OWNERS MANUAL
LUNATEC V2
MICROPHONE PREAMPLIFIER
PO Box 204 Boulder, CO. 80306
voice: 303.443.7454
fax: 303.444.4634
email: [email protected]
Revision A December, 1998
© Copyright 1998, Lunatec LLC
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FRONT PANEL CONTROLS
GAIN CONTROL Each gain control has 11 positions and adjusts the voltage gain from
10dB to 60dB in 5dB steps.
TRIM CONTROL The trim control provides 10dB of continuously variable output
attenuation. In the fully clockwise position the trim is at unity (no attenuation). In the fully
counter-clockwise position the trim is at -10dB. For reference, the 3 o’clock position is -4dB
and the 12 o’clock position is -8dB. The trim control should be left in the fully clockwise
position during normal recording.
PHANTOM POWER This switch provides 48 volts to power condenser microphones. The
phantom power switch (labeled +48) connects the +48V power supply to pins 2 and 3 on
the XLR input connector. Alternatively, the V2 can be configured to provide 12V Parallel
power. Please contact the factory for information on this option.
PEAK INDICATOR The LED peak indicator, which monitors the signal between the input
and output amplifiers, illuminates the green LED at -14dBu and illuminates the red LED at
+16dB (10dB before clipping).
HIGH PASS FILTER (labeled HPF) Sometimes referred to as a bass roll-off, the HPF uses
a three position toggle switch to select two different low cut corner frequencies and an OFF
position. Position 1 is the higher cutoff frequency and Position 2 is the lower cutoff
frequency. Internal jumpers allow for selection of either 6dB/octave or 12dB/octave slope.
The cutoff two frequencies can be set at 50Hz/100Hz or 75Hz/125Hz. Selecting HPF
switch position 1 sets the roll-off to the higher frequency while switch position 2 sets the
roll-off to the lower frequency. The 12dB/octave filter employs a transitional Thompson-
Butterworth response for the best combination of passband flatness and time domain
response. See section II for detailed jumper setting information.
POWER SWITCH The power switch connects power from the DC input connector to the
preamplifier circuitry. If the preamplifier is connected to a charged battery or other DC
power supply the POWER LED will illuminate.
POWER LED Indicates that the V2 is turned on and connected to an adequate power
source. NOTE: The 6 Volt V2 automatically turns off if the battery or power source voltage
drops below 5.5V. The 12 Volt V2 automatically turns off if the battery or power source
voltage drops below 11.0V.
LOW BATT For the 6 Volt V2 the low battery indicator flashes if the battery voltage drops
below 5.75V. For the 12 Volt V2 the low battery indicator flashes if the battery drops below
11.5V.
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CONNECTING THE PREAMPLIFIER
AUDIO CONNECTIONS
Input connections are made using female XLR connectors. These are wired with pin 2
positive, pin 3 negative and pin 1 ground. 48V phantom power, if used, is supplied on pins
2 and 3.
Output connections are made using male XLR connectors or RCA phono jacks. The XLR
connectors are wired with pin 2 positive, pin 3 negative and pin 1 ground. Use the RCA
phono jacks for unbalanced output. If the XLR outputs are to be used unbalanced, a
modified cable is required and pin 3 should be left open. See figure 2 below. The XLR and
the RCA outputs can be used simultaneously.
HOT
2
1
GND
SHIELD
3
(OPEN)
Figure 2. UNBALANCED OUTPUT CABLE TERMINATION
POWER SUPPLY CONNECTIONS
A four pin XLR connector is used for the DC power input of the V2. The V2 can be ordered
to operate from either 6 or 12 Volt power sources. Pins 1 and 2 are ground and pins 3 and
4 are either 6 or 12V DC. To avoid compatibility problems it is recommended that 6 Volt
systems be wired to use pin 3 for hot (+6v) and pin 2 for ground while 12 Volt systems
should be wired to use pin 4 for hot (+12v) and pin 1 for ground. The V2 current draw
ranges from .38A to .62A depending on the microphone used.
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OPERATION
SETTING THE GAIN
Turn the gain control fully counter-clockwise, turn the trim control fully clockwise and check
that the +48V phantom power is off. Connect the microphone to the preamplifier and then
turn the phantom power switch on if required. When sending a signal to a tape recorder
that has fixed input levels, simply increase the gain until the optimum recording level is
reached.
When sending a signal to a tape recorder with a variable input use the following procedure:
Turn the gain control fully counter-clockwise, turn the trim control fully clockwise. Set the
record level control on the recorder to 12 o’clock or midway between minimum and
maximum. With the sound source present, turn the preamplifier gain control clockwise until
the peak LED begins flashing red, then reduce the gain until the red stops flashing. Since
red indicates a peak level which is 10dB before clipping, it is OK for it to come on
occasionally during recording. Adjust the recorder input control for the optimum recording
level.
The trim control can be used for ultra fine output level adjustment as well as for level riding
during recording. It should be noted that the maximum output level of the preamplifier is
reduced by the amount of output attenuation being used. For instance, if the trim is set to -
6dB the maximum output level of the preamplifier will drop from +26dBu to +20dBu. Since
the LED peak indicator monitors signal level before the trim control it will always monitor
the actual preamplifier headroom regardless of the trim control setting. It is best to leave
the trim control fully clockwise for normal recording operations. This ensures that the
preamplifier will be operated at the minimum necessary gain setting.
USING THE V2 IN M-S MODE
In MS mode the preamplifier accepts the Mid signal in channel 1 and the Side signal in
channel 2. The channel 1 output (XLR or RCA) provides the “sum” of the inputs and the
channel 2 output (XLR or RCA) provides the “difference” of the inputs. In the MS mode the
CH 1 GAIN control adjust the amount of Mid signal in the “sum” and “difference” outputs.
The CH 2 GAIN control adjusts the amount of SIDE signal in the “sum” and “difference”
outputs. It is best to leave the TRIM controls at “0” and use the gain controls to adjust the
stereo field. Equal gain on both channels will provide the widest stereo perspective while
reducing the gain of the SIDE channel will decrease the width of the stereo field.
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BATTERY CONSIDERATIONS
With a standard pair of 48V condenser microphones the V2 draws roughly .48A. In our lab
we have tested the V2 with an ECO-CHARGE Beta 6V 7.2A/h battery system. The V2
shuts down automatically after 13+ hours with a pair of Countryman Isomax II microphones.
Note that this represents a complete discharge of a new and completely charged battery
and if used in this fashion repeatedly the battery would degrade rapidly. 10 hours would be
a conservative estimate.. A simple formula to determine useful battery life in hours is
Hours= C ¸ .7 where C is the capacity of the battery in Amp-Hours. We have set the LOW
BATTERY threshold so that the LED begins flashing after about 8 hours of run time (or
about 5 hours before shutdown) to encourage the user to avoid deep discharges.
However, no two batteries have the exact same discharge characteristics so the low battery
threshold may represent different levels of reserve for different batteries.
The V2 can be set at the factory to run at 6 or 12V. The current drain is the same at either
voltage but the total power consumption will be twice as high for the 12V system. Also, it is
normal for a 12Volt V2 to run warm to the touch.
JUMPER SETTINGS
In addition to the front panel controls, the Lunatec V2 has several options that can be
selected with internal jumpers. Before making any changes to the internal jumpers always
disconnect any power source from the V2, switch both +48 switches to the on position and
wait for 1 minute before removing the top cover. This is to assure that all power has been
discharged from the capacitors used in the power supply circuit. Refer to Figure 3 on page
6 for jumper locations for preamplifiers with serial number #V054 and below. Refer to
figure 4 for preamplifiers with serial number #V055 and above.
STEREO-MS MODE The V2 operates in a standard 2 channel stereo mode as well as MS
or Mid-Side mode. Jumpers J7 and J17 select the mode.
HIGH PASS FILTERS J5 and J6 select the filter slope for CH1. J18 and J19 select the
filter slope for CH 2. J9 and J10 select the frequency range for CH 1. J15 and J20 select
the frequency range for CH 2.
HIGH PASS FILTER JUMPER SETTINGS
J9,J10,J15,J20
LOW
HIGH
HPF SWITCH
POSITION
1
2
1
2
CUTOFF
100Hz
50Hz
125Hz
75Hz
FREQUENCY
Table 1. HPF Filter Frequency Selection
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Figure 3. Circuit Board Jumper Locations SN #V054 and below
Figure 4. Circuit Board Jumper Locations SN #V055 and above
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SPECIFICATIONS
EIN
@60dB gain
<130dB
FREQUENCY RESPONSE
+/- 3dB @60dB gain:
6Hz-250kHz
THD+N
+20dBu out @20dB gain
+20dBu out @40dB gain
+20dBu out @60dB gain
0.0011%
0.0011%
0.0046%
INTERMODULATION DISTORTION
@40dB gain +25dBu out
<.0025%
<-130dB
<8°
NOISE - REFERRED TO INPUT
@60dB gain 50 Ohm source
PHASE DEVIATION
50-20Khz
CROSSTALK
Either Channel
-109dB
CMRR
@60dB gain, 3.5Vcm, 1KHz
@60dB gain, 3.5Vcm, 10KHz
Output CMRR
80dB
97dB
60dB
MAXIMUM OUTPUT LEVEL
Balanced
+27dB
Unbalanced
+21dBu
IMPEDANCE
Input
Output
Minimum Load Impedance
1600Ohms
150Ohms
600Ohms
WEIGHT
2.4lbs (1.1kg)
DIMENSIONS
L5.5” x W8.3” x H1.6”
POWER CONSUMPTION
500mA DC 6-12V
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