MM-15USB
Mini mixer
Owner’s Manual
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Warning
When.using.this.electronic.device,.basic.precautions.should.
always.be.taken,.including.the.following:
8. The.power.supply.cord.should:.(1).be.undamaged, (ꢀ) never.
share.an.outlet.or.extension.cord.with.other.devices.so.that.
the.outlet’s.or.extension.cord’s.power.rating.is.exceeded,.
and.(3).never.be.left.plugged.into.the.outlet.when.not.being.
used.for.a.long.period.of.time.
1. Read.all.instructions.before.using.the.product.
ꢀ. Do.not.use.this.product.near.water.(e.g.,.near.a.bathtub,.
washbowl,.kitchen.sink,.in.a.wet.basement,.or.near.a.
swimming.pool,.etc.).
9. Care.should.be.taken.so.that.objects.do.not.fall.into,.and.
liquids.are.not.spilled.through,.the.enclosure’s.openings.
10. The product should be serviced by qualified service
personnel.if:
3. This.product.should.be.used.only.with.a.cart.or.stand.that.
will.keep.it.level.and.stable.and.prevent.wobbling.
4. This.product,.in.combination.with.headphones.or.speakers,.
may.be.capable.of.producing.sound.levels.that.could.
cause.permanent.hearing.loss..Do.not.operate.for.a.long.
period.of.time.at.a.high.volume.level.or.at.a.level.that.is.
uncomfortable..If.you.experience.any.hearing.loss.or.ringing.
in.the.ears,.you.should.consult.an.audiologist.
5. The.product.should.be.positioned.so.that.proper.ventilation.is.
maintained.
A. The.power.supply.cord.or.the.plug.has.been.damaged.
B. Objects.have.fallen.into,.or.liquid.has.been.spilled.onto.
the.product.
C. The.product.has.been.exposed.to.rain.
D. The.product.does.not.appear.to.operate.normally.or.
exhibits.a.marked.change.in.performance.
K. The.product.has.been.dropped,.or.the.enclosure.
damaged.
ꢁ. The.product.should.be.located.away.from.heat.sources.
such.as.radiators,.heat.vents,.or.other.devices.(including.
amplifiers) that produce heat.
11. Do.not.attempt.to.service.the.product.beyond.what.is.
described.in.the.user.maintenance.instructions..All.other.
servicing should be referred to qualified service personnel.
7. The.product.should.be.connected.to.a.power.supply.only.of.
the.type.described.in.the.operating.instructions.or.as.marked.
on.the.product.
An equilateral triangle enclosing a lightning flash/arrowhead symbol
is intended to alert the user to the presence of uninsulated
“dangerous voltage” within the product’s enclosure which may be of
sufficient magnitude to constitute a risk of electric shock.
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
An equilateral triangle enclosing an exclamation point is intended to
alert the user to the presence of important operating and service
instructions in the literature enclosed with this unit.
Date.of.Purchase.
City.
Dealer’s.Name
.
.
State.
Zip
Model.#.
Serial.#
3
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Installation
INSTALLATION
To.ensure.years.of.enjoyment.from.your.NADY.AUDIO..
MM-15USB.mixer,.please.read.and.understand.this.manual.
thoroughly.before.using.the.unit.
1. INSPECTION
Your.NADY.AUDIO.MM-15USB.was.carefully.packed.at.the.
factory.in.packaging.designed.to.protect.the.units.in.shipment..
Before.installing.and.using.your.unit,.carefully.examine.the.
packaging.and.all.contents.for.any.signs.of.physical.damage.that.
may.have.occurred.in.transit.
[Please note: Nady Systems is not responsible for shipping
damage. If your unit is damaged, do not return to Nady, but
notify your dealer and the shipping company (if shipped to you)
immediately to make a claim. Such claims must be made by the
consignee in a timely manner].
ꢀ. POWER CONNECTION
The.MM-15USB.is.designed.to.operate.with.the.supplied
external.power.adapter..Please.make.sure.that
the.adapter.supplied.is.marked.for.the.correct.voltage
in.your.area.(120VAC/60.Hz.or.230VAC/50Hz)..Power
requirements.for.electrical.equipment.differ.from.area.to
area..In.new.installations.and.portable.sound.systems,.or
any.situation.in.which.the.AC.power.is.in.question,.it.is
wise.to.confirm.the.voltage.and.use.the.appropriate
power.adapter.unit.before.connecting.it.to.power.sources.
Check.to.see.that.the.power.adapter..is.set.to.the.voltage.for.your
area.by.referring.to.the.table.below:
Europe.(except.UK):.230V,.50Hz
UK.and.Australia:.240V,.50Hz
USA.and.Canada:.120V,.60.Hz
For.other.areas,.please.check.with.local.authorities.
.
When.ready.to.operate,.connect.the.switched-off.MM-15USB.and.
power.adapter.first,.then.plug.the.adapter.to.a.power.source.or.
wall.outlet..Make.sure.that.the.unit.is.turned.off.before.connecting.
to.the.AC.power.source.to.avoid.possible.loud.transients,.which.
can.damage.your.speakers.or.your.ears..Set.the.Main Level(21).
fader.control.to.minimum.to.further.reduce.the.chance.of.
undesired.noise.when.first.powering.up..Turn.on.your.MM-15USB.
using.the.rear.panel.ON/OFF.switch.
4
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Controls & Connections
2
12
11
1. CHANNEL SECTION
1
(1) MIC INPUT
This.electronically.balanced.XLR.input.is.designed.to.accept.
signals.from.any.balanced.or.unbalanced.low.impedance.(Low.Z).
microphone..The.XLR.jack.is.configured.for:.Pin1.=.ground,..
Pin2.=.positive.(+),.Pin3.=.negative.(-).
(ꢀ) LINE INPUT
This.1⁄4”.input.is.designed.to.accept.balanced.or.unbalanced.line-
level.signals.such.as.those.from.keyboards,.drum.machines,.or.
samplers..If.a.balanced.signal.is.to.be.connected.to.the.line.input,.
then.a.1⁄4”.TRS.(stereo).phone.plug.should.be.wired.for:..
Tip.=.positive.(+),.Ring.=.negative.(-),.Sleeve.=.ground..
Unbalanced.signals.should.use.a.typical.¼”.TS.plug.
3
4
[Note: Only the Mic or the Line input of a given channel should be
connected at one time. Do not connect both at the same time].
10
6
(3) LOW CUT FILTER
Use.this.Low-Cut.(high-pass).filter.(18.dB/octave,.-3.dB.at.110Hz).
for.reducing.floor.rumble,.popping,.breathing.noises,.woolly.
bottom.end,.and.to.tighten.up.channels.in.a.mix,.etc..It.is.most.
effective.when.used.carefully.in.conjunction.with.the.Equalizer
Controls(6).
7
8
(4) GAIN CONTROL
The.Gain.control.adjusts.the.input.sensitivity.of.the.mic.and.
line.inputs.on.each.channel..This.control.can.be.adjusted.to.
accommodate.input.signals.from.a.wide.variety.of.sources,.from.
the.high.outputs.of.keyboards.or.drum.machines.to.the.small.
signal.outputs.of.microphones..The.best.balance.of.S/N.and.
dynamic.range.will.be.achieved.if.you.adjust.the.Gain.control.on.
each.channel.separately.so.that.the.maximum.level.signal.can.
be.input.without.distortion..While.speaking,.singing,.or.playing.
an.instrument.at.maximum.performance.level,.increase.the.Gain.
control.until.the.Peak LED(5).flashes,.then.turn.down.the.Gain.
control.until.the.flashing.stops.
9
5
Channel Section
(5) PEAK LED INDICATOR
The.Peak.LED.illuminates.when.a.channel.input.is.overloading..
It.detects.the.peak.level.after.the.Equalizer Controls(6).and.will.
light.just.before.clipping.to.warn.that.the.signal.is.approaching.
overload..You.do.not.want.the.Peak.LED.to.light.except.very.
intermittently..If.it.lights.persistently,.reduce.the.Gain Control(4).
5
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Controls & Connections
(ꢁ) EQUALIZER CONTROLS
(10) PRE-FADER TO RECORD SWITCH
All.channels.are.fitted.with.a.three-band.EQ.-.HIGH,.MID,.and.
LOW..All.three.bands.have.up.to.15.dB.of.cut.and.boost,.with.a.
center.detent.for.OFF..The.frequency.response.is.flat.when.all.
three.EQ.knobs.are.in.the.center.detent.position..The.HIGH.and.
LOW.shelving.controls.have.their.frequencies.fixed.at.10KHz.
and.80Hz.respectively..The.MID.control.has.a.peaking.response.
at.2KHz..The.channel.EQ.is.a.valuable.feature.of.the.mixer.as.it.
Enabling.this.switch.will.route.the.input.signal.of.the.channel.to.the.
Record Outputs(30)..The.signal.will.be.post-EQ.and.pre.channel.
level.control.
(11) CHANNEL 3/4 & 5/ꢁ STEREO INPUTS
These.1⁄4”.and.RCA.unbalanced.inputs.are.designed.to.accept.
line.level.signals.such.as.those.common.to.CD/tape.players,.
allows.the.user.to.control.the.tonal.characteristics.of.each.channel. keyboards,.direct.outputs.and.home.stereo.or.DJ.equipment..
separately..For.example,.boosting.the.LOW.can.fatten.the.sound,.
add.warmth.to.vocals,.or.extra.punch.to.bass,.drums.and.synths;.
the.MID.control.can.be.used.to.define.the.midrange.or.bring.out.
the.vocals;.and.adjusting.the.HIGH.control.can.provide.a.crisp.
sounding.high.end..Another.very.important,.yet.often.overlooked.
technique.is.to.use.the.EQ.to.subtract.from.the.mix..Cutting.the.
HIGH.control.can.reduce.unwanted.sibilance,.hiss,.cymbals,.
or.high.frequency.feedback,.while.attenuating.the.MID.or.LOW.
can.also.eliminate.feedback.or.clear.up.a.muddy.sounding.mix..
Cutting.the.HIGH.and.LOW,.then.pushing.up.the.Channel Level
Control(6).is.equivalent.to.mid.range.boost!.
The.1⁄4”.inputs.can.also.be.used.as.standard.mono.line.inputs.by.
plugging.into.the.L.input.only..This.signal.will.be.routed.equally.to.
the.Pan.control.and.the.left.and.right.outputs.in.the.same.way.as.
the.standard.line.input.channels..
For.each.channel.there.are.separate.A.and.B.stereo.inputs..Using.
both.sets.of.inputs.simultaneously.can.cause.some.level.issues,.
which.may.require.the.volume.of.the.preceding.equipment.to.be.
adjusted..The.“A”.1/4”.inputs.are.always.enabled..To.utilize.the.“B”.
RCA.inputs,.the.B Enable Switch(12).must.be.depressed..This.
allows.the.user.to.switch.on.the.B.input.source.instantaneously..
[Note: Always check the channel’s Peak LED Indicator(5) after
(1ꢀ) B ENABLE SWITCH
altering the amount of equalization].
Depressing.this.switch.will.turn.on.the.B.Inputs.of.channels.3/4.
and.5/6.
The.key.to.successful.equalization.is.to.avoid.excess..Too.
much.equalization.on.the.input.channels.will.result.in.a.mix.that.
is.smeared.together.with.nothing.specifically.defined..During.
rehearsals,.experiment.with.the.equalizer.controls.on.various.
instruments,.vocals.and.combinations.of.these.mixed.together.to.
become.familiar.with.various.equalizer.settings.
(7) AUX SEND CONTROL
This.control.adjusts.the.level.of.signal.sent.to.the.Aux Send(23).
output..The.channel.Aux.Send.control.is.mono,.post-EQ,.and.
post-Level.control.meaning.the.signal.level.sent.to.the.Aux.bus.will.
also.be.affected.by.the.Channel Level(9).setting..
(8) PAN
The.channel.Pan.positions.the.output.of.the.channel.in.the.
left/right.stereo.field.of.the.Main.mix..Its.constant-power.design.
ensures.there.are.no.level.discrepancies.whether.a.signal.is.hard-
panned,.center-stage,.or.somewhere.in-between..For.channels.3⁄4
.
and.5⁄6.this.acts.as.a.balance.control.
(9) CHANNEL LEVEL
This.controls.the.volume.of.the.channel.signal.sent.to.the.Main.
bus.
ꢁ
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Controls & Connections
(15) MAIN TO REC/USB OUT SWITCH
This.switch.enables.the.Main.left.and.right.signals.to.be.sent.
to.the.1⁄8”.mini.output,.rear.panel.Record.Outputs,.and.the.USB.
output..
22
14
13
(1ꢁ) AUX TO REC SWITCH
15
16
This.switch.enables.the.channel.Aux.Send.signals.to.be.sent.
to.the.1⁄8”.mini.output,.rear.panel.Record.Outputs,.and.the.USB.
output..Both.the.Main.left.and.right.signals.and.the.Aux.Send.
signals.can.be.simultaneously.sent.to.these.outputs.if.both.
switches.(15.&.16).are.enabled.
17
(17) AUX RETURN LEVEL
18
19
21
This.adjusts.the.level.from.the.Aux.Return(24).that.is.sent.to.the.
Main.Mix.
20
(18) TAPE/USB TO MIX
Enabling.this.switch.actually.mixes.a.set.of.inputs.onto.the.main.
bus..Depressing.this.pushbutton.switch.will.send.the.rear.panel.
Tape Inputs(31),.USB Input(32),.and.Stereo Mini Input(25).
signals.to.the.Main.mix.which.can.then.be.adjusted.by.the.Main
Level(21).fader.control.
Main Control Section
(19) TAPE/USB TO CONTROL SWITCH
This.switch.will.toggle.between.monitoring.the.Main.mix.and.
a.set.of.other.inputs..When.the.switch.is.disabled.(button.
out),.the.Main.mix.signals.are.sent.to.the.Control.Room.and.
Headphone.outputs..Enabling.the.switch.(button.depressed).
will.send.the.rear.panel.Tape Inputs(31),.USB Input(32),.and.
ꢀ. MAIN CONTROL SECTION
(13) PHANTOM POWER
When.this.switch.is.depressed,.+48V.of.phantom.power.will.be.
supplied.to.the.XLR.mic.inputs.to.power.condenser.microphones.. Stereo Mini Input(25).signals.exclusively.to.the.Control.Room.
The.phantom.power.LED.will.illuminate.when.the.switch.is.
and.Headphone.outputs..Either.signals.can.then.be.adjusted.by.
the.Control Room Level(20).control..Also,.when.this.switch.is.
enabled,.the.Dual Channel LED Meter(14).will.indicate.the.signal.
levels.of.the.rear.panel.Tape.Inputs,.USB.Input,.and.Stereo.Mini.
Input.signals.and.not.the.Main.mix.
depressed.to.ON..
[Note: When turning on the Phantom Power(13) turn the Main
Level fader to minimum to avoid audible transient noise].
(14) DUAL CHANNEL LED METER
(ꢀ0) CONTROL ROOM LEVEL
This.dual.4-stage.stereo.output.LED.VU.meter.will.display.the.
relative.output.level.of.the.Left.and.Right.Main.output.or.the.1/8”.
mini.stereo.input.if.the.Tape/USB to Control Room(19).switch.is.
enabled.
This.adjusts.the.level.of.the.Control.Room.and.the.Headphones.
outputs.
(ꢀ1) MAIN LEVEL
This.fader.control.adjusts.the.final.level.of.the.main.stereo.signal.
that.is.sent.to.Main Outputs(21).
The.top.red.Peak.LED.will.light.when.the.output.signal.is.just.
below.clipping..It.is.acceptable.if.the.red.LED.lights.occasionally..If.
the.red.LED.lights.more.than.occasionally,.you.should.turn.down.
the.corresponding.volume.control.to.avoid.audible.distortion.
(ꢀꢀ) POWER LED
The.LED.will.illuminate.when.the.unit.is.switched.on.
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Controls & Connections
24
29
28
27
23
25
26
Master Input/Output Section
3. MASTER INPUT / OUTPUT SECTION
(ꢀ3) AUX SEND
there.is.no.output.at.the.1⁄8”.output.
(ꢀ7) MAIN OUTPUTS
The.Aux.Send.jack.provides.a.mono.mixed.signal.from.the.input.
channels,.which.can.be.connected.to.an.external.effects.unit.or.
other.devices..The.signal.is.adjusted.by.the.channel.Aux Send(7).
controls.of.each.channel.and.is.post.channel.level.control.
These.unbalanced.1⁄4”.jacks.output.the.final.Main.Mix.Left.and.
Right.line.level.signals.
(ꢀ8) HEADPHONES
The.Headphones.1⁄4”.stereo.output.can.be.used.to.monitor.either.
the.Main.mix.or.a.set.of.other.inputs.depending.on.the.position.of.
the.Tape/USB to Control(19).switch.
(ꢀ4) AUX RETURN
These.balanced.Left.and.Right.Aux.¼”.inputs.can.be.used.to.
return.the.effected.signal.into.the.MM-15USB.or.it.can.be.used.
as.an.auxiliary.input.for.line.level.devices..The.signal.level.is.
adjusted.by.the.Aux Return(17).control.
The.headphone.jack.will.power.headphones.with.impedances.
of.8 or.greater..The.Control.Room.output.jack.must.be.left.
^.
unplugged.while.headphones.are.being.used..Inserting.a.plug.
into.the.Control Room (29).output.automatically.configures.the.
unit.for.Control.Room.mode,.thereby.disabling.the.headphone.
Right.signal.and.allowing.the.Headphones.jack.to.be.used.as.a.
Control.Room.Left.output.
(ꢀ5) STEREO MINI INPUT
This.1/8”.stereo.mini.input.can.be.used.to.input.stereo.audio.
signals.from.any.piece.of.equipment.with.line.level.or.headphone.
level.outputs,.in.particular.cassette,.CD,.or.MP3.players..The.
Tape/USB To Mix(18).pushbutton.switch.must.be.enabled.for.the.
1/8”.input.signal.to.be.mixed.onto.the.Main.bus.
(ꢀ9) CONTROL ROOM
Inserting.a.plug.into.the.Control.Room.right.1⁄4”.jack.automatically.
configures.the.unit.for.Control.Room.mode..This.1⁄4”.TS.jack.will.
output.the.Right.signal..The Headphones(28).1⁄4”.TS.jack.will.out-
put.the.Left.line.level.signal..These.L-R.outputs.can.be.connected.
(ꢀꢁ) STEREO MINI OUTPUT
This.1/8”.TRS.jack.outputs.a.line.level.stereo.signal..When.the.
Aux to Record(16).switch.is.enabled,.the.Channel.Aux.bus.
signal.is.sent.to.both.L.and.R.connections.on.the.TRS.jack..When. to.an.amp.used.to.power.stereo.control.room.monitor.speakers,.
the.Main to Rec/USB(15).switch.is.enabled.the.1⁄8”.output.signal.
is.post.Main.fader.and.true.stereo.L/R..Both.Aux.and.Main.signals.
can.be.output.simultaneously..When.both.switches.are.disabled,.
or.used.for.any.output.application.
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Controls & Connections
35
34
32
33
31
30
Rear Panel
4. REAR PANEL
ꢀ..Configure.your.DAW.software.to.select.the.mixer.as.your.input.
or.output.device..This.can.usually.be.done.in.your.Hardware.Op-
tions.by.selecting.“USB.Audio.Device”.
(30) RECORD OUT
The.Record.Out.Left.and.Right.RCA.jacks.provide.signal.output.to. 3..Or,.you.can.select.“USB.Audio.Device”.as.your.input.device.in.
recording.devices,.home.audio.equipment,.or.external.amplifiers..
These.outputs.take.the.signal.from.the.Main.bus,.the.Aux.Send.
bus,.or.a.combination.of.both.depending.on.the.positions.of.the.
Main To Rec/USB(15).and Aux To Rec(16).switches..
your.Sound.options.under.System.Preferences..
You.may.experience.a.delay.in.hearing.your.audio.if.monitoring.
in.real.time..Such.a.slight.delay.is.called.“latency”.and.is.common.
for.many.types.of.software.used.with.this.unit..If.real.time.coinci-
dence.of.the.input.and.amplified.signal.heard.though.the.comput-
er.monitors.is.required.then.certain.software.may.be.necessary.
(31) TAPE IN
The.Left.and.Right.Tape.Input.RCA.jacks.allow.stereo.receivers,.
cassette.recorders,.CD.players,.or.any.external.equipment,.to.be.
added.to.the.Main.mix.outputs.pre-Main.Level.control..
(33) S/PDIF OPTICAL INPUT AND COAXIAL OUTPUT
The.S/PDIF.I/O.exclusively.provides.a.direct.digital.link.between.
the.USB.interface.and.compatible.S/PDIF.devices..This.facilitates.
a.direct.digital.transfer.at.sample.rates.of.up.to.48kHz.
(3ꢀ) USB INPUT/OUTPUT
The.USB.I/O.can.be.connected.directly.to.any.computer.with.a.
USB.1.0.(or.higher).port.for.easy.plug-and-play.operation.using.a.
standard.“A-B”.USB.cable..For.playback,.make.sure.the.Tape/
USB To Mix(18).and.Tape/USB To Control(19).switches.are.set.
appropriately.for.desired.signal.routing..For.recording,.Make.sure.
The.digital.optical.input.receives.S/PDIF.digital.input.through.a.
TOSLINK.cable..Digital.input.is.automatically.selected.when.a.
proper.input.signal.is.detected..The.digital.input.will.automatically.
override.the.audio.from.the.mixer.section.to.the.USB.output.
the.Main To Rec/USB Out(15).and.Aux To Rec(16).switches.are. The.digital.coaxial.output.transmits.S/PDIF.digital.output.to.com-
set.appropriately.to.select.your.desired.signal.source..
Windows
patible.devices..The..coaxial.connection.requires.75.ohm.coaxial.
cable..
1. Connect.the.MM-15USB.to.the.computer.using.a.standard.“A-
B”.USB.cable..Your.computer.may.automatically.set.up.the.MM-
15USB.as.its.Playback.and.Recording.Device..If.not,.to.set.your.
MM-15USB.as.such.a.device,.open.the.control.panel..
Note.also.that.optical.input.will.not.be.converted.to.analog,.nor.will.
analog.be.converted.to.digital.coax..The.top.panel.selector.but-
tons.have.no.effect.on.this.operation..Also,.this.interface.does.not.
require.the.mixer.to.be.on..USB.power.is.all.that.is.needed...
ꢀ. Access.Sounds.and.Audio.Devices.through.the.Setting>Control. When.transmission.is.first.initiated,.or.if.it.is.interrupted,.it.may.
Panel..
be.necessary.to.restart.software.applications.and/or.unplug.and.
3. In.the.Audio.tab,.select.“USB.Audio.Device”.as.the.Sound.
Playback.device.if.you.want.to.send.audio.from.the.computer.to.
the.MM-15USB..For.sending.audio.from.the.MM-15USB.into.the.
computer,.select.“USB.Audio.Device”.as.the.Sound.Recording.
device..
reconnect.USB.cable.
(34) POWER ON/OFF SWITCH
Use.this.rocker.switch.to.turn.the.unit.on.and.off. [Note: When
operating the power switch, turn the Main Level fader to minimum
to avoid audible transient noise].
4. Your.audio.player.or.recording.software.may.also.input.and.
output.configurations.that.need.to.be.to.the.“USB.Audio.Device”
Mac OS
(35) AC IN SOCKET
1..Connect.the.MM-15USB.to.your.Mac.using.a.standard.“A-B”.
USB.cable..
Connect.the.corresponding.plug.of.the.supplied.external.AC.pow-
er.adapter.to.this.socket.before.plugging.the.AC.power.adapter.
into.a.wall.outlet.
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Specifications
1
BALANCED XLR MIC INPUTS CH. 1-ꢀ
Maximum Total Gain (EQ’s @ mid):.+63dB
Maximum Input: +6.5dBu
⁄8” MINI-JACK STEREO INPUT
Maximum Total Gain:.+17dB
Input Sensitivity:.+5.5dBu
Input Impedance: 10kΩ
Input Impedance: 1.2kΩ
Sensitivity:.-53dBu.
1
⁄
8” MINI-JACK STEREO OUTPUT
BALANCED TRS LINE INPUTS CH. 1-ꢀ
Maximum total gain (EQ’s @ mid):.+42dB
Maximum Input: +17dBu
Maximum Output: +9.5dBu/.+7dBu
Output Impedance: 4kΩ
Input Impedance: 15kΩ
STEREO RCA TAPE INPUTS
Maximum Total Gain: +17dB
Input Sensitivity: +2dBu
Input Impedance: 10kΩ
Sensitivity: -33dBu.
BALANCED MONO/STEREO ¼” LINE INPUTS CH. 3-4
Maximum Total Gain (EQ’s @ mid): +17dB
Maximum Input: >.+17dBu
STEREO RCA TAPE OUTPUTS
Maximum Output: +14dBu
Output Impedance: 1kΩ
Input Impedance: 20kΩ (10kΩ mono mode)
Sensitivity: +6dBu.nominal
STEREO RCA LINE INPUTS CH. 3-4
Maximum Total Gain (EQ’s @ mid): +15dB
Maximum Input:.+13dBu/.+10dBV
Input Impedance: 10kΩ
DIGITAL I/O
USB:.B.style.connector.for.USB.1.0.or.higher.
Optical Input: TOSLINK.(S/PDIF)
Optical Output: Coaxial for 75Ω cable (S/PDIF)
Sensitivity:.+2dBu/.0dBV
GENERAL
EQUALIZER
Phantom Power: +48VDC,.globally.selected.
Frequency Response: 20Hz.–.22kHz.(+⁄-.3dB)
THD: <.1%
Low, Mid and High EQ’s:.+⁄-.15dB.@.100.Hz,.2.5kHz,.12kHz
Low Cut Switch: -6dB.cut.@.110Hz
S/N Ratio:.-92dB
AUX RETURN, BALANCED, STEREO ¼”
Maximum Total Gain (EQ’s @ mid): +10dB
Input Impedance: 12kΩ
Noise Floor: 200uV.(all.controls.at.mid)
AC/AC Power Adapter:.Input.115VAC./.60Hz
.
Output.21VAC.800mA
Sensitivity: +17dBu
Weight:.2.65.lbs..(1.2.Kg)
AUX SEND ¼” OUTPUT
Maximum Output: +23.dBu
Output Impedance: 100Ω
Dimensions (HWD):.2.1”.x.6.75”.x.8.3”.(53.x.171.x.211mm)
The.specifications.above.are.correct.at.the.time.of.printing.of.this.
manual..For.improvement.purposes,.all.specifications.for.this.unit,.
including.design.and.appearance,.are.subject.to.change.without.
prior.notice.
MAIN UNBALANCED L/R STEREO OUTPUTS
Maximum Output: +17dBu
Output Impedance: 100Ω
¼” CONTROL RM/ HEADPHONE OUTPUTS
Maximum Output (into 10k Ω load): +.17.dBu
Maximum Power: 112mW (into 32Ω load)
Output Impedance: 500Ω
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Notes
11
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Service For Your NADY AUDIO Product
(U.S.) Should.your.NADY.AUDIO.product.require.service,.please.contact.the.NADY.Service.Department.via.telephone.
.
(International) For.service,.please.contact.the.NADY.AUDIO.distributor.in.your.country.through.the.dealer.from.whom.
you.purchased.this.product.
Do not attempt to service this unit yourself as it can be dangerous and will also void the warranty.
NADY SYSTEMS, INC.
6701.Shellmound.Street,..
Emeryville,.CA.94608
Tel:.510.652.2411./Fax:.510.652.5075.
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