PM SERIES POWERED MIXERS:
PM500 SYSTEM
PM600 SYSTEM
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WHARFEDALE PROFESSIONAL PM SERIES POWERED MIXERS
CONTENTS:
PAGE 3:
INTRODUCTION
FEATURES PM500 AND PM600
GETTING STARTED WITH YOUR PM SYSTEM
PAGE 4:
PAGE 5:
PAGE 6:
FEATURES PT LOUDSPEAKERS
CHANNEL STRIP DESCRIPTION
DIGITAL DELAY SECTION
MASTER CONTROL
PAGE 7:
TAPE IN AND RECORD OUT
REAR PANEL PM500
PAGE 8:
PAGE 9:
REAR PANEL PM600
APPLICATIONS
PAGE 10: DIMENSIONS
PAGE 11:
SPECIFICATIONS PM MIXER SECTION
PAGE 12: SPECIFICATIONS PT LOUDSPEAKERS
PM Series Instruction Manual Page 2
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WHARFEDALE PROFESSIONAL PM SERIES POWERED MIXERS
INTRODUCTION:
Congratulations on the purchase of your PM System from Wharfedale Professional. The PM System is
available in a choice of two versions - the PM 500 and the PM 600. The PM500 System comprises 1 x
PM 500 powered mixer, two PT10 two way 10” loudspeakers and one DM1.0 dynamic microphone (plus
one mic cable and two speaker cables).The PM600 System comprises 1 x PM600 powered mixer, two
PT12 two way 12” loudspeakers and one DM1.0 dynamic microphone (plus one mic cable and two speak-
er cables).
In order to get the most satisfaction from your PM System, please read this manual carefully.
GETTING STARTED:
1. Before you turn on the main power to the unit, ensure that the Master Output Control is in the OFF
position.
2. If you need to connect or disconnect any cables or units, make sure the Power is OFF before doing so.
3. Check that the voltage of the unit matches the AC voltage you will be operating with.
FEATURES OF THE PM POWERED MIXER SECTION OF YOUR SYSTEM:
FEATURES:
PM600
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
Five Mic and six line input sockets
Channel six features extra Tape In button
Digital Delay Section
Three Band EQ in Master Section
Tape In
Record Out
EFX Return
EFX Send
Power On/Off on front of unit for ease of use
Parallel speaker outputs on rear of unit
Main line output on rear of unit
Built in 230 watt power amplifier
Two band channel EQ
XLR plus 1/4” input sockets
Fan cooling system
Thermal protection
PM500
•
•
•
•
•
•
•
•
•
Four Mic and five Line input sockets
Channel five features Tape In Button
Main line output on rear of unit
Two band Channel EQ
XLR plus 1/4” input sockets
Digital Delay Section
Record Out
Built in 120 watt power amplifier
Thermal protection
PM Series Instruction Manual Page 3
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FEATURES OF THE PT LOUDSPEAKER SECTION OF YOUR SYSTEM:
An integral part of the PM Systems are the PT loudspeakers. The PM500 comes with a pair of PT10
loudspeakers whilst the PM600 comes with a pair of PT12 loudspeakers. The PT series are high output,
high efficiency loudspeakers featuring Wharfedale Pro proprietary drive unit and a purpose built high quali-
ty Electro-Dynamic high frequency driver. With built in high frequency driver overload protection, the PT
series are perfect for life on the road. The PT Series are built using a tough steel grille and tough road
tested carpet. Each loudspeaker has a pole mount top hat for use with poles or tripods.60° x 90° radial
horn featuring Wharfedale Pro proprietary components.
CHECK YOU HAVE ALL THE COMPONENTS OF YOUR SYSTEM:
Please check that you have the components listed below before setting up your PM System.
PM500 System:
1 PM500 Powered Mixer
1 Pair Wharfedale PT10 loudspeakers
2 cables (mixer to loudspeaker 1/4” jack)
1 Wharfedale DM1.0 Microphone with lead
PM600 System:
1 PM600 Powered Mixer
1 Pair Wharfedale PT12 loudspeakers
2 cables (mixer to loudspeaker 1/4” jack)
1 Wharfedale DM1.0 Microphone with lead
PM Series Instruction Manual Page 4
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WHARFEDALE PROFESSIONAL PM SERIES POWERED MIXERS
CHANNEL STRIP DESCRIPTION PM500:
2
3
1
1. VOLUME: Determines volume level of the
channel in the mix.
2. LOW EQ: The LOW EQ control gives 15db of
boost or cut at 80Hz. By turning the knob to the
right (boost) instruments such as guitars can be
given more clarity, or vocals can be ‘warmed’.
Turning to the left (cut) will eliminate unwanted
low frequencies such as those caused by close
miking or excessive bass frequencies in instru-
ments
3. HIGH EQ: The High EQ control gives 15dB
boost or cut at 12kHz. Turn to the right to add
clarity to high frequency components such as per-
cussion. By turning to the left, high frequencies
such as ‘hiss’ are cut.
5
4. MIC/LINE INPUT: Connection can be made to
the MIC/LINE inputs with either XLR or 1/4” phono
jack. This connection can be either a microphone
or a line level signal.
5. EFX: Use this control to determine the signal
level to be sent to the built in digital delay effect
control.
4
The LF control frequency has been carefully selected, allowing pleasing musical adjustment to
vocals or instruments without losing their natural balance. The HF control is similarly designed to
enable pleasing musical control without harshness or excessive mid range interference.
CHANNEL STRIP DESCRIPTION PM600:
4
2
3
5
1
1. VOLUME: Determines volume level of the channel in the mix.
2. LOW EQ: The LOW EQ control gives 12db of boost or cut at 100Hz. By turning the knob
to the right (boost) instruments such as guitars can be given more clarity, or vocals can be
‘warmed’. Turning to the left (cut) will reduce hum or unwanted background interference.
3. HIGH EQ: The High EQ control gives 12dB boost or cut at 8kHz. Turn to the right to add
clarity to high frequency components such as percussion. By turning to the left, high fre-
quencies such as ‘hiss’ are cut.
4. MIC/LINE INPUT: Connection can be made to the MIC/LINE inputs with either XLR or
1/4” phono jack. This connection can be either a microphone or a line level signal.
5. EFX: Use this control to determine the signal level to be sent to the built in digital delay
effect control.
PM Series Instruction Manual Page 5
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WHARFEDALE PROFESSIONAL PM SERIES POWERED MIXERS
MASTER SECTION DESCRIPTION PM500 AND PM600:
DIGITAL DELAY SECTION:
The built in digital delay will process the sig-
nal from the input channels and feed to the
master output. The effects of digital delay
are controlled by:
TIME: This adjusts the internal time of the
delays. Turn to the right to increase the
interval time between two delays, turn to the
left to decrease.
PM500
REPEAT: This increases the repeat rate of
the delays by turning the knob to the right.
VOLUME: This knob adjusts the mix level of
PM600
the effect.
MASTER CONTROL PM500:
The Master Control adjusts
the final level of the Main
bus signal which is output to
the speakers.
MASTER CONTROL PM600:
The Master Control on the
PM600 also offers a three band
(MID, LOW and HIGH) EQ
section for tonal adjustment of
the final mix.
PM Series Instruction Manual Page 6
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WHARFEDALE PROFESSIONAL PM SERIES POWERED MIXERS
TAPE IN AND REC OUT PM500 AND PM600:
The TAPE IN sockets allow cassette
recorders or CD players to be added
to the Main output. The RECORD
OUTPUT provides a signal output to
a cassette deck and home audio
equipment. Sockets are RCA Phono.
REAR PANEL DESCRIPTION PM500:
1
2
4
3
PM500:
1. MAIN LINE OUT: This unbalanced insertion point allows the main output to be sent to an
external signal processor or power amplifier. The insert is a 1/4” phono jack socket which is not
bypassed.
2. SPEAKER OUTPUT JACKS: These outputs allow two speakers to be connected at the
same time to the powered mixer. The total minimum load required is 4 Ohms. If the total load is
less than 4 Ohms it may result in the mixer being damaged. The following guidelines should be
noted:
When using two speakers at the same time, use 8-16 Ohms speakers.
When using one speaker only, use a 4-8 Ohms speaker.
3. FUSE: Always ensure that the fuse is of the correct rating.
4. ALUMINIUM HEATSINK: This allows a cooling airflow through the unit. Make sure that the
heatsink is free from dust and there is sufficient room left at the back of the unit to allow the
heatsink to work efficiently.
PM Series Instruction Manual Page 7
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WHARFEDALE PROFESSIONAL PM SERIES POWERED MIXERS
REAR PANEL DESCRIPTION PM600:
2
1
3
4
PM600:
1. MAIN LINE OUT: This unbalanced insertion point allows the main output to be sent to an
external signal processor or power amplifier. The insert is a 1/4' phono jack socket which is nor-
mally bypassed.
2. SPEAKER OUTPUT JACKS: These outputs allow two speakers to be connected at the
same time to the powered mixer. The total minimum load required is 4 Ohms. If the total load is
less than 4 Ohms it may result in the mixer being damaged. The following guidelines should be
noted:
When using two speakers at the same time, use 8-16 Ohms speakers.
When using one speaker only, use a 4-8 Ohms speaker.
3. FUSE: Always ensure the fuse is of the correct rating.
4. COOLING FAN: This creates a cooling airflow through the unit. Make sure that the fan is
free from dust and there is sufficient room left at the back of the unit to allow the fan to work
efficiently.
PM Series Instruction Manual Page 8
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WHARFEDALE PROFESSIONAL PM SERIES POWERED MIXERS
APPLICATIONS: PM600
PT LOUDSPEAKERS
Power Amplifier
Graphic EQ
MIC
LEVEL
VOCAL MIC
GUITAR
CD PLAYER
AUDIO CASSETTE
KEYBOARD
PM Series Instruction Manual Page 9
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WHARFEDALE PROFESSIONAL PM SERIES POWERED MIXERS
DIMENSIONS:
PM600
475mm/18.7” including carpet box
188mm
7.4”
End view
241mm
9.5”
Front view
PM600 RM
485mm/19” including rack mounts
145mm
5.7”
End view
Front view
228mm
8.9”
PM500
475mm/18.7” including carpet box
155mm
6.1”
End view
269mm
10.5”
Front view
PM500 RM
485mm/19” including rack mounts
112mm
4.4”
End view
248mm
9.7”
Front view
PM Series Instruction Manual Page 10
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MODEL
PM500 MIXER
120 WATTS
PM600 MIXER
230 WATTS
POWER AMP - MAX OUTPUT IN WATTS
4 OHMS
INPUTS
BALANCED MIC
LINE CHANNELS
INPUT IMPEDANCE
LOW Z (BALANCED)
LINE
4
5
5
6
2K/OHMS
2K/OHMS
16K/OHMS
16K/OHMS
MAIN OUT
UNBAL. TRS
20Hz to 25KHz
UNBAL. TRS
20Hz to 25KHz
FREQUENCY RESPONSE (+/-3dB)
MAXIMUM CHANNEL GAIN
LOW Z (BALANCED)
LINE
40dB
20dB
40dB
20dB
MAXIMUM INPUT LEVEL
LOW Z (MIC)
0dB
0dB
LINE
+20dB
+20dB
MAXIMUM OUTPUT LEVEL
MAIN
+18dBv
+5dBv
+18dBv
+5dBv
RECORD OUT
MASTER EQ
HI EQ
NA
NA
NA
12Khz±12DB
1Khz±12dB
80Hz±12dB
MID EQ
LOW EQ
CHANNEL EQUALISATION
LOW EQ
80Hz ± 15dB
100Hz ± 12dB
8KHz±12dB
HI EQ
12KHz±15dB
PROTECTION
THERMAL/LOAD
THERMAL/LOAD
MASTER SECTION
BUILT IN DIGITAL EFFECT
THD
YES
YES
LESS THAN 0.1%
120 WATTS
160 WATTS
1/4” JACK
LESS THAN 0.1%
230 WATTS
330 WATTS
1/4” JACK
POWER CONSUMPTION
POWER REQUIREMENTS
SPEAKER CONNECTORS
WEIGHT
PM500
9.32KG/20.5lbs
7.6KG/16.7lbs
PM600 11.48KG/24.7lbs
PM600RM 9.72KG/21.4lbs
PM500RM
DIMENSIONS
PM500
475MM X 269MM X 155MM
475MM X241MM X 188MM
485MMX248MMX112MM
485MMX228MMX145MM
18.7” x 10.5” x 6.1”
18.7” x 9.5” x 7.4”
19” X 9.7” X 4.4”
19” X 8.9” X 5.7”
PM600
PM500RM
PM600RM
PM Series Instruction Manual Page 11
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MODEL NAME
PT-10
PT-12
FREQ RESP +/- 6 dB
65Hz-20KHz
95dB
50Hz-20KHz
97dB
SENSITIVITY 1W@1M
NOMINAL COVERAGE HOZ
NOMINAL COVERAGE VERT
INPUT POWER (WATTS)
90º
90º
60º
60º
CONTINUOUS
MUSIC
PEAK
110
220
440
150
300
600
MAX SPL PEAK
119dB
121dB
NOMINAL IMPEDANCE
PRODUCT DIMS (MM)
8Ω
8Ω
H
W
D
499
341
279
554
398
332
SHAPE
TRAP
11 KG
TRAP
13.5 KG
29.7 LBS
250/12
WEIGHT KG (NET)
WEIGHT LBS (NET)
L F DRIVER SIZE (MM/INS)
PROTECT TYPE
FINISH
24.2 LBS
200/10
PTC
PTC
CARPET
BLACK
BLACK FULL
CARPET
BLACK
COLOUR
GRILLE
BLACK FULL
STAND ADAPTOR
YES
YES
1
1
4
4
CONNECTORS IN
2 X ⁄ ” JACKS
2 X ⁄ ” JACKS
(POWER INPUT FROM AMPLIFIER)
DM1.0 MICROPHONE SPECIFICATIONS
TYPE:
DYNAMIC
FREQUENCY RESPONSE:
POLAR P ATTERN:
OUTPUT IMPEDANCE:
OUTPUT LEVEL:
CONNECTOR:
50Hz to 18kHz
CARDIOID
600 OHMS
-72dB (0.16mV)
3- PIN GOLD PLATED BALANCED XLR MALE
0dB=1V @ 1mBar
WEIGHT:
ON/OFF SWITCH:
258g
YES
PM Series Instruction Manual Page 12
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WHARFEDALE PROFESSIONAL
IAG HOUSE, SOVEREIGN COURT, ERMINE BUSINESS PARK
HUNTINGDON, PE29 6XU, UNITED KINGDOM
911.383
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