Kawai Electronic Keyboard CE200 User Manual

Digital Piano  
CE200  
Owner’s Manual  
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Important Safety Instructions  
SAVE THESE INSTRUCTIONS  
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS  
WARNING  
TO REDUCE THE RISK OF  
CAUTION  
FIRE  
OR  
ELECTRIC  
SHOCK, DO NOT EXPOSE  
THIS PRODUCT TO RAIN  
OR MOISTURE.  
RISK OF ELECTRIC SHOCK  
DO NOT OPEN  
AVIS : RISQUE DE CHOC ELECTRIQUE  
- NE PAS OUVRIR.  
TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK).  
NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.  
The lighting flash with arrowhead symbol, within  
The exclamation point within an equilateral triangle  
is intended to alert the user to the presence of  
important operating and maintenance (servicing)  
instructions in the leterature accompanying the  
product.  
an equilateral triangle, is intended to alert the user  
to the presence of uninsulated "dangerous voltage"  
within the product's enclosure that may be of  
sufficient magnitude to constitute a risk of electric  
shock to persons.  
Examples of Picture Symbols  
denotes that care should be taken.  
The example instructs the user to take care not to allow fingers to be trapped.  
denotes a prohibited operation.  
The example instructs that disassembly of the product is prohibited.  
denotes an operation that should be carried out.  
The example instructs the user to remove the power cord plug from the AC outlet.  
Read all the instructions before using the product.  
WARNING - When using electric products, basic precautions should always be followed,  
including the following.  
Indicates a potential hazard that could result in death  
WARNING or serious injury if the product is handled incorrectly.  
The product should be connected to  
an AC outlet of the specified  
voltage.  
G If you are going to use an AC power cord,  
make sure that its has the correct plug shape  
and conforms to the specified power voltage.  
G Failure to do so may result in fire.  
120V  
230V  
240V  
Do not insert or disconnect the power  
cord plug with wet hands.  
Doing so may cause electric shock.  
The chair must be used properly(it must be  
used only when playing the product).  
Doing so may cause the chair to fall over or your  
fingers to be trapped, resulting in injury.  
G Do not play with it or stand on it.  
G Only one person is allowed to sit on it.  
G Do not sit on it when opening the lid.  
When using the headphones, do not  
listen for long periods of  
time at high volume levels.  
Doing so may result in hearing problems.  
Do not lean against the keyboard.  
Doing so may cause the product to fall over,  
resulting in injury.  
INTRODUCTION  
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Do not disassemble, repair or modify  
the product.  
Doing somayresult in product breakdown,electric  
shock or short-circuit.  
G Pulling the AC power cord itself may damage  
the cord, causing a fire, electric shock or  
short-circuit.  
WhendisconnectingtheACpowercord's  
plug, always hold the plug  
and pull it to remove it.  
The product is not completely disconnected from the  
power supply even when the power switch is turned  
off. If the product will not be used for a long time,  
unplug the AC power cord from the AC outlet.  
G Failure to do so may cause fire in case of  
lightning.  
G Failure to do so may over-heat the product,  
resulting in fire.  
This product may be equipped with a polarized line plug (one blade  
wider than the other). This is a safety feature.  
If you are unable to insert the plug into the outlet, contact an  
electrician to replace your obsolete outlet.  
Do not defeat the safety purpose of the plug.  
It is a good practice to have the instrument near the AC outlet and the power cord plug in a position  
so that it can readily be disconnected in an emergency because electricity is always charging  
while the plug is in the AC outlet even in a power switch off condition.  
Indicates a potential hazard that could result in injury  
or damage to the product or other  
CAUTION  
Do not use the product in the following areas.  
Using the product in such areas may result in  
G Areas, such as those near windows, where the product is  
exposed to direct sunlight  
product breakdown.  
Use the product only in moderate climates (not  
in tropical climates).  
G Extremely hot areas, such as near a heater  
G Extremely cold areas, such as outside  
G Extremely humid areas  
G Areas where a large amount of sand or dust is present  
G Areas where the product is exposed to excessive  
vibrations  
When you close the keyboard cover,  
close it gently.  
Closing it roughly may trap your fingers, resulting  
in injury.  
OFF  
Before connecting cords, make sure  
that the power to this product  
and other devices is turned  
OFF.  
Failure to do so may cause breakdown of this  
product and other devices.  
Take care not to allow any foreign  
matter to enter the product.  
Entry of water, needles or hair pins may result  
in breakdown or short-circuit.  
The product shall not be exposed to dripping or  
splashing. No objects filled with liquids, such as  
vases, shall be placed on the product.  
Please lift up the product when moving it.  
Please note that the product is heavy and must  
be carried by more than two persons.  
Do not drag the product on the floor.  
Take care not to drop the product.  
Dropping the product may result in breakdown.  
G Doing so may cause the product to generate  
Donot placethe product near electrical  
appliances such as TVs and  
radios.  
noise.  
G If the product generates noise, move the  
product sufficiently away from the electrical  
appliance or connect it to another AC outlet.  
When connecting the AC power cord  
and other cords, take care  
not to get them tangled.  
Failure to do so may damage them, resulting in  
fire, electric shock or short-circuit.  
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G Doing so may result in discoloration or deformation  
Do not wipe the product with benzene  
or thinner.  
of the product.  
G When cleaning the product, put a soft cloth in  
lukewarm water, squeeze it well,then wipe the  
product.  
G Doing so may cause the product to become  
deformed or fall over, resulting in breakdown  
or injury.  
Do not stand on the product or exert  
excessive force.  
The product should be located so that its location or position does not interfere with its proper  
ventilation. Ensure a minimum distance of 5cm around the product for sufficient ventilation.  
Ensure that the ventilation is not impeded by covering the ventilation openings with items,  
such as newspaper, table-cloths, curtains, etc.  
This product should be used only with the stand that is provided by the manufacturer.  
Do not place naked flame sources, such as lighted candles on the product.  
The product should be serviced by qualified service personnel when:  
G
G
G
G
The power supply cord or the plug has been damaged.  
Objects have fallen, or liquid has been spilled into the product.  
The product has been exposed to rain.  
The product does not appear to operate normally or exhibits a marked change in  
performance.  
The product has been dropped, or the enclosure damaged.  
G
Notes on Repair  
Should an abnormality occur in the product, immediately turn the power OFF, disconnect the  
power cord plug, and then contact the shop from which the product was purchased.  
CAUTION:  
To prevent electric shock, match wide blade of plug to wide slot, fully insert.  
ATTENTION:  
Pour éviter les chocs électriques, introduire la lame la plus large de la fiche dans la borne  
correspondante de la prise et pousser jusqu'au fond.  
Instruction for AC power cord (U.K.)  
Do not plug either terminal of the power cord to the ground of the AC outlet on the wall.  
Canadian Radio Interference Regulations  
This instrument complies with the limits for a class B digital apparatus, pursuant to the Radio Interference  
Regulations, C.R.C., c. 1374.  
An information on Disposal for users  
If your product is marked with this recycling symbol it means that, at the end of its  
life, you must dispose of it separately by taking it to an appropriate collection point.  
You should not mix it with general household waste. Disposing of this product correctly  
will prevent potential negative effects on the environment and human health which  
could otherwise arise due to inappropriate waste handling.  
For further details, please contact your local authority.  
(European Union only)  
INTRODUCTION  
5
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FCC Information (U.S.A)  
NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device,  
pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against  
harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency  
energy and, if not installed and used in accordance with the instructions, may cause harmful interference to  
radio communications. However, there is no guarantee that interference will not occur in a particular  
installation. If this equipment does cause harmful interference to radio or television reception, which can be  
determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one  
or more of the following measures:  
Reorient or relocate the receiving antenna.  
Increase the separation between the equipment and receiver.  
Connect the equipment into an outlet on a circuit different from  
that to which the receiver is connected.  
Consult the dealer or an experienced radio/TV technician for help.  
FCC WARNING: Changes or modifications not expressly approved by the party responsible for compliance  
could void the userís authority to operate the equipment.  
Declaration of Conformity  
This device complies with Part 15 of the FCC Rules. Operation is subject to the  
following two conditions: (1) this device may not cause harmful interference, and  
(2) this device must accept any interference received, including interference that  
may cause undesired operation.  
Model Name :  
CE200  
Responsible Party Name :  
Address :  
Kawai America Corporation  
2055 East University Drive Rancho  
Dominguez, CA 90220  
310-631-1771  
Telephone :  
This applies only to products distributed by Kawai America Corporation.  
6
KAWAI DIGITAL PIANO CE200  
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THANK YOU FOR PURCHASING A KAWAI DIGITAL PIANO!  
The Kawai digital piano is a revolutionary new keyboard instrument that  
combines the latest in electronic advances with traditional craftsmanship  
inherited from Kawai’s many years of experience in building fine pianos.  
Its keyboard provides the touch response and full dynamic range required  
for a superb performance on the piano, harpsichord, organ, and other  
instruments. In addition, the CE200 piano is equipped with reverb and a  
digital effect processor for an even fuller sound. Industry-Standard MIDI  
(Musical Instrument Digital Interface) jacks are included which allow you  
to play other electronic instruments at the same time—opening a whole  
new world of musical possibilities.  
This Owner’s Manual contains valuable information that will help you  
make full use of this instrument’s many capabilities. Please read all  
sections carefully and keep this manual handy for further reference.  
READ ME FIRST  
Before beginning the assembly of your CE200 read and become familiar with the assembly instructions  
that follow. Then, carefully unpack the piano and check your unit against the parts list.  
PARTS PROVIDED  
Side Panel (A)  
2 pcs.  
1 pc.  
1 pc.  
4 pcs.  
4 pcs.  
4 pcs.  
10 pcs.  
1 pc.  
Back Board (B)  
Pedal Board (C)  
Screw D (M6 x 25)  
Screw E (M4 x 12)  
Screw F (ø4 x 20)  
Screw G (ø4 x16)  
Adjuster (H)  
M6x25  
ø4x20 ø4x16  
Adjuster  
M4x12  
(D)  
(F)  
(G)  
(H)  
(E)  
Headphone Hook  
Screw (ø4 x 14)  
1 pc.  
2 pcs.  
INTRODUCTION  
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Bottom View  
(H)  
Pedal Unit  
(G)  
(A)  
(H)  
(C)  
1. Insert the Adjuster (H) on the Pedal Unit.  
2. Untie the pedal cable on the bottom of the Pedal Board (C).  
3. Fasten the Side Panels (A) and the Pedal Board (C) with five screws (G) on both the left and right  
side of the instrument (totalling ten screws).  
(E)  
4. Hold the Back Board (B) behind the Pedal  
Board (C) and in front of the fixing metal of  
(B)  
the Side Panels (A).  
(A)  
5. Fasten the Side Panels (A) and Back Board  
(B) with two screws (E) on both side of the  
instrument (totalling four screws).  
(F)  
6. Fasten the Pedal Board (C) and Back  
Board (B) with four screws (F).  
(C)  
CAUTION:  
To prevent personal injury, do not handle the main unit from the ends.  
7. The next step requires one person on each end of the main unit.  
Grasp the unit with both hands, one under the front, the other under  
the rear (remember, not the end) and carefully center the main unit on  
top of the stand so that the hook brackets located on the bottom rear  
of the main unit are inside the stand side panels (A) and approximately  
one-third of the rear, top edge of the side panels are exposed. (See the  
illustration to the right)  
8. Maintaining a firm grasp under the front of the main, unit slide it  
toward the rear of the stand until the hook brackets engage the brackets  
at the rear top of the side panels (A). This hook arrangement is design  
to prevent the main unit from tilting forward while the screws are  
installed. Keep one hand under the front of the main unit, push down  
on the front to be certain that hooks are properly engaged.  
(D)  
(A)  
9. Fasten the main unit and the stand with four screws (D).  
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CAUTION:  
Be sure to secure the main unit to the stand with the screws. If you fail to do so, the unit could fall  
from the stand causing damage or personal injury.  
10. Insert the pedal connection cord that comes from Pedal  
Board into the main unit’s pedal jack and fix with the clamp of  
the Side Panel.  
11. Turn the adjuster (installed on the bottom of the Pedal Unit)  
down until it makes firm contact with the floor. If the floor is  
carpeted, place a spiked furniture cup under the adjuster so that  
it makes firm contact with the carpet backing. Press any pedal  
with your foot. If the pedal rail flexes, lower the adjuster until  
flexing is minimized.  
CAUTION:  
Before moving your piano, turn the adjuster up so that it clears the floor.  
ATTACHING THE HEADPHONE HOOK  
1. Attach the Headphone Hook with two screws  
(ø4 x 14) to the holes next to the headphone jacks.  
Headphone Hook  
Headphone Jacks  
Screws  
ø4 x 14  
INTRODUCTION  
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1. Quick Start  
p. 12  
1.1 SETTING UP THE PIANO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12  
1.2 POWER SWITCH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12  
1.3 VOLUME SLIDER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12  
1.4 HEADPHONES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12  
1.5 DEMO SONGS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12  
1.6 PLAYING THE PIANO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13  
1.7 PEDALS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13  
1.8 PLAYING WITH MORE SOUNDS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14  
2. Advanced Playing  
p. 15  
2.1 VALUE BUTTONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15  
2.2 DUAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15  
2.3 SPLIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16  
2.4 FOUR HANDS MODE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16  
2.5 DUAL/SPLIT BALANCE SLIDER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17  
2.6 EFFECTS/REVERB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17  
2.7 VOICING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19  
2.8 METRONOME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20  
3. Recorder  
p. 22  
BASICS OF THE RECORDER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22  
3.1 RECORDING (REC BUTTON) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23  
3.2 PLAYING BACK A SONG (PLAY/STOP BUTTON) . . . . . . . . . . . . . . . . . . 25  
3.3 ERASING A SONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26  
4. Piano Music  
p. 27  
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5. Function Buttons  
p. 28  
5.1 SELECTING THE TOUCH SENSITIVITY (TOUCH BUTTON) . . . . . . . . . . . . . . 28  
5.2 TRANSPOSING THE PIANO (TRANSPOSE BUTTON). . . . . . . . . . . . . . . . . . . 29  
5.3 OTHER FUNCTIONS (TOUCH & TRANSPOSE BUTTONS) . . . . . . . . . . . 30  
1. BRILLIANCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31  
2. TUNING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31  
3. DAMPER RESONANCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31  
4. STRING RESONANCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32  
5. TEMPERAMENT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33  
6. LOWER OCTAVE SHIFT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35  
7. MIDI CHANNEL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36  
8. SENDING PROGRAM CHANGE NUMBERS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36  
9. LOCAL CONTROL ON/OFF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36  
10. TRANSMIT PROGRAM CHANGE ON/OFF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37  
11. MULTI-TIMBRAL ON/OFF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37  
12. CHANNEL MUTE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38  
13. LOWER PEDAL ON/OFF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38  
14. LAYER OCTAVE SHIFT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39  
15. LAYER DYNAMICS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39  
16. DAMPER HOLD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40  
17. USER MEMORY / FACTORY RESET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40  
6. Using MIDI  
7. Jacks  
p. 42  
UNDERSTANDING MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42  
6.1 USING THE CE200 PIANO AS CONTROLLER . . . . . . . . . . . . . . . . . . . . . . 44  
6.2 USING THE CE200 PIANO AS A MULTI-TIMBRAL SOUND MODULE . . . . . . . 47  
p. 50  
MIDI JACKS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50  
USB JACK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50  
LINE OUTJACKS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52  
LINE IN JACKS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52  
HEADPHONE JACKS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52  
8. Appendices  
p. 54  
PROGRAM CHANGE NUMBER MAPPING . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54  
RHYTHM STYLE LIST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54  
PIANO MUSIC LIST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55  
FRONT PANEL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56  
SOUND DEMO SONG LIST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56  
SPECIFICATIONS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57  
MIDI EXCLUSIVE DATA FORMAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58  
MIDI IMPLEMENTATION CHART . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59  
11  
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1. QUICK START  
1.1 SETTING UP THE PIANO  
The first thing you’ll need to do before playing the piano is to set up the  
instrument.  
ASSEMBLING THE STAND  
First, you need to assemble the stand unit. Assemble the stand following  
the instructions at the beginning of this manual.  
SUPPLYING AC POWER  
The CE200 piano is equipped with stereo speakers and an amplifier. You  
do not need any other equipment to play your piano. You can enjoy the  
CE200 piano wherever AC power is available. Simply connect the power  
cable that comes with the CE200 piano to an AC outlet.  
Connect the AC power cable to the piano’s power jack and the  
other end of the cable to the AC outlet on the wall.  
1.2 POWER SWITCH  
Press this button to turn on the power.  
Pressing it again will turn off the power.  
Pressing this button while holding down the REC and PLAY/STOP buttons  
will erase all the songs currently stored in the Recorder. (See page 26.)  
1.3 VOLUME SLIDER  
This slider controls the master volume level of the piano’s sound.  
Move this slider to the right to increase the volume and move to  
the left to decrease the volume.  
This slider also controls the headphone’s volume and the LINE output  
level of the piano’s sound.  
1.4 HEADPHONES  
1.5 DEMO SONGS  
For private performances you may want to use the headphones. The  
speakers will be turned off automatically when the headphones are  
plugged in, and the CE200 piano will only be heard through the  
headphones. The CE200 piano has two headphones jacks.  
The CE200 has 18 built-in sound demo songs. Each of the demo songs  
presents a musical piece to introduce the different preset sounds.  
12  
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Press the DEMO button and the demo song for the Piano 1 category  
will start. After the Piano 1 demo songs are finished playing, the demo  
songs for another sound category will be selected at random.  
If you would like to listen to the demos for a particular category, just  
press the desired SOUND SELECT button while the demo is playing. When  
you press the button, the demo will play the demo songs for the newly  
selected category. Then the demo songs for another category will be  
selected at random. See page 56 for the list of sound demo songs.  
1.6 PLAYING THE PIANO  
Turning on the power.  
You will find the POWER SWITCH at the right end of the front panel.  
Press this button to turn on the power. Pressing it again will turn off the  
power.  
Adjust the volume level.  
The VOLUME SLIDER controls the volume level of the speakers and the  
headphones. Use this slider to set the volume to a comfortable listening  
level.  
Now try playing the keyboard.  
You will hear the CE200’s main piano sound.  
The CE200 piano responds just like a real acoustic piano when you play  
it. It produces a louder sound when you play hard and a softer sound  
when you play soft. The volume level changes in relation to how fast the  
keys are pressed. This system is called “touch sensitivity” on an  
electronic musical instrument. The initial touch sensitivity setting has  
been adjusted to the standard of an acoustic piano. You can however,  
select a different type of touch sensitivity on the CE200 piano if you are  
not comfortable with the standard setting. For more detail, please read  
5.1 Selecting the Touch Sensitivity (TOUCH Button)” on page 28.  
1.7 PEDALS  
The CE200 piano has three pedals—just like a grand piano. They are  
Sustain, Soft and Sostenuto.  
The sustain pedal is capable of responding to half pedaling, which provides  
even finer control of the dampering effect.  
Sustain  
Sostenuto  
Soft  
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1.8 PLAYING WITH MORE SOUNDS  
You have already heard the CE200’s main piano sound. The CE200 has a  
total of 20 sounds, not only different types of piano sounds but different  
instruments as well.  
The different instrument sounds built into CE200 piano are called “preset  
sounds”.  
All of the preset sounds have been created through advanced digital  
sampling technology achieving as natural and realistic sound as possible.  
Let’s try some of the preset sounds.  
SELECTING ANOTHER PRESET SOUND  
Press the SOUND SELECT button under the name of the  
instrument you would like to listen to. When the button is pressed,  
the LED indicator will be turned on to indicate that this sound is selected.  
The SOUND SELECT buttons are assigned with two or three preset sounds  
to select. To select the other sounds, press the button repeatedly.  
When a SOUND SELECT button is pressed, the variation number is briefly  
shown in the display. Pressing the same SOUND SELECT button again  
will select the next variation sound assigned to the SOUND SELECT  
button.  
Sound variation  
number 1  
You can also select any preset sounds by using the VALUE buttons.  
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2. ADVANCED PLAYING  
2.1 VALUE BUTTONS  
These two buttons are used to change the value for certain functions.  
First select the function or option you would like to change the  
value for by pressing the appropriate button(s), then use the  
VALUE buttons to change the value.  
button increases the  
value and “ ” decreases the value.  
These buttons can also be used to select the various sounds. You can  
select all of the preset sounds assigned to the eight SOUND SELECT  
buttons.  
However, Sounds cannot be selected by using the VALUE buttons when  
you are in DUAL or SPLIT mode.  
2.2 DUAL  
Another feature of the CE200 piano is the ability to layer two preset sounds  
together to create a more complex sound. For example, piano layered  
with strings, electric piano with choir sound, and so on.  
To layer two sounds, select the first sound and then, while holding  
down that SOUND SELECT button, select the second sound by  
pressing another SOUND SELECT button. The LED indicators for  
each will be turned on to indicate the two sounds you have chosen. The  
display briefly shows the combination of the selected sound variation  
numbers.  
Sound variation  
number 1 and 3  
are layered.  
If you want to layer two sounds assigned to the same SOUND SELECT  
button, while pressing the desired SOUND SELECT button use the VALUE  
buttons to select your desired layered sound.  
ABOUT POLYPHONY  
The CE200 piano is capable of playing up to 96 notes simultaneously (96-  
note polyphony). When playing in dual mode, or when playing the stereo  
piano sound, the polyphony will be reduced by half since the piano has to  
produce two sounds for each note.  
ADVANCED PLAYING  
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2.3 SPLIT  
SELECTING SPLIT SOUNDS  
The split function divides the keyboard into two sections—upper and  
lower—and lets you play each part with a different sound.  
First press the desired SOUND SELECT button to select the upper  
sound. Then, while holding down the SPLIT button, press the  
desired SOUND SELECT button to select the lower sound. The  
LED indicator for the upper sound will be turned on and the LED for the  
lower sound will start flashing. The display shows the combination of  
the selected sound variation numbers during the SPLIT button is pressed.  
The number on the left is for lower sound and the number on the right is  
for upper sound.  
Variation 2 for  
lower and 1 for  
upper.  
CHANGING THE SPLIT POINT  
The default split point is set between B2 and C3. This point can be moved  
to anywhere on the keyboard.  
Press the desired key on the keyboard while holding down the  
SPLIT button.  
The key you pressed becomes the lowermost note for the upper section.  
2.4 FOUR HANDS MODE  
It is possible to divide the keyboard into left and right sections at the  
default split point, and to play both sections in the same key range using  
the four hands mode. The key range is lowered by two octaves for the  
right section, and raised by two octaves for the left section. When four  
hands mode is active, the sustain pedal (right pedal) acts as the sustain  
pedal for the right section, and the soft pedal (left pedal) acts as the sustain  
pedal for the left section. When four hands mode is active the CE200  
functions as two pianos, so you can enjoy duet performances or use one  
CE200 piano for two students or a teacher and a student.  
ENTERING FOUR HANDS MODE  
Press the sustain pedal and the soft pedal while holding down the SPLIT  
button. The SPLIT button LED indicator will start blinking and the piano  
is now in Four Hands Mode.  
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EXITING FOUR HANDS MODE  
To exit Four Hands Mode, press the SPLIT button again. The LED indicator  
will be turned off.  
SELECTING SOUNDS IN FOUR HANDS MODE  
The method for selecting sounds is the same as in Split Mode. After you  
are in Four Hands Mode simply use the SOUND buttons to change the  
sound for the upper section. To change the sound for the lower section,  
press and hold the SPLIT button and then use the SOUND buttons.  
CHANGING SPLIT POINT  
The method for changing the split point is the same as in Split Mode.  
After you are in Four Hands Mode press and hold the SPLIT button and  
press any key on the keyboard. The key you pressed becomes the  
lowermost note for the upper section. The default split point is set between  
E3 and F3.  
OCTAVE SHIFT FOR THE LOWER SECTION  
When in Four Hands Mode, you can use the Octave Shift function to change  
the octave of the lower section. Please see page 35 for more information  
on using Octave Shift.  
2.5 DUAL/SPLIT BALANCE SLIDER  
You can adjust the volume balance between the two sounds in Dual or  
Split mode. Use the Dual/Split Balance slider to adjust the balance.  
Move the slider to the right to increase the volume of the rightmost sound  
(in dual mode) or upper sound (in split mode) and decrease the volume  
of the leftmost sound (in dual mode) or lower sound (in split mode). The  
balance changes in the opposite way when the slider is moved to the left.  
2.6 EFFECTS/REVERB  
You might have noticed that when you select some of the preset sounds,  
the LED indicator for the EFFECTS or the REVERB is turned on. The  
reason for this is some of the preset sounds are set up with an effect on as  
their initial setting.  
Adding an effect to the sound enhances tonal quality and improves  
acoustical realism. The CE200 piano is provided with two separate groups  
of effects. The first is reverb and the second contains chorus, delay,  
tremolo and rotary speaker.  
ADVANCED PLAYING  
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REVERB  
Reverb adds reverberation to the sound, simulating the acoustic  
environment of a recital room, stage, or concert hall. There are five types  
of reverb available. They are Room 1&2, Stage, and Hall 1&2. (listed in  
order of reverberation amount).  
CHORUS  
Chorus is an effect that simulates the rich character of a vocal choir or  
string ensemble, by layering a slightly detuned version of the sound over  
the original to enrich it.  
DELAY  
Delay is an effect that adds echoes to the sound.  
TREMOLO  
This is a vibrato type effect.  
ROTARY  
This effect simulates the sound of the Rotary Speaker cabinet commonly  
used with electronic organs. Rotary 1 is normal rotary and Rotary 2 is  
with distortion effect.  
The soft pedal is used to change the speed of the rotor between SLOW  
and FAST.  
TO ADD REVERB  
Press the REVERB button. The LED indicator will be turned on to  
indicate that reverb is in use. Press and hold the REVERB button and the  
currently selected reverb type will be shown in the display.  
Room 2  
Room 1  
Stage  
Hall 1  
Hall 2  
To change the reverb type, use the VALUE buttons while holding down  
the REVERB button.  
TO ADD OTHER EFFECTS  
Press the EFFECTS button. The LED indicator will be turned on to  
indicate that the effect is in use. Press and hold the EFFECTS button and  
the currently selected effect will be shown in the display.  
Chorus  
Delay  
Tremolo  
Rotary 2  
Rotary 1  
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To change the effect type, use the VALUE buttons while holding down  
the EFFECTS button.  
To turn off the reverb or effects, press the REVERB or EFFECTS  
button again.  
2.7 VOICING  
Voicing is a technique used by piano technicians to mold the character of  
a piano’s sound. The voicing function lets you adjust the CE200 piano’s  
tone character by choosing one of three types of voicings, Mellow,  
Dynamic, Bright.  
NORMAL  
(When the LED indicator is turned off)  
Produces the normal tone character of an acoustic piano throughout the  
entire dynamic range. This is the default voicing.  
MELLOW  
Produces a softer mellow tone character throughout the entire dynamic  
range.  
DYNAMIC  
The tone character will change dramatically from mellow to bright  
depending on how soft or loud you play.  
BRIGHT  
Produces a brighter tone character throughout the entire dynamic range.  
Press the VOICING button. The LED indicator will be turned on to indicate  
that voicing is in use. Press and hold the VOICING button and the currently  
selected voicing type will be shown in the display.  
Bright  
Mellow  
Dynamic  
To change the voicing type, use the VALUE buttons while holding down  
the VOICING button.  
Press the Voicing button again to return to the normal voicing setting.  
Voicing selection is global for all the preset tones. You cannot have an  
individual setting for each tone.  
ADVANCED PLAYING  
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The voicing setting defaults to "Normal" each time the power is turned  
off. You can use the user memory function (page 40 ), to save your selected  
voicing. This way your current voicing selection will remain even after  
the power is turned off.  
2.8 METRONOME  
Rhythm is one of the most important elements when learning music. It is  
important to practice playing the piano at the correct tempo and with a  
steady rhythm. The CE200 piano’s metronome is a tool that helps you to  
achieve this by providing a steady beat for you play along with.  
STARTING THE METRONOME  
Press the TEMPO button. You will see the LED indicator turn on and  
hear the metronome begin counting with a steady beat. The display shows  
the tempo in beats per minute.  
To change the tempo, use the VALUE buttons to increase or  
decrease the tempo within the range of 10 - 400 beats per minute.  
(20 - 800 BPM with eighth note rhythms).  
To stop the metronome, press the TEMPO button again.  
CHANGING THE TIME SIGNATURE  
You probably noticed that there are two types of clicks and the louder  
one comes every fourth beat. The metronome is capable of giving you a  
down beat to indicate the beginning of the measure. You are now hearing  
a 4-beat or 4/4 time signature.  
You can select a different time signature, if you want to. There are seven  
different time signatures available on the CE200 piano—1/4, 2/4, 3/4, 4/4,  
5/4, 3/8 and 6/8.  
To change the time signature, use the BEAT button.  
Press the BEAT button. You will see the LED indicator turn on and  
hear the metronome begin counting. The display shows the time signature.  
Use the VALUE buttons to select your desired time signature. You  
will see the time signature currently selected in the display.  
RHYTHM METRONOME  
You can also select from 30 additional rhythm styles instead of a  
simple metronome click.  
Keep pressing the VALUE buttons to select the desired rhythm  
style number. See page 54 for the rhythm style list.  
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The selected Rhythm Style is displayed.  
To stop the metronome, press the BEAT button again.  
You can use either the TEMPO or BEAT button to turn the metronome on  
and off. Choose the appropriate button depending on whether you’re  
adjusting the tempo or changing the time signature.  
ADJUSTING THE METRONOME VOLUME  
The volume level of metronome can be adjusted to any level you like  
independent of the main volume.  
Press the TEMPO and BEAT buttons simultaneously. The display  
shows the volume level of the metronome in numbers from 1 (soft) to 10  
(loud). The factory preset is 5.  
Use the VALUE buttons to change value.  
ADVANCED PLAYING  
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3. RECORDER  
The CE200 piano’s recorder records your playing much like a tape  
recorder, and it is just as easy to use. The CE200 piano records a song as  
digital data instead of audio data and stores the song inside the instrument.  
Because the song is stored as digital information you can modify the song  
when you play it back. You can, for example, adjust the tempo without  
changing the pitch or use a different effect setting from one you have  
recorded.  
Once you understand the recorder, you will find it to be a useful tool for  
both practicing and playing the piano.  
BASICS OF THE RECORDER  
Let’s take a brief look at the recorders features.  
TWO-TRACK THREE-SONG RECORDER  
The CE200 piano’s recorder is a 2-track 3-song recorder. This means  
you can record up to three different songs, store them in memory, and  
play them back as you like.  
Each song has two separate tracks called “Parts” that can be recorded  
separately. This lets you record for example, the left hand part first on  
one track, then record the right hand part next on the other track while  
listening to the first track.  
When you record or play back a song, you can select which part (track)  
of which song you are going to record or play back. When you are  
recording, selecting the same part again to record will erase any previous  
recordings on that part. Because of this it’s important to remember; when  
recording both parts separately, after recording the first part be sure to  
select the second part to record, otherwise you will end up recording  
over the first part of the song.  
RECORDED INFORMATION  
The CE200 piano records the following:  
Note information  
Sound selection  
Pedal movements  
Balance settings Set the dual/split balance as desired before you  
start recording. Balance settings made before  
you start recording will be used by the recorder.  
Any changes made during the recording will be  
ignored by the recorder.  
Transpose. . . . . . When you record in a different key using the  
transpose function, the CE200 piano will record  
the actual transposed notes you hear, not the  
notes as you play with the keyboard.  
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RECORDING CAPACITY  
The total recording capacity is about 15,000 notes. Pressing any buttons  
or pedals is counted as one note.  
When the recorder reaches it’s maximum capacity, the CE200 piano will  
stop recording at that point.  
RECORDER AND METRONOME  
When playing back a song with the metronome turned on, the metronome  
always restarts with the down beat.  
3.1 RECORDING (REC BUTTON)  
The REC button is used for recording.  
Press the REC button when you are ready to record. The LED  
indicator will start flashing telling you that the piano is ready to record.  
Now play some music on the piano. The recorder will automatically  
start recording with the first note you play.  
Press the PLAY/STOP button when you are finished recording. The  
piano will stop recording and save your song to memory.  
Saving to memory may take a few moments and during this time the piano  
will not perform any other operations.  
You can start recording by pressing the PLAY/STOP button instead of  
pressing a key. In this way, you can insert a blank bar at the beginning of  
the song.  
If you make a mistake, you can record your piece again. Just repeat the  
same procedure. The second recording will completely erase the first  
one.  
RECORDING ANOTHER SONG  
The CE200 piano is capable of recording and storing up to three different  
songs. Let’s try recording a second song.  
If you followed the procedure in the previous section you have already  
recorded Song 1, so now let’s record Song 2.  
RECORDER  
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To select the song number, use the SOUND SELECT buttons with the  
song numbers printed under them—PIANO 1, ELECTRIC PIANO  
and DRAWBAR. Press the ELECTRIC PIANO button to select Song  
2 while holding down the REC button. The LED indicator of  
ELECTRIC PIANO will begin to flash when the REC button is pressed.  
When you are ready to record, just start playing the keyboard.  
The CE200 piano will start recording automatically with the first note  
you play.  
Press the PLAY/STOP button when you are finished recording.  
RECORDING A SECOND PART  
You can record a second part in the second track (part) of the same song.  
After recording the first part, select the other track and record your second  
part.  
While holding down the REC button, press the DRAWBAR button  
to select Song 3.  
Record the first part just the same as in the previous sections and  
press the PLAY/STOP button when you’re finished recording.  
Now press and hold the REC button again and press the BASS /  
GUITAR button to select Part 2 to record.  
If you want to start recording the second part from the beginning of the  
song, just play the keyboard. You will hear the first part playing back  
while you record the second part.  
If you would like to play back the first part and then start recording the  
second part from a certain point later in the song, press the PLAY/STOP  
button instead of playing the keyboard to start playback of the first part  
and then begin recording the second part from any point you like.  
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When you are finished recording, press the PLAY/STOP button  
again.  
STATUS OF SONG AND PART  
You have probably noticed that some of the LED indicators are flashing,  
some are turned on, and some are turned off. The LED indicates the  
status of recording and play back as shown below.  
The LED that is on indicates that the song or part has  
already been recorded.  
The flashing LED indicates that the song or part is  
selected to record or play back.  
The LED that is off indicates that the song or part is  
empty.  
If you have recorded more than one song, you can check the song status,  
by pressing the REC or PLAY/STOP button.  
3.2 PLAYING BACK A SONG (PLAY/STOP BUTTON)  
The PLAY/STOP button is used to select a song and part to play, and to  
start and stop play back of the recorded songs.  
Press the PLAY/STOP button and the recorded song will start playing.  
Press the PLAY/STOP button again to stop play back.  
If you would like to listen to a different song, select your desired song  
number using the SOUND SELECT buttons while holding down  
the PLAY/STOP button and then release the buttons to start play  
back. The LED indicator for the selected song will flash when holding  
down the PLAY/STOP button.  
PLAYING BACK THE PARTS SEPARATELY  
When you select a song recorded with two parts, you can play back the  
parts separately.  
Hold down the PLAY/STOP button and look at the Part buttons.  
The LED indicators for both parts will be on, indicating that you have  
successfully recorded two tracks. Release the PLAY/STOP button to  
listen to what you have recorded. You should hear both parts.  
RECORDER  
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To play back an individual part, use the Part buttons while holding  
down the PLAY/STOP button to turn on/off each part. If the LED  
indicator is on, that part will play. If the LED indicator is off, that part  
will not play.  
USINGTHEPLAY/STOPBUTTONTOSTARTRECORDING  
The PLAY/STOP button can also be used to start recording. In this way,  
you can insert a blank bar at the beginning of the song.  
Press the REC button to enable the piano to record first, then  
press the PLAY/STOP button. On pressing the PLAY/STOP button, the  
CE200 piano starts recording regardless of whether you press a key or  
not.  
3.3 ERASING A SONG  
This function allows you to erase any song you do not want to listen to.  
To erase a specific song and part, first hold down both the REC and  
PLAY/STOP buttons. The LED indicators will display which songs have  
been recorded.  
Select the desired song to erase by pressing the appropriate SOUND  
SELECT button while continuing to hold down both the REC and  
the PLAY/STOP buttons. The LED indicator of the selected song will  
start flashing.  
Press the Part button you want to erase and turn the LED indicator  
off. The part will be erased. When both parts for a song are erased, the  
song becomes empty.  
ERASING ALL THE SONGS  
To erase all the songs at once, first turn off the power and then turn  
it on again while holding down both the REC and PLAY/STOP  
buttons.  
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4. PIANO MUSIC  
Pressing the PIANO MUSIC button lets you enter the Piano Music mode.  
The CE200 piano provides pre-recorded Classical piano music for your  
listening pleasure.  
All of the song titles are listed in "PIANO MUSIC LIST" on page 55.  
Press the PIANO MUSIC button.  
The LED indicator for the PIANO MUSIC button will be turned on, and  
the display will show the Piano Music selection number.  
Use the VALUE buttons to select your desired song.  
Songs can be changed while the selected song is being played.  
Start the song by pressing the PLAY / STOP button.  
To stop the song, press the same button again.  
Move the slider to the left. The volume of the right-hand part of the song  
is decreased.  
Move the slider to the right. The volume of the left-hand part of the song  
is decreased.  
Press the PIANO MUSIC button again to exit the piano music mode.  
PIANO MUSIC  
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5. FUNCTION BUTTONS  
5.1 SELECTING THE TOUCH SENSITIVITY (TOUCH BUTTON)  
Touch lets you select a different touch sensitivity for the keyboard from  
the standard touch of an acoustic piano. You can change the sensitivity  
to one of five different settings: LIGHT 1, LIGHT 2, HEAVY 1, HEAVY 2,  
OFF or User.  
Light 1  
Light 2  
For those still developing finger strength. A louder volume is  
produced even when playing with a soft touch.  
For players with a delicate touch. Requires less striking force  
to achieve a forte note.  
Heavy 1 Perfect for those with strong fingers. Requires a heavier touch  
to produce a loud volume.  
Heavy 2 Reqires more striking force to achieve a loud volume.  
Off  
A constant volume is produced regardless of how hard the  
keys are struck. This setting is suitable for sounds that have a  
fixed dynamic range such as Organ and Harpsichord.  
User  
You can create your own custom touch curve to fit your playing  
style.  
To change from the standard touch, press the TOUCH button. The LED  
indicator above the TOUCH button will be turned on to indicate that the  
piano is now using a different touch setting.  
Use the VALUE buttons to change the type of touch while the  
TOUCH button is held down.  
Press the TOUCH button again to get back to the standard touch  
setting.  
Touch selection is global for all the preset tones. You cannot have an  
individual setting for each tone.  
Once the power is turned off, the setting will be reset to the standard  
setting.  
NOTE  
LIGHT and HEAVY do not represent the physical weight of the keys. These  
are settings that affect the sensitivity of the keys, which determines the  
volume level in response to the key movement.  
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USER TOUCH  
Let’s create your own custom touch curve which will fit your playing style.  
Use the VALUE buttons to select “User” while holding down the  
TOUCH button.  
While still holding the TOUCH button, press the REC button. The  
display will show “Play”.  
Now start playing the CE200 piano dynamically from soft to loud  
in order to let the CE200 piano analyze your playing style. While  
you are playing, the display changes to show three dots at the bottom.  
Press the PLAY/STOP button when you finish playing. The CE200  
piano will analyze your playing and create a custom touch curve for you  
based upon your playing style. The display briefly shows “Done”.  
NOTE  
The user touch curve data is saved automatically even after the power is  
turned off.  
5.2TRANSPOSING THE PIANO (TRANSPOSE BUTTON)  
The transpose function lets you raise or lower the piano’s key in half steps.  
This is especially useful when you have learned a song in one key and  
have to play it in another key. The transpose feature allows you to play  
the song in the original key, but hear it in another key.  
Press and hold the TRANSPOSE button. While still holding the  
TRANSPOSE button, use the VALUE buttons or the keyboard from  
C2 to C4 to specify the transposition amount.  
The display shows you a number telling you how many half steps up or  
down you have transposed the piano. -5, for example, represents a  
transposition that is 5 half steps lower. “0” indicates no transposition.  
The piano can be transposed up to 12 half steps higher or 12 half steps  
lower.  
Pressing TRANSPOSE button again turns the TRANSPOSE  
function off.  
The TRANSPOSE function remembers the current setting as long as the  
power is on.  
FUNCTION BUTTONS  
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5.3 OTHER FUNCTIONS (TOUCH & TRANSPOSE BUTTONS)  
There are 17 other functions that control tuning, system, and MIDI  
functions. They are Brilliance, Tuning, Damper Resonance, String  
Resonance,Temperament, Lower Octave Shift, MIDI Transmit and Receive  
Channel, Program Change Number, Local On/Off, Transmit Program  
Change On/Off, Multi-Timbral Mode, Channel Mute, Lower Pedal On/Off,  
Layer Octave Shift, Layer Dynamics, Damper Hold and User Memory /  
Factory Reset, User / Factory Execution.  
These functions are selected by pressing one of the buttons on the panel  
while holding down both the TOUCH and the TRANSPOSE buttons. The  
functions are assigned as listed below.  
Brilliance  
DEMO  
Tuning  
PIANO MUSIC  
VOICING  
PIANO  
Damper Resonance  
String Resonance  
Temperament  
E.PIANO  
Lower Oct. Shift  
MIDI Channel  
Prog Change Number  
Local Control  
Trans. Prg ON/ OFF  
Multi Timbral Mode  
Channel Mute  
Lower Pedal ON/OFF  
Layer Octave Shift  
Layer Dynamics  
Damper Hold  
Drawbar  
CHURCH ORGAN  
STRINGS  
HARPSI / MALLETS  
CHOIR / PAD  
BASS / GUITAR  
EFFECTS  
REVERB  
SPLIT  
TEMPO  
BEAT  
User Memory / Factory Reset  
User / Factory Execution  
PLAY  
REC  
The LED indicator of the button will flash to show which function is  
selected.  
To exit the function, press any of the SOUND SELECT buttons or  
the TOUCH or the TRANSPOSE button.  
Once the power is turned off, the settings will be reset to the factory  
preset value.  
You can use the user memory function (page 40), to save your desired  
setings. This way your current settings will remain even after the power  
is turned off.  
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1. BRILLIANCE  
Brilliance lets you adjust brightness of the sounds.  
Press the DEMO button while holding down the TOUCH and the  
TRANSPOSE buttons.  
The display alternatively shows “bri” (= brilliance) and a number that  
represents the value.  
Use the VALUE buttons to select the value within the range of -10 to +10.  
Plus settings produce a brighter tone, minus settings produce a mellower  
tone.  
The Brilliance setting defaults to "0" each time the power is turned off.  
2.TUNING  
Tuning allows you to adjust the piano’s pitch. You may need to adjust the  
tuning when you play with other instruments.  
Press the PIANO MUSIC button while holding down the TOUCH  
and the TRANSPOSE buttons.  
The display alternatively shows “tun” (= Tuning) and a number that  
represents the pitch for “A” in Hz (Hertz). The range of adjustment is  
from 427.0 to 453.0 Hz (displayed as 27.0–53.0). The factory preset value  
is set to the modern standard A = 440.0 Hz (displayed as 40.0).  
Use the VALUE buttons to raise or lower the pitch.  
3. DAMPER RESONANCE  
When the sustain pedal (page 13) is depressed on an acoustic piano, all  
the dampers are lifted up allowing the strings to vibrate freely. When you  
play note or chord on the piano with the sustain pedal depressed, not  
only will the strings for the notes you played vibrate but other strings will  
vibrate in sympathetic resonance. The damper resonance function  
simulates the phenomenon.  
Press the VOICING button while holding down the TOUCH and  
the TRANSPOSE buttons. You can adjust the volume of the damper  
resonance.  
FUNCTION BUTTONS  
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The display alternatively shows “dEF” (= Damper Effect) and a number  
that represents the value.  
Use the VALUE buttons to set the volume within a range of "Off, 1 to 10  
and 5 is the default setting.  
Damper resonance will not be active when "Off" is selected.  
The damper resonance volume defaults to "5" each time the power is  
turned off.  
The damper resonance function is effective only for the following piano  
sounds: Concert Grand, Studio Grand, Mellow Grand  
4. STRING RESONANCE  
The string resonance function simulates the phenomenon of string  
resonance on an acoustic piano.  
Press the PIANO button while holding down the TOUCH and the  
TRANSPOSE buttons. You can adjust the volume of the string resonance.  
The display alternatively shows “Str” (= String Resonance) and a number  
that represents the volume.  
Use the VALUE buttons to set the volume within a range of "Off, 1 to 10  
and 5 is the default setting.  
String resonance will not be active when “Off” is selected.  
ABOUT STRING RESONANCE  
Even when the sustain pedal is not depressed on an acoustic piano, the  
strings for any notes you are holding will be un-damped and will resonate  
freely in sympathy with the strings of other notes that you play if they are  
part of the same harmonic series. In addition, adjacent notes will also be  
resonated. The string resonance function simulates this phenomenon. This  
is called "string resonance."  
For example, when you play the keys shown in next page while holding  
down the C key, the string of the C key resonates and produces a sound.  
(Quietly press and hold down the C key, and then quickly tap each of the  
keys shown below. You can hear the string resonate.)  
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When you play a key while holding down an adjacent key, an acoustic  
piano produces a sound as a result of string resonance. The CE200  
simulates this phenomenon.  
The string resonance volume defaults to "5" each time the power is turned  
off.  
String resonance is not active when the sustain pedal is depressed.  
The string resonance function is effective only for the acoustic piano  
sounds.  
5.TEMPERAMENT  
The CE200 piano offers not only equal temperament (the modern  
standard) but also immediate access to temperaments popular during the  
Renaissance and Baroque periods. It should be interesting and educational  
to try some of the different temperaments, although the equal temperament  
is dominant today.  
Press the E.PIANO button while holding down the TOUCH and the  
TRANSPOSE buttons.  
The display alternatively shows “tMP” (= Temperament) and the symbol  
that indicates which type of temperament is in use.  
Use the VALUE buttons to change the type of temperament.  
BRIEF EXPLANATION OF TEMPERAMENTS  
EQUAL TEMPERAMENT (PIANO ONLY)  
This is the default temperament. If a piano sound is selected the tuning is  
stretched like an acoustic piano (EQUAL TEMPERAMENT). If any other  
type of sound is selected the tuning will be EQUAL (FLAT). An explantion  
of EQUAL TEMPERAMENT and EQUAL TEMPERAMENT (FLAT) is  
provided later in this section.  
NOTE  
If a piano sound is used in a layer with any other sound then both sounds  
will use the EQUAL TEMPERAMENT (Stretched) tuning.  
FUNCTION BUTTONS  
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MERSENNE PURE TEMPERAMENT (MAJOR)  
MERSENNE PURE TEMPERAMENT (MINOR)  
This temperament, which eliminates dissonance’s for thirds and fifths is  
still popular for choral music because of its perfect harmony.  
You need to be aware what key you are playing in with this temperament.  
Any key modulation will result in dissonance’s. When you play music in a  
particular key, you need to match the key of the temperament as well.  
When playing in a major key select Pure (Major) and when playing in a  
minor key select Pure (minor).  
PYTHAGOREAN TEMPERAMENT  
This temperament, which uses mathematical ratios to eliminate  
dissonance for fifths, is very limited for use with chords, but it produces  
very characteristic melodic lines.  
MEANTONE TEMPERAMENT  
This temperament, which uses a mean between a major and minor whole  
tone to eliminate dissonance for thirds, was devised to eliminate the lack  
of consonance’s experienced with certain fifths for the Mersenne pure  
temperament. It produces chords that are more beautiful than those with  
the equal temperament.  
WERCKMEISTER III TEMPERAMENT  
KIRNBERGER III TEMPERAMENT  
These two temperaments are placed in between Meantone and  
Pythagorean. For music with few accidentals, this temperament produces  
the beautiful chords of the mean tone, but as accidentals increase, the  
temperament produces the characteristic melodies of the Pythagorean  
temperament. It is used primarily for classical music written in the Baroque  
era to revive the original characteristics.  
EQUAL TEMPERAMENT (FLAT)  
This is “unstretched” equal temperament that divides the scale into twelve  
equal semitones. This produces the same chordal intervals in all twelve  
keys, and has the advantage of limitless modulation of the key. However  
the tonality of each key becomes less characteristic and no chord is in  
pure consonance.  
EQUAL TEMPERAMENT  
This is the most popular piano temperament. The hearing ability of a  
human is uneven and is not as accurate with high frequency and low  
frequency as it is with the middle range. This temperament’s tuning is  
stretched to compensate for this so the sound will be heard naturally to  
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the ears. This “Stretched” equal temperament is a practical variation of  
the “unstretched” equal temperament which was invented on a  
mathematical basis.  
NOTE  
After you have selected the desired temperament, please read the following  
section on selecting a key signature for the temperament before  
continuing.  
KEY SIGNATURE OF TEMPERAMENT  
Limitless modulation of the key became available only after the invention  
of Equal temperament. When we use a temperament other than Equal  
temperament, we must carefully choose the key signature to play in.  
For example, if the song you are going to play is written in D major, choose  
“D” as the temperament key.  
Key in D  
To select the key signature of the temperament, simply press one  
of the 88 piano keys. The note name of the key you pressed will be  
shown in the display and it will be chosen as the key of the  
temperament.  
Key in A#  
NOTE  
Changing the key of the temperament will only change the “balance” of  
the tuning, the pitch of the keyboard remains unchanged. Use the TUNING  
or TRANSPOSE functions to change the pitch of the whole keyboard.  
6. LOWER OCTAVE SHIFT  
This allows the octave of the lower part to be shifted up one, two, or  
three octaves higher when you use the split function.  
Press the DRAWBAR button while holding down the TOUCH and  
the TRANSPOSE buttons.  
The display alternatively shows “Lot” (= Lower Octave) and a number  
which represents how many octaves the lower part is shifted up.  
Use the VALUE buttons to set the desired lower octave shift range.  
Lower Octave Shift can be set between 0 to 3.  
FUNCTION BUTTONS  
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7. MIDI CHANNEL  
This determines on which MIDI channel the CE200 piano will exchange  
MIDI information with an external MIDI instrument or a personal  
computer.  
Press the CHURCH ORGAN button while holding down the TOUCH  
and the TRANSPOSE buttons.  
The display alternatively shows “Chn” (= Channel) and the channel  
number. The default channel is 1.  
Use the VALUE buttons to change the channel number.  
8. SENDING PROGRAM CHANGE NUMBERS  
This function allows the CE200 piano to transmit program change numbers  
beyond the 20 pre-defined numbers transmitted by the sound select  
buttons. Using this function, you can send any number from 1 to 128.  
Press the STRINGS button while holding down the TOUCH and  
the TRANSPOSE buttons.  
The display alternatively shows “PG#” (= Program #) and a program change  
number. Use the VALUE buttons to change the number.  
To send the program change number, press both VALUE buttons  
simultaneously.  
9. LOCAL CONTROL ON/OFF  
This determines whether the CE200 piano’s sound will be played from  
the piano’s keyboard (“ON”) or only from an external MIDI instrument  
(“OFF”).  
Even with local control “off” the piano’s keyboard will still transmit to an  
external MIDI instrument or personal computer.  
Press the HARPSI / MALLETS button while holding down the  
TOUCH and the TRANSPOSE buttons.  
The display alternatively shows “LcL” (= Local) and on/off status. The  
default is on.  
Use the VALUE buttons to toggle on and off.  
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10.TRANSMIT PROGRAM CHANGE ON/OFF  
This determines whether or not the CE200 piano will transmit program  
change information when pressing the SOUND SELECT buttons. When  
this is turned on, pressing the SOUND SELECT buttons will send the  
program change numbers as listed in page 54.  
Press the CHOIR / PAD button while holding down the TOUCH  
and the TRANSPOSE buttons.  
The display alternatively shows “PGM” (= Program) and on/off status.  
The default is on.  
Use the VALUE buttons to toggle on and off.  
11. MULTI-TIMBRAL MODE ON/OFF  
Multi-timbral mode allows the CE200 piano to receive data on more than  
one MIDI channel simultaneously. In this mode, the CE200 piano can  
play different musical parts with different sounds for each part.  
Multi-Timbral On (On1 and On2)  
This is a flexible 16 part multi-timbral setup. You can turn individual  
MIDI channels on and off, and assign any program number to any channel  
in the way you like. The CE200 piano’s normal program change numbers  
are assigned in On1 (Please see page 54 for a list of the program change  
numbers), and General MIDI program change numbers are assigned in  
On2.  
Multi-Timbral Off  
This turns off the multi-timbral capability. Only one MIDI channel will be  
active and only the preset sound currently selected will be heard when a  
MIDI signal is received.  
Press the BASS / GUITAR button while holding down the TOUCH  
and the TRANSPOSE buttons.  
The display alternatively shows “MLt” (= Multi) and on/off status. The  
default is off.  
Use the VALUE buttons to toggle on1, on2 and off.  
FUNCTION BUTTONS  
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12. CHANNEL MUTE  
This determines which MIDI channels are activated to receive MIDI  
information when the Multi-Timbral mode is set to on. You can activate  
or deactivate each of the 16 channels individually.  
Press the EFFECTS button while holding down the TOUCH and  
the TRANSPOSE buttons.  
The display alternatively shows “P01” (= Play 01) and “On”. This means  
channel 1 is activated.  
Use the VALUE buttons to toggle on and off.  
To turn on and off the other channels, use the 16 leftmost white keys  
to select a desired channel. The display will show “P02” through “P16”.  
Then use the VALUE buttons to turn them on and off.  
NOTE  
When the Multi-timbral mode is set to off, the “Channel Mute” function  
can not be selected.  
13. LOWER PEDAL ON/OFF  
This determines if the pedals will be active for lower sound when in SPLIT  
mode. The default setting is off which means the pedals are not active for  
lower sound.  
Press the REVERB button while holding down the TOUCH and the  
TRANSPOSE buttons.  
The display alternatively shows “LPd” (= Lower Pedal) and on/off status.  
The default is off.  
Use the VALUE buttons to toggle on and off.  
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14. LAYER OCTAVE SHIFT  
This allows the octave of the layered part to be be shifted up or down  
when you use the dual function.  
Press the SPLIT button while holding down the TOUCH and the  
TRANSPOSE buttons.  
The display alternatively shows “LAo” (= Layer Octave) and a number  
which represents how many octaves the layered part is shifted up or down.  
Use the VALUE buttons to set the desired layer octave shift range.  
Layer Octave Shift can be set between -2 to 2.  
15. LAYER DYNAMICS  
In Dual mode sometimes simply adjusting the volume balance between  
the two layered sounds is not enough to create the desired sound character  
if both sounds are very dynamic. Two equally dynamic sounds can be  
difficult to control and play comfortably. The Layer Dynamics function  
allows you to limit the overall dynamic sensitivity of the layered sound to  
create a perfect blend between both sounds in a layer. In addition to  
reducing the volume of the layered sound, limiting the dynamic sensitivity  
of the layered sound also makes the layered sound easier to control in  
relation to the main sound as you play. With this function, you can  
comfortably play as dynamically as you like with the main sound while  
maintaining control of the layered sound.  
Press the TEMPO button while holding down the TOUCH and the  
TRANSPOSE buttons.  
The display alternatively shows “dyn” (= Dynamics) and a number which  
represents the level of dynamics.  
Use the VALUE buttons to set the desired layer dynamics range.  
You can select the level of dynamics from 1 to 10. A value of 1 produces  
the greatest reduction in dynamics and a value of 10 produces no change  
in the dynamics. The default value is 10.  
FUNCTION BUTTONS  
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16. DAMPER HOLD  
This determines if the sound such as organ or strings should be held (on)  
or gradually decayed (off) when the damper pedal is depressed.  
Press the BEAT button while holding down the TOUCH and the  
TRANSPOSE buttons.  
The display alternatively shows “dMP” (= Damper) and on/off status. The  
default is off.  
Use the VALUE buttons to toggle on and off.  
17. USER MEMORY / FACTORY RESET  
USER MEMORY  
This function allows the CE200 piano to save the user-definable settings  
when the power is turned off. Once written to the memory, the saved  
settings will be recalled every time you turn the power on.  
The following settings can be saved.  
: Sound type  
: Effects/Reverb/Voicing setting  
: Menu function settings  
: Transpose  
: Tempo, beat, and sound volume of the metronome  
Press the PLAY/STOP button while holding down the TOUCH and  
the TRANSPOSE buttons.  
The display alternatively shows “MEM” and “uSr”.  
Press the REC button to execute the save operation.  
The save operation is completed when the display shows "Wrt."  
When you are finished, press any one of the SOUND SELECT buttons to  
exit the menu.  
FACTORY RESET  
This function will appear only when the user memory function has been  
used. This function resets the CE200 piano to the factory settings. All  
parameters you saved in “User Memory” will be reset to the factory preset  
values.  
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Press the PLAY/STOP button while holding down the TOUCH and the  
TRANSPOSE buttons.  
The display alternatively shows “MEM” and “rES”.  
Press the REC button to restore factory settings, and exit the menu.  
When the “User Memory” is saved, the display alternatively shows “MEM”  
and “rES” or “uSr”.  
Use the VALUE buttons to select “rES”.  
Press the REC button to restore factory settings, and exit the menu.  
FUNCTION BUTTONS  
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6. USING MIDI  
In this chapter you will learn how you can create music by connecting  
the CE200 piano to an external MIDI device.  
The CE200 piano is compatible with MIDI devices from Kawai and other  
manufacturers. It can also be used with sequencing software on a personal  
computer.  
UNDERSTANDING MIDI  
WHAT IS MIDI?  
The letters MIDI stand for Musical Instrument Digital Interface, an  
international standard for connecting MIDI equipped synthesizers, drum  
machines, and other electronic instruments so that they can exchange  
data. Personal computers can also be equipped for MIDI communication.  
Electronic instruments equipped with MIDI can transmit and receive  
performance data such as, notes, what sound to play, pedal information,  
volume, etc. This data can be recorded with a device like a sequencer or  
a computer.  
MIDI JACKS  
The CE200 is equipped with two MIDI jacks for exchanging data: MIDI IN  
and MIDI OUT. These jacks are used to connect MIDI devices to one  
another using a special cable.  
Each terminal has a different function.  
IN  
OUT  
: For receiving MIDI data from another MIDI instrument.  
: For sending MIDI data to another MIDI instrument.  
Depending on how they are connected, instruments are grouped as those  
which receive data (producing sound when data is received from a  
connected instrument), those which send data (to instruments to which  
they are connected), and those which both send and receive data.  
MIDI CHANNEL  
MIDI uses what are known as “channels” as a means of routing MIDI  
data intended to play a specified instrument or specified part. By  
channelizing MIDI data, you can control multiple parts in multiple  
instruments with a single cable.  
There are two aspects of channels, one for receiving and one for sending.  
The MIDI channel of the receiving instrument must be matched with the  
MIDI channel of the transmitting instrument. The idea is just like television  
or radio. If you have a desired station to watch or listen to, you need to  
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tune in to the right channel. When a transmitting instrument uses channel  
1, the receiving instrument must be set to use channel 1 also. The CE200  
piano lets you set the same channel number for both Transmit and receive.  
There are 16 MIDI channels available to choose from on the CE200 piano.  
In addition to channel-to-channel connection, it is possible to receive  
multiple channels. With MIDI instruments equipped with multi-timbral  
capabilities, you can receive multiple parts on multiple channels each  
played with a different sound simultaneously. For example, a MIDI  
instrument might receive the melody on channel 1, the chords on 2, the  
bass on 3, and assign a different instrument to each channel. Piano for  
channel 1, strings for 2, electric bass for 3. In this way, the CE200 piano  
can play up to 16 different parts each with a different sound.  
Here’s a diagram to summarize the MIDI connections we have discussed.  
Instrument #1, which is transmitting the piano part on channel 1 (Ch 1),  
the string part on Ch 2 and the bass part on Ch 3, is connected to Instrument  
#2. Instrument #3 is connected to MIDI Thru on instrument #2. The receive  
channel is set to 1 for Instrument #2 and multi-timbral mode is turned off.  
On instrument #3 multi-timbral mode is on.  
MIDI Keyboard #1  
Transmitting  
MIDI Keyboard #2  
Receiving ch 1  
Multi-timbral mode off  
Sound Module #3  
Multi-timbral mode on  
Ch 1  
Ch 2  
Ch 3  
Piano  
Strings  
Bass  
IN  
THRU  
OUT  
SONG  
1
2
3
4
5
PART  
1
2
METRONOME  
RECORDER  
IN  
VALUE  
min  
max  
TOUCH  
TRANS-  
POSE  
PIANO  
1
PIANO  
2
E.PIANO CHURCH HARPSI-  
ORGAN CHORD  
VIBRA-  
PHONE  
S
T
R
I
N
G
S
C
H
O
I
R
E
F
F
E
C
T
S
R
E
V
E
R
B
left  
right  
TEMPO  
BEAT  
PLAY/STOP  
REC  
CONCERT DEMO  
MAGIC  
MASTER VOLUME  
Dual Balance  
VOLUME  
DEMO  
Receiving  
Receiving only  
Ch 1 Piano  
Ch 1  
Ch 2  
Ch 3  
Piano  
Strings  
Bass  
USING MIDI  
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Instrument #2 recognizes only the piano part received from Instrument  
#1. Instrument #3 receives all the parts on the three channels being passed  
through Instrument #2 because Instrument #3’s multi-timbral mode  
capability is activated.  
We have provided this brief look at MIDI to help you understand the CE200  
piano’s MIDI capabilities.  
While it is beyond the scope of this manual to explain the entire world of  
MIDI we do encourage you to visit your local music store or contact a  
music publisher for a listing of available books on MIDI applications to  
learn more.  
Let’s explore some MIDI applications using an external MIDI device  
connected to the CE200 piano.  
6.1 USING THE CE200 PIANO AS CONTROLLER  
First let’s play sounds from an external MIDI device using the CE200  
piano’s keyboard.  
MIDI CONNECTION  
First, connect the CE200 piano’s MIDI OUT jack to your external  
MIDI device’s MIDI IN jack with a MIDI cable.  
MIDI IN  
LINE OUT  
MIDI OUT  
LINE IN  
DEMO  
METRONOME  
RECORDER  
SONG  
1
2
3
4
5
PART  
1
2
VALUE  
min  
max  
TOUCH  
TRANS-  
POSE  
PIANO  
1
PIANO  
2
E.PIANO CHURCH HARPSI-  
ORGAN CHORD  
VIBRA-  
PHONE  
S
T
R
I
N
G
S
C
H
O
I
R
EFFECTS REVERB  
left  
right  
TEMPO  
BEAT  
PLAY/STOP  
REC  
CONCERT DEMO  
MAGIC  
MASTER VOLUME  
Dual Balance  
VOLUME  
Next you must match the MIDI channel. The transmitting channel of the  
CE200 piano and receiving channel of your external MIDI device must be  
the same.  
CHANGING TRANSMITTING CHANNEL  
To change the transmit channel on the CE200 piano, press the  
ELECTRIC PIANO button while holding down the TOUCH and the  
TRANSPOSE buttons. The display alternatively shows “Chn” (=  
Channel) and the channel number. The default channel is 1. Use the  
VALUE buttons to change the channel number.  
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AUDIO CONNECTION  
If your external MIDI device is not equipped with an amplifier or speakers,  
you can connect it directly to the CA piano using the LINE IN jacks or to  
an external sound system.  
Connect the LINE IN jacks of the CA piano and the LINE OUT  
(audio output) jacks of your external MIDI device with a pair of  
audio cables (see the illustration above). Now you will be able to  
hear the CE200 piano’s sound and your external MIDI device's sound  
together through the CE200’s speakers. Use the volume control on your  
external MIDI device to balance it's volume with the CE200 piano.  
Now You’re ready to play.  
Play the CE200 piano’s keyboard. You should hear both instruments as  
you play. What is happening is that the CE200 piano is transmitting MIDI  
information, what note you played, how hard (loud) you played it, and so  
on to your external MIDI device. The external MIDI device reproduces  
sound based on this information using its own sound module.  
PROGRAM CHANGE  
Press a SOUND SELECT button on the CE200. You will hear the sound  
on your external MIDI device also changes. Pressing a SOUND SELECT  
button lets the CE200 piano transmit a “program change” number. A  
program change is the type of MIDI command that tells the receiving  
instrument what sound or instrument to play your notes with.  
Actual program change information is just a number, from 1 to 128, not an  
instrument name. You select the desired instrument with a specific number.  
Not all MIDI instruments assign the same sound to the same program change  
number. MIDI instruments that conform to the General MIDI (GM) standard  
however “DO” assign the same sound to the same program change number.  
For example program change #1 will always be an acoustic piano sound on  
a “GM” compatible synth, and program change #33 will always be an acoustic  
bass sound. Because of this, when connecting two “GM” instruments  
together, selecting the right sound is not a problem. The CE200 piano is  
not a General MIDI instrument and its internal sounds do not conform to  
the General MIDI standard. This means when you select a sound on the  
CE200 piano such as Classic E. Piano you will probably hear a different  
sound playing from your external MIDI device. What sound you hear will  
depend on the sound assignments on your external MIDI device. Below is  
a chart of the Program Change number/sound assignment mapping for the  
first twelve CE200 piano sounds and the first twelve “GM” sounds. Please  
see page 54 for more detail. The CE200 piano can have different mappings  
USING MIDI  
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depending on the setting for multi-timbral mode (explained later in this  
chapter).  
Program #  
CE200  
General MIDI  
Grand Piano  
Bright Piano  
Electric Grand  
Honky Tonk Piano  
Electric Piano 1  
Electric Piano 2  
Harpsichord  
Clavi  
1
2
3
4
5
6
7
8
9
Concert Grand  
Studio Grand  
Mellow Grand  
Classic E. Piano  
Modern E. P  
Jazz Organ  
Drawbar Organ  
Church Organ  
Diapason  
Celesta  
10  
11  
12  
String Ensemble  
Slow Srings  
Harpsichord  
Glockenspiel  
Music Box  
Vibraphone  
In order for your external MIDI device to play the sound you want, you  
need to know what program change number to transmit to it. Please read  
your external MIDI device’s manual for a list of its program change number/  
sound assignments. Then read “Sending Program Change Numbers” on  
page 54 for the procedure to send a desired program change number from  
the CE200 piano.  
That is how to layer the CE200 piano’s sound with a desired sound from  
an external MIDI device.  
LOCAL CONTROL  
You may want to play and only hear your external MIDI device’s sound,  
without the CE200 piano’s sound. You can turn off the CE200 piano’s  
sound using a function called “local control”.  
Local control determines whether or not the CE200 piano will produce a  
sound when you play it’s own keyboard. When local control is on, the  
CE200 piano produces sound as you play the keys. When off, the piano  
will not produce a sound when you play the keys. The CE200 piano’s  
keyboard will however, continue to transmit MIDI information to an  
external MIDI device.  
Press the CHURCH ORGAN button while holding down the TOUCH  
and the TRANSPOSE buttons, and the piano will show “on” or “off” in  
the display. The initial value is on. Toggle on and off using the VALUE  
buttons.  
Play the keyboard and you will hear only the sound from your external  
MIDI device.  
46  
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To change the sound from the CE200 piano, select the desired number as  
explained in the Reference section and send it from the CE200 piano to  
your external MIDI device.  
It may be possible to change preset sounds directly on your external MIDI  
device. In this case you may want to set the CE200 piano so that it does  
not transmit program changes. Read “10. Transmit Program Change On/  
Off” on page 37 to learn how to prevent the CE200 piano from transmitting  
program changes.  
6.2 USING THE CE200 PIANO AS A MULTI-TIMBRAL SOUND MODULE  
The CE200 piano can also be used as a 16-part multi-timbral sound module.  
Your CE200 piano is capable of playing back for example, a four part  
song with two piano parts, a string part, and a choir part all sent from an  
external MIDI sequencer or a personal computer. You can also play the  
CE200 piano along with a recorded song.  
To set the CE200 piano to receive MIDI as a multi-timbral instrument it  
must be connected with an external MIDI device or personal computer  
with appropriate software.  
Connect the CE200 piano’s MIDI IN jack and your external MIDI device’s  
MIDI OUT jack with a MIDI cable. Please note that the MIDI information  
is now being transmitted the opposite of our earlier setup. The CE200  
piano is now receiving MIDI data from your external MIDI device.  
MIDI CHANNEL  
The next step is to match your MIDI channels. When receiving MIDI data  
on the CE200 piano with multi-timbral mode ON, it is not necessary to  
specify a MIDI channel to use because the CE200 piano can receive data  
on multiple MIDI channels at once. You do have to be careful to match  
MIDI channels between each part. A MIDI channel can only have one  
sound assigned to it at a time. You must set the MIDI channel for each  
part on both the transmitting (external MIDI device) and the receiving  
(CE200 piano) MIDI devices. For example, channel 1 for piano, ch 2 for  
strings, ch 3 for choir, etc.  
MIDI OUT  
MIDI IN  
METRONOME  
RECORDER  
SONG  
1
2
3
4
5
PART  
1
2
VALUE  
min  
max  
TOUCH  
TRANS-  
POSE  
PIANO  
1
PIANO  
2
E.PIANO CHURCH HARPSI-  
ORGAN CHORD  
VIBRA-  
PHONE  
S
T
R
I
N
G
S
C
H
O
I
R
EFFECTS REVERB  
left  
right  
TEMPO  
BEAT  
PLAY/STOP  
REC  
CONCERT DEMO  
MAGIC  
MASTER VOLUME  
Dual Balance  
VOLUME  
USING MIDI  
47  
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MULTI-TIMBRAL MODE  
Multi-timbral On is a setup for 16-channel multi-timbral operation. You  
can mute the channels separately. Each channel recognizes the program  
change numbers as listed on page 54. There are two kinds of Multi-timbral  
On. On1 and On2 have different program change numbers assigned.  
Multi-timbral Off turns off the multi-timbral capability. If you would  
like to have the CE200 piano receive MIDI data on a single channel and  
ignore all data on the other channels set multi-timbral to “Off”. Remember,  
if you want the CE200 piano to receive MIDI information from an external  
device, in this setup you must match the receiving channel with the  
transmitting channel. Program change numbers are recognized as listed  
on page 54.  
To demonstrate the multi-timbral capability of the CE200 piano, let’s  
choose Multi-timbral On.  
Press the BASS / GUITAR button while holding down the TOUCH  
and the TRANSPOSE buttons.  
Use the VALUE buttons to select Multi-timbral On. The display  
will read “On1” or “On2”.  
Let’s see how this works using an external MIDI device. If you have a  
keyboard connected to the CE200 piano try playing some notes. You  
should hear the CE200 piano as you play. If you have a MIDI song player  
or personal computer with MIDI software connected try sending some  
MIDI song data with one or more different musical parts to the CE200.  
Again you should hear the CE200 piano playing all the parts. In multi-  
timbral mode, if you want to hear a particular sound for each part you  
transmit to the CE200 you must send the correct Program/sound number  
from the transmitting MIDI device to the CE200 piano. Please see page  
54 for a list of the Program/sound number assignments for the CE200  
piano.  
If you own a “GM” sound module you’ll probably want to use it as your  
multi-timbral module instead of the CE200 piano. If you have a hardware  
sequencer or personal computer but do not own another sound module,  
you can enjoy sixteen-part multi-timbral capability with only the CE200  
piano.  
48  
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MIDI may seem a little difficult to work with at first, but once mastered it  
offers many new and exciting ways to enjoy music.  
While this manual avoids going into too much detail regarding the technical  
aspects of MIDI such as “system exclusive data”, for those who are more  
familiar with MIDI or want to be, this manual provides technical MIDI  
information and a MIDI Implementation Chart, on page 58 and 59.  
USING MIDI  
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7. JACKS  
MIDI JACKS  
These jacks are used to connect external MIDI devices with the CE200  
piano.  
There are two terminals: MIDI IN and MIDI OUT.  
USB JACK  
This jack is used to connect with a personal computer and exchange MIDI  
data.  
When the CE200 piano is connected to a computer via a commercially  
available USB cable, the CE200 piano will be recognized as a MIDI device.  
As with a regular MIDI interface, the CE200 piano will be able to transmit  
and receive MIDI messages.  
There are A USB port and B USB port. Connect a computer to the A port  
and digital piano to the B port.  
ABOUT A USB DRIVER  
For data exchange between a computer and digital piano via USB  
connection, software (USB-MIDI driver) must be installed on the computer  
for proper digital piano operations.  
Please read the following instructions carefully as a different USB-MIDI  
driver may be necessary depending on the computer OS.  
Windows XP / Me users:  
The standard USB-MIDI driver installed on Windows will be used. This  
USB-MIDI driver will be automatically installed when the unit is connected  
to the computer.  
To establish MIDI communications with the unit by using an application,  
select "USB audio device" to define the unit as a MIDI device.  
Windows 2000 / 98SE users:  
You need to install the specifi ed, special USB-MIDI driver. Download the  
special USB driver from the KAWAI site as shown below, and install it on  
the computer.  
Read the instruction manual thoroughly before connecting the unit to the  
50  
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computer, and make sure to install the driver. If you connect the unit to  
the computer without installing the driver, the USB-MIDI driver may not  
operate properly. If this occurs, use the driver update function of the OS  
to install the appropriate USB-MIDI driver, or delete the driver by using  
the driver delete function and then install the driver again.  
To establish MIDI communications with the unit by using an application,  
select "KAWAI USB MIDI IN" and "KAWAI USB MIDI OUT" to define the  
unit as a MIDI device.  
Macintosh OS X users:  
When the unit is used with Macintosh OS X, the unit will be recognized as  
a MIDI device automatically; therefore, no special driver is needed.  
To establish MIDI communications with the unit by using an application,  
select "USB-MIDI" to define the unit as a MIDI device.  
Users of Macintosh OS9 or earlier:  
The unit does not support Macintosh OS9 or earlier. Please establish a  
MIDI connection by using a commercially available MIDI interface.  
NOTES ON USB  
When MIDI and USB are connected simultaneously, USB will be  
prioritized.  
When connecting a digital piano to a computer by using a USB cable, first  
connect the cable and then turn on the power of the digital piano.  
When a digital piano is connected to a computer by using a USB cable, it  
may take some time before communications start.  
When a digital piano and a computer are connected via a hub, and the  
operation is not stable, connect the digital piano directly to the USB port  
of the computer.  
Operations of a computer or a digital piano may become unstable if the  
power of the piano is turned on or off, or if the USB cable is pulled out or  
inserted during:  
: Driver installation  
: Computer power-up  
: MIDI application operations  
: Communication with the computer  
: Standby in power-saving mode  
*USB may not operate properly depending on the settings of your  
computer. Read the computer instruction manual thoroughly before use  
and ensure that appropriate settings are made.  
JACKS  
51  
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*Windows is a registered trademark of Microsoft Corporation.  
*Macintosh is a registered trademark of Apple Computer. Inc.  
*Other company names and product names mentioned referenced herein  
may be registered trademarks or trademarks of re-spective owners.  
LINE OUT JACKS  
LINE IN JACKS  
These jacks provide stereo output of the piano’s sound to amplifiers, tape  
recorders or similar equipment.  
The audio signal coming through the LINE IN jacks is also routed to these  
jacks. The piano’s sound is mixed with the LINE IN signals.  
The CE200 piano’s VOLUME slider can control the output level of its own  
sound while it does not control the LINE IN signal.  
These jacks are used to connect a pair of stereo outputs from other audio  
equipment or electronic instruments to the piano’s speakers.  
The audio signal coming through these jacks bypasses the piano’s volume  
control. To adjust the volume level, use the output control of the external  
device.  
HEADPHONE JACKS  
There are two jacks for headphones provided at the left end on the bottom  
of the piano.  
You can hear the piano’s sound as well as any audio signal that is coming  
through the LINE IN.  
BOTTOM VIEW  
52  
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JACKS  
53  
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8. APPENDICES  
PROGRAM CHANGE NUMBER MAPPING  
Multi-Timbral mode  
On 2  
Sound Button  
Sound Name  
Off, On 1  
Prog #  
Bank MSB  
Bank LSB  
Prog #  
PIANO  
1
2
3
1
2
1
2
1
2
1
2
Concert Grand  
Studio Grand  
Mellow Grand  
Classic E.Piano  
Modern E.P.  
Jazz Organ  
Drawbar Organ  
Church Organ  
Diapason  
String Ensemble  
Slow Strings  
Harpsichord  
Harpsichord Oct  
Vibraphone  
1
2
3
4
5
6
7
8
9
10  
11  
12  
13  
14  
15  
16  
17  
18  
19  
20  
121  
121  
121  
121  
121  
121  
121  
121  
95  
0
1
2
0
0
0
0
0
7
0
1
0
1
0
0
0
0
0
0
4
1
1
1
5
6
18  
17  
20  
20  
49  
45  
7
ELECTRIC PIANO  
DRAWBAR  
CHURCH ORGAN  
STRINGS  
121  
95  
HARPSI & MALLETS 1  
121  
121  
121  
121  
121  
121  
121  
121  
95  
2
3
7
12  
53  
89  
100  
33  
34  
25  
CHOIR & PAD  
1
2
3
1
2
3
Choir  
New Age Pad  
Atmosphere  
Wood Bass  
Electric Bass  
Finger Nylon Gt.  
BASS & GUITAR  
RHYTHM STYLE LIST  
1. 8 Beat 1  
2. 8 Beat 2  
11. Ballad 2  
21. Waltz  
12. Light Ride 1  
13. Light Ride 2  
14. Smooth Beat  
15. Slow Jam  
16. Funky Beat  
17. Disco  
18. 8 Shuffle  
19. Triplet  
20. Triplet Ballad  
22. Motown 1  
23. Motown 2  
24. Ride Swing  
25. H.H. Swing  
26. Jazz Waltz  
27. H.H. Bossa Nova  
28. Mambo  
3. 16 Beat 1  
4. 16 Beat 2  
5. 16 Beat 3  
6. Ride Beat 1  
7. Ride Beat 2  
8. Rock Beat  
9. Surf Rock  
10. Ballad 1  
29. Light Samba  
30. Surdo Samba  
54  
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PIANO MUSIC LIST  
Tambourin .............................................................................................................J.P. Rameau  
The harmonious blacksmith ................................................................................... G.F. Händel  
Menuette BWV. Anh.114 ............................................................................................ J.S. Bach  
Menuette BWV. Anh.115 ............................................................................................ J.S. Bach  
Menuette BWV. Anh.116 ............................................................................................ J.S. Bach  
Le Coucou ...............................................................................................................L.C.Daquin  
Gavotte ................................................................................................................... F.J. Gossec  
Menuett ............................................................................................................... L. Boccherini  
Thema und Variationen <Sonate für Klavier No.11 K.331(300i)>........................... W.A. Mozart  
Türkischer Marsch <Sonate für Klavier No.11 K.331(300i)>.................................. W.A. Mozart  
Menuett ................................................................................................................. W.A. Mozart  
Sonate für Klavier No.14 “Mondschein” ............................................................ L.v. Beethoven  
Sonate für Klavier No.8 “Pathéthique” ............................................................... L.v. Beethoven  
Für Elise............................................................................................................. L.v. Beethoven  
Rondo favori ........................................................................................................ J.N. Hummel  
Impromptu op.90-4 ..............................................................................................F.P. Schubert  
Moments musicaux op.94-3 .................................................................................F.P. Schubert  
Entr’ acte ..............................................................................................................F.P. Schubert  
Impromptu op.142-3 ............................................................................................F.P. Schubert  
Auf Flügeln des Gesanges.................................................................................F. Mendelssohn  
Frühlingslied .....................................................................................................F. Mendelssohn  
Rondo Capriccioso ...........................................................................................F. Mendelssohn  
Chanson de l’adieu .................................................................................................. F.F. Chopin  
Raindrop.................................................................................................................. F.F. Chopin  
Petit chien................................................................................................................ F.F. Chopin  
Nocturne No.2 ......................................................................................................... F.F. Chopin  
Fantaisie-Impromptu ............................................................................................... F.F. Chopin  
Polonaise No.3 “Militaire........................................................................................ F.F. Chopin  
Polonaise No.6 “Héroïque” ...................................................................................... F.F. Chopin  
APPENDICES  
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FRONT PANEL  
LED DISPLAY  
PIANO MUSIC BUTTON (P. 27) VOICING BUTTON (P. 19)  
VOLUME SLIDER (P. 12)  
DEMO BUTTON (P. 13)  
SOUND SELECT BUTTONS (P. 14) LED INDICATOR  
SOUND DEMO SONG LIST  
PIANO  
Concert Grand  
Valse Romantique / Debussy  
Studio Grand  
Mellow Grand  
Classic E.Piano  
Modern E.P.  
Original  
La Fille aux Cheveux de Lin / Debussy  
Original  
Original  
Original  
ELECTRIC PIANO  
DRAWBAR  
Jazz Organ  
Drawbar Organ  
Church Organ  
Diapason  
String Ensemble  
Slow Strings  
Original  
Toccata / Eugene Gigout  
Wohl mir, daß ich Jesum habe / Bach  
Le quattro stagioni La primavera / Vivaldi  
CHURCH ORGAN  
STRINGS  
Original  
HARPSI&MALLETS Harpsichord  
Harpsichord Oct.  
French Suite No. 6 / Bach  
Prelude A / Bach  
Original  
Original  
Original  
Vibraphone  
Choir  
CHOIR & PAD  
BASS  
New Age Pad  
Atmosphere  
Wood Bass  
Original  
Original  
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SPLIT BUTTON (P. 16)  
RECORDER BUTTONS (P. 23)  
EFFECT BUTTONS (P. 17)  
FUNCTION BUTTONS (P. 28)  
VALUE BUTTONS (P. 15) DUAL/SPLIT BALANCE SLIDER (P.17 ) METRONOME BUTTONS (P. 20)  
SPECIFICATIONS  
CE200  
Keyboard  
Polyphony  
Number of Sound  
Sound Catrgories  
88 Wooden Keyboard  
Maximum 96  
20  
Piano, Electric Piano, Drawbar, Church Organ,  
Strings, Harpsi & Mallets, Choir & Pad, Bass & Guitar  
Reverb (5), Chorus, Delay, Tremolo, Rotary (2)  
Equal (Piano Only), Mersenne pure (Major), Mersenne pure (minor),  
Pythagorea, Meantone, Werckmeister III, Kirnberger III,  
Equal (flat), Equal  
Effects  
Temperaments  
Recorder  
2 Tracks, 3 Songs  
The total memory capacity of the recorder is approximately 15,000 notes.  
Piano Music (29 Preset Musics), Volume, Dual, Split, Four Hands,  
Dual/Split Balance, Voicing, Rhythm Metronome, Transpose, Brilliance,  
Tune, Damper Resonance, String Resonance, Layer Dynamics,  
Lower Octave Shift, Layer Octave Shift, User Memory, Factory Reset,  
Touch Curve (Light 1 Light 2, Normal, Heavy 1, Heavy 2, Off, User),  
Lower Pedal, MIDI (16 part multi-timbral capability)  
Sustain, Sostenuto, Soft  
Other Features  
Pedals  
Jacks  
Headphone (2), LINE IN (L, R), LINE OUT (L/MONO, R),  
MIDI (IN, OUT), USB  
Output Power*  
20W x 2  
Speakers  
12 cm x 2  
Power Consumption  
Finish  
55 W  
Rosewood  
Dimensions (WxDxH)  
(without Music Rack)  
Weight (without bench)  
1386 x 505 x 873 mm  
55” x 20” x 34”  
62 kg, 137LB’s  
*EIAJ  
APPENDICES  
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MIDI EXCLUSIVE DATA FORMAT  
1st byte  
1
2nd byte  
2
3rd byte  
3
4th byte  
4
5th byte  
5
6th byte  
6
7th byte  
7
8th byte  
8
9th byte  
9
10th byte  
10  
1
2
3
4
5
6
7
8
9
F0 . . . . . . . . . . Start code  
40. . . . . . . . . . Kawai's ID number  
00 - 0F . . . . . . MIDI channel  
10, 30. . . . . . . Function code (30 when setting MULTI TIMBRE ON/OFF)  
04. . . . . . . . . . Indicates that the instrument is Electronic Piano  
02. . . . . . . . . . Indicates that the piano is one of CE200.  
data 1  
data 2 . . . . . . . (See the table below.)  
data 3  
10 F7 . . . . . . . . . . End code  
data 1  
00  
data 2  
00  
data 3  
Function  
Multi Timbre Off  
00  
01  
Multi Timbre On 1  
00  
02  
Multi Timbre On 2  
0D  
0007  
00: Effect Off, 01: Chorus, 02: Delay 1, 03: Delay 2, 04: Delay 3,  
05: Tremolo, 06: Rotary 1, 07: Rotary 2  
00: Reverb Off, 01: Room 2, 02: Stage, 03: Hall 1, 06: Room 1,  
07: Hall 2  
0E  
0003, 06, 07  
14  
16  
17  
18  
007F  
1F60  
00, 7F  
0007  
Dual/Split balance  
Tune, 40: 440 Hz  
00: Program Change Off, 7F: Program Change On  
00: Light 1, 01: Normal, 02: Heavy 1, 03: Off, 04: Light 2, 05: Heavy 2,  
06: User  
19  
20  
21  
25  
26  
0003  
0027  
0027  
0008  
00, 7F  
Lower Octave Shift  
0027  
0027  
000B  
000F  
Dual, data 2: Right sound, data 3: Left sound  
Split, data 2: Upper sound, data 3: Lower sound  
data 2: Temperament, data 3: Key  
Multi Timbre, data 2: 00 (On), 7F (Off), data 3: channel  
58  
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MIDI IMPLEMENTATION CHART  
DATE: JANUARY 2007  
VERSION 1.0  
KAWAI DIGITAL PIANO MODEL: CE200  
Function  
Basic  
Transmit  
Receive  
1
Remarks  
Default  
1
Channel  
Changes  
Default  
1 – 16  
1 – 16  
3
3
* The default for the OMNI  
mode is ON. Specifying  
MIDI channels automatically  
turns it OFF.  
Mode  
Messages  
Altered  
1, 3*  
* * * * * * * * *  
Note  
9 – 120**  
0–127  
0–127  
Number  
Velocity  
True voice  
Note ON  
Note OFF  
Key’s  
* * * * * * * * *  
9nH v=1–127  
9nH v=0  
After  
Touch  
Ch’s  
Pitch Bend  
0, 32  
Bank Select  
Volume  
7
11  
64  
66  
67  
Expression pedal  
Sustain pedal  
Sostenuto pedal  
Soft pedal  
(Right pedal)  
(Center pedal)  
(Left pedal)  
Control  
Change  
*** See the Program Change  
Number Mapping in page  
54.  
Program  
Change  
0 – 127  
***  
:True #  
* * * * * * * * *  
System Exclusive  
On/Off Selectable  
: Song Position  
: Song Select  
: Tune  
Common  
System  
Real Time  
Aux  
: Clock  
: Commands  
: Local On/Off  
: All Notes Off  
: Active Sense  
: Reset  
(123-127)  
Notes  
** The value depends on the Transpose setting.  
Mode 1: OMNI ON, POLY  
Mode 3: OMNI OFF, POLY  
Mode 2: OMNI ON, MONO  
Mode 4: OMNI OFF, MONO  
: Yes  
: No  
APPENDICES  
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CE200 Owners Manual  
OW996E-C0701  
Printed in Indonesia  
815847  
KPSZ-0181  
Eng  
Copyright ©2006 Kawai Musical Instruments Mfg. Co., Ltd. All rights reserved.  
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