tm
CW10
u s e r ’ s m a n u a l
®
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Contents
This device complies with part 15
of the FCC Rules. Operation is
subject to the following two con-
ditions: (1) This device may not
cause harmful interference, and
(2) this device must accept any
interference received, including
interference that may cause unde-
sired operation.
Contentsꢀ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ 3
Introductionꢀ&ꢀInstallationꢀinꢀBriefꢀꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ 4
Introduction
CW10
Installation in Brief
AboutꢀtheꢀControls ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ 5
ConnectionsꢀandꢀControlꢀSettingsꢀꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ 6
Before Connecting the CW10
Tested to Comply
with FCC Standards
FOR HOME OR OFFICE USE
2-Channel Mode
Multi-Channel/LFE Modeꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ 7
AC Power Connection ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ ꢀ 8
Replacing the Fuse
WARNING!
• Hazardous voltages exist inside—do not
Break-In
remove cover.
Placementꢀꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ 9
• Refer servicing to a qualified technician.
• To prevent fire or shock hazard, do not
expose this module to moisture.
• Unplug subwoofer should any abnormal
conditions occur.
Listening Position
Ask Your Dealer
Enjoy Yourself
Installing in a Cabinet
RoomꢀAcousticsꢀꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ 10
Your Room
Terminology
In accordance with the European Union WEEE (Waste
Electrical and Electronic Equipment) directive effective
August 13, 2005, we would like to notify you that this
product may contain regulated materials which upon
disposal, according to the WEEE directive, require special reuse and
recycling processing.
HomeꢀTheaterꢀ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ 11
FrequentlyꢀAskedꢀQuestionsꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ 12
Troubleshooting ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ 13
GeneralꢀInformationꢀ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ 14
ꢀ Specifications
Warranty and Registration
Service
For this reason MartinLogan has arranged with our distributors in
European Union member nations to collect and recycle this product at no
cost to you. To find your local distributor please contact the dealer from
whom you purchased this product, email [email protected] or visit
DimensionalꢀDrawings ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ 15
GlossaryꢀofꢀAudioꢀTermsꢀ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ ꢁ 16
Please note, only this product itself falls under the WEEE directive.
When disposing of packaging and other related shipping materials we
encourage you to recycle these items through the normal channels.
The lightning bolt flash with arrowhead symbol, within
an equilateral triangle, is intended to alert the user to
the presence of uninsulated “dangerous voltage” within
the product’s enclosure that may be of sufficient magni-
tude to constitute a risk of electric shock.
The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in
the literature accompanying the appliance.
WARNING! Do not use your CW10 loudspeakers outside of the country of original sale—voltage requirements
vary by country. Improper voltage can cause damage that will be potentially expensive to repair. The CW10 is
shipped to authorized MartinLogan distributors with the correct power supply for use in the country of intended sale.
Contents
3
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IntroduCtIon & InstallatIon In BrIef
Introduction
Installation in Brief
Congratulations! You have invested in one of the
world's premier subwoofers.
We know that you are eager to hear your new CW10
subwoofer, so this section is provided to allow fast and
easy set up. Once you have it operational, please take
the time to read, in depth, the rest of the information in
this manual. It will give you perspective on how to attain
the greatest possible performance from this most exacting
subwoofer system.
The MartinLogan CW10 represents the extension of
an intensive, dedicated team research program direct-
ed toward establishing a world class line of reference
subwoofers using leading-edge technology, without com-
promising durability, reliability, craftsmanship or aesthetics.
If you experience any difficulties in setup or operation of
the CW10, please refer to the Placement, Room Acoustics
and Connections and Control Settings sections.
The CW10 subwoofer uses a 10-inch high-excursion driv-
er to achieve deep, tight, well-defined bass. A proprietary
amplifier is used to drive the output stage with precision
and extremely high efficiency. Low-pass filtering and
phase control have been designed to make integrating the
CW10 subwoofer with MartinLogan and non-MartinLo-
gan products both seamless and simple.
Should you encounter a persistent problem that cannot
be resolved, please contact your authorized MartinLogan
dealer. They will provide you with the appropriate technical
analysis to alleviate the situation.
The materials in your new CW10 subwoofer are of the
highest quality and will provide years of enduring enjoy-
ment and deepening respect. The cabinet is constructed
from the finest composite material for acoustical integrity
and is finished with an attractive custom coating.
Stepꢀ1:ꢀUnpacking
Remove your new subwoofer from its packing.
Stepꢀ2:ꢀPlacement
Ideally, place the CW10 in a corner near the front of
the room. This is a good place to start. Please see the
Placement section (page 9) of this manual for more details.
This User's Manual will explain in detail the operation of
your CW10 subwoofer and the philosophy applied to its
design. A clear understanding will insure that you obtain
maximum performance and pleasure from this most exact-
ing subwoofer.
Stepꢀ3:ꢀSignalꢀConnection
Use the best cables you can. High quality cables, available
from your specialty dealer, are recommended and will
give you superior performance.
Attach your preamplifier/processor outputs through cables
to the signal input area located on the CW10’s rear
panel. Please see the Connections and Control Settings
section (pages 6–8) of this manual for more details.
Stepꢀ4:ꢀPowerꢀConnectionꢀ(AC)ꢀ(seeꢀwarning)
Make sure the level knob is set at 'Min'. Plug the CW10
subwoofer into a wall outlet. Review the AC Power
Connection section (page 8) of this manual for more details.
Stepꢀ5:ꢀSettingꢀtheꢀControls
Set the level knob to a medium volume position (12 o'clock).
Set the power switch to ‘Auto On'.
Stepꢀ6:ꢀListenꢀandꢀEnjoy
Now, you may adjust your system and enjoy!
4
Introduction & Installation in Brief
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aBout the Controls
Figure 1. CW10 controls.
LevelꢀKnob
LowꢀPassꢀFilterꢀKnob
Setting the level too high will cause the bass to seem bloat-
ed and is the single most common cause of bad sounding
subwoofers. A rule of thumb is that the subwoofer should
not draw attention to itself, but should simply make the sys-
tems low end seem more extended and accurate.
When the CW10 is connected in multi-channel mode (via
its LFE input), the low pass filter is not active and your pro-
cessor handles the bass management. When connected
in 2-channel mode via its line level left/right input, the
low-pass filter is active.
PhaseꢀControlꢀSwitch
As a general rule the low pass filter should be set equal
to approximately 70% of your speaker’s lowest frequency
response. Remember, this is a general rule. We advise
that once you try the recommended setting using the for-
mula above, you should try the surrounding settings to see
which sounds best.
The phase control is entirely dependent on the size and
configuration of your listening environment, the placement
of the unit, and your seating arrangement. Due to the way
bass sound waves develop in different rooms, there is
no rule of thumb for setting phase. For instance, if your
room has a peak at the subwoofer crossover area, you
may wish to set the phase so the actual acoustic outputs
of the subwoofer and main speakers are out of phase.
Experiment, try different settings and be patient.
StatusꢀLED (not shown above)
When the status LED (located on the front bottom of the
subwoofer) is blue, the subwoofer is on. When the status
LED is off the subwoofer is in standby mode.
Crossover
When the CW10 is connected in multi-channel mode (via
its LFE input), the crossover switch should be set to 'Bypass
(LFE In)' so that the low pass filter is not active and your
processor handles the bass management.
MasterꢀPowerꢀSwitch (not shown above)
Located on the back panel of the subwoofer, the Master
Power switch must be set to 'Auto On' for the subwoofer
to operate. When set to 'Auto On' the subwoofer will
automatically enter a power saving mode when no audio
signal is detected. The subwoofer will automatically come
out of power saving mode when a signal is detected.
When connected in 2-channel mode (via its left and right
inputs), the crossover switch should be set to 'Variable (L&R
In)' so that the low-pass filter is active.
About the Controls
5
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ConneCtIons and Control settIngs
Before Connecting the CW10
MartinLogan's engineering and design team developed
the CW10 for easy setup and system integration. Before
beginning to connect your CW10, please review the
controls discussed in the last section. An understanding of
these will help speed you along as you connect and inte-
grate your CW10 with your system. All signal connections
are done on the rear connections panel of the CW10.
Make certain that all of your connections are tight.
3 While playing music with bass content, turn the level
control up until the music has deep extended bass,
being careful to avoid levels that become overwhelming.
4 Try the phase control in different settings until the best
blending is obtained.
WARNING! Turn your CW10 subwoofer
to 'Off' before making or breaking any
signal connections!
2-Channel Mode
This setup is recommended if your CW10 will be used
in a 2-channel system with main speakers playing full
range. When a signal is connected to the CW10’s left/
right inputs and the crossover switch is set to 'Variable (L&R
In), the CW10’s internal low pass filter is active.
If you will be using your system for both 2-channel and
multi-channel listening we recommend connecting the
CW10 as recommended in 'Multi-Channel/LFE Mode'
on the next page. Some modern receivers and processors
allow users to route left and right channel low-frequen-
cy information, in addition to discrete LFE information,
through the LFE output.
SignalꢀConnectionꢀ(seeꢀfigureꢀ2):
1 Connect the left and right outputs of your preamplifier
to the left and right inputs of the CW10 using qual-
ity RCA interconnects. If your preamplifier only has one
set of outputs you may need to obtain Y adapters from
your dealer.
Figure 2. Signal connection for 2-channel mode.
RecommendedꢀControlꢀSettingsꢀ(seeꢀfigureꢀ3):
1
2
Set the crossover switch to 'Variable (L&R In)'.
Set the 'Low Pass Filter' knob to approximately 70% of
your loudspeakers lowest frequency response.
Figure 3. Control settings for 2-channel mode.
6
Connections and Control Settings
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Multi-Channel/LFE Mode
This setup is recommended if your CW10 will be used in
a dedicated home theater or multi-channel system. When
a signal is connected to the subwoofer’s LFE input, and the
crossover switch is set to 'Bypass (LFE In)' the internal low
pass filter is not active. By following this setup, you will allow
your processor to handle most of the bass management.
Pass: 24dB. The optimal setting for these options may vary
depending on your room and listening preferences.
4 Adjust the phase control until ideal blending is obtained. If
you hear no discernible difference leave the phase at 0°.
5 Follow the instructions in your processor manual to fine-
tune the subwoofer level
If you will be using your system for both 2-channel and
multi-channel listening we recommend using this setup
and connection method. Some modern receivers and
processors allow users to route left and right channel
low-frequency information, in addition to discrete LFE infor-
mation, through the LFE output.
SignalꢀConnectionꢀ(seeꢀfigureꢀ4):
1 Connect the LFE output of the processor to the LFE input
using a quality RCA interconnect.
WARNING!
Based on the performance of most proces-
sors, it is recommended that MartinLogan
center and effects type speakers (i.e. Motif,
Matinee, Stage, etc.) not be run in large,
wide, or full range mode. Doing so may
potentially damage the speaker if the proces-
sor attempts to drive the speaker beyond its
rated frequency range. This warning also
applies to products from other manufacturers.
It is recommended to run center and effects
type speakers in limited or narrow mode.
Some processors have an option to route the LFE
channel to your main and/or surround speakers.
We recommend that you do not use this option.
Figure 4. Signal connection for multi-channel mode.
RecommendedꢀControlꢀSettingsꢀ(seeꢀfigureꢀ5):
1
Set the crossover switch to 'Bypass (LFE In)'.
2 Use the bass management section of your processor‘s
speaker level setup option to set the subwoofer level at an
appropriate level. Follow the instructions in your processor
manual to fine-tune the subwoofer level.
3 If your processor offers the option to setup crossovers for a
subwoofer, we recommend that you start with the following
settings—Crossover: 70Hz, High-Pass: 12dB, and Low-
Figure 5. Control settings for multi-channel mode.
Connections and Control Settings
7
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AC Power Connection
Replacing the Fuse
The power cord should be firmly inserted into any conve-
nient AC wall outlet. The CW10 also integrates a signal
sensing power supply that automatically switches off after
sensing no music signal for several minutes (this will cause
the status LED to turn off).
If the fuse in your CW10 should require changing, turn off
and unplug your CW10 before removing the fuse. Replace
the bad fuse with a matching T 1.6A L 250V (T 0.8A L
250V if you are in a region using 230V).
Your CW10 subwoofer is wired for the power service sup- Break-In
plied in the country of original consumer sale. The AC power
rating applicable to a particular unit is specified both on the
packing carton and on the serial number plate attached to
the subwoofer.
Our custom made woofers require approximately 50 hours
of break-in at moderate listening levels before their optimal
performance occurs. This will factor in on any critical listening
and judgment.
If you remove your CW10 subwoofer from the country of
original sale, be certain that AC power supplied in any sub-
sequent location is suitable before connecting and operating
the subwoofer. Substantially impaired performance or severe
damage may occur to the CW10 subwoofer if operation is
attempted from an incorrect AC power source.
8
Connections and Control Settings
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PlaCement
Listening Position
Generally, subwoofers have the most output when placed
in the corner of a room. However, this can also exagger-
ate the subwoofers output making blending difficult. We
recommend starting by placing the CW10 in a corner.
If, after the full range of tuning techniques have been
employed, the subwoofer sounds like it has too much upper
bass energy try pulling it away from the wall, toward the
listening position. This will lessen the reinforcement of these
problematic frequencies from the wall and likely smooth out
the response. Repeat the tuning techniques with the woofer
controls after you move it (see figure 6).
Ask Your Dealer
Your MartinLogan dealer can suggest many options for
optimal subwoofer placement. They also have many tools
at their disposal, such as experience, familiarity with the
associated equipment, and even sound analysis equipment
which may make the task of determining optimal subwoofer
placement easier.
Figure 6. CW10 Subwoofers as the LFE (effects) channels, MartinLogan
Motion 12 speakers as front channels, and Motion 4 speakers as surround
(effects) channel and Motion 8 as the center channel. Note the corner
placement of the CW10 at the front of the listening room.
Enjoy Yourself
The CW10 is a very refined subwoofer and will benefit
from care in setup. With the above placement tips in mind
you will find, over months of listening, that small changes
can result in measurable differences. As you live with your
subwoofer, do not be afraid to experiment with positioning
until you find the optimal relationship between your room,
settings and subwoofer that gives you the best results. Your
efforts will be rewarded.
Installing in a Cabinet
When placing the CW10 inside of a cabinet it is recom-
mended that there be a minimum of three inches of open
space between the cabinet and the front and back sides
(see figure 7).
Figure 7. Placing the CW10 in a cabinet requires a minimum of three
inches of open space on the front and back.
Placement
9
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room aCoustICs
Your Room
Terminology
This is an area that requires both a little background to
understand and some time and experimentation to attain
the best performance from your system.
StandingꢀWaves
Sound coming from a speaker bounces around in a room
until a pattern emerges—this is called a standing wave.
Typically, this is only a problem with frequencies below
100Hz. When this happens different parts of your room
experience either an excess or a lack of bass.
Your room is actually a component and an important part
of your system. This component is a large variable and can
dramatically add to or subtract from a great sonic experience.
Some people believe that having a room without parallel
walls will eliminate this effect. The truth is that non-parallel
walls only generate different standing wave patterns than
those that occur in rectangular rooms.
All sound is composed of waves. Each frequency has its
own wave size, with the lower, or bass frequencies literally
encompassing from 10 feet to as much as 40 feet. Your
room participates in this wave experience like a swim-
ming pool with waves reflecting and becoming enhanced
depending on the size and shape of the room and the
types of surfaces in the room.
Usually, you can excite most of the standing waves in a
room by putting the CW10 in a corner. Listening position
determines which standing waves you will experience.
For instance, if you sit in a corner you will hear most of
the standing waves. This can be an overpowering experi-
ence. Sitting next to a wall can also intensify the levels of the
standing waves that are experienced.
Remember that your audio system can actually generate
all of the information required to recreate a sonic event in
time, space, and tonal balance. Acoustically, the role of
an ideal room would be to neither delete nor contribute
to that information. However, nearly every room does to
some degree.
ResonantꢀSurfacesꢀandꢀObjects
All of the surfaces and objects in your room are subject to
the frequencies generated by your system. Much like an
instrument, they will vibrate and "carry on" in syncopation
with the music, and may contribute in a negative way to the
sound. Ringing, boominess, and even brightness can occur
simply because surfaces and objects are "singing along"
with your speakers.
ResonantꢀCavities
Small alcoves or closet type areas in your room can be
chambers that create their own "standing waves" and can
drum their own "one note" sounds.
10
Room Acoustics
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home theater
It had long been the practice of stereo buffs to connect their
television to a stereo system. The advantage was the use
of the larger speakers and more powerful amplifier of the
stereo system. Even though the sound was greatly improved, it
was still mono and limited by the broadcast signal.
speaker, and that it is recommended for use as a center
speaker. This is not the place to cut corners.
SurroundꢀSpeakers
We recommend (along with the film industry) that the sur-
round speakers play down to at least 80 Hz. Surround
speakers contain the information that makes it appear that
planes are flying over your head. Some may suggest that
this is the place to save money and purchase small, inex-
pensive speakers. If you choose to do so, be prepared
to upgrade in the future as discrete multi-channel digital
encoding is proliferating rapidly and the demands on sur-
round speakers have increased.
In the late 1970’s and early 1980’s two new home
movie formats became widely available to the public:
VCR and laser disc.
By 1985, both formats had developed into very high quality
audio/video sources. In fact, the sonic performance of some
video formats exceeded audio-only formats. Now, with
theater-quality sound available at home, the only element
missing was the "surround sound" presentation found in
movie houses.
Subwoofer
With any good surround system you will need one or
more high-quality subwoofers (the .1 in a 5.1, 6.1, or 7.1
channel surround system). Most movie soundtracks contain
large amounts of bass information as part of the special
effects. Good subwoofers will provide a foundation for the
rest of the system.
Fortunately, Dolby and DTS encoded DVD’s emerged
with the same surround sound information encoded on
home releases as the theatrical release. Additionally,
new high-resolution home-viewing formats such as Blu-ray
as well as high-definition content provided via cable or
satellite have evolved which include multi-channel encod-
ed audio that is virtually master tape quality. All that is
required to retrieve this information is a decoder and addi-
tional speakers and amps to reproduce it.
Home theater is a complex purchase and we recommend
that you consult your local MartinLogan dealer, as they
are well versed in this subject.
Each piece of a surround system can be purchased sepa-
rately. Take your time and buy quality. No one has ever
complained that the movie was too real. The following list
and descriptions will give you only a brief outline of the
responsibilities and demands placed on each speaker.
FrontꢀLeftꢀandꢀFrontꢀRight
If these speakers will be the same two used for your stereo
playback, they should be of very high quality and able to play
loudly (over 102 dB) and reproduce bass below 80 Hz.
CenterꢀChannel
This is the most important speaker in a home theater
system, as almost all of the dialogue and a large por-
tion of the front speaker information is reproduced by the
center channel. It is important that the center speaker
be extremely accurate and mate well with the front
Figure 8. CW10 Subwoofers as the LFE (effects) channels, MartinLogan
Motion 12 speakers as front channels, and Motion 4 speakers as surround
(effects) channel and Motion 8 as the center channel.
Home Theater
11
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frequently asked questIons
Frequently Asked Questions
HowꢀdoꢀIꢀcleanꢀmyꢀsubwoofer?
Use a dust free cloth or a soft brush to clean your subwoofer.
We recommend a specialty cloth (available through the
anything else we have tried.
Isꢀitꢀsafeꢀtoꢀsetꢀthingsꢀonꢀmyꢀsubwoofer?
While your CW10 is designed with a durable, stain-resistant
surface, we advise you not to set anything on your CW10—
especially containers holding liquids.
Isꢀthereꢀlikelyꢀtoꢀbeꢀanyꢀinteractionꢀbetweenꢀ
myꢀsubwooferꢀandꢀtheꢀtelevisionꢀinꢀmyꢀAudio/ꢀ
Videoꢀsystem?ꢀ
Yes. The CW10 subwoofer doesn’t use a shielded driver.
We recommend 3 feet between the CW10 subwoofer
and video components that are susceptible to magnetic
fields.
Willꢀmyꢀelectricꢀbillꢀgoꢀ'skyꢀhigh'ꢀbyꢀleavingꢀmyꢀ
subwooferꢀpluggedꢀinꢀallꢀtheꢀtime?ꢀ
No. The CW10, when the power switch is set to ‘Auto
On’, will draw about 12 watts when idle and only 12
watts in standby mode.
ShouldꢀIꢀunplugꢀmyꢀsubwooferꢀduringꢀaꢀthun-
derstorm?ꢀ
Yes, or before. It's a good idea to disconnect all of your
audio/video components during stormy weather.
12
Frequently Asked Questions
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trouBleshootIng
Troubleshooting
NoꢀOutput
• Check that all your system components are turned on.
• Check that the master power switch adjacent to the AC
receptacle is set to 'Auto On'.
• Check your wires and connections.
• Check all interconnecting cables.
• Make sure the level control is not turned down.
• Turn off and unplug the CW10 and check the fuse
near the AC power cord receptacle on the back. If the
fuse has blown, replace the bad fuse with a matching
T 1.6A L 250V fuse (T 0.8A L 250V if you are in a
region using 230V).
• If the problem persists, contact your dealer.
MuddyꢀBass
• Check placement. Try moving the subwoofer closer to
the front and side walls.
• Decrease the level.
• Check your processor setup.
• If the problem persists, contact your dealer.
HumsꢀorꢀUnusualꢀSounds
• Turn the CW10 off, unplug all signal inputs, turn the
CW10 back on and turn up the level. If the problem
disappears, the hum is originating elsewhere in your
system.
• Connect the CW10’s AC connection to the same AC cir-
cuit as the pre amp.
• If the problem persists, contact your dealer.
Troubleshooting
13
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general InformatIon
Specifications
Warranty and Registration
The CW10 subwoofer system consists of a single
woofer for high SPL output with minimal distortion. The
equalization used is specifically designed to counteract
the response of the woofers sealed box response. This
equalization leads to minimal group delay and proper
transient response.
Your CW10 subwoofer is provided with an automatic
Limited 90 Day Warranty coverage.
You have the option, at no additional charge, to receive
Limited 3-Year Warranty coverage. To obtain the Limited
3-Year Warranty coverage you need to complete and
return the Certificate of Registration, included with your
subwoofer, and provide a copy of your dealer receipt, to
MartinLogan within 30 days of purchase.
SystemꢀFrequencyꢀResponse
29–200 Hz ± 3 dB. Anechoic in the LFE mode.
LowꢀPassꢀFilterꢀFrequencies
50Hz–200Hz
For your convenience MartinLogan also offers online warranty
LowꢀPassꢀFilterꢀSwitch
Bypass (LFE In), Variable (L&R In)
MartinLogan may not honor warranty service claims unless
we have a completed Warranty Registration card on file!
Phase
0°, 180°
If you did not receive a Certificate of Registration with your
new CW10 subwoofer you cannot be assured of having
received a new unit. If this is the case, please contact your
authorized MartinLogan dealer.
Components
10” (25.4cm) high-excursion, polypropylene cone with
extended throw driver assembly; ported
Service
Amplifier
120 watts RMS (360 watts peak)
Should you be using your MartinLogan product in a country
other than the one in which it was originally purchased,
we ask that you note the following:
Impedance
Left & Right/LFE RCA – 20,000 Ohms
1 The appointed MartinLogan distributor for any given
country is responsible for warranty servicing only on units
distributed by or through it in that country in accor-
dance with its applicable warranty.
Inputs
Left & Right/LFE RCA Line Level
MainsꢀPowerꢀDraw
Standby: 12W
Idle: 12W
2 Should a MartinLogan product require servicing in a
country other than the one in which it was originally
purchased, the end user may seek to have repairs per-
formed by the nearest MartinLogan distributor, subject
to that distributor's local servicing policies, but all cost
of repairs (parts, labor, transportation) must be born by
the owner of the MartinLogan product.
Max: 120W
Weight
28.5 lbs. each (12.9 kg)
Size
13 inches W x 15.27 inches D x 14.69 inches H
(33cm W x 38.8cm D x 37.3cm H)
3 If, after owning your subwoofer for six months, you relocate
to a country other than the one in which you purchased
your subwoofer, your warranty may be transferable.
Contact MartinLogan for details.
14
General Information
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dImensIonal drawIngs
Dimensional Drawings
15
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glossary of audIo terms
AC. Abbreviation for alternating current.
DC. Abbreviation for direct current.
Active crossover. Uses active devices (transistors, ICs, tubes)
and some form of power supply to operate.
Diffraction. The breaking up of a sound wave caused
by some type of mechanical interference such as a cabinet
edge, grill frame or other similar object.
Amplitude. The extreme range of a signal. Usually mea-
sured from the average to the extreme.
Diaphragm. A thin flexible membrane or cone that vibrates
in response to electrical signals to produce sound waves.
Arc. The visible sparks generated by an electrical discharge.
ATF. The abbreviation for advanced thin film.
Bass. The lowest frequencies of sound.
Distortion. Usually referred to in terms of total harmonic
distortion (THD) which is the percentage of unwanted har-
monics of the drive signal present with the wanted signal.
Generally used to mean any unwanted change introduced
by the device under question.
Bi-Amplification. Uses an electronic crossover, or line-level
passive crossover, and separate power amplifiers for the
high and low frequency loudspeaker drivers.
Driver. See transducer.
Dynamic Range. The range between the quietest and the
Capacitance. That property of a capacitor which deter-
mines how much charge can be stored in it for a given
potential difference between its terminals, measured in
farads, by the ratio of the charge stored to the potential
difference.
loudest sounds a device can handle (often quoted in dB).
Efficiency. The acoustic power delivered for a given elec-
trical input. Often expressed as decibels/watt/meter
(dB/w/m).
Capacitor. A device consisting of two or more conducting
plates separated from one another by an insulating material
and used for storing an electrical charge. Sometimes called
a condenser.
ESL. The abbreviation for electrostatic loudspeaker.
Headroom. The difference, in decibels, between the peak
and RMS levels in program material.
Clipping. Distortion of a signal by its being chopped off. An
overload problem caused by pushing an amplifier beyond
its capabilities. The flat-topped signal has high levels of
harmonic distortion which creates heat in a loudspeaker
and is the major cause of loudspeaker component failure.
Hybrid. A product created by the marriage of two different
technologies. Meant here as the combination of a dynam-
ic woofer with an electrostatic or ATF transducer.
Hz (Hertz). Unit of frequency equivalent to the number of
cycles per second.
CLS. The abbreviation for curvilinear line source.
Imaging. To make a representation or imitation of the original
Crossover. An electrical circuit that divides a full bandwidth
signal into the desired frequency bands for the loudspeaker
components.
sonic event.
Impedance. The total opposition offered by an electric
circuit to the flow of an alternating current of a single fre-
quency. It is a combination of resistance and reactance and
is measured in ohms. Remember that a speaker’s imped-
ance changes with frequency, it is not a constant value.
dB (decibel). A numerical expression of the relative loudness
of a sound. The difference in decibels between two sounds is
ten times the Base 10 logarithm of the ratio of their power levels.
16
Glossary of Audio Terms
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Inductance. The property of an electrical circuit by which
a varying current in it produces a varying magnetic field
that introduces voltages in the same circuit or in a nearby
circuit. It is measured in henrys.
Resistor. A device used in a circuit to provide resistance.
Resonance. The effect produced when the natural
vibration frequency of a body is greatly amplified by
reinforcing vibrations at the same or nearly the same fre-
quency from another body.
Inductor. A device designed primarily to introduce induc-
tance into an electrical circuit. Sometimes called a choke
or coil.
Sensitivity. The volume of sound delivered for a given
electrical input.
Linearity. The extent to which any signal handling process
is accomplished without amplitude distortion.
Stator. The fixed part forming the reference for the moving
diaphragm in a planar speaker.
Midrange. The middle frequencies where the ear is the
most sensitive.
THD. The abbreviation for total harmonic distortion. (See
Distortion)
NAC. The abbreviation for natural ambience compensation.
TIM. The abbreviation for transient intermodulation distortion.
Passive crossover. Uses no active components (transistors,
ICs, tubes) and needs no power supply (AC, DC, battery)
to operate. The crossover in a typical loudspeaker is of the
passive variety. Passive crossovers consist of capacitors,
inductors and resistors.
Transducer. Any of various devices that transmit energy
from one system to another, sometimes one that converts
the energy in form. Loudspeaker transducers convert elec-
trical energy into mechanical motion.
Phase. The amount by which one sine wave leads or lags
a second wave of the same frequency. The difference is
described by the term phase angle. Sine waves in phase
reinforce each other; those out of phase cancel.
Transient. Applies to that which lasts or stays but a short
time. A change from one steady-state condition to another.
Tweeter. A small drive unit designed to reproduce only
high frequencies.
Pink noise. A random noise used in measurements, as it
has the same amount of energy in each octave.
Wavelength. The distance measured in the direction of
progression of a wave, from any given point character-
ized by the same phase.
Polarity. The condition of being positive or negative with
respect to some reference point or object.
White noise. A random noise used in measurements, as it
RMS. Abbreviation for root mean square. The effective value
of a given waveform is its RMS value. Acoustic power is
proportional to the square of the RMS sound pressure.
has the same amount of energy at each frequency.
Woofer. A drive unit operating in the bass frequencies only.
Drive units in two-way systems are not true woofers but are
more accurately described as being mid/bass drivers.
Resistance. That property of a conductor by which it opposes
the flow of electric current, resulting in the generation of
heat in the conducting material, usually expressed in ohms.
Glossary of Audio Terms
17
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WARNING!ꢀDo not use your CW10 loudspeakers outside of the country of original sale—voltage require-
ments vary by country. Improper voltage can cause damage that will be potentially expensive to repair. The
CW10 is shipped to authorized MartinLogan distributors with the correct power supply for use in the country
martinlogan.com.
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