JL AUDIO 300/2
two-channel full-range amplifier
o w n e r ’ s m a n u a l
Thank you for purchasing a JL Audio amplifier for
your automotive sound system.
Your amplifier has been designed and manufactured to exacting
standards in order to ensure years of musical enjoyment in your
vehicle. For maximum performance and extended warranty
coverage, we highly recommend that you have your new amplifier
installed by an authorized JL Audio dealer. Your authorized
dealer has the training, expertise and installation equipment to
ensure optimum performance from this product. Should you
decide to install the amplifier yourself, please take the time
to read this manual thoroughly so as to familiarize yourself
with its installation requirements and setup procedures.
If you have any questions regarding the instructions in this
manual or any aspect of your amplifier’s operation, please contact
your authorized JL Audio dealer for assistance. If you need further
assistance, please call the JL Audio Technical Support Department at
(954) 443-1100 during business hours (Eastern Time Zone).
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PRODUCT DESCRIPTION
POWER CONNECTIONS
The JL Audio 300/2 is a two-channel full-range
amplifier utilizing patented Absolute Symmetry™
Class AB technology for both channels.These
channels benefit from JL Audio's exclusive R.I.P.S.
power supply design which optimizes the output of
for any impedance between 1.5 and 4 ohms per
channel (3 - 8Ω bridged).
The 300/2's flexible input and crossover sections
permit operation with a wide variety of source units
and system configurations.
6) Find a good, solid metal grounding point
close to the amplifier and connect the negative
power wire to it using appropriate hardware. Use
minimum 8 AWG power wire, no longer than 36
inches (90 cm) from the amplifier to the ground
connection point. In some vehicles, it may be
necessary to upgrade the battery ground wire.
(See page 5 for important notice).
7) Securely mount the amplifier using the
supplied screws.
8) Connect the positive and negative power
wires to the amplifier.A fuse near the amplifier is
not necessary.
9) Connect the remote turn-on wire
to the amplifier.
Before installing the amplifier, disconnect the
negative (ground) wire from the vehicle's battery.
This will prevent accidental damage to the system,
the vehicle and your body during installation.
The ground connection should be made using
the same gauge wire as the power connection
and should be kept as short as possible, while
accessing a solid piece of sheet metal in the vehicle.
The surface of the sheet metal should be sanded at
the contact point to create a clean, metal-to-metal
connection between the chassis and the termination
of the ground wire.The use of a star washer to lock
down the connection is advisable.
Any wires run through metal barriers (such as
firewalls), must be protected with a high quality
rubber grommet to prevent damage to the
insulation of the wire. Failure to do so may result in
a dangerous short circuit.
TYPICAL INSTALLATION SEQUENCE
The following represents the sequence for a
typical amplifier installation, using an aftermarket
source unit. Additional steps and different
procedures may be required in some applications. If
you have any questions, please contact your
authorized JLAudio dealer for assistance.
The 300/2's “+12VDC” and “Ground”
connections are designed to accept 8 - 4 AWG
power wire. 8 AWG is the minimum
recommended power wire size for this
amplifier.
IMPORTANT
!
10) Connect the RCA input cables
to the amplifier.
Many vehicles employ small (10 AWG - 6 AWG)
wire to ground the battery to the vehicle chassis and
to connect the alternator's positive connection to the
battery.To prevent voltage drops, these wires should
be upgraded to 4 AWG when installing amplifier
systems with main fuse ratings above 60A.
11) Connect the speaker wires to the amplifier.
12) Carefully review the amplifier’s control
settings to make sure that they are set according to
the needs of the system.
13) Install power wire fuse (40A for a
single 300/2) and reconnect the negative
battery post terminal.
14) Turn on the source unit at a low level
to double-check that the amplifier is configured
correctly. Resist the temptation to crank it up until
you have verified the control settings.
15) Make necessary adjustments to the input
sensitivity controls to obtain the right overall output
and the desired balance in the system. See
Appendix B (page 13) for the recommended input
sensitivity setting method.
If you are installing the 300/2 with other
1) Disconnect the negative battery post
connection and secure the disconnected cable to
prevent accidental re-connection during installation.
This step is not optional!
2) Run power wire (minimum 8 AWG) from
the battery location to the amplifier mounting
location, taking care to route it in such a way that
it will not be damaged and will not interfere with
vehicle operation. Use 2 AWG or 1/0 AWG
power wire if additional amplifiers are being
installed with the 300/2.
3) Connect power wire to the positive battery
post. Fuse the wire with an appropriate fuse block
(and connectors) within 18 inches (45 cm) wire
length of the positive battery post. This fuse is
essential to protect the vehicle. Do not install the
fuse until the power wire has been connected to
the amplifier.
4) Run signal cables (RCA cables) and remote
turn-on wire from the source unit to the amplifier
mounting location.
amplifiers and wish to use a single main power wire,
use 2 AWG or 1/0 AWG main power wire
(depending on the overall current demands of all
the amplifiers in the system).This 2 AWG or 1/0
AWG power wire should terminate into a
distribution block mounted as close to the amplifiers
as possible and should connect to the 300/2 with
8 - 4 AWGpower wire.
Please note that smaller AWG numbers mean
bigger wire and vice-versa (1/0 AWG is biggest, 2
AWG is smaller, then 4 AWG, then 8 AWG, etc.).
To connect the power wires to the amplifier, first
back out the set screw on the top of the amplifier,
using the supplied 2.5 mm hex wrench. Strip
1/2 inch (12 mm) of insulation from the end of
each wire and insert the bare wire into the
receptacle on the front panel of the amplifier, seating
it firmly so that no bare wire is exposed.While
holding the wire in place, tighten the set screw
firmly, taking care not to strip the head of the screw.
16) Enjoy the fruits of your labor with your
favorite music.
5) Run speaker wire from the speaker systems to
the amplifier mounting location.
4
JL AUDIO 300/2
JL AUDIO 300/2
5
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FUSE REQUIREMENTS
TURN-ON LEAD
INPUT SECTION
It is absolutely vital that the main power wire(s)
to the amplifier(s) in the system be fused within
18 inches (45 cm) of the positive battery post
connection.The fuse value at each power wire
should be high enough for all of the equipment
being run from that power wire. If only the
300/2 is being run from that power wire, we
recommend a 40A fuse be used. AGU (big glass
fuse) or MaxiFuse™ (big plastic-body fuse) types
are recommended.
The 300/2 uses a conventional +12V remote
turn-on lead, typically controlled by the source unit's
remote turn-on output.The amplifier will turn on
when +12V is present at its “Remote” input and
turn off when +12V is switched off. If a source unit
does not have a dedicated remote turn-on output,
the amplifier’s turn-on lead can be connected to
+12V via a switch that derives power from an
ignition-switched circuit.
The 300/2's “Remote” turn-on connector is
designed to accept 18 AWG – 8 AWG wire.
12 AWG is more than adequate for this purpose.
To connect the remote turn-on wire to the
amplifier, first back out the set screw on the top of
the amplifier, using the supplied hex wrench. Strip
1/2 inch (12mm) of wire and insert the bare wire
into the receptacle on the front panel of the
amplifier, seating it firmly so that no bare wire is
exposed.When using smaller wire, it may be
necessary to strip 1 inch of insulation from the wire
and fold the bare wire in half prior to insertion.
While holding the wire in the terminal, tighten the
set screw firmly, taking care not to strip the head of
the screw and making sure that the wire is firmly
gripped by the set screw.
The 300/2 has one input section, which contains a
pair of RCA-type input jacks, an “InputVoltage”
switch and an “Input Sens.” rotary control.
2) Input Sensitivity Adjustment: Located next to
the “InputVoltage” switch in the “Amplifier Input
Section” nput section is a rotary control labeled
“Input Sens.”. Once the appropriate “Input
Voltage” range has been selected, this control can
be used to match the source unit's output voltage
to the input stage of the 300/2 for maximum clean
output. Rotating the control clockwise will result in
higher sensitivity (louder for a given input voltage).
Rotating the control counter-clockwise will result in
lower sensitivity (quieter for a given input voltage.)
To properly set the amplifier for maximum clean
output, please refer to Appendix B (page 13) in this
manual. After using this procedure, you can then
adjust the “Input Sens.” level downward if this is
required to achieve the desired system balance.
Do not increase the “Input Sens.” setting for
any amplifier in the system beyond the maximum
level established during the procedure outlined in
Appendix B (page 13). Doing so will result in
audible distortion and possible speaker damage.
No fuse is required or recommended directly
before the amplifier power connection. If one is
desired, we recommend the use of a 40A AGU fuse
or MaxiFuse™ type.
1) InputVoltage Range: A wide range of signal
input voltages can be accommodated by the
300/2's input section (200mV – 8V).This wide
range is split up into two sub-ranges, accessible via
a switch located in the “Amplifier Input Section”.
The “Low” position on the “InputVoltage”
switch selects an input sensitivity range between
200mV and 2V.This means that the “Input Sens.”
rotary control will operate within that voltage
window. If you are using an aftermarket source unit,
with conventional preamp-level outputs, this is most
likely the position that you will use.
The “High” position on the “InputVoltage”
switch selects an input sensitivity range between
800mV and 8V.This is useful for certain high-output
preamp level signals as well as speaker-level output
from source units and small amplifiers.To use
speaker-level sources, splice the speaker output
wires of the source unit or small amplifier onto a
pair of RCA plugs.
IMPORTANT
!
The output of the amplifier will decrease for a
given input voltage when the “Input Range” switch
is placed in the “High” position. Conversely, the
output will be higher with the switch in the “Low”
position.While this may sound counter-intuitive, it is
consistent with the descriptions above.
6
JL AUDIO 300/2
JL AUDIO 300/2
7
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CROSSOVER CONTROLS
PREAMP OUTPUT SECTION
SPEAKER OUTPUTS
Crossovers are groups of individual electronic filters
which allow only certain frequency ranges to pass
through them by attenuating frequencies outside
the selected range.These filters allow the user to
specify what frequency range will be sent to the
each amplifier (or channels) in a system.This, in turn,
allows each speaker system to only reproduce a
range of frequencies it is well-suited for, resulting in
reduced distortion and improved fidelity.
2) “Filter Slope” Control: This switch allows
you to select from two filter slopes for that
channel section.
“12dB”: Configures the filter to attenuate
frequencies above or below the selected filter
frequency at a rate of 12 dB per octave
(Butterworth alignment).
“24dB”: Configures the filter to attenuate
frequencies above or below the selected filter
frequency at a rate of 24 dB per octave (Linkwitz-
Riley alignment).
The 300/2 incorporates a flexible preamp output
section, so that additional amplifiers can be added to
the system.This pre-amp output can be configured
three different ways using the switch labeled
“Output Mode” in the “Preamp Output Section”.
The 300/2 employs JL AUDIO's exclusive
Regulated, Intelligent Power Supply (R.I.P.S.) design.
This sophisticated power supply allows the
amplifier to produce its optimum power (300
watts) over a wide range of speaker impedances.
Unlike conventional amplifiers that require a
specific impedance to produce optimum power,
the R.I.P.S.-equipped 300/2 gives you the freedom
to use a variety of speaker configurations that
achieve final impedances between 1.5 – 4Ω
nominal per channel (without sacrificing power
output or sound quality).
Amp Filter Section:
Depending on the speaker system and the
vehicle, different filter slopes may be required to
produce a smooth transition between the sound of
different speakers in the system. Experiment to find
the slope which best matches the acoustic
requirements of the system.The sharper “24dB”
setting will do a better job of protecting small
speakers with limited power handling.The shallower
“12dB” octave setting allows the rear speakers to
reproduce more low-frequency content.
3) “Freq. Range” Control: When thrown to
the right, this switch multiplies the cutoff
frequency selected by the rotary “Filter Freq.
(Hz)” control by a factor of 10. In the “x1”
position, the range of the rotary control is
50 - 500 Hz (as marked). In the “x10”
position, the range of the rotary control is
500 Hz - 5 kHz (5000 Hz).
The operation of the R.I.P.S. circuitry is entirely
automatic and adjusts itself every time the amplifier
is turned on according to the lowest impedance
present at the speaker outputs .There are no user
controls to configure.The system operates through
multiple stages of impedance optimization, choosing
the stage most appropriate to the actual impedance
of the speakers you connect to it.
1) “Full-Range”: The preamp output delivers
the same signal that is connected to the 300/2's
Amplifier Inputs.
2) “Low-Pass”: The preamp output delivers
the same signal that is connected to the 300/2's
Amplifier Inputs with Low-Pass filtering applied to
it at the “Filter Freq.” and “Filter Slope” selected
in the “Amplifier Filter” section. This mode can
be useful for feeding a subwoofer amplifier
when the 300/2 is being used to drive the
main speaker system.
3) “High-Pass”:The preamp output delivers
the same signal that is connected to the 300/2's
Amplifier Inputs with High-Pass filtering applied to
it at the “Filter Freq.” and “Filter Slope” selected
in the “Amplifier Filter” section. This mode can
be useful for feeding a second satellite amplifier
when the 300/2 is being used to drive the main
speaker system.
1) “Filter Mode” Control:This switch allows you to
configure the filter into one of two filter types or
defeat it completely:
“Off”: Defeats the filter for that channel section
completely, allowing the full range of frequencies
present at the inputs to feed the amplifier.This is
useful for systems utilizing outboard crossovers or
requiring full-range reproduction from the 300/2.
“LP” (Low-Pass): Configures the filter to attenuate
frequencies above the selected filter frequency.
Useful for connection of subwoofer(s) to the 300/2.
“HP” (High-Pass): Configures the filter to attenuate
frequencies below the selected filter frequency.
Useful for connection of component speakers to
the 300/2 in a bi-amplified system.
4) “Filter Freq. (Hz)”The filter frequency
markings surrounding this rotary control are for
reference purposes and are generally accurate to
within 1/3 octave or better. If you would like to
select the filter cutoff frequency with a higher level
of precision, consult the chart in Appendix A
(page 12) of this manual.
IMPORTANT
!
If you connect a load higher than 4Ω nominal
per channel in stereo mode (or 8Ω in bridged
mode), power will drop by half with every
doubling of impedance above 4Ω stereo / 8Ω
mono. If you connect a load lower than 1.5Ω
nominal per channel in stereo mode (or 3Ω in
bridged mode, the amplifier protection circuitry
activates a “safe” mode which reduces amplifier
power to protect the circuitry from failure (the
yellow “Low Ω” LED lights to indicate that this
has happened). See page 10 for details.
NOTE: The signal level of the “Preamp Output” is
affected by the setting of the “InputVoltage Range”
switch of the amplifier. See the “InputVoltage
Range” section (page 7) for details on “Input
Voltage” settings.The preamp output level is not
affected by the “Input Sens.”rotary control.
IMPORTANT
!
Speaker loads below 1.5Ω nominal per channel
in stereo or 3Ω nominal in bridged mode are not
recommended and may cause the amplifier output
to distort excessively.
8
JL AUDIO 300/2
JL AUDIO 300/2
9
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BRIDGING CONSIDERATIONS
STATUS INDICATOR LIGHTS /
PROTECTION CIRCUITRY
SERVICINGYOUR JL AUDIO AMPLIFIER
If your amplifier fails or malfunctions, please
return it to your authorized JL Audio dealer so
that it may be sent in to JL Audio for service.
There are no user serviceable parts or fuses
inside the amplifier.The unique nature of the
circuitry in the JL Audio amplifiers requires
specifically trained service personnel. Do not
attempt to service the amplifier yourself or
through unauthorized repair facilities.This will not
only void the warranty, but may result in the
creation of more problems within the amplifier.
Bridging is the practice of combining the output
of two amplifier channels to drive a single load.
When bridged, each channel produces signals of
equal magnitude, but opposite polarity.The
combined output of the two channels provides
twice the output voltage available from a single
channel.The 300/2 has been designed for bridging
of its channel pairs without the need for input
inversion adaptors.
There are three status indicator lights on the top
of the amplifier. These are as follows:
1) “Power” (Green): lights to indicate that the
amplifier is turned on and operating normally.
2) “Thermal” (Red): lights to indicate that the
amplifier has exceeded its safe operating
temperature, putting the amplifier into a self-
protection mode, which reduces the power
output of the amplifier. The red light will shut off
and the amplifier will return to normal, full-power
operating mode if the heat sink temperature
drops back to a safe level.
3) “Low Ω” (Amber): lights to indicate that the
impedance of the speaker load connected to the
amplifier is lower than the optimum load impedance
range for the amplifier.When this light is on, a
protection circuit engages and reduces the power
output of the amplifier.The amber indicator will also
light when a short-circuit is detected in the speaker
wiring (this can be a short between the positive and
negative speaker wires or between either speaker
wire and the vehicle chassis).This can be used to
diagnose a short-circuit by only connecting one of
channel at a time.The amber LED will light when
you connect the section that is experiencing the
problem and turn the volume up.
There is only one condition that will shut
down an undamaged 300/2 completely…
If battery voltage drops below 10 volts, the entire
amplifier will shut itself off.The green “Power”
indicator on the top of the amplifier will turn off
when this occurs.The amplifier will turn back on
when voltage climbs back above 10 volts.This may
happen in a rapid cycle when bass-heavy program
material causes a weak charging system to dip
below 10 volts momentarily. If this is happening in
your system, have your charging system inspected to
make sure it is working properly.A 0.5 or 1.0 Farad
rapid-discharge capacitor connected in parallel to
the amplifier power connections will minimize these
short duration voltage dips in most systems that are
having this problem.
If you have any questions about the installation or
setup of the amplifier not covered in
this manual, please contact your dealer or the
JL AUDIO Technical Department for assistance:
(954) 443-1100
9:00 AM – 5:30 PM Eastern Time,
Monday – Friday
To bridge a pair of channels, use the “Left +” and
“Right –” speaker connectors only (the “Left –”
and “Right +” remain unused).When bridged, the
300/2 will deliver optimum power into a 3 - 8Ω
load. Operating a bridged 300/2 into a load lower
than 3Ω is not recommended.
Because a bridged pair of channels requires that
both channels receive input, you need to connect
both left and right RCA inputs to the source unit.
Connection of only one RCA input will result in
reduced power output, increased distortion and can
cause the amplifier to overheat. Do not do this!
Instead, use a “Y-Adaptor” to split the mono signal
into both left and right RCA inputs.
Why a mono signal? If you are bridging a pair of
channels and use a stereo input, the only
information that will reach the amplifier stage is the
common-phase portion of the signal.This may be
useful for passively deriving a center-channel signal,
but is not going to give you a defined left or right
channel. If you are looking to reproduce a single
channel’s signal, you must split the mono signal with
a “Y-Adaptor” and connect it to both left and right
RCA inputs for the bridged channel pair.
For information on troubleshooting this
amplifier, refer to Appendix C (page 14).
10
JL AUDIO 300/2
JL AUDIO 300/2
11
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APPENDIX A:
APPENDIX B:
Precise Frequency Selection Chart
Input Sensitivity Level Setting
“FILTER FREQ” AMP FILTER
JLAudio amplifiers utilizing the Regulated
6)Verify that you have disconnected the
speakers before proceeding. Play a track with an
appropriate sine wave (within the frequency range
to be amplified by the 300/2) at 3/4 source unit
volume.
7) Connect the AC voltmeter to the “Speaker
Outputs” connectors of the amplifier. If the channel
pair is operating in stereo, it is only necessary to
measure one channel. If bridged, make sure you test
the voltage at the correct connectors (L+ and R–).
8) Increase the “Input Sens.” control until the
target voltage is observed with the voltmeter. If
excessive voltage is read with the control at
minimum (full counterclockwise), switch the “Input
Voltage” switch to “High” and re-adjust.
Detent
Number
Panel
Marking
Actual
Freq.
Intelligent Power Supply (R.I.P.S.) allow delivery of
their rated power when connected to any load
impedance from 1.5 - 4Ω per channel (3 - 8Ω
bridged) and when connected to a charging system
with any voltage from 11 - 14.5V. This design is
beneficial for many reasons. One of these reasons is
ease of setup. Because each JLAudio amplifier will
always deliver the same amount of power within its
operational range of impedances and supply
voltages, the maximum, unclipped output is very
predictable.This makes setting the gain structure via
the input sensitivity controls very simple. Following
the directions below will allow the user to adjust
the input sensitivity of the amplifier(s) simply and
easily in just a few minutes using equipment which is
commonly available in installation bays.
Full counter-clockwise: 58
01 . . . . . . . . . . . . . . . . . . . . . . . .58
02 . . . . . . . . .“50” . . . . . . . . .58
03 . . . . . . . . . . . . . . . . . . . . . . . .58
04 . . . . . . . . . . . . . . . . . . . . . . . .58
05 . . . . . . . . . . . . . . . . . . . . . . . .59
06 . . . . . . . . . . . . . . . . . . . . . . . .60
07 . . . . . . . . . . . . . . . . . . . . . . . .61
08 . . . . . . . . .“60” . . . . . . . . .63
09 . . . . . . . . . . . . . . . . . . . . . . . .65
10 . . . . . . . . . . . . . . . . . . . . . . . .67
11 . . . . . . . . . . . . . . . . . . . . . . . .69
12 . . . . . . . . . . . . . . . . . . . . . . . .71
13 . . . . . . . . . . . . . . . . . . . . . . . .74
14 . . . . . . . . .“75” . . . . . . . . .77
15 . . . . . . . . . . . . . . . . . . . . . . . .80
16 . . . . . . . . . . . . . . . . . . . . . . . .82
17 . . . . . . . . . . . . . . . . . . . . . . . .85
18 . . . . . . . . . . . . . . . . . . . . . . . .90
19 . . . . . . . . . . . . . . . . . . . . . . . .93
20 . . . . . . . . .“95” . . . . . . . . .97
21 . . . . . . . . . . . . . . . . . . . . . . .102
22 . . . . . . . . . . . . . . . . . . . . . . .107
23 . . . . . . . . . . . . . . . . . . . . . . .113
24 . . . . . . . . . . . . . . . . . . . . . . .120
25 . . . . . . . . . . . . . . . . . . . . . . .127
26 . . . . . . . . .“130” . . . . . . . .135
27 . . . . . . . . . . . . . . . . . . . . . . .143
28 . . . . . . . . . . . . . . . . . . . . . . .153
29 . . . . . . . . . . . . . . . . . . . . . . .171
30 . . . . . . . . . . . . . . . . . . . . . . .182
31 . . . . . . . . . . . . . . . . . . . . . . .201
32 . . . . . . . . .“200” . . . . . . . .223
33 . . . . . . . . . . . . . . . . . . . . . . .253
34 . . . . . . . . . . . . . . . . . . . . . . .289
35 . . . . . . . . . . . . . . . . . . . . . . .337
36 . . . . . . . . . . . . . . . . . . . . . . .404
37 . . . . . . . . . . . . . . . . . . . . . . .474
38 . . . . . . . . .“500” . . . . . . . .514
39 . . . . . . . . . . . . . . . . . . . . . . .525
Full-clockwise: 542
9) Once you have adjusted the 300/2 to its
maximum low-distortion output level, reconnect
the speaker(s).The “Input Sens.” controls can now
be adjusted downward if the amplifier requires
attenuation to achieve the desired system balance.
Necessary Equipment
• Digital ACVoltmeter
• CD with a sine-wave test tone recorded at 0 dB
reference level in the frequency range to be
amplified for that set of channels (50 Hz for
subwoofer channels, 1 kHz for a midrange
application). Do not use attenuated test tones
(-10 dB, -20 dB, etc.).
IMPORTANT
!
Do not increase any “Input Sens.” setting in
the system beyond the maximum level established
during this procedure. Doing so will result in
audible distortion and possible speaker damage.
It will be necessary to re-adjust the “Input
Sens.” for the affected channels if any equalizer
boost is activated after setting the “Input Sens.”
with this procedure.This applies to any EQ boost
circuit, including source unit tone controls or EQ
circuits. EQ cuts will not require re-adjustment.
The Nine-Step Procedure
1) Disconnect the speaker(s) from the
amplifier’s “Speaker Outputs”connectors.
2)Turn off all processing on the source unit
(bass/treble, loudness, EQ, etc.). Set fader control to
center position and subwoofer level control to 3/4
of maximum (if used to feed the 300/2).
3) Switch the “InputVoltage” to “Low” and
turn the “Input Sens.” control all the way down.
4) Set the source unit volume to 3/4 of full
volume. This will allow for reasonable gain overlap
with moderate clipping at full volume.
Nom.
Target ACVoltage
Impedance Stereo
Bridged
8Ω
6Ω
24.5V
24.5V
24.5V
21.2V
17.3V
15.0V
49.0V
42.4V
4Ω
34.6V
5) Using the chart below, determine the target
voltage for input sensitivity adjustment according to
the nominal impedance of the speaker system
connected to the amplifier outputs.
3Ω
30.0V
2Ω
not recommended
not recommended
1.5Ω
12
JL AUDIO 300/2
JL AUDIO 300/2
13
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APPENDIX C: TROUBLE SHOOTING
“MY AMPLIFIER DOESN’TTURN ON”
“MY AMPLIFIERTURNS ON, BUTTHERE IS NO OUTPUT”
Check the input signal using an AC voltmeter to measure the
Check to make sure there is +12V at the “Remote” connection of
the amplifier. In some cases, the turn-on lead from the source
unit is insufficient to turn on multiple devices and the use of a
relay is required. To test for this problem, jump the “+12V”
wire to the “Remote” terminal to see if the amplifier turns on.
If this does not work, proceed to the next step.
voltage from the source unit while an appropriate test tone
is played through the source unit (disconnect the RCA
cables from the amplifier prior to this test).The frequency
used should be in the range that is to amplified by the
amplifier (example: 50 Hz for a sub bass application or
1 kHz for a full range / high-pass application). A steady
voltage should be present at the output of the RCA cables.
If you are receiving a sufficient voltage (between 0.2 and 8.0-
volts), check to ensure that the speaker wires are making a
good connection with the metal inside the amplifier. The
connectors are designed to accept up to an 8 AWG wire. If
you are using significantly smaller wire (14 AWG or smaller),
you may have difficulty making an adequate connection. In
this case, you may find it necessary to “fold” the wire over
once (or twice!) so as to make a solid connection. Make
sure to strip the wire to allow for a sufficient connection
with the input or output of the amplifier.
Check the fuse, not just visually, but with a continuity meter. It is
possible for a fuse to have poor internal connections that
cannot be found by visual inspection. It is best to take the
fuse out of the holder for testing. If no problem is found
with the fuse, inspect the fuse-holder.
“I GET A DISTORTED / ATTENUATED SOUND COMING OUT OFTHE SPEAKER(S)”
Check the speaker wires for a possible short, either between the
positive and negative or between a speaker lead and the
vehicle’s chassis ground. If a short is present you will
experience distorted and/or attenuated output.The
“Low Ω” light may also illuminate in this situation. It may be
helpful to disconnect the speaker wires from the amplifier
and use a different set of wires connected to a test speaker.
Check the nominal load impedance to verify that each channel
of the amplifier is driving a load between 1.5 - 4Ω
Check the output of the amplifier. Using the procedure explained in
the previous check item (after plugging the RCA cables back
into the amplifier) test for output at the speaker outputs of the
amplifier. Unless you enjoy test tones at high levels, it is a good
idea to remove the speaker wires from the amplifier while
doing this. Turn the volume up approximately half way.
5 volts or more should be measured at the speaker outputs.
This output level can vary greatly between amplifiers but it
should not be in the millivolt range with the source unit at half
volume. If you are reading sufficient voltage, check your speaker
connections as explained above.
(3 - 8Ω bridged).
Check the input signal and input signal cables to make sure signal is
present at the “Amplifier Input Section” and the cables are
not pinched or loose. It may be helpful to try a different set of
cables and/or a different signal source to be sure.
“MY AMPLIFIER SHUTS OFF ONCE IN AWHILE, USUALLY AT HIGHERVOLUMES”
Check your voltage source and grounding point.The R.I.P.S. power
supply is rated to operate with source voltages between
“MY AMPLIFIER’S OUTPUT FLUCTUATESWHEN ITAP ON IT OR HIT A BUMP”
Check the connections to the amplifier. Make sure that the insulation
for all wires has been stripped back far enough to allow a
good contact area inside the amplifier terminal.
11 - 14.5V. Shutdown problems at higher levels can occur
when the charging system voltage drops below 10 volts.These
dips can be of very short duration making them extremely
difficult to detect with a common DC voltmeter.To ensure
proper voltage, inspect all wiring and termination points. It is
also a good idea to improve the vehicle’s factory ground wire
and termination point. Grounding problems are the leading
cause of mis-diagnosed amplifier failures.
Check the RCA connectors to ensure that both the center pin and
the outer shield are making good contact with the input jacks
on the amplifier.
“HOW DO I PROPERLY SETTHE INPUT SENSITIVITY ON MY AMPLIFIER”
Please refer to Appendix B (page 13) to set the input sensitivity for
maximum, low-distortion output.
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JL AUDIO 300/2
JL AUDIO 300/2
15
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APPENDIX D:
300/2 Specifications
GENERAL SPECIFICATIONS:
Recommended FuseValue: 40A
Recommended Fuse Type: AGU or MaxiFuse™
INPUT SECTIONS:
No. of Inputs: One Stereo Pair
Input Type: Differential-balanced with RCA jack inputs
Input Range: Switchable from 200mV - 2V RMS
to 800mV - 8V RMS
AMPLIFIER SECTION:
Amplifier Topology: Class AB with patented Absolute
Symmetry™ dual N-Channel MOSFET output design
Power Supply: Independent, pulse width modulation-
regulated switching power supply with multistage
impedance optimizing circuitry.
Rated Power (Stereo):
150W RMS x 2 @ 1.5-4Ω (11V - 14.5V)
Rated Power (Bridged):
300W RMS x 1 @ 3-8Ω (11V - 14.5V)
THD at Rated Power: <0.03% @ 4Ω per channel
(20 Hz-20 kHz)
Signal to Noise Ratio: >108.5 dB referred to rated power
(A-weighted, 20 Hz-20 kHz noise bandwidth)
Frequency Response: 5 Hz - 30 kHz (+0, -1dB)
Damping Factor: >200 @ 4Ω per ch. / 50 Hz, >100 @ 2Ω
per ch. / 50 Hz
Slew Rate: 25V/µs
AMPLIFIER FILTER:
Filter Type: State-variable, 12 dB/octave Butterworth or 24
dB/octave Linkwitz-Riley Low-Pass or High-Pass with
continuously variable cutoff frequency from 50 - 500 Hz,
switchable to a range of 500 - 5000 Hz, via x10 switch.
Defeatable.
PREAMP OUTPUT:
2-Channel, switch-selectable as pass-through type, tracking
High-Pass, or tracking Low-Pass linked to Amplifier Filter.
DIMENSIONS (LxWxH):
13.4" x 9.25" x 2.36" (340mm x 235mm x 60mm)
Due to ongoing product development, all specifications are
subject to change without notice.
16
JL AUDIO 300/2
JL AUDIO 300/2
17
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INSTALLATION NOTES:
Use this diagram to document your amplifier’s switch and control positions.
18
JL AUDIO 300/2
JL AUDIO 300/2
19
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LIMITEDWARRANTY - AMPLIFIERS (USA)
JL AUDIO warrants this product to be free of defects in materials and workmanship for a period of ninety
(90) days from the original date of purchase.The warranty term is extended to two (2) years if installation is
performed or approved by an authorized JL AUDIO dealer (proof of installation or approval required on
purchase receipt).
This warranty is not transferrable and applies only to the original purchaser from an authorized JL AUDIO
dealer. Should service be necessary under this warranty for any reason due to manufacturing defect or
malfunction, JL AUDIO will (at its discretion), repair or replace the defective product with new or remanufactured
product at no charge. Damage caused by the following is not covered under warranty: accident, misuse, abuse,
product modification or neglect, failure to follow installation instructions, unauthorized repair attempts,
misrepresentations by the seller.This warranty does not cover incidental or consequential damages and does not
cover the cost of removing or reinstalling the unit(s). Cosmetic damage due to accident or normal wear and tear
is not covered under warranty.
Warranty is void if the product’s serial number has been removed or defaced.
Any applicable implied warranties are limited in duration to the period of the express warranty as provided
herein beginning with the date of the original purchase at retail, and no warranties, whether express or implied,
shall apply to this product thereafter. Some states do not allow limitations on implied warranties, therefore these
exclusions may not apply to you.This warranty gives you specific legal rights, and you may also have other rights
which vary from state to state.
If you need service on your JL AUDIO product:
All warranty returns should be sent to JL AUDIO ’s Amplifier Service Facility freight-prepaid through an
authorized JL AUDIO dealer and must be accompanied by proof of purchase (a copy of the original sales receipt).
Direct returns from consumers or non-authorized dealers will be refused unless specifically authorized by
JL AUDIO with a valid return authorization number.
Warranty expiration on products returned without proof of purchase will be determined from the
manufacturing date code. Coverage may be invalidated as this date is previous to purchase date. Non-defective
items received will be returned freight-collect. Customer is responsible for shipping charges and insurance in
sending the product to JL AUDIO. Freight damage on returns is not covered under warranty.
For Service Information in the U.S.A. please call:
JL Audio customer service: (954) 443-1100
during normal business hours (9:00 AM – 5:30 PM Eastern Time)
JL Audio, Inc
10369 North Commerce Pkwy.
Miramar, FL 33025
(do not send product for repair to this address)
InternationalWarranties:
Products purchased outside the United States of America are covered only
by that country’s distributor and not by JL Audio, Inc.
™
Absolute Symmetry Class AB Amplifier Circuit is covered by U.S. Patent #6,294,959 and is
pending in the countries listed below. Austria,Belgium,Brazil,Canada,China,France,Germany,Indonesia,
Italy, Japan, Republic of Korea, Mexico, Netherlands, Norway, Russian Federation, Singapore, Sweden,
Switzerland, United Kingdom, and all other PCT countries.
JL3002MAN-CH-04-2003
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