32-3009.fm Page 1 Tuesday, August 10, 1999 8:31 AM
Cat. No. 32-3009
OWNER’S MANUAL
Please read before using this equipment.
SSM-1250
3-Channel Stereo Audio Mixer
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CONTENTS
Features ................................................................................................................ 4
Preparation ........................................................................................................... 6
Connecting the Outputs .................................................................................. 6
Connecting the Inputs ..................................................................................... 6
Connecting Power ........................................................................................... 8
Connecting a Lamp ......................................................................................... 8
Connecting Headphones ................................................................................ 9
Listening Safely ........................................................................................ 9
Operation ............................................................................................................ 10
Presetting the Input Signal Levels ................................................................ 10
Presetting the Microphone ...................................................................... 11
Presetting the Channel 1/2/3 Input Sources ........................................... 11
Checking the Sound ............................................................................... 14
Mixing the Inputs ........................................................................................... 15
Playing One Input Source ....................................................................... 15
Monitoring a Second Input Source ......................................................... 15
Switching to the Second Input Source .................................................... 16
Notes on Mixing ...................................................................................... 16
Using Talkover .............................................................................................. 17
Using the Tone Controls ................................................................................ 18
Troubleshooting ................................................................................................ 19
Care and Maintenance ...................................................................................... 20
Replacing the Fuse ....................................................................................... 21
Specifications .................................................................................................... 22
3
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FEATURES
Your Optimus SSM-1250 3-Channel Stereo Audio Mixer is a sophisticated control
center, perfect for mixing sound from multiple audio sources on three separate
channels such as microphones, tuners, CD players, turntables, or the audio out-
puts from VCRs. The mixer is ruggedly constructed for home or professional use.
Its wide-range volume controls let you adjust each audio source’s sound level so
you can get the best mix for playing through your sound system or for recording.
1 DJ Microphone Input — lets you
connect a balanced, low imped-
ance microphone with an XLR
plug.
6 Slide Volume Controls — for fin-
gertip control of sound mixing and
fading.
7 Cross Fader — lets you smoothly
2 Microphone Treble — lets you
switch between two input sources.
adjust the microphone’s treble.
8 Input Source Selectors — let
you easily choose the desired au-
dio input source to be played.
3 Microphone Bass — lets you ad-
just the microphone’s bass.
4 Assign Controls — lets you se-
9 Master Volume — lets you con-
trol the mixer’s overall volume lev-
el.
lect the input sources to be mixed.
5 Talkover — lowers the sound of
the input sources so you can talk
over them using the microphone.
10 Output Level VU Meters — indi-
cate the mixer’s total output signal
level.
4
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so you can monitor and prepare it
before mixing it in.
14 Cue/Program Control — lets you
balance the volume of the output
playing on the sound system and
the input being prepared for mix-
ing through the headphones.
15 Lamp Jack — lets you connect a
12V DC lamp to light the mixer
controls.
11 Mono/Stereo Selector — lets
you set the output to stereo or
monaural.
16 Phones Jack — lets you connect
a pair of stereo headphones with
1
a /4-inch plug.
12 Bass/Middle/Treble Controls —
let you adjust the tone of the se-
lected output to get just the right
sound.
17 Cue Level — lets you adjust the
headphone’s volume level.
18 Stereo Line Outputs — let you
connect the mixer’s output to your
receiver/amplifier and tape deck
so you can play the sounds from
your input sources through your
speaker system, and record them.
13 Cue Assign Controls — lets you
select the channel where the de-
sired audio input source is located
19 Stereo Line Inputs — let you
connect most line-level audio
sources such as a CD player, tape
deck, tuner, camcorder, or VCR.
20 Stereo Phono Inputs — for con-
necting low-level audio sources,
such as turntables with a magnet-
ic cartridge.
illustration of mixer back
21 Microphone Input — lets you
connect a low impedance micro-
1
phone with a /4-inch plug instead
of one with an XLR plug.
5
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PREPARATION
Warning: A sudden high output from
the mixer could damage your hearing,
especially if you use headphones, and
might also damage the audio devices
connected to the mixer’s output. Be-
fore using the mixer, make sure you
set your receiver/amplifier’s volume
control to its minimum volume level
setting.
illustration of output AMP
to sound system
Before you connect the AC power
cord, make sure you set POWER to off.
And, to avoid sudden and unusable
sound outputs from any audio devices
that you connect to the mixer, be sure
to have their power controls set to off
(and any tone controls set to flat).
To record the mixer’s output signal,
connect one end of an audio patch
cord (Cat. No. 42-2356, not supplied)
to the mixer’s REC L (white) and R
(red) output jacks, then connect the
other end to your tape deck’s left and
right line input jacks (matching left to
left, and right to right).
CONNECTING THE
OUTPUTS
To play the mixer’s output signal
through your sound system (for events
such as parties, dances, conferences,
and so on), connect one end of an au-
dio patch cord (Cat. No. 42-2356, not
supplied) to the mixer’s AMP L (white)
and R (red) output jacks, then connect
the other end to your receiver/amplifi-
er’s left and right line input jacks
(matching left to left, and right to right).
illustration of output REC
to recorder
AMP connections should
still appear
CONNECTING THE
INPUTS
You can connect up to four line-level
and up to two low-level audio input
sources to the input jacks on the back
of the mixer. You can also connect a
microphone to the mixer’s front or
back panel.
6
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1. Connect the line-level outputs from up to four audio sources (such as a CD
player, tape deck, tuner, camcorder, or VCR) to the LINE 1, LINE 2, LINE 3, and
LINE 4 input jacks (matching left to left, right to right).
illustration of line-level
connections
AMP and REC connections
should also appear
Do not connect an audio source with a line-level output to the low-
Caution:
level PHONO 1 or PHONO 2 input jacks.
2. Connect the low-level outputs from up to two audio sources (such as magnetic-
cartridge turntables) to the PHONO 1 and PHONO 2 input jacks (matching left to
left, right to right).
illustration of low-level
connections
AMP, REC, and line-level
connections should also
appear
If you connect magnetic-cartridge turntables, also connect their ground
Note:
wires (usually black or green) to GND.
7
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3. Connect a microphone (not sup-
plied) to the mixer.
CONNECTING POWER
Connect the power cord to a standard
AC outlet.
• If the microphone has an XLR
plug, connect it to MIC on the
top left corner of the front panel.
The power cord has a polarized
Note:
plug that fits only one way into a stan-
dard AC outlet. If the plug does not fit,
turn it clockwise so it fits properly. Do
not force the plug into the AC outlet or
you could damage the outlet or the
plug.
illustration of microphone
plug being inserted into jack
Do not show entire
microphone
CONNECTING A LAMP
1
• If the microphone has a /4-inch
The mixer has a 12V BNC lamp sock-
et for connecting a 12V DC/3W lamp
(RSU Cat. No. 11443363) so you can
see the control panel in dark or low-
light conditions.
plug, connectitto MICon thelow-
er right corner of the back panel.
illustration of microphone
plug being inserted into jack
Do not show entire
microphone
illustration of lamp
being connected
We recommend you do not
Note:
connect an XLR and a 1/4-inch
plug microphone to the mixer at
the same time.
Use only a 12V DC/3W
Caution:
lamp.
8
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Listening Safely
CONNECTING
HEADPHONES
Do not listen at extremely high volume
levels. Extended high-volume listening
can lead to permanent hearing loss.
To listen in privacy or monitor the au-
dio source inputs so you can locate an
exact passage or section before mix-
ing it, plug a pair of stereo head-
phones (not supplied) with a /4-inch
PHONES
plug into the
er’s right front panel.
To protect your hearing when you use
headphones, always follow these
guidelines to set the listening volume.
1
jack on the mix-
CUE LEVEL
• Set
to the lowest set-
ting before you begin listening.
• After you put on the headphones,
CUE LEVEL
adjust
to a comfort-
illustration of headphones
being connected
able listening volume level.
• Once you set your headphones’
volume, do not increase it. Over
time, your ears adapt to the vol-
ume level, so a level that no
longer causes discomfort might
still damage your hearing.
Your local RadioShack store carries a
wide selection of headphones.
9
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OPERATION
1. Set the volume levels on the out-
put devices (receiver/amplifier and
tape deck) to minimum and turn
them on.
PRESETTING THE INPUT
SIGNAL LEVELS
To avoid accidentally overdriving a
channel or prematurely mixing in an
audio input source, make sure you
start with the following settings:
2. Press POWER to turn on the mix-
er. The red power indicator lights.
• Volume slide controls set to 0
illustration of POWER
button w/indicator lit
illustration
3. Turn on the input sources you
want to mix.
4. Using the mixer requires two basic
operations:
• ASSIGN A and ASSIGN B set to
OFF
• Presetting the input signal lev-
els (see “Presettiing the Input
Signal Levels”)
• Mixing the audio input sources
(see “Mixing the Inputs” on
Page 15)
illustration
5. After you finish mixing, turn down
the volume on the output audio
devices, turn off the input and out-
put audio devices (amplifiers, tape
decks, and so on), then press
POWER so it pops up to turn off
the mixer. The power indicator
turns off.
• MIC TREBLE, MIC BASS, CUE LEV-
EL, TREBLE, MID, BASS, and
MASTER set to 0
illustration
10
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Rotate MASTER clockwise and tempo-
rarily set it to about the 5th marker.
Presetting the Microphone
1. If your microphone has an ON/
OFF control, set it to ON.
2. Set OFF/ON/TALKOVER to ON.
illustration
illustration
The MASTER volume control
Note:
adjusts the overall volume of DJ MIC,
CH1, CH2, and CH3.
The mixer uses two volume unit (VU)
meters to indicate the total stereo out-
put signal level. For the best results,
each input signal level should normal-
ly be set so the VU meters never
move into the red range (0 or above).
Distortion is likely to occur on audio
peaks if the meter moves into the red
range.
3. While continuously talking, adjust
DJ MIC until you get a reading of
up to 0 on both VU meters.
illustration DJ MIC
illustration of VU meters
at 0
4. Set OFF/ON/TALKOVER to OFF.
Presetting the Channel 1/2/3
Input Sources
For monaural output, set MONO/STE-
REO to MONO. For stereo output, set
MONO/STEREO to STEREO.
Before you mix channels 1, 2, and 3,
you must preset the input signal level
for each channel input source (up to
six sources).
illustration of mixer front
w/arrow to control
11
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PHONO 1
1. To preset the
input
to
If you did not connect an input source
to every jack or do not want to mix ev-
ery input source connected to the mix-
er’s input jacks, you do not need to
follow all the steps in this section. Af-
ter you decide which source(s) you
want to preset and mix, use this table
to determine which steps to follow.
PHONO 1 LINE 1
source, set
PHONO 1
/
.
illustration of
PHONO 1/LINE 1 set
to PHONO 1
To Preset
See Steps
Channel 1 Phono 1
Line 1
1–4
5
2. Start playback of the selected in-
put source.
Channel 2 Phono 2
Line 2
6–9
10
CH 1
3. Slowly slide up the
volume
level slide control until you get a
0
reading of up to
meters.
on both VU
Channel 3
Line 3
Line 4
11–14
15
Notes:
illustration of CH 1 control
• While you adjust the input signal
levels for channels 1, 2, and 3, ei-
ther use the headphones or turn
up the receiver/amplifier’s volume
to a comfortable listening level
(not necessarily the final usable
level).
Important: Write down or remem-
CH 1
ber the
volume level slide
control’s setting for the selected
audio source, so each time you
want to mix that source you can
• Do not play a quiet portion of mu-
sic while you adjust the volume
levels, otherwise the volume lev-
els for channels 1, 2, and 3 will be
overdriven during the loud por-
tions of the music.
CH 1
slide the
volume level slide
control to the correct setting.
Note: If it was necessary to set
CH 1
the
all the way to
reading of up to 0 on the VU
volume level slide control
10
in order to get a
CH 1
meter, then slide
down to
8
MASTER
about and rotate
clock-
wise until you get the reading of 0
on the VU meters.
12
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4. Stop playback of the selected in-
put source.
Write down or remem-
Important:
ber the CH 2 volume level slide
control’s setting for the selected
audio source, so each time you
want to mix that source you can
slide the CH 2 volume level slide
control to the correct setting.
5. To preset the LINE 1 input source,
set PHONO 1/LINE 1 to LINE 1.
Then repeat Steps 2–4.
If you have to readjust MAS-
Note:
TER when performing Step 3, re-
member that this affects the level
of the previously preset input
sources. You must readjust those
sources until you get a reading of
up to 0 on the VU meters for each.
If it was necessary to set
Note:
the CH 2 volume level slide control
all the way to 10 in order to get a
reading of up to 0 on the VU
meter, then slide CH 2 down to
about 8 and rotate MASTER clock-
wise until you get the reading of 0
on the VU meters.
6. To preset the PHONO 2 input
source, set PHONO 2/LINE 2 to
PHONO 2.
9. Stop playback of the selected in-
put source.
illustration of
PHONO 2/LINE 2 set
to PHONO 2
10. To preset the LINE 2 input source,
set PHONO 2/LINE 2 to LINE 2.
Then repeat Steps 7–9.
If you have to readjust MAS-
Note:
TER when performing Step 8, re-
member that this affects the level
of the previously preset input
sources. You must readjust those
sources until you get a reading of
up to 0 on the VU meters for each.
7. Start playback of the selected in-
put source.
8. Slowly slide up the CH 2 volume
level slide control until you get a
reading of up to 0 on both VU
meters.
11. To preset the LINE 3 input source,
set LINE 3/LINE 4 to LINE 3.
illustration of CH 2 control
illustration of
LINE 3/LINE 4 set to
LINE 3
12. Start playback of the selected in-
put source.
13
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16. To prevent prematurely mixing au-
dio sources, set all volume level
slide controls to 0.
13. Slowly slide up the CH 3 volume
level slide control until you get a
reading of up to 0 on both VU
meters.
Checking the Sound
1. Select one of the input sources,
then start playback of the selected
source.
illustration of CH 3 control
2. Set the volume level slide control
to the position you determined
during presetting. The VU meters
should show a reading of up to 0
dB.
Write down or remem-
Important:
ber the CH 3 volume level slide
control’s setting for the selected
audio source, so each time you
want to mix that source you can
slide the CH 3 volume level slide
control to the correct setting.
3. Turn up the receiver/amplifier’s
volume until it reaches the desired
level for the location or event
where the mixer will be used (this
can vary).
If it was necessary to set
Note:
the CH 3 volume level slide control
all the way to 10 in order to get a
reading of up to 0 on the VU
meter, then slide CH 3 down to
about 8 and rotate MASTER clock-
wise until you get the reading of 0
on the VU meters.
4. Adjust BASS, MID, and TREBLE to
get the desired sound (see “Using
the Tone Controls” on Page 18).
If adjusting BASS, MID, and
Note:
TREBLE causes the VU meters to
exceed 0 dB, rotate MASTER
counterclockwise until the read-
ing returns to 0. Then adjust your
output device (amplifier) volume
accordingly.
14. Stop playback of the selected in-
put source.
15. To preset the LINE 4 input source,
set LINE 3/LINE 4 to LINE 4. Then
repeat Steps 12–14.
5. Stop playback of the selected in-
put source.
If you have to readjust MAS-
Note:
Do not adjust MASTER after
checking the sound.
Note:
TER when performing Step 13, re-
member that this affects the level
of the previously preset input
sources. You must readjust those
sources until you get a reading of
up to 0 on the VU meters for each.
14
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2. Set the input source selector to
the preset input source you want
to play first through your sound
system.
MIXING THE INPUTS
You can connect input signals from up
to six audio sources, select any two,
then mix them so only one or both
play through your sound system.
illustration
Mixing requires three operations:
• Playing one input source
• Monitoring the next input source
• Switching to the next input source
3. Make sure the first input source’s
volume level slide control is set to
the correct preset position.
You can play either of the two select-
ed sources first.
4. Start playback of the input source.
Notes:
• Ensure the volume level slide con-
trol for the other input channel
source is set to 0.
Monitoring a Second
Input Source
Monitoring a second input source’s
signal level requires selecting the in-
put source that is not currently play-
ing, finding the desired section you
want to mix, then adjusting that
source’s sound level so it matches the
volume level of the source currently
playing.
• The CUE ASSIGN switches are
push-on and push-off. You can se-
lect more than one at a time.
Playing One Input Source
ASSIGN A
1. Set
to the desired
CROSS FADER
source, then set
to
1. Connect and put on headphones.
A
.
Note: You can listen to one chan-
nel through the headphones while
the other channel is playing
through the sound system.
illustration of ASSIGN A
set to 1 and CROSS
FADER set to A
ASSIGN B
2. Set
to the second input
source.
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tem, slide CROSS FADER from A
3. Press CUE ASSIGN for the second
to B.
input source.
illustration of CUE
ASSIGN with arrow to
CH 2
illustration of CROSS
FADER w/arrow
from A to B
4. Set the input source selector to
the input source you want to mon-
itor.
Slide CROSS FADER:
• To the left to fade in the channel
selected by ASSIGN A and fade
out the channel selected by AS-
SIGN B.
illustration
• To the right to fade in the chan-
nel selected by ASSIGN B and
fade out the channel selected
by ASSIGN A.
5. Start playback of the input source
you want to play next through your
sound system.
• To the center to equally mix the
two.
6. If necessary:
Notes on Mixing
• Adjust CUE LEVEL to a comfort-
able listening level.
• If you set CROSS FADER to A to
play the channel selected by AS-
SIGN A, then you must set CUE
ASSIGN to CH 1 to monitor CH 1, to
CH 2 to monitor CH 2, to CH 3 to
monitor CH 3, to CH 4 to monitor
CH 4, and to MIC to monitor DJ
MIC. The same applies when you
set CROSS FADER to B.
• Adjust the second input source
volume slide control to the cor-
rect preset position.
7. Set the input device to the desired
section of music, then stop or
pause the input device.
Switching to the Second
Input Source
• To mix any two inputs selected by
the ASSIGN switches, set each
ASSIGN switch to the desired
channel. Then use CROSS FADER
to mix the two.
1. Start playback of the second input
source.
2. When you are ready to play its
sound through your sound sys-
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32-3009.fm Page 17 Tuesday, August 10, 1999 8:31 AM
• Do not slide CROSS FADER to the
center if you want to monitor one
channel while the other is playing.
Otherwise, the sound from the
channel you monitor will also be
heard through your sound system.
Instead, slide CROSS FADER to
the channel you are not monitor-
ing. For example, to monitor chan-
nel 1 (selected by ASSIGN A)
while channel 2 (selected by AS-
SIGN B) is playing, slide CROSS
FADER to B.
USING TALKOVER
illustration of switch
set to TALKOVER
When you are not using the micro-
phone, leave OFF/ON/TALKOVER set
to OFF. The microphone’s input is
turned off and all other audio input
sources are unaffected.
• Use CUE/PGM to listen to the input
controlled by the CUE ASSIGN
switch and what is playing on the
currently selected output device.
When CUE/PGM is set to CUE, you
only hear the channel selected by
the CUE ASSIGN switches. When
CUE/PGM is set to PGM, you only
hear what is playing on the cur-
rently selected output device. Ro-
tate CUE/PGM to listen to both
inputs at the same time.
If you want to use a microphone:
• Set OFF/ON/TALKOVER to ON to
mix the microphone equally with
the other audio input sources.
• Set OFF/ON/TALKOVER to TALK-
OVER to mix the microphone at a
higher level than the other audio
input sources.
Your voice sounds clearly through
the microphone, but all the other
audio input sources sound at a
lower level. (This is useful for pag-
ing.)
17
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USING THE TONE
CONTROLS
Your mixer has one set of tone con-
trols for the microphone and another
set for channels 1, 2, and 3. You can
tailor the high and low frequency
sounds for the microphone and tailor
the high, low, and mid frequency
sounds for channels 1, 2, and 3.
illustration of mixer front
w/arrows to the control
locations
BASS MID
,
For normal sound, leave
TREBLE MIC BASS MIC
and
,
and
TREBLE
(or
for the microphone) set to .
0
TREBLE
+10
MIC TREBLE
Rotate
ward
(or
to increase, or toward – to
decrease the high frequency sounds.
) to-
10
MID
+10
to increase or
Rotate
toward
10
toward – to decrease the middle fre-
quency sounds.
BASS
MIC BASS
Rotate
+10
(or
to increase or toward – to de-
crease the low frequency sounds.
) toward
10
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TROUBLESHOOTING
With proper care and handling, your mixer should give you years of trouble-free
service. However, if your SSM-1250 is not working properly, follow these sugges-
tions to see if you can eliminate the problem. If you cannot, take the mixer to your
local RadioShack store for assistance.
Problem
Nothing works
Possible Solution
Check the AC power connection and make sure the AC
outlet is “live.”
Check all the connections to the system (amplifier/
receiver, input sources, and so on).
Check the fuse. See “Replacing the Fuse” on Page 21.
No signal from an audio Make sure the OFF/ON/TALKOVER switch is not set to
input source
TALKOVER.
Check the mixer’s and the source’s control settings.
Check the connection between the mixer and the input
source.
Hum from PHONO
sources
Make sure the turntable’s ground wire (usually black or
green) is connected to the GND screw on the back of
the mixer.
Hum from other input
sources
Make sure there are no low-level inputs connected to
the LINE input jacks.
Feedback “squeals”
Move the microphone further away from the output
speakers or use a unidirectional microphone.
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CARE AND MAINTENANCE
Your Optimus SSM-1250 3-Channel Stereo Audio Mixer is an example of superior
design and craftsmanship. The following suggestions will help you care for your
mixer so you can enjoy it for years.
Keep the mixer dry. If it gets wet, wipe it dry immediately. Liquids
might contain minerals that can corrode the electronic circuits.
Use and store the mixer only in normal temperature environments.
Temperature extremes can shorten the life of electronic devices and
distort or melt plastic parts.
Keep the mixer away from dust and dirt, which can cause premature
wear of parts.
Handle the mixer gently and carefully. Dropping it can damage circuit
boards and cases and can cause the mixer to work improperly.
Wipe the mixer with a damp cloth occasionally to keep it looking new.
Do not use harsh chemicals, cleaning solvents, or strong detergents
to clean the mixer.
Modifying or tampering with the mixer’s internal components can cause a mal-
function and might invalidate your mixer’s warranty. If your mixer is not performing
as it should, take it to your local RadioShack store for assistance.
20
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32-3009.fm Page 21 Tuesday, August 10, 1999 8:31 AM
REPLACING THE FUSE
The mixer uses a fuse for protection
from power surges and short circuits.
If the mixer suddenly turns off and will
not turn on, check the fuse. If neces-
sary, replace the fuse with a 0.5-amp,
1
250-volt, fast-acting, 11/4 × /4 inch fuse
such as Cat. No. 270-1003 (not sup-
plied).
Follow these steps to replace the fuse.
1. Disconnect power from the mixer.
2. Using a Phillips screwdriver, un-
screw the fuse compartment cap
on the back of the mixer.
illustration
3. Remove the old fuse and insert
the new one.
Caution: Make sure you replace
the fuse only with another fuse of
the same type and rating.
4. Replace the fuse compartment
cap.
5. Reconnect power.
21
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32-3009.fm Page 22 Tuesday, August 10, 1999 8:31 AM
SPECIFICATIONS
Input Sensitivity/Input Impedance
DJ Mic (XLR jack) ....................... 1.5 mV/600 Ohms, Balanced/Unbalanced
Mic 2 (Phone jack) ...................... 1.5 mV/600 Ohms, Balanced/Unbalanced
PHONO 1, PHONO 2 .............................................................. 3 mV/50 kOhms
LINE 1, LINE 2, LINE 3, LINE 4 ........................................... 150 mV/10 kOhms
Output Level
Main Out .................................................................................. 2 V/10 kOhms
Record .............................................................................. 100 mV/10 kOhms
Frequency Response .................................................... 20 Hz–20 kHz +3 dB
S/N Ratio (for 1 kHz Input)
Mic ........................................................................................................ 60 dB
Phono ................................................................................................... 70 dB
Line ...................................................................................................... 80 dB
Distortion
Mic ......................................................................................................... 0.2%
Phono .................................................................................................. 0.05%
Line ..................................................................................................... 0.03%
Tone Control (MIC)
Treble ................................................................................................. ±10 dB
Bass ................................................................................................... ±10 dB
Tone Control (MASTER)
Treble ................................................................................................. ±10 dB
Middle ................................................................................................. ±10 dB
Bass ................................................................................................... ±10 dB
Talkover Attenuation .................................................................................... –16 dB
Power Source .......................................................... AC 120V AC, 60 Hz, 20 Watts
Dimensions (HWD) ............................................................... 43/4 × 19 × 71/2 Inches
(120 × 482 × 192 mm)
Weight ...................................................................................................... 8 lbs 9 oz
(3.9 kg)
Specifications are typical; individual units might vary. Specifications are subject to
change and improvement without notice.
22
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32-3009.fm Page 23 Tuesday, August 10, 1999 8:31 AM
NOTES
23
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32-3009.fm Page 24 Tuesday, August 10, 1999 8:31 AM
Limited One-Year Warranty
This product is warranted by RadioShack against manufacturing defects in material and workman-
ship under normal use for one (1) year from the date of purchase from RadioShack company-owned
stores and authorized RadioShack franchisees and dealers. EXCEPT AS PROVIDED HEREIN, Ra-
dioShack MAKES NO EXPRESS WARRANTIES AND ANY IMPLIED WARRANTIES, INCLUDING
THOSE OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED
IN DURATION TO THE DURATION OF THE WRITTEN LIMITED WARRANTIES CONTAINED
HEREIN. EXCEPT AS PROVIDED HEREIN, RadioShack SHALL HAVE NO LIABILITY OR RE-
SPONSIBILITY TO CUSTOMER OR ANY OTHER PERSON OR ENTITY WITH RESPECT TO ANY
LIABILITY, LOSS OR DAMAGE CAUSED DIRECTLY OR INDIRECTLY BY USE OR PERFOR-
MANCE OF THE PRODUCT OR ARISING OUT OF ANY BREACH OF THIS WARRANTY, IN-
CLUDING, BUT NOT LIMITED TO, ANY DAMAGES RESULTING FROM INCONVENIENCE, LOSS
OF TIME, DATA, PROPERTY, REVENUE, OR PROFIT OR ANY INDIRECT, SPECIAL, INCIDEN-
TAL, OR CONSEQUENTIAL DAMAGES, EVEN IF RadioShack HAS BEEN ADVISED OF THE
POSSIBILITY OF SUCH DAMAGES.
Some states do not allow the limitations on how long an implied warranty lasts or the exclusion of in-
cidental or consequential damages, so the above limitations or exclusions may not apply to you.
In the event of a product defect during the warranty period, take the product and the RadioShack
sales receipt as proof of purchase date to any RadioShack store. RadioShack will, at its option, un-
less otherwise provided by law: (a) correct the defect by product repair without charge for parts and
labor; (b) replace the product with one of the same or similar design; or (c) refund the purchase
price. All replaced parts and products, and products on which a refund is made, become the prop-
erty of RadioShack. New or reconditioned parts and products may be used in the performance of
warranty service. Repaired or replaced parts and products are warranted for the remainder of the
original warranty period. You will be charged for repair or replacement of the product made after the
expiration of the warranty period.
This warranty does not cover: (a) damage or failure caused by or attributable to acts of God, abuse,
accident, misuse, improper or abnormal usage, failure to follow instructions, improper installation or
maintenance, alteration, lightning or other incidence of excess voltage or current; (b) any repairs
other than those provided by a RadioShack Authorized Service Facility; (c) consumables such as
fuses or batteries; (d) cosmetic damage; (e) transportation, shipping or insurance costs; or (f) costs
of product removal, installation, set-up service adjustment or reinstallation.
This warranty gives you specific legal rights, and you may also have other rights which vary from
state to state.
RadioShack Customer Relations, Dept. W, 100 Throckmorton St., Suite 600, Fort Worth, TX 76102
We Service What We Sell
3/97
RadioShack
A Division of Tandy Corporation
Fort Worth, Texas 76102
6A7
Printed in China
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