AG-HPX255
AG-HPX250
P2 Handheld Memory Card Camera Recorder
(AG-HPX255P/HPX250P, AG-HPX255EJ/HPX250EJ, AG-HPX255EN/HPX250EN)
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Packed with Panasonic Optical Technology
Optical Image Stabilizer, Digital Zoom, and ND Filter
The high-performance zoom lens was developed specifically for
professional HD video production. While inheriting the wide-angle
capabilities of the DVX and HVX Series, it adds the same level of
operating ease as you'd expect from an interchangeable lens model for
broadcasting and other professional uses. Combining 18 lens elements in
12 groups, this advanced lens unit further adds a UHR (Ultra High
Refractive) glass element, a low dispersion element and aspherical
lenses. This newest optical technology can provide high resolution.
In addition, it is combined with a unique Panasonic digital signal
processing technology called Chromatic Aberration Compensation
(CAC) to minimize color bleeding in the surrounding image and achieve
rich expression with finely rendered nuances and excellent shading.
Zooming from 28mm to 616mm (35mm equivalent), this 22x zoom lens
covers a wide field of view, from wide-angle to telephoto, without a
conversion lens.
• Hand-shake correction with the Optical Image Stabilizer (OIS).
• Digital Zoom function.* It can be assigned to an user button and close
up to 2x, 5x, and 10x. In combination with the optical zoom, this
function provides a telephoto capability up to 220x.
• Four-position (OFF, 1/4 ND, 1/16 ND, 1/64 ND) optical neutral density
filter wheel.
* The digital zoom cannot be used while operating the Dynamic Range Stretch (DRS) or Scan Reverse
functions. If either function is operated while digital zooming, the zoom will be automatically turned off.
Also, Flash Band Compensation (FBC) will not operate while digital zooming.
Focus Ring
Zoom Ring
Iris Ring
Wide 28 mm
Tele 616 mm (22x)
22x optical zoom x
10x digital zoom (220x)
Three Manual Rings — Zoom, Focus and Iris
The lens unit is provided with three rings — a mechanical (cam-driven)
zoom ring, a focus ring, and an iris ring. You can operate them manually
almost like an interchangeable lens including rugged operation of
zoom ring.
pixels. This lowers power consumption and enables high-speed drive, but
because the exposure timing differs for each line, when an external flash
is used, it tends to produce images where the brightness is divided
between the top and bottom of the image. This is called the flash band
effect. The AG-HPX255/HPX250 are equipped with highly accurate flash
band detection and compensation software. By generating pairs of
frames containing flash bands, and frames in which a flash extends from
the previous frame to the entire screen, and then using the
compensation process to adjust the level, the flash band effect of
MOS-based imagers is eliminated.
MOS
Image Sensor
Output
Image
After
Compensation
U.L.T. Image Sensor
High-Sensitivity F10*, 2.2-Megapixel, Low-Noise U.L.T. Image
Sensor and Optimized Signal Processing Circuit
1
2
3
1
2
3
Flash Band
Compensation
Process
The AG-HPX255/HPX250 feature the Ultra Luminance Technology (U.L.T.)
1/3-type 2.2-megapixel 3MOS image sensor that is incorporated in our
shoulder-type P2HD camera recorders. This advanced image sensor is set
to maximize the performance of the lens and signal processing circuit
under standard shooting conditions. Progressive Advanced Processing
(PAP) technology, which is driven by 3D adaptive processing, has also
been further refined to enable high-sensitivity F10*, low-noise shooting
in dimly lit places.
Flash
Time Flow
*AG-HPX255/HPX250 sensitivity is selectable, F10 is PAP Filter Type1 and F7 is PAP Filter Type2 in
59.94Hz mode.
In 50Hz mode, F11 is PAP Filter Type1 and F8 is PAP Filter Type2. The default setting is PAP Filter Type2.
Flash Band Compensation
In contrast with the CCD image sensor, which accumulates still images
of single frames that are exposed with identical timing, the MOS image
sensor uses a rolling shutter system that sequentially scans each line of
MOS Output Imager
After Compensation Imager
2
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20 bit Digital Signal Processor
The AG-HPX255/HPX250
incorporate a high-performance 20
bit DSP that handles image
rendering processes such as gamma
and various detail enhancement
DSP Processor
functions with exceptional
HD NORM mode
CINE-LIKE D mode
precision.
AG-HPX255/HPX250 Gamma Modes
HD NORM:
LOW:
Suitable for standard HD recording.
Dynamic Range Stretch (DRS)
In scenes with mixed contrast, such as when panning from indoors to
outdoors, the DRS function automatically suppresses blocked shadows
and blown highlights. A gamma curve and knee slope are estimated to
match the contrast of each pixel, and applied in real time. When dark,
bright, and intermediate shades are all contained in the same scene, this
produces excellent gradation for each shade and minimizes blocked
shadows and blown highlights.
Works to flatten out a high contrast scene.
Normal setting for SD.
SD NORM:
HIGH:
Expands the tone of dark parts and makes a brighter image.
The contrast softens.
B.PRESS:
Makes the contrast sharper than LOW.
CINE-LIKE D:
CINE-LIKE V:
The Cine-Like mode shifted to prioritize dynamic range.
The Cine-Like mode shifted to prioritize contrast.
* The DRS function does not operate in 1080/24p, 1080/25p or 1080/30p mode.
Other Camera Image Settings
• Variable shutter speed from 1/6 to 1/2000 sec. plus
Synchro Scan function.
• Matrix setting including a Cine-Like mode
• Adjustable H detail level, V detail level, detail coring and
skin tone detail.
• Adjustable chroma level, chroma phase, color temp and
master pedestal.
DRS OFF
DRS ON
• Knee point settings: Auto, Low, Mid and High.
Seven Mode Gamma for Richer Gradation
Drawing on technologies developed for the VariCam, Panasonic has
equipped the AG-HPX255/HPX250 with advanced gamma functions
that address seven different shooting scenarios, including two
Cine-Like Gammas.
Advanced Focus Assist Functions
Scene File / User File
A variety of focus assist functions support quick and accurate focusing in
Manual Focus mode.
Set Scene dial for an instant set of shooting conditions. Six preset files
are provided, and you can change any of the six file names and their
settings as desired. One set can be stored internally in the AG-HPX255/
HPX250, and four sets on an SD Memory Card. One file with camera
setting values can also be stored internally, and four files on an SD
Memory Card.
• Turbo-Speed One-Push Auto-Focus: Pressing the PUSH AUTO button
enables focusing in 0.5 sec. or less.*1 *2
• Focus-In-Red Display: This function emphasizes the image areas in
focus by marking the edges in red.*2
• Expand: Enlarging the center portion increases visibility.
• Focus Bar: This provides a graphical meter display of the focus level.
Scene File Description
F1: —
Standard settings
*1: Focusing time may vary depending on the shooting conditions and object.
*2: You may need to update the AG-HPX250 firmware. Please refer to "Service and Support" on the
Panasonic Website (http://pro-av.panasonic.net/).
F2: FLUO.
F3: SPARK
F4: B-STR
F5: CINE V
F6: CINE D
Indoor shooting under fluorescent lights
Highlighting subjects at receptions, events etc.
Enhanced gradations of luminance in low light scenes
Cine-Like setting shifted to prioritize contrast*
Cine-Like setting shifted to prioritize dynamic range*
* Selecting a scene file does not change the video recording format. If you want to switch to 25p, 24p
and 30p, you must do so as a separate procedure.
Five User Buttons
There are a total of five User buttons: User Main, User 1 to 3 on the top
panel, and User 4 on the rear of the AG-HPX255/HPX250. Based on
user's requirements, customized operation can be set by assigned 18
versatile functions to these user buttons.
Focus Assist OFF
Focus Assist ON
Three Position Gain Selector plus 30dB Super Gain Function
There is a three position gain selector, with L, M and H settings. To each
setting you can assign a gain value from 0, +3, +6, +9, +12, +15 and
+18 dB. There is also a Super Gain such as +24 dB and +30 dB.
User button allotment function
SPOTLIGHT, BACKLIGHT, ATW, ATW LOCK, S.GAIN, D.ZOOM, Y GET, DRS,
TEXT MEMO, SLOT SEL, SHOT MARK, MAG A. LVL, LVL METER, PRE REC, WFM,
LAST CLIP, FBC, LCD B.L.
3
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Full-Pixel, Full-Sample AVC-Intra Recording
These are the first handheld camera-
recorders to support the AVC-Intra
codecs of the P2HD Series for HD
Multi-Format Recording with Native 24p/25p Support and More
•Native recording modes: In addition to 1080/59.94i with the AVC-Intra
codec, native recording is supported at 1080/23.98p or 1080/29.97p and
1080/25p. In 720p, native recording is possible for both DVCPRO HD and
AVC-Intra, making it possible to extend recording time by 2 to 2.5 times
in comparison with pull-down recording.
recording of broadcast and movie
images. Featuring a high compression
ratio based on the new MPEG-4 AVC/
H.264 moving picture compression
technology, this advanced system
*Camera through output and playback image output are pulled-down 59.94 (50) frames.
•Pulldown record mode: This VariCam-compatible mode records*1 with
the DVCPRO HD codec. A 2:3 pulldown is applied to 23.98p, and a 2:2
pulldown is applied to 29.97p, to record 1080/59.94i or 720/59.94p and
1080/25p over 50i or 720/25p over 50p. The 23.98pA (2:3:3:2 advanced
pulldown) mode is also supported, allowing editing on applicable
nonlinear systems*2 with little image degradation.
•59.94Hz/50Hz selector: Supports worldwide HD/SD production.
•SD image acquisition: The DVCPRO 50/DVCPRO/DV multi-codec
enables 480/576 image acquisition, with aspect ratio conversion. Select
from Side Crop, Letter Box and Squeeze modes.
maintains intra-frame compression to
provide both high image quality and
excellent editing performance.
AVC-Intra Codec LSI
It offers recording and playback of
both AVC-Intra 100 and AVC-Intra 50 modes, and also supports
DVCPRO HD recording and playback.
•AVC-Intra 100: 1920 x 1080,* 10 bit, 4:2:2
High-quality images with full-pixel HD and full sampling are recorded at
the same bit rate as DVCPRO HD, bringing agile mobility to high-end
production.
*1: Not compatible with the AVC-Intra codecs.
*2: See the following website for details on applicable systems.
•AVC-Intra 50: 1440 x 1080,* 10 bit, 4:2:0
Image quality is the same level as DVCPRO HD, but with the SD (DVCPRO
50) bit rate. You get twice the recording time of DVCPRO HD, and about
half the required data transmission time.
High Quality/16 bit, Four Channel Digital Audio
The AG-HPX255/HPX250 can record high quality/16 bit digital audio on
all four channels. You can freely select the audio source for each
channel, choosing from built-in mic, external mic and line-in. Level
volume is also supported on all four channels.
* These figures are for 1080i/p mode. The AG-HPX255/HPX250 also supports 720p mode.
Versatile MXF File-Based Recording
File-based recording onto memory cards enables high-speed starts,
recording starts with no need for cueing, and protection against
accidental data overwriting. The recorded data is organized into MXF
files. The files can be transferred to a nonlinear editor or over a network
without the need for digitizing.*
*PCs must be installed with the included P2 driver in order to mount P2 cards. For editing, PCs must be
installed with P2-compatible editing software available from various companies. Read "Notes Regarding
the Handling of P2 Files Using a PC" on the back page.
AG-HPX255/HPX250 Recording Format & Recording Time
Codec & Recording Time (with two 64 GB P2 Card)
Pull
down
—
HD Format
DVCPRO HD
AVC-Intra 100
AVC-Intra 50
1080/59.94i
Approx. 128 min. Approx. 256 min.
Double Slot System with Two P2 Card Slots
1080/29.97p over 59.94i
1080/23.98p over 59.94i
2-2
2-3
—
—
—
—
—
—
Approx. 128 min.
In addition to allowing continuous recording onto two P2 cards, this
system offers the following functions.
1080/23.98pA over 59.94i 2-3-3-2
1080/29.97pN (Native)*1
1080/23.98pN (Native)*1
1080/50i
—
—
—
Approx. 128 min. Approx. 256 min.
Approx. 160 min. Approx. 320 min.
Approx. 128 min. Approx. 256 min.
• Card select: The recording slot can be switched in Standby mode.
• Hot-swap recording: The card in the standby slot can be exchanged
while the other card is being recorded on.
—
—
Approx. 128 min.
—
1080/25p (over 50i)
1080/25pN (Native)*1
720/59.94p
—
—
—
—
Approx. 128 min. Approx. 256 min.
Approx. 128 min. Approx. 256 min.
Approx. 128 min. Approx. 256 min.
—
P2 Card Recording Offers High Reliability
and a Proven Record for Broadcasting
The P2 card was originally developed for
720/50p
—
720/29.97p over 59.94p*2
720/25p over 50p*3
720/23.98p over 59.94p*2
720/29.97pN (Native)*1
720/25pN (Native)*1
720/23.98pN (Native)*1
2-2
2-2
2-3
—
Approx.128 min.
—
—
—
—
—
—
broadcast use. In addition to its large 64 GB*
capacity, it strongly resists impacts, vibration and
temperature changes, and withstands repeated
recording and initialization cycles for extended
recording use. The card connector section is
designed specifically for professional use,
resulting in extremely high durability for insertion
and removal. The P2 card and P2HD Series are
widely used in broadcast and movie production
studios and have a proven track record for
reliability, durability and easy operation.
Approx. 256 min. Approx. 256 min. Approx. 512 min.
—
—
Approx. 320 min. Approx. 320 min. Approx. 640 min.
Codec & Recording Time (with two 64 GB P2 Card)
Pull
down
—
SD Format
DVCPRO 50
DVCPRO
DV
480/59.94i
480/29.97p over 59.94i
480/23.98p over 59.94i
480/23.98pA over 59.94i
576/50i
2-2
2-3
2-3-3-2
—
Approx. 256 min. Approx. 512 min. Approx.512 min.
Approx. 256 min. Approx. 512 min. Approx. 512 min.
576/25p (over 50i)
2-2
*1: Native modes record only the effective frames.
*2: When you select 24 FRAME/30 FRAME in VFR mode in DVCPRO HD 59.94p mode.
*3: When you select 25 FRAME in VFR mode in DVCPRO HD 50p mode.
*Total card capacity includes space for data management such as system data; therefore, the actual
usable area is less than the capacity indicated on the card.
4
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• Normal cinematic shooting (at 24 fps, 25 fps or 30 fps) refers to the
same rate as used in film cameras. The AG-HPX255/HPX250 can record
in 24 fps. Note that 25 fps and 30 fps are the standard frame rates used
in the production of TV commercials, music clips and video media.
• Overcranking (higher-speed shooting) produces a slow-motion effect.
This is especially effective for high-action scenes like car chases or
crashes, or to create a dramatic impact in a scene. For example, when a
scene is shot at 48 fps and played at 24 fps, a slow-motion effect of
1/2x is attained.
Variable Frame Rate — Also Supported in 1080p Mode
The Variable Frame Rate (VFR) function was inherited from the Panasonic
VariCam, which is widely used for producing movies, TV series, and TV
commercials. It creates a wide range of film-camera-like images, such as
overcranking for slow-motion and undercranking for quick-motion
effects.
Image Modes and Variable Frame Rates
1080/59.94i, 23.98p, 29.97p: 1/2/4/6/9/12/15/18/20/21/22/24/25/26/27/
28/30 fps (frames per second)
• Undercranking (lower-speed shooting) gives you a quick-motion
effect. This technique can be combined with a warp-speed effect to give
special emphasis to flowing water, fast-moving clouds, etc. For example,
when a scene is shot at 12 fps and played at 24 fps, a quick-motion
effect of 2x is attained.
1080/50i, 25p:
1/2/4/6/9/12/15/18/20/21/22/23/24/25 fps
720/59.94p, 23.98p, 29.97p: 1/2/4/6/9/12/15/18/20/21/22/24/25/26/
27/28/30/32/34/36/40/44/48/54/60 fps
720/50p, 25p:
1/2/4/6/9/12/15/18/20/21/22/23/24/25/
26/27/28/30/32/34/37/42/45/48/50 fps
Undercranking (lower-speed shooting)
Overcranking (higher-speed shooting)
One-Clip Rec Mode
Whereas normal Rec mode produces a clip for each Rec start/stop cut,
One-Clip Rec mode records up to 99 consecutive cuts as a single clip,
which greatly improves the nonlinear editing work that follows. A text
memo is automatically attached when recording begins, making it easy to
find desired cuts within the clip.
REC START
REC START
REC START
REC START
…………max. 99
consecutive cuts
REC STOP
REC STOP
REC STOP
Clip Thumbnail Display and Clip Editing
Single Clip
Recorded clips are automatically allocated a thumbnail image and
metadata. This lets you display the thumbnail images on the LCD
monitor, delete clips, and confirm or edit metadata (using the built-in
Software Keyboard function).
TEXT MEMO 1
TEXT MEMO 2
TEXT MEMO 3
TEXT MEMO 4
• Last clip delete: The clip that was most recently recorded is deleted
with a single touch.
• Rec check: The beginning and ending of the clip that was most
recently recorded are checked with a single touch.
Recording Modes That Meet a Wide Variety of Needs
• Loop rec: This repeatedly re-records a particular recurring time slot,
always maintaining a recording of the most recent period.
• Pre-rec*: While in standby mode, you can continuously store, and
subsequently record, up to 3 seconds in HD (7 seconds in SD). This will
help you to get the shot you want every time.
• Interval rec*: This gives you automatic intermittent recording based on
a set interval and recording time.
• One-shot rec*: This frame-shot recording function is useful for
producing animations.
Shot Marker and Text Memo*1
• Shot marker: Clips can be marked during or after recording. When
mounted to a PC,*2 the user can display only the marked clips if desired.
• Text memo: This lets you post a memo on any scene of any clip, up to
100 memos in all, similar to a sticky note.
*1: Shot marker and text memo cannot be used in loop rec, interval rec, or one-shot rec.
*2: When using P2 viewer, a Windows PC viewing application that can be downloaded free of charge by
P2 users. See the following website for details.
• Time stamp: The date and time can be stamped onto recorded images.
Commonly used for evidential images.
* These functions cannot be used during Variable Frame Rate recording.
5
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Focus FS-P250 (by VITEC) Proxy File Recorder
(Optional/Available Soon)
The optional Focus FS-P250 Proxy Recorder (available
Proxy Viewing by Wireless Connection
(Optional/Available Soon)
The Focus FS-P250 Proxy Recorder also features a wireless web
soon) is compatible with the AG-HPX255/ HPX250
camera recorders. The Focus FS-P250 records proxy files
interface. When using the AJ-WM30 Wireless Module with the Focus
FS-P250, proxy files can be streamed/viewed via standard web browser
on a PC/Mac, tablet, or smartphone.*4 While viewing the streamed files,
metadata can be added to the proxy files. Using a PC/Mac also enables a
cloud-based workflow by uploading and sharing video data via a network.
onto SD/SDHC memory cards in parallel with the AVC-Intra or DVCPRO
format files recorded onto the P2 cards in the camera recorder.*2 The
proxy files are compatible with P2 file format and are linked to the P2
footage via filename, ID and metadata. This allows the proxy files to be
easily used for offline editing applications; the editor only needs to
replace the proxy data with P2 data before rendering the final video
production.*3 The Focus FS-P250 supports high quality video (Quick Time/
H.264) and audio formats (see chart below) at a low bit rate. The Focus
FS-P250 high quality proxy files can be used for breaking news and other
scenarios that would benefit from proxy workflows. Moreover, the Focus
FS-P250 streamlines production workflow by allowing the editor to
review the content details during offline editing.
PC such as
Panasonic
Toughbook
AJ-WM30
Wireless Module
MacBook Air etc.
AG-HPX255*1
AG-HPX250*1
SDI
Wireless LAN
IEEE802.11b/g
Tablet terminal
such as iPad
Smartphone*4
such as iPhone
Portable media player*4
such as iPod Touch
FOCUS
FS-P250
Focus FS-P250
Recorder (Manufactured by VITEC)
ords P2-compatible proxy video files (.MOV/H.264).
udes a built-in wireless web interface. When used with the
onal AJ-WM30 Wireless Module, the Focus FS-P250 allows a
Mac or iOS device to view the proxy files and input metadata.
quality, low-bit-rate files enable faster media sharing and video
ading.
Mounts to the camera recorder's accesso
shoe. (This application example also show
the AJ-WM30 Wireless Module attached.)
pact size and light weight (approx. 320 g/approx. 0.71 lb).
ery powered and AC adaptor operation.
pped with SDI (HD/SD) input and loop-through output.
udes desktop application for a PC/Mac that allows the user to
age and synchronize the metadata form both the P2 and proxy files.
cations (Tentative, as of June 2012)
Source:
DC 12 V
Consumption:
3.6 W for main unit only,
4.2 W with AJ-WM30 Wireless Module
ions (WxHxD):
Weight:
84 mm x 34 mm x 135 mm
(3-5/16 inches x 1-3/8 inches x 5-3/8 inches)
Approx. 210 g (approx. 0.46 lb) for main unit only,
Approx. 320 g (approx. 0.71 lb) with battery pack
*Optional bracket is required for mounting to a
camera recorder.
FS-P250 Recording Format
Video
Audio
Mode
Wrapper
resolution
960 x 540
640 x 360
480 x 270
352 x 240
352 x 288
Scanning Mode Frame Rate
H.264 Profile
Bit Rate
CH
Bit Rate
Codec
SHQ*5
HQ*5
LOW*5*6
LOW (NTSC)*7
LOW (PAL)*7
MOV
MOV
MOV
MOV
MOV
Progressive
Progressive
Progressive
Progressive
Progressive
30/25/24 fps
30/25/24 fps
30/25/24 fps
30 fps
High
3 to 4 Mbps
1.5 Mbps
800 kbps
800 kbps
800 kbps
2 CH
2 CH
2 CH
2 CH
2 CH
48 kHz
Linear PCM
AAC-LC
AAC-LC
AAC-LC
AAC-LC
High
64 kbps, 48 kHz
64 kbps, 48 kHz
64 kbps, 48 kHz
64 kbps, 48 kHz
Baseline
Baseline
Baseline
25 fps
*1: You may need to update AG-HPX255/HPX250 firmware. Please refer to "Service and Support" on the
Panasonic Website (http://pro-av.panasonic.net/).
*4: For the latest information, see "Service and Support" on the Panasonic website
(http://pro-av.panasonic.net/).
*2: Proxy data cannot be recorded when using the Loop REC or Interval REC function. Proxy data is a
low-resolution video and audio data with time code, metadata, and other management data in a file
format.
*3: It doesn't guarantee the zero frame error. For the latest information about offline editing support, see
"Service and Support" on the Panasonic website.
*5: SHQ/HQ/LOW are HD modes. When the camera recorder recording in SD mode, these modes cannot
be selected.
*6: The resolution for 720/60p and 720/50p input is 320 x 180, and the frame rate is 60 fps and 50 fps,
respectively.
*7: When the camera recorder records in SD (NTSC), the proxy will be recorder in LOW (NTSC). When it
records in SD (PAL), it will be recorded in LOW (PAL). No other modes can be selected.
6
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AG-EC4G
Extension Control Unit
• Compatible camera recorders: AG-HPX255, AG-HPX370 series,
AG-HPX500 series, AJ-HPX3100G
• The maximum length of the remote control cable is 50 m (164 feet).
• A 10 m (32 feet) remote cable is bundled.
New 10-pin Remote Terminal
A remote terminal is provided for
the optional AG-EC4G Extension
Control Unit. This enables camera
settings to be made and recording
to be controlled while watching the
monitor at the remote end.* This
handheld unit also supports studio
• The AG-EC4G is both compact and light at 630 g (1.4 lb).
Control Functions
Camera Settings:
Gain Up/Down, White Balance A/B/Preset Selection and
AWB/ABB Execution, Iris Auto/Manual Selection and
Adjustment, Master Pedestal, Painting,
integration.
Shutter SS/Fix/Off Selection and Speed Setting
AG-HPX255 Remote Tterminal
Operation:
Menu Operation, User Buttons (x3),
Rec/Play/FF/Rew/Rec Check
Monitor Output:
Cam/Bar Select (linked to Auto Knee), Character On/Off
Specifications
Power Supply:
Power Consumption:
Weight:
10-pin Cable (10m/50ｍ)
→ Camera Image
VBS
DC 12 V
2.5 W
630 g (1.4 lb)
← Remote Control
AG-HPX255
AG-EC4G
Extension Control Unit
BT-LH910G
LCD Monitor etc.
Dimensions (WxHxD):
82 mm x 180 mm x 56 mm
(3-1/4 inches x 7-1/8 inches x 2-1/4 inches)
excluding knobs
*Only functions that are supported by the AG-HPX255 can be controlled.
High Resolution and High
Brightness Color Viewfinder
and LCD
Simplified Waveform and Vectorscope Display
The AG-HPX255/HPX250 have Waveform and Vectorscope Display
functions for the captured video signal on the LCD monitor.
The AG-HPX255/HPX250's color
EVF uses a 11.43 mm (0.45 inches),
approximately 1,226,000
dot-equivalent (852 x 480 x 3
[RGB]) LCOS (liquid crystal on
silicon) display panel. It delivers
LCOS Color EVF
bright, detailed, high-resolution
Waveform
Vectorscope
images and a high response speed.
Other Functions
High Resolution LCD Monitor
The AG-HPX255/HPX250's LCD
monitor has a 87.63 mm (3.45
inches), approximately
921,000-dot (1920 x 480) high-
resolution panel.
• White Balance Selector: Two values (A/B) memory and one value preset.
• ATW (Automatic Tracing White balance) function.
• Mode check: Displays a list of the camera settings on the viewfinder
and LCD monitor.
• Zebra: Select any two levels from among 50% to 109%, in 1% steps.
• Y-GET: Measures brightness at the screen center and displays precise
numerical data.
• Tally lamps: Provided on the unit's front and rear.
Color LCD Monitor
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Multi-Camera Synchronizing with Genlock IN and TC IN/OUT
These handheld cameras support a multi-camera configuration. They
feature a built-in SMPTE time-code generator/reader, TC input/output,
and Genlock input for multi-camera recording with time-code
synchronization. Images can be synched and output to a switcher,
providing the same level of operation as many shoulder-type models.
Digital A/V Output with SDI and HDMI
• SDI OUT (HD/SD): Allows camera-through output during HD/SD
recording, or outputs high-quality 10 bit, 4:2:2 images for playback of
AVC-Intra 100 footage. Includes embedded audio, and supports Rec S/S
linked backup recording with a Panasonic recorder equipped with HD SDI
input. When outputting SD SDI down-converted from an HD source, the
Aspect Ratio Conversion mode can also be selected.
• HDMI OUT: This is a next-generation interface for HD video and audio.
It allows digital A/V output from a wide range of devices with both
professional and consumer specifications.
HD SDI OUT
REMOTE
• VIDEO OUT: SD composite output. HD playback is down-converted.
GENLOCK IN
Other Interfaces
Switcher/AV Mixer
AG-HPX255
• USB 2.0 HOST: This allows files to be copied between an external HDD
and a P2 card *1, and lets you view the thumbnails of P2 files saved onto
the HDD.
• USB 2.0 DEVICE: Uploads P2 card files to a PC/Mac.
• DVCPRO/DV (IEEE 1394): Enables backup recording and dubbing by
inputting or outputting a DV stream, including DVCPRO HD.*2
• Camera Remote: Controls focus, iris, zoom and REC start/stop.
• XLR audio input: 2-channel mic/line inputs supporting 48V phantom
power supply.
AG-HPX255
*1: AG-HPX255EJ/HPX250EJ don't support to copy the files onto a P2 card via USB 2.0.
*2: Excluding 720p native mode. Does not support AVC-Intra input/output. Also does not output loop rec,
interval rec or one-shot rec content. AG-HPX255EJ/HPX250EJ don't support input.
AG-HPX255
AG-EC4G
MONITOR
(VBS)
GENLOCK
Monitor
A multi-camera system using GENLOCK synchronization
(only the AG-HPX255 is able to use the AG-EC4G and monitor).
The TC value of the
camera 2 and 3 are
matched to the camera 1
TC IN/OUT
A multi-camera system using TC IN/OUT synchronization.
New, Stylish Design Boosts Mobility
Even with its high-powered zoom lens, the integrated camera and
recorder sections are compact and stylish. Shifting the handle grip and
LCD position forward (toward the lens) has improved the weight balance
and visibility for handheld shooting, enabling a comfortably wide view.
The magnesium alloy die cast chassis also excels in both ruggedness and
durability.
Low-Angle Shots and Interviews
• The upper part of the handle grip contains both the Rec Start/Stop
button and a lens zoom speed control (three speed levels). This design
assures easy shooting even at low angles.
• The LCD monitor mirror mode is convenient when shooting interviews.
8
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USB 2.0 (HOST)
P2 Viewer
P2 CMS
HDD
P2 card
(Blank)
USB 2.0 (DEVICE)
IEEE 1394 (AVC)
P2 Viewer Note PC/
P2 CMS Mac
USB 2.0*
eSATA
AG-HPX255
AG-HPX250
SSD
AG-HPX255
AG-HPX250
AG-MSU10
USB 3.0
NLE
P2 card
AJ-PCD30
AJ-PCD30 USB 3.0
AJ-PCD35 PCI Express
P2 card
(Recorded)
P2 drive
With a Portable HDD or Notebook PC
Files recorded by the AG-HPX255/HPX250 can be copied using
only a portable HDD. Or, a notebook PC* can be used for viewing
the results and editing metadata and text memos.
A Workflow Using the AG-MSU10 Mobile Storage Unit
By copying files at high speed to an SSD, the card can be reused, and the
files can be uploaded directly from the SSD to a PC.
* A Windows PC or Mac with P2 Viewer or P2 CMS (available free of charge) installed.
* For details, see the rear cover page (Notes Regarding the Handling of P2 Files Using a PC).
* The optional AG-MBX10G Removable Interface Box is required to connect the SSD to a nonlinear editor via
USB 2.0 or eSATA.
A Proxy and Wireless Workflow
(FOCUS FS-P250)
The Focus FS-P250 Proxy Recorder
SDXC/SDHC/SD Memory card
AJ-WM30
(manufactured by VITEC) records
low-bit-rate proxy files in parallel
with P2 card recording.* This can be
Internet
SDI
FOCUS
conveniently used for news flashes
or offline editing. Attaching the
AJ-WM30 Wireless Module makes it
possible to view proxy images and
edit metadata on a PC/Mac, tablet,
or smartphone. Using a PC or Mac
computer also enables a cloud-based
workflow by uploading data to a
network.
PC/Mac
FS-P250
AG-HPX255*1
AG-HPX250*1
NLE
iOS Device
AJ-PCD30 USB 3.0
AJ-PCD35 PCI Express
P2 drive
P2 card
* You may need to update AG-HPX255/HPX250
firmware. Please refer to "Service and Support" on
the Panasonic Website (http://pro-av.panasonic.net/).
Field Recording Workflow for
TV Program Production
Combination with the AG-HPD24 P2
deck provides a variety of functions,
including backup recording, viewing,
metadata editing, and high-speed
copying to an external HDD.
P2 card
(Blank)
LCD Monitor
HD SDI
USB 3.0
HDD
HDD
AG-HPX255
AG-HPX250
AG-HPD24
NLE
AJ-PCD30 USB 3.0
AJ-PCD35 PCI Express
P2 card
(Recorded)
P2 drive
News Workflow — Interviews,
Flash Reports, and Data
Transmission
The AG-HPX255/HPX250's file-based
format allows full use of IT
infrastructures for instantaneous
response and operation.
FPU
P2 card
(Blank)
Internet
HD SDI
P2/AVCHD*
File
NLE/Server
The AJ-HPM200 Memory Card
Portable Recorder/Player supports
everything from on-location news
production to on-air broadcasting,
network transmission, and copying
to an HDD.
AG-HPX255
AG-HPX250
AJ-HPM200
USB 2.0
e-SATA
HDD
HDD
P2 card
(Recorded)
* The optional AJ-YCX250G AVCHD Codec Board is
required for AVCHD file conversion and output.
9
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As of June, 2012
AG-MC200G
AJ-PCD30
Memory Card Drive
“P2 drive”
XLR Microphone
•Sensitivity: –40 dB ±3.5 dB
(0 dB=1V/Pa, 1 kHz)
Three slots drive with USB 3.0 interface
•Maximum input level: 127 dB
(1000 Hz, distortion within 1%)
•S/N: more than 69 dB
for high-speed 1.5 Gbps data transfer.
CGA-D54/CGA-D54s
Battery Pack
(5,400 mAh)
AJ-PCD35*3
Memory Card Drive
“P2 drive”
High-speed PCI Express interface.
AG-B25
AG-MSU10
Mobile Storage Unit
“P2 MSU”
AC Adaptor Kit*1
Fast copying from P2 cards to a
removable solid-state drive*3.
It simplifies backing-up P2 content in
the field.
NEW
AJ-P2E064FG
AG-HPD24
Memory Card Portable Recorder
“P2 portable deck”
NEW
AJ-P2E032FG
NEW
AJ-P2E016FG
Memory Card (P2 card F series)
Equipped with USB 3.0 and RS-422A
interfaces, this compact two slots
P2 deck supports 3D recording.
SD/SDHC Memory Card
AJ-HPM200
Memory Card Recorder/Player
“P2 mobile”
Advanced P2 mobile with versatile
functions such as networking, AVCHD
compatibility (option) and eSATA
interface.
P2 Viewer 3.6
Viewing Software
(download free)
AJ-WM30
Wireless Module*4
Use with the optional Focus FS-P250
Proxy Recorder allows streaming
playback and metadata input on a
PC/Mac or iOS device.
Supports P2 HD. This Windows PC
utility makes it easy to view and copy
P2 files and edit Metadata.*2
P2 CMS 1.4
Content Management Software
(download free)
Easy to Ingest and Manage P2
Content. The newest version is
compatible with Mac OS X 10.6
“Snow Leopard”.*2
*1: It can be used as a battery charger only. It cannot be used as a AC adaptor for AG-HPX255/HPX250. *2: For P2 Viewer or P2 CMS download and operating requirement information, visit WEB site http://pro-av.
panasonic.net/en/index.html
*3: Use a commercially available removable SSD that is recommended by Panasonic. In addition to the removable SSD interface box that comes with the AG-MSU10 as a standard accessory, an additional
ag-msu10/
*4: You may need to update AG-HPX255/HPX250 firmware. Please refer to "Service and Support" on the Panasonic Website (http://pro-av.panasonic.net/).
10
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As of June, 2012
General Specification
Supply Voltage:
DC 7.2 V (when the battery is used)
Recording/Playback Time*1: AVC-Intra 100/DVCPRO HD:
approx. 32 min
approx. 64 min
approx. 128 min
approx. 16 min
approx. 32 min
approx. 64 min
DC 7.9 V (when the AC adaptor is used)
with a 32 GB P2 card
AVC-Intra 50/DVCPRO50:
DVCPRO/DV:
Power Consumption:
AG-HPX255: 15.0 W (when the LCD monitor is used)
17.5 W (when the LCD monitor and
Recording/Playback Time*1: AVC-Intra 100/DVCPRO HD:
AG-EC4G are used)
with a 16 GB P2 card
AVC-Intra 50/DVCPRO50:
DVCPRO/DV:
AG-HPX250: 15.0 W (when the LCD monitor is used)
Operating Temperature:
Operating Humidity:
Weight:
0 °C to 40 °C (32 °F to 104 °F)
10% to 80% (no condensation)
Approx. 2.5 kg (5.5 lb)
excluding battery and accessories
Digital Video Specification
Recorded Video Signals: 1080/59.94i, 1080/29.97p, 1080/29.97pN,
1080/23.98p, 1080/23.98pA, 1080/23.98pN,
720/59.94p, 720/29.97p, 720/29.97pN, 720/23.98p,
720/23.98pN, 480/59.94i, 480/29.97p, 480/23.98p,
480/23.98pA, 1080/50i, 1080/25p, 1080/25pN,
Dimensions (W x H x D): 180 mm x 195 mm x 438 mm
(7 inches x 7-11/16 inches x 17-1/4 inches)
excluding battery, accessories and protrusions
720/50p, 720/25p, 720/25pN, 576/50i, 576/25p
Sampling Frequency:
AVC-Intra 100/DVCPRO HD:
Camera Section
Pickup Devices:
Effective Pixels:
Lens:
Y: 74.1758 MHz, PB/PR: 37.0879 MHz (59.94 Hz)
Y: 74.2500 MHz, PB/PR: 37.1250 MHz (50 Hz)
DVCPRO50: Y: 13.5 MHz, PB/PR: 6.75 MHz
DVCPRO: Y: 13.5 MHz, PB/PR: 3.375 MHz
1/3-type progressive, 2.2-megapixel, 3MOS sensor
1920 (H)×1080 (V)
Optical image stabilizer lens, 22x motorized zoom,
F1.6 – 3.2 (f=3.9 mm – 86 mm),
35 mm conversion: 28 mm – 616 mm (16:9)
Quantizing:
AVC-Intra 100/AVC-Intra 50: 10 bits
DVCPRO HD/DVCPRO50/DVCPRO/DV: 8 bits
Video Compression:
AVC-Intra 100/AVC-Intra 50:
Filter Diameter:
Optical System:
ND filter:
Minimum Shooting Distance: Approx. 1 m
Hood:
72 mm
Prism color separation
OFF, 1/4, 1/16, 1/64
MPEG-4 AVC/H.264 Intra Profile
DVCPRO HD: DV-Based Compression (SMPTE 370M)
DVCPRO50/DVCPRO:
DV-Based Compression (SMPTE 314M)
DV: DV Compression (IEC 61834-2)
Large-sized lens hood with wide angle of view
Gain Settings:
0/+3/+6/+9/+12/+15/+18/+24/+30 dB,
(+24 dB, +30 dB: USER SW allocation only)
Digital Audio Specification
Recording Audio Signal: AVC-Intra 100/AVC-Intra 50/DVCPRO HD:
48 kHz/16 bits, 4CH
Shutter Speed Settings:
• 60i/60p mode: 1/60 (OFF), 1/100, 1/120, 1/250,
1/500, 1/1000, 1/2000 sec.
DVCPRO50: 48 kHz/16 bits, 4CH
• 30p mode: 1/30 (OFF), 1/60, 1/100, 1/120, 1/250,
1/500, 1/1000, 1/2000 sec.
DVCPRO/DV: 48 kHz/16 bits, 2CH/4CH switchable
• 24p mode: 1/24 (OFF),1/60, 1/100, 1/120, 1/250,
1/500, 1/1000, 1/2000 sec.
Video Input/Output
• 50i/50p mode: 1/50 (OFF),1/60, 1/120, 1/250,
1/500, 1/1000, 1/2000 sec.
GENLOCK IN:
VIDEO OUT:
SDI OUT:
BNC × 1, 1.0 V [p-p], 75Ω
Pin jack × 1, 1.0 V [p-p], 75Ω
BNC × 1, 0.8 V [p-p], 75Ω, HD/SD switching via menu,
10 bit 4:2:2 via camera through out
• 25p mode: 1/25 (OFF),1/50, 1/60, 1/120, 1/250,
1/500, 1/1000, 1/2000 sec.
Slow Shutter:
• 60i/60p mode:
• 30p mode:
1/15 sec., 1/30 sec.
1/7.5 sec., 1/15 sec.
1/6 sec., 1/12 sec.
1/12.5 sec., 1/25 sec.
1/6.25 sec., 1/12.5 sec.
HDMI OUT:
HDMI TypeA
• 24p mode:
• 50i/50p mode:
• 25P mode:
Audio Input/Output
Built-In MIC IN:
AUDIO IN:
Supports stereo microphones
Synchro Shutter:
• 60i/60p mode:
• 30p mode:
1/60.0 sec. to 1/249.8 sec.
1/30.0 sec. to 1/249.8 sec.
1/24.0 sec. to 1/249.8 sec.
1/50.0 sec. to 1/250.0 sec.
1/25.0 sec. to 1/250.0 sec.
XLR 3 pin × 2 (INPUT 1, INPUT 2)
LINE/MIC/+48 V switchable,
• 24p mode:
LINE: 0 dBu,
• 50i/50p mode:
• 25p mode:
MIC: –40 dBu/–50d Bu/–60 dBu switching via menu
AUDIO OUT:
Headphone:
Pin jack × 2 (CH1/CH2), Output: 316 mV, 600 Ω
ø3.5 mm stereo mini jack × 1
Shutter Opening Angle:
Frame Rates:
3 degrees to 359.5 degrees in 0.5 degree increments
• 59.94 Hz mode:
1080p: 1/2/4/6/9/12/15/18/20/21/22/24/25/26/
27/28/30 fps (frames per second) 17 step
720p: 1/2/4/6/9/12/15/18/20/21/22/24/25/26/
27/28/30/32/34/36/40/44/48/54/60 fps, 25 step
• 50 Hz mode:
1080p: 1/2/4/6/9/12/15/18/20/21/22/23/24/25 fps
(frames per second) 14 step
720p: 1/2/4/6/9/12/15/18/20/21/22/23/24/25/
26/27/28/30/32/34/37/42/45/48/50 fps, 25 step
• 59.94 Hz mode: (at 2000 lx, 3200 K, 89.9% reflection)
F7 (1080/59.94i, P.A.P FILTER: TYPE2)
F10 (1080/59.94i, P.A.P FILTER: TYPE1)
• 50 Hz mode: (at 2000 lx, 3200 K, 89.9% reflection)
F8 (1080/50i, P.A.P FILTER: TYPE2)
F11 (1080/50i, P.A.P FILTER: TYPE1)
0.2 lx (F1.6, Gain +30 dB, shutter speed 1/30 sec.,
P.A.P FILTER: TYPE1)
Internal Speaker:
20 mm diameter × 1
Other Input/Output
REMOTE:
10 pin, for AG-EC4G (AG-HPX255 only)
TC IN/OUT:
BNC× 1,
IN: 0.5 V [p-p] to 8 V [p-p], 10 kΩ
OUT: low impedance, 2.0±0.5 V [p-p]
CAM REMOTE:
2.5 mm diameter, Super mini jack × 1 (ZOOM, S/S)
3.5 mm diameter Mini jack × 1 (FOCUS, IRIS)
6 pin, digital input/output (compliant with IEEE 1394)
Type-miniB, 4 pin USB (compliant with USB ver. 2.0)
Type-A, 4 pin USB (compliant with USB ver. 2.0)
Sensitivity:
IEEE 1394*2:
USB 2.0 (DEVICE)*2:
USB 2.0 (HOST)*2:
Monitor, EVF and Seaker
Minimum Illumination:
Digital Zoom:
LCD Monitor:
87.63 mm (3.45 inches) color LCD monitor
with approx. 921,000 dots (16:9)
×2, ×5, ×10
EVF:
11.43 mm (0.45 inches) color LCD monitor
with approx. 1,226,000 dots (16:9)
Memory Card Recorder Section
Recording Media:
Recording Formats:
P2 card
Included Accessories
AC adaptor Battery charger, AC cord, DC cord, 5400 mAh battery pack,
Wireless remote controller with button-type battery, Microphone holder,
Eye cup, Shoulder strap, P2 card driver software install CD-ROM
AVC-Intra 100/AVC-Intra 50/DVCPRO HD/
DVCPRO50/DVCPRO/DV formats switchable
Recording/Playback Time*1: AVC-Intra 100/DVCPRO HD:
with a 64 GB P2 card
approx. 64 min
approx. 128 min
approx. 256 min
AVC-Intra 50/DVCPRO50:
DVCPRO/DV:
*1: The Recording/playback times listed are continuously recorded time as one clip. The number of
recording clips may reduce the recording time.
*2: AG-HPX255EJ/HPX250EJ don't support input via IEEE 1394 and USB 2.0.
Weight and dimensions are approximate. Specifications are subject to change without notice.
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AG-HPX250
AG-HPX250
AG-HPX255
AG-HPX250
AG-HPX250
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Please refer to the latest Non-linear Compatibilty Information,
P2 Support, Downlord and Service Information, etc. at the following Panasonic web site.
Notes Regarding the Handling of P2 Files Using a PC
Mounting and Transferring Files
The PC must be installed with the included P2 driver in order to recognize, copy and transfer P2 files. This driver is also necessary when using the PC card slot and when handling P2 files
stored on a hard-disk device, such as the P2 store. The included P2 driver is compatible with Windows Vista, Windows XP, Windows 2000 and Mac OSX. For other operating requirements, refer
click "P2 Support and Download."
Preview and Nonlinear Editing
To preview (play) P2 files on a PC, it is necessary to install the P2 Viewer software (downloadable for free, for Windows only) or P2 CMS content management software (downloadable for free, for both
Windows and Mac), both from Panasonic, or P2-compatible editing software available from other companies (for details, visit https://eww.pavc.panasonic.co.jp/pro-av/sales_o/p2/partners.html).
Note that each software places specific requirements on the operating environment, and the operating environment must meet additional requirements to play and edit HD content on Windows PCs
software, visit the website of the relevant software manufacturer.
*P2HD, AVC-Intra, DVCPRO HD” and “DVCPRO 50” logo are registered trademarks of Panasonic Corporation. SD Logo is a trademark. SDHC logo marks are a registered trademarks.
[Countries and Regions]
Panasonic Corporation
Argentina
Australia
Bahrain
Belgium
Brazil
Canada
China
Hong Kong
Czech Republic +420 236 032 552/511
Denmark
Egypt
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+358 (9) 521 52 53
France
Germany, Austria, Switzerland
+49 (0) 611 235 459
Greece
Hungary
India
+54 1 308 1610
+61 (0) 2 9491 7400
+973 252292
+32 (0) 2 481 04 57
+55 11 3889 4035
+1 905 624 5010
+86 10 6515 8828
+852 2313 0888
Kuwait
+96 522431385
+96 11665557
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Thailand
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U.A.E. (for All Middle East)
+971 4 8862142
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+886 2 2227 6214
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+90 216 578 3700
Lebanon
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New Zealand
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Professional AV Business Unit
2-15 Matsuba-cho, Kadoma, Osaka 571-8503
Japan
+60 3 7809 7888
+52 55 5488 1000
+31 73 64 02 577
+64 9 272 0100
+47 67 91 78 00
+92 5370320 (SNT)
+972 2 2988750
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+51 1 614 0000
+63 2 633 6163
+48 (22) 338 1100
+351 21 425 77 04
+1 787 750 4300
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+65 6270 0110
+380 44 4903437
+44(0)1344 70 69 13
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+45 43 20 08 57
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+33 (0) 1 47 91 64 00
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Slovak Republic +421 (0) 2 52 92 14 23
Slovenia, Albania, Bulgaria, Serbia,
Croatia, Bosnia, Macedonia, Montenegro
+36 (1) 382 60 60
+30 210 96 92 300
+36 (1) 382 60 60
+91 120 247 1000
+62 21 385 9449
Indonesia
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(Vida)
+98 21 2271463
(Panasonic Office)+98 2188791102
Italy
+39 02 6788 367
+962 6 5859801
+7 727 298 0891
+82 2 2106 6641
South Africa
Spain
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+27 11 3131622
Jordan
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+34 (93) 425 93 00
+46 (8) 680 26 41
+963 11 2318422/4
Factories of Business Solutions Business Group have
received ISO14001:2004-the Environmental Management
System certification. (Except for 3rd party’s peripherals.)
SP-HPX255PE1
25K201206ZP-2 Printed in Japan
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