂꢍꢎꢇ ꢇꢌꢈꢁ7"ꢂꢔꢌꢏꢕ ꢃꢇ ꢃꢓꢔꢗꢕ

ꢒꢇꢎꢏꢈꢂ. /ꢂꢈ ꢌꢇꢁꢋꢈꢇ ꢒꢇꢎꢏꢈ ꢘꢂꢃꢔꢓ$ꢂꢔꢌꢏꢕ, ꢑꢓꢇꢗꢈꢇꢏꢌꢋ ꢃꢈꢁ7"ꢂꢔꢌꢏꢕ ꢏꢄꢇꢃꢂ,

ꢄꢔꢘꢂꢃꢎꢏꢎꢗꢇ ꢇꢌ ꢌꢇꢑꢇ, ꢊꢏꢒꢔ$ꢄꢅꢗ ꢅꢁ ꢒꢇꢎꢏꢈ ꢎꢁꢎ ꢄꢔꢌ. Dꢏꢁꢎ ꢒꢇꢎꢏꢈ ꢄꢔ ꢅꢁ

ꢊꢏꢒꢔ$ꢄꢅꢗ, ꢒꢓꢎ&ꢗꢄꢎꢈ ꢃꢇꢘꢃꢓꢂBꢂꢔꢌꢏꢕ ꢄꢂ ꢒꢓꢔꢍꢅꢍꢊBꢊ7 "ꢂꢏꢌꢇꢌꢊ.

ꢊꢈꢍꢎꢁ PI

Dꢏꢁꢎ ꢒꢓꢎ&ꢗꢄꢎꢈ ꢄꢔ ꢗꢇꢚꢔꢌ ꢇ ꢄꢂꢓꢊꢚꢎꢌꢋ ꢒꢇꢍ4ꢇꢍꢕBꢊ7 ꢂꢁꢋꢌꢔꢓꢄꢂꢌꢎꢃꢄꢊ7 "ꢂꢏꢌꢇꢌꢊ

ꢎꢁꢎ ꢔꢏꢁꢎ ꢒꢔꢓꢔꢍꢂꢃꢂꢔꢗꢅꢆ ꢏꢎꢑꢄꢂꢁ ꢏꢁꢎ$ꢈꢇꢗ ꢏꢁꢂ , "ꢌꢇ ꢅ ꢇ ꢔꢏꢒꢔ"ꢎꢃꢂꢌꢋ 4ꢇꢓꢇ$ꢎꢆ

ꢒꢓꢎ&ꢗ, ꢉꢇꢎꢏꢈ PI ꢃꢈꢁ7"ꢎꢌꢏꢕ ꢂꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢎ.

?ꢏꢄꢈꢐꢂꢄꢍ,ꢅꢎꢁꢍ$ ꢊꢈꢍꢎꢁ PI ꢌꢆꢒ ꢃꢂꢉꢋꢈꢑꢋꢂꢐꢐꢍꢋꢈꢏꢂꢇꢇꢈ$ ꢎꢄꢂꢇ#ꢍꢍꢍ

Dꢏꢁꢎ ꢘꢂꢓꢂꢄꢔꢔ ꢘꢂꢒꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇꢃꢂꢄꢄꢊ7 ꢏꢌꢂꢄꢐꢎ7 ꢄꢔꢁꢋꢘꢕ ꢃꢅꢘꢃꢂꢌꢋ, ꢄꢂꢒꢓꢎꢗꢔꢓ ꢒꢓꢎ

ꢒꢔꢓꢔꢔꢘꢍꢔ ꢄꢂ ꢍꢂꢁꢋꢄꢔꢔ ꢓꢂꢏꢏꢌꢇꢕꢄꢎꢔ, ꢂꢒꢒꢂꢓꢂꢌ ꢗꢇꢚꢄꢇ ꢊꢏꢌꢂꢄꢇꢃꢎꢌꢋ ꢄꢂ ꢒꢓꢇꢎꢘꢃꢔꢍꢔꢄꢎꢔ

ꢉꢇꢎꢏꢈꢂ PI ꢌꢂꢈꢚꢔ ꢎ ꢃꢇ ꢃꢓꢔꢗꢕ ꢃꢅꢘꢇꢃꢂ ꢘꢂꢒꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇꢃꢂꢄꢄꢅ4 ꢏꢌꢂꢄꢐꢎꢆ.

@ꢏꢌꢂꢄꢇꢑꢈꢂ ꢍꢁꢕ =ꢃꢌꢇ ꢉꢇꢎꢏꢈꢂ PI ꢃꢅꢈꢁ7"ꢔꢄꢂ.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

.ꢗꢇꢌꢓꢎꢌꢔ ꢓꢂꢘꢍꢔꢁ “<ꢂ"ꢂꢁꢋꢄꢅꢔ ꢊꢏꢌꢂꢄꢇꢃꢈꢎ” ꢇ ꢃꢈꢁ7"ꢔꢄꢎꢎ ꢎ ꢃꢅꢈꢁ7"ꢔꢄꢎꢎ

=ꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢇꢑꢇ ꢉꢇꢎꢏꢈꢂ PI.

1ꢅꢑꢍꢈꢇꢂꢆ ꢇꢔꢅ !"ꢇꢁ#ꢍꢍ (REG)

/ꢇꢑꢍꢂ ꢍꢁꢕ ꢂꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢇꢆ ꢒꢔꢓꢔꢄꢂꢏꢌꢓꢇꢆꢈꢎ ꢒꢓꢇꢎ&ꢗꢄꢎꢈꢂ ꢎꢏꢒꢇꢁꢋꢘꢊꢔꢌꢏꢕ >ꢊꢄꢈꢐꢎꢕ

AF, >ꢊꢄꢈꢐꢎꢕ REG (ꢓꢔꢑꢎꢇꢄꢂꢁꢋꢄꢅꢆ) ꢇꢑꢓꢂꢄꢎ"ꢎꢃꢂꢔꢌ ꢃꢅ ꢇꢓ ꢏꢌꢂꢄꢐꢎꢆ ꢍꢇ ꢌꢔ4,

ꢈꢇꢌꢇꢓꢅꢔ ꢒꢔꢓꢔꢍꢂ7ꢌ ꢓꢔꢑꢎꢇꢄꢂꢁꢋꢄꢅꢔ ꢒꢓꢇꢑꢓꢂꢗꢗꢅ.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

(ꢔꢑꢎꢇꢄꢂꢁꢋꢄꢅꢔ ꢒꢓꢇꢑꢓꢂꢗꢗꢅ ꢎ ꢓꢔꢑꢎꢇꢄꢂꢁꢋꢄꢅꢔ ꢏꢔꢌꢎ ꢇꢓꢑꢂꢄꢎꢘꢇꢃꢂꢄꢅ ꢒꢇ ꢓꢂꢘꢄꢇꢗꢊ, ꢃ

ꢘꢂꢃꢎꢏꢎꢗꢇꢏꢌꢎ ꢇꢌ ꢏꢌꢓꢂꢄꢅ (ꢌꢇ ꢔꢏꢌꢋ, ꢗꢇꢑꢊꢌ ꢎꢘꢗꢔꢄꢕꢌꢋꢏꢕ ꢃ ꢏꢇꢇꢌꢃꢔꢌꢏꢌꢃꢎꢎ ꢏꢇ ꢃꢓꢔꢗꢔꢄꢔꢗ, ꢃ

ꢘꢂꢃꢎꢏꢎꢗꢇꢏꢌꢎ ꢇꢌ ꢑꢇꢏꢊꢍꢂꢓꢏꢌꢃꢂ ꢎꢁꢎ ꢒꢔꢓꢔꢍꢂ7Bꢔꢆ ꢘꢇꢄꢅ).

9ꢂꢓꢂꢄꢔꢔ ꢘꢂꢒꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇꢃꢂꢄꢄꢇꢔ "ꢎꢏꢁꢇ ꢗꢇꢚꢔꢌ ꢎꢏ"ꢔꢘꢄꢊꢌꢋ ꢏ ꢍꢎꢏꢒꢁꢔꢕ, ꢔꢏꢁꢎ ꢒꢓꢎ&ꢗꢄꢎꢈ

ꢄꢂꢏꢌꢓꢂꢎꢃꢂꢔꢌꢏꢕ ꢄꢂ ꢓꢔꢑꢎꢇꢄꢂꢁꢋꢄꢊ7 ꢏꢌꢂꢄꢐꢎ7, ꢈꢇꢌꢇꢓꢂꢕ ꢇꢌꢁꢎ"ꢂꢔꢌꢏꢕ ꢇꢌ ꢘꢂꢓꢂꢄꢔꢔ

ꢘꢂꢒꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇꢃꢂꢄꢄꢇꢆ.

REG ꢗꢇꢚꢄꢇ ꢃꢈꢁ7"ꢎꢌꢋ ꢎ ꢃꢅꢈꢁ7"ꢎꢌꢋ ꢄꢔꢘꢂꢃꢎꢏꢎꢗꢇ ꢍꢁꢕ ꢈꢂꢚꢍꢇꢑꢇ ꢎꢘ ꢍꢎꢂꢒꢂꢘꢇꢄꢇꢃ FM.

?ꢁꢄꢍꢏꢍꢃꢂ#ꢍꢒ/ꢌꢍꢃꢂꢁꢄꢍꢏꢍꢃꢂ#ꢍꢒ !"ꢇꢁ#ꢍꢍ REG

6ꢊꢄꢈꢐꢎꢕ REG ꢗꢇꢚꢔꢌ ꢅꢌꢋ ꢃꢈꢁ7"ꢔꢄꢂ ꢒꢇ ꢇ$ꢎ ꢈꢔ.

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" FUNCTION ꢂ ꢔꢈꢉꢂꢁꢂꢊꢄ ꢁꢄꢋꢂꢃ REG ꢔ

0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢃ 2ꢄ &.

2. :ꢐꢊꢂꢔꢂ'ꢂꢁ"ꢍꢊꢄ ꢂꢌꢂ ꢕꢂ'ꢆꢐꢊꢂꢔꢂ'ꢂꢁ"ꢍꢊꢄ 9" ꢐ*ꢂ& REG, ꢐꢏ$ꢕꢆ ꢇꢈ

ꢆ/ꢏꢄꢂꢊꢄꢎ! ꢔ ꢕꢂꢆꢑꢆ'ꢏ ꢄ FM.

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<"ꢇꢁ#ꢍꢒ TA (TA)

6ꢊꢄꢈꢐꢎꢕ TA (ꢇꢌꢈꢁ7"ꢔꢄꢎꢔ ꢃꢇ ꢃꢓꢔꢗꢕ ꢒꢔꢓꢔꢍꢂ"ꢎ ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢎ ꢇ ꢏꢎꢌꢊꢂꢐꢎꢎ ꢄꢂ

ꢍꢇꢓꢇꢑꢂ4) ꢒꢇꢘꢃꢇꢁꢕꢔꢌ !ꢅꢗ ꢂꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢎ ꢒꢓꢎꢄꢎꢗꢂꢌꢋ ꢇ Aꢕꢃꢁꢔꢄꢎꢕ ꢇ ꢏꢎꢌꢊꢂꢐꢎꢎ ꢄꢂ

ꢍꢇꢓꢇꢑꢂ4 ꢄꢔꢘꢂꢃꢎꢏꢎꢗꢇ ꢇꢌ ꢌꢇꢑꢇ, ꢈꢂꢈꢇꢆ ꢎꢏꢌꢇ"ꢄꢎꢈ !ꢅ ꢃ ꢍꢂꢄꢄꢅꢆ ꢗꢇꢗꢔꢄꢌ ꢏꢁꢊ$ꢂꢔꢌꢔ.

6ꢊꢄꢈꢐꢎꢕ TA ꢗꢇꢚꢔꢌ ꢅꢌꢋ ꢂꢈꢌꢎꢃꢎꢘꢎꢓꢇꢃꢂꢄꢂ ꢍꢁꢕ ꢏꢌꢂꢄꢐꢎꢎ TP, ꢌ. ꢍ. ꢈꢇꢌꢇꢓꢂꢕ

ꢒꢔꢓꢔꢍꢂ&ꢌ ꢎꢄ>ꢇꢓꢗꢂꢐꢎ7 ꢇ ꢏꢎꢌꢊꢂꢐꢎꢎ ꢄꢂ ꢍꢇꢓꢇꢑꢂ4, ꢎꢁꢎ ꢍꢁꢕ ꢏꢌꢂꢄꢐꢎꢎ EON TP, ꢌꢇꢆ,

ꢈꢇꢌꢇꢓꢂꢕ ꢄꢔꢏ&ꢌ ꢎꢄ>ꢇꢓꢗꢂꢐꢎ7 ꢏꢇ ꢏꢏꢅꢁꢈꢇꢆ ꢄꢂ ꢏꢌꢂꢄꢐꢎꢎ TP.

?ꢁꢄꢍꢏꢍꢃꢂ#ꢍꢒ/ꢅꢍꢃꢂꢁꢄꢍꢏꢍꢃꢂ#ꢍꢒ !"ꢇꢁ#ꢍꢍ TA

1. 6ꢆꢎꢊꢁꢏꢍꢊꢄꢎ! ꢆ ꢎꢊꢆ *ꢂ& TP ꢂꢌꢂ EON TP.

<ꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢘꢂꢑꢇꢓꢎꢌꢏꢕ ꢎꢄꢍꢎꢈꢂꢌꢇꢓ TP (“

”), ꢈꢇꢑꢍꢂ ꢒꢓꢎ&ꢗꢄꢎꢈ ꢄꢂꢏꢌꢓꢇꢔꢄ ꢄꢂ

ꢏꢌꢂꢄꢐꢎ7 TP ꢎꢁꢎ EON TP.

2. :ꢐꢊꢂꢔꢂ'ꢂꢁ"ꢍꢊꢄ 9" ꢐ*ꢂ& TA.

“

”

<ꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢘꢂꢑꢇꢓꢂꢔꢌꢏꢕ ꢎꢄꢍꢎꢈꢂꢌꢇꢓ TA (“ ”), ꢒꢇꢈꢂꢘꢅꢃꢂ7Bꢎꢆ, "ꢌꢇ ꢒꢓꢎ&ꢗꢄꢎꢈ

ꢇꢚꢎꢍꢂꢔꢌ ꢒꢓꢎ&ꢗ ꢇ Aꢕꢃꢁꢔꢄꢎꢆ ꢇ ꢏꢎꢌꢊꢂꢐꢎꢎ ꢄꢂ ꢍꢇꢓꢇꢑꢂ4.

ꢉꢇꢃꢌꢇꢓꢎꢌꢔ ꢒꢓꢔꢍꢅꢍꢊBꢎꢔ ꢇꢒꢔꢓꢂꢐꢎꢎ ꢃ ꢌꢇ ꢃꢓꢔꢗꢕ, ꢈꢇꢑꢍꢂ ꢄꢔ ꢒꢔꢓꢔꢍꢂ&ꢌꢏꢕ ꢄꢎꢈꢂꢈꢎ4

ꢄꢇꢃꢇꢏꢌꢔꢆ ꢇ ꢏꢎꢌꢊꢂꢐꢎꢎ ꢄꢂ ꢍꢇꢓꢇꢑꢂ4, ꢍꢁꢕ ꢌꢇꢑꢇ, "ꢌꢇ ꢅ ꢍꢎꢘꢂꢈꢌꢎꢃꢎꢓꢇꢑꢂꢌꢋ >ꢊꢄꢈꢐꢎ7 TA.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

!ꢅ ꢌꢂꢈꢚꢔ ꢗꢇꢚꢔꢌꢔ ꢃꢈꢁ7"ꢎꢌꢋ ꢎ ꢃꢅꢈꢁ7"ꢎꢌꢋ >ꢊꢄꢈꢐꢎ7 TA ꢃ 6ꢊꢄꢈꢐꢎꢇꢄꢂꢁꢋꢄꢇꢗ ꢙꢔꢄ7.

!ꢏꢕ ꢏꢎꢏꢌꢔꢗꢂ ꢃꢇꢘꢃꢓꢂBꢂꢔꢌꢏꢕ ꢇ ꢓꢂꢌꢄꢇ ꢈ ꢎꢏ4ꢇꢍꢄꢇꢗꢊ ꢎꢏꢌꢇ"ꢄꢎꢈꢊ ꢘꢃꢊ"ꢂꢄꢎꢕ ꢒꢇꢏꢁꢔ ꢇꢈꢇꢄ"ꢂꢄꢎꢕ

ꢒꢔꢓꢔꢍꢂ"ꢎ ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢎ ꢇ ꢏꢎꢌꢊꢂꢐꢎꢎ ꢄꢂ ꢍꢇꢓꢇꢑꢂ4.

•

6ꢊꢄꢈꢐꢎꢕ TA ꢗꢇꢚꢔꢌ ꢅꢌꢋ ꢂꢈꢌꢎꢃꢎꢘꢎꢓꢇꢃꢂꢄꢂ ꢎ ꢏ ꢍꢓꢊꢑꢎ4 ꢎꢏꢌꢇ"ꢄꢎꢈꢇꢃ (ꢄꢔ ꢌꢇꢁꢋꢈꢇ ꢏ

ꢒꢓꢎ&ꢗꢄꢎꢈꢂ), ꢔꢏꢁꢎ ꢒꢓꢎ&ꢗꢄꢎꢈ ꢅꢁ ꢄꢂꢏꢌꢓꢇꢔꢄ ꢄꢂ ꢍꢎꢂꢒꢂꢘꢇꢄ FM, ꢂ ꢄꢔ ꢍꢎꢂꢒꢂꢘꢇꢄ /!/)!

(MW/LW).

Dꢏꢁꢎ ꢒꢇꢏꢁꢔꢍꢄꢎꢆ ꢓꢂꢘ ꢒꢓꢎ&ꢗꢄꢎꢈ ꢅꢁ ꢄꢂꢏꢌꢓꢇꢔꢄ ꢄꢂ ꢍꢎꢂꢒꢂꢘꢇꢄ FM, ꢃꢈꢁ7"ꢔꢄꢎꢔ >ꢊꢄꢈꢐꢎꢎ TA

ꢒꢇꢘꢃꢇꢁꢕꢔꢌ !ꢂꢗ ꢊꢒꢓꢂꢃꢁꢕꢌꢋ ꢍꢓꢊꢑꢎꢗꢎ >ꢊꢄꢈꢐꢎꢕꢗꢎ ꢄꢂꢏꢌꢓꢇꢆꢈꢎ ꢃꢇ ꢃꢓꢔꢗꢕ ꢒꢓꢇꢏꢁꢊ$ꢎꢃꢂꢄꢎꢕ

ꢈꢂꢈꢇꢑꢇ-ꢁꢎ ꢇ ꢍꢓꢊꢑꢇꢑꢇ ꢎꢏꢌꢇ"ꢄꢎꢈꢂ, ꢄꢔ ꢌꢇꢁꢋꢈꢇ ꢒꢓꢎ&ꢗꢄꢎꢈꢂ.

•

!ꢇ ꢃꢓꢔꢗꢕ ꢓꢂ ꢇꢌꢅ ꢓꢔꢚꢎꢗꢂ ꢉꢇꢎꢏꢈꢇꢃꢂꢕ <ꢂꢏꢌꢓꢇꢆꢈꢂ, ꢗꢇꢚꢄꢇ ꢄꢂꢏꢌꢓꢇꢎꢌꢋꢏꢕ ꢌꢇꢁꢋꢈꢇ ꢄꢂ

ꢏꢌꢂꢄꢐꢎꢎ TP ꢎꢁ EON TP, ꢈꢇꢑꢍꢂ ꢃꢇꢓꢎꢌ ꢎꢄꢔꢎꢈꢂꢌꢇꢓ >ꢊꢄꢈꢐꢎꢎ TA (“ ”).

/ꢇꢑꢍꢂ ꢃꢇꢓꢎꢌ ꢎꢄꢔꢎꢈꢂꢌꢇꢓ >ꢊꢄꢈꢐꢎꢎ TA (“ ”), ꢗꢇꢚꢄꢇ ꢘꢂꢁꢇꢚꢎꢌꢋ ꢃ ꢒꢂꢗꢕꢌꢋ ꢌꢇꢁꢋꢈꢇ ꢏꢌꢂꢄꢐꢎꢎ

TP ꢎꢁꢎ EON TP.

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ꢙꢐꢎꢁꢌꢍꢊꢁꢑꢆ ꢇꢃ ꢚꢛ ꢉꢜꢇ RDS

ꢓꢄꢐꢅꢇꢂ !"ꢇꢁ#ꢍꢍ ꢍꢇ!ꢈꢋꢐꢂ#ꢍꢍ ꢈ ꢎꢍꢄ"ꢂ#ꢍꢍ ꢇꢂ ꢌꢈꢋꢈꢑꢂ.

• 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" TA ꢔ ꢊꢏ ꢔꢁꢄꢃ(, ꢐꢏ$ꢕꢆ ꢂꢕꢒꢊ ꢑꢁꢂꢒꢃ ꢂ 9ꢏꢁꢃꢆ*ꢂꢂ ꢏ

ꢎꢂꢊ"ꢆ*ꢂꢂ ꢆ ꢕꢏꢁꢏ$ꢆ/, ꢅꢊꢏ ꢏꢊꢃꢄ ꢂꢊ ꢑꢁꢂꢒꢃ ꢂ ꢔꢏ'ꢔꢁꢆꢊꢂꢊ ꢆꢑꢑꢆꢁꢆꢊ ꢐ

ꢂꢎ/ꢏꢕ ꢏꢃ" ꢂꢎꢊꢏꢅ ꢂꢐ" 'ꢔ"ꢅꢆ ꢂ(.

+ꢄ>ꢇꢓꢗꢂꢐꢎꢕ ꢇ ꢏꢎꢌꢊꢂꢐꢎꢎ ꢄꢂ ꢍꢇꢓꢇꢑꢂ4 ꢇꢌꢗꢔꢄꢕꢔꢌꢏꢕ, ꢄꢇ ꢒꢓꢎ&ꢗꢄꢎꢈ ꢇꢏꢌꢂ&ꢌꢏꢕ ꢃ

ꢓꢔꢚꢎꢗꢔ TA ꢍꢇ ꢌꢔ4 ꢒꢇꢓ, ꢒꢇꢈꢂ ꢏꢄꢇꢃꢂ ꢄꢔ ꢄꢂꢚꢂꢌꢋ ꢈꢄꢇꢒꢈꢊ TA.

1ꢅꢑ"ꢆꢍꢋꢈꢏꢁꢂ ꢑꢋꢈꢐꢁꢈꢎꢄꢍ TA

/ꢇꢑꢍꢂ ꢄꢂ"ꢎꢄꢂꢔꢌꢏꢕ ꢇ Aꢕꢃꢁꢔꢄꢎꢔ ꢇ ꢏꢎꢌꢊꢂꢐꢎꢎ ꢄꢂ ꢍꢇꢓꢇꢑꢂ4, ꢑꢓꢇꢗꢈꢇꢏꢌꢋ

ꢂꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢎ ꢄꢂꢏꢌꢓꢂꢎꢃꢂꢔꢌꢏꢕ ꢄꢂ ꢘꢂꢓꢂꢄꢔꢔ ꢘꢂꢒꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇꢃꢂꢄꢄꢅꢆ ꢊꢓꢇꢃꢔꢄꢋ, "ꢌꢇ

ꢒꢇꢘꢃꢇꢁꢕꢔꢌ !ꢂꢗ "&ꢌꢈꢇ ꢒꢓꢇꢏꢁꢊ$ꢎꢃꢂꢌꢋ ꢒꢔꢓꢔꢍꢂꢃꢂꢔꢗꢊ7 ꢎꢄ>ꢇꢓꢗꢂꢐꢎ7.

• ꢓꢎꢊꢆ ꢏꢔꢂꢊꢄ "ꢁꢏꢔꢄ ! $ꢁꢏꢃꢐꢏꢎꢊꢂ ꢑꢁꢂ ꢑꢏꢃꢏ)ꢂ ꢕꢒ ꢁꢄ$"ꢌꢂꢁꢏꢔꢐꢂ ꢔꢏ ꢔꢁꢄꢃ(

ꢑꢄꢁꢄꢕꢆꢅꢂ ꢏꢉ;(ꢔꢌꢄ ꢂꢍ ꢏ ꢎꢂꢊ"ꢆ*ꢂꢂ ꢆ ꢕꢏꢁꢏ$ꢆ/.

9ꢂꢄꢇꢃꢇ ꢊꢏꢌꢂꢄꢇꢃꢁꢔꢄꢄꢅꢆ ꢊꢓꢇꢃꢔꢄꢋ ꢑꢓꢇꢗꢈꢇꢏꢌꢎ ꢘꢂꢄꢇꢏꢎꢌꢏꢕ ꢃ ꢒꢂꢗꢕꢌꢋ ꢎ ꢃꢅꢘꢅꢃꢂꢔꢌꢏꢕ ꢃꢇ

ꢃꢓꢔꢗꢕ ꢒꢔꢓꢔꢍꢂ"ꢎ ꢒꢇꢏꢁꢔꢍꢊ7Bꢔꢆ ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢎ ꢇ ꢏꢎꢌꢊꢂꢐꢎꢎ ꢄꢂ ꢍꢇꢓꢇꢑꢂ4.

<"ꢇꢁ#ꢍꢒ -ꢍꢑꢇꢂꢆꢂ TP

.ꢒꢊꢏꢌꢕ ꢇꢈꢇꢁꢇ 30 ꢏꢔꢈꢊꢄꢍ ꢒꢇꢏꢁꢔ ꢌꢇꢑꢇ, ꢈꢂꢈ ꢎꢘ-ꢘꢂ ꢏꢁꢂ ꢇꢑꢇ ꢏꢎꢑꢄꢂꢁꢂ ꢊꢑꢂꢏꢂꢔꢌ

ꢎꢄꢔꢎꢈꢂꢌꢇꢓ TP (“

”), ꢃ ꢌꢔ"ꢔꢄꢎꢔ 5 ꢏꢔꢈꢊꢄꢍ ꢘꢃꢊ"ꢎꢌ ꢏꢎꢑꢄꢂꢁ, ꢈꢇꢌꢇꢓꢅꢆ ꢄꢂꢒꢇꢗꢎꢄꢂꢔꢌ

!ꢂꢗ ꢇ ꢌꢇꢗ, "ꢌꢇ ꢅ ꢃꢅ ꢓꢂꢌꢋ ꢍꢓꢊꢑꢊ7 ꢏꢌꢂꢄꢐꢎ7 TP ꢎꢁꢎ EON TP.

• 8ꢎꢌꢂ ꢇꢈ ꢎꢌ"#ꢆꢄꢊꢄ ꢑꢁꢂꢒꢃ ꢂꢐ, ꢆꢎꢊꢁꢏꢍꢊꢄꢎ! ꢆ ꢕꢁ"$"& ꢎꢊꢆ *ꢂ& TP ꢂꢌꢂ

ꢆ ꢕꢁ"$"& ꢎꢊꢆ *ꢂ& EON TP.

Dꢏꢁꢎ !ꢅ ꢏꢁꢊ$ꢂꢔꢌꢔ ꢍꢓꢊꢑꢇꢆ ꢎꢏꢌꢇ"ꢄꢎꢈ (ꢄꢔ ꢒꢓꢎ&ꢗꢄꢎꢈ), ꢒꢓꢎ&ꢗꢄꢎꢈ ꢂꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢎ

ꢄꢂ4ꢇꢍꢎꢌ ꢏꢌꢂꢄꢐꢎ7 TP, ꢎꢗꢔ7Bꢊ7 ꢏꢂꢗꢅꢆ ꢏꢎꢁꢋꢄꢅꢆ ꢏꢎꢑꢄꢂꢁ ꢃ ꢍꢂꢄꢄꢇꢆ ꢇ ꢁꢂꢏꢌꢎ,

ꢒꢓꢔꢍꢊꢒꢓꢔꢚꢍꢂ7Bꢎꢆ ꢏꢎꢑꢄꢂꢁ ꢘꢃꢊ"ꢎꢌ 10 (ꢎꢁꢎ 30)* ꢒꢇꢏꢁꢔ ꢌꢇꢑꢇ, ꢈꢂꢈ ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ

ꢒꢇꢑꢂꢏꢄꢔꢌ ꢎꢄꢍꢎꢈꢂꢌꢇꢓ TP (“

”).

* ꢇꢁꢄꢃ( ꢑꢄꢁꢄꢕ ꢆꢅꢆꢌꢏꢃ ꢑꢏꢂꢎꢐꢆ.

6ꢊꢄꢈꢐꢎꢕ TA ꢃꢈꢁ7"ꢔꢄꢂ

10 ꢏꢔꢈꢊꢄꢍ

30 ꢏꢔꢈꢊꢄꢍ

6ꢊꢄꢈꢐꢎꢎ TA ꢎ AF ꢃꢈꢁ7"ꢔꢄꢅ

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<"ꢇꢁ#ꢍꢒ PTY

. $ꢎꢓꢇꢈꢇꢆ ꢎ ꢊꢘꢈꢇꢆ ꢈꢁꢂꢏꢏꢎ>ꢎꢈꢂꢐꢎꢔꢆ ꢌꢎꢒꢇꢃ ꢒꢓꢇꢑꢓꢂꢗꢗ, >ꢊꢄꢈꢐꢎꢕ PTY ꢒꢓꢔꢍꢁꢂꢑꢂꢔꢌ

ꢍꢃꢂ ꢏꢒꢇꢏꢇ ꢂ ꢃꢅ ꢇꢓꢂ ꢏꢌꢂꢄꢐꢎꢆ ꢒꢇ ꢌꢎꢒꢊ ꢒꢔꢓꢔꢍꢂꢃꢂꢔꢗꢇꢆ ꢒꢓꢇꢑꢓꢂꢗꢗꢅ (ꢉꢇꢎꢏꢈ PTY).

Kꢌꢂ >ꢊꢄꢈꢐꢎꢕ ꢌꢂꢈꢚꢔ ꢒꢓꢔꢍꢁꢂꢑꢂꢔꢌ ꢂꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢊ7 ꢄꢂꢏꢌꢓꢇꢆꢈꢊ ꢄꢂ ꢒꢔꢓꢔꢍꢂ"ꢎ ꢇ

"ꢓꢔꢘꢃꢅ"ꢂꢆꢄꢅ4 ꢒꢓꢇꢎꢏ$ꢔꢏꢌꢃꢎꢕ4 (.ꢎꢑꢄꢂꢁ PTY).

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

<ꢔꢌ ꢄꢔꢇ 4ꢇꢍꢎꢗꢇꢏꢌꢎ ꢘꢂꢄꢇꢃꢇ ꢒꢓꢇꢎꢘꢃꢇꢍꢎꢌꢋ ꢊꢏꢌꢂꢄꢇꢃꢈꢊ ꢉꢇꢎꢏꢈꢂ PTY, ꢔꢏꢁꢎ ꢌꢂꢈꢂꢕ ꢊꢏꢌꢂꢄꢇꢃꢈꢂ

ꢅꢁꢂ ꢒꢓꢇꢎꢘꢃꢔꢍꢔꢄꢂ ꢘꢂꢓꢂꢄꢔꢔ. ꢉꢇꢏꢁꢔ ꢒꢔꢓꢔꢈꢁ7"ꢔꢄꢎꢕ ꢄꢂ ꢓꢔꢚꢎꢗ @ꢏꢌꢂꢄꢇꢃꢈꢎ ꢉꢇꢎꢏꢈꢂ PTY ꢃ ꢒ.

1, ꢒꢓꢇꢏꢌꢇ-ꢄꢂꢒꢓꢇꢏꢌꢇ ꢒꢓꢇꢎꢘꢃꢔꢍꢎꢌꢔ ꢉꢇꢎꢏꢈ PTY ꢃ ꢒ. 4.

ꢊꢈꢍꢎꢁ PTY

1. ꢇꢈꢉꢂꢁꢂꢊꢄ ꢁꢄꢋꢂꢃ ꢓꢎꢊꢆ ꢏꢔꢐꢂ ꢀꢏꢂꢎꢐꢆ PTY.

2. ꢇꢈꢉꢂꢁꢂꢊꢄ ꢃꢄꢊꢏꢕ ꢀꢏꢂꢎꢐꢆ PTY (#ꢂꢁꢏꢐꢂꢍ, "'ꢐꢂꢍ).

3. ꢇꢈꢉꢂꢁꢂꢊꢄ ꢏꢕꢂ ꢂ' PTY.

4. 6ꢆꢅ ꢂꢊꢄ ꢀꢏꢂꢎꢐ PTY.

ꢉꢓꢎ&ꢗꢄꢎꢈ ꢎBꢔꢌ ꢏꢌꢂꢄꢐꢎ7 ꢒꢔꢓꢔꢍꢂ7Bꢊ7 ꢃ ꢃꢅ ꢓꢂꢄꢄꢇꢗ PTY.

#ꢌꢇ ꢅ ꢇꢌꢗꢔꢄꢎꢌꢋ ꢓꢔꢚꢎꢗ @ꢏꢌꢂꢄꢇꢃꢈꢎ ꢉꢇꢎꢏꢈꢂ PTY, ꢊꢌꢇꢒꢎꢌꢔ ꢈꢄꢇꢒꢈꢊ PTY ꢄꢂ 2 ꢎꢁꢎ

ꢇꢁꢔꢔ ꢏꢔꢈꢊꢄꢍꢅ.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

ꢉꢓꢇꢑꢓꢂꢗꢗꢅ ꢄꢔꢈꢇꢌꢇꢓꢅ4 ꢏꢌꢂꢄꢐꢎꢆ ꢗꢇꢑꢊꢌ ꢇꢌꢁꢎ"ꢂꢌꢋꢏꢕ ꢇꢌ ꢒꢓꢇꢑꢓꢂꢗꢗ, ꢊꢈꢂꢘꢂꢄꢄꢅ4

ꢒꢔꢓꢔꢍꢂꢃꢂꢔꢗꢅꢗ PTY.

•

Dꢏꢁꢎ ꢄꢔ ꢇ ꢄꢂꢓꢊꢚꢔꢄꢂ ꢄꢎ ꢇꢍꢄꢂ ꢏꢌꢂꢄꢐꢎꢕ, ꢒꢔꢓꢔꢍꢂ7Bꢂꢕ ꢃꢅ ꢓꢂꢄꢄꢅꢆ ꢌꢎꢒ ꢒꢓꢇꢑꢓꢂꢗꢗꢅ, ꢄꢂ 2

ꢏꢔꢈꢊꢄꢍꢅ ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢒꢇꢕꢃꢎꢌꢏꢕ “NOT FOUND”, ꢎ ꢒꢓꢎ&ꢗꢄꢎꢈ ꢃꢍꢓꢄ&ꢌꢏꢕ ꢄꢂ ꢎꢏ4ꢇꢍꢄꢊ7

ꢏꢌꢂꢄꢐꢎ7.

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ꢙꢐꢎꢁꢌꢍꢊꢁꢑꢆ ꢇꢃ ꢚꢛ ꢉꢜꢇ RDS

ꢀꢎꢄꢂꢇꢈꢏꢁꢂ ꢊꢋꢅꢋꢔꢏꢂꢇꢍꢒ ꢊꢋꢈꢑꢋꢂꢐꢐꢈ$ +ꢈꢏꢈꢎꢄꢅ$

!ꢅ ꢗꢇꢚꢔꢌꢔ ꢃꢈꢁ7"ꢎꢌꢋ ꢎꢁꢎ ꢃꢅꢈꢁ7"ꢎꢌꢋ ꢂꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢎꢆ ꢒꢓꢎ&ꢗ ꢒꢓꢇꢑꢓꢂꢗꢗ

ꢄꢇꢃꢇꢏꢌꢔꢆ ꢏ ꢈꢇꢍꢇꢗ PTY. /ꢇꢑꢍꢂ ꢈꢇꢄ"ꢂꢔꢌꢏꢕ ꢒꢓꢎꢄꢎꢗꢂꢔꢗꢂꢕ ꢒꢓꢇꢑꢓꢂꢗꢗꢂ ꢄꢇꢃꢇꢏꢌꢔꢆ,

ꢃꢇꢘꢇ ꢄꢇꢃꢁꢕꢔꢌꢏꢕ ꢒꢓꢎ&ꢗ ꢒꢓꢔꢍꢅꢍꢊBꢔꢆ ꢒꢓꢇꢑꢓꢂꢗꢗꢅ.

• ꢇꢐꢌ&ꢅꢄ ꢂꢄ ꢂ ꢔꢈꢐꢌ&ꢅꢄ ꢂꢄ ꢀꢁꢄꢁꢈꢔꢆ ꢂ(.

<ꢂꢚꢂꢌꢋ ꢎ ꢍꢔꢓꢚꢂꢌꢋ 2 ꢏꢔꢈꢊꢄꢍꢅ

“

”

-ꢍꢑꢇꢂꢆ PTY

.ꢎꢑꢄꢂꢁ PTY Fꢌꢇ ꢏꢒꢔꢐꢎꢂꢁꢋꢄꢅꢆ ꢈꢇꢍ PTY, ꢏꢁꢊꢚꢂBꢎꢆ ꢍꢁꢕ ꢇ Aꢕꢃꢁꢔꢄꢎꢆ ꢇ

"ꢓꢔꢘꢃꢅ"ꢂꢆꢄꢅ4 ꢏꢁꢊ"ꢂꢕ4, ꢌꢂꢈꢎ4 ꢈꢂꢈ ꢏꢌꢎ4ꢎꢆꢄꢅꢔ ꢔꢍꢏꢌꢃꢎꢕ. /ꢇꢑꢍꢂ ꢒꢓꢎ&ꢗꢄꢎꢈ

ꢒꢓꢎꢄꢎꢗꢂꢔꢌ ꢈꢇꢍ ꢓꢂꢍꢎꢇ ꢏꢎꢑꢄꢂꢁꢂ, “ALARM” ꢒꢇꢕꢃꢁꢕꢔꢌꢏꢕ ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢎ ꢑꢓꢇꢗꢈꢇꢏꢌꢋ

ꢒꢇꢍꢏꢌꢓꢂꢎꢃꢂꢔꢌꢏꢕ ꢈ ꢑꢓꢇꢗꢈꢇꢏꢌꢎ TA. /ꢇꢑꢍꢂ ꢏꢌꢂꢄꢐꢎꢕ ꢒꢔꢓꢔꢏꢌꢂ&ꢌ ꢒꢔꢓꢔꢍꢂꢃꢂꢌꢋ

ꢇ Aꢕꢃꢁꢔꢄꢎꢕ ꢇ "ꢓꢔꢘꢃꢅ"ꢂꢆꢄꢅ4 ꢏꢁꢊ"ꢂꢕ4, ꢏꢎꢏꢌꢔꢗꢂ ꢃꢇꢘꢃꢓꢂBꢂꢔꢌꢏꢕ ꢈ ꢎꢏ4ꢇꢍꢄꢇꢗꢊ

ꢎꢏꢌꢇ"ꢄꢎꢈꢊ ꢘꢑꢊ"ꢂꢄꢎꢕ.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

.ꢎꢏꢌꢔꢗꢂ ꢃꢇꢘꢃꢓꢂBꢂꢔꢌꢏꢕ ꢈ ꢎꢏꢇꢍꢄꢇꢗꢊ ꢎꢏꢌꢇ"ꢄꢎꢈꢊ ꢘꢃꢊ"ꢂꢄꢎꢕ ꢒꢇꢏꢁꢔ ꢒꢓꢔꢈꢓꢂBꢔꢄꢎꢕ ꢒꢔꢓꢔꢍꢂ"ꢎ

ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢎ ꢇ "ꢓꢔꢘꢃꢅ"ꢂꢆꢄꢅ4 ꢏꢁꢊ"ꢂꢕ4.

ꢓꢄꢐꢅꢇꢂ ꢈꢖ@ꢒꢏꢆꢅꢇꢍ$ ꢈ ,ꢋꢅꢃꢏꢔ,ꢂ$ꢇꢔ. ꢎꢆ",ꢂꢒ.

• 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" TA ꢔꢏ ꢔꢁꢄꢃ( ꢑꢁꢂꢒꢃꢆ ꢏꢉ;(ꢔꢌꢄ ꢂ( ꢏ ꢅꢁꢄ'ꢔꢈꢅꢆꢍ ꢈ/

ꢎꢌ"ꢅꢆ(/ ꢅꢊꢏꢉꢈ ꢏꢊꢃꢄ ꢂꢊ! ꢄꢔꢏ ꢂ ꢔꢏ'ꢔꢁꢆꢊꢂꢊ!ꢎ( ꢐ ꢂꢎ/ꢏꢕ ꢏꢃ" ꢂꢎꢊꢏꢅ ꢂꢐ".

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-ꢉꢍꢎꢈꢁ PTY

=ꢂꢁꢏꢐꢂꢍ

ꢓ'ꢐꢂꢍ

NEWS

ꢀꢏꢕꢁꢏꢉ ꢏꢎꢊꢂ

NEWS/INF

<ꢇꢃꢇꢏꢌꢎ.

AFFAIRS

INFO

CꢔꢈꢊBꢎꢔ ꢏꢇ ꢅꢌꢎꢕ.

ꢖ Bꢂꢕ ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢕ ꢎ ꢏꢇꢃꢔꢌꢅ.

.ꢒꢇꢓꢌꢎꢃꢄꢅꢔ ꢒꢓꢇꢑꢓꢂꢗꢗꢅ.

SPORT

WEATHER

ꢉꢓꢇꢑꢄꢇꢘꢅ ꢒꢇꢑꢇꢍꢅ/ꢙꢔꢌꢔꢇꢓꢇꢁꢇꢑꢎ"ꢔꢏꢈꢂꢕ

ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢕ.

FINANCE

POP MUS

ROCK MUS

EASY MUS

OTH MUS

,ꢎꢓꢚꢔꢃꢅꢔ ꢄꢇꢃꢇꢏꢌꢎ, ꢌꢇꢓꢑꢇꢃꢁꢕ, ꢈꢇꢗꢗꢔꢓꢐꢎꢕ ꢎ ꢌ. ꢒ.

ꢉꢇꢒꢊꢁꢕꢓꢄꢂꢕ ꢗꢊꢘꢅꢈꢂ.

POPULAR

.ꢇꢃꢓꢔꢗꢔꢄꢄꢂꢕ ꢗꢊꢘꢅꢈꢂ.

L&ꢑꢈꢂꢕ ꢗꢊꢘꢅꢈꢂ.

)ꢓꢊꢑꢎꢔ ꢃꢎꢍꢅ ꢗꢊꢘꢅꢈꢎ, ꢈꢇꢌꢇꢓꢅꢔ ꢄꢔ ꢃ4ꢇꢍꢕꢌ ꢃ

ꢍꢂꢄꢄꢅꢔ ꢈꢂꢌꢔꢑꢇꢓꢎꢎ.

JAZZ

ꢉꢓꢇꢑꢓꢂꢗꢗꢅ, ꢇꢏꢄꢇꢃꢂꢄꢄꢅꢔ ꢄꢂ ꢍꢚꢂꢘꢔ.

COUNTRY

NAT MUS

ꢉꢓꢇꢑꢓꢂꢗꢗꢅ, ꢇꢏꢄꢇꢃꢂꢄꢄꢅꢔ ꢄꢂ ꢗꢊꢘꢅꢈꢔ ꢈꢂꢄꢌꢓꢎ.

ꢉꢓꢇꢑꢓꢂꢗꢗꢅ, ꢇꢏꢄꢇꢃꢂꢄꢄꢅꢔ ꢄꢂ ꢄꢂꢐꢎꢇꢄꢂꢁꢋꢄꢇꢆ

ꢗꢊꢘꢅꢈꢔ.

OLDIES

ꢉꢓꢇꢑꢓꢂꢗꢗꢅ, ꢇꢏꢄꢇꢃꢂꢄꢄꢅꢔ ꢄꢂ ꢗꢊꢘꢅꢈꢔ ꢓꢔꢌꢓꢇ,

“ꢘꢇꢁꢇꢌꢇꢆ ꢃꢔꢈ”.

FOLK MUS

L . CLASS

CLASSIC

EDUCATE

DRAMA

ꢉꢓꢇꢑꢓꢂꢗꢗꢅ, ꢇꢏꢄꢇꢃꢂꢄꢄꢅꢔ ꢄꢂ ꢄꢂꢓꢇꢍꢄꢇꢆ ꢗꢊꢘꢅꢈꢔ.

L&ꢑꢈꢂꢕ ꢈꢁꢂꢏꢏꢎ"ꢔꢏꢈꢂꢕ ꢗꢊꢘꢅꢈꢂ.

CLASSICS

OTHERS

.ꢔꢓꢋ&ꢘꢄꢂꢕ ꢈꢁꢂꢏꢏꢎ"ꢔꢏꢈꢂꢕ ꢗꢊꢘꢅꢈꢂ.

ꢖ ꢓꢂꢘꢇꢃꢂꢌꢔꢁꢋꢄꢅꢔ ꢒꢓꢇꢑꢓꢂꢗꢗꢅ.

(ꢂꢍꢎꢇ ꢏꢒꢔꢈꢌꢂꢈꢁꢎ ꢎ ꢏꢔꢓꢎꢂꢁꢅ.

CULTURE

ꢉꢓꢇꢑꢓꢂꢗꢗꢅ, ꢇ4ꢃꢂꢌꢅꢃꢂ7Bꢎꢔ ꢁ7 ꢅꢔ ꢂꢏꢒꢔꢈꢌꢅ

ꢄꢂꢐꢎꢇꢄꢂꢁꢋꢄꢇꢆ ꢎꢁꢎ ꢓꢔꢑꢎꢇꢄꢂꢁꢋꢄꢇꢆ ꢈꢊꢁꢋꢌꢊꢓꢅ.

SCIENCE

<ꢂꢊ"ꢄꢅꢔ ꢒꢓꢇꢑꢓꢂꢗꢗꢅ ꢎ ꢒꢓꢇꢑꢓꢂꢗꢗꢅ ꢇ ꢒꢓꢎꢓꢇꢍꢔ ꢎ

ꢌꢔ4ꢄꢇꢁꢇꢑꢎꢎ.

VARIED

L&ꢑꢈꢎꢔ ꢓꢂꢘꢃꢁꢔꢈꢂꢌꢔꢁꢋꢄꢅꢔ ꢒꢓꢇꢑꢓꢂꢗꢗꢅ.

ꢉꢓꢇꢑꢓꢂꢗꢗꢅ ꢍꢁꢕ ꢍꢔꢌꢔꢆ.

CHILDREN

SOCIAL

.ꢇꢐꢎꢂꢁꢋꢄꢅꢔ ꢒꢓꢇꢑꢓꢂꢗꢗꢅ.

RELIGION

PHONE IN

TOURING

(ꢔꢁꢎꢑꢎꢇꢘꢄꢅꢔ ꢒꢓꢇꢑꢓꢂꢗꢗꢅ ꢎꢁꢎ ꢏꢁꢊꢚ ꢅ.

ꢉꢓꢇꢑꢓꢂꢗꢗꢅ “ꢘꢃꢇꢄꢇꢈ ꢃ ꢏꢌꢊꢍꢎ7”.

ꢉꢓꢇꢑꢓꢂꢗꢗꢅ ꢇ ꢒꢊꢌꢔ$ꢔꢏꢌꢃꢎꢕ4, ꢄꢔ ꢏꢇꢍꢔꢓꢚꢂꢌ

ꢇ Aꢕꢃꢁꢔꢄꢎꢕ ꢇ ꢏꢎꢌꢊꢂꢐꢎꢕ ꢄꢂ ꢍꢇꢓꢇꢑꢂ4.

LEISURE

ꢉꢓꢇꢑꢓꢂꢗꢗꢅ ꢇ ꢎꢄꢌꢔꢓꢔꢏꢂ4 ꢎ ꢒꢓꢇꢃꢇꢚꢔꢍꢄꢎꢎ

ꢏꢃꢇ ꢇꢍꢄꢇꢑꢇ ꢃꢓꢔꢗꢔꢄꢎ.

DOCUMENT

)ꢇꢈꢊꢗꢔꢄꢌꢂꢁꢋꢄꢅꢔ ꢒꢓꢇꢑꢓꢂꢗꢗꢅ.

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ꢏꢁꢌꢍꢊꢁꢑꢆ ꢇꢃ ꢉꢆꢐꢐꢃꢋ ꢖꢒ ꢎꢄꢁꢇꢓꢄꢖꢑꢆꢋꢃꢌꢃꢒ

ꢊꢈꢏꢄꢈꢋꢇꢈꢅ ꢉꢋꢈꢍꢑꢋꢔꢏꢂꢇꢍꢅ (REPEAT)

ꢉꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢒꢇꢘꢃꢇꢁꢕꢔꢌ !ꢂꢗ ꢒꢓꢇꢏꢁꢊ$ꢎꢃꢂꢌꢋ ꢌꢊ ꢚꢔ ꢏꢂꢗꢊ7 ꢒꢔꢏꢄ7

ꢄꢔꢏꢈꢇꢁꢋꢈꢇ ꢓꢂꢘ.

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" FUNCTION ꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢔ 0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢃ ꢃꢄ &

ꢁꢄꢋꢂꢃ ꢀꢏꢔꢊꢏꢁ ꢏ$ꢏ ꢑꢁꢏꢂ$ꢁꢈꢔꢆ ꢂ( (REPEAT).

2. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢏꢐ 5/∞

ꢔꢐꢌ&ꢅꢂꢊꢄ ꢂꢌꢂ ꢔꢈꢐꢌ&ꢅꢂꢊꢄ

(ON/OFF) ꢁꢄꢋꢂꢃ

ꢀꢏꢔꢊꢏꢁ ꢏ$ꢏ ꢑꢁꢏꢂ$ꢁꢈꢔꢆ ꢂ(.

ꢊꢋꢈꢉ"ꢎꢁ ꢉ"ꢎꢄꢔ. ꢐꢅꢎꢄ (B-SKIP)

Dꢏꢁꢎ ꢒꢂꢊꢘꢂ ꢗꢔꢚꢍꢊ ꢒꢔꢏꢄꢕꢗꢎ ꢇ"ꢔꢄꢋ ꢍꢁꢎꢄꢄꢂꢕ (12 ꢏꢔꢈꢊꢄꢍ ꢎ ꢇꢁꢔꢔ), ꢌꢇ ꢍꢂꢄꢄꢂꢕ

>ꢊꢄꢈꢐꢎꢕ ꢒꢇꢘꢃꢇꢁꢕꢔꢌ ꢂꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢎ ꢒꢔꢓꢔꢗꢇꢌꢂꢌꢋ ꢒꢁ&ꢄꢈꢊ ꢃ ꢄꢂ"ꢂꢁꢇ ꢏꢁꢔꢍꢊ7Bꢔꢆ

ꢒꢔꢏꢄꢎ.

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" FUNCTION ꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢔ 0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢃ ꢃꢄ &

ꢁꢄꢋꢂꢃ ꢀꢁꢏꢑ"ꢎꢐ ꢑ"ꢎꢊꢈ/ ꢃꢄꢎꢊ (B-SKIP).

2. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢏꢐ 5/∞

ꢔꢐꢌ&ꢅꢂꢊꢄ ꢂꢌꢂ ꢔꢈꢐꢌ&ꢅꢂꢊꢄ

(ON/OFF) ꢁꢄꢋꢂꢃ ꢀꢁꢏꢑ"ꢎꢐ

ꢑ"ꢎꢊꢈ/ ꢃꢄꢎꢊ.

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ꢊꢅꢋꢅ.ꢏꢂꢄ ꢉꢋꢍꢕꢐꢇꢍꢁꢈꢐ (RI)

)ꢂꢄꢄꢂꢕ >ꢊꢄꢈꢐꢎꢕ ꢒꢇꢘꢃꢇꢁꢕꢔꢌ ꢏꢁꢊ$ꢂꢌꢋ ꢒꢓꢎ&ꢗꢄꢎꢈ ꢃꢇ ꢃꢓꢔꢗꢕ ꢅꢏꢌꢓꢇꢆ ꢒꢔꢓꢔꢗꢇꢌꢈꢎ

ꢁꢔꢄꢌꢅ ꢃꢒꢔꢓ&ꢍ/ꢄꢂꢘꢂꢍ.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

6ꢊꢄꢈꢐꢎꢕ ꢉꢔꢓꢔ4ꢃꢂꢌ ꢒꢓꢎ&ꢗꢄꢎꢈꢇꢗ ꢄꢔ ꢓꢂ ꢇꢌꢂꢔꢌ ꢃꢇ ꢃꢓꢔꢗꢕ ꢍꢔꢆꢏꢌꢃꢎꢕ >ꢊꢄꢈꢐꢎꢎ ꢉꢇꢎꢏꢈ

ꢗꢊꢘꢅꢈꢂꢁꢋꢄꢇꢆ ꢘꢂꢒꢎꢏꢎ.

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" FUNCTION ꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢔ 0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢃ ꢃꢄ &

ꢁꢄꢋꢂꢃ ꢀꢄꢁꢄ/ꢔꢆꢊ ꢑꢁꢂꢒꢃ ꢂꢐꢏꢃ (RI).

2. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢏꢐ 2/3

ꢔꢐꢌ&ꢅꢂꢊꢄ ꢂꢌꢂ ꢔꢈꢐꢌ&ꢅꢂꢊꢄ

(ON/OFF) ꢁꢄꢋꢂꢃ ꢀꢄꢁꢄ/ꢔꢆꢊ

ꢑꢁꢂꢒꢃ ꢂꢐꢏꢃ.

Dolby B NR (B NR)

ꢉꢓꢎ ꢃꢇꢏꢒꢓꢇꢎꢘꢃꢔꢍꢔꢄꢎꢎ ꢈꢂꢏꢏꢔꢌꢅ, ꢘꢂꢒꢎꢏꢂꢄꢄꢇꢆ ꢏ ꢒꢓꢎꢗꢔꢄꢔꢄꢎꢔꢗ Dolby B NR,

ꢒꢔꢓꢔꢈꢁ7"ꢎꢌꢔꢏꢋ ꢄꢂ Dolby B NR.

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" FUNCTION ꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢔ 0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢃ ꢃꢄ &

ꢁꢄꢋꢂꢃ Dolby B NR (B NR).

2. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢏꢐ 2/3

ꢔꢐꢌ&ꢅꢂꢊꢄ ꢂꢌꢂ ꢔꢈꢐꢌ&ꢅꢂꢊꢄ

(ON/OFF) ꢁꢄꢋꢂꢃ Dolby B NR.

“∂ B”

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

.ꢎꢏꢌꢔꢗꢂ $ꢊꢗꢇꢒꢇꢍꢂꢃꢁꢔꢄꢎꢕ Dolby B NR ꢎꢘꢑꢇꢌꢇꢃꢁꢔꢄꢂ ꢒꢇ ꢁꢎꢐꢔꢄꢘꢎꢎ >ꢎꢓꢗꢅ )ꢇꢁ ꢎ Lꢂ

ꢇꢓꢂꢌꢇꢓꢎꢘ Lꢂꢆꢏꢔꢄꢏꢎꢄꢑ /ꢇꢓꢒꢇꢓFꢆ$ꢄ.

<ꢂꢎꢗꢔꢄꢇꢃꢂꢄꢎꢔ “DOLBY” ꢎ ꢏꢎꢗꢃꢇꢁ, ꢏꢇꢏꢌꢇꢕBꢎꢆ ꢎꢘ ꢍꢃꢊ4 ꢊꢈꢃ “D”, ꢕꢃꢁꢕ7ꢌꢏꢕ ꢌꢇꢓꢑꢇꢃꢅꢗꢎ

ꢘꢄꢂꢈꢂꢗꢎ >ꢎꢓꢗꢅ )ꢇꢁ ꢎ Lꢂ ꢇꢓꢂꢌꢇꢓꢎꢘ Lꢂꢆꢏꢔꢄꢏꢎꢄꢑ /ꢇꢓꢒꢇꢓFꢆ$ꢄ.

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ꢏꢁꢌꢍꢊꢁꢑꢆ ꢇꢃ ꢒ ꢁꢓꢁꢂꢇꢐꢉꢁꢑꢖꢒꢇ !"-ꢎꢄꢁꢇꢓꢄꢖꢑꢆꢋꢃꢌꢔꢒꢇ

ꢊꢈꢏꢄꢈꢋꢇꢈꢅ ꢉꢋꢈꢍꢑꢋꢔꢏꢂꢇꢍꢅ (REPEAT)

.ꢊBꢔꢏꢌꢃꢊꢔꢌ ꢌꢓꢎ ꢓꢔꢚꢎꢗꢂ ꢒꢇꢃꢌꢇꢓꢄꢇꢑꢇ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ: ꢉꢇꢃꢌꢇꢓꢔꢄꢎꢕ ꢇꢍꢄꢇꢆ ꢍꢇꢓꢇꢚꢈꢎ, ꢒꢇꢃꢌꢇꢓꢔꢄꢎꢔ

ꢃꢏꢔꢑꢇ ꢍꢎꢏꢈꢂ ꢎ ꢒꢇꢃꢌꢇꢓꢔꢄꢎꢔ ꢗꢊꢁꢋꢌꢎꢍꢎꢏꢈꢂ. <ꢔꢊꢏꢌꢂꢄꢇꢃꢁꢔꢄꢄꢅꢆ ꢓꢔꢚꢎꢗ ꢒꢇꢃꢌꢇꢓꢄꢇꢑꢇ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ

Fꢌꢇ ꢓꢔꢚꢎꢗ ꢒꢇꢃꢌꢇꢓꢔꢄꢎꢕ ꢗꢊꢁꢋꢌꢎꢍꢎꢏꢈꢂ.

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" FUNCTION ꢂ ꢔꢈꢉꢂꢁꢂꢊꢄ ꢁꢄꢋꢂꢃ ꢓꢎꢊꢆ ꢏꢔꢐꢂ ꢀꢏꢔꢊꢏꢁꢄ ꢂ( (REPEAT)

ꢔ 0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢃ 2ꢄ &.

2. ꢇꢈꢉꢂꢁꢂꢊꢄ "ꢋ ꢈꢍ ꢇꢆꢃ ꢁꢄꢋꢂꢃ

ꢑꢏꢔꢊꢏꢁ ꢏ$ꢏ ꢑꢁꢏꢂ$ꢁꢈꢔꢆ ꢂ( ꢑꢁꢂ

ꢑꢏꢃꢏ)ꢂ ꢐ ꢏꢑꢏꢐ 2/3.

ꢉꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢇꢌꢍꢔꢁꢋꢄꢇꢑꢇ ꢗꢄꢇꢑꢇꢍꢎꢏꢈꢇꢃꢇꢑꢇ /)-ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢕ

= ꢉꢇꢃꢌꢇꢓꢔꢄꢎꢔ ꢇꢍꢄꢇꢆ ꢍꢇꢓꢇꢚꢈꢎ = ꢉꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢍꢎꢏꢈꢂ

ꢇꢂꢕ ꢑꢁꢏꢂ$ꢁꢈꢔꢆ ꢂ(

3ꢂꢎꢑꢌꢄꢍ

MCD

ꢉꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢇꢌꢍꢔꢁꢋꢄꢇꢑꢇ ꢗꢄꢇꢑꢇꢍꢎꢏꢈꢇꢃꢇꢑꢇ /)-ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢕ

ꢉꢇꢃꢌꢇꢓꢔꢄꢎꢔ ꢇꢍꢄꢇꢆ ꢍꢇꢓꢇꢚꢈꢎ

TRK

ꢉꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢍꢎꢏꢈꢂ

DSC

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

Dꢏꢁꢎ !ꢅ ꢃꢅ ꢎꢓꢎꢌꢔ ꢍꢓꢊꢑꢎꢔ ꢍꢎꢏꢈꢎ ꢃꢇ ꢃꢓꢔꢗꢕ ꢒꢇꢃꢌꢇꢓꢄꢇꢑꢇ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ, ꢓꢔꢚꢎꢗ ꢒꢇꢃꢌꢇꢓꢄꢇꢑꢇ

ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ ꢎꢘꢗꢔꢄꢎꢌꢏꢕ ꢄꢂ ꢓꢔꢚꢎꢗ ꢒꢇꢃꢌꢇꢓꢔꢄꢎꢕ ꢗꢊꢁꢋꢌꢎꢍꢎꢏꢈꢂ.

Dꢏꢁꢎ !ꢅ ꢒꢓꢇꢎꢘꢃꢔꢍ&ꢌꢔ ꢒꢇꢎꢏꢈ ꢍꢇꢓꢇꢚꢈꢎ ꢎꢁꢎ ꢊꢏꢈꢇꢓꢔꢄꢄꢇꢆ ꢒꢔꢓꢔꢗꢇꢌꢈꢎ ꢃꢒꢔꢓ&ꢍ/ꢄꢂꢘꢂꢍ ꢃꢇ ꢃꢓꢔꢗꢕ ꢒꢇꢃꢌꢇꢓꢄꢇꢑꢇ

ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ ꢇꢍꢄꢇꢆ ꢍꢇꢓꢇꢚꢈꢎ, ꢓꢔꢚꢎꢗ ꢒꢇꢃꢌꢇꢓꢄꢇꢑꢇ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ ꢎꢘꢗꢔꢄꢎꢌꢏꢕ ꢄꢂ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢃꢏꢔꢑꢇ

ꢍꢎꢏꢈꢂ.

•

ꢊꢋꢈꢍꢑꢋꢔꢏꢂꢇꢍꢅ ꢏ ꢎꢆ",ꢂ$ꢇꢈ$ ꢉꢈꢎꢆꢅꢌꢈꢏꢂꢄꢅꢆ ꢇꢈꢎꢄꢍ (RANDOM)

)ꢇꢓꢇꢚꢈꢎ ꢒꢓꢇꢎꢑꢓꢅꢃꢂ7ꢌꢏꢕ ꢒꢓꢇꢎꢘꢃꢇꢁꢋꢄꢇ ꢃ ꢃꢅ ꢓꢂꢄꢄꢇꢗ ꢓꢔꢚꢎꢗꢔ ꢒꢇꢃꢌꢇꢓꢄꢇꢑꢇ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ, ꢈꢂꢈ Fꢌꢇ

ꢇ Aꢕꢏꢄꢕꢔꢌꢏꢕ ꢃ ꢓꢂꢘꢍꢔꢁꢔ “ꢉꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ” ꢃꢅ$ꢔ.

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" FUNCTION ꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢔ 0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢃ ꢃꢄ & ꢁꢄꢋꢂꢃ

ꢀꢁꢏꢂ$ꢁꢈꢔꢆ ꢂ( ꢔ ꢎꢌ"ꢅꢆꢍ ꢏꢍ ꢑꢏꢎꢌꢄꢕꢏꢔꢆꢊꢄꢌ! ꢏꢎꢊꢂ (RANDOM).

2. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢏꢐ 5/∞

ꢔꢐꢌ&ꢅꢂꢊꢄ ꢂꢌꢂ ꢔꢈꢐꢌ&ꢅꢂꢊꢄ

(ON/OFF) ꢁꢄꢋꢂꢃ ꢀꢁꢏꢂ$ꢁꢈꢔꢆ ꢂ(

ꢔ ꢎꢌ"ꢅꢆꢍ ꢏꢍ ꢑꢏꢎꢌꢄꢕꢏꢔꢆꢊꢄꢌ! ꢏꢎꢊꢂ.

ꢉꢇꢏꢁꢔ ꢃꢅ ꢇꢓꢂ ꢄꢊꢚꢄꢇꢑꢇ !ꢂꢗ ꢓꢔꢚꢎꢗꢂ ꢒꢇꢃꢌꢇꢓꢄꢇꢑꢇ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ ꢎꢘ ꢇꢒꢎꢏꢂꢄꢄꢅ ꢃ ꢓꢂꢘꢍꢔꢁꢔ

ꢃꢅ$ꢔ, ꢃꢈꢁ7"ꢎꢌꢔ “ꢉꢓꢇꢎꢘꢃꢇꢁꢋꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ” ꢗꢊꢁꢋꢌꢎ ꢍꢎꢏꢈꢂ.

3ꢂꢎꢑꢌꢄꢍ

D-RDM

ꢇꢂꢕ ꢑꢁꢏꢂ$ꢁꢈꢔꢆ ꢂ(

ꢉꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢍꢎꢏꢈꢂ

M-RDM

ꢉꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢇꢌꢍꢔꢁꢋꢄꢇꢑꢇ ꢗꢄꢇꢑꢇꢍꢎꢏꢈꢇꢃꢇꢑꢇ /)-ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢕ

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

ꢉꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢇꢍꢄꢇꢆ ꢍꢇꢓꢇꢚꢈꢎ ꢗꢔꢄꢕꢔꢌꢏꢕ ꢄꢂ ꢒꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢃꢏꢔꢑꢇ ꢍꢎꢏꢈꢂ, ꢔꢏꢁꢎ !ꢅ

ꢃꢈꢁ7"ꢂꢔꢌꢔ ꢉꢓꢇꢎꢘꢃꢇꢁꢋꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ.

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-ꢁꢂꢇꢍꢋ"=Aꢅꢅ ꢉꢋꢈꢍꢑꢋꢔꢏꢂꢇꢍꢅ (SCAN)

! ꢓꢔꢚꢎꢗꢔ ꢒꢇꢃꢌꢇꢓꢄꢇꢑꢇ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ ꢍꢎꢏꢈꢂ, ꢄꢂ"ꢂꢁꢇ ꢈꢂꢚꢍꢇꢆ ꢍꢇꢓꢇꢚꢈꢎ ꢄꢂ ꢃꢅ

ꢓꢂꢄꢄꢇꢗ ꢍꢎꢏꢈꢔ ꢏꢈꢂꢄꢎꢓꢊꢔꢌꢏꢕ ꢃ ꢌꢔ"ꢔꢄꢎꢔ 10 ꢏꢔꢈꢊꢍꢔ. ! ꢓꢔꢚꢎꢗꢔ ꢒꢇꢃꢌꢇꢓꢄꢇꢑꢇ

ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ ꢗꢊꢁꢋꢌꢎꢍꢎꢏꢈꢂ, ꢄꢂ"ꢂꢁꢇ ꢈꢂꢚꢔꢍꢆ ꢍꢇꢓꢇꢚꢈꢎ ꢄꢂ ꢈꢂꢚꢔꢍꢗ ꢍꢎꢏꢈꢔ

ꢏꢈꢂꢄꢎꢓꢊꢔꢌꢏꢕ ꢃ ꢌꢔ"ꢔꢄꢎꢔ 10 ꢏꢔꢈꢊꢄꢍ.

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" FUNCTION ꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢔ 0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢃ ꢃꢄ &

ꢁꢄꢋꢂꢃ 1ꢐꢆ ꢂꢁ"&)ꢄꢄ ꢑꢁꢏꢂ$ꢁꢈꢔꢆ ꢂꢄ (SCAN).

2. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢐꢂ 5

ꢔꢐꢌ&ꢅꢂꢊꢄ (ON) ꢁꢄꢋꢂꢃ

1ꢐꢆ ꢂꢁ"&)ꢄꢄ ꢑꢁꢏꢂ$ꢁꢈꢔꢆ ꢂꢄ.

ꢉꢇꢏꢁꢔ ꢃꢅ ꢇꢓꢂ ꢄꢊꢚꢄꢇꢑꢇ !ꢂꢗ

ꢓꢔꢚꢎꢗꢂ ꢒꢇꢃꢌꢇꢓꢄꢇꢑꢇ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ

ꢎꢘ ꢇꢒꢎꢏꢂꢄꢄꢅ4 ꢃ ꢓꢂꢘꢍꢔꢁꢔ

“ꢉꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ” ꢄꢂ

ꢏꢌꢓ. 27, ꢃꢈꢁ7"ꢎꢌꢔ .ꢈꢂꢄꢎꢓꢊ7Bꢔꢔ

ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢗꢊꢁꢋꢌꢎ ꢍꢎꢏꢈꢂ.

3. 4ꢏ$ꢕꢆ ꢇꢈ ꢆꢍꢕꢒꢊꢄ "ꢋ ꢈꢍ

ꢊꢁꢄꢐ (ꢂꢌꢂ ꢕꢂꢎꢐ), ꢏꢎꢊꢆ ꢏꢔꢂꢊꢄ

1ꢐꢆ ꢂꢁ"&)ꢄꢄ ꢑꢁꢏꢂ$ꢁꢈꢔꢆ ꢂꢄ

ꢑꢁꢂ ꢑꢏꢃꢏ)ꢂ ꢐ ꢏꢑꢐꢂ ∞.

Dꢏꢁꢎ 6ꢊꢄꢈꢐꢎꢇꢄꢂꢁꢋꢄꢇꢔ ꢗꢔꢄ7 ꢃ

Fꢌꢇꢌ ꢗꢇꢗꢔꢄꢌ ꢂꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢎ

ꢇꢌꢈꢁ7"ꢎꢌꢏꢕ, ꢃꢅ ꢔꢓꢎꢌꢔ

.ꢈꢂꢄꢎꢓꢊ7Bꢔꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢃ

6ꢊꢄꢈꢐꢎꢇꢄꢂꢁꢋꢄꢇꢗ ꢗꢔꢄ7 ꢔB& ꢓꢂꢘ.

3ꢂꢎꢑꢌꢄꢍ

T-SCAN

D-SCAN

ꢇꢂꢕ ꢑꢁꢏꢂ$ꢁꢈꢔꢆ ꢂ(

ꢉꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢍꢎꢏꢈꢂ

ꢉꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢇꢌꢍꢔꢁꢋꢄꢇꢑꢇ ꢗꢄꢇꢑꢇꢍꢎꢏꢈꢇꢃꢇꢑꢇ /)-ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢕ

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

.ꢈꢂꢄꢎꢓꢊ7Bꢔꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢂꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢎ ꢇꢌꢈꢁ7"ꢂꢔꢌꢏꢕ ꢒꢇ ꢘꢂꢃꢔꢓ$ꢔꢄꢎ7

ꢏꢈꢂꢄꢎꢓꢇꢃꢂꢄꢎꢕ ꢃꢏꢔ4 ꢌꢓꢔꢈꢇꢃ ꢎꢁꢎ ꢍꢎꢏꢈꢇꢃ.

ꢉꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢇꢍꢄꢇꢆ ꢍꢇꢓꢇꢚꢈꢎ ꢗꢔꢄꢕꢔꢌꢏꢕ ꢄꢂ ꢒꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢃꢏꢔꢑꢇ

ꢍꢎꢏꢈꢂ, ꢔꢏꢁꢎ !ꢅ ꢃꢈꢁ7"ꢂꢔꢌꢔ .ꢈꢂꢄꢎꢓꢊ7Bꢔꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ.

•

ꢊꢂ"ꢃꢂ (PAUSE)

“PAUSE” ꢇꢏꢌꢂꢄꢂꢃꢁꢎꢃꢂꢔꢌ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢌꢔꢈꢊBꢔꢆ ꢍꢇꢓꢇꢚꢈꢎ.

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" FUNCTION ꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢔ 0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢃ ꢃꢄ &

ꢁꢄꢋꢂꢃ ꢀꢆ"'ꢆ (PAUSE).

2. ꢇꢐꢌ&ꢅꢆꢍꢊꢄ ꢂ ꢔꢈꢐꢌ&ꢅꢆꢍꢊꢄ

ꢑꢆ"'" ꢐ ꢏꢑꢐꢆꢃꢂ 5/∞.

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ꢏꢁꢌꢍꢊꢁꢑꢆ ꢇꢃ ꢒ ꢁꢓꢁꢂꢇꢐꢉꢁꢑꢖꢒꢇ !"-ꢎꢄꢁꢇꢓꢄꢖꢑꢆꢋꢃꢌꢔꢒꢇ

ITS (6ꢑꢇꢈꢏꢅꢇꢇꢔ$ ꢏꢔꢖꢈꢋ ꢄꢋꢅꢁꢂ)

Kꢌꢂ >ꢊꢄꢈꢐꢎꢕ ꢒꢇꢘꢃꢇꢁꢕꢔꢌ ꢄꢂꢆꢌꢎ ꢌꢓꢔꢈ, ꢈꢇꢌꢇꢓꢅꢆ !ꢅ 4ꢇꢌꢎꢌꢔ ꢒꢓꢇꢏꢁꢊ$ꢂꢌꢋ, ꢃ ꢏꢁꢊ"ꢂꢔ

ꢒꢇꢍꢈꢁ7"ꢔꢄꢎꢕ ꢇꢍꢄꢇꢑꢇ ꢎꢁꢎ ꢇꢁꢔꢔ ꢗꢄꢇꢑꢇꢍꢎꢏꢈꢇꢃꢅ4 /)-ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢔꢆ. !ꢅ

ꢗꢇꢚꢔꢌꢔ ꢎꢏꢒꢇꢁꢋꢘꢇꢃꢂꢌꢋ ITS, "ꢌꢇ ꢅ ꢘꢂꢒꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇꢃꢂꢌꢋ ꢂꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢇꢔ

ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢍꢇ 24 ꢌꢓꢔꢈꢇꢃ ꢄꢂ ꢈꢂꢚꢍꢇꢗ ꢍꢎꢏꢈꢔ ꢎꢘ ꢎ4 ꢇ Bꢔꢑꢇ "ꢎꢏꢁꢂ ꢍꢇ 100 ꢍꢎꢏꢈꢇꢃ.

(!ꢅ ꢗꢇꢚꢔꢌꢔ ꢏꢇ4ꢓꢂꢄꢎꢌꢋ ꢃ ꢒꢂꢗꢕꢌꢎ ꢒꢓꢇꢑꢓꢂꢗꢗꢊ ITS ꢎ ꢄꢂꢘꢃꢂꢄꢎꢕ ꢍꢎꢏꢈꢇꢃ ꢍꢁꢕ ꢄꢔ ꢇꢁꢔꢔ

"ꢔꢗ 100 ꢍꢎꢏꢈꢇꢃ.)

ꢊꢋꢈꢑꢋꢂꢐꢐꢍꢋꢈꢏꢂꢇꢍꢅ ITS (ITS)

9ꢂꢒꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇꢃꢂꢄꢄꢅꢔ ꢍꢇꢓꢇꢚꢈꢎ ꢒꢓꢇꢎꢑꢓꢅꢃꢂ7ꢌꢏꢕ ꢃ ꢓꢂꢗꢈꢂ4 ꢃꢅ ꢓꢂꢄꢄꢇꢑꢇ ꢓꢔꢚꢎꢗꢂ

ꢒꢇꢑꢌꢇꢓꢄꢇꢑꢇ ꢒꢓꢇꢎꢑꢓꢅꢑꢂꢄꢎꢕ ꢃ ꢓꢂꢘꢔꢔꢁꢔ #ꢉꢇꢑꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢑꢂꢄꢎꢔN ꢄꢂ ꢏꢌꢓ. 27.

1. 6ꢆꢅ ꢂꢊꢄ ꢑꢁꢏꢂ$ꢁꢈꢔꢆꢊ! ꢊꢁꢄꢐ, ꢐꢏꢊꢏꢁꢈꢍ ꢇꢈ /ꢏꢊꢂꢊꢄ 'ꢆꢑꢁꢏ$ꢁꢆꢃꢃꢂꢁꢏꢔꢆꢊ!.

2. ꢇ 2ꢄ & ꢕꢄꢊꢆꢌ! ꢏꢍ ꢆꢎꢊꢁꢏꢍꢐꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢁꢄꢋꢂꢃ ꢀꢁꢏ$ꢁꢆꢃꢃꢂꢁꢏꢔꢆ ꢂꢄ

ITS (ITS). (1ꢃ. ꢎꢊꢁ. 14.)

3. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢐꢂ 5

'ꢆ ꢄꢎꢂꢊꢄ ꢋꢄꢌꢆꢄꢃꢈꢍ ꢊꢁꢄꢐ ꢔ

ꢑꢁꢏ$ꢁꢆꢃꢃ".

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

ꢉꢇꢏꢁꢔ ꢌꢇꢑꢇ, ꢈꢂꢈ ꢊꢍꢔꢌ ꢘꢂꢒꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇꢃꢂꢄꢄꢇ 100 ꢍꢎꢏꢈꢇꢃ, ꢍꢂꢄꢄꢅꢔ ꢍꢁꢕ ꢏꢁꢔꢍꢊ7Bꢔꢑꢇ ꢍꢎꢏꢈꢂ

ꢊꢍꢊꢌ ꢘꢂꢒꢎꢏꢅꢃꢂꢌꢋꢏꢕ ꢒꢇꢃꢔꢓ4 ꢍꢂꢄꢄꢄꢅ4 ꢌꢇꢑꢇ ꢍꢎꢏꢈꢂ, ꢈꢇꢌꢇꢓꢅꢆ ꢄꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢁꢏꢕ ꢍꢇꢁꢋ$ꢔ ꢃꢏꢔ4.

ꢊꢋꢈꢍꢑꢋꢔꢏꢂꢇꢍꢅ ITS (ITS-P)

ꢉꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢍꢇꢓꢇꢚꢔꢈ ITS ꢒꢓꢇꢎꢘꢃꢇꢔꢎꢌꢏꢕ ꢃ ꢓꢂꢗꢈꢂ4 ꢓꢔꢚꢎꢗꢂ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ,

ꢇꢒꢎꢏꢂꢄꢄꢇꢑꢇ ꢃ ꢓꢂꢘꢍꢔꢁꢔ “ꢉꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ”.

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" FUNCTION ꢂ ꢔꢈꢉꢂꢁꢂꢊꢄ ꢁꢄꢋꢂꢃ ꢑꢁꢏꢂ$ꢁꢈꢔꢆ ꢂ( ITS

(ITS-P) ꢔ 0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢃ 2ꢄ &.

2. ꢇꢐꢌ&ꢅꢆꢍꢊꢄ ꢂ ꢔꢈꢐꢌ&ꢅꢆꢍꢊꢄ

ꢁꢄꢋꢂꢃ ꢑꢁꢏꢂ$ꢁꢈꢔꢆ ꢂ( ITS

ꢑꢁꢂ ꢑꢏꢃꢏ)ꢂ ꢐ ꢏꢑꢏꢐ 5/∞.

ꢉꢇꢏꢁꢔ ꢃꢅ ꢇꢓꢂ ꢄꢊꢚꢄꢇꢑꢇ !ꢂꢗ

ꢓꢔꢚꢎꢗꢂ ꢒꢇꢃꢌꢇꢓꢄꢇꢑꢇ

ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ ꢎꢘ ꢇꢒꢎꢏꢂꢄꢄꢅ4 ꢃ

ꢓꢂꢘꢍꢔꢁꢔ “ꢉꢇꢃꢌꢇꢓꢄꢇꢔ

ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ” ꢄꢂ ꢏꢌꢓ. 27,

ꢃꢈꢁ7"ꢎꢌꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ITS.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

Dꢏꢁꢎ ꢏꢓꢔꢍꢎ ꢎꢗꢔ7Bꢎ4ꢏꢕ ꢌꢓꢔꢈꢇꢃ ꢄꢔꢌ ꢌꢓꢔꢈꢇꢃ, ꢘꢂꢒꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇꢃꢂꢄꢄꢅ4 ꢍꢁꢕ ITS

ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ, ꢌꢇ ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢒꢇꢕꢃꢎꢌꢏꢕ ꢏꢇꢇ Bꢔꢄꢎꢔ “ITS EMPTY”.

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ꢀꢌꢂꢆꢅꢇꢍꢅ ꢄꢋꢅꢁꢂ ꢍꢃ ꢉꢋꢈꢑꢋꢂꢐꢐꢔ

1. ꢇꢏ ꢔꢁꢄꢃ( ITS ꢑꢁꢏꢂ$ꢁꢈꢔꢆ ꢂ( ꢔꢈꢉꢄꢁꢂꢊꢄ ꢊꢁꢄꢐ, ꢐꢏꢊꢏꢁꢈꢍ ꢇꢈ /ꢏꢊꢂꢊꢄ

"ꢕꢆꢌꢂꢊ!.

2. ꢇ 2ꢄ & ꢕꢄꢊꢆꢌ! ꢏꢍ ꢆꢎꢊꢁꢏꢍꢐꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢁꢄꢋꢂꢃ ꢀꢁꢏ$ꢁꢆꢃꢃꢂꢁꢏꢔꢆ ꢂꢄ

ITS (ITS). (1ꢃ. ꢎꢊꢁ. 14.)

3. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢐꢂ ∞

"ꢕꢆꢌꢂꢊꢄ ꢊꢁꢄꢐ ꢂ' ꢑꢁꢏ$ꢁꢆꢃꢃꢈ.

ITS ꢍꢁꢕ ꢍꢂꢄꢄꢇꢑꢇ ꢌꢓꢔꢈꢂ

ꢂꢄꢄꢊꢁꢎꢓꢊꢔꢌꢏꢕ, ꢎ ꢄꢂ"ꢎꢄꢂꢔꢌꢏꢕ

ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢏꢁꢔꢍꢊ7Bꢔꢑꢇ

ꢘꢂꢒꢎꢏꢂꢄꢄꢇꢑꢇ ꢃ ꢒꢓꢇꢑꢓꢂꢗꢗꢔ ITS

ꢌꢓꢔꢈꢂ. Dꢏꢁꢎ ꢄꢂ ꢍꢂꢄꢄꢇꢗ Fꢌꢂꢒꢔ

ꢘꢂꢒꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇꢃꢂꢄꢄꢅ4 ꢌꢓꢔꢈꢇꢃ

ꢇꢁꢋ$ꢔ ꢄꢔꢌ, ꢌꢇ ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ

ꢒꢇꢕꢃꢎꢌꢏꢕ ꢏꢇꢇ Bꢔꢄꢎꢔ “ITS

EMPTY”, ꢎ ꢃꢇꢘꢇ ꢄꢇꢃꢎꢌꢏꢕ

ꢄꢇꢓꢗꢂꢁꢋꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ.

ꢀꢌꢂꢆꢅꢇꢍꢅ ꢉꢋꢈꢑꢋꢂꢐꢐꢔ ꢏꢎꢅꢑꢈ ꢌꢍꢎꢁꢂ

1. ꢇꢈꢉꢄꢁꢂꢊꢄ ꢕꢂꢎꢐ, ꢑꢁꢏ$ꢁꢆꢃꢃ" ꢐꢏꢊꢏꢁꢏ$ꢏ ꢇꢈ /ꢏꢊꢂꢊꢄ "ꢕꢆꢌꢂꢊ!, ꢔꢏ ꢔꢁꢄꢃ(

ꢑꢁꢏꢂ$ꢁꢈꢔꢆ ꢂ( ,ꢊꢏ$ꢏ ꢕꢂꢎꢐꢆ.

2. ꢇ 2ꢄ & ꢕꢄꢊꢆꢌ! ꢏꢍ ꢆꢎꢊꢁꢏꢍꢐꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢁꢄꢋꢂꢃ ꢀꢁꢏ$ꢁꢆꢃꢃꢂꢁꢏꢔꢆ ꢂꢄ

ITS (ITS). (1ꢃ. ꢎꢊꢁ. 14.)

3. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢐꢂ ∞

"ꢕꢆꢌꢂꢊꢄ ꢑꢁꢏ$ꢁꢆꢃꢃ" ꢕꢂꢎꢐꢆ.

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ꢏꢁꢌꢍꢊꢁꢑꢆ ꢇꢃ ꢒ ꢁꢓꢁꢂꢇꢐꢉꢁꢑꢖꢒꢇ !"-ꢎꢄꢁꢇꢓꢄꢖꢑꢆꢋꢃꢌꢔꢒꢇ

+ꢂꢃꢏꢂꢇꢍꢅ ꢌꢍꢎꢁꢂ

7ꢏꢈꢌ ꢇꢂꢃꢏꢂꢇꢍ$ ꢌꢍꢎꢁꢈꢏ (TITLE IN)

!ꢅ ꢗꢇꢚꢔꢌꢔ ꢃꢃꢔꢏꢌꢎ ꢍꢇ 100 ꢄꢂꢘꢃꢂꢄꢎꢆ ꢍꢎꢏꢈꢇꢃ, ꢏꢇꢍꢔꢓꢚꢂBꢎ4 ꢍꢇ 10 ꢊꢈꢃ. Kꢌꢂ

>ꢊꢄꢈꢐꢎꢕ ꢇ ꢁꢔꢑ"ꢂꢔꢌ ꢒꢇꢎꢏꢈ ꢎ ꢃꢅ ꢇꢓ ꢍꢎꢏꢈꢂ ꢍꢁꢕ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ. (!ꢅ ꢗꢇꢚꢔꢌꢔ

ꢏꢇ4ꢓꢂꢄꢎꢌꢋ ꢃ ꢒꢂꢗꢕꢌꢎ ꢒꢓꢇꢑꢓꢂꢗꢗꢊ ITS ꢎ ꢄꢂꢘꢃꢂꢄꢎꢕ ꢍꢎꢏꢈꢇꢃ ꢍꢁꢕ ꢄꢔ ꢇꢁꢔꢔ "ꢔꢗ 100

ꢍꢎꢏꢈꢇꢃ.)

1. 6ꢆꢅ ꢂꢊꢄ ꢑꢁꢏꢂ$ꢁꢈꢔꢆꢊ! ꢕꢂꢎꢐ, ꢆ'ꢔꢆ ꢂꢄ ꢐꢏꢊꢏꢁꢏ$ꢏ ꢇꢈ /ꢏꢊꢂꢊꢄ ꢔꢔꢄꢎꢊꢂ ꢔ

ꢑꢆꢃ(ꢊ!.

2. ꢇ 2ꢄ & ꢕꢄꢊꢆꢌ! ꢏꢍ ꢆꢎꢊꢁꢏꢍꢐꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢁꢄꢋꢂꢃ ꢇꢔꢏꢕ ꢆ'ꢔꢆ ꢂꢍ ꢕꢂꢎꢐꢆ

(TITLE IN). (1ꢃ. ꢎꢊꢁ. 14.)

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

!ꢇ ꢃꢓꢔꢗꢕ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ ꢍꢎꢏꢈꢂ /) CD/.C ꢄꢂ /) CD/.C-ꢏꢇꢃꢗꢔꢏꢌꢎꢗꢇꢗ

ꢗꢊꢁꢋꢌꢎꢔꢎꢏꢈꢇꢃꢇꢗ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢔ, !ꢅ ꢗꢇꢚꢔꢌꢔ ꢒꢔꢓꢔꢈꢁ7"ꢎꢌꢋꢏꢕ ꢄꢂ Fꢌꢇꢌ ꢓꢔꢚꢎꢗ.

)ꢎꢏꢈ /) CD/.C Fꢌꢇ ꢈꢇꢗꢒꢂꢈꢌ ꢍꢎꢏꢈ, ꢄꢂ ꢈꢇꢌꢇꢓꢇꢗ ꢘꢂꢒꢎꢏꢂꢄꢂ ꢌꢔꢈꢏꢌꢇꢃꢂꢕ ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢕ,

ꢌꢂꢈꢂꢕ ꢈꢂꢈ: ꢄꢂꢘꢃꢂꢄꢎꢔ ꢍꢎꢏꢈꢂ, ꢎꢗꢕ ꢎꢏꢒꢇꢁꢄꢎꢌꢔꢁꢕ ꢎ ꢄꢂꢘꢃꢂꢄꢎꢔ ꢍꢇꢓꢇꢚꢈꢎ.

•

3. ꢀꢁꢂ ꢑꢏꢃꢏ)ꢂ ꢐ ꢏꢑꢏꢐ 5/∞

ꢔꢈꢉꢄꢁꢂꢊꢄ ꢉ"ꢐꢔꢈ, *ꢂ9ꢁꢈ ꢂ

' ꢆꢐꢂ.

#ꢌꢇ ꢅ ꢃꢃꢔꢏꢌꢎ ꢒꢓꢇ ꢔꢁ, ꢃꢅ

ꢔꢓꢎꢌꢔ ꢗꢎꢑꢂ7Bꢎꢆ ꢈꢊꢓꢏꢇꢓ “_”.

4. ꢀꢁꢂ ꢑꢏꢃꢏ)ꢂ ꢐ ꢏꢑꢏꢐ 2/3

ꢑꢄꢁꢄꢕꢔꢂ !ꢊꢄ ꢉꢌꢏꢐ ꢔꢑꢁꢆꢔꢏ ꢂ

ꢔꢌꢄꢔꢏ.

5. ꢀꢏꢎꢌꢄ 'ꢆꢔꢄꢁ#ꢄ ꢂ( ꢔꢔꢏꢕꢆ

ꢆ'ꢔꢆ ꢂ( ꢏꢎꢊꢆꢔ!ꢊꢄ 10-ꢈꢍ

ꢎꢂꢃꢔꢏꢌ ꢃꢂ$ꢆꢊ!, ꢆ 'ꢆꢊꢄꢃ

'ꢆ ꢄꢎꢂꢊꢄ ꢆ'ꢔꢆ ꢂꢄ ꢔ ꢑꢆꢃ(ꢊ!,

ꢆꢋꢆꢔ ꢐ ꢏꢑꢐ" 3.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

<ꢂꢘꢃꢂꢄꢎꢔ ꢇꢏꢌꢂ&ꢌꢏꢕ ꢃ ꢒꢂꢗꢕꢌꢎ ꢍꢂꢚꢔ ꢒꢇꢏꢁꢔ ꢌꢇꢑꢇ, ꢈꢂꢈ ꢍꢎꢏꢈ ꢊꢍꢔꢌ ꢎꢘꢃꢁꢔ"&ꢄ ꢎꢘ

ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢕ, ꢎ ꢃꢅꢘꢅꢃꢂꢔꢌꢏꢕ ꢒꢇꢃꢌꢇꢓꢄꢇ ꢒꢇꢏꢁꢔ ꢌꢇꢑꢇ, ꢈꢂꢈ ꢇꢄ ꢊꢍꢔꢌ ꢘꢂꢑꢓꢊꢚꢔꢄ ꢏꢄꢇꢃꢂ.

ꢉꢇꢏꢁꢔ ꢃꢃꢔꢍꢔꢄꢎꢕ ꢄꢂꢘꢃꢂꢄꢎꢆ ꢍꢁꢕ 100 ꢍꢎꢏꢈꢇꢃ ꢍꢂꢄꢄꢅꢔ ꢍꢁꢕ ꢄꢇꢃꢇꢑꢇ ꢍꢎꢏꢈꢂ ꢊꢍꢊꢌ ꢘꢂꢒꢎꢏꢂꢄꢅ

ꢒꢇꢃꢔꢓ4 ꢍꢂꢄꢄꢅ4 ꢍꢁꢕ ꢌꢇꢑꢇ ꢍꢎꢏꢈꢂ, ꢈꢇꢌꢇꢓꢅꢆ ꢍꢇꢁꢋ$ꢔ ꢃꢏꢔ4 ꢄꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢁꢏꢕ.

!ꢅ ꢗꢇꢚꢔꢌꢔ ꢃꢅꢏꢃꢔꢌꢎꢌꢋ ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢄꢂꢘꢃꢂꢄꢎꢔ ꢍꢎꢏꢈꢂ, ꢈꢇꢌꢇꢓꢅꢆ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢔꢌꢏꢕ ꢃ ꢍꢂꢄꢄꢅꢆ

ꢗꢇꢗꢔꢄꢌ. ,ꢇꢁꢔꢔ ꢒꢇꢍꢓꢇ ꢄꢊ7 ꢎꢄ>ꢇꢓꢗꢂꢐꢎ7 ꢏꢗꢇꢌꢓꢎꢌꢔ ꢄꢂ ꢏꢌꢓ. 32 ꢃ ꢓꢂꢘꢍꢔꢁꢔ “!ꢅꢏꢃꢔ"ꢎꢃꢂꢄꢎꢔ

ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢄꢂꢘꢃꢂꢄꢎꢕ ꢍꢎꢏꢈꢂ”.

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7ꢔꢖꢈꢋ ꢌꢍꢎꢁꢈꢏ ꢉꢋꢍ ꢉꢈꢐꢈAꢍ ꢎꢉꢍꢎꢁꢂ ꢇꢂꢃꢏꢂꢇꢍ$ ꢌꢍꢎꢁꢈꢏ (TITLE LIST)

ꢉꢓꢇꢍꢔꢁꢂꢆꢌꢔ ꢒꢇꢏꢁꢔꢍꢇꢃꢂꢌꢔꢁꢋꢄꢇꢏꢌꢎ, ꢒꢓꢔꢔꢍꢏꢌꢂꢃꢁꢔꢄꢄꢅꢔ ꢄꢎꢚꢔ, "ꢌꢇ ꢅ

ꢃꢇꢏꢒꢓꢇꢎꢘꢃꢔꢏꢌꢎ ꢍꢎꢏꢈ, ꢄꢂꢘꢃꢂꢄꢎꢔ ꢈꢇꢌꢇꢓꢇꢑꢇ !ꢅ ꢒꢓꢔꢍꢃꢂꢓꢎꢌꢔꢁꢋꢄꢇ ꢃꢃꢍꢁꢎ ꢃ

ꢗꢊꢁꢋꢌꢎꢍꢎꢏꢈꢇꢃꢇꢆ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢋ ꢎꢁꢎ ꢍꢎꢏꢈ /) CD/.C ꢄꢂ /) CD/.C-

ꢏꢇꢃꢑꢗꢔꢏꢌꢎꢗꢇꢗ ꢗꢊꢁꢋꢌꢎꢔꢎꢏꢈꢇꢃꢇꢗ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢔ.

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" FUNCTION ꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢔ 0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢃ ꢃꢄ &

ꢁꢄꢋꢂꢃ 1ꢑꢂꢎꢏꢐ ꢆ'ꢔꢆ ꢂꢍ ꢕꢂꢎꢐꢏꢔ (TITLE LIST).

2. ꢇꢈꢉꢄꢁꢂꢊꢄ ꢋꢄꢌꢆꢄꢃꢏꢄ

ꢆ'ꢔꢆ ꢂꢄ ꢕꢂꢎꢐꢆ ꢐ ꢏꢑꢐꢆꢃꢂ

2/3.

<ꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢄꢔ ꢒꢇꢕꢃꢁꢕꢔꢌꢏꢕ

ꢄꢎꢈꢂꢈꢇꢆ ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢎ ꢍꢁꢕ ꢍꢎꢏꢈꢂ,

ꢄꢂꢘꢃꢂꢄꢎꢔ ꢈꢇꢌꢇꢓꢇꢑꢇ ꢄꢔ ꢅꢁꢇ

ꢒꢓꢔꢍꢃꢂꢓꢎꢌꢔꢁꢋꢄꢇ ꢃꢃꢔꢍꢔꢄꢇ.

3. 6ꢆꢅ ꢂꢊꢄ ꢑꢁꢏꢂ$ꢁꢈꢔꢆ ꢂꢄ ꢔꢈꢉ

ꢁꢆ ꢏ$ꢏ ꢕꢂꢎꢐꢆ ꢆꢋꢆꢊꢂꢄꢃ

ꢐ ꢏꢑꢐꢂ 5.

7ꢔꢎꢏꢅ,ꢍꢏꢂꢇꢍꢅ ꢇꢂ ꢌꢍꢎꢉꢆꢅꢅ ꢇꢂꢃꢏꢂꢇꢍꢒ ꢌꢍꢎꢁꢂ

!ꢅ ꢗꢇꢚꢔꢌꢔ ꢃꢅꢏꢃꢔꢌꢎꢌꢋ ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢄꢂꢘꢃꢂꢄꢎꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢔꢗꢇꢑꢇ ꢍꢎꢏꢈꢂ.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

!ꢅ ꢌꢂꢈꢚꢔ ꢗꢇꢚꢔꢌꢔ ꢃꢅꢏꢃꢔꢌꢎꢌꢋ ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢄꢂꢘꢃꢂꢄꢎꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢔꢗꢇꢑꢇ ꢍꢎꢏꢈꢂ ꢃꢇ ꢃꢓꢔꢗꢕ

ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ ꢍꢎꢏꢈꢂ /) CD/.C ꢄꢂ /) CD/.C-ꢏꢇꢃꢗꢔꢏꢌꢎꢗꢇꢗ ꢗꢊꢁꢋꢌꢎꢍꢎꢏꢈꢇꢃꢇꢗ

ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢔ.

• ꢀꢄꢁꢄꢐꢌ&ꢅꢆꢍꢊꢄ ꢕꢂꢎꢑꢌꢄꢍ

ꢆ'ꢔꢆ ꢂ( ꢕꢂꢎꢐꢆ ꢑꢁꢂ ꢑꢏꢃꢏ)ꢂ

ꢐ ꢏꢑꢐꢂ DISPLAY.

/ꢂꢚꢍꢇꢔ ꢄꢂꢚꢂꢌꢎꢔ ꢈꢄꢇꢒꢈꢎ DISPLAY

ꢒꢔꢓꢔꢈꢁ7"ꢂꢔꢌ ꢍꢎꢏꢒꢁꢔꢆ ꢃ

ꢏꢁꢔꢍꢊ7Bꢔꢗ ꢒꢇꢓꢕꢍꢈꢔ:

(ꢔꢚꢎꢗ ꢃꢇꢏꢒꢓꢇꢎꢘꢃꢔꢍꢔꢄꢎꢕ (!ꢓꢔꢗꢕ

ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ) = <ꢂꢘꢃꢂꢄꢎꢔ ꢍꢎꢏꢈꢂ

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

Dꢏꢁꢎ !ꢅ ꢒꢔꢓꢔꢈꢁ7"ꢎꢌꢔ ꢍꢎꢏꢒꢁꢔꢆ ꢔꢘ ꢒꢓꢔꢍꢃꢂꢓꢎꢌꢔꢁꢋꢄꢇꢑꢇ ꢃꢃꢇꢍꢂ ꢄꢂꢘꢃꢂꢄꢎꢕ ꢍꢎꢏꢈꢂ, ꢄꢂ

ꢍꢎꢏꢒꢁꢔꢔ ꢒꢇꢕꢃꢎꢌꢏꢕ ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢕ “NO TITLE”.

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ꢏꢁꢌꢍꢊꢁꢑꢆ ꢇꢃ ꢒ ꢁꢓꢁꢂꢇꢐꢉꢁꢑꢖꢒꢇ !"-ꢎꢄꢁꢇꢓꢄꢖꢑꢆꢋꢃꢌꢔꢒꢇ

(ꢈꢐꢉꢋꢅꢎꢎꢍꢒ ꢍ DBE (COMP/DBE)

+ꢏꢒꢇꢁꢋꢘꢇꢃꢂꢄꢎꢔ >ꢊꢄꢈꢐꢎꢆ ꢈꢇꢗꢒꢓꢔꢏꢏꢎꢎ (COMP) ꢎ DBE ()ꢎꢄꢂꢗꢎ"ꢔꢏꢈꢇꢔ ꢊꢏꢎꢁꢔꢄꢎꢔ

ꢂꢏꢂ) ꢒꢇꢘꢃꢇꢁꢕꢔꢌ ꢇꢌꢓꢔꢑꢊꢁꢎꢓꢇꢃꢂꢌꢋ ꢈꢂ"ꢔꢏꢌꢃꢇ ꢘꢃꢊꢈꢂ ꢗꢊꢁꢋꢌꢎꢍꢎꢏꢈꢇꢃꢇꢑꢇ

ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢕ. /ꢂꢚꢍꢂꢕ ꢎꢘ Fꢌꢎ4 >ꢊꢄꢈꢐꢎꢆ ꢒꢓꢔꢍꢁꢂꢑꢂꢔꢌ ꢍꢃꢊꢏꢌꢊꢒꢔꢄ"ꢂꢌꢊ7

ꢓꢔꢑꢊꢁꢎꢓꢇꢃꢈꢊ.

7 COMP

6ꢊꢄꢈꢐꢎꢕ ꢈꢇꢗꢒꢓꢔꢏꢏꢎꢎ (COMP) ꢓꢔꢑꢊꢁꢎꢓꢊꢔꢌ ꢄꢂꢓꢊ$ꢔꢄꢎꢔ ꢂꢁꢂꢄꢏꢂ ꢗꢔꢚꢍꢊ ꢑꢓꢇꢗꢈꢎꢗꢎ

ꢎ ꢒꢓꢎꢑꢁꢊ$&ꢄꢄꢅꢗꢎ ꢘꢃꢊꢈꢂꢗꢎ ꢒꢓꢎ ꢃꢅꢏꢇꢈꢇꢗ ꢊꢓꢇꢃꢄꢔ ꢑꢓꢇꢗꢈꢇꢏꢌꢎ.

7 DBE

DBE ()ꢎꢄꢂꢗꢎ"ꢔꢏꢈꢇꢔ ꢊꢏꢎꢁꢔꢄꢎꢔ ꢂꢏꢇꢃ) ꢊꢏꢎꢁꢎꢃꢂꢔꢌ ꢘꢃꢊ"ꢂꢄꢎꢔ ꢄꢎꢘꢈꢎ4 "ꢂꢏꢌꢇꢌ ꢍꢁꢕ

ꢒꢇꢁꢊ"ꢔꢄꢎꢕ ꢇꢁꢔꢔ ꢄꢂꢒꢇꢁꢄꢔꢄꢄꢇꢑꢇ ꢘꢃꢊ"ꢂꢄꢎꢕ.

7ꢁꢆ=,ꢅꢇꢍꢅ/7ꢔꢁꢆ=,ꢅꢇꢍꢅ COMP ꢍ DBE

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" FUNCTION ꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢔ 0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢃ ꢃꢄ &

ꢁꢄꢋꢂꢃ ꢑꢄꢁꢄꢐꢌ&ꢅꢄ ꢂ( 9" ꢐ*ꢂꢍ COMP/DBE (COMP/DBE).

2. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢏꢐ 5/∞

ꢔꢈꢉꢄꢁꢂꢊꢄ "ꢋ ꢈꢍ ꢁꢄꢋꢂꢃ.

COMP OFF = COMP 1 = COMP 2

= COMP OFF = DBE 1 = DBE 2

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

!ꢅ ꢗꢇꢚꢔꢌꢔ ꢒꢇꢁꢋꢘꢇꢃꢂꢌꢋꢏꢕ Fꢌꢎꢗꢎ >ꢊꢄꢈꢐꢎꢕꢗꢎ ꢄꢂ ꢗꢊꢁꢋꢌꢎꢍꢎꢏꢈꢇꢃꢇꢗ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢔ,

ꢈꢇꢌꢇꢓꢅꢆ ꢎ4 ꢎꢗꢔꢔꢌ. Dꢏꢁꢎ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢋ ꢄꢔ ꢎꢗꢔꢔꢌ >ꢊꢄꢈꢐꢎꢆ COMP ꢎ DBE, ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ

ꢒꢇꢕꢃꢎꢌꢏꢕ “NO COMP”, ꢔꢏꢁꢎ !ꢅ ꢘꢂ4ꢇꢌꢎꢌꢔ ꢎꢏꢒꢇꢁꢋꢘꢇꢃꢂꢌꢋ Fꢌꢎ >ꢊꢄꢈꢐꢎꢎ.

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<"ꢇꢁ#ꢍꢒ () BC(-B (ꢌꢆꢒ ꢉꢋꢈꢍꢑꢋꢔꢏꢂꢄꢅꢆꢅ$, ꢎꢈꢏꢐꢅꢎꢄꢍꢐꢔ. ꢎ ꢄꢍꢉꢈꢐ () BC(-B)

!ꢅ ꢗꢇꢚꢔꢌꢔ ꢒꢇꢁꢋꢘꢇꢃꢂꢌꢋꢏꢕ Fꢌꢎꢗꢎ >ꢊꢄꢈꢐꢎꢕꢗꢎ ꢃꢇ ꢃꢓꢔꢗꢕ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ ꢍꢎꢏꢈꢂ,

ꢎꢗꢔ7Bꢔꢑꢇ /) CD/.C, ꢄꢂ /) CD/.C-ꢏꢇꢃꢗꢔꢏꢌꢎꢗꢇꢗ ꢗꢊꢁꢋꢌꢎꢍꢎꢏꢈꢇꢃꢇꢗ

ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢔ.

ꢊꢅꢋꢅꢁꢆ=,ꢅꢇꢍꢅ ꢇꢂꢃꢏꢂꢇꢍꢒ

• ꢇꢈꢉꢂꢁꢂꢊꢄ "ꢋ ꢏꢄ ꢇꢆꢃ

ꢆ'ꢔꢆ ꢂꢄ ꢕꢂꢎꢑꢌꢄ(, ꢑꢏꢌ!'"(ꢎ!

ꢐ ꢏꢑꢐꢏꢍ DISPLAY.

/ꢂꢚꢍꢇꢔ ꢄꢂꢚꢂꢌꢎꢔ ꢈꢄꢇꢒꢈꢎ DISPLAY

ꢎꢘꢗꢔꢄꢕꢔꢌ ꢍꢎꢏꢒꢁꢔꢆ ꢃ ꢏꢁꢔꢍꢊ7Bꢔꢗ

ꢒꢇꢓꢕꢍꢈꢔ:

(ꢔꢚꢎꢗ ꢃꢇꢏꢒꢓꢇꢎꢘꢃꢔꢍꢔꢄꢎꢕ (!ꢓꢔꢗꢕ

ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢕ)

= <ꢂꢘꢃꢂꢄꢎꢔ ꢍꢎꢏꢈꢂ

= +ꢗꢕ ꢎꢏꢒꢇꢁꢄꢎꢌꢔꢁꢕ ꢍꢎꢏꢈꢂ

= <ꢂꢘꢃꢂꢄꢎꢔ ꢍꢇꢓꢇꢚꢈꢎ

= +ꢗꢕ ꢎꢏꢒꢇꢁꢄꢎꢌꢔꢁꢕ ꢍꢇꢓꢇꢚꢈꢎ

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

Dꢏꢁꢎ ꢇꢒꢓꢔꢍꢔꢁ&ꢄꢄꢂꢕ ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢕ ꢄꢔ ꢘꢂꢒꢎꢏꢂꢄꢂ ꢄꢂ ꢍꢎꢏꢈꢔ /) CD/.C, ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢒꢇꢕꢃꢎꢌꢏꢕ

“NO ~ ” (ꢄꢂꢒꢓꢎꢗꢔꢓ: “NO T-TITLE”).

ꢊꢋꢈꢎꢐꢈꢄꢋ ꢇꢂꢃꢏꢂꢇꢍ$

)ꢂꢄꢄꢅꢆ ꢂꢒꢒꢂꢓꢂꢌ ꢃꢅꢏꢃꢔ"ꢎꢃꢂꢔꢌ ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢒꢔꢓꢃꢅꢔ 10 ꢊꢈꢃ ꢄꢂꢘꢃꢂꢄꢎꢕ ꢍꢎꢏꢈꢂ,

ꢎꢗꢔꢄꢎ ꢎꢏꢒꢇꢁꢄꢎꢌꢔꢁꢕ ꢎ ꢄꢂꢘꢃꢂꢄꢎꢕ ꢍꢇꢓꢇꢚꢈꢎ. Dꢏꢁꢎ ꢌꢔꢈꢏꢌ ꢏꢇꢍꢔꢓꢚꢎꢌ ꢇꢁꢔꢔ 10 ꢊꢈꢃ,

!ꢅ ꢗꢇꢚꢔꢌꢔ ꢒꢓꢇ"ꢎꢌꢂꢌꢋ ꢔꢑꢇ ꢒꢇꢁꢄꢇꢏꢌꢋ7 ꢏ ꢒꢇꢗꢇBꢋ7 ꢒꢓꢇꢏꢗꢇꢌꢓꢂ.

• ꢀꢁꢏꢎꢃꢏꢊꢁꢂꢊꢄ ꢆ'ꢔꢆ ꢂꢄ

ꢑꢏꢌ ꢏꢎꢊ!& ꢆꢋꢆꢔ ꢐ ꢏꢑꢐ"

DISPLAY ꢆ 2 ꢎꢄꢐ" ꢕꢈ.

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ꢏꢁꢌꢍꢊꢁꢑꢆ ꢇꢃ ꢒ ꢁꢓꢁꢂꢇꢐꢉꢁꢑꢖꢒꢇ !"-ꢎꢄꢁꢇꢓꢄꢖꢑꢆꢋꢃꢌꢔꢒꢇ

ꢊꢋꢈꢍꢑꢋꢔꢏꢂꢇꢍꢅ ꢌꢍꢎꢁꢈꢏ ꢇꢂ ꢐ"ꢆ ꢄꢍꢌꢍꢎꢁꢈꢏꢈꢐ ꢉꢋꢈꢍꢑꢋꢔꢏꢂꢄꢅꢆꢅ 50-ꢌꢍꢎꢁꢈꢏꢈꢑꢈ ꢄꢍꢉꢂ

/ꢇꢑꢍꢂ ꢗꢂꢑꢂꢘꢎꢄ ꢘꢂꢑꢓꢊꢚꢂꢔꢌꢏꢕ ꢃ ꢗꢊꢁꢋꢌꢎꢍꢎꢏꢈꢇꢃꢅꢆ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢋ 50-ꢍꢎꢏꢈꢇꢃꢇꢑꢇ

ꢌꢎꢒꢂ, ꢗꢇꢚꢄꢇ ꢒꢓꢇ"ꢎꢌꢂꢌꢋ ꢎꢄ>ꢇꢓꢗꢂꢐꢎ7 ꢇ ꢃꢏꢔ4 ꢘꢂꢑꢓꢊꢚꢔꢄꢄꢅ4 ꢍꢎꢏꢈꢂ4.

Dꢏꢁꢎ !ꢅ ꢄꢂ"ꢄ&ꢌꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢍꢎꢏꢈꢂ ꢄꢂ ꢗꢊꢁꢋꢌꢎꢍꢎꢏꢈꢇꢃꢇꢗ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢔ

50-ꢍꢎꢏꢈꢇꢃꢇꢑꢇ ꢌꢎꢒꢂ ꢒꢔꢓꢔꢍ ꢌꢔꢗ, ꢈꢂꢈ ꢘꢂꢃꢔꢓ$ꢎꢌꢏꢕ ꢒꢓꢇ"ꢌꢔꢄꢎꢔ ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢎ ꢄꢂ ꢃꢏꢔ4

ꢍꢎꢏꢈꢂ4, ꢒꢓꢇ"ꢌꢔꢄꢎꢔ ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢎ ꢒꢓꢔꢓꢃ&ꢌꢏꢕ ꢒꢇꢏꢔꢓꢔꢍꢎꢄꢔ. Kꢌꢇ ꢏꢍꢔꢁꢂꢔꢌ

ꢄꢔꢃꢇꢘꢗꢇꢚꢄꢅꢗ ꢎꢏꢒꢇꢁꢋꢘꢇꢃꢂꢄꢎꢔ >ꢊꢄꢈꢐꢎꢎ ITS. (Dꢏꢁꢎ !ꢅ ꢒꢇꢒꢅꢌꢂꢔꢌꢔꢏꢋ

ꢎꢏꢒꢇꢁꢋꢘꢇꢃꢂꢌꢋ Fꢌꢊ >ꢊꢄꢈꢐꢎ7, ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢃꢅꢏꢃꢔꢌꢎꢌꢏꢕ “NOT READY”.)

Dꢏꢁꢎ Fꢌꢇ ꢒꢓꢇꢎꢘꢇꢆꢍ&ꢌ, ꢒꢓꢇ"ꢌꢔꢄꢎꢔ ꢎꢄ>ꢇꢓꢗꢂꢐꢎꢎ ꢃꢇꢘꢇ ꢄꢇꢃꢎꢌꢏꢕ, ꢔꢏꢁꢎ !ꢅ

ꢒꢔꢓꢔꢈꢁ7"ꢎꢌꢔꢏꢋ ꢄꢂ ꢈꢇꢗꢒꢇꢄꢔꢄꢌ ꢂ ꢄꢔ ꢄꢂ ꢗꢊꢁꢋꢌꢎꢍꢎꢏꢈꢇꢃꢅꢆ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢋ

50-ꢍꢎꢏꢈꢇꢃꢇꢑꢇ ꢌꢎꢒꢂ.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

<ꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢃꢅꢏꢃꢔꢌꢎꢌꢏꢕ “LOAD” ꢃ ꢏꢁꢔꢍꢊ7Bꢎ ꢏꢁꢊ"ꢂꢕ:

* Dꢏꢁꢎ ꢃꢅ ꢓꢂꢄ ꢍꢎꢏꢈ ꢏ ꢍꢇꢒꢇꢁꢄꢎꢌꢔꢁꢋꢄꢇꢑꢇ ꢒꢇꢍꢄꢇꢏꢂ.

* Dꢏꢁꢎ ꢍꢎꢏꢈ ꢒꢔꢓꢔꢗꢔB&ꢄ ꢎꢘ ꢍꢇꢒꢇꢁꢄꢎꢌꢔꢁꢋꢄꢇꢑꢇ ꢒꢇꢍꢄꢇꢏꢂ ꢃ ꢗꢂꢑꢂꢘꢎꢄ.

(.ꢗ. ꢓꢊꢈꢇꢃꢇ&ꢏꢌꢃꢇ ꢒꢇ Fꢈꢏꢒꢁꢊꢂꢌꢂꢐꢎꢎ ꢗꢊꢁꢋꢌꢎꢍꢎꢏꢈꢇꢃꢇꢑꢇ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢕ 50-ꢍꢎꢏꢈꢇꢃꢇꢑꢇ

ꢌꢎꢒꢂ.)

!ꢅ ꢌꢂꢈꢚꢔ ꢗꢇꢚꢔꢌꢔ ꢎꢏꢒꢇꢁꢋꢘꢇꢃꢂꢌꢋ ꢏ ꢍꢂꢄꢄꢅꢗ ꢂꢒꢒꢂꢓꢂꢌꢇꢗ >ꢊꢄꢈꢐꢎꢎ “!ꢅ ꢓꢇꢏ ꢔꢍꢎꢄꢎ"ꢄꢇꢑꢇ

ꢍꢎꢏꢈꢂ”, “#ꢂꢏꢌꢇꢌꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ”, “ꢀꢓꢊꢒꢒꢇꢃꢇꢔ ꢗꢊꢘꢅꢈꢂꢁꢋꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ” ꢎꢁꢎ

“ꢉꢇꢎꢏꢈ ꢄꢂꢘꢃꢂꢄꢎꢕ ꢍꢎꢏꢈꢂ =!.”.

•

7 3ꢋ"ꢖꢔ$ ꢉꢈꢍꢎꢁ ꢇꢈꢐꢅꢋꢂ ꢌꢍꢎꢁꢂ

Kꢌꢂ ꢊꢍꢇ ꢄꢂꢕ >ꢊꢄꢈꢐꢎꢕ ꢒꢇꢘꢃꢇꢁꢕꢔꢌ !ꢂꢗ ꢃꢅ ꢓꢂꢌꢋ ꢍꢎꢏꢈꢎ, ꢘꢂꢑꢓꢊꢚꢔꢄꢄꢅꢔ ꢃ

ꢗꢊꢁꢋꢌꢎꢍꢎꢏꢈꢇꢃꢅꢆ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢋ 50-ꢍꢎꢏꢈꢇꢃꢇꢑꢇ ꢌꢎꢒꢂ, ꢎꢏꢒꢇꢁꢋꢘꢊꢕ ꢈꢄꢇꢒꢈꢎ ꢇꢌ 1 ꢍꢇ

5. 50 ꢍꢎꢏꢈꢇꢃ ꢍꢔꢁꢕꢌꢏꢕ ꢄꢂ 5 ꢁꢇꢈꢇꢃ, ꢈꢇꢌꢇꢓꢅꢗ ꢒꢓꢎꢒꢎꢏꢅꢃꢂ7ꢌꢏꢕ ꢈꢄꢇꢒꢈꢎ ꢇꢌ 1 ꢍꢇ 5.

• ꢇꢈꢉꢂꢁꢂꢊꢄ "ꢋ ꢈꢍ ꢇꢆꢃ ꢉꢌꢏꢐ, ꢆꢋꢆꢔ ꢎꢏꢏꢊꢔꢄꢊꢎꢊꢔ"&)"& ꢐ ꢏꢑꢐ" ꢏꢊ 1 ꢕꢏ

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

ꢉꢇꢏꢁꢔ ꢘꢂꢃꢔꢓ$ꢔꢄꢎꢕ ꢃꢓꢊ ꢇꢑꢇ ꢒꢇꢎꢏꢈꢂ, ꢎꢏꢒꢇꢁꢋꢘꢊꢆꢌꢔ ꢈꢄꢇꢒꢈꢎ 5/∞ ꢍꢁꢕ ꢃꢅ ꢇꢓꢂ ꢄꢊꢚꢄꢇꢑꢇ !ꢂꢗ

ꢍꢎꢏꢈꢂ.

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ꢝꢆꢐꢋꢄꢁ ꢉꢆ ꢊꢑꢛꢞꢆ ꢇꢔ

7ꢔꢖꢈꢋ ꢁꢋꢍꢏꢈ$ ꢘꢁꢏꢂꢆꢂ$ꢃꢅꢋꢂ

!ꢅ ꢗꢇꢚꢔꢌꢔ ꢃꢅ ꢎꢓꢂꢌꢋ ꢓꢂꢘꢁꢎ"ꢄꢅꢔ ꢈꢓꢎꢃꢅꢔ Fꢈꢃꢂꢁꢂꢆꢘꢔꢓꢂ.

• ꢇꢁꢆ)ꢆꢍꢊꢄ ꢎꢄꢌꢄꢐꢊꢏꢁ EQ ꢔꢔꢄꢁ/-ꢔ ꢂ' ꢕꢌ( ꢔꢈꢉꢏꢁꢆ ꢋꢄꢌꢆꢄꢃꢏꢍ ꢐꢁꢂꢔꢏꢍ

,ꢐꢔꢆꢌꢆꢍ'ꢄꢁꢆ.

/ꢓꢎꢃꢂꢕ Fꢈꢃꢂꢁꢂꢆꢘꢔꢓꢂ

POWERFUL Ô NATURAL Ô VOCAL Ô CUSTOM Ô EQ FLAT Ô SUPER BASS

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

“CUSTOM” ꢏꢇ4ꢓꢂꢄꢕꢔꢌ ꢈꢓꢎꢃꢅꢔ Fꢈꢃꢂꢁꢂꢆꢘꢔꢓꢂ ꢒꢇꢏꢁꢔ ꢒꢓꢇꢎꢘꢃꢔꢍꢄꢄꢇꢆ !ꢂꢗꢎ ꢄꢂꢏꢌꢓꢇꢆꢈꢎ. (.ꢗ.

ꢓꢂꢘꢍꢔꢁ “ꢉꢇꢍꢏꢌꢓꢇꢆꢈꢂ ꢈꢓꢎꢃꢅ4 Fꢈꢃꢂꢁꢂꢆꢘꢔꢓꢂ” ꢄꢂ ꢏꢌꢓ. 37 ꢎ “Cꢇ"ꢄꢂꢕ ꢒꢇꢍꢏꢌꢓꢇꢆꢈꢂ ꢈꢓꢎꢃꢅ4

Fꢈꢃꢂꢁꢂꢆꢘꢔꢓꢂ” ꢄꢂ ꢏꢌꢓ. 38.)

•

)ꢁꢕ ꢓꢂꢘꢄꢅ4 ꢎꢏꢌꢇ"ꢄꢎꢈꢇꢃ ꢘꢃꢊꢈꢂ ꢃ “CUSTOM” ꢗꢇꢚꢄꢇ ꢏꢇꢘꢍꢂꢃꢂꢌꢋ ꢓꢂꢘꢁꢎ"ꢄꢅꢔ ꢈꢓꢎꢃꢅꢔ.

7.ꢈꢌ ꢏ ?"ꢌꢍꢈ ꢐꢅꢇ=

! Fꢌꢇꢗ ꢗꢔꢄ7 ꢃꢅ ꢗꢇꢚꢔꢌꢔ ꢓꢔꢑꢊꢁꢎꢓꢇꢃꢂꢌꢋ ꢈꢂ"ꢔꢏꢌꢃꢇ ꢘꢃꢊ"ꢂꢄꢎꢕ.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

Dꢏꢁꢎ ꢒꢇꢏꢁꢔ ꢃ4ꢇꢍꢂ ꢃ =ꢊꢍꢎꢇ ꢗꢔꢄ7 !ꢅ ꢃ ꢌꢔ"ꢔꢄꢎꢔ 30 ꢏꢔꢈꢊꢄꢍ ꢄꢔ ꢒꢓꢔꢍꢒꢓꢎꢗꢎꢌꢔ ꢄꢎꢈꢂꢈꢎ4

ꢍꢔꢆꢏꢌꢃꢎꢆ, =ꢊꢍꢎꢇ ꢗꢔꢄ7 ꢂꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢎ ꢇꢌꢈꢁ7"ꢎꢌꢏꢕ.

1. ꢇꢈꢉꢄꢁꢂꢊꢄ ꢔ :"ꢕꢂꢏ ꢃꢄ & ꢋꢄꢌꢆꢄꢃꢈꢍ ꢁꢄꢋꢂꢃ.

ꢉꢓꢎ ꢈꢂꢚꢍꢇꢗ ꢄꢂꢚꢂꢌꢎꢎ ꢓꢔꢚꢎꢗꢅ ꢗꢔꢄꢕ7ꢌꢏꢕ ...

2. :ꢐꢊꢂꢔꢂ'ꢂꢁ"ꢍꢊꢄ ꢁꢄꢋꢂꢃ.

3. ꢇꢈꢐꢌ&ꢅꢂꢊꢄ :"ꢕꢂꢏ ꢃꢄ &.

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ꢝꢆꢐꢋꢄꢁ ꢉꢆ ꢊꢑꢛꢞꢆ ꢇꢔ

<"ꢇꢁ#ꢍꢍ ?"ꢌꢍꢈ ꢐꢅꢇ=

! =ꢊꢍꢎꢇ ꢗꢔꢄ7 ꢎꢗꢔ7ꢌꢏꢕ ꢏꢁꢔꢍꢊ7Bꢎꢔ >ꢊꢄꢈꢐꢎꢎ.

1ꢅꢑ"ꢆꢍꢋꢈꢏꢁꢂ ꢖꢂꢆꢂꢇꢎꢂ (FADER)

Kꢌꢂ >ꢊꢄꢈꢐꢎꢕ ꢒꢇꢘꢃꢇꢁꢕꢔꢌ ꢃꢅ ꢎꢓꢂꢌꢋ ꢊꢏꢌꢂꢄꢇꢃꢈꢎ ꢃ ꢓꢔꢚꢎꢗꢔ Fader/Balance, ꢈꢇꢌꢇꢓꢅꢔ

ꢇ ꢔꢏꢒꢔ"ꢎꢃꢂ7ꢌ ꢎꢍꢔꢂꢁꢋꢄꢇꢔ ꢈꢂ"ꢔꢏꢌꢃꢇ ꢒꢓꢇꢏꢁꢊ$ꢎꢃꢂꢄꢎꢕ ꢃ ꢁ7 ꢇꢆ ꢌꢇ"ꢈꢔ.

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" AUDIO, ꢅꢊꢏꢉꢈ ꢔꢈꢉꢁꢆꢊ! ꢔ :"ꢕꢂꢏ ꢃꢄ & ꢁꢄꢋꢂꢃ

Fader/Balance (FADER).

2. ꢀꢁꢂ ꢑꢏꢃꢏ)ꢂ ꢐ ꢏꢑꢏꢐ 5/∞

ꢏꢊꢁꢄ$"ꢌꢂꢁ"ꢍꢊꢄ ꢉꢆꢌꢆ ꢎ

ꢃꢄꢋꢕ" ꢑꢄꢁꢄꢕ ꢂꢃꢂ ꢂ 'ꢆꢕ ꢂꢃꢂ

ꢕꢂ ꢆꢃꢂꢐꢆꢃ.

ꢉꢇ ꢗꢔꢓꢔ ꢏꢍꢃꢎꢑꢂ ꢂꢁꢂꢄꢏꢂ ꢇꢌ

ꢒꢔꢓꢔꢍꢄꢎ4 ꢍꢎꢄꢂꢗꢎꢈꢇꢃ ꢈ ꢘꢂꢍꢄꢎꢗ

ꢄꢂ ꢍꢎꢏꢒꢁꢔꢔ ꢒꢇꢕꢃꢁꢕꢔꢌꢏꢕ

ꢎꢄꢍꢎꢈꢂꢐꢎꢕ “FADER :F15” –

“FADER :R15”.

3. ꢀꢁꢂ ꢑꢏꢃꢏ)ꢂ ꢐ ꢏꢑꢏꢐ 2/3

ꢏꢊꢁꢄ$"ꢌꢂꢁ"ꢍꢊꢄ ꢉꢆꢌꢆ ꢎ

ꢃꢄꢋꢕ" ꢌꢄꢔꢈꢃ ꢂ ꢑꢁꢆꢔꢈꢃ

ꢕꢂ ꢆꢃꢂꢐꢆꢃ.

ꢉꢇ ꢗꢔꢓꢔ ꢏꢍꢃꢎꢑꢂ ꢂꢁꢂꢄꢏꢂ ꢇꢌ

ꢁꢔꢃꢇꢑꢇ ꢍꢎꢄꢂꢗꢎꢈꢂ ꢈ ꢒꢓꢂꢃꢇꢗꢊ ꢄꢂ

ꢍꢎꢏꢒꢁꢔꢔ ꢒꢇꢕꢃꢁꢕꢔꢌꢏꢕ ꢎꢄꢍꢎꢈꢂꢐꢎꢕ

“BAL :L 9” – “BAL :R 9”.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

“FADER : 0” – ꢒꢓꢂꢃꢎꢁꢋꢄꢂꢕ ꢊꢏꢌꢂꢄꢇꢃꢈꢂ ꢒꢓꢎ ꢎꢏꢒꢇꢁꢋꢘꢇꢃꢂꢄꢎꢎ ꢍꢃꢊ4 ꢍꢎꢄꢂꢗꢎꢈꢇꢃ.

ꢊꢈꢌꢎꢄꢋꢈ$ꢁꢂ ꢁꢋꢍꢏꢔ. ꢘꢁꢏꢂꢆꢂ$ꢃꢅꢋꢂ (EQ-LOW/MID/HIGH)

!ꢅ ꢗꢇꢚꢔꢌꢔ ꢄꢂꢏꢌꢓꢇꢎꢌꢋ ꢒꢇ !ꢂ$ꢔꢗꢊ ꢚꢔꢁꢂꢄꢎ7 ꢊꢏꢌꢂꢄꢇꢃꢈꢎ ꢌꢔꢈꢊBꢔꢆ ꢃꢅ ꢓꢂꢄꢄꢇꢆ

ꢈꢓꢎꢃꢇꢆ Fꢈꢃꢂꢁꢂꢆꢘꢔꢓꢂ. ꢉꢇꢏꢁꢔ ꢄꢂꢏꢌꢓꢇꢆꢈꢎ ꢊꢏꢌꢂꢄꢇꢃꢈꢂ ꢈꢓꢎꢃꢇꢆ Fꢈꢃꢂꢁꢂꢆꢘꢔꢓꢂ

ꢘꢂꢒꢇꢗꢎꢄꢂꢔꢌꢏꢕ ꢃ “CUSTOM”.

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" AUDIO ꢂ ꢔ :"ꢕꢂꢏ ꢃꢄ & ꢔꢈꢉꢄꢁꢂꢊꢄ ꢁꢄꢋꢂꢃ

ꢖꢐꢔꢆꢌꢆꢍ'ꢄꢁꢆ (EQ-LOW/MID/HIGH).

2. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢏꢐ 2/3

ꢔꢈꢉꢄꢁꢂꢊꢄ ꢅꢆꢎꢊꢏꢊ", ꢐꢏꢊꢏꢁ"&

ꢇꢈ /ꢏꢊꢂꢊꢄ ꢑꢏꢕꢎꢊꢏꢁꢏꢂꢊ!.

EQ-LOW Ô EQ-MID Ô EQ-HIGH

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3. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢏꢐ 5/∞

"ꢎꢂꢌ!ꢊꢄ ꢂꢌꢂ ꢑꢁꢂ$ꢌ"#ꢂꢊꢄ

ꢔꢈꢉꢁꢆ ꢈꢄ ꢅꢆꢎꢊꢏꢊꢈ.

ꢉꢇꢈꢂꢘꢂꢄꢎꢕ ꢍꢎꢏꢒꢁꢔꢕ

ꢃꢂꢓꢋꢎꢓꢊ7ꢌꢏꢕ ꢇꢌ “+6” ꢍꢇ “–6”.

“CUSTOM”

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

Dꢏꢁꢎ !ꢅ ꢒꢇꢍꢏꢌꢓꢂꢎꢃꢂꢔꢌꢔ ꢄꢔ “CUSTOM” - ꢈꢓꢎꢃꢊ7, ꢃꢄꢇꢃꢋ ꢒꢇꢍꢏꢌꢓꢇꢔꢄꢄꢂꢕ ꢈꢓꢎꢃꢂꢕ ꢘꢂꢗꢔꢄꢎꢌ

ꢒꢓꢔꢍꢅꢍꢊBꢊ7 ꢒꢇꢍꢏꢌꢓꢇꢔꢄꢄꢊ7 ꢈꢓꢎꢃꢊ7. 9ꢂꢌꢔꢗ ꢄꢇꢃꢂꢕ “CUSTOM” - ꢈꢓꢎꢃꢂꢕ ꢒꢇꢕꢃꢎꢌꢏꢕ ꢄꢂ

ꢍꢎꢏꢒꢁꢔꢔ ꢃꢇ ꢃꢓꢔꢗꢕ ꢃꢅ ꢇꢓꢂ ꢈꢓꢎꢃꢇꢆ Fꢈꢃꢂꢁꢂꢆꢘꢔꢓꢂ. (.ꢗ. ꢏꢌꢓ. 36.)

Bꢈ,ꢇꢂꢒ ꢉꢈꢌꢎꢄꢋꢈ$ꢁꢂ ꢁꢋꢍꢏꢔ. ꢘꢁꢏꢂꢆꢂ$ꢃꢅꢋꢂ

!ꢅ ꢗꢇꢚꢔꢌꢔ ꢒꢇꢍꢏꢌꢓꢇꢎꢌꢋ ꢏꢓꢔꢍꢄ77 "ꢂꢏꢌꢇꢌꢊ ꢎ ꢈꢇF>>ꢎꢐꢎꢔꢄꢌ ꢍꢇ ꢓꢇꢌꢄꢇꢏꢌPꢎ

(4ꢂꢓꢂꢈꢌꢔꢓꢎꢏꢌꢎꢈꢊ ꢈꢓꢎꢃꢇꢆ) ꢈꢂꢚꢍꢇꢆ ꢒꢇꢁꢇꢏꢅ ꢌꢔꢈꢊBꢔꢆ ꢃꢅ ꢓꢂꢄꢄꢇꢆ ꢈꢓꢎꢃꢇꢆ

(EQ-LOW/MID/HIGH). ꢉꢇꢏꢁꢔ ꢄꢂꢏꢌꢓꢇꢆꢈꢎ ꢊꢏꢌꢂꢄꢇꢃꢈꢂ ꢈꢓꢎꢃꢇꢆ Fꢈꢃꢂꢁꢂꢆꢘꢔꢓꢂ

ꢘꢂꢒꢇꢗꢎꢄꢂꢔꢌꢏꢕ ꢃ “CUSTOM”.

@ꢓꢇꢃꢔꢄꢋ (ꢍ,)

Q=2W

#ꢂꢏꢌꢇꢌꢂ (ꢀꢐ)

Q=2N

<ꢔꢏꢊBꢂꢕ "ꢂꢏꢌꢇꢌꢂ

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" AUDIO ꢆ 2 ꢎꢄꢐ" ꢕꢈ, ꢅꢊꢏꢉꢈ ꢔꢈꢉꢁꢆꢊ! ꢗꢏꢅ "&

ꢀꢏꢕꢎꢊꢁꢏꢍꢐ" 4ꢁꢂꢔꢏꢍ ꢖꢐꢔꢆꢌꢆꢍ'ꢄꢁꢆ.

2. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" AUDIO,

ꢅꢊꢏꢉꢈ ꢔꢈꢉꢁꢆꢊ! ꢑꢏꢌꢏꢎ"

ꢅꢆꢎꢊꢏꢊ ꢕꢌ( ꢑꢏꢕꢎꢊꢁꢏꢍꢐꢂ.

3. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢏꢐ 2/3

ꢔꢈꢉꢄꢁꢂꢊꢄ "ꢋ "& ꢅꢆꢎꢊꢏꢊ".

LOW: 40 += 80 += 100 += 160 (ꢀꢐ)

MID: 200 += 500 += 1K += 2K (ꢀꢐ)

HIGH:3K += 8K += 10K += 12K (ꢀꢐ)

ꢀꢁꢏꢕꢏꢌꢋꢄ ꢂꢄ ꢆ ꢏꢉꢏꢁꢏꢊꢄ.

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ꢝꢆꢐꢋꢄꢁ ꢉꢆ ꢊꢑꢛꢞꢆ ꢇꢔ

4. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢏꢐ 5/∞

ꢔꢈꢉꢄꢁꢂꢊꢄ ꢋꢄꢌꢆꢄꢃ"& ꢕꢏꢉ

ꢁꢏꢊ ꢏꢎꢊ! (Q).

2N += 1N += 1W += 2W

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

Dꢏꢁꢎ !ꢅ ꢒꢇꢍꢏꢌꢓꢂꢎꢃꢂꢔꢌꢔ ꢄꢔ “CUSTOM” - ꢈꢓꢎꢃꢊ7, ꢃꢄꢇꢃꢋ ꢒꢇꢍꢏꢌꢓꢇꢔꢄꢄꢂꢕ ꢈꢓꢎꢃꢂꢕ ꢘꢂꢗꢔꢄꢎꢌ

ꢒꢓꢔꢍꢅꢍꢊBꢊ7 ꢒꢇꢍꢏꢌꢓꢇꢔꢄꢄꢊ7 ꢈꢓꢎꢃꢊ7. 9ꢂꢌꢔꢗ ꢄꢇꢃꢂꢕ “CUSTOM” - ꢈꢓꢎꢃꢂꢕ ꢒꢇꢕꢃꢎꢌꢏꢕ ꢄꢂ

ꢍꢎꢏꢒꢁꢔꢔ ꢃꢇ ꢃꢓꢔꢗꢕ ꢃꢅ ꢇꢓꢂ ꢈꢓꢎꢃꢇꢆ Fꢈꢃꢂꢁꢂꢆꢘꢔꢓꢂ. (.ꢗ. ꢏꢌꢓ. 36.)

1ꢅꢑ"ꢆꢍꢋꢈꢏꢁꢂ ꢑꢋꢈꢐꢁꢈꢎꢄꢍ (LOUD)

6ꢊꢄꢈꢐꢎꢕ ꢀꢓꢇꢗꢈꢇꢏꢌꢋ ꢈꢇꢗꢒꢔꢄꢏꢎꢓꢊꢔꢌ ꢄꢔꢍꢇꢏꢌꢂꢌꢇ"ꢄꢇꢔ ꢘꢃꢊ"ꢂꢄꢎꢔ ꢄꢎꢘꢈꢎ4 ꢎ ꢃꢅꢏꢇꢈꢎ4

ꢘꢃꢊꢈꢇꢃꢅ4 "ꢂꢏꢌꢇꢌ ꢒꢓꢎ ꢄꢎꢘꢈꢇꢗ ꢊꢓꢇꢃꢄꢔ ꢑꢓꢇꢗꢈꢇꢏꢌꢎ. !ꢅ ꢗꢇꢚꢔꢌꢔ ꢃꢅ ꢓꢂꢌꢋ

ꢚꢔꢁꢂꢔꢗꢅꢆ ꢊꢓꢇꢃꢔꢄꢋ ꢑꢓꢇꢗꢈꢇꢏꢌꢎ.

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" AUDIO ꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢔ :"ꢕꢂꢏ ꢃꢄ & ꢁꢄꢋꢂꢃ ꢘꢁꢏꢃꢐꢏꢎꢊ!

(LOUD).

2. 1 ꢑꢏꢃꢏ)! ꢐ ꢏꢑꢐꢂ 5/∞

ꢑꢄꢁꢄꢐꢌ&ꢅꢂꢊꢄ ꢁꢄꢋꢂꢃ

ꢘꢁꢏꢃꢐꢏꢎꢊ! ꢔ ꢎꢏꢎꢊꢏ( ꢂꢄ ON

ꢂꢌꢂ OFF.

“

”

3. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢏꢐ 2/3

ꢔꢈꢉꢄꢁꢂꢊꢄ ꢋꢄꢌꢆꢄꢃꢈꢍ

"ꢁꢏꢔꢄ ! $ꢁꢏꢃꢐꢏꢎꢊꢂ.

LOW += MID += HI

<"ꢇꢁ#ꢍꢒ ?ꢁ#ꢅꢇꢄꢍꢋꢈꢏꢂꢇꢍꢒ !ꢋꢈꢇꢄꢂꢆ ꢇꢈꢑꢈ ꢃꢏ",ꢂꢇꢍꢒ (FIE)

6ꢊꢄꢈꢐꢎꢕ =69 (=ꢈꢐꢔꢄꢌꢎꢓꢇꢃꢂꢄꢎꢔ >ꢓꢇꢄꢌꢂꢁꢋꢄꢇꢑꢇ ꢘꢃꢊ"ꢂꢄꢎꢕ) ꢒꢓꢔꢍꢏꢌꢂꢃꢁꢕꢔꢌ ꢏꢇ ꢇꢆ

ꢒꢓꢇꢏꢌꢇꢆ ꢏꢒꢇꢏꢇ ꢂꢈꢐꢔꢄꢌꢎꢓꢇꢃꢂꢄꢎꢕ >ꢓꢇꢄꢌꢂꢁꢋꢄꢇꢑꢇ ꢘꢃꢊ"ꢂꢄꢎꢕ ꢘꢂ ꢏ"&ꢌ ꢇ ꢓꢔꢘꢂꢄꢎꢕ

ꢏꢓꢔꢍꢄꢎ4 ꢎ ꢃꢅꢏꢇꢈꢎ4 "ꢂꢏꢌꢇꢌ ꢄꢂ ꢃꢅ4ꢇꢍꢔ ꢎꢘ ꢘꢂꢍꢄꢎ4 ꢍꢎꢄꢂꢗꢎꢈꢇꢃ ꢎ ꢇꢑꢓꢂꢄꢎ"ꢔꢄꢎꢕ ꢎ4

ꢌꢂꢈꢎꢗ ꢇ ꢓꢂꢘꢇꢗ ꢍꢎꢂꢒꢂꢘꢇꢄꢇꢗ ꢄꢎꢘꢈꢎ4 "ꢂꢏꢌꢇꢌ. #ꢂꢏꢌꢇꢌꢊ, ꢒꢇꢍꢁꢔꢚꢂBꢊ7 ꢇ ꢓꢔꢘꢂꢄꢎ7,

!ꢅ ꢗꢇꢚꢔꢌꢔ ꢃꢅ ꢓꢂꢌꢋ ꢒꢇ ꢏꢃꢇꢔꢗꢊ ꢊꢏꢗꢇꢌꢓꢔꢄꢎ7.

2ꢄꢁꢈ ꢑꢁꢄꢕꢏꢎꢊꢏꢁꢏꢋ ꢏꢎꢊꢂ:

•

Dꢏꢁꢎ >ꢊꢄꢈꢐꢎꢕ =69 ꢄꢔ ꢂꢈꢌꢎꢃꢎꢘꢎꢓꢇꢃꢂꢄꢂ, ꢌꢇ ꢏ ꢘꢂꢍꢄꢅ4 ꢍꢎꢄꢂꢗꢎꢈꢇꢃ ꢘꢃꢊ"ꢂꢌ ꢃꢏꢔ

"ꢂꢏꢌꢇꢌꢅ, ꢂ ꢄꢔ ꢌꢇꢁꢋꢈꢇ ꢄꢎꢘꢈꢎꢔ. !ꢇ ꢎꢘ ꢔꢚꢂꢄꢎꢔ ꢃꢄꢔꢘꢂꢒꢄꢇꢑꢇ ꢊꢃꢔꢁꢎ"ꢔꢄꢎꢕ ꢑꢓꢇꢗꢈꢇꢏꢌꢎ

ꢊꢗꢔꢄꢋ$ꢎꢌꢔ ꢔ& ꢊꢓꢇꢃꢔꢄꢋ ꢒꢔꢓꢔꢍ ꢌꢔꢗ, ꢈꢂꢈ ꢇꢌꢈꢁ7"ꢎꢌꢋ >ꢊꢄꢈꢐꢎ7 =69.

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1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" AUDIO ꢂ ꢔ :"ꢕꢂꢏ ꢃꢄ & ꢔꢈꢉꢄꢁꢂꢊꢄ ꢁꢄꢋꢂꢃ :0ꢙ (FIE).

2. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢏꢐ 5/∞

ꢑꢄꢁꢄꢐꢌ&ꢅꢂꢊꢄ 9" ꢐ*ꢂ&

:0ꢙ ꢔ ꢎꢏꢎꢊꢏ( ꢂꢄ ON ꢂꢌꢂ

OFF.

“

”

3. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢏꢐ 2/3

ꢔꢈꢉꢄꢁꢂꢊꢄ ꢋꢄꢌꢆꢄꢃ"&

ꢅꢆꢎꢊꢏꢊ".

100 += 160 += 250 (ꢀꢐ)

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

ꢉꢇꢏꢁꢔ ꢒꢔꢓꢔꢈꢁ7"ꢔꢄꢎꢕ >ꢊꢄꢈꢐꢎꢎ =69 ꢃ ꢏꢇꢏꢌꢇꢕꢄꢎꢔ ON, ꢃꢅ ꢔꢓꢎꢌꢔ ꢃ =ꢊꢍꢎꢇ ꢗꢔꢄ7 ꢓꢔꢚꢎꢗ

Fader/Balance ꢎ ꢏ ꢂꢁꢂꢄꢏꢎꢓꢊꢆꢌꢔ ꢊꢓꢇꢃꢔꢄꢋ ꢑꢓꢇꢗꢈꢇꢏꢌꢎ ꢒꢔꢓꢔꢍꢄꢎ4 ꢎ ꢘꢂꢍꢄꢎ4 ꢍꢎꢄꢂꢗꢎꢈꢇꢃ.

ꢉꢓꢎ ꢎꢏꢒꢇꢁꢋꢘꢇꢃꢂꢄꢎꢎ ꢏꢎꢏꢌꢔꢗꢅ ꢏ ꢍꢃꢊꢗꢕ ꢍꢎꢄꢂꢗꢎꢈꢂꢗꢎ >ꢊꢄꢈꢐꢎ7 =69 ꢒꢔꢓꢔꢈꢁ7"ꢎꢌꢔ ꢃ

ꢏꢇꢏꢌꢇꢕꢄꢎꢔ OFF.

•

1ꢅꢑ"ꢆꢍꢋꢈꢏꢁꢂ "ꢋꢈꢏꢇꢒ ꢍꢎꢄꢈ,ꢇꢍꢁꢂ (SLA)

6ꢊꢄꢈꢐꢎꢕ SLA (ꢓꢔꢑꢊꢁꢎꢓꢇꢃꢈꢂ ꢊꢓꢇꢃꢄꢕ ꢎꢏꢌꢇ"ꢄꢎꢈꢂ) ꢒꢓꢔꢍꢊꢒꢓꢔꢚꢍꢂꢔꢌ ꢓꢔꢘꢈꢎꢔ ꢏꢈꢂ"ꢈꢎ

ꢑꢓꢇꢗꢈꢇꢏꢌꢎ ꢒꢓꢎ ꢒꢔꢓꢔꢈꢁ7"ꢔꢄꢎꢎ ꢗꢔꢚꢍꢊ ꢎꢏꢌꢇ"ꢄꢎꢈꢂꢗꢎ. ,ꢂꢘꢇꢃꢅꢗ ꢊꢓꢇꢃꢄꢔꢗ ꢕꢃꢁꢕꢔꢌꢏꢕ

ꢑꢓꢇꢗꢈꢇꢏꢌꢋ ꢓꢂꢍꢎꢇꢒꢔꢓꢔꢍꢂ" ꢃ @/!-ꢍꢎꢂꢒꢂꢘꢇꢄꢔ, ꢈꢇꢌꢇꢓꢅꢆ ꢇꢏꢌꢂ&ꢌꢏꢕ ꢄꢔꢎꢘꢗꢔꢄꢄꢅꢗ.

1. 1ꢁꢆꢔ ꢂꢊꢄ $ꢁꢏꢃꢐꢏꢎꢊ! 'ꢔ"ꢅꢆ ꢂ( ꢓ4ꢇ ꢕꢂꢆꢑꢆ'ꢏ ꢆ ꢎ $ꢁꢏꢃꢐꢏꢎꢊ!& ꢕꢁ"$ꢂ/

ꢂꢎꢊꢏꢅ ꢂꢐꢏꢔ. (6ꢆꢑꢁꢂꢃꢄꢁ, ꢐꢆꢎꢎꢄꢊ ꢏ$ꢏ ꢑꢁꢏꢂ$ꢁꢈꢔꢆꢊꢄꢌ().

2. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" AUDIO ꢂ ꢔ :"ꢕꢂꢏ ꢃꢄ & ꢔꢈꢉꢄꢁꢂꢊꢄ ꢁꢄꢋꢂꢃ SLA (SLA).

3. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢏꢐ 5/∞

"ꢃꢄ !#ꢂꢊꢄ ꢂꢌꢂ "ꢔꢄꢌꢂꢅ!ꢊꢄ

"ꢁꢏꢔꢄ ! $ꢁꢏꢃꢐꢏꢎꢊꢂ.

ꢉꢇꢈꢂꢘꢂꢄꢎꢕ ꢍꢎꢏꢒꢁꢔꢕ

ꢃꢂꢓꢋꢎꢓꢊ7ꢌꢏꢕ ꢇꢌ “+4” ꢍꢇ “–4”.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

ꢉꢇꢏꢈꢇꢁꢋꢈꢊ ꢑꢓꢇꢗꢈꢇꢏꢌꢋ ꢃ @/!-ꢍꢎꢂꢒꢂꢘꢇꢄꢔ ꢕꢃꢁꢕꢔꢌꢏꢕ ꢈꢇꢄꢌꢓꢇꢁꢋꢄꢇꢆ, >ꢊꢄꢈꢐꢎꢕ SLA ꢃ

ꢍꢎꢂꢒꢂꢘꢇꢄꢔ @/! ꢄꢔ ꢍꢔꢆꢏꢌꢃꢊꢔꢌ.

•

@ꢓꢇꢃꢔꢄꢋ ꢑꢓꢇꢗꢈꢇꢏꢌꢎ ꢄꢂ .!/)! (ꢏꢓꢔꢍꢄ4 ꢎ ꢍꢁꢎꢄꢄꢅ4 ꢃꢇꢁꢄꢂ4), ꢈꢇꢌꢇꢓꢅꢆ ꢇꢌꢁꢎ"ꢂꢔꢌꢏꢕ ꢇꢌ

ꢊꢓꢇꢃꢄꢕ ꢑꢓꢇꢗꢈꢇꢏꢌꢎ ꢍꢁꢕ #ꢙ, ꢌꢂꢈꢚꢔ ꢗꢇꢚꢔꢌ ꢅꢌꢋ ꢇꢌꢓꢔꢑꢊꢁꢎꢓꢇꢃꢂꢄ ꢂꢄꢂꢁꢇꢑꢎ"ꢄꢇ ꢒꢓꢇ"ꢎꢗ

ꢓꢔꢏꢊꢓꢏꢂꢗ, ꢇꢌꢁꢎ"ꢄꢅꢗ ꢇꢌ ꢌ7ꢄꢔꢓꢂ.

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ꢀ ꢔꢋꢇꢃ ꢇ ꢛꢐꢋꢆ ꢁꢑꢉꢆ ꢎꢃꢄꢃꢂ ꢃ ꢎꢆ ꢃꢌꢇ

-ꢉꢈꢎꢈꢖ ꢉꢋꢅꢌ"ꢉꢋꢅꢗꢌꢅꢇꢍꢒ ꢁꢋꢂꢗꢍ

#ꢌꢇ ꢅ ꢄꢔ ꢒꢓꢎꢃꢁꢔꢈꢂꢌꢋ ꢃꢄꢎꢗꢂꢄꢎꢔ ꢃꢇꢓꢇꢃ, ꢒꢔꢓꢔꢍꢄ77 ꢒꢂꢄꢔꢁꢋ ꢇꢏꢄꢇꢃꢄꢇꢑꢇ ꢁꢇꢈꢂ

ꢗꢇꢚꢄꢇ ꢏꢄꢕꢌꢋ.

• !ꢇ ꢃꢓꢔꢗꢕ ꢍꢃꢎꢚꢔꢄꢎꢕ ꢄꢂ ꢂꢃꢌꢇꢗꢇ ꢎꢁꢔ ꢍꢔꢓꢚꢎꢌꢔ ꢘꢂꢈꢓꢅꢌꢇꢆ ꢒꢔꢓꢔꢍꢄ77 ꢒꢂꢄꢔꢁꢋ.

-ꢇꢒꢄꢍꢅ ꢉꢅꢋꢅꢌꢇꢅ$ ꢉꢂꢇꢅꢆꢍ

1. ꢚꢊꢐꢁꢏꢍꢊꢄ ꢑꢄꢁꢄꢕ &&

ꢑꢆ ꢄꢌ!.

2. ꢇꢏ'!ꢃꢂꢊꢄ ꢂ ꢔꢈꢊ( ꢂꢊꢄ

ꢑꢄꢁꢄꢕ && ꢑꢆ ꢄꢌ!.

,ꢊꢍꢋꢌꢔ ꢇꢏꢌꢇꢓꢇꢚꢄꢅ, "ꢌꢇ ꢅ

ꢄꢔ ꢒꢔꢓꢔꢚꢂꢌꢋ ꢎꢁꢎ ꢄꢔ ꢊꢓꢇꢄꢎꢌꢋ

ꢔ&.

3. -ꢎꢑꢏꢌ!'"ꢍꢊꢄ 'ꢆ)ꢂꢊ ꢈꢍ

9"ꢊꢌ(ꢁ, ꢑꢁꢄꢕ ꢆ' ꢆꢅꢄ ꢈꢍ

ꢕꢌ( /ꢁꢆ ꢄ ꢂ(/ꢑꢄꢁꢄ ꢏꢎꢐꢂ

ꢎ (ꢊꢏꢍ ꢑꢄꢁꢄꢕ ꢄꢍ ꢑꢆ ꢄꢌꢂ.

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ꢀꢎꢄꢂꢇꢈꢏꢁꢂ ꢉꢅꢋꢅꢌꢇꢅ$ ꢉꢂꢇꢅꢆꢍ

• ꢀꢏꢎꢊꢆꢔ!ꢊꢄ ꢆ ꢃꢄꢎꢊꢏ

ꢑꢄꢁꢄꢕ && ꢑꢆ ꢄꢌ!, ꢕꢄꢁꢋꢆ

ꢄꢒ ꢆꢑꢁꢏꢊꢂꢔ ꢆꢑꢑꢆꢁꢆꢊꢆ ꢂ

ꢑꢁꢏꢅ ꢏ 'ꢆ)ꢒꢌꢐ "ꢔ ꢄꢒ ꢆ

ꢐꢁꢄꢑ()ꢂ/ ꢐꢁ&ꢅꢐꢆ/.

2ꢄꢁꢈ ꢑꢁꢄꢕꢏꢎꢊꢏꢁꢏꢋ ꢏꢎꢊꢂ:

•

! ꢒꢓꢇꢐꢔꢏꢏꢔ ꢏꢄꢕꢌꢎꢕ ꢎ ꢊꢏꢌꢂꢄꢇꢃꢈꢎ ꢒꢔꢓꢔꢍꢄꢔꢆ ꢒꢂꢄꢔꢁꢎ ꢄꢎꢈꢇꢑꢍꢂ ꢄꢔ ꢒꢓꢎꢁꢂꢑꢂꢆꢌꢔ "ꢓꢔꢘꢗꢔꢓꢄꢇꢑꢇ

ꢊꢏꢎꢁꢎꢕ ꢎ ꢄꢔ ꢏꢚꢎꢗꢂꢆꢌꢔ ꢍꢎꢏꢒꢁꢔꢆ.

•

ꢖ ꢔꢓꢔꢑꢂꢆꢌꢔ ꢒꢔꢓꢔꢍꢄ77 ꢒꢂꢄꢔꢁꢋ ꢇꢌ ꢏꢎꢁꢋꢄꢅ4 ꢃꢏꢌꢓꢕꢏꢇꢈ.

<ꢔ ꢍꢇꢒꢊꢏꢈꢂꢆꢌꢔ ꢒꢇꢒꢂꢍꢂꢄꢎꢕ ꢄꢂ ꢒꢔꢓꢔꢍꢄ77 ꢒꢂꢄꢔꢁꢋ ꢒꢓꢕꢗꢇꢑꢇ ꢏꢇꢁꢄꢔ"ꢄꢇꢑꢇ ꢏꢃꢔꢌꢂ ꢎ

ꢃꢇꢘꢍꢔꢆꢏꢌꢃꢎꢕ ꢄꢂ ꢄꢔ& ꢒꢇꢃꢅ$ꢔꢄꢄꢇꢆ ꢌꢔꢗꢒꢔꢓꢂꢌꢊꢓꢅ.

ꢊꢋꢅꢌ"ꢉꢋꢅꢗꢌꢂ=Aꢍ$ ꢎꢍꢑꢇꢂꢆ

Dꢏꢁꢎ ꢒꢔꢓꢔꢍꢄ77 ꢒꢂꢄꢔꢁꢋ ꢄꢔ ꢏꢄꢕꢌꢋ ꢃ ꢌꢔ"ꢔꢄꢎꢔ 5 ꢏꢔꢈꢊꢄꢍ ꢒꢇꢏꢁꢔ ꢃꢅꢈꢁ7"ꢔꢄꢎꢕ

ꢘꢂꢚꢎꢑꢂꢄꢎꢕ, ꢓꢂꢘꢍꢂꢏꢌꢏꢕ ꢒꢓꢔꢍꢊꢒꢓꢔꢚꢍꢂ7Bꢎꢆ ꢏꢎꢑꢄꢂꢁ.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

6ꢊꢄꢈꢐꢎ7 ꢒꢓꢔꢍꢊꢒꢓꢔꢚꢍꢂ7Bꢔꢑꢇ ꢏꢎꢑꢄꢂꢁꢂ ꢗꢇꢚꢄꢇ ꢇꢌꢗꢔꢄꢎꢌꢋ. (.ꢗ. ꢏꢌꢓ. 44)

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ꢝꢆꢞꢆꢌꢍ ꢖꢃ ꢛꢐꢋꢆ ꢁꢑꢇ

7.ꢈꢌ ꢏ 6ꢅꢇ= ꢇꢂ,ꢂꢆ ꢇꢔ. "ꢎꢄꢂꢇꢈꢏꢈꢁ

ꢉꢓꢎ ꢒꢇꢗꢇBꢎ Fꢌꢇꢑꢇ ꢗꢔꢄ7 !ꢅ ꢗꢇꢚꢔꢌꢔ ꢃꢅꢒꢇꢁꢄꢕꢌꢋ ꢄꢂ"ꢂꢁꢋꢄꢅꢔ ꢊꢏꢌꢂꢄꢇꢃꢈꢎ ꢍꢁꢕ

ꢍꢂꢄꢄꢇꢑꢇ ꢂꢒꢒꢂꢓꢂꢌꢂ.

1. ꢇꢈꢐꢌ&ꢅꢂꢊꢄ ꢂꢎꢊꢏꢅ ꢂꢐ 'ꢔ"ꢐꢆ (OFF).

2. ꢇꢏꢍꢕꢂꢊꢄ ꢔ 2ꢄ & ꢆꢅꢆꢌ! ꢈ/ "ꢎꢊꢆ ꢏꢔꢏꢐ.

<ꢂꢚꢎꢗꢂꢆꢌꢔ 2 ꢏꢔꢈꢊꢄꢍꢅ

3. ꢇꢈꢉꢄꢁꢂꢊꢄ "ꢋ ꢈꢍ ꢁꢄꢋꢂꢃ.

ꢉꢓꢎ ꢈꢂꢚꢍꢇꢗ ꢄꢂꢚꢂꢌꢎꢎ ꢓꢔꢚꢎꢗꢅ ꢗꢔꢄꢕ7ꢌꢏꢕ ...

4. :ꢐꢊꢂꢔꢂꢁ"ꢍꢊꢄ ꢁꢄꢋꢂꢃ.

5. ꢚꢊꢃꢄ ꢂꢊꢄ 2ꢄ & ꢆꢅꢆꢌ! ꢈ/ "ꢎꢊꢆ ꢏꢔꢏꢐ.

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

+ꢘ ꢙꢔꢄ7 ꢄꢂ"ꢂꢁꢋꢄꢅ4 ꢊꢏꢌꢂꢄꢇꢃꢇꢈ ꢗꢇꢚꢄꢇ ꢃꢅꢆꢌꢎ ꢌꢂꢈꢚꢔ, ꢄꢂꢚꢎꢗꢂꢕ ꢃ ꢌꢔ"ꢔꢄꢎꢔ 2 ꢏꢔꢈꢊꢄꢍ

ꢈꢄꢇꢒꢈꢊ FUNCTION.

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<"ꢇꢁ#ꢍꢍ 6ꢅꢇ= ꢇꢂ,ꢂꢆ ꢇꢔ. "ꢎꢄꢂꢇꢈꢏꢈꢁ

ꢙꢔꢄ7 <ꢂ"ꢂꢁꢋꢄꢅ4 @ꢏꢌꢂꢄꢇꢃꢇꢈ ꢎꢗꢔꢔꢌ ꢏꢁꢔꢍꢊ7Bꢎꢔ >ꢊꢄꢈꢐꢎꢎ.

7ꢁꢆ=,ꢅꢇꢍꢅ ?ꢏꢄꢈꢐꢂꢄꢍ,ꢅꢎꢁꢈꢑꢈ ꢉꢈꢍꢎꢁꢂ PI (A-PI)

!ꢇ ꢃꢓꢔꢗꢕ ꢇꢒꢔꢓꢂꢐꢎꢎ ꢒꢇꢎꢏꢈꢂ ꢘꢂꢓꢂꢄꢔꢔ ꢘꢂꢒꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇꢃꢂꢄꢄꢇꢆ ꢏꢌꢂꢄꢐꢎꢎ PI, !ꢅ

ꢗꢇꢚꢔꢌꢔ ꢃꢈꢁ7"ꢎꢌꢋ ꢎꢁꢎ ꢃꢅꢈꢁ7"ꢎꢌꢋ >ꢊꢄꢈꢐꢎ7 =ꢃꢌꢇꢒꢇꢎꢏꢈꢂ PI. (.ꢗ.“6ꢊꢄꢈꢐꢎꢕ

ꢒꢇꢎꢏꢈꢂ PI” ꢄꢂ ꢏꢌꢓ. 19.)

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" FUNCTION ꢂ ꢔꢈꢉꢂꢁꢂꢊꢄ ꢁꢄꢋꢂꢃ :ꢔꢊꢏꢑꢏꢂꢎꢐꢆ PI (A-PI)

ꢔ 0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢃ 2ꢄ &.

2. ꢇꢐꢌ&ꢅꢂꢊꢄ ꢂꢌꢂ ꢔꢈꢐꢌ&ꢅꢂꢊꢄ

:ꢔꢊꢏꢑꢏꢂꢎꢐ PI, ꢑꢏꢌ!'"(ꢎ!

ꢐ ꢏꢑꢐꢆꢃꢂ 5/∞.

ꢀꢎꢄꢂꢇꢈꢏꢁꢂ ꢉꢋꢅꢌ"ꢉꢋꢅꢗꢌꢂ=Aꢅꢑꢈ ꢎꢍꢑꢇꢂꢆꢂ (WARN)

!ꢅ ꢗꢇꢚꢔꢌꢔ ꢃꢈꢁ7"ꢎꢌꢋ/ꢃꢅꢈꢁ7"ꢎꢌꢋ (ON/OFF) >ꢊꢄꢈꢐꢎ7 ꢒꢓꢔꢍꢊꢒꢓꢔꢚꢍꢂ7Bꢔꢑꢇ

ꢏꢎꢑꢄꢂꢁꢂ. (.ꢗ. ꢓꢂꢘꢍꢔꢁ “ꢉꢓꢔꢍꢊꢒꢓꢔꢚꢍꢂ7Bꢎꢆ ꢏꢎꢑꢄꢂꢁ” ꢄꢂ ꢏꢌꢓ. 42).

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" FUNCTION ꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢔ 2ꢄ & ꢆꢅꢆꢌ! ꢈ/

"ꢎꢊꢆ ꢏꢔꢏꢐ ꢁꢄꢋꢂꢃ ꢀꢁꢄꢕ"ꢑꢁꢄꢋꢕꢆ&)ꢄ$ꢏ ꢎꢂ$ ꢆꢌꢆ (WARN).

2. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢏꢐ 5/∞

ꢔꢐꢌ&ꢅꢂꢊꢄ/ꢔꢈꢐꢌ&ꢅꢂꢊꢄ

(ON/OFF) ꢁꢄꢋꢂꢃ

ꢀꢁꢄꢕ"ꢑꢁꢄꢋꢕꢆ&)ꢄ$ꢏ

ꢎꢂ$ ꢆꢌꢆ.

ꢊꢅꢋꢅꢁꢆ=,ꢅꢇꢍꢅ ꢋꢅꢗꢍꢐꢂ ꢌꢈꢉꢈꢆꢇꢍꢄꢅꢆ ꢇꢈꢑꢈ ꢈꢖꢈꢋ"ꢌꢈꢏꢂꢇꢍꢒ (AUX)

/ ꢍꢂꢄꢄꢇꢗꢊ ꢎꢘꢍꢔꢁꢎ7 ꢗꢇꢚꢄꢇ ꢒꢇꢍꢈꢁ7"ꢂꢌꢋ ꢍꢇꢒꢇꢁꢄꢎꢌꢔꢁꢋꢄꢇꢔ (AUX) ꢇ ꢇꢓꢊꢍꢇꢃꢂꢄꢎꢔ.

ꢉꢓꢎ ꢎꢏꢒꢇꢁꢋꢘꢇꢃꢂꢄꢎꢎ ꢏ ꢍꢂꢄꢄꢅꢗ ꢎꢘꢍꢔꢁꢎꢔꢗ ꢃꢄꢔ$ꢄꢔꢆ ꢂꢒꢒꢂꢓꢂꢌꢊꢓꢅ ꢂꢈꢌꢎꢃꢎꢘꢎꢓꢊꢆꢌꢔ

ꢓꢔꢚꢎꢗ AUX.

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" FUNCTION ꢂ ꢔ 2ꢄ & ꢆꢅꢆꢌ! ꢈ/ "ꢎꢊꢆ ꢏꢔꢏꢐ

ꢔꢈꢉꢄꢁꢂꢊꢄ ꢁꢄꢋꢂꢃ ꢑꢏꢕꢐꢌ&ꢅꢄ ꢂ( ꢕꢏꢑꢏꢌ ꢂꢊꢄꢌ! ꢏ$ꢏ ꢏꢉꢏꢁ"ꢕꢏꢔꢆ ꢂ( (AUX).

2. ꢀꢁꢂ ꢑꢏꢃꢏ)ꢂ ꢐ ꢏꢑꢏꢐ 5/∞

ꢑꢄꢁꢄꢐꢌ&ꢅꢂꢊꢄ ꢁꢄꢋꢂꢃ AUX ꢔ

ꢎꢏꢎꢊꢏ( ꢂꢄ ON ꢂꢌꢂ OFF.

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ꢝꢆꢞꢆꢌꢍ ꢖꢃ ꢛꢐꢋꢆ ꢁꢑꢇ

ꢀꢎꢄꢂꢇꢈꢏꢁꢍ ꢋꢅꢑ"ꢆꢒꢄꢈꢋꢂ ꢈꢎꢏꢅAꢕꢇꢇꢈꢎꢄꢍ (DIMMER)

Kꢌꢂ >ꢊꢄꢈꢐꢎꢕ ꢒꢇꢘꢃꢇꢁꢕꢔꢌ ꢍꢎꢏꢒꢁꢔ7 ꢂꢒꢒꢂꢓꢂꢌꢂ ꢄꢔ ꢅꢌꢋ ꢏꢁꢎ$ꢈꢇꢗ ꢕꢓꢈꢎꢗ ꢄꢇ"ꢋ7,

ꢈꢇꢑꢍꢂ ꢒꢔꢓꢔꢍꢄꢎꢔ >ꢂꢓꢅ ꢂꢃꢌꢇꢗꢇ ꢎꢁꢕ ꢃꢈꢁ7"ꢔꢄꢅ, ꢎꢁꢁ7ꢗꢎꢄꢂꢐꢎꢕ ꢍꢎꢏꢒꢁꢔꢕ ꢌꢊꢏꢈꢄꢔꢔꢌ.

!ꢅ ꢗꢇꢚꢔꢌꢔ ꢃꢈꢁ7"ꢎꢌꢋ ꢎꢁꢎ ꢇꢌꢈꢁ7"ꢎꢌꢋ Fꢌꢊ >ꢊꢄꢈꢐꢎ7.

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" FUNCTION ꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢔ 2ꢄ & ꢆꢅꢆꢌ! ꢈ/

"ꢎꢊꢆ ꢏꢔꢏꢐ ꢁꢄꢋꢂꢃ ꢁꢄ$"ꢌ(ꢊꢏꢁꢆ ꢏꢎꢔꢄ)ꢒ ꢏꢎꢊꢂ (DIMMER).

2. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢏꢐ 5/∞

ꢔꢐꢌ&ꢅꢂꢊꢄ/ꢔꢈꢐꢌ&ꢅꢂꢊꢄ

(ON/OFF) ꢁꢄꢋꢂꢃ ꢁꢄ$"ꢌ(ꢊꢏꢁꢆ

ꢏꢎꢔꢄ)ꢒ ꢏꢎꢊꢂ.

7ꢔꢖꢈꢋ #ꢏꢅꢄꢂ ꢉꢈꢌꢎꢏꢅꢄꢁꢍ (ILL.CLR)

)ꢂꢄꢄꢇꢔ ꢎꢘꢍꢔꢁꢎꢔ ꢇꢏꢄꢂBꢔꢄꢇ ꢒꢇꢍꢏꢃꢔꢌꢈꢇꢆ ꢍꢃꢊ4 ꢐꢃꢔꢌꢇꢃ, ꢘꢔꢁꢔꢄꢇꢑꢇ ꢎ ꢈꢓꢂꢏꢄꢇꢑꢇ. !ꢅ

ꢗꢇꢚꢔꢌꢔ ꢃꢅ ꢓꢂꢌꢋ ꢚꢔꢁꢂꢔꢗꢅꢆ ꢐꢃꢔꢌ ꢒꢇꢍꢏꢃꢔꢌꢈꢎ.

1. 6ꢆꢋꢃꢂꢊꢄ ꢐ ꢏꢑꢐ" FUNCTION ꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢔ 2ꢄ & ꢆꢅꢆꢌ! ꢈ/

"ꢎꢊꢆ ꢏꢔꢏꢐ ꢁꢄꢋꢂꢃ ꢛꢔꢄꢊꢆ ꢑꢏꢕꢎꢔꢄꢊꢐꢂ (ILL.CLR).

2. 1 ꢑꢏꢃꢏ)!& ꢐ ꢏꢑꢏꢐ 2/3

ꢔꢈꢉꢄꢁꢂꢊꢄ ꢋꢄꢌꢆꢄꢃꢈꢍ *ꢔꢄꢊ

ꢑꢏꢕꢎꢔꢄꢊꢐꢂ.

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ꢏꢄꢁꢞꢇꢃ ꢚꢛ ꢉꢜꢇꢇ

ꢎꢉꢈꢆ ꢃꢈꢏꢂꢇꢍꢅ ꢁꢇꢈꢉꢁꢍ (PGM-FUNC)

. ꢒꢇꢗꢇBꢋ7 ꢈꢄꢇꢒꢈꢎ PGM !ꢅ ꢗꢇꢚꢔꢌꢔ ꢘꢂꢒꢇꢗꢄꢎꢌꢋ ꢇꢍꢄꢊ ꢎꢘ >ꢊꢄꢈꢐꢎꢆ

6ꢊꢄꢈꢐꢎꢇꢄꢂꢁꢋꢄꢇꢑꢇ ꢙꢔꢄ7.

)ꢁꢕ ꢈꢂꢚꢍꢇꢑꢇ ꢎꢏꢌꢇ"ꢄꢎꢈꢂ ꢗꢇꢚꢄꢇ ꢘꢂꢒꢇꢗꢄꢎꢌꢋ ꢍꢓꢊꢑꢊ7 >ꢊꢄꢈꢐꢎ7.

>ꢂꢌꢂꢇꢍꢅ "ꢎꢄꢂꢇꢈꢏꢈꢁ ꢁꢇꢈꢉꢁꢍ PGM

1. ꢇ 2ꢄ & ꢕꢄꢊꢆꢌ! ꢏꢍ ꢆꢎꢊꢁꢏꢍꢐꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢁꢄꢋꢂꢃ 'ꢆꢕꢆ ꢂ( "ꢎꢊꢆ ꢏꢔꢏꢐ

ꢐ ꢏꢑꢐꢂ PGM (PGM-FUNC). (1ꢃ. ꢎꢊꢁ. 14.)

<ꢂꢚꢎꢗꢂꢆꢌꢔ 2 ꢏꢔꢈꢊꢄꢍꢅ

2. ꢇꢈꢉꢄꢁꢂꢊꢄ 9" ꢐ*ꢂ&, ꢐꢏꢊꢏꢁ"& ꢇꢈ /ꢏꢊꢂꢊꢄ 'ꢆ ꢄꢎꢊꢂ ꢔ ꢐ ꢏꢑꢐ" PGM.

3. ꢙꢆ ꢄꢎꢂꢊꢄ ,ꢊ" 9" ꢐ*ꢂ& ꢔ ꢐ ꢏꢑꢐ" PGM.

#ꢌꢇ ꢅ ꢃꢅꢆꢌꢎ ꢎꢘ ꢙꢔꢄ7 ꢍꢔꢌꢂꢁꢋꢄꢇꢆ ꢄꢂꢏꢌꢓꢇꢆꢈꢎ, ꢄꢂꢚꢗꢎꢌꢔ ꢈꢄꢇꢒꢈꢊ BAND.

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ꢏꢄꢁꢞꢇꢃ ꢚꢛ ꢉꢜꢇꢇ

ꢎꢉꢈꢆ ꢃꢈꢏꢂꢇꢍꢅ ꢁꢇꢈꢉꢁꢍ PGM

/ꢄꢇꢒꢈꢂ PMG ꢓꢂ ꢇꢌꢂꢔꢌ ꢒꢇ-ꢓꢂꢘꢄꢇꢗꢊ ꢃ ꢘꢂꢃꢎꢏꢎꢗꢇꢏꢌꢎ ꢇꢌ ꢘꢂꢒꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇꢃꢂꢄꢄꢇꢆ

(ꢘꢂꢄꢔꢏ&ꢄꢄꢇꢆ ꢃ ꢔ& ꢒꢂꢗꢕꢌꢋ) >ꢊꢄꢈꢐꢎꢎ.

• -ꢎꢑꢏꢌ!'"ꢍꢊꢄ ꢐ ꢏꢑꢐ" PGM.

7 ꢊꢋꢍꢕꢐꢇꢍꢁ

0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢄ ꢃꢄ & (3ꢂꢎꢑꢌꢄꢍ) 6ꢆꢋꢃꢂꢊꢄ

6ꢆꢋꢂꢃꢆꢍꢊꢄ 2 ꢎꢄꢐ" ꢕꢈ

9ꢂꢒꢇꢗꢎꢄꢂꢄꢎꢔ ꢁꢊ"$ꢎ4 ꢏꢌꢂꢄꢐꢎꢆ (BSM)

!M/L

!/L

ꢉꢇꢎꢏꢈꢇꢃꢂꢕ ꢄꢂꢏꢌꢓꢇꢆꢈꢂ ꢄꢂ ꢗꢔꢏꢌꢄꢅꢔ

!/L/!M/L

!4ꢇꢍꢎꢌ ꢃ ꢓꢔꢚꢎꢗ

ꢏꢌꢂꢄꢐꢎꢎ (LOCAL)

#ꢊꢃꢏꢌꢃꢎꢌꢔꢁꢋꢄꢇꢆ ꢒꢇꢎꢏꢈꢇꢃꢇꢆ

ꢄꢂꢏꢌꢓꢇꢆꢈꢎ ꢄꢂ ꢗꢔꢏꢌꢄꢅꢔ

ꢏꢌꢂꢄꢐꢎꢎ

7 ꢊꢆꢕꢇꢁꢂ

0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢄ ꢃꢄ & (3ꢂꢎꢑꢌꢄꢍ) 6ꢆꢋꢃꢂꢊꢄ

6ꢆꢋꢂꢃꢆꢍꢊꢄ 2 ꢎꢄꢐ" ꢕꢈ

Dolby B NR (NR)

!/L/!M/L

ꢉꢓꢇꢒꢊꢏꢈ ꢒꢊꢏꢌꢅ4 ꢗꢔꢏꢌ (B-SKIP)

ꢉꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ (REPEAT)

ꢉꢔꢓꢔ4ꢃꢂꢌ ꢒꢓꢎ&ꢗꢄꢎꢈꢇꢗ (RI)

7 6ꢇꢈꢑꢈꢌꢍꢎꢁꢈꢏꢔ$ ()-ꢉꢋꢈꢍꢑꢋꢔꢏꢂꢄꢅꢆ

0" ꢐ*ꢂꢏ ꢆꢌ! ꢏꢄ ꢃꢄ & (3ꢂꢎꢑꢌꢄꢍ) 6ꢆꢋꢃꢂꢊꢄ

6ꢆꢋꢂꢃꢆꢍꢊꢄ 2 ꢎꢄꢐ" ꢕꢈ

ꢉꢂꢊꢘꢂ (PAUSE)

!/L/!M/L

!ꢅ ꢇꢓ ꢓꢔꢚꢎꢗꢂ

!/L/!M/L

ꢉꢇꢃꢌꢇꢓꢄꢇꢔ ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ (REPEAT)

ꢉꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ꢃ ꢏꢁꢊ"ꢂꢆꢄꢇꢆ

ꢒꢇꢏꢁꢔꢍꢇꢃꢂꢌꢔꢁꢋꢄꢇꢏꢌꢎ (RANDOM)

.ꢒꢎꢏꢇꢈ ꢄꢂꢘꢃꢂꢄꢎꢆ ꢍꢎꢏꢈꢇꢃ (LIST)

!4ꢇꢍ ꢃ ꢓꢔꢚꢎꢗ

ITS (ITS)

ꢉꢓꢇꢑꢓꢂꢗꢗꢎꢓꢇ-

ꢉꢓꢇꢎꢑꢓꢅꢃꢂꢄꢎꢔ ITS

ꢃꢂꢄꢎꢔ ITS

!/L/!M/L

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ꢎꢉꢈꢆ ꢃꢈꢏꢂꢇꢍꢅ ꢌꢈꢉꢈꢆꢇꢍꢄꢅꢆ ꢇꢈꢑꢈ (AUX) ꢍꢎꢄꢈ,ꢇꢍꢁꢂ ꢃꢏ"ꢁꢂ

. ꢍꢂꢄꢄꢅꢗ ꢎꢘꢍꢔꢁꢎꢔꢗ ꢗꢇꢚꢄꢇ ꢎꢏꢒꢇꢁꢋꢘꢇꢃꢂꢌꢋ ꢍꢇꢒꢇꢁꢄꢎꢌꢔꢁꢋꢄꢇꢔ (AUX)

ꢇ ꢇꢓꢊꢍꢇꢃꢂꢄꢎꢔ.

ꢉꢓꢎ ꢎꢏꢒꢇꢁꢋꢘꢇꢃꢂꢄꢎꢎ ꢏ ꢍꢂꢄꢄꢅꢗ ꢎꢘꢍꢔꢁꢎꢔꢗ ꢍꢇꢒꢇꢁꢄꢎꢌꢔꢁꢋꢄꢇꢆ ꢂꢒꢒꢂꢓꢂꢌꢊꢓꢅ ꢃꢈꢁ7"ꢎꢌꢔ

ꢓꢔꢚꢎꢗ AUX (ON) ꢃ ꢙꢔꢄ7 ꢄꢂ"ꢂꢁꢋꢄꢅ4 ꢊꢏꢌꢂꢄꢇꢃꢇꢈ, ꢂ ꢘꢂꢌꢔꢗ ꢃꢅ ꢔꢓꢎꢌꢔ ꢚꢔꢁꢂꢔꢗꢅꢆ

ꢎꢏꢌꢇ"ꢄꢎꢈ ꢘꢃꢊꢈꢂ.

7ꢔꢖꢈꢋ ꢍꢎꢄꢈ,ꢇꢍꢁꢂ AUX

• ꢇꢈꢉꢄꢁꢂꢊꢄ AUX. (1ꢃ. ꢎꢊꢁ. 6.)

ꢉꢓꢎ ꢈꢂꢚꢍꢇꢗ ꢄꢂꢚꢂꢌꢎꢎ ꢄꢂ ꢈꢄꢇꢒꢈꢊ

SOURCE ꢎꢏꢌꢇ"ꢄꢎꢈ ꢗꢔꢄꢕꢔꢌꢏꢕ ...

7ꢏꢈꢌ ꢇꢂꢃꢏꢂꢇꢍ$ ꢌꢈꢉꢈꢆꢇꢍꢄꢅꢆ ꢇꢈꢑꢈ ꢈꢖꢈꢋ"ꢌꢈꢏꢂꢇꢍꢒ (AUX)

)ꢁꢕ ꢓꢔꢚꢎꢗꢂ AUX ꢗꢇꢚꢄꢇ ꢎꢘꢗꢔꢄꢎꢌꢋ ꢘꢂꢑꢇꢁꢇꢃꢇꢈ ꢍꢎꢏꢒꢁꢔꢕ.

1. ꢇ 2ꢄ & ꢕꢄꢊꢆꢌ! ꢏꢍ ꢆꢎꢊꢁꢏꢍꢐꢂ ꢔꢈꢉꢄꢁꢂꢊꢄ ꢁꢄꢋꢂꢃ ꢇꢔꢏꢕ ꢆ'ꢔꢆ ꢂ(

ꢕꢏꢑꢏꢌ ꢂꢊꢄꢌ! ꢏ$ꢏ ꢏꢉꢏꢁ"ꢕꢏꢔꢆ ꢂ( (TITLE IN).

<ꢂꢚꢎꢗꢂꢆꢌꢔ 2 ꢏꢔꢈꢊꢄꢍꢅ.

2. ꢇꢔꢄꢕꢂꢊꢄ ꢆ'ꢔꢆ ꢂꢄ ꢕꢏꢑꢏꢌ ꢂꢊꢄꢌ! ꢏ$ꢏ ꢏꢉꢏꢁ"ꢕꢏꢔꢆ ꢂ(.

ꢖ ꢓꢂꢌꢎꢌꢔꢏꢋ ꢏ ꢓꢂꢘꢍꢔꢁꢊ “!ꢃꢇꢍ ꢄꢂꢘꢃꢂꢄꢎꢆ ꢍꢎꢏꢈꢇꢃ” ꢄꢂ ꢏꢌꢓ. 31 ꢎ ꢃꢅꢒꢇꢁꢄꢎꢌꢔ

ꢂꢄꢂꢁꢇꢑꢎ"ꢄꢅꢗ ꢇ ꢓꢂꢘꢇꢗ ꢇꢒꢎꢏꢂꢄꢄꢅꢔ ꢌꢂꢗ Fꢌꢂꢒꢅ 3–5.

ꢓꢄꢁꢆ=,ꢅꢇꢍꢅ ꢃꢏ"ꢁꢂ ꢉꢋꢍ ꢋꢂꢖꢈꢄꢅ ꢎꢈꢄꢈꢏꢈꢑꢈ ꢄꢅꢆꢅ!ꢈꢇꢂ

!ꢇ ꢃꢓꢔꢗꢕ ꢓꢂꢘꢑꢇꢃꢇꢓꢂ ꢒꢇ ꢌꢔꢁꢔ>ꢇꢄꢊ, ꢒꢇꢍꢏꢇꢔꢍꢎꢄ&ꢄꢄꢇꢗꢊ ꢈ ꢍꢂꢄꢄꢇꢗꢊ ꢎꢘꢍꢔꢁꢎ7, ꢘꢃꢊꢈ ꢃ

ꢏꢎꢏꢌꢔꢗꢔ ꢂꢃꢌꢇꢗꢂꢌꢎ"ꢔꢏꢈꢎ ꢇꢌꢈꢁ7"ꢂꢔꢌꢏꢕ.

• 9ꢃꢊꢈ ꢃꢅꢈꢁ7"ꢂꢔꢌꢏꢕ, ꢒꢇꢕꢃꢁꢕꢔꢌꢏꢕ ꢏꢇꢇ Bꢔꢄꢎꢔ “MUTE”, ꢎ ꢄꢎꢈꢂꢈꢎꢔ

ꢂꢊꢍꢎꢇꢓꢔꢑꢊꢁꢎꢓꢇꢃꢈꢎ ꢄꢔꢃꢇꢘꢗꢇꢚꢄꢅ. ꢉꢇ ꢘꢂꢃꢔꢓ$ꢔꢄꢎ7 ꢌꢔꢁꢔ>ꢇꢄꢄꢇꢑꢇ ꢓꢂꢘꢑꢇꢃꢇꢓꢂ ꢓꢂ

ꢇꢌꢂ ꢊꢏꢌꢓꢇꢆꢏꢌꢃꢂ ꢃꢇꢘꢃꢓꢂBꢂꢔꢌꢏꢕ ꢈ ꢄꢇꢓꢗꢔ.

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!ꢆꢐꢐꢃꢋ ꢖ ꢎꢄꢁꢇꢓꢄꢖꢑꢆꢋꢃꢌꢍ ꢇ ꢛꢟꢁꢂ ꢊꢆ ꢇꢒ

6ꢅꢋꢔ ꢉꢋꢅꢌꢈꢎꢄꢈꢋꢈꢗꢇꢈꢎꢄꢍ

ꢓ ꢌꢂꢇꢇꢈꢐ ꢁꢂꢎꢎꢅꢄꢇꢈꢐ ꢉꢋꢈꢍꢑꢋꢔꢏꢂꢄꢅꢆꢅ

• ꢉꢁꢇ4ꢇ ꢒꢓꢎꢈꢁꢔꢔꢄꢄꢂꢕ ꢎꢁꢎ ꢒꢇꢈꢇꢓꢇ ꢁꢔꢄꢄꢂꢕ ꢄꢂꢈꢁꢔꢆꢈꢂ ꢗꢇꢚꢔꢌ ꢒꢓꢔꢒꢕꢌꢏꢌꢃꢇꢃꢂꢌꢋ ꢓꢂ-

ꢇꢌꢔ ꢗꢔ4ꢂꢄꢎꢘꢗꢂ ꢃꢅ ꢓꢇꢏꢂ ꢈꢂꢏꢏꢔꢌꢅ ꢎꢁꢎ ꢅꢌꢋ ꢒꢓꢎ"ꢎꢄꢇꢆ “ꢚꢔꢃꢂꢄꢎꢕ“ ꢒꢁ&ꢄꢈꢎ

ꢒꢓꢇꢎꢑꢓꢅꢃꢂꢌꢔꢁꢔꢗ. .ꢌꢂꢓꢂꢆꢌꢔꢏꢋ ꢄꢔ ꢒꢇꢁꢋꢘꢇꢃꢂꢌꢋꢏꢕ ꢌꢂꢈꢎꢗꢎ ꢈꢂꢏꢏꢔꢌꢂꢗꢎ ꢎꢁꢎ

ꢊꢍꢂꢁꢕꢆꢌꢔ ꢒꢇꢍꢇ ꢄꢅꢔ ꢄꢂꢈꢁꢔꢆꢈꢎ ꢒꢔꢓꢔꢍ ꢎꢏꢒꢇꢁꢋꢘꢇꢃꢂꢄꢎꢔꢗ ꢈꢂꢏꢏꢔꢌꢅ.

• Cꢂꢈ ꢈꢂꢈ ꢒꢓꢇꢗꢔꢚꢊꢌꢈꢎ ꢗꢔꢚꢍꢊ ꢒꢔꢏꢄꢕꢗꢎ ꢄꢔ ꢃꢏꢔꢑꢍꢂ ꢗꢇꢑꢊꢌ ꢅꢌꢋ ꢓꢂꢏꢒꢇꢘꢄꢂꢄꢅ

ꢒꢓꢂꢃꢎꢁꢋꢄꢇ, >ꢊꢄꢈꢐꢎꢕ ꢉꢇꢎꢏꢈ ꢗꢊꢘꢅꢈꢂꢁꢋꢄꢇꢆ ꢘꢂꢒꢎꢏꢎ ꢗꢇꢚꢔꢌ ꢄꢔ ꢓꢂ ꢇꢌꢂꢌꢋ

ꢄꢂꢍꢁꢔꢚꢂBꢎꢗ ꢇ ꢓꢂꢘꢇꢗ ꢏꢇ ꢏꢁꢔꢍꢊ7Bꢎꢗꢎ ꢃꢎꢍꢂꢗꢎ ꢘꢂꢒꢎꢏꢔꢆ.

* 9ꢂꢒꢎꢏꢋ ꢏ ꢎꢄꢌꢔꢓꢃꢂꢁꢂꢗꢎ ꢗꢔꢚꢍꢊ ꢒꢔꢏꢄꢕꢗꢎ 4 ꢏꢔꢈ ꢎ ꢗꢔꢄꢔꢔ.

* 9ꢂꢒꢎꢏꢋ, ꢏꢇꢍꢔꢓꢚꢂBꢂꢕ ꢍꢎꢂꢁꢇꢑ ꢎ ꢌ.ꢒ. ꢏ 4-4 ꢏꢔꢈꢊꢄꢍꢄꢅꢗꢎ ꢎꢁꢎ ꢇꢁꢔꢔ

ꢍꢁꢎꢌꢔꢁꢋꢄꢅꢗꢎ ꢒꢂꢊꢘꢂꢗꢎ.

* 9ꢂꢒꢎꢏꢋ, ꢏꢇꢍꢔꢓꢚꢂBꢂꢕ ꢇ"ꢔꢄꢋ ꢌꢎ4ꢎꢆ ꢗꢊꢘꢅꢈꢂꢁꢋꢄꢅꢆ ꢇꢌꢓꢅꢃꢇꢈ ꢍꢁꢎꢌꢔꢁꢋꢄꢇꢏꢌꢋ7 4

ꢎꢁꢎ ꢇꢁꢔꢔ ꢏꢔꢈꢊꢄꢍ.

ꢓꢖ ꢂ"ꢌꢍꢈꢁꢂꢎꢎꢅꢄꢂ.

• <ꢔ ꢒꢇꢁꢋꢘꢊꢆꢌꢔꢏꢋ ꢈꢂꢏꢏꢔꢌꢂꢗꢎ ꢍꢁꢎꢌꢔꢁꢋꢄꢇꢏꢌꢋ7 ꢇꢁꢔꢔ 90 ꢗꢎꢄ. (ꢌꢎꢒ .-90). ,ꢇꢁꢔꢔ

ꢍꢁꢎꢄꢄꢅꢔ ꢁꢔꢄꢌꢅ ꢗꢇꢑꢊꢌ ꢘꢂꢌꢓꢊꢍꢄꢕꢌꢋ ꢓꢂ ꢇꢌꢊ ꢁꢔꢄꢌꢇꢒꢓꢇꢌꢕꢚꢄꢇꢑꢇ ꢗꢔ4ꢂꢄꢎꢘꢗꢂ.

• Dꢏꢁꢎ 4ꢓꢂꢄꢎꢌꢋ ꢈꢂꢏꢏꢔꢌꢅ ꢃ ꢗꢔꢏꢌꢂ4, ꢑꢍꢔ ꢇꢄꢎ ꢒꢇꢍꢃꢔꢓꢑꢂ7ꢌꢏꢕ ꢃꢇꢘꢍꢔꢆꢏꢌꢃꢎ7 ꢒꢓꢕꢗꢇꢑꢇ

ꢏꢇꢁꢄꢔ"ꢄꢇꢑꢇ ꢏꢃꢔꢌꢂ ꢎꢁꢎ ꢚꢔ ꢒꢇꢃꢅ$ꢔꢄꢄꢇꢆ ꢌꢔꢗꢒꢔꢓꢂꢌꢊꢓꢅ, ꢌꢇ ꢇꢄꢎ ꢗꢇꢑꢊꢌ ꢒꢇꢈꢇꢓꢇ-

ꢎꢌꢋꢏꢕ, "ꢌꢇ ꢃꢒꢇꢏꢁꢔꢍꢏꢌꢃꢎꢎ ꢘꢂꢌꢓꢊꢍꢄꢎꢌ ꢒꢓꢇꢌꢕꢚꢈꢊ ꢁꢔꢄꢌꢅ.

• Sꢓꢂꢄꢎꢌꢔ ꢄꢔꢎꢏꢒꢇꢁꢋꢘꢊꢔꢗꢅꢔ ꢈꢂꢏꢏꢔꢌꢅ ꢃ ꢈꢇꢓꢇ ꢈꢂ4, ꢑꢍꢔ ꢇꢄꢎ ꢄꢔ ꢗꢇꢑꢊꢌ ꢒꢇꢈꢇꢓꢇ-

ꢎꢌꢋꢏꢕ ꢎꢁꢎ ꢘꢂꢒꢅꢁꢎꢌꢋꢏꢕ.

8ꢍꢎꢄꢁꢂ ꢑꢈꢆꢈꢏꢁꢍ

ꢉꢓꢎ ꢘꢂꢑꢓꢕꢘꢄꢔꢄꢎꢎ ꢑꢇꢁꢇꢃꢈꢎ ꢊ4ꢊꢍ$ꢂꢔꢌꢏꢕ ꢈꢂ"ꢔꢏꢌꢃꢇ ꢘꢃꢊ"ꢂꢄꢎꢕ, ꢃꢓꢔꢗꢔꢄꢂꢗꢎ ꢒꢓꢇꢒꢂꢍꢂꢔꢌ

ꢘꢃꢊꢈ, ꢒꢇꢕꢃꢁꢕ7ꢌꢏꢕ ꢌꢂꢈꢚꢔ ꢎ ꢍꢓꢊꢑꢎꢔ ꢍꢔ>ꢔꢈꢌꢅ. ! Fꢌꢇꢗ ꢏꢁꢊ"ꢂꢔ ꢑꢇꢁꢇꢃꢈꢊ ꢄꢔꢇ 4ꢇꢍꢎꢗꢇ

ꢒꢇ"ꢎꢏꢌꢎꢌꢋ.

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ꢀꢎꢃꢜꢇꢚꢇꢉꢆꢜꢇꢇ

ꢓꢖAꢍꢅ ꢎꢏꢅꢌꢅꢇꢍꢒ

(ꢂꢎꢎꢅꢄꢇꢔ$ ꢉꢋꢈꢍꢑꢋꢔꢏꢂꢄꢅꢆ

/ꢂꢏꢏꢔꢌꢂ .................... /ꢇꢗꢒꢂꢈꢌ-ꢈꢂꢏꢏꢔꢌꢂ (.-30 – .-90)

.ꢈꢇꢓꢇꢏꢌꢋ ꢁꢔꢄꢌꢅ ................................................ 4,8 ꢏꢗ/ꢏ

!ꢓꢔꢗꢕ ꢒꢔꢓꢔꢗꢇꢌꢈꢎ ꢃꢒꢔꢓ&ꢍ/ꢄꢂꢘꢂꢍ

........................................ ꢉꢓꢎ ꢁꢎꢘ. 100 ꢏ ꢍꢁꢕ .-60

)ꢔꢌꢇꢄꢂꢐꢎꢕ ..............................................0,09% (WRMS)

)ꢎꢂꢒꢂꢘꢇꢄ ꢃꢇꢏꢒꢓꢇꢎꢘꢃꢇꢍꢎꢗꢅ4 "ꢂꢏꢌꢇꢌ

+ꢏꢌꢇ"ꢄꢎꢈ ꢒꢎꢌꢂꢄꢎꢕ ............ 14,4 !, ꢒꢇꢏꢌꢇꢕꢄꢄꢇꢑꢇ ꢌꢇꢈꢂ

(ꢍꢇꢒꢊꢏꢌꢎꢗꢅꢔ ꢒꢓꢔꢍꢔꢁꢅ 10,8 – 15,1 !)

.ꢎꢏꢌꢔꢗꢂ ꢘꢂꢘꢔꢗꢁꢔꢄꢎꢕ .............. ꢖꢌꢓꢎꢐꢂꢌꢔꢁꢋꢄꢇꢑꢇ ꢌꢎꢒꢂ

ꢙꢂꢈꢏꢎꢗꢂꢁꢋꢄꢅꢆ ꢒꢇꢌꢓꢔ ꢁꢕꢔꢗꢅꢆ ꢌꢇꢈ ................ 10,0 =

(ꢂꢘꢗꢔꢓꢅ

(ꢒꢇꢏꢂꢍꢇ"ꢄꢅꢔ ꢓꢂꢘꢗꢔꢓꢅ)

.................................. 178 ()) × 50 (!) × 155 (N) ꢗꢗ

............................ ꢙꢔꢌꢂꢁꢁ: 30 – 19 000 ꢀꢐ ( 3 ꢍ,)

ꢉꢔꢓꢔ4ꢇꢍꢄꢇꢔ ꢘꢂꢌꢊ4ꢂꢄꢎꢔ ꢗꢔꢚꢍꢊ ꢏꢌꢔꢓꢔꢇꢈꢂꢄꢂꢁꢂꢗꢎ

.......................................................................... 45 ꢍ,

ꢖꢌꢄꢇ$ꢔꢄꢎꢔ ꢏꢎꢑꢄꢂꢁ/$ꢊꢗ

(ꢒꢔꢓꢔꢍꢄꢕꢕ ꢒꢂꢄꢔꢁꢋ)

.................................... 188 ()) × 58 (!) × 19 (N) ꢗꢗ

!ꢔꢏ .......................................................................... 1,3 ꢈꢑ

...... ꢙꢔꢌꢂꢁꢁ.: Dolby B NR IN: 67 ꢍ, (IEC-A ꢏꢔꢌꢋ)

Dolby B NR OUT: 61 ꢍ, (IEC-A ꢏꢔꢌꢋ)

ꢀꢎꢍꢆꢍꢄꢅꢆ

ꢙꢂꢈꢏꢎꢗꢂꢁꢋꢄꢂꢕ ꢃꢅ4ꢇꢍꢄꢂꢕ ꢗꢇBꢄꢇꢏꢌꢋ .......... 45 !ꢌ × 4

)ꢁꢎꢌꢔꢁꢋꢄꢂꢕ ꢃꢅ4ꢇꢍꢄꢂꢕ ꢗꢇBꢄꢇꢏꢌꢋ ................ 27 !ꢌ × 4

(DIN45324, +B = 14,4 !)

ꢉꢇꢁꢄꢇꢔ ꢏꢇꢒꢓꢇꢌꢎꢃꢁꢔꢄꢎꢔ ꢄꢂꢑꢓꢊꢘꢈꢎ

................................ 4 ꢖꢗ (ꢍꢇꢒꢊꢏꢌꢎꢗꢇꢔ 4 – 8 ꢖꢗ)

ꢙꢂꢈꢏꢎꢗꢂꢁꢋꢄꢅꢆ ꢃꢅ4ꢇꢍꢄꢇꢆ ꢊꢓꢇꢃꢔꢄꢋ

ꢒꢓꢔꢃꢂꢓꢎꢌꢔꢁꢋꢄꢇꢑꢇ

ꢊꢏꢎꢁꢎꢌꢔꢁꢕ/ꢃꢅ4ꢇꢍꢄꢇꢆ ꢎꢗꢒꢔꢍꢂꢄꢏ ...... 2,2 !/1 ꢈꢖꢗ

Kꢈꢃꢂꢁꢂꢆꢘꢔꢓ (3-4 ꢒꢇꢁꢇꢏꢄꢅꢆ ꢒꢂꢓꢂꢗꢔꢌꢓꢎ"ꢔꢏꢈꢎꢆ

Fꢈꢃꢂꢁꢂꢆꢘꢔꢓ)

ꢊꢋꢍꢕꢐꢇꢍꢁ FM ꢌꢍꢂꢉꢂꢃꢈꢇꢂ

)ꢎꢂꢒꢂꢘꢇꢄ "ꢂꢏꢌꢇꢌ ........................................ 65 – 74 ꢙꢀꢐ

87,5 – 108 ꢙꢀꢐ

#ꢊꢃꢏꢌꢃꢎꢌꢔꢁꢋꢄꢇꢏꢌꢋ

...... 11 ꢍ,> (1,0 ꢗꢈ!/ 75 ꢖꢗ, ꢗꢇꢄꢇ, ./N: 30 ꢍ,)

ꢉꢇꢓꢇꢑꢇꢃꢂꢕ "ꢊꢃꢏꢌꢃꢎꢌꢔꢁꢋꢄꢇꢏꢌꢋ ꢄꢂ ꢊꢓꢇꢃꢄꢔ 50 ꢍ,

............................ 16 ꢍ,> (1,7 ꢗꢈ!/ 75 ꢖꢗ, ꢗꢇꢄꢇ)

ꢖꢌꢄꢇ$ꢔꢄꢎꢔ ꢏꢎꢑꢄꢂꢁ/$ꢊꢗ .............. 70 ꢍ, (IEC-A ꢏꢔꢌꢋ)

<ꢔꢁꢎꢄꢔꢆꢄꢅꢔ ꢎꢏꢈꢂꢚꢔꢄꢎꢕ

(ꢄꢎꢘꢈꢂꢕ) ...................... #ꢂꢏꢌꢇꢌꢂ: 40/80/100/160 ꢀꢐ

)ꢇ ꢓꢇꢌꢄꢇꢏꢌꢋ: 0,35/0,59/0,95/1,15

(+6 ꢍ, ꢒꢓꢎ ꢊꢏꢎꢁꢔꢄꢎꢎ)

........................ 0,3% (ꢒꢓꢎ 65 ꢍ,>, 1 ꢈꢀꢐ, ꢏꢌꢔꢓꢔꢇ)

)ꢎꢂꢒꢂꢘꢇꢄ ꢃꢇꢏꢒꢓꢇꢎꢘꢃꢇꢍꢎꢗꢅ4 "ꢂꢏꢌꢇꢌ

.......................................... 30 – 15 000 ꢀꢐ (, 3 ꢍ,)

ꢉꢔꢓꢔ4ꢇꢍꢄꢇꢔ ꢘꢂꢌꢊ4ꢂꢄꢎꢔ ꢗꢔꢚꢍꢊ ꢏꢌꢔꢓꢔꢇꢈꢂꢄꢂꢁꢂꢗꢎ

.................................... 40 ꢍ, (ꢒꢓꢎ 65 ꢍ,>, 1 ꢈꢀꢐ)

@ꢓꢇꢃꢔꢄꢋ: 12 ꢍ,

(ꢏꢓꢔꢍꢄꢕꢕ) .................... #ꢂꢏꢌꢇꢌꢂ: 200/500/1ꢈ/2ꢈ ꢀꢐ

)ꢇ ꢓꢇꢌꢄꢇꢏꢌꢋ: 0,35/0,59/0,95/1,15

(+6 ꢍ, ꢒꢓꢎ ꢊꢏꢎꢁꢔꢄꢎꢎ)

ꢊꢋꢍꢕꢐꢇꢍꢁ MW ꢌꢍꢂꢉꢂꢃꢈꢇꢂ

)ꢎꢂꢒꢂꢘꢇꢄ "ꢂꢏꢌꢇꢌ .................... 531 – 1602 ꢈꢀꢐ (9 ꢈꢀꢐ)

#ꢊꢃꢏꢌꢃꢎꢌꢔꢁꢋꢄꢇꢏꢌꢋ .................... 18 ꢗꢈ! (./N: 20 ꢍ,)

+ꢘ ꢎꢓꢂꢌꢔꢁꢋꢄꢇꢏꢌꢋ ................................ 50 ꢍ, ( 9 ꢈꢀꢐ)

@ꢓꢇꢃꢔꢄꢋ: 12 ꢍ,

(ꢃꢅꢏꢇꢈꢂꢕ) .......... #ꢂꢏꢌꢇꢌꢂ: 3,15ꢈ/8ꢈ/10ꢈ/12,5ꢈ ꢀꢐ

)ꢇ ꢓꢇꢌꢄꢇꢏꢌꢋ: 0,35/0,59/0,95/1,15

(+6 ꢍ, ꢒꢓꢎ ꢊꢏꢎꢁꢔꢄꢎꢎ)

@ꢓꢇꢃꢔꢄꢋ: 12 ꢍ,

ꢊꢋꢍꢕꢐꢇꢍꢁ LW ꢌꢍꢂꢉꢂꢃꢈꢇꢂ

/ꢓꢎꢃꢂꢕ ꢑꢓꢇꢗꢈꢇꢏꢌꢎ

)ꢎꢂꢒꢂꢘꢇꢄ "ꢂꢏꢌꢇꢌ .................................... 153 – 281 ꢈꢀꢐ

#ꢊꢃꢏꢌꢃꢎꢌꢔꢁꢋꢄꢇꢏꢌꢋ .................... 30 ꢗꢈ! (./N: 20 ꢍ,)

+ꢘ ꢎꢓꢂꢌꢔꢁꢋꢄꢇꢏꢌꢋ ................................ 50 ꢍ, ( 9 ꢈꢀꢐ)

(ꢄꢎꢘꢈꢂꢕ) .......... +3,5 ꢍ, (100 ꢀꢐ), +3 ꢍ, (10 ꢈꢀꢐ)

(ꢏꢓꢔꢍꢄꢕꢕ) ...... +10 ꢍ, (100 ꢀꢐ), +6,5 ꢍ, (10 ꢈꢀꢐ)

(ꢃꢅꢏꢇꢈꢂꢕ) ...... +11 ꢍ, (100 ꢀꢐ), +11 ꢍ, (10 ꢈꢀꢐ)

(ꢊꢓꢇꢃꢔꢄꢋ ꢑꢓꢇꢗꢈꢇꢏꢌꢎ: –30 ꢍ,)

ꢀꢁꢂꢃꢄꢅꢆ ꢂꢄ:

•

!ꢄꢔ$ꢄꢎꢆ ꢃꢎꢍ ꢎ 4ꢂꢓꢂꢈꢌꢔꢓꢎꢏꢌꢎꢈꢎ ꢎꢘꢍꢔꢁꢎꢕ

ꢗꢇꢑꢊꢌ ꢅꢌꢋ ꢎꢘꢗꢔꢄꢔꢄꢅ ꢔꢘ

ꢒꢓꢔꢍꢃꢂꢓꢎꢌꢔꢁꢋꢄꢇꢑꢇ ꢊꢃꢔꢍꢇꢗꢁꢔꢄꢎꢕ ꢃ ꢐꢔꢁꢕ4

ꢊꢏꢇꢃꢔꢓ$ꢔꢄꢏꢌꢃꢇꢃꢂꢄꢎꢕ ꢈꢇꢄꢏꢌꢓꢊꢈꢐꢎꢎ.

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PIONEER CORPORATION

4-1, MEGURO 1-CHOME, MEGURO-KU, TOKYO 153-8654, JAPAN

PIONEER ELECTRONICS (USA) INC.

P.O. Box 1760, Long Beach, California 90801, U.S.A.

TEL: (800) 421-1404

PIONEER ELECTRONIC (EUROPE) N.V.

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TEL: (0) 3/570.05.11

PIONEER ELECTRONICS AUSTRALIA PTY. LTD.

178-184 Boundary Road, Braeside, Victoria 3195, Australia

TEL: (03) 9586-6300

PIONEER ELECTRONICS OF CANADA, INC.

300 Allstate Parkway, Markham, Ontario L3R 0P2, Canada

TEL: (905) 479-4411

Published by Pioneer Corporation.

PIONEER ELECTRONICS DE MEXICO, S.A. de C.V.

San Lorenzo Num 1009 3er piso Desp. 302

Col. Del Valle, Mexico D.F. C.P. 03100

TEL: 5-688-52-90

Publication de Pioneer Corporation.

Tous droits de reproduction et de traduction réservés.

Printed in Thailand

Imprimé en Thaïlande

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